Catalogue No. |Website Header|Website Info|ISMN|Composer alpha|Composer display|Title|Instrument|Retail Price GBP|Weight(gms) 1001|||9790222238404|IVES G|Grayston Ives|Falcon|Voice solo (with accompaniment)|3.50|25 1002|||9790222238411|NAYLOR B|Bernard Naylor|Gentle Sleep|Voice solo (with accompaniment)|3.50|13 1005|||9790222238428|PLUMSTEAD|Mary Plumstead|'Ha''nacker Mill'|Voice solo (with accompaniment)|3.50|25 1006|||9790222238435|ORR|Charles Wilfred Orr|Lads in Their Hundreds|Voice solo (with accompaniment)|3.50|25 1007|||9790222238442|ORR|Charles Wilfred Orr|Two Seventeenth Century Poems|Voice solo (with accompaniment)|3.50|25 1008|||9790222238459|ORR|Charles Wilfred Orr|Soldier from the Wars Returning|Voice solo (with accompaniment)|3.50|25 1009|||9790222238466|ORR|Charles Wilfred Orr|Tryste Noel|Voice solo (with accompaniment)|3.50|25 1010|||9790222238473|ORR|Charles Wilfred Orr|Hymn Before Sleep|Voice solo (with accompaniment)|3.50|25 1011|||9790222238480|ORR|Charles Wilfred Orr|In Valleys Green and Still|Voice solo (with accompaniment)|3.50|25 1012|||9790222238497|ORR|Charles Wilfred Orr|While Summer On Is Stealing|Voice solo (with accompaniment)|3.50|25 1013|Michael Head
I WILL LIFT UP MINE EYES for solo voice
Roberton 01013|Psalm 121. "I Will Lift Up Mine Eyes", No.1 of Three Psalms set to music by Michael Head for voice and piano.
In two keys: for Low Voice in C major (B-E) and High Voice in F major (E-A). Both keys are included in the same copy.|9790222238503|HEAD|Michael Head|I Will Lift Up Mine Eyes|Voice solo (with accompaniment)|4.00|38 01014H|||9790222238510|HEAD|Michael Head|Be Merciful Unto Me O God (high)|Voice solo (with accompaniment)|4.00|38 01014L|||9790222238527|HEAD|Michael Head|Be Merciful Unto Me O God (low)|Voice solo (with accompaniment)|4.00|38 01015H|||9790222238534|HEAD|Michael Head|Make A Joyful Noise Psalm100 (high)|Voice solo (with accompaniment)|3.50|25 01015L|||9790222238541|HEAD|Michael Head|Make A Joyful Noise Psalm100 (low)|Voice solo (with accompaniment)|3.50|25 1016|||9790222238558|CROFT|William Croft|'My Heart Is Ev''ry Beauty''s Prey'|Voice solo (with accompaniment)|3.50|25 1017|||9790222238565|WORDSWORTH|William Wordsworth|Solitary Reaper (sop/clar/pno)|Voice solo (with accompaniment)|5.50|100 1018|||9790222238572|NAYLOR J|John Naylor|Come Away Death (low & high key)|Voice solo (with accompaniment)|3.50|25 1019|||9790222238589|NAYLOR B|Bernard Naylor|'Child''s Carol'|Voice solo (with accompaniment)|3.50|13 1020|||9790222238596|NAYLOR B|Bernard Naylor|Dreams of the Sea|Voice solo (with accompaniment)|3.50|25 01021H|||9790222238602|NAYLOR B|Bernard Naylor|Ecstatic (high)|Voice solo (with accompaniment)|3.50|13 01021L|||9790222238619|NAYLOR B|Bernard Naylor|Ecstatic (low)|Voice solo (with accompaniment)|3.50|13 1022|||9790222238626|NAYLOR B|Bernard Naylor|Fallen Poplar|Voice solo (with accompaniment)|3.50|13 1024|||9790222238640|MACNUTT|Walter MacNutt|O Love, Be Deep|Voice solo (with accompaniment)|3.50|13 1027|||9790222269866|PLUMSTEAD|Mary Plumstead|Close Thine Eyes (H/M/L keys)|Voice solo (with accompaniment)|3.50|25 1028|||9790222238671|PLUMSTEAD|Mary Plumstead|Grateful Heart / He Was the One|Voice solo (with accompaniment)|3.50|25 1029|||9790222238688|RAPHAEL|Mark Raphael|Weep No More|Voice solo (with accompaniment)|3.50|13 1030|||9790222238695|RAPHAEL|Mark Raphael|Three Blake Songs|Voice solo (with accompaniment)|3.50|25 1031|||9790222238701|CAREY H|Henry Carey|Friendly Adviser (real.Cockshott)|Voice solo (with accompaniment)|3.50|25 1033|||9790222238725|HEAD|Michael Head|Child On the Shore (voice/vln/pno)|Voice solo (with accompaniment)|4.50|76 01034H|||9790222238732|ROBERTON|Hugh S. Roberton|Maureen (high - key F)|Voice solo (with accompaniment)|3.50|13 01034L|||9790222238749|ROBERTON|Hugh S. Roberton|Maureen (low - key C)|Voice solo (with accompaniment)|3.50|13 01034M|||9790222238756|ROBERTON|Hugh S. Roberton|Maureen (medium - key E Flat)|Voice solo (with accompaniment)|3.50|13 01035H|||9790222238763|ROBERTON|Hugh S. Roberton|Old Woman (high)|Voice solo (with accompaniment)|3.50|13 01035L|||9790222238770|ROBERTON|Hugh S. Roberton|Old Woman (low)|Voice solo (with accompaniment)|3.50|13 1036|||9790222238787|ROBERTON|Hugh S. Roberton|Wee Toun Clerk|Voice solo (with accompaniment)|3.50|13 1038|||9790222238794|PARKE|Dorothy Parke|Wee Hughie (low & high keys)|Voice solo (with accompaniment)|3.50|25 1039|||9790222238800|PLUMSTEAD|Mary Plumstead|Song of the Cross (low & high keys)|Voice solo (with accompaniment)|3.50|25 1041|||9790222238817|PARRY|C. Hubert H. Parry|Jerusalem (simplified in key C)|Voice solo (with accompaniment)|3.50|13 1042|||9790222238824|PARKE|Dorothy Parke|Song in Exile|Voice solo (with accompaniment)|3.50|13 1043|||9790222238831|PARKE|Dorothy Parke|Road To Ballydare|Voice solo (with accompaniment)|3.50|25 1044|||9790222238848|DALE|Gordon Dale|Fie Diddle Dee and Fie On Me|Voice solo (with accompaniment)|3.50|13 1045|||9790222238855|DALE|Gordon Dale|Footprints in the Snow|Voice solo (with accompaniment)|3.50|25 1046|||9790222238862|DALE|Gordon Dale|Snowie the Snowman|Voice solo (with accompaniment)|3.50|25 1047|||9790222238879|ANDERSON|William Henry Anderson|Last Year|Voice solo (with accompaniment)|3.50|13 1048|William Henry Anderson
TWO UKRAINIAN FOLK SONGS
Roberton 01048|"Alone" and "In the Garden Flowers are Growing", two Ukrainian folksongs arranged by W.H.Anderson for solo or unison voices and piano.
Re-typeset in 2023 for a clearer copy.|9790222238886|ANDERSON|William Henry Anderson|Two Ukrainian Folk Songs|Voice solo (with accompaniment)|3.50|13 1049|||9790222238893|ANDERSON|William Henry Anderson|'Old Shepherd''s Prayer (key Dm)'|Voice solo (with accompaniment)|3.50|13 1050|||9790222238909|PARKE|Dorothy Parke|Falling of the Leaves|Voice solo (with accompaniment)|3.50|13 01051H|||9790222238916|ANDERSON|William Henry Anderson|To a Girl On Her Birthday (high)|Voice solo (with accompaniment)|3.50|13 01051L|||9790222238923|ANDERSON|William Henry Anderson|To a Girl On Her Birthday (low)|Voice solo (with accompaniment)|3.50|13 1052|||9790222238930|PARKE|Dorothy Parke|House and the Road|Voice solo (with accompaniment)|3.50|13 1053|||9790222238947|WAGNER R|Richard Wagner|O Pure and Tender Star of Eve|Voice solo (with accompaniment)|3.50|25 1054|||9790222238954|SCHUBERT|Franz Schubert|Almighty (Die Allmacht)|Voice solo (with accompaniment)|3.50|25 1055|||9790222238961|ROBERTON|Hugh S. Roberton|'As If I Didn''t Know (the Deluderer)'|Voice solo (with accompaniment)|3.50|13 1056|||9790222238978|ROBERTON|Hugh S. Roberton|Old Harper (traditional Scots air)|Voice solo (with accompaniment)|3.50|13 1057|||9790222238985|WALTERS L|Leslie Walters|Love Song (high & low keys)|Voice solo (with accompaniment)|3.50|25 1058|||9790222269873|GIBBS CA|C Armstrong Gibbs|Covent Garden (3 keys in one copy)|Voice solo (with accompaniment)|4.00|50 01061H|||9790222239029|PARRY|C. Hubert H. Parry|'Poet''s Song (high key - F)'|Voice solo (with accompaniment)|3.50|13 01061L|||9790222239036|PARRY|C. Hubert H. Parry|'Poet''s Song (low key - D)'|Voice solo (with accompaniment)|3.50|13 01061M|||9790222239043|PARRY|C. Hubert H. Parry|'Poet''s Song (medium key - E)'|Voice solo (with accompaniment)|3.50|13 1062|||9790222239050|ROWLEY|Alec Rowley|On Newlyn Hill|Voice solo (with accompaniment)|3.50|25 01064H|||9790222239067|ANDERSON|William Henry Anderson|Hospitality key D Minor (high)|Voice solo (with accompaniment)|3.50|13 01064L|||9790222239074|ANDERSON|William Henry Anderson|Hospitality key C Minor (low)|Voice solo (with accompaniment)|3.50|13 1065|||9790222239081|JEFFREYS J|John Jeffreys|Northumberland|Voice solo (with accompaniment)|3.50|13 1066|||9790222239098|TEED|Roy Teed|Holy Thursday|Voice solo (with accompaniment)|3.50|25 1068|Dilys Elwyn-Edwards
THE CLOTHS OF HEAVEN for solo voice
Roberton 01068|Words by W.B.Yeats (with an additional Welsh translation by Meredydd Evans) set to music by Dilys Elwyn-Edwards.
Key D, range is D to E.|9790222239104|ELWYN-EDWARD|Dilys Elwyn-Edwards|Cloths of Heaven|Voice solo (with accompaniment)|3.50|25 1069|||9790222239111|PARKE|Dorothy Parke|Wish|Voice solo (with accompaniment)|3.50|13 1070|||9790222239128|JEFFREYS J|John Jeffreys|Gone Is My Love from the Silver Str|Voice solo (with accompaniment)|3.50|13 1071|||9790222239135|JEFFREYS J|John Jeffreys|I Will Go With My Father [key G]|Voice solo (with accompaniment)|3.50|25 1072|||9790222239142|JEFFREYS J|John Jeffreys|'Poacher''s Dog'|Voice solo (with accompaniment)|4.00|38 1073|||9790222239159|GIBBS CA|C Armstrong Gibbs|Slow Horses Slow (low - C minor)|Voice solo (with accompaniment)|3.50|25 1074|||9790222239166|PARKE|Dorothy Parke|Kilkeel|Voice solo (with accompaniment)|3.50|13 1075|Harrison Oxley
LAURA SLEEPING
for voice and piano
Roberton 1075|A lovely setting of words by Charles Cotton (1630-1687) with original music by Harrison Oxley. A great range is not required (High voice Eb-G, Low voice C-E) and both keys are printed in the same copy so you cannot buy the wrong one! Sample score shown is the HIgh Voice version.|9790222252493|OXLEY|Harrison Oxley|Laura Sleeping|Voice solo (with accompaniment)|4.00|50 1076|John Jeffreys
THE FAR COUNTRY for high voice and piano
Roberton 1076|'A lovely setting of A. E. Housman''s well-known poem for high voice [range E up to A] and piano.
Duration: 3 minutes'|9790222264885|JEFFREYS J|John Jeffreys|Far Country|Voice solo (with accompaniment)|3.50|13 1077|John Jeffreys
HERACLITUS for medium voice and piano
Roberton 1077|A setting of words by William Cory (1823-1892) for medium voice [range Eb up to Eb] and piano.
Duration: 3? minutes|9790222266438|JEFFREYS J|John Jeffreys|Heraclitus|Voice solo (with accompaniment)|3.50|13 1501|||9790222239173|NAYLOR B|Bernard Naylor|Speaking from the Snow|Voice solo (with accompaniment)|4.00|50 1504|||9790222239180|HAMILTON|Alasdair Hamilton|Plumes of Time|Voice solo (with accompaniment)|4.50|76 1505|Claire Liddell
THE KINDLING FIRE for voice and piano
Roberton Publications 1505|'Twelve Burns songs set to the original airs for high voice and piano
A rosebud by my early walk; Ca'' the yowes; Comin'' through the rye; Go, fetch me a pint of wine; I dreamed I lay where flowers were springing; I''m o''er young to marry yet; On Cessnock banks; Scots wha hae; Talk not of love; To a blackbird; Wee Willie Gray; Ye banks and braes of bonnie Doon.'|9790222239197|LIDDELL C|Claire Liddell|Kindling Fire - 12 Burns Songs|Voice solo (with accompaniment)|7.50|136 1506|||9790222239203|LIDDELL C|Claire Liddell|Five Orkney Scenes|Voice solo (with accompaniment)|5.00|88 1507|||9790222239210|ARNOLD M|Malcolm Arnold|Two John Donne Songs|Voice solo (with accompaniment)|4.00|38 1508|Rene Atkinson
MA BONNY LAD
for voice and piano
Roberton Publications 1508|Five traditional songs from Northumbria arranged for voice and piano by Rene Atkinson.
The Water of Tyne
Elsie Marley
Ma Bonny Lad
Bonny at Morn
Bobby Shaftoe|9790222239227|ATKINSON R|Rene Atkinson|Ma Bonny Lad (Northumbrian Songs)|Voice solo (with accompaniment)|5.00|88 1509|||9790222239234|RAPHAEL|Mark Raphael|Two Thomas Moore Songs|Voice solo (with accompaniment)|3.50|25 01510H|||9790222239241|ROBERTON|Hugh S. Roberton|Scottish Songs Book 1 (high)|Voice solo (with accompaniment)|4.00|38 01510L|||9790222239258|ROBERTON|Hugh S. Roberton|Scottish Songs Book 1 (low)|Voice solo (with accompaniment)|4.00|38 01511H|||9790222239265|ROBERTON|Hugh S. Roberton|Scottish Songs Book 2 (high)|Voice solo (with accompaniment)|4.00|38 01511L|||9790222239272|ROBERTON|Hugh S. Roberton|Scottish Songs Book 2 (low)|Voice solo (with accompaniment)|4.00|38 1512|||9790222239289|RAPHAEL|Mark Raphael|Three D.H.Lawrence Love Poems|Voice solo (with accompaniment)|4.00|50 1513|HEAD, Michael (1900-1976)
NINE CORNISH SONGS
for voice and piano
Roberton Publications 1513|'First publication (2007) of nine settings of poems by John Harris, James Dryden Hosken, Joseph Thomas and Charles Causley all with a Cornish theme. The songs are:
Kynance (John Harris) [Range: Bb(Db) - Bb]
Mystic melody (John Harris) [C - Ab]
Porthleven: The brown sails tremble (J. D. Hosken) [C# - A]
The burial (Will''s ferret) (John Harris) [D - E]
As I went down Zig-Zag (Charles Causley) [E - G#]
The Lark (John Harris) [Eb - Ab]
Mary, Mary, Magdalene (Charles Causley) [Eb - G]
Gyllyngdune (John Harris) [B - A]
My young man''s a Cornishman (Charles Causley) for soprano OR Kitty Cornish (Joseph Thomas) for tenor [E - A].
The ranges are generally suitable for high voice though "The Burial (Will''s ferret)" and "As I went down Zig-Zag" could be sung by a mezzo or baritone. The songs have been edited by Alison Mary Sutton from Michael Head''s manuscript.
Total duration c.25 minutes'|9790222262171|HEAD|Michael Head|Nine Cornish Songs|Voice solo (with accompaniment)|9.50|173 1515|HEAD, Michael (1900-1976)
SONGS OF REMINISCENCE
for voice and piano
Roberton Publications 1515|'First publication (2007) of seven settings of poems by Patrick Kavanagh (1940-1967). The songs are:
A Christmas childhood [Range C to F]
Memory of my Father [C-D]
If ever you go to Dublin Town [A-F#]
My room [B-D#]
The Rowley Mile [A-F#]
Plough horses [A-E]
September morning [Db-Gb]
The songs have been edited by Alison Mary Sutton from Michael Head''s manuscript.
Total duration c.17 minutes'|9790222262188|HEAD|Michael Head|Songs of Reminiscence|Voice solo (with accompaniment)|6.50|124 1519|||9790222239296|STEVENS B|Bernard Stevens|True Dark - Song Cycle|Voice solo (with accompaniment)|8.00|149 1520|Francis George Scott
THE SONGS OF FRANCIS GEORGE SCOTT for voice and piano
Roberton Publications 1520|'A centenary album of 41 songs edited by Neil Mackay.
Ane sang of the birth of Christ (Trad); An apprentice angel (Hugh MacDiarmid); Ay waukin, O (Robert Burns); Country life (Hugh MacDiarmid); Crowdieknowe (Hugh MacDiarmid); Cupid and Venus (Mark Alexander Boyd); The deil O'' Bogie (Alexander Gray); The discreet hint (Robert Burns); The eemis stane (Hugh MacDiarmid); Empty vessel (Hugh MacDiarmid); First love (Hugh MacDiarmid); Florine (Thomas Campbell); The Kerry shore - Loch Fyne (George Campbell Hay); Lourd on my heart (Hugh MacDiarmid); The love-sick lass (Hugh MacDiarmid); Mary Morrison (Robert Burns); Milkwort and bog-cotton (Hugh MacDiarmid); Moonstruck (Hugh MacDiarmid); My luve is like a red, red rose (Robert Burns); O were my love you lilac fair (Robert Burns); Of ane blackamoor (William Dunbar); The old fisherman (George Campbell Hay); Phillis (William Drummond); Rattlin'', roarin'' (Robert Burns); Reid e''en (Hugh MacDiarmid); Rorate coeli desuper (William Dunbar); St. Brendan''s graveyard; Isle of Barra (Jean Lang); The sauchs in the reuch heuch hauch (Hugh MacDiarmid); Scots, wha hae (Robert Burns); Scroggam (Robert Burns); Since all thy vows, false maid (Anon); To a lady (William Dunbar); To a Loch Fyne fisherman who keeps to the old ways (George Campbell Hay); The tryst (William Soutar); The twa corbies (Traditional); The twa kimmers (William Dunbar); The watergaw (Hugh MacDiarmid); The wee man (Willa Muir); Wee Willie Gray (Robert Burns); Wha is that at my bower-door? (Robert Burns);Wheesht, wheesht (Hugh MacDiarmid).'|9790222239302|SCOTT|Francis George Scott|Songs of Francis George Scott|Voice solo (with accompaniment)|12.50|490 1525|||9790222239319|ORR|Charles Wilfred Orr|Five Songs from A Shropshire Lad|Voice solo (with accompaniment)|5.00|88 1528|||9790222239326|RAPHAEL|Mark Raphael|Row Gently Here / Oh! Breathe Not..|Voice solo (with accompaniment)|3.50|25 1529|James Oswald
THE DUST CART
A favourite cantata for high voice and piano or harpsichord
Edited and realised by David Patrick|'James Oswald, who died around 1769, was a Scottish Dancing Master, violinist, organist and composer who came from Edinburgh to London in 1741 and became chamber composer to George III. This cantata (two short arias and recitatives) tells of "Tink''ring Tom''s" love for Silvia passing by in her dustcart.'|9790222252066|OSWALD|James Oswald|Dust Cart (ed.Patrick)|Voice solo (with accompaniment)|4.00|63 1530|John Jeffreys
BOOK OF SONGS for voice and piano
Roberton Publications 1530|'Forty songs for tenor and baritone
Ambulance train (Wilfrid Wilson Gibson); And would you see my mistress'' face (Philip Rosseter); The appeal (Thomas Wyatt); Curlew calling (Wilfrid Wilson Gibson); From Omiecourt (Ivor Gurney); Full fathom five (William Shakespeare); The hag (Robert Herrick); The high hills (Ivor Gurney); Horror follows horror (Ivor Gurney); I was young and foolish (W. B. Yeats); If it chance your eye offend you (A. E. Housman); In youth is pleasure (Robert Wever); It is winter (Walter de la Mare); It was a lover and his lass (William Shakespeare); Jillian of Berry (Anon); A lyke-wake dirge (Anon); The milkmaid (Thomas Nabbes); My little pretty one (Anon); O mistress mine (William Shakespeare); Omens (James H. Cousins); Otterburn (Wilfrid Wilson Gibson); Passing by (Anon); Requiem (Ivor Gurney); Romance (Robert Louis Stevenson); Severn meadows (Ivor Gurney); Sigh no more, ladies (William Shakespeare); Sleep (John Fletcher); Snow (Edward Thomas); The songs I had (Ivor Gurney); Stow-on-the-Wold (Wilfrid Wilson Gibson); Take, O take those lips away (William Shakespeare); There is a lady sweet and kind (Anon); Thirteen pence a day (A. E. Housman); This night (Padraic Pearse); ''Tis time, I think (A. E. Housman); Under the blossom (William Shakespeare); What evil coil of fate (Ivor Gurney); When daisies pied (William Shakespeare); When that I was and a little tiny boy (William Shakespeare); Who is at my window? (Anon)'|9790222239333|JEFFREYS J|John Jeffreys|Book of Songs|Voice solo (with accompaniment)|17.50|690 1531|||9790222239340|DALE|Gordon Dale|Four English Lyrics|Voice solo (with accompaniment)|4.00|38 1532|John Jeffreys
SECOND BOOK OF SONGS for voice and piano
Roberton Publications 1532|'Thirty-three songs with piano
Amaryllis (Thomas Campion); A light wind (Barry Duane Hill); Be you blithe and bonny (William Shakespeare); Black Stitchel (Wilfrid Wilson Gibson); Candle Gate (Wilfrid Wilson Gibson); Christ''s nativity (Anon); Cruel and bright (Wilfrid Wilson Gibson); The cuckoo (Anon); The falcon (Anon); Golden slumbers (Thomas Dekker); Hill song (Barry Duane Hill); How should I your true love know? (William Shakespeare); I will make you brooches (R. L. Stevenson); If there were dreams to sell (Thomas Lovell Beddoes); In pride of May (Anon); The little milkmaid (Thomas Nabbes); The little pretty nightingale (Anon); Little trotty wagtail (John Clare); Lovely playthings (Ivor Gurney); My mistress frowns (Anon); My pretty honey one (Anon); Now wolde (Anon); O good ale (Anon); O my dere heart (Martin Luther); Robin Redbreast (W. H. Davies); The salley gardens (W. B. Yeats); Seals of love (John Fletcher); She is all so slight (Richard Aldington); She is ever for the new (Anon); This is the weather (Thomas Hardy); Thomas MacDonagh (Francis Ledwidge); White was the way (Barry Duane Hill)'|9790222239357|JEFFREYS J|John Jeffreys|Second Book of Songs|Voice solo (with accompaniment)|17.50|445 1533|John Jeffreys
WHEN I WAS YOUNG - Part 1 for voice and piano
Roberton Publications 1533|Eighteen miniature songs for tenor or soprano with piano, being musical reflections on childhood days, in three parts, each album containing six songs in variety.|9790222239364|JEFFREYS J|John Jeffreys|When I Was Young - Six Little Songs|Voice solo (with accompaniment)|4.00|38 1534|HOWELLS, Herbert (1892-1983)
PEACOCK PIE for voice and piano
Roberton 1534|Settings for voice and piano of poems by Walter de la Mare.
1. Tired Tim
2. Alas, alack!
3. Mrs. MacQueen
4. The dunce
5. Full moon
6. Miss T|9790222239371|HOWELLS|Herbert Howells|Peacock Pie|Voice solo (with accompaniment)|5.00|88 1535|||9790222239388|CAMILLERI|Charles Camilleri|Three Songs of Omar Khayyam|Voice solo (with accompaniment)|3.50|25 1536|John Jeffreys
WITH WORDS OF LOVE for voice and bassoon
Roberton Publications 1536|Four songs for tenor and bassoon
That ever I saw (Anon); My little pretty one (Anon); My mistress frowns (Anon); And would you fain the reason know? (Philip Rosseter?)|9790222239395|JEFFREYS J|John Jeffreys|With Words of Love - Four Songs|Voice solo (with accompaniment)|4.00|50 1537|John Jeffreys
THIRD AND LAST BOOK OF SONGS for voice and piano
Roberton Publications 1537|'Thirty-one songs with piano
(Despite the title, this was NOT the composer''s LAST book of songs!)
Awake thee my Bessy (J. J. Callanan); The birds (Hilaire Belloc); Brown is my love (Anon); Corpus Christi (Anon); The farewell (Robert Burns); Fill me O stars (Joseph Campbell); Gather ye rosebuds (Robert Herrick); Ha''nacker Mill (Hilaire Belloc); I am the gilly of Christ (Joseph Campbell); In a boat (Hillaire Belloc); In Marley Wood (Hugh S. Roberton); The lone bird (Emily Bronte); Love me not for comely grace (Anon); Lullaby (Thomas Dekker); Merry eye (Wilfrid Wilson Gibson); My lady (Anon); My master hath a garden (Anon); Northumberland (Wilfrid Wilson Gibson); The reaper (Barry Duane Hill); Sally (Barry Duane Hill); Six badgers (Robert Graves); Sweeney the Mad (Anon); That ever I saw (Anon); To make my mistress kind (Patrick Hannay); A true woman''s eye (Anon); What thing is love? (Anon); When I came last to Ludlow (A. E. Housman); When I was one and twenty (A. E. Housman); When as I wake (Patrick Hannay); With rue my heart is laden (A. E. Housman); Yet will I love her (Anon)'|9790222239401|JEFFREYS J|John Jeffreys|Third and Last Book of Songs|Voice solo (with accompaniment)|17.50|485 1538|John Jeffreys
WHEN I WAS YOUNG - Part 2 for voice and piano
Roberton Publications 1538|Eighteen miniature songs for tenor or soprano with piano, being musical reflections on childhood days, in three parts, each album containing six songs in variety.|9790222239418|JEFFREYS J|John Jeffreys|When I Was Young (Part Two)|Voice solo (with accompaniment)|3.50|25 1539|John Jeffreys
WHEN I WAS YOUNG - Part 3 for voice and piano
Roberton Publications 1539|Eighteen miniature songs for tenor or soprano with piano, being musical reflections on childhood days, in three parts, each album containing six songs in variety.|9790222239425|JEFFREYS J|John Jeffreys|When I Was Young (Part Three)|Voice solo (with accompaniment)|3.50|25 1540|HEWITT-JONES, Tony (1926-1989)
TWO SONNETS OF SIR PHILIP SIDNEY
for baritone voice and piano
Roberton 1540|Two sonnets "Stella" and "Loving in truth" by Sir Philip Sidney (1554-1586) set to music by Tony Hewitt-Jones. Ranges: A-E and Bb-F#
Duration around 3? minutes|9790222261488|HEWITT-JONES|Tony Hewitt-Jones|Two Sonnets of Sir Philip Sidney|Voice solo (with accompaniment)|4.00|38 1541|HEWITT-JONES, Tony (1926-1989)
FIVE POEMS OF SIR WALTER RALEIGH
for high voice and piano
Roberton 1541|'Tony Hewitt-Jones was commissioned to write these songs by Neil Jenkins as part of a prize awarded to him in 1972 for winning the National Federation of Music Societies Award for Young Singers.
The individual poems are: What is our life? [Range: C-A#], Go soul, the body''s guest [D-A], Wrong not, dear Empress [F#-G#], Now what is love [D#-Cb], Even such is time [C-A]
Total Duration 7 minutes'|9790222261495|HEWITT-JONES|Tony Hewitt-Jones|Five Poems of Sir Walter Raleigh|Voice solo (with accompaniment)|5.50|100 1542|John Jeffreys
ALBUM OF FOURTEEN SONGS for voice and piano
Roberton Publications 1542|'Fourteen songs for a variety of voices.
The salley gardens (4th setting)(W.B.Yeats); The salley gardens (5th setting)(W.B.Yeats); Drop, drop, slow tears (Phineas Fletcher); Brigg Fair (Traditional); The bailey beareth the breath away (Anon); Sing no sad songs for me (Christina Rosetti); The whin (Wilfrid Wilson Gibson); Aspatia''s song (John Fletcher); The song of love (Barry Duane Hill);The corncrake (James H.Cousins); Long to me thy coming (Padraic Pearse); Wine (Henry Carey); The quarry (Wilfrid Wilson Gibson); Season of ice (Anon)'|9790222239432|JEFFREYS J|John Jeffreys|Album of Fourteen Songs|Voice solo (with accompaniment)|10.00|184 1543|John Jeffreys
SIXTEEN TENOR SONGS for voice and piano
Roberton Publications 1543|'My dear lady (Anon); I saw love raised upon a tree (Barry Jones); Drop, drop slow tears (Phineas Fletcher); The herons (Francis Ledwidge); An old desire (Francis Ledwidge); Tom Collier of Croydon (Ulpian Fulwell); The high hills (Ivor Gurney); When the body might free (Ivor Gurney); Near spring (Ivor Gurney); The heath (Thomas Boyd); Three roses (John Boyle O''Reilly); Under the leaves green (Anon); All night under the moon (Wilfrid Wilson Gibson) (3 settings); The shepherd''s carol (Anon)'|9790222239449|JEFFREYS J|John Jeffreys|Sixteen Tenor Songs|Voice solo (with accompaniment)|10.75|197 1544|JEFFREYS, John (1927- )
THE FOX for tenor voice, horn and string quartet
Roberton 1544|A cycle of five poems by Barry Duane Hill set to music for tenor with an accompaniment of french horn and string quartet. The five poems are entitled Dawn; Idyll; Chased; Death; Lament. A full score and set of parts is included. A reduction for tenor and piano is also available - see catalogue number 1545.
Duration: 20 minutes|9790222259034|JEFFREYS J|John Jeffreys|Fox (The) tenor/horn/str.quartet|Voice solo (with accompaniment)|14.25|257 1545|JEFFREYS, John (1927- )
THE FOX for tenor and piano
Roberton 1545|A cycle of five poems by Barry Duane Hill set to music for tenor with an accompaniment of french horn and string quartet here in a reduction for voice and piano. The five poems are entitled Dawn; Idyll; Chased; Death; Lament. The full score and parts are also available - see catalogue number 1544.
Duration: 20 minutes|9790222266650|JEFFREYS J|John Jeffreys|Fox (The) piano reduction|Voice solo (with accompaniment)|5.50|100 1546|JEFFREYS, John (1927- )
POEM FOR END for baritone voice and piano
Roberton 1546|A poem by Ivor Gurney set to music for solo baritone, flute and string orchestra. This is a voice and piano reduction - the full score and parts are also available. See catalogue number GMCO070.
Duration 9 minutes|9790222264168|JEFFREYS J|John Jeffreys|Poem for End piano reduction|Voice solo (with accompaniment)|4.50|76 1547|C Armstrong Gibbs
FIVE SONGS for voice and piano
Roberton 1547|Five settings of poems by Walter de la Mare. Originally published in 1920 but out of print for many years, this set of songs is now available again in a newly typeset edition with the numerous errors that appeared in the original now corrected.
The songs are:-
The Stranger [Range: D-Gb]
The Linnet [G-G]
The Mountains [C#-E]
Love in the Almond Bough [E-Gb]
The Bells [Cb-G]
Total duration: 8? minutes|9790222269880|GIBBS CA|C Armstrong Gibbs|Five Songs|Voice solo (with accompaniment)|5.50|100 2532|||9790222239456|ROBERTON|Hugh S. Roberton|Joy of My Heart|Voice solo (with accompaniment)|3.50|25 2536|||9790222239463|ROBERTON|Hugh S. Roberton|'Blake''s Cradle Song'|Voice solo (with accompaniment)|3.50|25 2555|Hugh S. Roberton
ALL IN THE APRIL EVENING
for voice and piano
Roberton 2555|'Born in Glasgow, Hugh Roberton became a funeral director apart from being a conductor and composer. A highly motivated and self-taught choir-master, he founded the Toynbee Musical Association in 1901 and five years later, this became the Glasgow Orpheus Choir which gained a world-wide reputation and went on to perform under Hugh''s direction for some 45 years. He composed much for his choir, with perhaps his most famous pieces being "All in the April Evening" and the "Mingulay Boat Song". He had a reputation for getting the very best from his singers, who held him in such great esteem that when he resigned as their leader shortly before his death, the choir agreed that they must disband. However, the Orpheus rose again when many of its members re-formed as the Glasgow Phoenix Choir, which continues to perform and tour to this day. Hugh Roberton was knighted in 1931.
There are versions of "All in the April Evening" available for unaccompanied mixed voice choir (SATB), solo voice, unison voices, female voice choir, male voice choir, mixed voice choir (SAB), with Welsh words and also in an arrangement for string orchestra and a "meditation" for organ.
Duration nearly 3 minutes'|9790222239470|ROBERTON|Hugh S. Roberton|All in the April Evening(Eng/Welsh)|Voice solo (with accompaniment)|3.50|25 2578|||9790222239487|PLUMSTEAD|Mary Plumstead|Grey Wind|Voice solo (with accompaniment)|3.50|25 2579|||9790222239494|PLUMSTEAD|Mary Plumstead|Down By the Salley Gardens|Voice solo (with accompaniment)|3.50|25 2580|Brian Hughes
ON THE BANKS OF ALLAN WATER
for solo voice and piano
Roberton 02580|An eighteenth century Scottish melody (composer unknown) in a beautiful arrangement for solo voice and piano by Brian Hughes. The words are by Matthew Gregory Lewis (1775-1818).
Also available in versions for Flute (GM237), male voice choir (53218) and mixed voice choir (63309) all with piano accompaniment.
Duration 3? minutes|9790222307537|HUGHES|Brian Hughes|On the Banks of Allan Water|Voice solo (with accompaniment)|3.50|25 2581|Tim Ravalde
DREAMERS
for solo voice and piano
Roberton 02581|'Words by Siegfried Sassoon. This song was the winning entry in the Association of English Singers and Speakers'' Song Writing Competition 2018, generously supported by the Thompson Educational Trust.
Its first performance was given on 3 November 2018 as part of the London Song Festival by Florian Panzieri, tenor, and Nicole Johnson, piano.

DREAMERS by Siegfried Sassoon
Soldiers are citizens of death''s grey land,
Drawing no dividend from time''s to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal climax with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds and wives.

I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with balls and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.

? Siegfried Sassoon. Used by permission

Range D-F#
Duration 2? minutes

Also available is the 2019 AESS Song Competition winner, "Still Glides the Stream" by Owen Ho (Roberton 02582)'|9790222309937|RAVALDE|Tim Ravalde|Dreamers|Voice solo (with accompaniment)|3.50|25 2582|Owen Ho
STILL GLIDES THE STREAM for high voice and piano
Roberton 02582|'This song was the joint winning entry in the Association of English Singers and Speakers'' Song Writing Competition 2019, generously supported by the Thompson Educational Trust. It is a setting of Matthew Arnold''s poem "The River". Range A-D
Duration 5? minutes

Also available is the 2018 winner, "Dreamers" by Tim Ravalde (Roberton 02581)'|9790222313439|HO|Owen Ho|Still Glides the Stream|Voice solo (with accompaniment)|4.00|38 2583|Clive Pollard
BECAUSE I LIKED YOU BETTER
for voice and piano
Roberton 2583|Words by A.E.Housman, music by Clive Pollard. In two keys (both in the same copy): Lower - Range B-E, Higher - Range C#-F#.|9790222314979|POLLARD|Clive Pollard|Because I liked you better|Voice solo (with accompaniment)|3.50|25 2741|||9790222239500|ROBERTON|Hugh S. Roberton|Fidgety Bairn|Voice solo (with accompaniment)|3.50|13 2743|||9790222239517|ROBERTON|Hugh S. Roberton|'Lewis Bridal Song (Mairi''s Wedding)'|Voice solo (with accompaniment)|3.50|13 2745|||9790222239524|ROBERTON|Hugh S. Roberton|Uist Tramping Song (Come Along)|Voice solo (with accompaniment)|3.50|13 02746L|||9790222239531|ROBERTON|Hugh S. Roberton|Rise and Follow Love (low)|Voice solo (with accompaniment)|3.50|13 2747|||9790222239548|ROBERTON|Hugh S. Roberton|Hebridean Shanty|Voice solo (with accompaniment)|3.50|13 2748|||9790222239555|ROBERTON|Hugh S. Roberton|Island Spinning Song|Voice solo (with accompaniment)|3.50|13 2749|||9790222239562|ROBERTON|Hugh S. Roberton|Mingulay Boat Song|Voice solo (with accompaniment)|3.50|13 2750|||9790222239579|ROBERTON|Hugh S. Roberton|Windjammer|Voice solo (with accompaniment)|3.50|13 2753|||9790222239586|ROBERTON|Hugh S. Roberton|Shuttle and Loom|Voice solo (with accompaniment)|3.50|13 2754|||9790222239593|ROBERTON|Hugh S. Roberton|None So Sweet|Voice solo (with accompaniment)|3.50|13 2755|||9790222239609|ROBERTON|Hugh S. Roberton|Sing At the Wheel|Voice solo (with accompaniment)|3.50|13 2775|||9790222239616|ROBERTON|Hugh S. Roberton|Westering Home|Voice solo (with accompaniment)|3.50|13 2777|||9790222239623|ROBERTON|Hugh S. Roberton|Health and Joy Be With You|Voice solo (with accompaniment)|3.50|13 2781|||9790222239647|ROBERTON|Hugh S. Roberton|'As Down By Banna''s Banks I Strayed'|Voice solo (with accompaniment)|3.50|13 2785|||9790222239661|ROBERTON|Hugh S. Roberton|Highland Cradle Song|Voice solo (with accompaniment)|3.50|13 2790|||9790222239678|PLUMSTEAD|Mary Plumstead|Take O Take Those Lips Away|Voice solo (with accompaniment)|3.50|13 2987|||9790222239685|NELSON H|Havelock Nelson|'Irish Folksinger''s Album'|Voice solo (with accompaniment)|5.00|63 3001|||9790222239692|NAYLOR B|Bernard Naylor|Exultet Mundus Gaudio|Choir - Vocal score|8.25|138 3002|||9790222239708|NAYLOR B|Bernard Naylor|Six Poems from Miserere|Choir - Vocal score|5.50|88 3013|Vincent Lubeck
CHRISTMAS CANTATA ed.Butterworth
Roberton 03013|"We welcome Thee, Saviour" (Willkommen, susser Brautigam) for chorus of two sopranos with soprano solo, two violins and continuo by Vincent Lubeck (1654-1740) edited and realised by Neil Butterworth.
Score on sale (03013), violins part (03013-VLN) printed Violin 1 on one side Violin 2 on reverse so 1 copy needed for each player, and cello part (03013-CELLO).
Duration 8 minutes|9790222239722|LUBECK|Vincent Lubeck|Christmas Cantata (Butterworth)|Choir - Vocal score|5.00|63 03013-CELLO|||9790222239715|LUBECK|Vincent Lubeck|Christmas Cantata (Butterworth)|Cello solo|1.50|13 03013-VLN|||9790222239739|LUBECK|Vincent Lubeck|Christmas Cantata (Butterworth)|Violin solo|1.50|13 3019|Antonin Tucapsky
IN HONOREM VITAE
for unaccompanied mixed voice chorus
Roberton 3019|Five poems of Horatius set to music to form a suite of madrigals for mixed voice choir.
Duration 22 minutes|9790222239746|TUCAPSKY|Antonin Tucapsky|In Honorem VItae|Choir - Vocal score|10.75|197 3035|||9790222239753|LEIGHTON|Kenneth Leighton|Sequence for All Saints|Choir - Vocal score|9.50|173 3036|||9790222281370|LE FLEMING C|Christopher Le Fleming|Songs of Youth and Age|Choir - Vocal score|14.25|257 3037|Leos Janacek (ed. Tucapsky)
OTCENAS (OUR FATHER) for mixed voice choir
Roberton 3037|For full chorus of mixed voices, tenor or soprano solo, organ and harp, this work has been edited and adapted by Antonin Tucapsky. The text is given in Czech and English. It is published as a SCORE (03037) at A4 size showing all voice parts, the harp and the organ, a CHORUS SCORE (03037-C) showing the vocal parts only, a separate HARP PART (03037-H) and a separate ORGAN PART (03037-O).
Duration 17-18 minutes|9790222239760|JANACEK|Leos Janacek|Otcenas ed.Tucapsky Vocal score|Choir - Mixed voices (SATB)|6.25|100 03037-C|||9790222239777|JANACEK|Leos Janacek|Otcenas ed.Tucapsky Choir part only|Choir - Mixed voices (SATB)|2.75|38 03037-H|||9790222239784|JANACEK|Leos Janacek|Otcenas Harp part|Choir - Mixed voices (SATB)|4.00|38 03037-O|||9790222239791|JANACEK|Leos Janacek|Otcenas Organ part|Choir - Mixed voices (SATB)|4.00|38 3045|||9790222239807|LEIGHTON|Kenneth Leighton|Hymn To Matter (cantata)|Choir - Vocal score|5.50|88 3046|||9790222239814|STUART|Robert Stuart|Missa Orbis Factor|Choir - Vocal score|8.25|138 3058|||9790222239821|CAMILLERI|Charles Camilleri|Unum Deum / Te Deum / Amen|Choir - Vocal score|4.75|75 3073|Philip Lane
FIVE SHAKESPEARE LYRICS for female voice choir and piano
Roberton 3073|Shakespeare is so much the poet of all times and all climes that it occurred to me to view a sequence of song texts with a kaleidoscopic eye and create a variety of stylistic examples that grew characteristically out of each text - not to produce variety for its own sake but as a genuine collection of individual reactions. This apparent mixture of styles seems to me completely natural and acceptable, although only perhaps in film music is it normal for a composer to be able to express himself in quite such a disparate manner. Philip Lane

Five settings of Shakespeare texts for SSA choir and piano: Where the bee sucks (from "The Tempest"); Tell me, where is fancy bred? (from "The Merchant of Venice"); Blow, blow, thou winter wind (from "As You Like It"); Full fathom five (from "The Tempest"); It was a lover and his lass (from "As You Like It").

Duration 11 minutes|9790222239852|LANE P|Philip Lane|Five Shakespeare Lyrics SSA|Choir - Vocal score|6.50|124 3078|Robert Simpson
TEMPI for mixed voice choir
Roberton 03078|For full mixed choir a cappella.Duration 15 minutes|9790222239869|SIMPSON|Robert Simpson|Tempi|Choir - Vocal score|7.50|136 3079|Antonin Tucapsky
STABAT MATER
for mixed voice choir, contralto and baritone soloists and orchestra.
Roberton 3079|Scored for double SATB choir, alto and baritone solo and orchestra of 2 flutes (1 doubling piccolo), 2 oboes (1 doubling cor anglais), 2 clarinets (1 doubling bass clarinet), 2 bassoons, 2 horns, 2 trumpets, 2 trombones, harp, celeste, timpani, percussion and strings.
Duration 44 minutes|9790222239876|TUCAPSKY|Antonin Tucapsky|Stabat Mater|Choir - Vocal score|12.75|233 3081|Bryan Kelly
AFRICA for chorus and accompaniment
Roberton 3081|A cantata for school and mixed choirs; senior choir, junior choir and tenor soloist with accompaniment of piano alone or orchestra comprising 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, 6 percussion and piano.
Duartion 16 minutes|9790222239883|KELLY|Bryan Kelly|Africa|Choir - Vocal score|8.50|160 3082|Antonin Tucapsky
MARY MAGDALENE
for mixed voice choir, soprano solo and orchestra
Roberton 3082|A setting of the poem "Mary Magdalene" from Dr.Zhivago by Boris Pasternak in a translation by Eugene M.Kayden, for SATB choir, soprano soloist and orchestra comprising 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, timpani, percussion, harp and strings.
Duration 20 minutes|9790222239890|TUCAPSKY|Antonin Tucapsky|Mary Magdalene|Choir - Vocal score|8.50|160 3083|||9790222239906|COOMBES|Douglas Coombes|Psalms for Dancing|Choir - 3 part upper voices|11.25|209 3084|||9790222239913|KELLY|Bryan Kelly|Missa Brevis Westminster Service|Choir - Vocal score|7.50|136 3085|Bryan Kelly
CRUCIFIXION
for mixed voice choir
Roberton 3085|A setting for SATB choir, soprano and tenor soloists with string orchestra, organ and percussion or organ and percussion or organ only. English text devised by Anne Ridler.
Duration 36 minutes|9790222239920|KELLY|Bryan Kelly|Crucifixion|Choir - Vocal score|12.75|233 3086|Antonin Tucapsky
THE SACRIFICE
for baritone solo, mixed voice choir and organ
Roberton 3086|Cantata for chorus of mixed voices, baritone solo and organ. English text by George Herbert (1593-1633).
Duration 28 minutes|9790222239937|TUCAPSKY|Antonin Tucapsky|Sacrifice|Choir - Vocal score|15.00|269 3087|||9790222239944|LEWIS J|Jeffrey Lewis|Westminster Mass|Choir - Mixed voices (SATB)|5.50|88 3088|Antonin Tucapsky
KOLEDA: A cycle of Czech carols
for mixed voice chorus and organ
Roberton 3088|A cycle of ten Czech carols rendered into English for mixed voice choir wirh organ accompaniment.
Duration 22 minutes|9790222239951|TUCAPSKY|Antonin Tucapsky|Koleda - Cycle of Czech Carols|Choir - Mixed voices (SATB)|8.00|149 3090|||9790222239968|BROWN P|Peter Brown|Way Beyond the Cross|Choir - Vocal score|17.00|305 3091|||9790222239975|LANE P|Philip Lane|Some Rhymes of Lewis Carroll SSAA|Choir - Vocal score|8.50|160 3092|Antony Le Fleming
CANTATE DOMINO
for mixed voice chorus and orchestra
Roberton 3092|English text, for double SATB chorus and organ and small orchestra (of 3 trumpets, harp, timpani and percussion).
Duration 18 minutes|9790222239982|LE FLEMING A|Antony le Fleming|Cantate Domino|Choir - Vocal score|10.00|184 3093|Antony Le Fleming
MAGNIFICAT
for mixed voice chorus and orchestra
Roberton 3093|English text, for SATB chorus (occasional divisi), soprano solo and chamber orchestra of 2 oboes, 2 horns and strings.
Duration 12 minutes|9790222239999|LE FLEMING A|Antony le Fleming|Magnificat|Choir - Mixed voices (SATB)|5.50|88 3094|||9790222240001|BONSOR|Brian Bonsor|There Was a Lad (6 Scottish Songs)|Choir - Mixed voices (SATB)|9.50|173 3095|Bryan Kelly
LOOK STRANGER AT THIS ISLAND
for mixed voice choir
Roberton 3095|A cantata for SATB choir, junior choir, baritone solo and orchestra. English texts by W.H.Auden, Derek Walcott, George Mackay Brown, William Shakespeare, John Masefield and Andrew Marvell. Scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba. timpani, percussion, harp, piano, celeste, organ [ad lib] and strings.
Duration 40 minutes|9790222240018|KELLY|Bryan Kelly|Look Stranger At This Island|Choir - Vocal score|18.25|330 03095JC|||9790222279629|KELLY|Bryan Kelly|Look Stranger junior choir part|Choir|4.75|75 3096|Antony Le Fleming
CRY OUT ON TIME
for mixed voice chorus and orchestra
Roberton 3096|English text, for SATB choir (with divisi), baritone solo, horn and piano.
Duration 20 minutes|9790222240025|LE FLEMING A|Antony le Fleming|Cry Out On Time|Choir - Vocal score|8.00|149 3097|Antonin Tucapsky
TE DEUM LAUDAMUS
for mixed voice choir and orchestra
Roberton 3097|A short 15 minute work for mixed voice choir and orchestra of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion and strings.
Duration 15 minutes|9790222240032|TUCAPSKY|Antonin Tucapsky|Te Deum Laudamus|Choir - Vocal score|7.50|136 3098|||9790222240049|TUCAPSKY|Antonin Tucapsky|Missa De Angelis|Choir - 3 part upper voices|4.75|75 3099|Antonin Tucapsky
MISSA SERENA
for soprano and baritone soloists, mixed voice choir and orchestra
Roberton 3099|A mass setting scored for soprano and baritone soloists, mixed voice choir and orchestra of 3 flutes (3rd doubling piccolo and alto flute), 2 oboes (2nd doubling cor anglais), 2 clarinets (2nd doubling bass clarinet), 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, harp, organ, timpani, percussion and strings.
Duration 48 minutes|9790222240056|TUCAPSKY|Antonin Tucapsky|Missa Serena|Choir - Vocal score|17.75|318 3100|Antony Le Fleming
MATILDA
for mixed voice choir
Roberton 3100|Five cautionary tales by Hilaire Belloc and Heinrich Hoffmann set to music for SATB choir, piano and percussion with optional youth choir.
The five tales are: Matilda; The story of little Suck-a-thumb; Henry King; The story of flying Robert; Charles Augustus Fortescue.
Percussion requires one player playing: Bass Drum, Bell Tree, Cabaza, Flexatone, Glockenspiel, Jingles, Klaxon, Side Drum, Suspended Cynbal, Tam-tam, Tom-tom [low], Traingle, Tubular Bell, Vibraphone, Whip, Wood-block, Xylophone!
Matilda can also be performed with orchestra accompaniment (score and parts available on hire).
Duration about 20 minutes|9790222240063|LE FLEMING A|Antony le Fleming|Matilda|Choir - Vocal score|12.75|233 03100PERC||||LE FLEMING A|Antony le Fleming|Matilda percussion part|Percussion|2.50|50 3101|Antonin Tucapsky
FIVE PSALMS
for unaccompanied mixed voice chorus
Roberton 3101|Latin text, SATB with divisi, unaccompanied. The five psalms are: Levavi oculos meos, Caeli enarrant, De profundis, Lauda anima mea, Afferte domino.
Duration 14 minutes|9790222240070|TUCAPSKY|Antonin Tucapsky|Five Psalms|Choir - Mixed voices (SATB)|8.50|160 3102|Antonin Tucapsky
THE TIME OF CHRISTEMAS
for mixed voice choir with guitar and percussion
Roberton 3102|A cycle of seven carols for four-part chorus of mixed voices with guitar and percussion instruments. The seven carols are: Come sing and dance, A child is born, Sing all ye shepherds, Balulalow, Let us go to Bethlehem, Joseph and Mary, Make we merry. All are also available individually.
Duration 18 minutes
The guitar and percussion parts are on sale - search for 03102GTR and 03102PERC|9790222240087|TUCAPSKY|Antonin Tucapsky|Time of Christemas complete|Choir - Vocal score|13.50|245 03102GTR|||9790222240094|TUCAPSKY|Antonin Tucapsky|Time of Christemas guitar part|Guitar|3.50|25 03102PERC|||9790222240100|TUCAPSKY|Antonin Tucapsky|Time of Christemas percussion part|Percussion|4.00|38 3103|Antonin Tucapsky
FIVE LENTEN MOTETS
for unaccompanied mixed voice chorus
Roberton 3103|Tristis est anima; Pater mi; Filiae Jerusalem; Eli, eli; Pater meus. These titles are also available individually.
Duration 12 minutes|9790222240117|TUCAPSKY|Antonin Tucapsky|Five Lenten Motets complete|Choir - Vocal score|6.00|112 3104|Philip Lane
FOUR SHAKESPEARE LYRICS
for female voice choir|'1. Sigh no more (Much Ado about Nothing); 2. Fear no more the heat of the sun (Cymbeline); 3. Come away death (Twelfth Night); 4. Under the greenwood tree (As You Like it)
These four settings were commissioned by the girls'' choir of Methodist College, Belfast with funding from the Sainsbury''s Choir of the Year competition in 1998. The choir had so much enjoyed Philip Lane''s Five Shakespeare Lyrics (Roberton No.03073) that they asked for some more! Excellent, entertaining settings in a modern jazzy style that will please singers and audience alike. For SSAA with piano, optional two flutes, oboe or soprano saxophone and percussion. Also available in a version for mixed voice choir (No.03105)'|9790222240124|LANE P|Philip Lane|Four Shakespeare Lyrics|Choir - 4 part upper voices|5.50|100 03104PARTS|||9790222240131|LANE P|Philip Lane|Four Shakespeare Lyrics instr.parts|Choir - 4 part upper voices|6.00|50 3105|Philip Lane
FOUR SHAKESPEARE LYRICS
for mixed voice choir|'1. Sigh no more (Much Ado about Nothing); 2. Fear no more the heat of the sun (Cymbeline); 3. Come away death (Twelfth Night); 4. Under the greenwood tree (As You Like it)
These four settings were commissioned by the girls'' choir of Methodist College, Belfast with funding from the Sainsbury''s Choir of the Year competition in 1998. The choir had so much enjoyed Philip Lane''s Five Shakespeare Lyrics (Roberton No.03073) that they asked for some more! Excellent, entertaining settings in a modern jazzy style that will please singers and audience alike. For SATB with piano, optional two flutes, oboe or soprano saxophone and percussion. Also available in a version for SSAA choir (No.03104)'|9790222240148|LANE P|Philip Lane|Four Shakespeare Lyrics|Choir - Mixed voices (SATB)|5.50|100 03105PARTS|||9790222240155|LANE P|Philip Lane|Four Shakespeare Lyrics instr.parts|Choir - Mixed voices (SATB)|6.00|50 3106|Alan Bush
THE EARTH IN SHADOW
for mixed voice chorus and orchestra
Vocal score (voice and piano reduction) Catalogue number 03106|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets in Bb, Bass clarinet, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Tambourine, Side drum, Bass Triangle, Bass drum, Cymbals), Piano
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Mixed voice chorus (SATB)

First performed in 1986 by the Student Orchestra and Choir at Goldsmiths'' College, London, this work is a setting of a poem by Nancy Bush. Although written 20 years ago, it has a particular relevance today with the current fears of global warming and man''s destruction of the environment.

Now at last we have seen her
The earth with her wreath of mists, her garment of waters,
Her hemispheres marked with faint continents,
The earth, most beautiful of all the planets,
The earth. moving and turning in her sun-bound orbit.
A globe, blue and cloudy, hanging in space
So she appears to man from this new watchtower,
And seeing her thus entire,
Can he destroy her?

Many are blind to marvels.
For greed they will plunder, for fear bring down destruction,
Shut out the sun in freezing nuclear night.
A few may pause and turn back from a senseless holocaust.
What once is shattered never can be restored;
The earth once lost, is lost forever.
This they may understand.
From this protect her,
From this guard and protect her.
The earth, cradle of man,
The earth, treading her silent path among the planets.

Now at last we have seen her,
The earth with her wreath of mists, her garment of waters,
The earth, cradle of man,
Most beautiful of all the planets.

You can view the vocal score here. The audio is of the full version. The full score and orchestral material is available on hire or to buy.

Duration: c.10 minutes'|9790222252134|BUSH|Alan Bush|Earth in Shadow|Choir - Vocal score|6.50|124 03106SS|Alan Bush
THE EARTH IN SHADOW
for mixed voice chorus and orchestra
Study Score Catalogue number 03106ss|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets in Bb, Bass clarinet, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Tambourine, Side drum, Bass Triangle, Bass drum, Cymbals), Piano
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Mixed voice chorus (SATB)

First performed in 1986 by the Student Orchestra and Choir at Goldsmiths'' College, London, this work is a setting of a poem by Nancy Bush. Although written 20 years ago, it has a particular relevance today with the current fears of global warming and man''s destruction of the environment.

Now at last we have seen her
The earth with her wreath of mists, her garment of waters,
Her hemispheres marked with faint continents,
The earth, most beautiful of all the planets,
The earth. moving and turning in her sun-bound orbit.
A globe, blue and cloudy, hanging in space
So she appears to man from this new watchtower,
And seeing her thus entire,
Can he destroy her?

Many are blind to marvels.
For greed they will plunder, for fear bring down destruction,
Shut out the sun in freezing nuclear night.
A few may pause and turn back from a senseless holocaust.
What once is shattered never can be restored;
The earth once lost, is lost forever.
This they may understand.
From this protect her,
From this guard and protect her.
The earth, cradle of man,
The earth, treading her silent path among the planets.

Now at last we have seen her,
The earth with her wreath of mists, her garment of waters,
The earth, cradle of man,
Most beautiful of all the planets.

Duration: c.10 minutes'|9790222265608|BUSH|Alan Bush|Earth in Shadow|Study score|8.00|149 3107|Armstrong Gibbs
SUITE OF SONGS FROM THE BRITISH ISLES
for baritone solo, mixed chorus and piano or orchestra
Roberton 3107|Settings of "Men of Harlech" (Wales), "The Gentle Maiden" (Ireland), "Charlie is my Darling" (Scotland), "The Oak and the Ash" and "King Arthur" (England) for baritone soloist (or semi-chorus), mixed voice choir and piano or orchestra. (Orchestral parts are available on hire).
Scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, percussion and strings or piano and strings.
Duration about 12 minutes|9790222260948|GIBBS CA|C Armstrong Gibbs|Suite of Songs from British Isles|Choir - Vocal score|7.50|136 3108|Armstrong Gibbs
BEHOLD THE MAN for soloists, mixed chorus and organ
Roberton 3108|A cantata for Passiontide for soloists, mixed voice choir and organ or orchestra. Words by Benedict Ellis.
Scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani and strings, or for organ/piano and strings.
The vocal score is available to buy or to hire. The full score and orchestral material is available to hire from Goodmusic.
Duration 55 minutes |9790222260955|GIBBS CA|C Armstrong Gibbs|Behold the Man|Choir - Vocal score|15.00|269 3109|Armstrong Gibbs
THE HIGH ADVENTURE for mixed voice choir and orchestra
Roberton 3109|A cantata in four sections: The Golden Hind; Pastoral; The Battles of Britain; Chorale. Words by Benedict Ellis. Orchestral parts are available on hire.
Scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion, piano and strings.
Duration 33 minutes |9790222260962|GIBBS CA|C Armstrong Gibbs|High Adventure|Choir - Vocal score|12.75|233 3110|Armstrong Gibbs
A SAVIOUR BORN
for mezzo-soprano soloist, upper voice choir and orchestra|A Christmas cantata to words by Benedict Ellis for mezzo-soprano solo (although this could be sung by a choir member or even a semi-chorus), SSA choir and a choice of accompaniments: the original version is with piano and strings, but there is also a version for organ and a version arranged for two pianos. All of these are available on hire. There are opportunites to interpolate Christmas hymns within the work.
Duration about 24 minutes (without interpolated hymns)|9790222260979|GIBBS CA|C Armstrong Gibbs|Saviour Born|Choir - Vocal score|7.50|136 3111|Armstrong Gibbs
THE TURNING YEAR for mixed voice choir and piano or orchestra
Roberton 3111|"High Summer", "In Autumn", "Fell Winter" and "Spring Song"; text by Benedict Ellis set to music by Armstrong Gibbs for mixed chorus with piano or orchestra accompaniment. Orchestral parts are available on hire. It is scored for mixed chorus and small orchestra made up of flute, oboe, 2 clarinets, bassoon, 2 horns, trumpet, trombone, timpani, percussion, piano and strings. However, cues provided in the piano and string parts mean that it can be performed just with piano and strings without any wind at all.
Duration about 25 minutes|9790222260986|GIBBS CA|C Armstrong Gibbs|Turning Year|Choir - Vocal score|11.25|209 3112|Antony Le Fleming
EVERYONE SANG
for mixed voice chorus, harp and string orchestra
Vocal score (voice and piano reduction) Catalogue number 03112|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Harp
Mixed voice chorus (SATB)

First performed in July 2005, this short work is a setting of two poems by Siegfried Sassoon: "Everyone Sang" (otherwise known as "Everyone suddenly burst out singing") and "Idyll".

You can view the vocal score here. The audio is of the full orchestral version. The full score and orchestral material is available on hire or to buy.

Duration: c.13 minutes|9790222262362|LE FLEMING A|Antony le Fleming|Everyone Sang|Choir - Mixed voices (SATB)|6.25|100 03112-00|Antony Le Fleming
EVERYONE SANG
for mixed voice chorus, harp and string orchestra
Full score Catalogue number 03112-00|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Harp
Mixed voice chorus (SATB)

First performed in July 2005, this short work is a setting of two poems by Siegfried Sassoon: "Everyone Sang" (otherwise known as "Everyone suddenly burst out singing") and "Idyll".

You can VIEW SCORE by clicking on the link. There is also a vocal score available (Catalogue number 03112). The full score and orchestral material is also available on hire or to buy.

Duration: c.13 minutes|9790222263314|LE FLEMING A|Antony le Fleming|Everyone Sang full score|Full score|10.75|197 03112-01|||9790222263321|LE FLEMING A|Antony le Fleming|Everyone Sang Violin 1|Orchestra|2.00|25 03112-02|||9790222263338|LE FLEMING A|Antony le Fleming|Everyone Sang Violin 2|Orchestra|2.00|25 03112-03|||9790222263345|LE FLEMING A|Antony le Fleming|Everyone Sang Viola|Orchestra|2.00|25 03112-04|||9790222263352|LE FLEMING A|Antony le Fleming|Everyone Sang Cello|Orchestra|2.00|25 03112-05|||9790222263369|LE FLEMING A|Antony le Fleming|Everyone Sang Bass|Orchestra|2.00|25 03112-06|||9790222263376|LE FLEMING A|Antony le Fleming|Everyone Sang Harp|Orchestra|2.50|38 3113|'Antonin Tucapsky
CHRISTMASTIDE - A Little Christmas Music
for children''s voices, mixed voice chorus and orchestra
Roberton 03113'|'A Christmas sequence for children''s chorus, mixed voice chorus (SATB) with organ accompaniment. Here are six settings of diverse words with a Christmas flavour; "Silver Bells" by Hamish Hendry, "Song" by Henry Neville Maugham, "Christmas Night" by B. E. Milner plus three latin texts. Two of the settings are for children''s choir and organ, two for SATB choir and organ and the outer two for all forces. Any could be performed alone though they are designed as a 12 minute sequence.
Duration: c.12 minutes'|9790222264304|TUCAPSKY|Antonin Tucapsky|Christmastide|Choir - Vocal score|6.50|124 3114|JEPSON, David W
FOUR LIVERPOOL SEA SONGS for mixed voice choir
Roberton 03114|A collection of four sea songs with Liverpudlian origins arranged for mixed voice choir (SATB) with piano (except for the second which is unaccompanied). The songs are:-
Liverpool Girls
Roll, Alabama, Roll
The Greenland Whale Fishery
The Leaving of Liverpool
These songs are also available individually (under catalogue numbers 63275, 63276, 63277 and 63278). This complete edition saves you some money if you wanted to buy all four. To see and hear the scores of these four songs look under the individual titles or catalogue numbers.
Total duration: 14? minutes |9790222266391|JEPSON D|David Jepson|Four Liverpool Sea Songs|Choir - Mixed voices (SATB)|5.50|88 3115|GRYSPEERDT, Michael (1927-2000)
FOUR BITS OF NONSENSE for mixed voice choir
Roberton 03115|'A collection of four humorous pieces for mixed voice choir (SSATB) unaccompanied. Each song is also published separately though if you want all four it is cheaper to buy this collection. To see the scores and hear them played and for more information look under each individual title. The songs are:-
Mary''s Ghost (No. 63279)
Who''s been unravelling my bolero? (63280)
Last tango in Cheltenham (63281)
She was poor but she was honest (63282)
Total duration: 15 minutes '|9790222266414|GRYSPEERDT|Michael Gryspeerdt|Four Bits of Nonsense Op.20|Choir - Mixed voices (SATB)|7.00|113 3116|David Stone
FOUR SONGS OF WINTER for SSA choir and piano
Roberton 3116|Settings of four poems on the theme of winter without any mention of Christmas! The four poems are "Winter" by Walter de la Mare, "Sleighing" by Edgar Allen Poe, "A widow bird sate mourning" by Percy Bysshe Shelley and "Up in the morning" by Robert Burns. The four songs can be sung separately or as a set. They are also published for sale individually (catalogue numbers 75492, 75493, 75494 and 75495).
Duration 7 minutes|9790222271531|STONE|David Stone|Four Songs of Winter complete|Choir - 3 part upper voices|4.75|75 3117|Tom Cunningham
SCOTLAND AT NIGHT
for unaccompanied mixed voice choir
Roberton 3117|'Six original poems by well-known novelist Alexander McCall Smith (author of "The No.1 Ladies'' Detective Agency" series and many other novels) set to music by Tom Cunningham. An attempt to reveal some of that other Scotland - the Scotland that begins at dusk.
World premieres given on 21st/22nd December 2007 in concerts given by Cappella Nova in Glasgow and Edinburgh.
The individual titles which are also available separately are Dusk; Refinery in the Darkness; Ceilidh; Simmer Dim in Shetland; Trout Loch; Lullaby.
Duration 11 mins'|9790222271814|CUNNINGHAM|Tom Cunningham|Scotland At Night|Choir - Mixed voices (SATB)|7.50|125 3118|Stuart Johnson
SONGS AND SONNETS
for mixed voice choir unaccompanied
Roberton 3118|'Four settings for SATB choir a cappella of Shakespeare words:
Hark, hark! The lark
Shall I compare thee to a summer''s day?
O mistress mine!
When to the sessions of sweet silent thought.
The sequence can be reversed to give a "big finish" with "Hark, hark!". These settings were composed for Roy Wales and the English Concert Singers. They were first performed in London at St.John''s, Smith Square in November 2000.
Duration 8 minutes'|9790222272354|JOHNSON S|Stuart Johnson|Songs and Sonnets|Choir - Mixed voices (SATB)|4.75|75 3119|'Tom Cunningham
THE PAINTER''S EYE
for unaccompanied mixed voice choir
Roberton 3119'|'A sequence of five original poems by well-known novelist Alexander McCall Smith (author of "The No.1 Ladies'' Detective Agency" series and many other novels) set to music by Tom Cunningham. Each poem is inspired by a painting in one of the world''s art galleries. The paintings are:-
Peaceable Kingdom by Edward Hicks
Tower of Babel by Pieter Bruegel the Elder
The Skating Minister by Sir Henry Raeburn
Birth of Venus by Sandro Botticelli
An Old Man with his Grandson by Domenico Ghirlandaio
Duration 10 minutes
"The Skating Minister" is also published separately. See catalogue no.63302.'|9790222275980|CUNNINGHAM|Tom Cunningham|'Painter''s Eye'|Choir - Mixed voices (SATB)|5.50|88 3120|Tom Cunningham
A TIME OF GIFTS
for unaccompanied mixed voice choir
Roberton 3120|'A sequence of six original poems by well-known novelist Alexander McCall Smith (author of "The No.1 Ladies'' Detective Agency" series and many other novels) set to music by Tom Cunningham.
Alexander McCall Smith writes:- "A Time of Gifts is my third collaboration with the composer, Tom Cunningham. Some years ago I was invited to write a series of short pieces about giving for a concert in St Paul''s Cathedral in London. For that I wrote a number of very short stories - a few lines long in each case. This work represents a development of that idea, in which I have tried to say something in verse about what it is to give to others. Giving brings people into a relationship with one another that recognizes shared humanity and vulnerability. But one should not be too solemn about giving: sometimes gifts are unwanted, or awkward, or, as in one of these poems, they insist on coming back!"

The six pieces are:-
Thoughts that come to mind
The only gift
My love gave me a cat
A gift of time
Fitting gifts
His and hers
Duration c.12 minutes'|9790222278608|CUNNINGHAM|Tom Cunningham|Time of Gifts|Choir - Mixed voices (SATB)|7.00|113 3121|Antony le Fleming
LIKE THE RHYTHM OF THE STARS
Five songs for upper voices and piano
Roberton 03121|A collection of five songs which are settings of various poems to new music by Antony le Fleming. They are scored for upper voices in two or three parts with piano accompaniment. The five pieces are "Dreamtime" (words by Judith Nicholls), "Leisure" (W.H. Davies), "Song for a Banjo Dance" (Langston Hughes), "Twinkle, twinkle, little star" (Jane Taylor), and "We got rhythm" (Mike Jubb)
Total duration 13 minutes|9790222280090|LE FLEMING A|Antony le Fleming|Like the Rhythm of the Stars|Choir - Upper voices|5.50|88 3122|Antonin Tucapsky
TRES PSALMI
for mixed voice chorus and organ
Roberton 3122|Three psalms (Salvum me fac [No.11], Domine, dominus noster [No.8] and Ad te, domine [No.24]) in new settings by Antonin Tucapsky for mixed voice (SATB) choir with organ accompaniment.
Duration 21 minutes|9790222280113|TUCAPSKY|Antonin Tucapsky|Tres Psalmi|Choir - Vocal score|9.50|173 3123|A JACOBITE LEGACY arr. Michael Neaum
for upper voice choir and piano
Roberton 3123|'A sequence of four songs arranged for upper voice choir (SSA) and piano accompaniment. With short sections of dialogue linking the songs, it tells some of the story of the Jacobite uprisings and the songs written about the events. The songs are:-
Ye Jacobites by name
Can ye o''er frae France?
Skye Boat Song also available separately - catalogue number 75516
Charlie is my darling.
Duration 8? minutes'|9790222281479|NEAUM|Michael Neaum|Jacobite Legacy|Choir - 3 part upper voices|4.75|75 3124|Tom Cunningham
FIVE AUDEN SONGS for upper voice choir and piano
Roberton 03124|'Five of W.H.Auden''s poems on the theme of "love" set to music by Tom Cunningham for choir of upper voices (SSA) and piano. Due to the nature of Auden''s texts, these settings are more suited to an adult choir and audience.
The five titles are: The Willow-Wren and the Stare (4? minutes); Make this night loveable (Nocturne II) (2? minutes); Dear, though the night is gone (2 minutes); If I could tell you (but I can''t) (2? minutes); The Love Feast (1? minutes).
40 pages - Duration 13 minutes in total
These can be performed as a set or individually.
Also available for solo voice and piano - see GM126.'|9790222289215|CUNNINGHAM|Tom Cunningham|Five Auden Songs|Choir - 3 part upper voices|7.50|125 3125|Tom Cunningham
A SCOTTISH FOUR SEASONS for upper voice choir and piano
Roberton 03125|Poems by Alexander McCall Smith on the four seasons from a Scottish point of view, set to music for SSA choir and piano by Tom Cunningham.
Spring, Summer, Autumn, Winter.
Also available in a version for solo voice and piano - GM151
Duration 8 minutes|9790222292956|CUNNINGHAM|Tom Cunningham|Scottish Four Seasons|Choir - 3 part upper voices|5.50|88 3126|Tom Cunningham
THE CIRCLING YEAR for mixed voice choir and piano
Roberton 03126|Four poems by William Soutar of Perth, Scotland (1898-1943) chosen to represent the four seasons of the year and set to music by Tom Cunningham.
The four poems are titled:-
Crocus, The Lea, The Turn of the Year, Winter Song.

Duration 9? minutes|9790222308503|CUNNINGHAM|Tom Cunningham|Circling Year|Choir - Mixed voices (SATB)|5.50|88 3127|Tom Cunningham
THE LANGUAGE OF LOVE for unaccompanied mixed voice choir
Roberton 03127|'A sequence of four pieces for unaccompanied SATB choir; settings of words by Percy Bysshe Shelley - Love''s Philosophy, Louise Labe - Dix-huitieme Sonnet, Heinrich Heine - Auf Flugeln des Gesanges and Francesco Petrarca - Benedetto sia ''l giorno. The texts are in English, French, German and Italian respectively. Explanatory (but not singable) translations are provided.

Duration 8 minutes'|9790222309975|CUNNINGHAM|Tom Cunningham|Language of Love|Choir - Mixed voices (SATB)|4.75|75 3128|Alasdair Jamieson
THREE SCOTTISH SONGS for unaccompanied mixed voice choir
Roberton 03128|'Three Scottish Songs to texts by Scott, Burns and Oliphant, using traditional Scottish tunes but arranged in an up-to-date fashion for mixed voice choir (SATB with divisions) by Alasdair Jamieson.
The three are Jock o'' Hazeldean (Sir Walter Scott), Ye Jacobites by name (Robert Burns) and Will ye no come back again? (Carolina Oliphant [Lady Nairne]).
A piano reduction is shown for rehearsal purposes.

Duration 10 minutes'|9790222309982|JAMIESON|Alasdair Jamieson|Three Scottish Songs|Choir - Mixed voices (SATB)|5.50|88 5501|||9790222240162|CAMILLERI|Charles Camilleri|Times of Day|Piano - Solo|5.00|88 5502|||9790222240179|CAMILLERI|Charles Camilleri|Three African Sketches|Piano - Solo|4.00|63 5503|||9790222240186|CAMILLERI|Charles Camilleri|Etudes Book 1|Piano - Solo|5.50|100 5504|||9790222240193|CAMILLERI|Charles Camilleri|Etudes Book 2|Piano - Solo|5.00|88 5505|||9790222240209|CAMILLERI|Charles Camilleri|Etudes Book 3 (the Picasso Set)|Piano - Solo|4.50|76 5506|Charles Camilleri
SONATINA CLASSICA for piano
Roberton 5506|A sonatina in classical style.|9790222240216|CAMILLERI|Charles Camilleri|Sonatina Classica|Piano - Solo|4.50|76 5507|||9790222240223|CAMILLERI|Charles Camilleri|Sonatina No.1|Piano - Solo|5.00|88 5508|||9790222240230|CAMILLERI|Charles Camilleri|African Dreams|Piano - Solo|6.50|124 5509|Charles Camilleri
DUE CANTI for piano
Roberton 5509|Two songs for piano solo - Cantilena and Arabesque.|9790222240247|CAMILLERI|Charles Camilleri|Due Canti|Piano - Solo|4.00|63 5510|||9790222240254|CAMILLERI|Charles Camilleri|Four Ragamats|Piano - Solo|9.50|173 5511|||9790222240261|CAMILLERI|Charles Camilleri|Pieces for Anya|Piano - Solo|4.00|63 5512|||9790222240278|PARKE|Dorothy Parke|Tunetime|Piano - Solo|4.00|63 5513|||9790222240285|HAWES J|Jack Hawes|Three Whimsical Pieces|Piano - Solo|4.00|63 5514|||9790222240292|JACQUES|Michael Jacques|Five Piece Suite|Piano - Solo|4.50|76 5515|||9790222240308|BLYTON|Carey Blyton|Fun With Figures|Piano - Solo|5.00|88 5516|||9790222240315|STEVENSON ES|Ella Savourna Stevenson|'Ella Savourna''s Notebook'|Piano - Solo|5.00|88 5517|||9790222240322|FURZE|Jessie Furze|Six Little Piano Pieces|Piano - Solo|4.00|38 5518|||9790222240339|FURZE|Jessie Furze|Ten Little Ditties|Piano - Solo|4.00|38 5519|||9790222240346|FURZE|Jessie Furze|'Grandpapa''s Diary'|Piano - Solo|4.00|50 5520|||9790222240353|FURZE|Jessie Furze|In Time of Spring|Piano - Solo|4.00|63 5521|||9790222240360|FURZE|Jessie Furze|Isle of Sark|Piano - Solo|4.00|50 5522|||9790222240377|HEDGES|Anthony Hedges|Five Preludes|Piano - Solo|4.00|38 5523|Jessie Furze
THE WESTERN ISLES for piano solo
Roberton 5523|'Eight colourful sketches for solo piano.
1. Over the Minch with the mail boat
2. Croon for an island babe
3. Iona, isle of St. Columba
4. Sea birds
5. Harris weavers'' working song
6. Dancing the reel at the ceilidh
7. The white stone cottage
8. The Piper of Dunvegan.'|9790222240384|FURZE|Jessie Furze|Western Isles|Piano - Solo|4.00|50 5529|||9790222240391|FURZE|Jessie Furze|Day By Day|Piano - Solo|4.50|76 5530|||9790222240407|FURZE|Jessie Furze|My Scrap Book|Piano - Solo|5.00|88 5531|||9790222240414|CAMILLERI|Charles Camilleri|Americana|Piano - Solo|4.00|38 5533|||9790222240438|CAMILLERI|Charles Camilleri|Sonatina Semplice|Piano - Solo|3.50|25 5534|||9790222240445|JEFFREYS J|John Jeffreys|Four Little English Dances|Harpsichord|3.50|25 5545|||9790222240452|CAMILLERI|Charles Camilleri|Concerto Americano|Piano - Solo|5.50|100 5546|William Alwyn (1905-1985)
MOVEMENTS
for piano solo|'Completed in 1961 (and originally published by Chester Music), Alwyn''s first major piece for piano solo after the 12 Preludes of 1959. In between these years Alwyn had suffered a nervous breakdown and, for a while, had lost the ability to compose. He was nursed back to health by his second wife, Mary (professional name - Doreen Carwithen) to whom the work is dedicated. The work consists of three contrasting movements entitled Allegro Appassionata, Evocation and The Devil''s Reel. (Advanced) Duration 15 minutes.'|9790222259423|ALWYN|William Alwyn|Movements|Piano - Solo|8.00|149 5550|||9790222240469|FURZE|Jessie Furze|Call of the Tartan|Piano - Solo|3.50|25 5551|||9790222240476|FURZE|Jessie Furze|In My Country Garden|Piano - Solo|4.00|38 5552|||9790222240483|FURZE|Jessie Furze|Scenes from Holland|Piano - Solo|4.00|38 5553|||9790222240490|FURZE|Jessie Furze|Town and Country|Piano - Solo|3.50|25 5554|||9790222240506|FURZE|Jessie Furze|Windmill Land|Piano - Solo|4.00|38 5556|||9790222240513|FURZE|Jessie Furze|Things I Remember|Piano - Solo|3.50|25 5557|||9790222240520|CENTER|Ronald Center|From Childhood|Piano - Solo|3.50|25 5558|||9790222240537|FOOT|Foot|Holiday Suite|Piano - Solo|3.50|25 5559|||9790222240544|VAN ROSSUM|Rossum Frederik Van|Little Style-studies|Piano - Solo|4.50|76 5560|Alan Bush
SIX SHORT PIECES FOR PIANO
Roberton 05560|Invention in two voices; Evening Lyric; Tyneside reel; Ceremonial; Song; Rondino.|9790222240551|BUSH|Alan Bush|Six Short Pieces for Piano|Piano - Solo|4.50|76 5573|Bernard Stevens
FOUR CONCERT PIECES for piano
Roberton 5573|Aria
Nocturne on a note-row by Ronald Stevenson
Fuga all sarabanda
Elegiac fugue on the name "Geraldine"

An earlier, longer version of "Aria" is also available separately - Roberton 9547|9790222240568|STEVENS B|Bernard Stevens|Four Concert Pieces for Piano|Piano - Solo|5.00|88 5574|||9790222240575|CUMMINGS-KNI|Geoffrey Cummings-Knight|24 Preludes|Piano - Solo|17.75|318 5575|||9790222240582|CAMILLERI|Charles Camilleri|Malta Miniatures|Piano - Solo|4.00|63 5576|||9790222240599|CAMILLERI|Charles Camilleri|Valletta Images|Piano - Solo|4.50|76 5577|Patrick Piggott
EIGHT PRELUDES AND A POSTLUDE
for piano
Roberton 5577|This is the third set of eight preludes by Patrick Piggott and is more advanced in style than the earlier two. Piggott considered these to be best; he wrote "Most people find No.6 quite easy to understand (not to play), and this is the one they tend to see pictures in or hear the wind and so on." "No.8 is one of the best things I have done! Free at last of anything that once hindered me. If the eighth Prelude expresses anything other than music, it might be the battle with death (sounds over-dramatic) which I was fighting through most of last year . . . " He completed the set with a Postlude, a cortege-like reflection and resolution of earlier conflicts whilst revealing a mood of doubt or apprehension.
Duration 19 minutes
Patrick Piggott (1915-1990)
Born in Dover and educated at Dover College, Patrick Piggott then studied at the Royal Acaademy of Music under Harold Craxton for piano and Benjamin Dale for composition. After the Academy, he continued his composition studies with Nadia Boulanger and his piano studies with Emile Bosquet in Brussels and then Julius Isserlis in London. Most of his early compositions were performed and broadcast though none now exists either in print or in recorded form. He became busy as a pianist and indeed was resident pianist at Cardiff University for many years. In 1965 he was appointed BBC Head of Music, Midland Region, a post which he held for four years before devoting himself to composition.|9790222269224|PIGGOTT P|Patrick Piggott|Eight Preludes & a Postlude|Piano - Solo|7.50|136 5578|'John Jeffreys
TOBY''S DREAMS for piano
Roberton 5578'|'These eight short piano pieces, Toby''s Dreams and Elegy constitute diversions, rather than variations, on the brief triplet phrase, evoking the slumbering contentment of the dog Toby whose devotion to handicapped children was tragically cut short as, shepherding their outgoings, he was struck by a car and killed.
"After dog Toby''s master was killed in a road accident he searched the entire village looking for him. On many a winter''s night he would call at our house and be fed before lying down in front of the open fire to sleep, perchance to dream! Among the dreams would come the occasional muffled barks (see No.2). His summer visits seemed to bring him some cheer, as betrayed by a curious "step-lollop" (see No.6). The cold silence of the winter stars (No.7) was finally replaced by the mutual joy and affection he later shared with the children of the local Dr. Barnardo''s home." John Jeffreys
Total duration about 17 minutes'|9790222279636|JEFFREYS J|John Jeffreys|'Toby''s Dreams'|Piano - Solo|5.00|88 6375|||9790222240605|ROBERTON|Hugh S. Roberton|Songs of the Isles|Choir - Vocal score|11.25|209 6501|||9790222240612|BLYTON|Carey Blyton|Three Food Songs|Choir - Unison voices|1.50|13 6502|||9790222240629|BLYTON|Carey Blyton|Three Insect Songs|Choir - Unison voices|1.50|13 6505|Dorothy Parke
BY WINDING ROADS
Roberton 06505|Fifteen songs of the Irish countryside - words by John Irvine, music by Dorothy Parke for solo or unison voices.
Contents: The Provinces; Over the hills and far away; Little boats; Three little towns; The old man from Kilkenny; Music; The fairy tree; The travellers; If; The fairy hill; In old Donegal; Winds; In summer time; Blarney; Goodbye.|9790222240643|PARKE|Dorothy Parke|By Winding Roads|Choir - Unison voices|6.00|112 6512|||9790222240667|BURTCH|Mervyn Burtch|Songs of London Town|Choir - Unison voices|6.00|112 6515|||9790222240674|ROBERTON|Hugh S. Roberton|Lions and Crocodiles collection|Choir - Unison voices|5.50|100 6544|||9790222240698|DALE|Gordon Dale|Centipede and Other Rhymes|Choir - Unison voices|5.00|88 6545|||9790222240711|DALE|Gordon Dale|Eight Nonsense Songs|Choir - Unison voices|5.00|63 6546|||9790222240735|DALE|Gordon Dale|Let the Children Sing|Choir - Unison voices|5.00|63 6547|||9790222240742|DALE|Gordon Dale|Sixteen Silly Songs for Kids|Songbook|5.00|75 6550|||9790222240759|ROWLEY|Alec Rowley|Little Robin & Other Small Songs|Songbook|4.00|50 6551|||9790222240766|ROWLEY|Alec Rowley|Plum Or Plain & Other Small Songs|Songbook|4.00|38 6552|||9790222240773|BELYEA|Warren Herbert Belyea|Zoo - Song Cycle for Young Voices|Choir - Unison voices|5.00|63 6554|||9790222240780|OTTO|Donna Otto|Primary Songs for Christmas|Choir - Unison voices|5.50|100 9501|||9790222240834|BEETHOVEN|Ludwig van Beethoven|Sonata in C Woo51 (completed Orga)|Piano - Solo|5.00|88 9502|||9790222240841|FURZE|Jessie Furze|Song of the Hammer Etc.|Piano - Solo|3.50|13 9503|||9790222240858|FURZE|Jessie Furze|Waltzing Mice|Piano - Solo|3.50|13 9504|||9790222240865|FURZE|Jessie Furze|Told in the Twilight|Piano - Solo|3.50|13 9505|||9790222240872|FURZE|Jessie Furze|Rocking Chair Story Etc.|Piano - Solo|3.50|13 9506|||9790222240889|STEVENS B|Bernard Stevens|Ballad No.2|Piano - Solo|4.50|76 9507|||9790222240896|FURZE|Jessie Furze|Tin Soldiers|Piano - Solo|3.50|13 9508|||9790222240902|FURZE|Jessie Furze|Lords and Ladies|Piano - Solo|3.50|13 9509|||9790222240919|FURZE|Jessie Furze|Fairies Afoot|Piano - Solo|3.50|13 9510|||9790222240926|FURZE|Jessie Furze|Lonely Shepherd|Piano - Solo|3.50|13 9511|||9790222240933|JACOBSON M|Maurice Jacobson|Sarabande and Rustic Ballet|Piano - Solo|3.50|25 9512|||9790222240940|CAMILLERI|Charles Camilleri|Berceuse / Out of School|Piano - Solo|3.50|25 9513|||9790222240957|ROBERTON|Hugh S. Roberton|For Alan and Meg|Piano - Solo|3.50|25 9514|||9790222240964|FURZE|Jessie Furze|'All Alone / Two''s Company'|Piano - Solo|3.50|13 9515|||9790222240971|FURZE|Jessie Furze|'Smugglers''revels / Primroses In....'|Piano - Solo|3.50|13 9516|||9790222240988|DALE|Gordon Dale|Clouds That Veil the Midnight Moon+|Piano - Solo|3.50|25 9517|||9790222240995|DALE|Gordon Dale|Harlem Scherzo|Piano - Solo|3.50|25 9518|||9790222241008|DALE|Gordon Dale|On the Banks of the Serpentine|Piano - Solo|3.50|13 9519|||9790222241015|DALE|Gordon Dale|Polonaise Napolitana|Piano - Solo|3.50|25 9520|||9790222241022|DALE|Gordon Dale|Royal Wedding|Piano - Solo|3.50|25 9521|||9790222241039|KING|Janet King|Playful Kittens|Piano - Solo|3.50|13 9522|||9790222241046|CENTER|Ronald Center|Giglot and Toccata|Piano - Solo|4.00|38 9523|||9790222241053|CENTER|Ronald Center|Sonata for Piano|Piano - Solo|6.00|112 9524|ARNOLD, Malcolm (1921-2006)
SONATA for piano (new 2012 edition)
Roberton 09524|'Malcolm Arnold completed this piano sonata in August 1942 when he was just 20 years old. He took up the trumpet at the age of 12 after seeing Louis Armstrong perform in a concert in Bournemouth. Five years later he gained a scholarship to the Royal College of Music where he studied the trumpet with Ernest Hall and composition with Gordon Jacob.
The Sonata was originally published only in 1992 and was reproduced from the composer''s manuscript. This new edition has been typeset for clarity but the music has not been materially altered. The manuscript version is also included in the copy.
A Concerto for alto saxophone and string orchestra was created from this Sonata by David Ellis in 1994 at the request of the composer. It is published in the Goodmusic Concert Originals series (GMCO065).
Duration 9? minutes'|9790222241060|ARNOLD M|Malcolm Arnold|Sonata for Piano (2012 edition)|Piano - Solo|6.50|124 9525|||9790222241077|PEPIN|Clermont Pepin|Short Etude No.1|Piano - Solo|3.50|25 9526|||9790222241084|MELECCI|Adelmo Melecci|Italian Boy|Piano - Solo|3.50|13 9527|||9790222241091|MELECCI|Adelmo Melecci|Little Frogs|Piano - Solo|3.50|13 9528|||9790222241107|COUTTS|George Coutts|Italian Dance|Piano - Solo|3.50|13 9529|||9790222241114|COUTTS|George Coutts|Merrily Tramping|Piano - Solo|3.50|13 9531|||9790222241138|KING|Janet King|Playtime / Balloon On A String|Piano - Solo|3.50|13 9532|||9790222241145|YOUNGER|John B. Younger|I Love A Parade Etc.|Piano - Solo|3.50|13 9533|||9790222241152|YOUNGER|John B. Younger|Day Dreaming Etc.|Piano - Solo|3.50|13 9536|||9790222241169|MELECCI|Adelmo Melecci|Mexican Holiday|Piano - Solo|3.50|13 9543|||9790222241176|ROWLEY|Alec Rowley|Rivulet|Piano - Solo|3.50|13 9545|||9790222241183|TUCAPSKY|Antonin Tucapsky|Fantasia Quasi Una Sonata|Piano - Solo|5.00|88 9546|||9790222241190|MERRICK F|Frank Merrick|Hebridean Seascape|Piano - Solo|5.50|100 9547|Bernard Stevens
ARIA for piano
Roberton 9547|Bernard Stevens wrote more than one version of this piece. One version is contained in "Four Concert Pieces" (Roberton 5573). This version is believed to be the original and has been recorded on DUTTON EPOCH CDLX 7160 played by Michael Finnissy.
Duration 3? minutes|9790222252073|STEVENS B|Bernard Stevens|Aria|Piano - Solo|4.00|63 9548|Ronald Stevenson
EIGHT SONGS OF FRANCIS GEORGE SCOTT
transcribed for piano|'As recorded by Murray McLachlan on Olympia CD these wonderful transcriptions are available in print for the first time. Suitable for advanced pianists!
1. Since all thy vows, false maid, are blown to air
Transcribed on returning home from a 3 months'' Australian concert tour, and finding a gift awaiting me: F. G. Scott''s copy of Busoni''s Von der Einheit der Musik, very kindly presented by the composer''s son George: for me a symbolic gift of a communion of minds. R.S.
2.Wha is that at my bower-door?
3.O were my love you lilac fair
4.Wee Willie Gray
5.Milkwort and bog-cotton
6.Crowdieknowe
Twenty-six years of devotion to a masterpiece of Mephistophelian balladry, worthy of Busoni''s Doktor Faust and linking the eldritch Scottish Borders with the European Faust legend. R.S. July 1989.
7.Ay waukin, O
Ay waukin, O = Ever waking, O - insomnia from love.
8.There''s news, lasses, news

Duration 25 minutes'|9790222258853|STEVENSON R|Ronald Stevenson|Eight Songs of F.G.Scott|Piano - Solo|7.50|136 9549|Antonin Tucapsky
PRELUDES Book 1 for piano
Roberton 9549|A set of 24 preludes in two books (1 to 12 in Book 1, 13 to 24 in Book 2) suitable for more advanced pianists.
Duration: Book 1 - c.53 minutes, Book 2 - c.41 minutes|9790222262164|TUCAPSKY|Antonin Tucapsky|Preludes Book 1|Piano - Solo|11.25|209 9550|Antonin Tucapsky
PRELUDES Book 2 for piano
Roberton 9550|A set of 24 preludes in two books (1 to 12 in Book 1, 13 to 24 in Book 2) suitable for more advanced pianists.
Duration: Book 1 - c.53 minutes, Book 2 - c.41 minutes|9790222271944|TUCAPSKY|Antonin Tucapsky|Preludes Book 2|Piano - Solo|8.50|160 9801|Thomas Johnson
SCHERZO FOR PIANO TRIO
Roberton 09801|For three players at one piano|9790222241206|JOHNSON T|Thomas Johnson|Scherzo for Piano Trio|Piano - 3 players on 1 piano|3.50|25 9901|||9790222241213|HAMILTON|Alasdair Hamilton|Scherzo - Keys of Canterbury|Piano - 2 players on 1 piano|4.00|50 9902|||9790222241220|ROWLEY|Alec Rowley|Minuetto|Piano - 2 players on 1 piano|3.50|25 9903|||9790222241237|ROWLEY|Alec Rowley|Festive Dance|Piano - 2 players on 1 piano|4.00|38 9904|||9790222241244|ROWLEY|Alec Rowley|Pavanesque|Piano - 2 players on 1 piano|4.00|38 9905|||9790222241251|HEDGES|Anthony Hedges|Hornpipe Rondo|Piano - 2 players on 1 piano|3.50|25 9911|||9790222241268|FURZE|Jessie Furze|Fairies Afoot|Piano - 2 players on 1 piano|3.50|25 9913|||9790222241275|FURZE|Jessie Furze|Dancing Princess|Piano - 2 players on 1 piano|3.50|25 9915|||9790222241282|FURZE|Jessie Furze|Tin Soldiers / Lords and Ladies|Piano - 2 players on 1 piano|4.00|38 9916|||9790222241299|FIELD J|John Field|Le Midi (Rondo) arr.Havelock Nelson|Piano - 2 players on 2 pianos|7.50|136 9918|||9790222241305|FURZE|Jessie Furze|Lonely Shepherd / Dancing Princess|Piano - 2 players on 1 piano|4.00|38 9919|LANE, Philip (1950- )
BADINAGES for piano duet
Roberton 09919|'In four movements: 1. Mouvement perpetuel, 2. Nocturne, 3. Valse excentrique, 4. Promenade en fiacre
Badinages is the earliest piece the composer still acknowledges. An impromptu play-through with Professor Ivor Keys formed the major part of his interview at Birmingham University in 1969. The work is an affectionate tribute to his heroes of the French school - Debussy, Ravel, Poulenc and Milhaud - although there are echoes of the dedicatee, Lord Berners, and Walton here and there also. The individual titles are largely self-explanatory - suffice to add that the composer had a cobbled boulevard after rain in mind for the Nocturne and the frenetic ride in a horse-drawn "fiacre" was suggested by an old newsreel.
A commercial recording by Peter Lawson and Alan Maclean is available on Albany TROY142.
The originally published version was reproduced from the composer''s manuscript. This has now been replaced by this typeset edition published in 2012.
Each movement lasts around 2? minutes - Total duration c.11 minutes'|9790222241312|LANE P|Philip Lane|Badinages for piano duet|Piano - 2 players on 1 piano|7.50|136 9920|Serge Prokofiev (arranged by David Patrick)
WINTER BONFIRE
for piano duet|'A splendid arrangement of modest difficulty of "Departure" taken from the suite Winter Bonfire Op.122 originally for boys'' choir and orchestra. (Approx Grade 4-5).


Please note that the printed copy of this work is arranged with the Secondo part on the left hand page and the Primo part on the right hand page. The Scorch file of this work has the two parts arranged one above the other (not like the printed copy) so that you can listen to the work and watch the music go by!'|9790222252080|PROKOFIEV|Sergei Prokofiev|Winter Bonfire (arr.Patrick)|Piano - 2 players on 1 piano|4.50|76 9921|||9790222241329|LANE P|Philip Lane|Mouvement Perpetuel from Badinages|Piano - 2 players on 1 piano|4.00|38 9922|Dorothy Parke
CHRISTMAS CAROLS - A SHORT FANTASIA
for piano duet
Roberton 9922|A fantasia on Christmas carol tunes arranged for two players on one piano around Grade 3-5 standard.
The carol tunes used are I saw three ships, Holy night, The holly and the ivy, Coventry carol and When the crimson sun had set.|9790222241336|PARKE|Dorothy Parke|Christmas Carols - A Short Fantasia|Piano - 2 players on 1 piano|4.50|76 9923|||9790222241343|ROWLEY|Alec Rowley|Columbine|Piano - 2 players on 1 piano|3.50|25 9924|||9790222241350|ROWLEY|Alec Rowley|Pantaloon|Piano - 2 players on 1 piano|4.00|38 9927|||9790222241367|BURY|Frank Bury|Prelude and Fugue in E Flat|Piano - 2 players on 2 pianos|7.50|136 9928|Philip Lane
SCHERZO BURLESCO
for piano duet|An original work for piano duet in a humorous lighter style.
(Approx Grade 6-7)
Duration 2? minutes|9790222241374|LANE P|Philip Lane|Scherzo Burlesco|Piano - 2 players on 1 piano|4.50|76 9929|Dorothy Parke
CHRISTMAS CAROLS - A SHORT FANTASIA
for two pianos
Roberton 9929|A fantasia on Christmas carol tunes arranged for two pianos around Grade 5 standard. Two copies are included, one for each pianist.
The carol tunes used are I saw three ships, Holy night, The holly and the ivy, Coventry carol and When the crimson sun had set.|9790222241381|PARKE|Dorothy Parke|Christmas Carols - A Short Fantasia|Piano - 2 players on 2 pianos|6.00|112 9930|THIRTY FINGERS SERIES for six hands on one piano
EASY BAROQUE TRIOS
arranged by Peter Wildman
Roberton 9930|'THIRTY FINGERS is a series of books of various standards for three players on one piano.
This book is for players of around Grades 1 to 3 and contains Bach - Musette from the Anna Magdalena Notebook, Gluck - Dance of the Blessed Spirits, Handel - Lascia ch''io pianga; Minuet from the Water Music; Minuet from the Fireworks Music, Purcell - Rondeau from Abdelazer, Rameau - Musette from Fetes d''Hebe, Vivaldi - Largo from the Lute Concerto.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222269712|WILDMAN|Peter Wildman|Thirty Fingers Easy Baroque|Piano - 3 players on 1 piano|7.50|136 9931|THIRTY FINGERS SERIES for six hands on one piano
INTERMEDIATE BAROQUE TRIOS
arranged by Peter Wildman
Roberton 9931|'THIRTY FINGERS is a series of books of various standards for three players on one piano.
This book is for players of around Grades 4 to 6 and contains Bach - Air from Suite No.3, Corelli - Allegro from the Christmas Concerto, Gluck - Che faro senza Euridice?, Pergolesi - Inflammatus et accensus, Scarlatti - O Clemens from Salve Regina, Vivaldi - Largo from Winter.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222269729|WILDMAN|Peter Wildman|Thirty Fingers Intermediate Baroque|Piano - 3 players on 1 piano|7.50|136 9932|THIRTY FINGERS SERIES for six hands on one piano
EASY CLASSICAL TRIOS
arranged by Peter Wildman
Roberton 9932|'THIRTY FINGERS is a series of books of various standards for three players on one piano.
This book is for players of around Grades 1 to 3 and contains Beethoven - Two Contredances; Two German Dances; Minuet; The Glory of God in Nature, Boccherini - Minuet, Haydn - Three German Dances, Mozart - Auf die feierliche Johannisloge; The Birdcatcher''s Song; O Isis and Osiris, Schubert To music.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222269736|WILDMAN|Peter Wildman|Thirty Fingers Easy Classical|Piano - 3 players on 1 piano|7.50|136 9933|THIRTY FINGERS SERIES for six hands on one piano
INTERMEDIATE CLASSICAL TRIOS
arranged by Peter Wildman
Roberton 9933|'THIRTY FINGERS is a series of books of various standards for three players on one piano.
This book is for players of around Grades 4 to 6 and contains Beethoven - Peasants'' Merrymaking, Haydn - Andante from the Trumpet Concerto, Mozart - Bei mannern (Magic Flute), Schubert - Entr''acte from Rosamunde.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222269743|WILDMAN|Peter Wildman|Thirty Fingers Intermed. Classical|Piano - 3 players on 1 piano|7.50|136 9934|THIRTY FINGERS SERIES for six hands on one piano
EASY ROMANTIC TRIOS
arranged by Peter Wildman
Roberton 9934|'THIRTY FINGERS is a series of books of various standards for three players on one piano.
This book is for players of around Grades 1 to 3 and contains Brahms - Gypsy Song, Dvorak - Largo, Faure - Pie Jesu, Gounod - O ma Belle Rebelle, Schumann Davidsbundler tanze, Tchaikovsky - Arabian Dance.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222269750|WILDMAN|Peter Wildman|Thirty Fingers Easy Romantic|Piano - 3 players on 1 piano|6.50|124 9935|THIRTY FINGERS SERIES for six hands on one piano
INTERMEDIATE ROMANTIC TRIOS
arranged by Peter Wildman
Roberton 9935|'THIRTY FINGERS is a series of books of various standards for three players on one piano.
This book is for players of around Grades 4 to 6 and contains Bizet - Farandole, Delibes - Flower Duet, Elgar - Nimrod, Grieg - In the Hall of the Mountain King, Mahler - Lov''st thou but beauty.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222269767|WILDMAN|Peter Wildman|Thirty Fingers Intermed. Romantic|Piano - 3 players on 1 piano|7.50|136 9936|THIRTY FINGERS SERIES for six hands on one piano
J. S. BACH - VIVACE from BWV530
arranged by Peter Wildman
Roberton 9936|'THIRTY FINGERS is a series of books of various standards for three players on one piano.
This work is for players of around Grades 6 to 8 standard. The movement is taken from one of Bach''s Trio Sonatas for the organ.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222269774|WILDMAN|Peter Wildman|Thirty Fingers Bach Vivace|Piano - 3 players on 1 piano|6.00|112 9937|THIRTY FINGERS SERIES for six hands on one piano
BEETHOVEN - Allegro con brio from SYMPHONY No.5
arranged by Peter Wildman
Roberton 9937|'THIRTY FINGERS is a series of books of various standards for three players on one piano.
This work is for players of around Grades 6 to 8 standard. This is the first movement from Beethoven''s fifth symphony.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222269781|WILDMAN|Peter Wildman|Thirty Fingers Beethoven 5 Allegro|Piano - 3 players on 1 piano|6.50|124 9938|THIRTY FINGERS SERIES for six hands on one piano
TCHAIKOVSKY - Adagio lamentoso from SYMPHONY No.6
arranged by Peter Wildman
Roberton 9938|'THIRTY FINGERS is a series of books of various standards for three players on one piano.
This work is for players of around Grades 6 to 8 standard. This is the last movement from Tchaikovsky''s sixth symphony.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222269859|WILDMAN|Peter Wildman|Thirty Fingers Tchaikovsky 6 Adagio|Piano - 3 players on 1 piano|6.00|112 9940|Maurice Jacobson
PRELUDE TO A PLAY for two pianos
Roberton 09940|'The Prelude to a Play started life as a short work for orchestra. In 1939 Maurice Jacobson made this arrangement for two pianos - two copies (one for each pianist) are included.
Maurice Jacobson was regarded in his lifetime as a "musician extraordinary", gifted with such exceptional versatility that formal classifications were quite inadequate to convey the wide-ranging nature of his career. Among his manifold activities, he was a composer, pianist, conductor, music publisher, editor, broadcaster, lecturer, and doyen of British music festival adjudicators. Jacobson, who was awarded the OBE in 1971 for "services to music", began his professional career as a solo pianist early in life - he was, in fact, a child prodigy, having started serious lessons in both the violin and the piano at the age of seven. At 16, he won a piano scholarship at the Modern School of Music, London, which enabled him to receive lessons from Busoni. By that time, he could play all Beethoven''s sonatas and all of Bach''s 48 Preludes and Fugues from memory, a feat which many eminent professional musicians would envy. In 1916, he gained an open scholarship at the Royal College of Music, where, with a four-year break for military service in World War I, he studied composition under Stanford and Holst and conducting under Sir Adrian Boult, until 1922. In 1923 Maurice Jacobson joined the music publishing firm of J. Curwen & Sons as a music reader. In 1933 he was made a director and later its chairman from 1950 to 1972. Maurice Jacobson''s compositions and arrangements number around 450 including a ballet, David; also the cantatas The Lady of Shalott (1940) and The Hound of Heaven (1953) together with many short instrumental pieces, chamber music, and songs.

Duration 4 minutes'|9790222280304|JACOBSON M|Maurice Jacobson|Prelude To A Play|Piano - 2 players on 2 pianos|7.50|136 9941|Maurice Jacobson
THEME AND VARIATIONS for piano duet (two players at one piano)
Roberton 09941|'The "Theme and Variations", completed in either 1943 or 1947 (the records are not clear), is a large-scale set of variations on an original theme for symphony orchestra. Maurice Jacobson also prepared a concert version for piano duet which is published here for the first time.
Maurice Jacobson was regarded in his lifetime as a "musician extraordinary", gifted with such exceptional versatility that formal classifications were quite inadequate to convey the wide-ranging nature of his career. Among his manifold activities, he was a composer, pianist, conductor, music publisher, editor, broadcaster, lecturer, and doyen of British music festival adjudicators. Jacobson, who was awarded the OBE in 1971 for "services to music", began his professional career as a solo pianist early in life - he was, in fact, a child prodigy, having started serious lessons in both the violin and the piano at the age of seven. At 16, he won a piano scholarship at the Modern School of Music, London, which enabled him to receive lessons from Busoni. By that time, he could play all Beethoven''s sonatas and all of Bach''s 48 Preludes and Fugues from memory, a feat which many eminent professional musicians would envy. In 1916, he gained an open scholarship at the Royal College of Music, where, with a four-year break for military service in World War I, he studied composition under Stanford and Holst and conducting under Sir Adrian Boult, until 1922. In 1923 Maurice Jacobson joined the music publishing firm of J. Curwen & Sons as a music reader. In 1933 he was made a director and later its chairman from 1950 to 1972. Maurice Jacobson''s compositions and arrangements number around 450 including a ballet, David; also the cantatas The Lady of Shalott (1940) and The Hound of Heaven (1953) together with many short instrumental pieces, chamber music, and songs.

Duration 22 minutes'|9790222280311|JACOBSON M|Maurice Jacobson|Theme and Variations|Piano - 2 players on 1 piano|9.50|173 9942|THIRTY FINGERS SERIES for six hands on one piano
EASY ENGLISH TRIOS
arranged by Peter Lawson
Roberton 9942|'Thirty Fingers is a series of books of various standards for three players on one piano.
This book is for players of around Grades 1 to 3 and contains
Hook - The Lass of Richmond Hill
Clarke - Trumpet Tune in D
Boyce - Gavot from Symphony 4
Holst - I Vow to Thee My Country
Elgar - Larghetto from Serenade for Strings
Delius - On Hearing the First Cuckoo in Spring.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222301061|LAWSON|Peter Lawson|Thirty Fingers Easy English Trios|Piano - 3 players on 1 piano|7.50|136 9943|THIRTY FINGERS SERIES for six hands on one piano
INTERMEDIATE ENGLISH TRIOS
arranged by Peter Lawson
Roberton 9943|'Thirty Fingers is a series of books of various standards for three players on one piano.
This book is for players of around Grades 4 to 6 and contains
Arne - Rule Britannia
Parry - Jerusalem
Butterworth - The Banks of Green Willow
Elgar - Salut d''Amour
Delius - Sleigh Ride
Alford - Colonel Bogey March.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222301078|LAWSON|Peter Lawson|Thirty Fingers Intermediate English|Piano - 3 players on 1 piano|8.00|149 9944|THIRTY FINGERS SERIES for six hands on one piano
EASY FRENCH TRIOS
arranged by Peter Lawson
Roberton 9944|'Thirty Fingers is a series of books of various standards for three players on one piano.
This book is for players of around Grades 1 to 3 and contains
Satie - Gymnopedie No.1
Charpentier - Prelude from the Te Deum
Bizet - Habanera from Carmen
Faure - Berceuse from the Dolly Suite
Couperin - Le Moucherin (The Gnat)
Saint-Saens - The Swan
Ravel - Pavane pour une Infante Defunte.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222301085|LAWSON|Peter Lawson|Thirty Fingers Easy French Trios|Piano - 3 players on 1 piano|7.50|136 9945|THIRTY FINGERS SERIES for six hands on one piano
INTERMEDIATE FRENCH TRIOS
arranged by Peter Lawson
Roberton 9945|'Thirty Fingers is a series of books of various standards for three players on one piano.
This book is for players of around Grades 4 to 6 and contains
Faure - Pavane
Ravel - Forlane from Le Tombeau de Couperin
Debussy - Prelude from Suite Bergamasque
Satie - Je Te Veux
Massenet - Meditation from Thais
Saint-Saens - Organ Symphony Theme.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222301092|LAWSON|Peter Lawson|Thirty Fingers Intermediate French|Piano - 3 players on 1 piano|7.50|136 9946|THIRTY FINGERS SERIES for six hands on one piano
EASY DANCE TRIOS
arranged by Peter Lawson
Roberton 9946|'Thirty Fingers is a series of books of various standards for three players on one piano.
This book is for players of around Grades 1 to 3 and contains
Mozart - Minuet from Eine Kleine Nachtmusik
Bach - Siciliano from Flute Sonata
Captain Pugwash (The Trumpet Hornpipe)
Chopin - Waltz in A minor Op.Posth
Grieg - Sarabande from the Holberg Suite
Handel - Bouree from the Water Music
Strauss - Thunder and Lightning Polka.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222301108|LAWSON|Peter Lawson|Thirty Fingers Easy Dance Trios|Piano - 3 players on 1 piano|7.50|136 9947|THIRTY FINGERS SERIES for six hands on one piano
INTERMEDIATE DANCE TRIOS
arranged by Peter Lawson
Roberton 9947|'Thirty Fingers is a series of books of various standards for three players on one piano.
This book is for players of around Grades 4 to 6 and contains
Bach - Gigue from Suite No.3 in D
Waldteufel - The Skaters'' Waltz
Debussy - Golliwog''s Cakewalk
Tchaikovsky - Russian Dance from the Nutcracker Suite
Joplin - Ragtime Dance.

Also available are free Practice Tracks each with a different player''s part missing so you can play along with your two partners even when they are not there!
For details on the whole series and to listen to or download the Practice Tracks CLICK HERE
'|9790222301115|LAWSON|Peter Lawson|Thirty Fingers Intermediate Dance|Piano - 3 players on 1 piano|8.00|149 28191|||9790222241398|DAVAN WETTON|Wetton Hilary Davan|Come Ye People Hasten Near|Choir - Mixed voices (SATB)|1.50|13 40009|||9790222241404|PARRY|C. Hubert H. Parry|Jerusalem (original in key D)|Choir - Unison voices|1.50|13 40061|||9790222241411|PARRY|C. Hubert H. Parry|Jerusalem (simplified in key D)|Choir - Unison voices|1.50|13 40062|PARRY, C. Hubert H.
JERUSALEM for voice(s) with organ accompaniment
Roberton 40062|'A newly typeset edition of Parry''s famous "Jerusalem" with organ accompaniment by George Thalben-Ball. We also sell various other editions of "Jerusalem" including the standard voice and piano plus simplified editions and choral arrangements.
Duration 2? minutes'|9790222265530|PARRY|C. Hubert H. Parry|Jerusalem (org.accomp Thalben-Ball)|Voice solo (with accompaniment)|3.50|13 40063|||9790222241428|PARRY|C. Hubert H. Parry|Jerusalem (simplified in key C)|Choir - Unison voices|1.50|13 43015|||9790222241459|WESTBROOK|Francis Westbrook|Reading Hymn Tunes & Singing Psalms|Book|2.50|90 43030|||9780951372012|JEFFREYS J|John Jeffreys|Life and Works of Philip Rosseter|Book|8.00|180 43031|||9790222241503|BONELLO|Michael Bonello|Piano Music of Charles Camilleri|Book|6.00|115 43033|John Jeffreys
A MEMOIR OF PHILIP ROSSETER
Book|'Paperback, 172 pages.
This second book upon the life and works of Philip Rosseter concludes John Jeffreys'' researches that began in 1950 with the purpose of countering the neglect of a legacy of music that remains among the finest ever left by an English Composer.
John Jeffreys'' first book "The Life and Works of Philip Rosseter" is also still available (No.43030).'|9780951372036|JEFFREYS J|John Jeffreys|Memoir of Philip Rossetter|Book|12.00|360 50015|||9790222241510|DE RILLE|Laurent De Rille|Martyrs of the Arena|Choir - Male voices|2.75|38 50346|||9790222241527|SCHUBERT|Franz Schubert|Lord Is My Shepherd|Choir - Male voices|2.00|25 50371|COMRADES IN ARMS by Adolphe Adam
for unaccompanied male voice choir and piano
Roberton 50371|This is the "original" version of Comrades in Arms for unaccompanied male voice choir. Also available is a version which includes a piano accompaniment by Bryan Davies (no.53217). These 50371 copies can be used by choir members along with the new accompanied version. The only additions are that at the start is an 8 bar piano introduction, a 4 bar section added at the end and an extra bar inserted before the Allegro marziale.
Duration 4? minutes|9790222241534|ADAM A|Adolphe Adam|Comrades in Arms|Choir - Male voices|2.75|38 50467|||9790222241541|MACKENZIE|David Mackenzie|'Newquay Fisherman''s Song'|Choir - Male voices|2.00|25 50538|||9790222241558|MOZART|Wolfgang Amadeus Mozart|Gloria from 12th Mass|Choir - Male voices|2.00|25 50552|||9790222267305|ROBERTON|Hugh S. Roberton|Loch Leven Love Lament|Choir - Male voices|2.00|25 50553|||9790222241565|ROBERTON|Hugh S. Roberton|Scots Wha Hae|Choir - Male voices|2.00|25 50553SOLFA|||9790222241572|ROBERTON|Hugh S. Roberton|Scots Wha Hae (solfa edition)|Choir - Male voices|2.00|25 50558|||9790222241589|ROBERTON|Hugh S. Roberton|Island Shieling Song|Choir - Male voices|2.00|25 50558SOLFA|||9790222241596|ROBERTON|Hugh S. Roberton|Island Shieling Song(solfa edition)|Choir - Male voices|2.00|25 50650|||9790222241602|ROBERTON|Hugh S. Roberton|Blow Away the Morning Dew|Choir - Male voices|1.50|13 50666|Hugh S. Roberton
ALL IN THE APRIL EVENING
for male voice choir
Roberton 50666|'Born in Glasgow, Hugh Roberton became a funeral director apart from being a conductor and composer. A highly motivated and self-taught choir-master, he founded the Toynbee Musical Association in 1901 and five years later, this became the Glasgow Orpheus Choir which gained a world-wide reputation and went on to perform under Hugh''s direction for some 45 years. He composed much for his choir, with perhaps his most famous pieces being "All in the April Evening" and the "Mingulay Boat Song". He had a reputation for getting the very best from his singers, who held him in such great esteem that when he resigned as their leader shortly before his death, the choir agreed that they must disband. However, the Orpheus rose again when many of its members re-formed as the Glasgow Phoenix Choir, which continues to perform and tour to this day. Hugh Roberton was knighted in 1931.
There are versions of "All in the April Evening" available for unaccompanied mixed voice choir (SATB), solo voice, unison voices, female voice choir, male voice choir, mixed voice choir (SAB), with Welsh words and also in an arrangement for string orchestra and a "meditation" for organ.
Duration nearly 3 minutes'|9790222241619|ROBERTON|Hugh S. Roberton|All in the April Evening|Choir - Male voices|1.50|13 50666SOLFA|||9790222241626|ROBERTON|Hugh S. Roberton|All in the April Evening (solfa)|Choir - Male voices|1.50|13 50666WELSH|||9790222241633|ROBERTON|Hugh S. Roberton|All in the April Evening(welsh wds)|Choir - Male voices|1.50|13 50668|||9790222241640|ROBERTON|Hugh S. Roberton|Where the Violets Blow|Choir - Male voices|1.50|13 50685|||9790222241657|ROBERTON|Hugh S. Roberton|In Summertime On Bredon|Choir - Male voices|2.00|25 50710|||9790222241664|ROBERTON|Hugh S. Roberton|De Battle Ob Jerico|Choir - Male voices|1.50|13 50710SOLFA|||9790222241671|ROBERTON|Hugh S. Roberton|De Battle Ob Jerico (solfa edition)|Choir - Male voices|1.50|13 50712|||9790222241688|ROBERTON|Hugh S. Roberton|'Deil''s Awa'|Choir - Male voices|1.50|13 50713|||9790222241695|ROBERTON|Hugh S. Roberton|Ossianic Processional|Choir - Male voices|2.00|25 50716|||9790222241701|ROBERTON|Hugh S. Roberton|Celtic Hymn|Choir - Male voices|2.00|25 50731|||9790222241718|ROBERTON|Hugh S. Roberton|Pine Tree Standeth Lonely|Choir - Male voices|1.50|13 50732|||9790222241725|ROBERTON|Hugh S. Roberton|Donkey|Choir - Male voices|1.50|13 50732SOLFA|||9790222241732|ROBERTON|Hugh S. Roberton|Donkey (solfa edition)|Choir - Male voices|1.50|13 50741|||9790222241749|ROBERTON|Hugh S. Roberton|Lyke-wake Dirge|Choir - Male voices|2.00|25 50745|||9790222241756|ROBERTON|Hugh S. Roberton|'Ay Waukin'' O'|Choir - Male voices|2.00|25 50745SOLFA|||9790222241763|ROBERTON|Hugh S. Roberton|'Ay Waukin'' O (solfa edition)'|Choir - Male voices|2.00|25 50761|||9790222241770|ROBERTON|Hugh S. Roberton|There Is a Green Hill Far Away|Choir - Male voices|1.50|13 50765|||9790222241787|ROBERTON|Hugh S. Roberton|Kirkconnel Lea|Choir - Male voices|2.00|25 50766|||9790222241794|ROBERTON|Hugh S. Roberton|Uist Tramping Song (Come Along)|Choir - Male voices|2.00|25 50767|||9790222241800|ROBERTON|Hugh S. Roberton|O Lovely Heart|Choir - Male voices|1.50|13 50768|||9790222241817|ROBERTON|Hugh S. Roberton|Sundown|Choir - Male voices|1.50|13 50769|||9790222241824|ROBERTON|Hugh S. Roberton|So Sweet Love Seemed That April Mrn|Choir - Male voices|1.50|13 50772|||9790222241831|ROBERTON|Hugh S. Roberton|Celtic Keening Song|Choir - Male voices|1.50|13 50773|||9790222241848|ROBERTON|Hugh S. Roberton|Eileen Aroon|Choir - Male voices|2.00|25 50782|||9790222241855|ROBERTON|Hugh S. Roberton|Give a Man a Horse He Can Ride|Choir - Male voices|1.50|13 50783|||9790222241862|ROBERTON|Hugh S. Roberton|Barque of Clanranald|Choir - Male voices|2.00|25 50784|||9790222241879|ROBERTON|Hugh S. Roberton|'Lassie Wad Ye Lo''e Me?'|Choir - Male voices|1.50|13 50785|||9790222241886|ROBERTON|Hugh S. Roberton|When De Stars Begin To Fall|Choir - Male voices|2.00|25 50786|||9790222241893|ROBERTON|Hugh S. Roberton|Sweet Nightingale|Choir - Male voices|2.00|25 50790|||9790222241909|ROBERTON|Hugh S. Roberton|O Western Wind|Choir - Male voices|1.50|13 50791|||9790222241916|ROBERTON|Hugh S. Roberton|How Very Dear She Was|Choir - Male voices|1.50|13 50792|||9790222241923|ROBERTON|Hugh S. Roberton|Were You There? (TBB)|Choir - Male voices|1.50|13 50794|||9790222241930|ROBERTON|Hugh S. Roberton|Cloths of Heaven|Choir - Male voices|1.50|13 50797|||9790222241947|ROBERTON|Hugh S. Roberton|Listen to the Lambs|Choir - Male voices|2.00|25 50798|||9790222241954|ROBERTON|Hugh S. Roberton|My Luve is Like a Red Red Rose|Choir - Male voices|2.00|25 50799|||9790222241961|ROBERTON|Hugh S. Roberton|Pratty Flowers|Choir - Male voices|2.00|25 50802|||9790222241978|ROBERTON|Hugh S. Roberton|Go Down Moses!|Choir - Male voices|2.00|25 50803|||9790222241985|ROBERTON|Hugh S. Roberton|I See His Blood Upon the Rose|Choir - Male voices|2.00|25 50805|||9790222241992|ROBERTON|Hugh S. Roberton|'Nobody Knows De Trouble I''ve Seen'|Choir - Male voices|1.50|13 50806|||9790222242005|ROBERTON|Hugh S. Roberton|'E''en As a Lovely Flower'|Choir - Male voices|1.50|13 50851|||9790222242012|ROBERTON|Hugh S. Roberton|A-roving|Choir - Male voices|2.00|25 50852|||9790222242029|ROBERTON|Hugh S. Roberton|Full Fathom Five|Choir - Male voices|2.00|25 53002|||9790222242036|NELSON H|Havelock Nelson|Maid of Bunclody|Choir - Male voices|2.00|25 53007|||9790222242043|ROBERTON|Hugh S. Roberton|Over Here|Choir - Male voices|1.50|13 53008|||9790222242050|HEAD|Michael Head|I Will Lift Up Mine Eyes(Psalm 121)|Choir - Male voices|2.00|25 53009|||9790222242067|HEAD|Michael Head|Make A Joyful Noise Unto the Lord|Choir - Male voices|2.75|38 53010|||9790222242074|WALTERS L|Leslie Walters|For the Ungodly Said.......|Choir - Male voices|2.75|38 53011|||9790222242081|WALTERS L|Leslie Walters|Galley-Rowers|Choir - Male voices|2.00|25 53012|||9790222242098|BLYTON|Carey Blyton|In Lighter Mood|Choir - Male voices|2.75|38 53013|||9790222242104|BANTOCK|Granville Bantock|Fighting Temeraire|Choir - Male voices|2.75|38 53014|||9790222242111|LIDDELL C|Claire Liddell|'I''ll Ay Ca'' in By Yon Toon'|Choir - Male voices|1.50|13 53015|||9790222242128|ROBERTON|Hugh S. Roberton|Serenade|Choir - Male voices|1.50|13 53016|||9790222242135|WILKINSON|Stephen Wilkinson|Consider Well|Choir - Male voices|2.75|38 53017|Brian Hughes (arr)
JONAH
for male voice choir
Roberton 53017|Arrangement of a spritual for male voice choir (TTBB) unaccompanied. Originally published in 1978, this is now available in a revised version (2009). In the new version, there have been some amendments to the notes, the layout has been improved and it now comes with Welsh words as well as English shown on the same copy.
If you need extra copies of the ORIGINAL version to add to an existing set then you may order using catalogue number 53017ORIG.
Duration 2? minutes|9790222242142|HUGHES|Brian Hughes|Jonah (Revised) English+Welsh|Choir - Male voices|2.00|25 53017ORIG||||HUGHES|Brian Hughes|Jonah (original edition)|Choir - Male voices|1.50|13 53018|||9790222242159|ROBERTON|Hugh S. Roberton|All Through the Night|Choir - Male voices|1.50|13 53019|||9790222242166|ROBERTON|Hugh S. Roberton|At the Mid Hour of Night|Choir - Male voices|1.50|13 53020|||9790222242173|FOSTER|Stephen Foster|Poor Old Joe (arr.Roberton)|Choir - Male voices|1.50|13 53025|||9790222242180|BURTCH|Mervyn Burtch|Epilogue|Choir - Male voices|1.50|13 53026|||9790222242197|PLUMSTEAD|Mary Plumstead|They All Were Looking for a King|Choir - Male voices|1.50|13 53027|||9790222242203|STEVENS RJS|Richard John Samuel Stevens|'Cloud-Capp''d Towers'|Choir - Male voices|1.50|13 53027SOLFA|||9790222242210|STEVENS RJS|Richard John Samuel Stevens|'Cloud-Capp''d Towers (solfa edition)'|Choir - Male voices|1.50|13 53028|||9790222242227|ROBERTON|Hugh S. Roberton|Crimond (staff & solfa)|Choir - Male voices|1.50|13 53029|||9790222242234|ROBERTON|Hugh S. Roberton|Isle of Mull|Choir - Male voices|1.50|13 53031|||9790222242241|ROBERTON|Hugh S. Roberton|Ye Gates Lift Up Your Heads|Choir - Male voices|1.50|13 53032|||9790222242258|ROBERTON|Hugh S. Roberton|Battle-Hymn of the Republic|Choir - Male voices|2.00|25 53033|||9790222242265|BYRD|William Byrd|Ave Verum Corpus (arr.Hilda Morgan)|Choir - Male voices|2.00|25 53033SOLFA|||9790222242272|BYRD|William Byrd|Ave Verum Corpus (solfa edition)|Choir - Male voices|2.00|25 53035|||9790222242289|STANFORD|Charles Villiers Stanford|Hush Sweet Lute|Choir - Male voices|2.00|25 53036|||9790222242296|ROBERTON|Hugh S. Roberton|Be With Us Lord This Eventide|Choir - Male voices|1.50|13 53037|||9790222242302|ROBERTON|Hugh S. Roberton|By Cool Siloam (Hymn tune Belmont)|Choir - Male voices|1.50|13 53038|||9790222242319|ROBERTON|Hugh S. Roberton|Two Scottish Psalm Tunes|Choir - Male voices|2.75|38 53039|||9790222242326|FESTA|Constanzo Festa|Down in a Flowery Vale arr.Roberton|Choir - Male voices|1.50|13 53040|||9790222242333|ROBERTON|Hugh S. Roberton|Maureen (mezzo-sop+TTBB)|Choir - Male voices|1.50|13 53041|||9790222242340|HEDGES|Anthony Hedges|Ally Croaker|Choir - Male voices|2.00|25 53042|||9790222242357|ROBERTON|Hugh S. Roberton|O Light of Life|Choir - Male voices|1.50|13 53043|||9790222242364|ROBERTON|Hugh S. Roberton|Oft in the Stilly Night|Choir - Male voices|1.50|13 53044|||9790222242371|ROBERTON|Hugh S. Roberton|Old Woman|Choir - Male voices|1.50|13 53045|||9790222242388|LEES|Heath Lees|Iona Boat Song|Choir - Male voices|1.50|13 53046|||9790222242395|ROBERTON|Hugh S. Roberton|'Standin'' in the Need of Prayer'|Choir - Male voices|1.50|13 53047|||9790222242401|ROBERTON|Hugh S. Roberton|Eriskay Love Lilt|Choir - Male voices|2.00|25 53051|||9790222242418|JANACEK|Leos Janacek|'True Love & the Soldier''s Lot'|Choir - Male voices|1.50|13 53052|||9790222242425|DAVIES B|Bryan Davies|Hava Nagila (+ piano duet accomp.)|Choir - Male voices|3.50|50 53054|||9790222242432|DAVIES B|Bryan Davies|Bryn Myrddin - Great Is He the Lord|Choir - Male voices|2.00|25 53055|||9790222242449|TUCAPSKY|Antonin Tucapsky|O Captain My Captain|Choir - Male voices|4.75|75 53056|||9790222242456|TUCAPSKY|Antonin Tucapsky|Let the Peoples Praise Thee|Choir - Male voices|2.75|38 53057|Leos Janacek
OUR BIRCH TREE for male voice choir
Roberton 53057|With words in Czech [Coz ta nase briza] and English, this chorus by Janacek for unaccompanied male voices has been edited by Antonin Tucapsky.
Duration: 2? minutes|9790222264267|JANACEK|Leos Janacek|Our Birch Tree Ed.Tucapsky|Choir - Male voices|1.50|13 53058|Leos Janacek
LEAVE TAKING for male voice choir
Roberton 53058|With words in Czech [Rozlouceni] and English, this chorus by Janacek for unaccompanied male voices has been edited by Antonin Tucapsky.
Duration: 3 minutes|9790222264274|JANACEK|Leos Janacek|Leave Taking Ed.Tucapsky|Choir - Male voices|2.75|38 53059|||9790222242463|WOOD C|Charles Wood|Ethiopia Saluting the Colours|Choir - Male voices|2.75|38 53063|||9790222242470|ROBERTON|Hugh S. Roberton|Orlington - O God of Bethel|Choir - Male voices|1.50|13 53064|||9790222242487|GANGE|Kenneth Gange|'Sing Nowell & Babe in Bethlhem''s...'|Choir - Male voices|1.50|13 53071|||9790222242494|DAVIES B|Bryan Davies|'Takin''Names & Where Shall I Be?'|Choir - Male voices|2.00|25 53071BR||||DAVIES B|Bryan Davies|Where Shall I Be Score & Parts|Ensemble - Mixed brass|15.00|190 53072|||9790222242500|DAVIES B|Bryan Davies|Finnish Forest|Choir - Male voices|2.00|25 53073|||9790222242517|TROYTE|Arthur Henry Dyke Troyte|'Sunset Poem (Troyte''s Chant No.1)'|Choir - Male voices|1.50|13 53076|Antonin Tucapsky
VANISHED YOUTH for male voice choir
Roberton 53076|A folk song from Moravia [Zahucaly Hory] arranged for unaccompanied male voice choir (TTBB) with English words by Beryl Tucapska.
Duration: 2? minutes|9790222264281|TUCAPSKY|Antonin Tucapsky|Vanished Youth|Choir - Male voices|2.00|25 53077|||9790222242524|LEWIS W R|W. Rees Lewis|Boot Saddle To Horse|Choir - Male voices|2.00|25 53083|||9790222242531|MOLLOY|James L. Molloy|Thursday|Choir - Male voices|2.00|25 53084|||9790222242548|ADAMS S|Stephen Adams|Nirvana (arr.Bryan Davies)|Choir - Male voices|2.75|38 53084SOLFA|||9790222242555|ADAMS S|Stephen Adams|Nirvana (arr.Bryan Davies)|Choir - Male voices|2.00|25 53085|||9790222242562|DAVIES B|Bryan Davies|Tribute To Mr.Curwen|Choir - Male voices|2.00|25 53086|||9790222242579|ARCH|Gwyn Arch|Gospel Train|Choir - Male voices|2.00|25 53086SOLFA|||9790222242586|ARCH|Gwyn Arch|Gospel Train (solfa edition)|Choir - Male voices|1.50|13 53088|||9790222242593|WAGNER R|Richard Wagner|Pilgrims Chorus from Tannhauser|Choir - Male voices|2.00|25 53088SOLFA|||9790222242609|WAGNER R|Richard Wagner|Pilgrims Chorus (solfa edition)|Choir - Male voices|2.00|25 53089|||9790222242616|ROBERTON|Hugh S. Roberton|'Man''s a Man for a'' That'|Choir - Male voices|1.50|13 53090|||9790222242623|WAGNER R|Richard Wagner|Roman War Song (from Rienzi)|Choir - Male voices|2.00|25 53092|||9790222242630|GOUNOD|Charles Gounod|'Soldier''s Chorus from Faust'|Choir - Male voices|2.00|25 53092SOLFA|||9790222242647|GOUNOD|Charles Gounod|'Soldier''s Chorus from Faust'|Choir - Male voices|2.00|25 53093|||9790222242654|MENDELSSOHN|Felix Mendelssohn|In the Woods (arr.Roberton)|Choir - Male voices|1.50|13 53094|Bryan Davies
NEVER WEATHER BEATEN SAIL
for male voice choir|A beautiful setting of words by Thomas Campion (1567-1620) to music by Bryan Davies for unaccompanied male voice choir TTBB.

Also available in a version for SATB - number 63271

Duration 2? Minutes |9790222261334|DAVIES B|Bryan Davies|Never Weather Beaten Sail|Choir - Male voices|1.50|13 53095|KOLOKOLCHIK (The Little Bell)
arranged for male voice choir by Bryan Davies
Roberton 53095|A Russian folk song arranged for tenor solo and male voice choir with optional balalaikas and a tubular bell. A separate part for balalaikas is also available (53095B)
Duration 3? Minutes |9790222261341|DAVIES B|Bryan Davies|Kolokolchik (Little Bell)|Choir - Male voices|2.00|25 53095B|||9790222264915|DAVIES B|Bryan Davies|Kolokolchik Balalaika Part|Balalaika|1.50|7 53096|||9790222242661|DAVIES B|Bryan Davies|Lonely Steppe|Choir - Male voices|2.00|25 53096SOLFA|||9790222242678|DAVIES B|Bryan Davies|Lonely Steppe (solfa edition)|Choir - Male voices|1.50|13 53097|||9790222242685|DAVIES B|Bryan Davies|Stenka Razin|Choir - Male voices|2.00|25 53097SOLFA|||9790222242692|DAVIES B|Bryan Davies|Stenka Razin (solfa edition)|Choir - Male voices|2.00|25 53098|||9790222242708|UNDERWOOD|S. W. Underwood|Fire Kindled|Choir - Male voices|2.00|25 53099|||9790222242715|CLARK|Derek Clark|I Got a Robe|Choir - Male voices|1.50|13 53100|||9790222242722|CLARK|Derek Clark|'Piper O'' Dundee'|Choir - Male voices|2.00|25 53102|||9790222242739|ARCH|Gwyn Arch|Rock-a My Soul|Choir - Male voices|2.00|25 53102SOLFA|||9790222242746|ARCH|Gwyn Arch|Rock-a My Soul (solfa edition)|Choir - Male voices|1.50|13 53105|||9790222242753|WALTERS E|Edmund Walters|'Tom the Piper''s Son'|Choir - Male voices|2.75|38 53106|||9790222242760|WALTERS E|Edmund Walters|'Sunday''s Child'|Choir - Male voices|2.00|25 53107|||9790222242777|WALTERS E|Edmund Walters|Lady and the Swine|Choir - Male voices|2.00|25 53108|||9790222242784|WALTERS E|Edmund Walters|Bobby Shafto|Choir - Male voices|2.75|38 53109|||9790222242791|WALTERS E|Edmund Walters|Sweet Lass of Richmond Hill|Choir - Male voices|2.00|25 53110|||9790222242807|PFEIL|Heinrich Pfeil|Calm Is the Sea|Choir - Male voices|1.50|13 53110SOLFA|||9790222242814|PFEIL|Heinrich Pfeil|Calm Is the Sea (solfa edition)|Choir - Male voices|1.50|13 53111|||9790222242821|ARCH|Gwyn Arch|Sospan Fach|Choir - Male voices|2.75|38 53111SOLFA|||9790222242838|ARCH|Gwyn Arch|Sospan Fach (solfa edition)|Choir - Male voices|2.75|38 53112|||9790222242845|WALTERS E|Edmund Walters|Andalusian Love Song|Choir - Male voices|2.00|25 53113|||9790222242852|WALTERS E|Edmund Walters|Lily of the Valley|Choir - Male voices|2.00|25 53118|||9790222242869|WALTERS E|Edmund Walters|'Lord''s Prayer'|Choir - Male voices|1.50|13 53126|||9790222242876|GOUNOD|Charles Gounod|'By Babylon''s Wave (arr.Fletcher)'|Choir - Male voices|2.75|38 53127|||9790222242883|SULLIVAN|Arthur Sullivan|Long Day Closes|Choir - Male voices|1.50|13 53133|||9790222242890|WHITE MV|Maude Valery White|When the Swallows Fly Homeward|Choir - Male voices|1.50|13 53136|||9790222242906|WILBYE|John Wilbye|Flora Gave Me Fairest Flowers|Choir - Male voices|2.00|25 53139|||9790222242913|JOHNSTONE|Gordon Johnstone|There Is No Death (arr.Davies)|Choir - Male voices|1.50|13 53140|Drake/Graham/Shirl/Stillman
I BELIEVE
arranged for male voice choir by Bryan Davies
Roberton 53140|This well-known 1950s pop song is here given the J S Bach treatment in an excellent arrangement by Bryan Davies for male voice choir (TTBB), piano and optional string bass.

Duration 2? Minutes |9790222261327|DAVIES B|Bryan Davies|I Believe|Choir - Male voices|2.00|25 53141|||9790222242920|COOK|Melville Cook|West Sussex Drinking Song|Choir - Male voices|2.00|25 53144|||9790222242937|WERNER|Heinrich Werner|Two Roses|Choir - Male voices|1.50|13 53146|Denys Hood
WHEN THE SAINTS GO MARCHING IN
Roberton 53146||9790222242944|HOOD|Denys Hood|When the Saints Go Marching in|Choir - Male voices|2.75|38 53146SOLFA|||9790222242951|HOOD|Denys Hood|When the Saints Go (solfa edition)|Choir - Male voices|1.50|13 53147|||9790222242968|ADAM A|Adolphe Adam|Comrades Song of Hope|Choir - Male voices|2.75|38 53147SOLFA|||9790222242975|ADAM A|Adolphe Adam|Comrades Song of Hope (solfa)|Choir - Male voices|2.00|25 53148|||9790222242982|ZERAFA|Benigno Zerafa|Magnus Dominus (ed.Camilleri)|Choir - Male voices|2.75|38 53149|||9790222242999|SCHUBERT|Franz Schubert|Night Op.17 No.4|Choir - Male voices|1.50|13 53150|||9790222243002|BERLIN|Irving Berlin|'Alexander''s Ragtime Band (arr.Hood)'|Choir - Male voices|3.50|50 53152|||9790222243019|CAMILLERI|Charles Camilleri|Requiem|Choir - Male voices|2.00|25 53153|Alasdair Jamieson
THERE IS A TAVERN IN THE TOWN
for male voice choir|Excellent arrangement for TTBB with divisi of the well-known traditional song. It is designed to be sung unaccompanied though a piano reduction of the voice parts is provided for rehearsal purposes.|9790222252059|JAMIESON|Alasdair Jamieson|There Is a Tavern in the Town|Choir - Male voices|2.75|38 53154|||9790222243026|WALTERS E|Edmund Walters|'Jacob''s Ladder'|Choir - Male voices|1.50|13 53155|||9790222243033|CAMILLERI|Charles Camilleri|Malta Yok!|Choir - Male voices|2.00|25 53156|||9790222243040|KNIPPER|Lev Knipper|Cavalry of the Steppes (Eng.text)|Choir - Male voices|1.50|13 53157|||9790222243057|ALEXANDROV|Alexander Vasilyevich Alexandrov|Kalinka|Choir - Male voices|1.50|13 53158|||9790222243064|ALEXANDROV|Alexander Vasilyevich Alexandrov|Silver Birch|Choir - Male voices|1.50|13 53159|||9790222243071|DAVIES B|Bryan Davies|Katyusha|Choir - Male voices|2.75|38 53159SOLFA|||9790222243088|DAVIES B|Bryan Davies|Katyusha|Choir - Male voices|2.00|25 53160|||9790222243095|CAMILLERI|Charles Camilleri|Tfal (Children)|Choir - Male voices|2.00|25 53161|||9790222243101|WALTERS E|Edmund Walters|National Anthem|Choir - Male voices|1.50|13 53161BRASS|||9790222271883|WALTERS E|Edmund Walters|National Anthem BrBand Accomp.parts|Choir - Male voices|25.00|300 53162|||9790222243118|WALTERS E|Edmund Walters|Calon Lan|Choir - Male voices|2.75|38 53163|||9790222243125|ROBERTON|Hugh S. Roberton|Flow Gently Sweet Afton (TBB)|Choir - Male voices|1.50|13 53164|Derek Clark
SCARBOROUGH FAIR
for male voice choir|Lovely new arrangement of this well-known English folk song for TTBB choir and piano.

Duration about 5 minutes |9790222260726|CLARK|Derek Clark|Scarborough Fair|Choir - Male voices|3.50|50 53165|||9790222243132|ROBERTON|Hugh S. Roberton|Caleno Custure Me|Choir - Male voices|1.50|13 53166|||9790222243149|ROTHERY|Kenneth Rothery|Christ-Child in the Manger|Choir - Male voices|2.00|25 53167|Michael Neaum
WATER OF TYNE for male voice choir
Roberton 53167|Northumbrian folk song arranged for TTBB choir and piano|9790222243156|NEAUM|Michael Neaum|Water of Tyne|Choir - Male voices|2.00|25 53168|Gabriel FAURE (1845-1924)
CANTIQUE DE JEAN RACINE Op.11
arranged for male voice choir by Derek J Clark
Roberton 53168|Originally written for mixed voice choir, this excellent arrangement by Derek J Clark makes this lovely piece available for male voice choirs. Words are in the original French or English.

Duration 4? Minutes |9790222260092|FAURE G|Gabriel Faure|Cantique De Jean Racine (arr.Clark)|Choir - Male voices|3.50|50 53169|THE WHITE COCKADE
arranged for male voice choir by Bryan Davies
Roberton 53169|A Jacobite song arranged for male voice choir with accompaniment of snare drum and two piccolos. Jacobite troops had no formal uniform. The white cockade on a blue bonnet became their emblem. It is said to have originated when Bonnie Prince Charlie picked a wild rose and pinned it to his hat.

Duration 1? Minutes |9790222263925|DAVIES B|Bryan Davies|White Cockade|Choir - Male voices|2.75|38 53169PIC|||9790222266636|DAVIES B|Bryan Davies|White Cockade Piccolos Part|Piccolo|1.50|13 53169SD|||9790222266643|DAVIES B|Bryan Davies|White Cockade Snare Drum Part|Percussion|1.50|13 53170|Paul Simon arr.Gwyn Arch
THE SOUND OF SILENCE
for male voice choir and piano
Roberton 53170|This popular Paul Simon song in an excellent new arrangement by Gwyn Arch for TTBB and piano.
Duration: 3? minutes|9790222259430|SIMON|Paul Simon|Sound of Silence (arr.Arch)|Choir - Male voices|2.75|38 53171|Claude-Michel Schonberg arr.Gwyn Arch
I DREAMED A DREAM
for male voice choir and piano
Roberton 53171|The popular song from the award winning musical "Les Miserables" in an excellent new arrangement by Gwyn Arch for TTBB and piano.
Duration: c.3 minutes
Only licenced for sale in the EU, EFTA and Australasia|9790222267374|SCHONBERG|Claude-Michel Schonberg|I Dreamed a Dream (arr.Arch)|Choir - Male voices|2.00|25 53172|'Bob Dylan arr.Gwyn Arch
BLOWIN'' IN THE WIND
for male voice choir and piano
Roberton 53172'|'Bob Dylan''s famous song from the sixties in a superb new arrangement by Gwyn Arch for TTBB and piano.
Duration: c.4 minutes'|9790222268807|DYLAN|Bob Dylan|'Blowin'' in the Wind (arr.Arch)'|Choir - Male voices|2.00|25 53173|Harry Warren arr.Gwyn Arch
CHATTANOOGA CHOO CHOO
for male voice choir and piano
Roberton 53173|Well known 1940s song performed by many artists including Glenn Miller, arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration c.2 minutes
Only licenced for sale in Europe|9790222268814|WARREN|Harry Warren|Chattanooga Choo Choo (arr.Arch)|Choir - Male voices|2.00|25 53174|Davis, Onorati and Simeone arr.Gwyn Arch
THE LITTLE DRUMMER BOY
for male voice choir and piano
Roberton 53174|Well known Christmas song arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration c.2? minutes
Only licenced for sale in Europe|9790222269149|SIMEONE|Harry Simeone|Little Drummer Boy (arr.Arch)|Choir - Male voices|2.00|25 53175|Gwyn Arch (arr.)
LITTLE BROWN JUG
for male voice choir and piano
Roberton 53175|The well known song in an excellent new arrangement for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 3 minutes|9790222269194|ARCH|Gwyn Arch|Little Brown Jug|Choir - Male voices|2.00|25 53176|Vincent Youmans arr.Gwyn Arch
GREAT DAY
for male voice choir and piano
Roberton 53176|A well-loved up tempo number arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 1? minutes
Only licenced for sale in Europe|9790222269200|YOUMANS|Vincent Youmans|Great Day (arr.Arch)|Choir - Male voices|2.00|25 53177|Gwyn Arch (arranged)
YOUNG AND SENTIMENTAL - A Sinatra Medley
for male voice choir and piano
Roberton 53177|Two Frank Sinatra songs ("You make me feel so young" and "Sentimental journey") combined for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 3 minutes
Only licenced for sale in Europe|9790222269217|ARCH|Gwyn Arch|Young & Sentimental Sinatra Medley|Choir - Male voices|2.75|38 53178|Irving Berlin arr.Gwyn Arch
BLUE SKIES
for male voice choir and piano
Roberton 53178|Excellent Irving Berlin number arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 1? minutes
Only licenced for sale in Europe|9790222269842|BERLIN|Irving Berlin|Blue Skies arr.Arch|Choir - Male voices|2.00|25 53179|Revaux/Francois/Anka arr.Gwyn Arch
MY WAY
for male voice choir and piano
Roberton 53179|Perhaps the most famous of Frank Sinatra songs arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration c.3 minutes
Only licenced for sale in Europe|9790222270220|REVAUX/ANKA|Revaux / Anka|My Way (arr.Arch)|Choir - Male voices|2.00|25 53180|JUST JOLSON arr. Gwyn Arch
for male voice choir and piano
Roberton 53180|A medley of songs that were sung by Al Jolson arranged for male voice choir (TTBB) and piano by Gwyn Arch. The songs included are April Showers, Carolina in the morning, You made me love you, Rock-a-bye your baby with a Dixie melody and California here I come. You can even let your audience sing-a-long with the choir!
Duration c.6 minutes
Only licenced for sale in Europe|9790222270428|ARCH|Gwyn Arch|Just Jolson|Choir - Male voices|3.50|50 53181|GHOST RIDERS IN THE SKY arr. Gwyn Arch
for male voice choir and piano
Roberton 53181|Ghost Riders in the Sky - a cowboy legend - arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 3? minutes
Only licenced for sale in Europe|9790222271166|JONES|Stan Jones|Ghost Riders in the Sky arr.Arch|Choir - Male voices|2.75|38 53182|WHAT A WONDERFUL WORLD arr. Gwyn Arch
for male voice choir and piano
Roberton 53182|Lovely song made famous by Louis Armstrong arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 3 minutes
Only licenced for sale in Europe|9790222271173|WEISS|George Weiss|What a Wonderful World arr.Arch|Choir - Male voices|2.00|25 53183|Weiss/Creatore/Peretti arr.Gwyn Arch
THE LION SLEEPS TONIGHT (Wimoweh)
for male voice choir and piano
Roberton 53183|'This song was first recorded in 1939 but became best known in the 1950s when sung by Pete Seeger. He explains the song . . . . "it refers to an old legend about the last king of the Zulus, who was known as Shaka the Lion. Legend says that Shaka the Lion didn''t die when the Europeans took over the country; he simply went to sleep, and he''ll wake up some day".
This new arrangement by Gwyn Arch is for male voice choir with piano accompaniment and percussion - a CONGA or similar drum and CLAVES or a woodblock.
Duration about 3 minutes

Only licensed for sale in the UK'|9790222274648|WEISS|George Weiss|Lion Sleeps Tonight Wimoweh (Arch)|Choir - Male voices|2.00|25 53184|THE BIRTH OF THE BLUES arr. Gwyn Arch
for male voice choir and piano
Roberton 53184|Written by Ray Henderson, Bud de Sylva and Lew Brown this popular song from the 1920s is arranged for male voice choir by Gwyn Arch.
Duration 2? minutes
Only licenced for sale in Europe|9790222275034|HENDERSON|Ray Henderson|Birth of the Blues (arr.Arch)|Choir - Male voices|2.00|25 53185|THE DEADWOOD STAGE arr. Gwyn Arch
for male voice choir and piano
Roberton 53185|This well known song from the stage show "Calamity Jane" is arranged for male voice choir by Gwyn Arch.
Duration 2 minutes
Only licenced for sale in Europe|9790222275041|FAIN|Sammy Fain|Deadwood Stage (arr.Arch)|Choir - Male voices|2.00|25 53187|LULLABY OF BROADWAY arr. Gwyn Arch
for male voice choir and piano
Roberton 53187|This well known song from the 1930s by Harry Warren and Al Dubin is arranged for male voice choir by Gwyn Arch.
Duration 2? minutes
Only licenced for sale in Europe|9790222275065|WARREN|Harry Warren|Lullaby of Broadway (arr.Arch)|Choir - Male voices|2.00|25 53188|NIGHT AND DAY arr. Gwyn Arch
for male voice choir and piano
Roberton 53188|'Cole Porter''s lovely song is arranged here for male voice choir by Gwyn Arch.
Duration 3 minutes
Only licenced for sale in Europe'|9790222275072|PORTER|Cole Porter|Night and Day (arr.Arch)|Choir - Male voices|2.00|25 53189|PICK YOURSELF UP arr. Gwyn Arch
for male voice choir and piano
Roberton 53189|This song with music by Jerome Kern and words by Dorothy Fields, is from the Ginger Rogers and Fred Astaire 1936 film "Swing Time" and is arranged here for male voice choir by Gwyn Arch.
Duration 2 minutes
Only licenced for sale in Europe|9790222275089|KERN|Jerome Kern|Pick Yourself Up (arr.Arch)|Choir - Male voices|2.00|25 53190|'RAINDROPS KEEP FALLIN'' ON MY HEAD arr. Gwyn Arch
for male voice choir and piano
Roberton 53190'|This fine Burt Bacharach song used in the film "Butch Cassidy and the Sundance Kid" is arranged for male voice choir by Gwyn Arch.
Duration 2 minutes
Only licenced for sale in Europe|9790222275096|BACHARACH|Burt Bacharach|'Raindrops Keep Fallin'' (arr.Arch)'|Choir - Male voices|2.00|25 53191|THEY CALL THE WIND MARIA arr. Gwyn Arch
for male voice choir and piano
Roberton 53191|This song with music by Frederick Loewe and words by Alan Jay Lerner, is from the popular musical "Paint Your Wagon" and is arranged here for male voice choir by Gwyn Arch.
Duration 2 minutes
Only licenced for sale in Europe|9790222275102|LOEWE|Carl Loewe|They Call the Wind Maria (arr.Arch)|Choir - Male voices|2.00|25 53192|THE TROLLEY SONG arr. Gwyn Arch
for male voice choir and piano
Roberton 53192|From the 1944 film "Meet me in St.Louis" starring Judy Garland, this well known song is arranged for male voice choir by Gwyn Arch.
Duration 2 minutes
Only licenced for sale in Europe|9790222275119|BLANE/MARTIN|Blane/Martin|Trolley Song (arr.Arch)|Choir - Male voices|2.00|25 53193|THE WAY WE WERE arr. Gwyn Arch
for male voice choir and piano
Roberton 53193|Many people think this song is called "Memories" (as that is the opening lyric), but the song has the same name as the film in which it appeared in 1973 - "The way we were". With words written by Alan and Marilyn Bergman and music by Marvin Hamlisch, this arrangement for male voice choir is by Gwyn Arch.
Duration 2? minutes
Only licenced for sale in Europe|9790222275126|HAMLISCH|Marvin Hamlisch|The Way We Were (arr.Arch)|Choir - Male voices|2.00|25 53194|THE WIND BENEATH MY WINGS arr. Gwyn Arch
for male voice choir and piano
Roberton 53194|This song by Jeff Silbar and Larry Henley from the 1960s is arranged for male voice choir by Gwyn Arch.
Duration 3 minutes
Only licenced for sale in Europe|9790222275133|SILBAR/HENLE|Silbar/Henley|Wind Beneath My Wings (arr.Arch)|Choir - Male voices|2.00|25 53195|'MAKIN'' WHOOPEE arr. Gwyn Arch
for male voice choir and piano
Roberton 53195'|Wonderful 1920s song arranged for two-part male voice choir and piano by Gwyn Arch.
Duration 2? minutes
Only licensed for sale in Europe|9790222281097|ARCH|Gwyn Arch|'Makin'' Whoopee'|Choir - Male voices|2.00|25 53196|SIDE BY SIDE arr. Gwyn Arch
for male voice choir and piano
Roberton 53196|Spledid Harry Woods song from the 1920s arranged for two-part male voice choir and piano by Gwyn Arch.
Duration 2? minutes
Only licensed for sale in Europe|9790222281103|ARCH|Gwyn Arch|Side By Side|Choir - Male voices|2.00|25 53197|TEA FOR TWO arr. Gwyn Arch
for male voice choir and piano
Roberton 53197|This famous 1920s song, here arranged for male voice choir and piano by Gwyn Arch, is sometimes sung legato and sometimes as a staccato cha-cha. This arrangement incorporates both styles and uses a soloist or solo group as well as the main choir.
Duration 2? minutes
Only licensed for sale in Europe|9790222281110|ARCH|Gwyn Arch|Tea for Two|Choir - Male voices|2.00|25 53198|THE GLORY OF LOVE arr. Gwyn Arch
for male voice choir and piano
Roberton 53198|Billy Hill song from the 1930s arranged for two-part male voice choir and piano by Gwyn Arch.
Duration 2 minutes
Only licensed for sale in Europe|9790222281127|ARCH|Gwyn Arch|Glory of Love|Choir - Male voices|2.00|25 53199|THE LADY IS A TRAMP arr. Gwyn Arch
for male voice choir and piano
Roberton 53199|Famous Rodgers and Hart song from the 1930s arranged for three-part male voice choir and piano by Gwyn Arch.
Duration 1? minutes
Only licensed for sale in Europe|9790222281134|ARCH|Gwyn Arch|Lady Is A Tramp|Choir - Male voices|2.00|25 53200|ON THE SUNNY SIDE OF THE STREET arr. Gwyn Arch
for male voice choir and piano
Roberton 53200|"Grab your coat and get your hat, leave your worries on the doorstep" as you sing this splendid song from the 1930s arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 2 minutes
Only licensed for sale in Europe|9790222281141|ARCH|Gwyn Arch|On the Sunny Side of the Street|Choir - Male voices|2.00|25 53201|SEPTEMBER SONG arr. Gwyn Arch
for male voice choir and piano
Roberton 53201|'Kurt Weill''s gorgeous September Song arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 3 minutes
Only licensed for sale in Europe'|9790222281158|ARCH|Gwyn Arch|September Song|Choir - Male voices|2.00|25 53202|STORMY WEATHER arr. Gwyn Arch
for male voice choir and piano
Roberton 53202|'Harold Arlen''s Stormy Weather arranged for two-part male voice choir (TB) and piano by Gwyn Arch.
Duration 2? minutes
Only licensed for sale in Europe'|9790222281165|ARCH|Gwyn Arch|Stormy Weather|Choir - Male voices|2.00|25 53203|ALMOST LIKE BEING IN LOVE arr. Gwyn Arch
for male voice choir and piano
Roberton 53203|From the Lerner and Loewe musical "Brigadoon", this popular song from the 1940s is arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 2 minutes
Only licensed for sale in Europe|9790222281172|ARCH|Gwyn Arch|Almost Like Being in Love|Choir - Male voices|2.00|25 53204|BEWITCHED arr. Gwyn Arch
for male voice choir and piano
Roberton 53204|The Rodgers and Hart "Bewitched, bothered and bewildered" song from the 1940s arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 2? minutes
Only licenced for sale in Europe|9790222281189|ARCH|Gwyn Arch|Bewitched (Bothered and Bewildered)|Choir - Male voices|2.00|25 53205|'DON''T FENCE ME IN arr. Gwyn Arch
for male voice choir and piano
Roberton 53205'|Cole Porter song from the 1940s arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 3? minutes
Only licenced for sale in Europe|9790222281196|ARCH|Gwyn Arch|'Don''t Fence Me in'|Choir - Male voices|2.00|25 53206|MY FOOLISH HEART arr. Gwyn Arch
for male voice choir and piano
Roberton 53206|Lovely Victor Young / Ned Washington song from the 1940s arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 3? minutes
Only licenced for sale in Europe|9790222281202|ARCH|Gwyn Arch|My Foolish Heart|Choir - Male voices|2.00|25 53207|SWINGING ON A STAR arr. Gwyn Arch
for male voice choir and piano
Roberton 53206|Popular 1950s song with a bit of added twinkle (!) arranged for three-part male voice choir (Tenor, Baritone, Bass) and piano by Gwyn Arch.
Duration 2 minutes
Only licenced for sale in Europe|9790222281219|ARCH|Gwyn Arch|Swinging On a Star|Choir - Male voices|2.00|25 53208|THAT LUCKY OLD SUN arr. Gwyn Arch
for male voice choir and piano
Roberton 53208|Song from the 1940s arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 3 minutes
Only licenced for sale in Europe|9790222281226|ARCH|Gwyn Arch|That Lucky Old Sun|Choir - Male voices|2.00|25 53209|THE WHITE CLIFFS OF DOVER arr. Gwyn Arch
for male voice choir and piano
Roberton 53209|Favourite wartime song made famous by Vera Lynn arranged for male voice choir (TTBB) and piano by Gwyn Arch.
Duration 2? minutes
Only licenced for sale in Europe|9790222281233|ARCH|Gwyn Arch|White Cliffs of Dover|Choir - Male voices|2.00|25 53211|BYE BYE BLACKBIRD arr. Gwyn Arch
for three-part male voice choir and piano
Roberton 53211|Written by the American composer Ray Henderson and lyricist Mort Dixon this popular standard was first recorded by Gene Austin in 1926. Here it is in arrangement for three-part male voice choir (tenor, baritone, bass) and piano by Gwyn Arch.
Duration 2 minutes
Only licensed for sale in Europe|9790222281356|ARCH|Gwyn Arch|Bye Bye Blackbird|Choir - Male voices|2.00|25 53212|JEEPERS CREEPERS arr. Gwyn Arch
for two-part male voice choir and piano
Roberton 53212|Harry Warren song from the 1940s arranged for two part male voice choir and piano by Gwyn Arch.
Duration 1? minutes
Only licensed for sale in Europe|9790222281363|ARCH|Gwyn Arch|Jeepers Creepers|Choir - Male voices|1.50|13 53213|Hugh Roberton
LEWIS BRIDAL SONG arr.by Neil MacKay for male voice choir
Roberton 53213|'The famous Lewis Bridal Song, also known as Mairi''s Wedding, in an arrangement by Neil MacKay for male voice choir (TTBB) and piano accompaniment.
Duration 2? minutes'|9790222288270|ROBERTON|Hugh S. Roberton|Lewis Bridal Song arr.Neil Mackay|Choir - Male voices|2.00|25 53214|Terry Rigler
SEND DOWN A SONG FOR ME for male voice choir and piano
Roberton 53214|A splendid ballad by Terry Rigler, a member of the Bournemouth Male Voice Choir, reflecting on the power of music and the pleasure of singing.
Duration 4? minutes
Also available in a version for mixed voice choir (63318)|9790222294400|RIGLER|Terry Rigler|Send Down a Song for Me|Choir - Male voices|2.75|38 53215|Tom Cunningham
AULD LANG SYNE for male voice choir
Roberton 53215|Traditional favourite arranged for male voice choir (TTBB) unaccompanied or with piano.
Duration 1? minutes|9790222296633|CUNNINGHAM|Tom Cunningham|Auld Lang Syne|Choir - Male voices|1.50|13 53216|CARO MIO BEN by Tommaso Giordani
Arranged by Brian Hughes for male voice choir and piano
Roberton 53216|This popular aria, sung by Luciano Pavarotti and many others, is here arranged by Brian Hughes for male voice choir (TTBB) and piano. The lyrics are shown in the original Italian as well as new translations in English and in Welsh.
"My dearest love, believe but this, without thy love, life hath no bliss."
It was originally thought to have been written by Giuseppe Giordani but has more recently been attributed to his brother Tommaso.
Duration 3 minutes|9790222300736|GIORDANO|Giordano|Caro Mio Ben arr Hughes|Choir - Male voices|2.00|25 53217|COMRADES IN ARMS by Adolphe Adam
Arranged by Bryan Davies for male voice choir and piano
Roberton 53217|This version of "Comrades in Arms" includes the extra piano accompaniment by Bryan Davies. The original version without this accompaniment is also available in our catalogue (no.50371). The old 50371 copies can be used by choir members along with this new accompanied version. The only additions are that at the start is an 8 bar piano introduction, a 4 bar section added at the end and an extra bar inserted at bar 94 before the Allegro marziale. This lovely new edition, however, is much clearer than the old original one!
Duration 5 minutes|9790222302600|ADAM A|Adolphe Adam|Comrades in Arms arr. Bryan Davies|Choir - Male voices|4.00|63 53218|Brian Hughes
ON THE BANKS OF ALLAN WATER
for male voice choir and piano
Roberton 53218|An eighteenth century Scottish melody (composer unknown) in a beautiful arrangement for male voice choir (TTBB) and piano by Brian Hughes. The words are by Matthew Gregory Lewis (1775-1818).
Also available in versions for Flute (GM237), solo voice (02580) and mixed voice choir (63309) all with piano accompaniment.
Duration 3? minutes|9790222307544|HUGHES|Brian Hughes|On the Banks of Allan Water|Choir - Male voices|2.00|25 53219|'Clive Jenkins
THREE WISE MEN for men''s voices and piano
Roberton 53219'|'A Christmas song for men''s voices (Tenor, Baritone, Bass) and piano. Words and music by Clive Jenkins. This can be sung by a trio of male voices or a male voice choir.
Duration 2? minutes'|9790222313446|JENKINS C|Clive Jenkins|Three Wise Men|Choir - Male voices|2.00|25 53221|Peter Lawson
A BED OF HAY for TTBB choir
Roberton 53221|'This is the first carol in a sequence entitled A BED OF HAY, a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2 minutes'|9790222310537|LAWSON|Peter Lawson|A Bed of Hay|Choir - Male voices|2.00|25 53222|'Peter Lawson
SHEPHERDS'' CAROL for TTBB choir
Roberton 53222'|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2? minutes'|9790222310544|LAWSON|Peter Lawson|'Shepherds'' Carol'|Choir - Male voices|2.00|25 53223|Peter Lawson
DOMINE TE ADORO for TTBB choir
Roberton 53223|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 3 minutes'|9790222310551|LAWSON|Peter Lawson|Domine Adoro Te|Choir - Male voices|2.00|25 53224|Peter Lawson
CHRIST IS HERE, HOLY YEAR for TTBB choir
Roberton 53224|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2? minutes'|9790222310568|LAWSON|Peter Lawson|Christ is here Holy Year|Choir - Male voices|2.00|25 53225|Peter Lawson
THIS HAPPY NIGHT for TTBB choir
Roberton 53225|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 3 minutes'|9790222310575|LAWSON|Peter Lawson|This Happy Night|Choir - Male voices|2.75|38 53226|Peter Lawson
THE NIGHT WIND IS COLD for TTBB choir
Roberton 53226|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 3 minutes'|9790222310582|LAWSON|Peter Lawson|The Night Wind is Cold|Choir - Male voices|2.00|25 53227|Peter Lawson
HODIE! CHRISTUS NATUS EST for TTBB choir
Roberton 53227|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2? minutes'|9790222310599|LAWSON|Peter Lawson|Hodie! Christus Natus est|Choir - Male voices|2.00|25 53228|Franz Schubert arr.Brian Hughes
DER WANDERER for male voice choir
Roberton 53228|'This song was composed by Franz Schubert for voice and piano in October 1816. The words are taken from a German poem by Georg Philipp Schmidt (von Lubeck). "Der Wanderer" was one of the few songs by Schubert that became popular during the composer''s lifetime largely due to the recitals given by the celebrated baritone Vogl with the composer as his accompanist . . . .it remains a favourite with singers of the present day. Here it is in a splendid arrangement for male voice choir (TTBB) and piano by Brian Hughes. Words are in the original German and an English translation by Brian Hughes. It is also available with Welsh words - Roberton 53229
Duration 5 minutes'|9790222326002|SCHUBERT|Franz Schubert|Der Wanderer (Ger/Eng) arr Hughes|Choir - Male voices|2.75|38 53229|Franz Schubert arr.Brian Highes
DER WANDERER / Y CRWYDRYN for male voice choir
Roberton 53229|'This song was composed by Franz Schubert for voice and piano in October 1816. The words are taken from a German poem by Georg Philipp Schmidt (von Lubeck). "Der Wanderer" was one of the few songs by Schubert that became popular during the composer''s lifetime largely due to the recitals given by the celebrated baritone Vogl with the composer as his accompanist . . . .it remains a favourite with singers of the present day. Here it is in a splendid arrangement for male voice choir (TTBB) and piano by Brian Hughes with words in Welsh (translation by Brian Hughes). It is also available with German and English words - Roberton 53228
Duration 5 minutes'|9790222326019|SCHUBERT|Franz Schubert|Der Wanderer (Welsh) arr Hughes|Choir - Male voices|2.75|38 60899|||9790222243163|ROBERTON|Hugh S. Roberton|Sledge Bells|Choir - Mixed voices (SATB)|2.00|25 60972|||9790222243170|ROBERTON|Hugh S. Roberton|King Arthur (Dorsetshire Ballad)|Choir - Mixed voices (SATB)|2.00|25 60976|Hugh S. Roberton
ALL IN THE APRIL EVENING
for mixed voice choir
Roberton 60976|'Born in Glasgow, Hugh Roberton became a funeral director apart from being a conductor and composer. A highly motivated and self-taught choir-master, he founded the Toynbee Musical Association in 1901 and five years later, this became the Glasgow Orpheus Choir which gained a world-wide reputation and went on to perform under Hugh''s direction for some 45 years. He composed much for his choir, with perhaps his most famous pieces being "All in the April Evening" and the "Mingulay Boat Song". He had a reputation for getting the very best from his singers, who held him in such great esteem that when he resigned as their leader shortly before his death, the choir agreed that they must disband. However, the Orpheus rose again when many of its members re-formed as the Glasgow Phoenix Choir, which continues to perform and tour to this day. Hugh Roberton was knighted in 1931.
This version of "All in the April Evening" for unaccompanied mixed voice choir (SATB) is now in a clearer, newly typeset edition. Other versions are available for solo voice, unison voices, female voice choir, male voice choir, mixed voice choir (SAB), with Welsh words and also in an arrangement for string orchestra and a "meditation" for organ.
Duration nearly 3 minutes'|9790222243187|ROBERTON|Hugh S. Roberton|All in the April Evening|Choir - Mixed voices (SATB)|2.00|25 60976SOLFA|||9790222243194|ROBERTON|Hugh S. Roberton|All in the April Evening (solfa)|Choir - Mixed voices (SATB)|1.50|13 60976WELSH|||9790222243200|ROBERTON|Hugh S. Roberton|All in the April Evening (Welsh)|Choir - Mixed voices (SATB)|1.50|13 61039|||9790222243217|ROBERTON|Hugh S. Roberton|It Was the Time of Roses|Choir - Mixed voices (SATB)|1.50|13 61052|||9790222243224|ROBERTON|Hugh S. Roberton|Eriskay Love Lilt|Choir - Mixed voices (SATB)|2.00|25 61057|||9790222243231|ROBERTON|Hugh S. Roberton|'Ay Waukin'' O'|Choir - Mixed voices (SATB)|1.50|13 61058|||9790222243248|ROBERTON|Hugh S. Roberton|Blue Bonnets Over the Border|Choir - Mixed voices (SATB)|2.00|25 61075|||9790222243255|ROBERTON|Hugh S. Roberton|Ballad of Yarrow|Choir - Mixed voices (SATB)|1.50|13 61077|||9790222243262|ROBERTON|Hugh S. Roberton|'MacGregors'' Gathering'|Choir - Mixed voices (SATB)|2.00|25 61080|||9790222290457|ROBERTON|Hugh S. Roberton|Farewell (Soiridh)|Choir - Mixed voices (SATB)|1.50|13 61087|||9790222271913|HOLST|Gustav Holst|I Love My Love|Choir - Mixed voices (SATB)|2.00|25 61088|||9790222274327|HOLST|Gustav Holst|Swansea Town|Choir - Mixed voices (SATB)|2.00|25 61089|||9790222243279|ROBERTON|Hugh S. Roberton|'Wee Cooper O'' Fife'|Choir - Mixed voices (SATB)|2.00|25 61090|||9790222243286|ROBERTON|Hugh S. Roberton|Celtic Hymn|Choir - Mixed voices (SATB)|1.50|13 61099|||9790222243293|ROBERTON|Hugh S. Roberton|'Banks O'' Doon'|Choir - Mixed voices (SATB)|1.50|13 61232|||9790222243309|ROBERTON|Hugh S. Roberton|Mice and Men (Psalm Tune Desert)|Choir - Mixed voices (SATB)|1.50|13 61233|||9790222243316|ROBERTON|Hugh S. Roberton|Nightfall in Skye|Choir - Mixed voices (SATB)|1.50|13 61274|||9790222243323|ROBERTON|Hugh S. Roberton|De Battle Ob Jerico|Choir - Mixed voices (SATB)|1.50|13 61275|||9790222243330|ROBERTON|Hugh S. Roberton|Nobody Knows De Trouble I See|Choir - Mixed voices (SATB)|1.50|13 61286|||9790222243347|ROBERTON|Hugh S. Roberton|Were You There?|Choir - Mixed voices (SATB)|1.50|13 61287|||9790222243354|ROBERTON|Hugh S. Roberton|Swing Low Sweet Chariot|Choir - Mixed voices (SATB)|1.50|13 61288|||9790222243361|ROBERTON|Hugh S. Roberton|Steal Away To Jesus|Choir - Mixed voices (SATB)|1.50|13 61306|||9790222243378|ROBERTON|Hugh S. Roberton|Ossianic Processional|Choir - Mixed voices (SATB)|2.00|25 61322|||9790222243385|ROBERTON|Hugh S. Roberton|Threnody|Choir - Mixed voices (SATB)|1.50|13 61327|||9790222243392|ROBERTON|Hugh S. Roberton|Turn Ye To Me|Choir - Mixed voices (SATB)|2.00|25 61330|||9790222243408|ROBERTON|Hugh S. Roberton|Midsummer Spell|Choir - Mixed voices (SATB)|1.50|13 61335|||9790222243415|ROBERTON|Hugh S. Roberton|I See His Blood Upon the Rose|Choir - Mixed voices (SATB)|1.50|13 61337|||9790222243422|ROBERTON|Hugh S. Roberton|O Lovely Heart|Choir - Mixed voices (SATB)|2.00|25 61338|||9790222243439|ROBERTON|Hugh S. Roberton|White Waves On the Water|Choir - Mixed voices (SATB)|2.00|25 61339|||9790222243446|ROBERTON|Hugh S. Roberton|Irish Lament|Choir - Mixed voices (SATB)|2.00|25 61354|||9790222243453|ROBERTON|Hugh S. Roberton|Mingulay Keening Song|Choir - Mixed voices (SATB)|1.50|13 61359|||9790222243460|ROBERTON|Hugh S. Roberton|He Came All So Still|Choir - Mixed voices (SATB)|1.50|13 61370|||9790222243477|ROBERTON|Hugh S. Roberton|Uist Tramping Song (Come Along)|Choir - Mixed voices (SATB)|2.00|25 61372|||9790222290440|ROBERTON|Hugh S. Roberton|Let Us Homage Bring|Choir - Mixed voices (SATB)|1.50|13 61374|||9790222243484|ROBERTON|Hugh S. Roberton|Loch Lomond|Choir - Mixed voices (SATB)|2.00|25 61378|||9790222243491|ROBERTON|Hugh S. Roberton|There Is A Green Hill Far Away|Choir - Mixed voices (SATB)|1.50|13 61380|||9790222243507|ROBERTON|Hugh S. Roberton|'Caller Herrin'''|Choir - Mixed voices (SATB)|2.00|25 61383|||9790222243514|ROBERTON|Hugh S. Roberton|Celtic Litany|Choir - Mixed voices (SATB)|1.50|13 61384|||9790222243521|ROBERTON|Hugh S. Roberton|When De Stars Begin To Fall|Choir - Mixed voices (SATB)|1.50|13 61386|||9790222243538|ROBERTON|Hugh S. Roberton|Sweet Nightingale|Choir - Mixed voices (SATB)|2.00|25 61387|||9790222243545|ROBERTON|Hugh S. Roberton|'St.Mary''s Bells'|Choir - Mixed voices (SATB)|2.00|25 61388|||9790222243552|ROBERTON|Hugh S. Roberton|In Summertime On Bredon|Choir - Mixed voices (SATB)|2.00|25 61390|||9790222243569|ROBERTON|Hugh S. Roberton|Nativity Cradle Song|Choir - Mixed voices (SATB)|1.50|13 61391|||9790222243576|ROBERTON|Hugh S. Roberton|'I Foun'' My Los'' Sheep'|Choir - Mixed voices (SATB)|2.00|25 61393|||9790222243583|ROBERTON|Hugh S. Roberton|'Going By Daly''s Shanty'|Choir - Mixed voices (SATB)|2.00|25 61394|||9790222243590|ROBERTON|Hugh S. Roberton|Sunset and Evening Star|Choir - Mixed voices (SATB)|1.50|13 61395|||9790222243606|ROBERTON|Hugh S. Roberton|Three Fishers Went A-sailing|Choir - Mixed voices (SATB)|2.00|25 61399|||9790222243613|ROBERTON|Hugh S. Roberton|Dashing White Sergeant|Choir - Mixed voices (SATB)|2.00|25 61400|||9790222243620|ROBERTON|Hugh S. Roberton|Iona Boat Song|Choir - Mixed voices (SATB)|2.00|25 61403|||9790222243637|ROBERTON|Hugh S. Roberton|Gretna Green|Choir - Mixed voices (SATB)|2.00|25 61404|||9790222243644|ROBERTON|Hugh S. Roberton|Listen To De Lambs|Choir - Mixed voices (SATB)|1.50|13 61406|||9790222243651|ROBERTON|Hugh S. Roberton|Great Day!|Choir - Mixed voices (SATB)|2.00|25 61411|||9790222243668|ROBERTON|Hugh S. Roberton|Pipe the Music! Beat the Drum!|Choir - Mixed voices (SATB)|2.00|25 61413|||9790222243675|ROBERTON|Hugh S. Roberton|Ae Fond Kiss|Choir - Mixed voices (SATB)|1.50|13 61418|||9790222243682|ROBERTON|Hugh S. Roberton|'Ca'' the Yowes'|Choir - Mixed voices (SATB)|2.00|25 61420|||9790222243699|ROBERTON|Hugh S. Roberton|Chilly Waters|Choir - Mixed voices (SATB)|2.00|25 61421|||9790222243705|ROBERTON|Hugh S. Roberton|De Gospel Train|Choir - Mixed voices (SATB)|1.50|13 61422|||9790222243712|ROBERTON|Hugh S. Roberton|'Ev''ry Time I Feel De Spirit'|Choir - Mixed voices (SATB)|2.00|25 61424|||9790222243729|ROBERTON|Hugh S. Roberton|Holy Night|Choir - Mixed voices (SATB)|1.50|13 61444|||9790222243743|ROBERTON|Hugh S. Roberton|Jesus Thou Joy of Loving Hearts|Choir - Mixed voices (SATB)|1.50|13 61447|||9790222243750|ROBERTON|Hugh S. Roberton|'Herrick''s Litany'|Choir - Mixed voices (SATB)|1.50|13 61490|||9790222243767|ROBERTON|Hugh S. Roberton|Bells of Shandon|Choir - Mixed voices (SAMen)|1.50|13 61491|||9790222243774|ROBERTON|Hugh S. Roberton|Caleno Custure Me|Choir - Mixed voices (SATB)|2.00|25 61492|||9790222243781|ROBERTON|Hugh S. Roberton|Faithful Johnny|Choir - Mixed voices (SATB)|1.50|13 61493|||9790222243798|ROBERTON|Hugh S. Roberton|'Prince Charlie''s Farewell'|Choir - Mixed voices (SATB)|1.50|13 61512|||9790222243804|ROBERTON|Hugh S. Roberton|Cloths of Heaven|Choir - Mixed voices (SATB)|1.50|13 62001|Tom Cunningham
THE SKATING MINISTER
for mixed voice choir of S/A/Men and piano
Roberton 62001|'The third from a sequence entitled "The Painter''s Eye", five original poems by well-known novelist Alexander McCall Smith (author of "The No.1 Ladies'' Detective Agency" series and many other novels) set to music by Tom Cunningham. Each poem is inspired by a painting in one of the world''s art galleries; this one being "The Skating Minister" by Sir Henry Raeburn which hangs in the National Gallery of Scotland in Edinburgh. Originally scored for unaccompanied mixed voice choir, this version has been arranged by the composer for a choir of sopranos, altos and men, accompanied by piano.
Duration is a little over 1? minutes'|9790222284845|CUNNINGHAM|Tom Cunningham|Skating Minister|Choir - Mixed voices (SAMen)|2.00|25 62002|Tom Cunningham
AN OLD MAN AND HIS GRANDSON
for mixed voice choir of S/A/Men and piano
Roberton 62002|'The fifth piece from a sequence entitled "The Painter''s Eye", five original poems by well-known novelist Alexander McCall Smith (author of "The No.1 Ladies'' Detective Agency" series and many other novels) set to music by Tom Cunningham. Each poem is inspired by a painting in one of the world''s art galleries; this one being "An old man and his grandson" by Domenico Ghirlandaio (1449-1494) which hangs in the Louvre in Paris. Originally scored for unaccompanied mixed voice choir, this version has been arranged by the composer for a choir of sopranos, altos and men, accompanied by piano.
Duration 3 minutes'|9790222284852|CUNNINGHAM|Tom Cunningham|Old Man and His Grandson|Choir - Mixed voices (SAMen)|2.00|25 62003|Tom Cunningham
CEILIDH from Scotland at Night
for mixed voice choir of S/A/Men and piano
Roberton 62003|'The third item from "Scotland at Night", a group of six original poems by well-known novelist Alexander McCall Smith (author of "The No.1 Ladies'' Detective Agency" series and many other novels) set to music by Tom Cunningham. An attempt to reveal some of that other Scotland - the Scotland that begins at dusk. Originally scored for unaccompanied mixed voice choir, this version has been arranged by the composer for a choir of sopranos, altos and men, accompanied by piano.
Duration 2 mins'|9790222284869|CUNNINGHAM|Tom Cunningham|Ceilidh|Choir - Mixed voices (SAMen)|2.75|38 62004|Beethoven (arr.Peter Lawson)
MOONLIGHT for mixed voice choir (S/A/Men) and piano
Roberton 62004|'Here is Beethoven''s most famous piano piece, the first movement of his Moonlight Sonata, in an arrangement for choir with a soloist. The piece can be accompanied by piano or by an orchestra. For full details of the orchestral version see under catalogue number GMCL169.
The choir can be either a mixed voice choir (SATB) [GM047], a mixed voice choir of S/A/Men [this version], a choir of upper voices (SSA) [GM048] or a male voice choir (TTBB) [GM049].
The lyrics have been written specially by Jason Pimblett.
Duration 5? minutes'|9790222284876|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr.Lawson)|Choir - Mixed voices (SAMen)|2.75|38 62005|Peter Lawson
MUSIC HALL MEDLEY for mixed voice choir (S/A/Men)
Roberton 62005|'A splendid medley of songs made famous in the music halls comprising "Put on your tat-ta little girlie", "I''ll be your sweetheart", "Danny Boy", "After the ball", "She was one of the early birds", "Somebody stole my gal", "I do like to be beside the seaside", "Oh, Oh, Antonio", "Daisy Bell", "Daddy wouldn''t buy me a bow-wow", "Let''s all go down the Strand", "Lily of Laguna" and "It''s a long way to Tipperary" . . . . . . . Phew!
This medley can be performed by choir with a piano accompaniment or, if you just happen to have a full concert orchestra hanging around, they can accompany you instead. The orchestral score and parts are available in our Goodmusic Concert Pops series (see under GMCP016 for full details).
Your audience, should you be lucky enough to have one, can join in all the choruses they know and love!
There are two short instrumental sections in this medley (bars 21 to 52 and bars 99 to 130) which may be cut if you are performing it with just a piano and you want to deny your accompanist a bit of a solo spot and a little glory.
A version of this medley for male voice choir is also available (Catalogue number GM051) as well as a version for full mixed voice choir [SATB] (Catalogue number GM050) and upper voice choir (GM148).
Duration 12 minutes'|9790222284883|LAWSON|Peter Lawson|Music Hall Medley|Choir - Mixed voices (SAMen)|7.00|113 62006|Hugh S. Roberton
ALL IN THE APRIL EVENING
for mixed voice choir (S/A/Men)
Roberton 62006|'Born in Glasgow, Hugh Roberton became a funeral director apart from being a conductor and composer. A highly motivated and self-taught choir-master, he founded the Toynbee Musical Association in 1901 and five years later, this became the Glasgow Orpheus Choir which gained a world-wide reputation and went on to perform under Hugh''s direction for some 45 years. He composed much for his choir, with perhaps his most famous pieces being "All in the April Evening" and the "Mingulay Boat Song". He had a reputation for getting the very best from his singers, who held him in such great esteem that when he resigned as their leader shortly before his death, the choir agreed that they must disband. However, the Orpheus rose again when many of its members re-formed as the Glasgow Phoenix Choir, which continues to perform and tour to this day. Hugh Roberton was knighted in 1931.
This version of "All in the April Evening" originally published under the catalogue number 61427 for unaccompanied mixed voice choir of sopranos, altos and men, is now in a clearer, newly typeset edition. Other versions are available for solo voice, unison voices, female voice choir, male voice choir, full mixed voice choir (SATB), with Welsh words and also in an arrangement for string orchestra and a "meditation" for organ.
Duration nearly 3 minutes'|9790222243736|ROBERTON|Hugh S. Roberton|All in the April Evening|Choir - Mixed voices (SAMen)|2.00|25 62007|Tom Cunningham
FOR UNTO US A CHILD IS BORN for mixed voice choir (SA+Men) and piano
Roberton 62007|'Words from Isaiah 9:6, well known from their use in a section of Handel''s Messiah, are here set to new music by Tom Cunningham for a mixed voice choir of SA+Men and piano. If you are not short of men, you may be interested in the full SATB version of this - see catalogue number 63304. There is also a version for upper voice choir (SSA) - number 75621.
Duration 3 minutes'|9790222287914|CUNNINGHAM|Tom Cunningham|For Unto Us A Child Is Born|Choir - Mixed voices (SAMen)|2.75|38 62008|Peter Lawson
BRING BACK CHRISTMAS CHEER for mixed voice (SA+Men) choir
Roberton 62008|'A merry original song for the Christmas season for choir and orchestra or orchestra alone or choir and piano, with words by Anthony Pritchard set to music by Peter Lawson.
This song is available in four different choral versions:
Mixed Voice Choir (SATB) - GM110
Upper Voice Choir (SSA) - GM111
Male Voice Choir (TTBB) - GM112
or if you have a mixed voice choir but a shortage of men . . . .
Mixed Voice Choir (SA+Men) - Roberton 62008
The orchestral score and parts (for details see under GMCH013) are the same for all versions.

The computer-generated audio sample is the version for choir of SA+Men and piano as is the score shown here.
You can hear the other choral versions with piano accompaniment and the orchestral version (with SATB choir) and see their associated scores by looking on the "details" page under the respective catalogue numbers.
Duration c.5 minutes
To give you a flavour of the humour the first (of four) verses and choruses is:-

We think we had better
Write Santa a letter
And tell him that Christmas
Is cancelled this year,
The shops barely close
And as it hardly ever snows,
Rudolph''s cold is better
So there''s no more red nose.
And Prancer and Dancer
Have taken up ballet,
They live by the coast
In a very nice chalet;
They''re really quite neat
And they have very light feet
And watching them plie
Is really a treat!

Oh bring back, Oh bring back,
Oh bring back the spirit of Christmases past!
We hadn''t much money, But the jokes are still funny,
Oh how we so wanted those good times to last!'|9790222287952|LAWSON|Peter Lawson|Bring Back Christmas Cheer|Choir - Mixed voices (SAMen)|4.75|75 62009|Tom Cunningham
I WILL LIFT UP MINE EYES for mixed voice choir of SA+Men and organ
Roberton 62009|A new setting of Psalm 121 (King James version) for a mixed voice choir and organ. This version is suitable for choirs with fewer men; there is a fuller SATB version available as Roberton 63306.
Duration 3 minutes|9790222289239|CUNNINGHAM|Tom Cunningham|I will lift up mine eyes|Choir - Mixed voices (SAMen)|2.00|25 62010|'Tom Cunningham
THE BOATMAN (Fear a''bhata) for mixed voice choir of SA+Men and Piano
Roberton 62010'|A beautiful traditional Gaelic air adapted and arranged for mixed voice choir of SA+Men and piano. English verses with the chorus in Gaelic (a note on pronunciation is given for all us non-Gaelic speakers!)
Duration 3? minutes
Also available in a version for female voice choir - see 75459|9790222290532|CUNNINGHAM|Tom Cunningham|'Boatman (Fear a'' bhata)'|Choir - Mixed voices (SAMen)|2.75|38 62011|Peter Lawson
A BED OF HAY for SA+Men choir
Roberton 62011|'This is the first carol in a sequence entitled A BED OF HAY, a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2 minutes'|9790222310605|LAWSON|Peter Lawson|A Bed of Hay|Choir - Mixed voices (SAMen)|2.00|25 62012|'Peter Lawson
SHEPHERDS'' CAROL for SA+Men choir
Roberton 62012'|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2? minutes'|9790222310612|LAWSON|Peter Lawson|'Shepherds'' Carol'|Choir - Mixed voices (SAMen)|2.00|25 62013|Peter Lawson
DOMINE TE ADORO for SA+Men choir
Roberton 62013|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 3 minutes'|9790222310629|LAWSON|Peter Lawson|Domine Adoro Te|Choir - Mixed voices (SAMen)|2.00|25 62014|Peter Lawson
CHRIST IS HERE, HOLY YEAR for SA+Men choir
Roberton 62014|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2? minutes'|9790222310636|LAWSON|Peter Lawson|Christ is here Holy Year|Choir - Mixed voices (SAMen)|2.00|25 62015|Peter Lawson
THIS HAPPY NIGHT for SA+Men choir
Roberton 62015|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 3 minutes'|9790222310643|LAWSON|Peter Lawson|This Happy Night|Choir - Mixed voices (SAMen)|2.75|38 62016|Peter Lawson
THE NIGHT WIND IS COLD for SA+Men choir
Roberton 62016|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 3 minutes'|9790222310650|LAWSON|Peter Lawson|The Night Wind is Cold|Choir - Mixed voices (SAMen)|2.00|25 62017|Peter Lawson
HODIE! CHRISTUS NATUS EST for SA+Men choir
Roberton 62017|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2? minutes'|9790222310667|LAWSON|Peter Lawson|Hodie! Christus Natus est|Choir - Mixed voices (SAMen)|2.00|25 63001|||9790222243811|NAYLOR E W|Edward Woodall Naylor|Merry Bells of Yule|Choir - Mixed voices (SATB)|2.75|38 63002|||9790222243828|DOUGLAS|James Douglas|Christmas Fable|Choir - Mixed voices (SATB)|1.50|13 63003|||9790222243835|HOPKINS E|Ewart Hopkins|All My Trials, Lord|Choir - Mixed voices (SATB)|2.00|25 63004|||9790222243842|HAMILTON|Alasdair Hamilton|All Bells in Paradise|Choir - Mixed voices (SATB)|2.00|25 63006|||9790222243859|DARE M|Marie Dare|Widow Bird Sate Mourning|Choir - Mixed voices (SATB)|1.50|13 63011|||9790222243866|MONELLE|Raymond Monelle|Lullay, Myn Lykyng|Choir - Mixed voices (SATB)|2.00|25 63026|||9790222243873|VALE|Charles Vale|'Christ''s Carol'|Choir - Mixed voices (SATB)|1.50|13 63027|||9790222243880|COSTELEY|Guillaume Costeley|Mignonne (My Fairest, See)|Choir - Mixed voices (SATB)|2.00|25 63029|||9790222243897|HOPKINS E|Ewart Hopkins|Metyelitsa (Russian Folk Song)|Choir - Mixed voices (SATB)|1.50|13 63031|||9790222243903|BLYTON|Carey Blyton|Mistletoe Bough|Choir - Mixed voices (SATB)|2.75|38 63036|||9790222243910|ROBERTON|Hugh S. Roberton|Golden Slumbers|Choir - Mixed voices (SATB)|1.50|13 63040|||9790222243927|WEEKS|John Ralph Weeks|Rapture|Choir - Mixed voices (SATB)|1.50|13 63041|||9790222243934|LIDDELL C|Claire Liddell|Ae Fond Kiss|Choir - Mixed voices (SATB)|2.00|25 63042|||9790222243941|LIDDELL C|Claire Liddell|Fine Flowers in the Valley|Choir - Mixed voices (SATB)|2.00|25 63043|||9790222243958|LIDDELL C|Claire Liddell|Where Are the Joys?|Choir - Mixed voices (SATB)|2.00|25 63044|||9790222243965|LIDDELL C|Claire Liddell|Ye Banks and Braes|Choir - Mixed voices (SATB)|1.50|13 63048|||9790222243972|WILKINSON|Stephen Wilkinson|Nightingale|Choir - Mixed voices (SATB)|2.75|38 63051|||9790222243989|HUGHES|Brian Hughes|Two Old Testament Sprituals|Choir - Mixed voices (SATB)|2.00|25 63053|||9790222243996|SMITH|Robert Smith|Winter Song|Choir - Mixed voices (SATB)|2.00|25 63054|||9790222244009|SMITH|Robert Smith|Music|Choir - Mixed voices (SATB)|2.00|25 63056|||9790222244016|THOMAS E|Elizabeth Thomas|'Frog Went A-courtin'''|Choir - Mixed voices (SATB)|2.00|25 63057|||9790222244023|BURTCH|Mervyn Burtch|Three Sonnets of John Donne|Choir - Mixed voices (SATB)|4.00|63 63058|||9790222244030|ROBERTON|Hugh S. Roberton|All Through the Night (Eng+Welsh)|Choir - Mixed voices (SATB)|1.50|13 63059|||9790222244047|ROBERTON|Hugh S. Roberton|Flow Gently Sweet Afton|Choir - Mixed voices (SATB)|1.50|13 63067|||9790222244054|ROBERTON|Hugh S. Roberton|'Standin'' in De Need of Prayer'|Choir - Mixed voices (SATB)|1.50|13 63068|||9790222244061|ROBERTON|Hugh S. Roberton|Weep You No More Sad Fountains|Choir - Mixed voices (SATB)|1.50|13 63069|||9790222244078|PLUMSTEAD|Mary Plumstead|Close Thine Eyes|Choir - Mixed voices (SATB)|1.50|13 63075|||9790222244085|COCKSHOTT|Gerald Cockshott|Canticle|Choir - Mixed voices (SATB)|1.50|13 63076|||9790222244092|CLARK K|Keith Clark|Three Songs from A Shropshire Lad|Choir - Mixed voices (SATB)|3.50|50 63077|||9790222244108|BLYTON|Carey Blyton|In Lighter Mood|Choir - Mixed voices (SATB)|2.75|38 63079|||9790222244115|ROBERTON|Hugh S. Roberton|Bonnie Dundee|Choir - Mixed voices (SATB)|1.50|13 63080|||9790222244122|ROBERTON|Hugh S. Roberton|In Praise of Islay (Eng/Gaelic)|Choir - Mixed voices (SATB)|1.50|13 63081|||9790222244139|ROBERTON|Hugh S. Roberton|Island Homing Song|Choir - Mixed voices (SATB)|1.50|13 63082|||9790222244146|ROBERTON|Hugh S. Roberton|Isle of Mull|Choir - Mixed voices (SATB)|1.50|13 63083|Hugh S. Roberton
MY AIN HOOSE for SATB choir
Roberton 63083|For unaccompanied SATB choir.
Gaelic Words by Malcolm Macfarlane, English translation by Alex Stewart. From "The Minstrelsy of the Scottish Highlands" arranged by Hugh S. Roberton.|9790222244153|ROBERTON|Hugh S. Roberton|My Ain Hoose|Choir - Mixed voices (SATB)|1.50|13 63085|||9790222244160|TUCAPSKY|Antonin Tucapsky|Lauds|Choir - Mixed voices (SATB)|4.75|75 63088|||9790222244177|PURCELL H|Henry Purcell|Mavis (arr.Roberton)|Choir - Mixed voices (SATB)|1.50|13 63089|||9790222244184|ROBERTON|Hugh S. Roberton|Crucifixion|Choir - Mixed voices (SATB)|1.50|13 63090|||9790222244191|ROBERTON|Hugh S. Roberton|Maureen|Choir - Mixed voices (SATB)|1.50|13 63091|||9790222244207|ROBERTON|Hugh S. Roberton|Old Woman|Choir - Mixed voices (SATB)|1.50|13 63092|||9790222244214|ROBERTON|Hugh S. Roberton|'Rovin'' Boy'|Choir - Mixed voices (SATB)|1.50|13 63093|||9790222244221|ROBERTON|Hugh S. Roberton|When Your Lamp Burn Down|Choir - Mixed voices (SATB)|2.00|25 63096|||9790222244238|GANGE|Kenneth Gange|'This Lonesome Valley/You''d Better R'|Choir - Mixed voices (SATB)|2.00|25 63098|||9790222244245|LAZARENO|Manuel Lazareno|Three Spanish Folk Tunes|Choir - Mixed voices (SATB)|2.75|38 63107|||9790222244252|DEALE|Edgar Deale|Down By the Salley Gardens|Choir - Mixed voices (SATB)|2.00|25 63108|||9790222244269|DEALE|Edgar Deale|Oft in the Stilly Night|Choir - Mixed voices (SATB)|2.00|25 63114|||9790222244276|STANFORD|Charles Villiers Stanford|Quick! We Have But A Second|Choir - Mixed voices (SATB)|1.50|13 63115|||9790222244283|WILCOCK|Anthea Wilcock|Shepherd|Choir - Mixed voices (SATB)|2.75|38 63117|||9790222244290|NELSON H|Havelock Nelson|For Snow|Choir - Mixed voices (SATB)|1.50|13 63118|||9790222244306|BERTALOT|John Bertalot|Alouette|Choir - Mixed voices (SATB)|2.00|25 63119|||9790222244313|BERTALOT|John Bertalot|Go Tell It On the Mountain|Choir - Mixed voices (SATB)|2.00|25 63120|||9790222244320|DEALE|Edgar Deale|Follow Me Up To Carlow|Choir - Mixed voices (SATB)|2.00|25 63137|||9790222244337|BLYTON|Carey Blyton|What Then Is Love?|Choir - Mixed voices (SATB)|3.50|50 63139|||9790222244344|WEBB|Evelyn Webb|William Taylor|Choir - Mixed voices (SATB)|1.50|13 63140|||9790222244351|OXLEY|Harrison Oxley|Soldier,Soldier / Billy Boy / etc.|Choir - Mixed voices (SATB)|3.50|50 63141|||9790222244368|OXLEY|Harrison Oxley|Barbra Ellen|Choir - Mixed voices (SATB)|1.50|13 63142|||9790222244375|WEBB|Evelyn Webb|Smiling Spring/Carter/I Will Give..|Choir - Mixed voices (SATB)|2.00|25 63143|||9790222244382|WEBB|Evelyn Webb|Dashing Away With the Smoothing Iro|Choir - Mixed voices (SATB)|2.00|25 63144|Paul Carr
THE LAMB (1985) for unaccompanied mixed voice choir
Roberton 63144|A setting of the famous William Blake text. Paul Carr has set these words twice; this first setting is from 1985. A later setting, from 2015, is also available - see Goodmusic GM161.
Duration 4 minutes|9790222244399|CARR P|Paul Carr|Lamb (First setting 1985)|Choir - Mixed voices (SATB)|1.50|13 63154|||9790222244405|BREWER|Michael Brewer|Joshua Fit the Battle of Jericho|Choir - Mixed voices (SATB)|2.00|25 63157|||9790222244412|HUGHES-JONES|Llifon Hughes-Jones|'Can y Melinydd (Miller''s Song)'|Choir - Mixed voices (SATB)|2.00|25 63159|||9790222244429|GIBBS CA|C Armstrong Gibbs|Cradle Song|Choir - Mixed voices (SATB)|1.50|13 63160|||9790222244436|GENEE|Richard Genee|Italian Salad|Choir - Mixed voices (SATB)|2.75|38 63163|||9790222244443|PARRY|C. Hubert H. Parry|Jerusalem (in key F)|Choir - Mixed voices (SATB)|2.00|25 63168|||9790222244467|DEALE|Edgar Deale|Drinking Song|Choir - Mixed voices (SATB)|2.00|25 63169|||9790222244474|DEALE|Edgar Deale|My Lovely Celia|Choir - Mixed voices (SATB)|1.50|13 63170|||9790222244481|DEALE|Edgar Deale|Fairest Rose in All the Garden|Choir - Mixed voices (SATB)|1.50|13 63171|||9790222244498|FRASER S|Shena Fraser|'I Know Where I''m Going'|Choir - Mixed voices (SATB)|1.50|13 63206|||9790222244504|ROBERTON|Hugh S. Roberton|Misty Isle|Choir - Mixed voices (SATB)|1.50|13 63210|||9790222244511|FRASER S|Shena Fraser|Three Scots Songs|Choir - Mixed voices (SATB)|4.00|63 63211|||9790222244528|WHITWORTH|John Whitworth|Begone Dull Care|Choir - Mixed voices (SATB)|2.00|25 63212|||9790222244535|WHITWORTH|John Whitworth|O Waly Waly|Choir - Mixed voices (SATB)|2.75|38 63213|||9790222244542|WHITWORTH|John Whitworth|Mermaid|Choir - Mixed voices (SATB)|3.50|50 63214|Paul Barnes (arr.Jack Griffin)
TRIBUTE TO A FAMOUS SONG: DOLLY GRAY
for mixed voice choir|A sort of fantasy on "Goodbye Dolly Gray" for unaccompanied mixed voice choir in eight parts. We hear the bugles, the drums and the boom of the guns interwoven with the beloved song of the First World War.
Duration 5? minutes.|9790222259645|GRIFFIN|Jack Griffin|Tribute To a Famous Song:Dolly Gray|Choir - Mixed voices (SATB)|4.00|63 63215|Vivian Ellis (arr.Jack Griffin)
SPREAD A LITTLE HAPPINESS
for mixed voice choir|'"Even when the darkest clouds are in the sky, You mustn''t sigh, and you mustn''t cry; Just spread a little happiness as you go by". Vivian Ellis'' popular song arranged for unaccompanied mixed voice choir. Duration 4 minutes.'|9790222259652|ELLIS|Vivian Ellis|Spread a Little Happiness (Griffin)|Choir - Mixed voices (SATB)|2.00|25 63222|Tom Cunningham
THE GOOD-BYE JAZZ for mixed voice choir
Roberton 63222|Time to say Good-Bye . . . in various different ways and different languages set to music in a light-hearted jazzy fashion for mixed voice choir (SATB) either unaccompanied or with piano accompaniment.
Duration 3 minutes|9790222244559|CUNNINGHAM|Tom Cunningham|Good-Bye Jazz|Choir - Mixed voices (SATB)|3.50|50 63228|||9790222244566|DEALE|Edgar Deale|I Will Walk With My Love|Choir - Mixed voices (SATB)|2.00|25 63231|||9790222244573|COAKLEY|Donald Coakley|Donkey Riding|Choir - Mixed voices (SATB)|2.00|25 63233|Alasdair Jamieson
STRAWBERRY FAIR
for mixed voice choir|Somerset folk song arranged for unaccompanied SATB choir
A wonderfully original setting of this well known tune - requires an 8 part choir as all parts divide.|9790222252158|JAMIESON|Alasdair Jamieson|Strawberry Fair|Choir - Mixed voices (SATB)|3.50|50 63234|Llifon Hughes-Jones
SLEEP (CWSG) for SATB
Roberton 63234|for SATB choir and piano|9790222244580|HUGHES-JONES|Llifon Hughes-Jones|Sleep (Cwsg)|Choir - Mixed voices (SATB)|2.75|38 63235|||9790222244597|CAMILLERI|Charles Camilleri|Malta Yok!|Choir - Mixed voices (SATB)|2.00|25 63236|||9790222244603|KELLY|Bryan Kelly|Dover Beach|Choir - Mixed voices (SATB)|4.75|75 63237|||9790222244610|NEAUM|Michael Neaum|Water of Tyne|Choir - Mixed voices (SATB)|2.00|25 63238|||9790222244627|WILLS A|Arthur Wills|Agricultural Caress (SATB or ATBB)|Choir - Mixed voices (SATB)|2.00|25 63239|||9790222244634|TUCAPSKY|Antonin Tucapsky|Seven Sorrows|Choir - Mixed voices (SATB)|4.75|75 63239VLN|||9790222244641|TUCAPSKY|Antonin Tucapsky|Seven Sorrows (violin part)|Choir - Mixed voices (SATB)|2.00|25 63240|||9790222244658|WEBB|Evelyn Webb|Searching for Lambs|Choir - Mixed voices (SATB)|2.00|25 63241|||9790222244665|WEBB|Evelyn Webb|Brisk Young Widow|Choir - Mixed voices (SATB)|2.75|38 63242|||9790222244672|JOHNSTON|Ken Johnston|Westering Home|Choir - Mixed voices (SATB)|2.75|38 63243|||9790222244689|JOHNSTON|Ken Johnston|Air Falalalo|Choir - Mixed voices (SATB)|3.50|50 63244|||9790222244696|ARCH|Gwyn Arch|Gospel Train|Choir - Mixed voices (SATB)|2.75|38 63245|||9790222244702|OXLEY|Harrison Oxley|'Rise ''n'' Shine'|Choir - Mixed voices (SATB)|4.00|63 63248|||9790222244719|CAMILLERI|Charles Camilleri|Tfal (Children)|Choir - Mixed voices (SATB)|2.00|25 63249|||9790222244726|LIDDELL C|Claire Liddell|Sonnet in the Sky|Choir - Mixed voices (SATB)|2.75|38 63250|||9790222244733|HOOD|Denys Hood|When the Saints Go Marching in|Choir - Mixed voices (SATB)|2.75|38 63251|Derek Clark
SCARBOROUGH FAIR
for mixed voice choir|Lovely new arrangement of this well-known English folk song for SATB choir and piano.

Duration about 5 minutes |9790222260733|CLARK|Derek Clark|Scarborough Fair|Choir - Mixed voices (SATB)|3.50|50 63252|||9790222244740|TUCAPSKY|Antonin Tucapsky|Amo Ergo Sum (Because I Love)|Choir - Mixed voices (SATB)|4.75|75 63253|Richard Grylls
TRUE BELIEVER
A sequence of four spirituals
for mixed voice choir|'"Didn''t my Lord deliver Daniel", "Sometimes I feel like a motherless child", "Deep river" and "In that great getting-up morning" arranged for unaccompanied SATB choir.
The number of verses in a particular spiritual seems to vary from edition to edition, as it probably also did in early performances. These arrangements certainly omit some known verses. One more verse of "Didn''t my Lord deliver Daniel" is often sung and a further fourteen (!) of "In that great getting-up morning". The latter, in its complete present-day form, is a stirring telling of the Judgement Day Story in the Book of Revelations.
Although it is intended that these four spirituals be sung as a sequence, any of them may be sung as an individual item, perhaps with a few minor alterations at the start or finish.'|9790222252165|GRYLLS|Richard Grylls|True Believer (Four Spirituals)|Choir - Mixed voices (SATB)|7.00|113 63254|||9790222244757|NEAUM|Michael Neaum|Bunch of Thyme|Choir - Mixed voices (SATB)|2.00|25 63255|Michael Neaum
GLOUCESTERSHIRE WASSAIL
Roberton 63255|Traditional Gloucestershire carol arranged for SATB choir and ad lib piano.|9790222244764|NEAUM|Michael Neaum|Gloucestershire Wassail|Choir - Mixed voices (SATB)|2.00|25 63256|||9790222244771|WEBB|Evelyn Webb|'Willy''s Rare and Willy''s Fair'|Choir - Mixed voices (SATB)|2.00|25 63257|||9790222244788|BROADHURST|C. J. Broadhurst|Cowboy Carol arr.Davies (pf duet)|Choir - Mixed voices (SATB)|2.00|25 63258|Angus Kennedy (arr.Kelvin Thomas)
ISLE OF ARRAN
for mixed voice choir|A fine arrangement of the Scottish popular song written by Angus Kennedy. (Duration 2? minutes)|9790222252547|KENNEDY|Angus Kennedy|Isle of Arran (arr.K.Thomas)|Choir - Mixed voices (SATB)|2.00|25 63259|||9790222244795|COOMBES|Douglas Coombes|Psalm 47 (O Clap Your Hands)|Choir - Mixed voices (SATB)|3.50|50 63260|Michael Neaum
SWEET LITTLE JESUS BOY
for mixed voice choir|A traditional spiritual arranged here by Michael Neaum for mixed voice choir with a soprano solo and piano accompaniment. Michael is the accompanist for the award-winning Cantamus Choir, who sing many of his excellent arrangements.|9790222252141|NEAUM|Michael Neaum|Sweet Little Jesus Boy|Choir - Mixed voices (SATB)|2.00|25 63261|Michael Short
A WEDDING SONG
for mixed voice choir|'A setting of words by John Clare, also suitable for occasions other than weddings!
"O wert thou in a storm, how would I shield thee:
To keep thee dry and warm, a camp I would build thee.
Though the clouds pour''d again, not a drop should harm thee . . ."
For unaccompanied mixed voice choir.'|9790222252523|SHORT M|Michael Short|Wedding Song|Choir - Mixed voices (SATB)|2.00|25 63262|Michael Short
THREE SHAKESPEARE SONGS
for mixed voice choir|'Tell me where is fancy bred; Blow, blow thou winter wind; Full fathom five
Three superb settings of Shakespeare''s famous words, for unaccompanied mixed voice choir (SATB) in four parts. As the parts do not divide, these songs could be performed by a quartet of voices. A piano reduction for rehearsal purposes is shown in the copy.'|9790222252530|SHORT M|Michael Short|Three Shakespeare Songs|Choir - Mixed voices (SATB)|3.50|50 63263|Michael Neaum
I ONCE LOVED A LAD
for mixed voice choir|English folk song arranged for mixed voice choir and piano.|9790222258877|NEAUM|Michael Neaum|I Once Loved a Lad|Choir - Mixed voices (SATB)|2.75|38 63264|'Michael Neaum
DIDN''T IT RAIN
for mixed voice choir'|Spiritual arranged for mixed voice choir and piano.|9790222258884|NEAUM|Michael Neaum|'Didn''t It Rain'|Choir - Mixed voices (SATB)|2.75|38 63265|Ewart Hopkins
TWO WELSH FOLKSONGS
for mixed voice choir|"Gathering the Wheat" and "Suo gan" (Lullaby) for unaccompanied mixed voice choir in four parts.|9790222259027|HOPKINS E|Ewart Hopkins|Two Welsh Folksongs|Choir - Mixed voices (SATB)|2.75|38 63267|Tom Cunningham
LOCH LOMOND
for mixed voice choir|Traditional Scottish song arranged for unaccompanied mixed voice choir in four parts (although the sopranos divide for one 8-bar passage).
Duration 2? minutes|9790222259416|CUNNINGHAM|Tom Cunningham|Loch Lomond|Choir - Mixed voices (SATB)|2.00|25 63268|Richard G. Grylls
A ROYAL NURSERY MUDDLEY
for mixed voice choir|Traditional tunes muddled together in a humorous medley. "Humpty Dumpty", "Old King Cole", "The Grand Old Duke of York" and "Sing a song of sixpence" all appear in this arrangement for unaccompanied mixed voice choir.
Duration 2 minutes|9790222260115|GRYLLS|Richard Grylls|Royal Nursery Muddley|Choir - Mixed voices (SATB)|2.00|25 63269|Richard G. Grylls
EPITAPH FOR GRACE for mixed voice choir
Roberton 63269|'At the east end of the north aisle of Totnes Parish Church in Devon, high up on the wall, is a small wooden memorial to Grace Gryles. She was buried in the church in April 1636. Grace, who was born in October 1619, was the daughter of Charles and Honor Gryles of Carwen in the parish of Lanreath, Cornwall. Her mother''s maiden name had been Fortescue. Grace''s aunt Phillippa, Honor''s sister, was married to Walter Dotting, a wealthy merchant living in Totnes. In August 1635 Walter Dotting died. It appears that, since Walter and Phillippa had not had any children, Grace Gryles was sent from Lanreath to Totnes to comfort and act as a companion to her bereaved aunt. Sadly, that companionship was all too soon severed by the death of Grace, aged only sixteen. The cause of her death is unknown.
In Lanreath Church there are two large and magnificent memorials to members of the Gryles family who lived during the 1600s, but the small memorial to Grace in Totnes Church records in a much more personal and touching manner the grief experienced by her family.
This setting of Grace''s epitaph (for unaccompanied SATB choir) was composed by the eight-times great grandson of Sir John Gryles of Lanreath, Grace''s uncle. It is dedicated to all those whose children''s lives have been cut tragically short.
Duration 2 minutes 45 seconds'|9790222260122|GRYLLS|Richard Grylls|Epitaph for Grace|Choir - Mixed voices (SATB)|2.75|38 63270|Vaughan Williams (arr.Lane)
GREENSLEEVES or THE KING OF LOVE
for mixed voice choir|'This is a choral setting by Philip Lane of Vaughan Williams'' ever-popular Fantasia on Greensleeves. Two sets of words are given: either the traditional folk song words for "Greensleeves" can be used or alternatively "The King of Love my shepherd is" makes it suitable for church use. An SATB choir is accompanied by piano or this choral version can be sung with an orchestral accompaniment by using the original orchestral version of Fantasia on Greensleeves (arranged by Ralph Greaves) which is now published for sale in the Goodmusic Orchestral Series (Catalogue number GMCL128).

Also available in a version for SSA - number 75479

Duration 4 Minutes '|9790222260450|VAUGHAN WILL|Ralph Vaughan Williams|Greensleeves/King of Love arr.Lane|Choir - Mixed voices (SATB)|2.75|38 63271|Bryan Davies
NEVER WEATHER BEATEN SAIL
for mixed voice choir|A beautiful setting of words by Thomas Campion (1567-1620) to music by Bryan Davies for unaccompanied mixed voice choir SATB.

Also available in a version for TTBB - number 53094

Duration 2? Minutes |9790222261457|DAVIES B|Bryan Davies|Never Weather Beaten Sail|Choir - Mixed voices (SATB)|1.50|13 63272|Paul Lewis
ROSA MUNDI
Vocalise for mixed voice choir or vocal sextet|Whilst composing this piece to assuage the sadness of parting from a loved one, a single flower of my favourite rose blossomed in my garden - the only one to do so that year. (P.Lewis)
The composer made this arrangement for mixed voices (SSATBarB) after hearing the St. Petersburg Blagovest Ensemble in Farringdon Church, Devon on May 16th 2005. As this is a vocalise, there are no lyrics to detract from the simple beauty of the music!
The original string orchestra version of ROSA MUNDI is available in the Goodmusic Concert Originals series of music for orchestra (GMCO057).

Duration 3 Minutes |9790222263697|LEWIS P|Paul Lewis|Rosa Mundi|Choir - Mixed voices (SATB)|2.00|25 63273|Michael Short
THREE FRENCH FOLK SONGS for mixed voice choir
Roberton 63273|'Reveillez vous, Le Rossignol and J''ai descendu set for unaccompanied mixed voice choir (SATB). Originally written for a Dolmetsch Summer School to satisfy a requirement for something fairly easy which could be rehearsed in the limited time available, and which would be enjoyable for singers and listeners alike. The text is to be sung in French although English translations are provided so that you know what it is all about!
Total duration: 6 minutes'|9790222264342|SHORT M|Michael Short|Three French Folk Songs|Choir - Mixed voices (SATB)|4.00|63 63274|'GRANT-JONES, Tim
BEETHOVEN''S SYMPATHY for mixed voice choir
Roberton 63274'|A humorous piece using various bits of Beethoven - Symphony No.5, The Ode to Joy and Fur Elise - for mixed voice choir (SATB) unaccompanied.
Duration nearly 3 minutes|9790222264922|GRANT-JONES|Tim Grant-Jones|'Beethoven''s Sympathy'|Choir - Mixed voices (SATB)|3.50|50 63275|JEPSON, David W
LIVERPOOL GIRLS for mixed voice choir
Roberton 63275|No.1 of Four Liverpool Sea Songs, a set of four sea songs with Liverpudlian origin. Arranged for SATB choir with piano accompaniment. The four songs are also available in a complete edition (Catalogue number 03114) which is cheaper to buy than the four separately.
Duration 3? minutes|9790222264939|JEPSON D|David Jepson|Liverpool Girls|Choir - Mixed voices (SATB)|2.00|25 63276|JEPSON, David W
ROLL ALABAMA ROLL for mixed voice choir
Roberton 63276|No.2 of Four Liverpool Sea Songs, a set of four sea songs with Liverpudlian origin. Arranged for SATB choir unaccompanied. The four songs are also available in a complete edition (Catalogue number 03114) which is cheaper to buy than the four separately.
Duration 3 minutes|9790222264946|JEPSON D|David Jepson|Roll Alabama Roll|Choir - Mixed voices (SATB)|2.00|25 63277|JEPSON, David W
THE GREENLAND WHALE FISHERY for mixed voice choir
Roberton 63277|No.3 of Four Liverpool Sea Songs, a set of four sea songs with Liverpudlian origin. Arranged for SATB choir with piano accompaniment. The four songs are also available in a complete edition (Catalogue number 03114) which is cheaper to buy than the four separately.
Duration 3? minutes|9790222264953|JEPSON D|David Jepson|Greenland Whale Fishery|Choir - Mixed voices (SATB)|2.00|25 63278|JEPSON, David W
THE LEAVING OF LIVERPOOL for mixed voice choir
Roberton 63278|No.4 of Four Liverpool Sea Songs, a set of four sea songs with Liverpudlian origin. Arranged for SATB choir with piano accompaniment. The four songs are also available in a complete edition (Catalogue number 03114) which is cheaper to buy than the four separately.
Duration 4 minutes|9790222264960|JEPSON D|David Jepson|Leaving of Liverpool|Choir - Mixed voices (SATB)|2.00|25 63279|'GRYSPEERDT, Michael (1927-2000)
MARY''S GHOST for mixed voice choir
Roberton 63279'|'A humorous piece for SSATB choir unaccompanied. This is a setting of a "pathetic ballad" by Thomas Hood (1799-1845) which tells of Mary who appears as a ghost to her young William to tell him that she has suffered the attentions of body snatchers . . . "You thought that I was buried deep, quite decent like and chary, But from her grave in Marybone, They''ve come and boned your Mary!"
This is No.1 of Four Bits of Nonsense by Michael Gryspeerdt - all four Bits are also available published together under No.03115.
Duration: 4 minutes '|9790222265547|GRYSPEERDT|Michael Gryspeerdt|'Mary''s Ghost'|Choir - Mixed voices (SATB)|2.75|38 63280|'GRYSPEERDT, Michael (1927-2000)
WHO''S BEEN UNRAVELLING MY BOLERO? for mixed voice choir
Roberton 63280'|'This is a humorous arrangement of Ravel''s Bolero (using some of the words to Bobby Shaftoe) for SSATB choir unaccompanied.
It is No.2 of Four Bits of Nonsense by Michael Gryspeerdt - all four Bits are also available published together under No.03115.
Duration: 2? minutes '|9790222265554|GRYSPEERDT|Michael Gryspeerdt|'Who''s Been Unravelling My Bolero?'|Choir - Mixed voices (SATB)|2.00|25 63281|GRYSPEERDT, Michael (1927-2000)
LAST TANGO IN CHELTENHAM for mixed voice choir
Roberton 63281|This is a humorous original piece for unaccompanied SSATB choir . . . "Why on earth do people dance the tango, spreading consternation and dismay? Surely a mazurka or fandango is more civilised in every way."
This is No.3 of Four Bits of Nonsense by Michael Gryspeerdt - all four Bits are also available published together under No.03115.
Duration: 1? minutes |9790222265561|GRYSPEERDT|Michael Gryspeerdt|Last Tango in Cheltenham|Choir - Mixed voices (SATB)|2.00|25 63282|GRYSPEERDT, Michael (1927-2000)
SHE WAS POOR BUT SHE WAS HONEST for mixed voice choir
Roberton 63282|'A humorous ballad for unaccompanied SSATB choir which tells in twelve short verses the story of a girl who was poor . . ."but she was honest, victim of a rich man''s game; First he loved her, then he left her, and she lost her maiden name". Eventually she ends her life by jumping off a bridge and drowning in the River Thames!
This is No.4 of Four Bits of Nonsense by Michael Gryspeerdt - all four Bits are also available published together under No.03115.
Duration: 7 minutes '|9790222265578|GRYSPEERDT|Michael Gryspeerdt|She Was Poor But She Was Honest|Choir - Mixed voices (SATB)|2.75|38 63283|GRYSPEERDT, Michael (1927-2000)
IN PRAISE OF VENICE Op.24 No.1 for mixed voice choir
Roberton 63283|'A setting for SSATB choir unaccompanied of Percy Bysshe Shelley''s words. A companion piece IN PRAISE OF VERONA (Op.24 No.2) with words by the composer is also available under Roberton 63284.
Duration 3 minutes'|9790222265585|GRYSPEERDT|Michael Gryspeerdt|In Praise of Venice Op.24 No.1|Choir - Mixed voices (SATB)|2.00|25 63284|GRYSPEERDT, Michael (1927-2000)
IN PRAISE OF VERONA Op.24 No.2 for mixed voice choir
Roberton 63284|A setting for unaccompanied SSATB choir. A companion piece IN PRAISE OF VENICE (Op.24 No.2) with words by Shelley is also available under Roberton 63283.
Duration 3? minutes|9790222266421|GRYSPEERDT|Michael Gryspeerdt|In Praise of Verona Op.24 No.2|Choir - Mixed voices (SATB)|2.00|25 63285|Richard G. Grylls
WINE OF LOVE for mixed voice choir
Roberton 63285|Viva la musica! - "The wine of Love is music, and the feast of Love is song". . . a rousing setting for unaccompanied mixed voice choir in praise of both Love and Music.
Duration 2? minutes|9790222267312|GRYLLS|Richard Grylls|Wine of Love|Choir - Mixed voices (SATB)|2.75|38 63286|JEPSON, David W
VICTORIAN CHRISTMAS MEDLEY for mixed voice choir
Roberton 63286|'A lighter medley of original Victorian Christmas songs arranged for SATB choir with piano accompaniment. Songs include: What shall we sing?; It was my Father''s custom; Under the mistletoe; When there''s love at home; Miss Hooligan''s Christmas cake; Old Father Christmas.
Duration 6? minutes'|9790222267329|JEPSON D|David Jepson|VIctorian Christmas Medley|Choir - Mixed voices (SATB)|4.00|63 63287|'Arranged by Richard G. Grylls
PADDY McGINTY''S GOAT for mixed voice choir
Roberton 63287'|The well-known traditional Irish song (sung frequently by Val Doonican in the 1960s) in a humorous arrangement for unaccompanied mixed voice choir. Auditions for the solo goat part [drawn from the altos] may require some diplomacy!
Duration 2? minutes|9790222267695|GRYLLS|Richard Grylls|'Paddy McGinty''s Goat'|Choir - Mixed voices (SATB)|3.50|50 63288|Tom Cunningham
DUSK from Scotland at Night
for unaccompanied mixed voice choir
Roberton 63288|'The first of six original poems by well-known novelist Alexander McCall Smith (author of "The No.1 Ladies'' Detective Agency" series and many other novels) set to music by Tom Cunningham. An attempt to reveal some of that other Scotland - the Scotland that begins at dusk. The work is available complete (catalogue number 03117) or all of the individual titles are also available separately. They are Dusk; Refinery in the Darkness; Ceilidh; Simmer Dim in Shetland; Trout Loch; Lullaby.
World premieres given on 21st/22nd December 2007 in concerts given by Cappella Nova in Glasgow and Edinburgh.
Duration 2? mins'|9790222271821|CUNNINGHAM|Tom Cunningham|Dusk|Choir - Mixed voices (SATB)|2.00|25 63289|Tom Cunningham
REFINERY IN THE DARKNESS from Scotland at Night
for unaccompanied mixed voice choir
Roberton 63289|'The second of six original poems by well-known novelist Alexander McCall Smith (author of "The No.1 Ladies'' Detective Agency" series and many other novels) set to music by Tom Cunningham. An attempt to reveal some of that other Scotland - the Scotland that begins at dusk. The work is available complete (catalogue number 03117) or all of the individual titles are also available separately. They are Dusk; Refinery in the Darkness; Ceilidh; Simmer Dim in Shetland; Trout Loch; Lullaby.
World premieres given on 21st/22nd December 2007 in concerts given by Cappella Nova in Glasgow and Edinburgh.
Duration 1? mins'|9790222271838|CUNNINGHAM|Tom Cunningham|Refinery in the Darkness|Choir - Mixed voices (SATB)|2.00|25 63290|Tom Cunningham
CEILIDH from Scotland at Night
for unaccompanied mixed voice choir
Roberton 63290|'The third of six original poems by well-known novelist Alexander McCall Smith (author of "The No.1 Ladies'' Detective Agency" series and many other novels) set to music by Tom Cunningham. An attempt to reveal some of that other Scotland - the Scotland that begins at dusk. The work is available complete (catalogue number 03117) or all of the individual titles are also available separately. They are Dusk; Refinery in the Darkness; Ceilidh; Simmer Dim in Shetland; Trout Loch; Lullaby.
World premieres given on 21st/22nd December 2007 in concerts given by Cappella Nova in Glasgow and Edinburgh.
Duration 2 mins'|9790222271845|CUNNINGHAM|Tom Cunningham|Ceilidh|Choir - Mixed voices (SATB)|2.75|38 63291|Tom Cunningham
SIMMER DIM IN SHETLAND from Scotland at Night
for unaccompanied mixed voice choir
Roberton 63291|'The fourth of six original poems by well-known novelist Alexander McCall Smith (author of "The No.1 Ladies'' Detective Agency" series and many other novels) set to music by Tom Cunningham. An attempt to reveal some of that other Scotland - the Scotland that begins at dusk. The work is available complete (catalogue number 03117) or all of the individual titles are also available separately. They are Dusk; Refinery in the Darkness; Ceilidh; Simmer Dim in Shetland; Trout Loch; Lullaby.
World premieres given on 21st/22nd December 2007 in concerts given by Cappella Nova in Glasgow and Edinburgh.
Duration 2 mins'|9790222271852|CUNNINGHAM|Tom Cunningham|Simmer Dim in Shetland|Choir - Mixed voices (SATB)|1.50|13 63292|Tom Cunningham
TROUT LOCH from Scotland at Night
for unaccompanied mixed voice choir
Roberton 63292|'The fifth of six original poems by well-known novelist Alexander McCall Smith (author of "The No.1 Ladies'' Detective Agency" series and many other novels) set to music by Tom Cunningham. An attempt to reveal some of that other Scotland - the Scotland that begins at dusk. The work is available complete (catalogue number 03117) or all of the individual titles are also available separately. They are Dusk; Refinery in the Darkness; Ceilidh; Simmer Dim in Shetland; Trout Loch; Lullaby.
World premieres given on 21st/22nd December 2007 in concerts given by Cappella Nova in Glasgow and Edinburgh.
Duration 2 mins'|9790222271869|CUNNINGHAM|Tom Cunningham|Trout Loch|Choir - Mixed voices (SATB)|2.00|25 63293|Tom Cunningham
LULLABY from Scotland at Night
for unaccompanied mixed voice choir
Roberton 63293|'The last of six original poems by well-known novelist Alexander McCall Smith (author of "The No.1 Ladies'' Detective Agency" series and many other novels) set to music by Tom Cunningham. An attempt to reveal some of that other Scotland - the Scotland that begins at dusk. The work is available complete (catalogue number 03117) or all of the individual titles are also available separately. They are Dusk; Refinery in the Darkness; Ceilidh; Simmer Dim in Shetland; Trout Loch; Lullaby.
World premieres given on 21st/22nd December 2007 in concerts given by Cappella Nova in Glasgow and Edinburgh.
Duration 2 mins'|9790222271876|CUNNINGHAM|Tom Cunningham|Lullaby|Choir - Mixed voices (SATB)|2.00|25 63295|'David Jepson (arr.)
GARTON MOTHER''S LULLABY
for mixed voice choir and piano
Roberton 63295'|An arrangement for accompanied mixed voices of this beautiful folksong from County Donegal.
Duration 3? minutes|9790222272361|JEPSON D|David Jepson|'Garton Mother''s Lullaby'|Choir - Mixed voices (SATB)|2.00|25 63302|Tom Cunningham
THE SKATING MINISTER
for unaccompanied mixed voice choir
Roberton 63302|'The third in a sequence of five original poems by well-known novelist Alexander McCall Smith (author of "The No.1 Ladies'' Detective Agency" series and many other novels) set to music by Tom Cunningham. Each poem is inspired by a painting in one of the world''s art galleries; this one being "The Skating Minister" by Sir Henry Raeburn
Duration is a little over 1? minutes
For the complete work "The Painter''s Eye" see catalogue no.03119. The others in the sequence are NOT published separately.'|9790222278721|CUNNINGHAM|Tom Cunningham|Skating Minister|Choir - Mixed voices (SATB)|2.00|25 63303|BOLERA SEVILLANAS arr. Michael Neaum
for mixed voice choir and piano
Roberton 63303|Traditional Spanish song arranged by Michael Neaum for mixed voice choir (SATB) with piano. A fun, very rhythmical piece with a true Spanish flavour. This is also available in a version for upper voice choir as one of "Two Spanish Traditional Songs" - catalogue number 75327.
Duration 1? minutes|9790222281462|NEAUM|Michael Neaum|Bolera Sevillanas|Choir - Mixed voices (SATB)|2.00|25 63304|Tom Cunningham
FOR UNTO US A CHILD IS BORN for mixed voice choir and piano
Roberton 63304|'Words from Isaiah 9:6, well known from their use in a section of Handel''s Messiah, are here set to new music by Tom Cunningham for mixed voice choir (SATB) and piano. If you are short of men, you may be interested in the "SA+Men" version of this - see catalogue number 62007. There is also a version for upper voice choir (SSA) - number 75621.
Duration 3 minutes

An orchestral accompaniment is available on hire from Goodmusic.'|9790222286573|CUNNINGHAM|Tom Cunningham|For Unto Us A Child Is Born|Choir - Mixed voices (SATB)|2.75|38 63305|Tom Cunningham
SIR CHRISTEMAS for unaccompanied mixed voice choir
Roberton 63305|A lovely, modern, lively setting by Tom Cunningham for six part (SSATBB) unaccompanied mixed voice choir of this anonymous 16th century text.
Duration c.3 minutes|9790222288232|CUNNINGHAM|Tom Cunningham|Sir Christemas|Choir - Mixed voices (SATB)|2.00|25 63306|Tom Cunningham
I WILL LIFT UP MINE EYES for mixed voice choir and organ
Roberton 63306|A new setting of Psalm 121 (King James version) for SATB choir and organ. For choirs with fewer men there is also a version for SA+Men available as Roberton 62009.
Duration 3 minutes|9790222289222|CUNNINGHAM|Tom Cunningham|I will lift up mine eyes|Choir - Mixed voices (SATB)|2.00|25 63307|Tom Cunningham
AULD LANG SYNE for mixed voice choir
Roberton 63307|Traditional favourite arranged for mixed voice choir (SATB) unaccompanied or with piano.
Duration 1? minutes|9790222296626|CUNNINGHAM|Tom Cunningham|Auld Lang Syne|Choir - Mixed voices (SATB)|1.50|13 63308|Hugh Roberton
WESTERING HOME arranged for mixed voice choir by Janet Wheeler
Roberton 63308|A new arrangement by Janet Wheeler for unaccompanied SATB choir of this favourite from "Songs of the Isles".
Duration 2? minutes|9790222301597|ROBERTON|Hugh S. Roberton|Westering Home arr. Janet Wheeler|Choir - Mixed voices (SATB)|2.75|38 63309|Brian Hughes
ON THE BANKS OF ALLAN WATER
for mixed voice choir and piano
Roberton 63309|An eighteenth century Scottish melody (composer unknown) in a beautiful arrangement for mixed voice choir (SATB) and piano by Brian Hughes. The words are by Matthew Gregory Lewis (1775-1818).
Also available in versions for Flute (GM237), male voice choir (53218) and solo voice (02580) all with piano accompaniment.
Duration 3? minutes|9790222307551|HUGHES|Brian Hughes|On the Banks of Allan Water|Choir - Mixed voices (SATB)|2.00|25 63310|Peter Lawson
VIRTUE
for mixed voice choir
Roberton 63310|'This a capella anthem, Virtue, was written in 1978, just after completing the song-cycle Care-Charmer Sleep, (Goodmusic GM265). The melody and harmonies of the closing bars of the first of four songs in the cycle, The Good Morrow by John Donne, are quoted in the closing bars of the anthem, albeit with different words from a different metaphysical poet, George Herbert.
The anthem is dedicated to Timothy Salter and the Ionian Singers, who gave its first performance in St Johns, Smith Square a few years later.

George Herbert''s poem contrasts the permanence of a virtuous soul to the impermanence of a sweet day, a sweet rose and a sweet spring, which ''all must die'', whereas, in the final stanza:
Only a sweet and virtuous soul,
Like seasoned timber, never gives;
But though the whole world turn to coal,
Then chiefly lives.
Peter Lawson

Duration 3 minutes'|9790222309951|LAWSON|Peter Lawson|Virtue|Choir - Mixed voices (SATB)|2.00|25 63311|Peter Lawson
A BED OF HAY for SATB choir
Roberton 63311|'This is the first carol in a sequence entitled A BED OF HAY, a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2 minutes'|9790222310674|LAWSON|Peter Lawson|A Bed of Hay|Choir - Mixed voices (SATB)|2.00|25 63312|'Peter Lawson
SHEPHERDS'' CAROL for SATB choir
Roberton 63312'|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2? minutes'|9790222310681|LAWSON|Peter Lawson|'Shepherds'' Carol'|Choir - Mixed voices (SATB)|2.00|25 63313|Peter Lawson
DOMINE TE ADORO for SATB choir
Roberton 63313|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 3 minutes'|9790222310698|LAWSON|Peter Lawson|Domine Adoro Te|Choir - Mixed voices (SATB)|2.00|25 63314|Peter Lawson
CHRIST IS HERE, HOLY YEAR for SATB choir
Roberton 63314|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2? minutes'|9790222310704|LAWSON|Peter Lawson|Christ is here Holy Year|Choir - Mixed voices (SATB)|2.00|25 63315|Peter Lawson
THIS HAPPY NIGHT for SATB choir
Roberton 63315|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 3 minutes'|9790222310711|LAWSON|Peter Lawson|This Happy Night|Choir - Mixed voices (SATB)|2.75|38 63316|Peter Lawson
THE NIGHT WIND IS COLD for SATB choir
Roberton 63316|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 3 minutes'|9790222310728|LAWSON|Peter Lawson|The Night Wind is Cold|Choir - Mixed voices (SATB)|2.00|25 63317|Peter Lawson
HODIE! CHRISTUS NATUS EST for SATB choir
Roberton 63317|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2? minutes'|9790222310735|LAWSON|Peter Lawson|Hodie! Christus Natus est|Choir - Mixed voices (SATB)|2.00|25 63318|Terry Rigler
SEND DOWN A SONG FOR ME for mixed voice choir and piano
Roberton 63318|A splendid ballad by Terry Rigler (words and music) reflecting on the power of music and the pleasure of singing for SATB choir with piano accompaniment.
Duration 4? minutes
Also available in a version for male voice choir (53214)|9790222313408|RIGLER|Terry Rigler|Send Down a Song for Me|Choir - Mixed voices (SATB)|2.75|38 63319|Brian Hughes
RHYMES FROM CHILDHOOD for SATB choir
Roberton 63319|Three nursery rhymes set to new music by Brian Hughes for unaccompanied mixed voice choir - Doctor Foster, Solomon Grundy and Oliver Cromwell.
Although the lyrics might be aimed at young children, this clever musical setting is not! Reasonably advanced singers will be required.
Duration 5? minutes|9790222327825|HUGHES|Brian Hughes|Rhymes from Childhood|Choir - Mixed voices (SATB)|4.75|75 71452|||9790222244801|ROBERTON|Hugh S. Roberton|Birds Are Singing|Choir - 3 part upper voices|1.50|13 71500|||9790222244818|ROBERTON|Hugh S. Roberton|Shepherdess|Choir - 3 part upper voices|1.50|13 71514|||9790222244825|ROBERTON|Hugh S. Roberton|Peat Fire Smooring Prayer|Choir - 3 part upper voices|1.50|13 71523|||9790222244832|ROBERTON|Hugh S. Roberton|Cherry Ripe|Choir - 3 part upper voices|2.00|25 71536|||9790222244849|ROBERTON|Hugh S. Roberton|Hear the Sledges With the Bells|Choir - 3 part upper voices|2.00|25 71541|||9790222244856|ROBERTON|Hugh S. Roberton|Memory|Choir - 3 part upper voices|1.50|13 71545|||9790222244863|ROBERTON|Hugh S. Roberton|Celtic Lullaby|Choir - 3 part upper voices|1.50|13 71874|||9790222244870|ROBERTON|Hugh S. Roberton|Joy of My Heart|Choir - Unison voices|1.50|13 71898|||9790222244887|ROBERTON|Hugh S. Roberton|Fairy Lullaby|Choir - Unison voices|1.50|13 71971|||9790222244894|ROBERTON|Hugh S. Roberton|Holy Night|Choir - Unison voices|1.50|13 71972|||9790222244900|ROBERTON|Hugh S. Roberton|Holy Night|Choir - 2 part upper voices|2.00|25 72043|||9790222244917|ROBERTON|Hugh S. Roberton|Glenlyon Lament|Choir - 2 part upper voices|1.50|13 72044|Hugh S. Roberton
ALL IN THE APRIL EVENING
for two-part upper voice choir
Roberton 72044|'Born in Glasgow, Hugh Roberton became a funeral director apart from being a conductor and composer. A highly motivated and self-taught choir-master, he founded the Toynbee Musical Association in 1901 and five years later, this became the Glasgow Orpheus Choir which gained a world-wide reputation and went on to perform under Hugh''s direction for some 45 years. He composed much for his choir, with perhaps his most famous pieces being "All in the April Evening" and the "Mingulay Boat Song". He had a reputation for getting the very best from his singers, who held him in such great esteem that when he resigned as their leader shortly before his death, the choir agreed that they must disband. However, the Orpheus rose again when many of its members re-formed as the Glasgow Phoenix Choir, which continues to perform and tour to this day. Hugh Roberton was knighted in 1931.
There are versions of "All in the April Evening" available for unaccompanied mixed voice choir (SATB), solo voice, unison voices, female voice choir, male voice choir, mixed voice choir (SAB), with Welsh words and also in an arrangement for string orchestra and a "meditation" for organ.
Duration nearly 3 minutes'|9790222244924|ROBERTON|Hugh S. Roberton|All in the April Evening (English)|Choir - 2 part upper voices|1.50|13 72044WELSH|||9790222244931|ROBERTON|Hugh S. Roberton|All in the April Evening (Welsh)|Choir - 2 part upper voices|1.50|13 72068|||9790222244948|ROBERTON|Hugh S. Roberton|Fairy Lullaby|Choir - 2 part upper voices|2.00|25 72069|||9790222244955|ROBERTON|Hugh S. Roberton|'Marie''s Wedding'|Choir - 2 part upper voices|1.50|13 72072|||9790222244962|ROBERTON|Hugh S. Roberton|'Morag''s Cradle Song'|Choir - 3 part upper voices|1.50|13 72075|||9790222244979|ROBERTON|Hugh S. Roberton|Whither Away?|Choir - 3 part upper voices|1.50|13 72085|||9790222244986|ROBERTON|Hugh S. Roberton|'I''ll Bid My Heart Be Still'|Choir - 3 part upper voices|1.50|13 72087|||9790222244993|ROBERTON|Hugh S. Roberton|'Queen''s Marys'|Choir - 3 part upper voices|2.00|25 72088|||9790222245006|ROBERTON|Hugh S. Roberton|Aubade|Choir - 3 part upper voices|2.00|25 72094|||9790222245013|ROBERTON|Hugh S. Roberton|They Crucified My Lord|Choir - 3 part upper voices|1.50|13 72095|||9790222245020|ROBERTON|Hugh S. Roberton|Oh, Peter, Go Ring Dem Bells|Choir - 3 part upper voices|1.50|13 72100|||9790222245037|ROBERTON|Hugh S. Roberton|Sweet Nightingale|Choir - 3 part upper voices|2.00|25 72101|||9790222245044|ROBERTON|Hugh S. Roberton|Little David Play On Your Harp|Choir - 3 part upper voices|2.00|25 72102|||9790222245051|ROBERTON|Hugh S. Roberton|'Oh, By An'' By'|Choir - 3 part upper voices|2.00|25 72103|||9790222245068|ROBERTON|Hugh S. Roberton|Swing Low Sweet Chariot|Choir - 3 part upper voices|2.00|25 72104|||9790222245075|ROBERTON|Hugh S. Roberton|Steal Away To Jesus|Choir - 3 part upper voices|2.00|25 72105|||9790222245082|ROBERTON|Hugh S. Roberton|Deep River|Choir - 3 part upper voices|2.00|25 72106|||9790222245099|ROBERTON|Hugh S. Roberton|I Got A Robe|Choir - 3 part upper voices|1.50|13 72107|||9790222245105|ROBERTON|Hugh S. Roberton|When De Stars Begin To Fall|Choir - 3 part upper voices|1.50|13 72108|||9790222245112|ROBERTON|Hugh S. Roberton|'Blake''s Cradle Song'|Choir - 3 part upper voices|1.50|13 72113|||9790222245129|ROBERTON|Hugh S. Roberton|Nobody Knows De Trouble I See|Choir - 3 part upper voices|2.00|25 72114|||9790222245136|ROBERTON|Hugh S. Roberton|Were You There?|Choir - 3 part upper voices|1.50|13 72115|||9790222245143|ROBERTON|Hugh S. Roberton|De Battle Ob Jerico|Choir - 3 part upper voices|2.00|25 72119|||9790222245150|ROBERTON|Hugh S. Roberton|Hush-a-Ba Birdie|Choir - 3 part upper voices|1.50|13 72120|Hugh S. Roberton
ALL IN THE APRIL EVENING
for three-part upper voice choir SSA
Roberton 72120|'Born in Glasgow, Hugh Roberton became a funeral director apart from being a conductor and composer. A highly motivated and self-taught choir-master, he founded the Toynbee Musical Association in 1901 and five years later, this became the Glasgow Orpheus Choir which gained a world-wide reputation and went on to perform under Hugh''s direction for some 45 years. He composed much for his choir, with perhaps his most famous pieces being "All in the April Evening" and the "Mingulay Boat Song". He had a reputation for getting the very best from his singers, who held him in such great esteem that when he resigned as their leader shortly before his death, the choir agreed that they must disband. However, the Orpheus rose again when many of its members re-formed as the Glasgow Phoenix Choir, which continues to perform and tour to this day. Hugh Roberton was knighted in 1931.
There are versions of "All in the April Evening" available for unaccompanied mixed voice choir (SATB), solo voice, unison voices, female voice choir, male voice choir, mixed voice choir (SAB), with Welsh words and also in an arrangement for string orchestra and a "meditation" for organ.
Duration nearly 3 minutes'|9790222245167|ROBERTON|Hugh S. Roberton|All in the April Evening|Choir - 3 part upper voices|2.00|25 72131|||9790222245174|ROBERTON|Hugh S. Roberton|Dance To Your Daddy|Choir - 3 part upper voices|2.00|25 72140|||9790222245181|ROBERTON|Hugh S. Roberton|Lark Now Leaves His Watery Nest|Choir - Unison voices|1.50|13 72164|||9790222245198|ROBERTON|Hugh S. Roberton|Dance To Your Daddy|Choir - Unison voices|1.50|13 72174|||9790222245204|ROBERTON|Hugh S. Roberton|White Waves On the Water|Choir - 2 part upper voices|1.50|13 72176|||9790222245211|ROBERTON|Hugh S. Roberton|Humpty Dumpty / Shoo Shaggie|Choir - Unison voices|1.50|13 72179|||9790222279643|ROBERTON|Hugh S. Roberton|Oran-a-chree|Choir - Unison voices|1.50|13 72180|||9790222245228|ROBERTON|Hugh S. Roberton|Oran-a-chree|Choir - 2 part upper voices|1.50|13 72181|||9790222245235|ROBERTON|Hugh S. Roberton|Charlie Is My Darling|Choir - 2 part upper voices|1.50|13 72182|||9790222245242|ROBERTON|Hugh S. Roberton|Wee Folk|Choir - Unison voices|1.50|13 72187|||9790222245259|ROBERTON|Hugh S. Roberton|Shoo Shaggie|Choir - 2 part upper voices|1.50|13 72188|||9790222245266|ARNE|Thomas Arne|Under the Greenwood Tree|Choir - 3 part upper voices|2.00|25 72189|||9790222245273|ROBERTON|Hugh S. Roberton|Rising of the Lark|Choir - 3 part upper voices|1.50|13 72193|||9790222245280|ROBERTON|Hugh S. Roberton|Gretna Green|Choir - 2 part upper voices|1.50|13 72228|||9790222245297|ROBERTON|Hugh S. Roberton|Toy Soldiers|Choir - Unison voices|1.50|13 72235|||9790222245303|ROBERTON|Hugh S. Roberton|Cat and the Fiddle|Choir - Unison voices|1.50|13 72240|||9790222245310|ROBERTON|Hugh S. Roberton|Dashing White Sergeant (unis/2pt)|Choir - 2 part upper voices|1.50|13 72247|||9790222245327|ROBERTON|Hugh S. Roberton|'Child''s Prayer / Elizabeth''s Carol'|Choir - Unison voices|2.00|25 72263|||9790222245334|ROBERTON|Hugh S. Roberton|Shepherd / Up the Airy Mountain|Choir - Unison voices|1.50|13 72378|||9790222245341|ROBERTON|Hugh S. Roberton|Westering Home|Choir - Unison voices|1.50|13 72379|||9790222245358|ROBERTON|Hugh S. Roberton|Uist Tramping Song (Come Along)|Choir - Unison voices|1.50|13 72384|||9790222245365|ROBERTON|Hugh S. Roberton|Westering Home|Choir - 2 part upper voices|1.50|13 72425|||9790222245372|ROBERTON|Hugh S. Roberton|Bonny George Campbell|Choir - 2 part upper voices|1.50|13 72426|||9790222245389|ROBERTON|Hugh S. Roberton|Dance To Your Daddy|Choir - 2 part upper voices|1.50|13 72427|||9790222245396|ROBERTON|Hugh S. Roberton|One Morning in May|Choir - 3 part upper voices|1.50|13 72447|||9790222245402|PLUMSTEAD|Mary Plumstead|Old Fisherman Joe|Choir - 2 part upper voices|2.00|25 72450|||9790222245419|ROBERTON|Hugh S. Roberton|All in the April Evening(Eng/Welsh)|Choir - Unison voices|1.50|13 72495|||9790222245426|SCHUBERT|Franz Schubert|To the Sun|Choir - 2 part upper voices|1.50|13 72507|||9790222245433|ROBERTON|Hugh S. Roberton|'Lewis Bridal Song (Mairi''s Wedding)'|Choir - Unison voices|1.50|13 72536|||9790222245440|ROWLEY|Alec Rowley|Bed in Summer / Of Speckled Eggs|Choir - Unison voices|1.50|13 72537|||9790222245457|ROWLEY|Alec Rowley|Marching Song / Time To Rise / Etc.|Choir - Unison voices|2.00|25 72538|Alec Rowley
FROM A RAILWAY CARRIAGE
Roberton 72538|For solo or unison voices and piano. Newly re-typeset in 2022.|9790222245464|ROWLEY|Alec Rowley|From A Railway Carriage|Choir - Unison voices|1.50|13 72539|||9790222245471|ROWLEY|Alec Rowley|Boats On the River|Choir - 2 part upper voices|1.50|13 72540|||9790222245488|ROWLEY|Alec Rowley|Friendly Cow|Choir - Unison voices|1.50|13 72541|||9790222245495|ROWLEY|Alec Rowley|Foreign Children|Choir - 2 part upper voices|1.50|13 72542|||9790222245501|ROWLEY|Alec Rowley|I Have A Little Shadow|Choir - 2 part upper voices|1.50|13 72543|||9790222245518|ROWLEY|Alec Rowley|Swing|Choir - 2 part upper voices|1.50|13 72544|||9790222245525|ROWLEY|Alec Rowley|Lamplighter|Choir - Unison voices|1.50|13 72568|||9790222245532|ROBERTON|Hugh S. Roberton|Air Falalalo|Choir - Unison voices|1.50|13 72569|||9790222271548|ROBERTON|Hugh S. Roberton|Iona Boat Song|Choir - Unison voices|1.50|13 72623|||9790222260108|BLYTON|Carey Blyton|Six Regional Canadian Folk Songs|Choir - Unison voices|4.00|63 72625|||9790222245549|ROBERTON|Hugh S. Roberton|Mingulay Boat Song|Choir - Unison voices|1.50|13 75001|||9790222245556|WILLIAMS|Bryn Williams|Three Welsh Folksongs|Choir - 4 part upper voices|3.50|50 75012|||9790222245563|ROBERTON|Hugh S. Roberton|Dalmatian Cradle Song|Choir - Unison voices|1.50|13 75013|||9790222245570|BLAKE L|Leonard Blake|Carol of the Sun|Choir - 2 part upper voices|2.00|25 75016|||9790222245587|DEACON|Helen Deacon|Rabbits|Choir - Unison voices|1.50|13 75017|||9790222245594|DUCKWORTH|Arthur Duckworth|Heave-Yo-Ho|Choir - Unison voices|2.00|25 75018|||9790222245600|COPLEY|Ian A. Copley|Two Lullaby Carols|Choir - 4 part upper voices|1.50|13 75019|||9790222245617|ROBERTON|Hugh S. Roberton|Good Morrow To You/Softly Fall the|Choir - Unison voices|1.50|13 75021|||9790222245624|BEAUMONT|Adrian Beaumont|Long Long Ago|Choir - 4 part upper voices|1.50|13 75022|||9790222245631|ROBERTON|Hugh S. Roberton|Wee Willie Winkie|Choir - Unison voices|1.50|13 75023|||9790222245648|LEES|Heath Lees|Iona Boat Song|Choir - 4 part upper voices|1.50|13 75024|||9790222245655|LEES|Heath Lees|Breathe On Me Breath of God|Choir - 3 part upper voices|1.50|13 75025|||9790222245662|BUTTERWORTHN|Neil Butterworth|Four Canzonets|Choir - 2 part upper voices|2.00|25 75027|||9790222245679|WALTERS L|Leslie Walters|Solitary Reaper|Choir - 3 part upper voices|2.75|38 75028|||9790222245686|WALTERS L|Leslie Walters|Love Song|Choir - 3 part upper voices|2.00|25 75031|||9790222245693|NAYLOR B|Bernard Naylor|Cantate Domino|Choir - 2 part upper voices|2.75|38 75032|||9790222245709|NAYLOR B|Bernard Naylor|Deus Misereatur|Choir - 2 part upper voices|2.00|25 75033|Heath Lees
DEEP RIVER for upper voice choir
Roberton 75033|Spiritual for unaccompanied upper voice choir (SSA).
Duration 3 minutes|9790222245716|LEES|Heath Lees|Deep River|Choir - 4 part upper voices|1.50|13 75035|||9790222245723|THIMAN|Eric Thiman|Thrush in the Spring|Choir - 2 part upper voices|2.00|25 75036|||9790222245730|PHILLIPS|John C. Phillips|O Waly Waly|Choir - 3 part upper voices|1.50|13 75037|||9790222245747|NELSON H|Havelock Nelson|I Wonder When I Shall Be Married|Choir - 3 part upper voices|2.00|25 75038|||9790222245754|LIDDELL C|Claire Liddell|Scottish Carol|Choir - 3 part upper voices|1.50|13 75039|||9790222245761|NELSON H|Havelock Nelson|Enchanted Valley|Choir - 3 part upper voices|2.00|25 75040|||9790222245778|ROBERTON|Hugh S. Roberton|'Blake''s Cradle Song'|Choir - Unison voices|1.50|13 75041|||9790222245785|COPE|Cecil Cope|Two Songs from the Wandering Moon|Choir - Unison voices|2.00|25 75042|||9790222245792|KELLY|Bryan Kelly|Boys in A Pie|Choir - 2 part upper voices|2.00|25 75043|||9790222245808|SHORT M|Michael Short|'Song''s Eternity'|Choir - 3 part upper voices|2.00|25 75045|||9790222245815|SWEELINCK|Jan Pieterszoon Sweelinck|Hodie Christus Natus Est|Choir - 4 part upper voices|2.00|25 75046|||9790222245822|COPLEY|Ian A. Copley|Lilly Bright and Shine-a|Choir - 2 part upper voices|1.50|13 75047|||9790222245839|BROWN C|Christopher Brown|A-courting We Will Go|Choir - 2 part upper voices|4.75|75 75048|||9790222245846|HAWES J|Jack Hawes|Psalm Trilogy|Choir - 3 part upper voices|4.00|63 75049|||9790222245853|ROBERTON|Hugh S. Roberton|Ho-ree, Ho-ro, My Little Wee Girl|Choir - Unison voices|1.50|13 75050|||9790222245860|SMITH|Robert Smith|In Excelsis Gloria|Choir - 3 part upper voices|4.00|63 75051|||9790222245877|ROSE|Bernard Rose|Missa: Voces Choristarum Series 3|Choir - 3 part upper voices|2.75|38 75052|||9790222245884|LYELL|Margaret Lyell|Love in May|Choir - 4 part upper voices|2.00|25 75056|||9790222245891|ROBERTON|Hugh S. Roberton|Rowan Tree|Choir - 2 part upper voices|1.50|13 75057|||9790222245907|COPLEY|Ian A. Copley|'Come O''er the Stream Charlie'|Choir - Unison voices|1.50|13 75058|||9790222245914|COPLEY|Ian A. Copley|Rosebud By My Early Walk|Choir - Unison voices|1.50|13 75059|||9790222245921|COPLEY|Ian A. Copley|Ten Thousand Miles Away|Choir - Unison voices|2.00|25 75060|||9790222245938|PLUMSTEAD|Mary Plumstead|Close Thine Eyes|Choir - 4 part upper voices|1.50|13 75061|||9790222245945|PLUMSTEAD|Mary Plumstead|Pied Beauty|Choir - 3 part upper voices|2.00|25 75062|||9790222245952|PLUMSTEAD|Mary Plumstead|Two By Two|Choir - Unison voices|1.50|13 75063|||9790222245969|PARKE|Dorothy Parke|Fairy Tree / In Old Donegal|Choir - Unison voices|1.50|13 75064|||9790222245976|PARKE|Dorothy Parke|If/Old Man from Kilkenny/Over the H|Choir - Unison voices|2.00|25 75065|||9790222245983|PARKE|Dorothy Parke|Blarney/Little Boats/3 Little Towns|Choir - Unison voices|1.50|13 75066|Dorothy Parke
FAIRY HILL / TRAVELLERS
Roberton 75066|'Two songs for solo or unison voices from Dorothy Parke''s "By Winding Roads".'|9790222245990|PARKE|Dorothy Parke|Fairy Hill / Travellers|Choir - Unison voices|1.50|13 75067|||9790222246003|PARKE|Dorothy Parke|In Summertime / Winds|Choir - Unison voices|1.50|13 75068|||9790222246010|LIDDELL W|William M. Liddell|Mary Had A Baby|Choir - 2 part upper voices|1.50|13 75069|||9790222246027|PRICE|Beryl Price|Sigh No More Ladies|Choir - 4 part upper voices|2.00|25 75070|||9790222246034|PRICE|Beryl Price|Snail|Choir - 2 part upper voices|1.50|13 75071|||9790222246041|ANDERSON|William Henry Anderson|Long Long Ago|Choir - Unison voices|1.50|13 75072|||9790222246058|EGERTON|Arthur Egerton|Frost Is Here|Choir - Unison voices|2.00|25 75073|||9790222246065|HELYER|Marjorie Helyer|Wish|Choir - 2 part upper voices|2.00|25 75074|||9790222246072|ROWLEY|Alec Rowley|Candle-light|Choir - Unison voices|1.50|13 75075|||9790222246089|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer|Choir - 2 part upper voices|1.50|13 75076|||9790222246096|ROWLEY|Alec Rowley|Fairy Weavers|Choir - Unison voices|1.50|13 75077|Alec Rowley
GRANDFATHER CLOCK
Roberton 75077|For solo or unison voices and piano.|9790222246102|ROWLEY|Alec Rowley|Grandfather Clock|Choir - Unison voices|1.50|13 75078|||9790222246119|NELSON H|Havelock Nelson|Tis My Grief and Sorrow|Choir - 3 part upper voices|2.00|25 75079|||9790222246126|ROBERTON|Hugh S. Roberton|Three Songs from Peacock Pie|Choir - 3 part upper voices|2.75|38 75080|||9790222246133|PLUMSTEAD|Mary Plumstead|Close Thine Eyes|Choir - Unison voices|1.50|13 75081|||9790222246140|COCKSHOTT|Gerald Cockshott|'Birds'' Song'|Choir - Unison voices|1.50|13 75082|||9790222246157|PRICE|Beryl Price|Duke of Wellington|Choir - Unison voices|1.50|13 75083|||9790222246164|COCKSHOTT|Gerald Cockshott|Three Songs for Boys|Choir - Unison voices|3.50|50 75084|||9790222246171|NAYLOR B|Bernard Naylor|Of One That Is So Fair and Bright|Choir - 3 part upper voices|1.50|13 75086|||9790222246188|SHAW M|Martin Shaw|Marketing Day|Choir - Unison voices|1.50|13 75087|||9790222246195|SHAW M|Martin Shaw|Three Calendar Songs for Children|Choir - Unison voices|1.50|13 75089|||9790222246201|GRAVES|Richard Graves|Splendour Falls|Choir - 4 part upper voices|2.00|25 75090|||9790222246218|COCKSHOTT|Gerald Cockshott|Two Old French Carols|Choir - Unison voices|2.00|25 75091|||9790222246225|COCKSHOTT|Gerald Cockshott|I Saw Three Ships|Choir - Unison voices|1.50|13 75092|||9790222246232|COCKSHOTT|Gerald Cockshott|Two Eighteenth Century Songs|Choir - Unison voices|2.00|25 75093|||9790222246249|COCKSHOTT|Gerald Cockshott|Three French Carols|Choir - Unison voices|2.75|38 75094|||9790222246256|COCKSHOTT|Gerald Cockshott|Our Donkey|Choir - Unison voices|1.50|13 75095|||9790222246263|COCKSHOTT|Gerald Cockshott|Shanty / Two Folk Songs from France|Choir - Unison voices|3.50|50 75096|||9790222246270|COCKSHOTT|Gerald Cockshott|Three French Songs|Choir - Unison voices|3.50|50 75098|||9790222246287|BARRELL B|Bernard Barrell|Two Fifteenth Century Carols|Choir - 4 part upper voices|1.50|13 75099|||9790222246294|FRASER S|Shena Fraser|Infant King|Choir - 4 part upper voices|1.50|13 75100|Mary Plumstead
A GRATEFUL HEART
for solo or unison voices
Roberton 75100|A beautiful setting of words by George Herbert. Also now available in a version for mixed voice choir. (See catalogue number 85362).
Duration 1 minute|9790222246300|PLUMSTEAD|Mary Plumstead|Grateful Heart key Db|Choir - Unison voices|1.50|13 75103|||9790222246317|ROBERTON|Hugh S. Roberton|Ae Fond Kiss|Choir - 2 part upper voices|1.50|13 75104|||9790222246324|ROBERTON|Hugh S. Roberton|Dream Angus|Choir - 3 part upper voices|1.50|13 75105|||9790222246331|FRASER S|Shena Fraser|National Anthem|Choir - 4 part upper voices|1.50|13 75108|||9790222246348|NELSON H|Havelock Nelson|Silly Sally Sue|Choir - Unison voices|1.50|13 75109|||9790222246355|VITTORIA|Tomas Luis da Vittoria|Jesu the Very Thought is Sweet|Choir - 4 part upper voices|1.50|13 75112|||9790222246362|FRASER S|Shena Fraser|Cotton|Choir - Unison voices|1.50|13 75117|||9790222246379|HOW|Martin How|Easter Greeting|Choir - Unison voices|1.50|13 75118|'Paul Petrocokino
WORKERS'' CAROL for unison voices
Roberton 75118'|'THE WORKERS'' CAROL Words by Morris Martin, tune by Paul Petrocokino arranged for unison voices, descant and treble recorders and piano by Pamela Breese.
Duration 2? minutes'|9790222246386|PETROCOKINO|Paul Petrocokino|'Workers'' Carol'|Choir - Unison voices|1.50|13 75119|||9790222246393|COCKSHOTT|Gerald Cockshott|My Boy Billy|Choir - 3 part upper voices|2.00|25 75120|||9790222246409|ROBERTON|Hugh S. Roberton|'Morag''s Cradle Song'|Choir - Unison voices|1.50|13 75121|||9790222246416|ROBERTON|Hugh S. Roberton|Bedtime|Choir - Unison voices|1.50|13 75122|||9790222246423|ROBERTON|Hugh S. Roberton|'Herdmaiden''s Song'|Choir - 3 part upper voices|1.50|13 75123|||9790222246430|ROBERTON|Hugh S. Roberton|Lions and Crocodiles|Choir - Unison voices|1.50|13 75124|||9790222246447|ROBERTON|Hugh S. Roberton|Little Boy Blue|Choir - 3 part upper voices|1.50|13 75125|||9790222246454|ROBERTON|Hugh S. Roberton|Music When Soft Voices Die|Choir - 4 part upper voices|1.50|13 75126|||9790222246461|ROBERTON|Hugh S. Roberton|'Stars Sang in God''s Garden'|Choir - Unison voices|1.50|13 75127|||9790222246478|ROBERTON|Hugh S. Roberton|'Stars Sang in God''s Garden'|Choir - 2 part upper voices|1.50|13 75128|||9790222246485|ROBERTON|Hugh S. Roberton|Welsh Cradle Song|Choir - Unison voices|1.50|13 75129|||9790222246492|ROBERTON|Hugh S. Roberton|Welsh Cradle Song|Choir - 2 part upper voices|1.50|13 75130|||9790222246508|ROBERTON|Hugh S. Roberton|When Grandpa Was A Little Girl Like|Choir - Unison voices|1.50|13 75131|||9790222246515|ROBERTON|Hugh S. Roberton|Whiskers|Choir - Unison voices|1.50|13 75132|||9790222246522|HELYER|Marjorie Helyer|Ballad of Trees and the Master|Choir - 3 part upper voices|2.00|25 75135|||9790222246539|BURTCH|Mervyn Burtch|Highgate / The Tower|Choir - Unison voices|2.00|25 75136|||9790222246546|THIMAN|Eric Thiman|Two Anthems for Junior Choir|Choir - 2 part upper voices|2.00|25 75137|||9790222246553|HELYER|Marjorie Helyer|Ocean Wood|Choir - 3 part upper voices|2.00|25 75138|||9790222246560|COPLEY|Ian A. Copley|Golden City of St.Mary|Choir - Unison voices|1.50|13 75139|||9790222246577|THIMAN|Eric Thiman|Morning Song|Choir - 2 part upper voices|2.00|25 75140|||9790222246584|THIMAN|Eric Thiman|Voices of Children|Choir - 2 part upper voices|2.00|25 75143|||9790222246591|FRASER S|Shena Fraser|Boating / Grannies To Sell|Choir - Unison voices|2.00|25 75144|||9790222246607|HUGHES-JONES|Llifon Hughes-Jones|Sleep (Cwsg)|Choir - 2 part upper voices|2.00|25 75145|||9790222246614|SCHUBERT|Franz Schubert|Dancing Butterflies|Choir - 2 part upper voices|1.50|13 75146|||9790222246621|SCHUBERT|Franz Schubert|Gentle Thorns|Choir - Unison voices|1.50|13 75147|||9790222246638|NELSON H|Havelock Nelson|Ghosts in the Belfry|Choir - Unison voices|1.50|13 75148|||9790222246645|NELSON H|Havelock Nelson|Has Sorrow Thy Young Days Shaded|Choir - 3 part upper voices|1.50|13 75149|||9790222246652|NELSON H|Havelock Nelson|Hermit|Choir - Unison voices|1.50|13 75150|||9790222246669|NELSON H|Havelock Nelson|How the Rose Got Its Thorn|Choir - Unison voices|1.50|13 75151|||9790222246676|NELSON H|Havelock Nelson|Last Rose of Summer|Choir - 3 part upper voices|1.50|13 75152|||9790222246683|NELSON H|Havelock Nelson|Little Pets of Mochua|Choir - Unison voices|1.50|13 75153|||9790222246690|NELSON H|Havelock Nelson|Sandy and Andy|Choir - Unison voices|1.50|13 75154|||9790222246706|HUGHES-JONES|Llifon Hughes-Jones|How Far Is It To Bethlehem?|Choir - Unison voices|2.00|25 75155|||9790222246713|GWYNNE|Una Gwynne|Flyaway Hill|Choir - Unison voices|1.50|13 75157|||9790222246720|HEDGES|Anthony Hedges|Two Canons|Choir - 2 part upper voices|2.00|25 75158|||9790222246737|HEDGES|Anthony Hedges|Leezie Lindsay|Choir - 2 part upper voices|1.50|13 75159|||9790222246744|HEDGES|Anthony Hedges|In Commendation of Music|Choir - 3 part upper voices|2.00|25 75160|||9790222246751|ROBERTON|Hugh S. Roberton|Sound the Pibroch|Choir - 2 part upper voices|1.50|13 75161|||9790222246768|WOOD R|Ruzena Wood|Sleep Baby Jesus|Choir - 2 part upper voices|1.50|13 75162|||9790222246775|BENGER|Richard Benger|Lenten Anthem|Choir - 2 part upper voices|1.50|13 75164|||9790222246782|TATE P|Phyllis Tate|Beauty Bright|Choir - Unison voices|1.50|13 75165|||9790222246799|DUBERY|David Dubery|Home Is the Sailor|Choir - 2 part upper voices|2.00|25 75166|||9790222246805|WESTBROOK|Francis Westbrook|Blow Bugle, Blow|Choir - 2 part upper voices|2.00|25 75168|||9790222246812|LANE P|Philip Lane|Lady Mary|Choir - 2 part upper voices|2.00|25 75169|||9790222246829|PRICE|Beryl Price|Two Songs of the Nativity|Choir - 2 part upper voices|2.75|38 75170|||9790222246836|COPE|Cecil Cope|Sing for Joy|Choir - 3 part upper voices|3.50|50 75173|||9790222246843|PLUMSTEAD|Mary Plumstead|Light in the Cradle|Choir - Unison voices|1.50|13 75174|||9790222246850|NELSON H|Havelock Nelson|Lovely Jimmie|Choir - 3 part upper voices|2.00|25 75175|||9790222246867|NELSON H|Havelock Nelson|Ulster Lilt|Choir - 2 part upper voices|1.50|13 75187|||9790222246874|TUCAPSKY|Antonin Tucapsky|White Goose|Choir - 4 part upper voices|2.00|25 75187CZECH|||9790222246881|TUCAPSKY|Antonin Tucapsky|White Goose (with Czech Text)|Choir - 4 part upper voices|2.00|25 75188|||9790222246898|GRAVES|Richard Graves|Country Cat|Choir - Unison voices|1.50|13 75190|||9790222246904|LANE P|Philip Lane|Four Seasonal Anthems|Choir - 2 part upper voices|3.50|50 75191|||9790222246911|FRASER S|Shena Fraser|Fishing / Money|Choir - Unison voices|1.50|13 75193|||9790222246928|LANE P|Philip Lane|Huron Carol|Choir - 3 part upper voices|2.00|25 75196|||9790222246935|CRAWLEY|Clifford Crawley|Three Songs of Science for Juniors|Choir - Unison voices|2.00|25 75198|||9790222246942|HEWITT-JONES|Tony Hewitt-Jones|Great Granny Jingles|Choir - Unison voices|2.75|38 75199|||9790222246959|HILL AH|Anthony Herschel Hill|Man Shall Be Free|Choir - 3 part upper voices|1.50|13 75200|||9790222246966|LEUNER|Karl Leuner|'Shepherd''s Cradle Song (arr.Lane)'|Choir - 3 part upper voices|1.50|13 75201|||9790222246973|PARKE|Dorothy Parke|Frolic|Choir - 2 part upper voices|1.50|13 75203|||9790222246980|CENTER|Ronald Center|There Is No Rose|Choir - 3 part upper voices|2.00|25 75204|||9790222246997|ROBERTON|Hugh S. Roberton|Fife Fisher Song|Choir - 3 part upper voices|1.50|13 75206|||9790222247000|ANDERSON|William Henry Anderson|Song of Autumn|Choir - 3 part upper voices|1.50|13 75207|||9790222247017|TUCAPSKY|Antonin Tucapsky|I Saw Thee Weep|Choir - 4 part upper voices|2.00|25 75210|||9790222247024|PROKOFIEV|Sergei Prokofiev|Camp-fire Chorus|Choir - 2 part upper voices|2.00|25 75211|||9790222247031|COOMBES|Douglas Coombes|Bobby Shaftoe / Ship That Never Ret|Choir - 3 part upper voices|2.75|38 75212|||9790222247048|WALTERS L|Leslie Walters|Birds|Choir - Unison voices|1.50|13 75217|||9790222247055|IRELAND A|Anthony Ireland|Merry Christmas|Choir - 3 part upper voices|1.50|13 75219|||9790222247062|MORGAN|Hilda Morgan|Little Lambs, Where Do You Sleep?|Choir - Unison voices|1.50|13 75222|||9790222247079|DAVIES B|Bryan Davies|Finnish Forest|Choir - 4 part upper voices|2.75|38 75227|||9790222247086|PRICE|Beryl Price|Songs of Heroes|Choir - Unison voices|1.50|13 75228|||9790222247093|PRICE|Beryl Price|VIctoria Station|Choir - Unison voices|1.50|13 75232|||9790222247109|COLLEDGE|Patti Colledge|'Chip''s Carol'|Choir - Unison voices|1.50|13 75233|||9790222247116|HEWITT-JONES|Tony Hewitt-Jones|'Great Granny''s Seaside Songs'|Choir - Unison voices|2.75|38 75236|||9790222247123|SWEENEY|Eric Sweeney|Still South I Went & 4 Other Songs|Choir - Unison voices|2.75|38 75237|||9790222247130|CRAWLEY|Clifford Crawley|Trick Or Treat|Choir - Unison voices|2.00|25 75238|||9790222247147|BELYEA|Warren Herbert Belyea|Autumn Joy|Choir - 2 part upper voices|1.50|13 75239|||9790222247154|FLEMING|Gordon M. Fleming|Calypso Carol|Choir - 2 part upper voices|1.50|13 75240|||9790222247161|NELSON H|Havelock Nelson|'Sun Don''t Shine in the Valley No Mo'|Choir - 3 part upper voices|1.50|13 75241|||9790222247178|OUCHTERLONY|David Ouchterlony|Three Songs for Very Young People|Choir - Unison voices|2.00|25 75242|||9790222247185|ANDERSON|William Henry Anderson|Wind Music|Choir - Unison voices|1.50|13 75244|||9790222247192|LEWIS W R|W. Rees Lewis|That Fair Childing / Balulalow|Choir - 3 part upper voices|2.00|25 75245|||9790222247208|ANDERSON|William Henry Anderson|Four Seasonal Songs|Choir - Unison voices|2.00|25 75246|||9790222247215|ANDERSON|William Henry Anderson|Little Jesus Came To Town|Choir - Unison voices|1.50|13 75247|||9790222247222|CRAWLEY|Clifford Crawley|Merry Merry Christmas|Choir - Unison voices|3.50|50 75248|||9790222247239|BILENCKO|Michael Bilencko (= W. H. Anderson)|Old Gipsy Play Your Songs So Fine|Choir - 2 part upper voices|1.50|13 75250|||9790222247246|BILENCKO|Michael Bilencko (= W. H. Anderson)|Cuckoo Song / the Little Fish|Choir - 2 part upper voices|1.50|13 75251|||9790222247253|BELYEA|Warren Herbert Belyea|Three Happy Seasons|Choir - 2 part upper voices|2.75|38 75252|||9790222247260|ANDERSON|William Henry Anderson|Song for a Baby Sister/To a Baby Br|Choir - Unison voices|1.50|13 75253|||9790222247277|LANE P|Philip Lane|Angel Gabriel|Choir - 3 part upper voices|1.50|13 75254|||9790222247284|LANE P|Philip Lane|Morning Has Broken/Child in Manger|Choir - 3 part upper voices|1.50|13 75255|||9790222247291|LANE P|Philip Lane|Out of Your Sleep|Choir - 4 part upper voices|2.00|25 75256|||9790222247307|ANDERSON|William Henry Anderson|Spider Hunter|Choir - Unison voices|1.50|13 75257|||9790222247314|ANDERSON|William Henry Anderson|Fairy Cobbler|Choir - Unison voices|1.50|13 75258|||9790222247321|BYRAM-WIGFIE|Rebekah Byram-Wigfield|Christmas Bell Song (arr.Lane)|Choir - 2 part upper voices|1.50|13 75259|||9790222247338|ANDERSON|William Henry Anderson|Birth-night|Choir - 2 part upper voices|1.50|13 75260|||9790222247345|ANDERSON|William Henry Anderson|In the Fall of the Year|Choir - 2 part upper voices|1.50|13 75261|||9790222247352|ANDERSON|William Henry Anderson|'Child''s Prayer/Old Shepherd''s Prayr'|Choir - Unison voices|1.50|13 75262|||9790222247369|DALE|Gordon Dale|Apple Green|Choir - 2 part upper voices|1.50|13 75263|||9790222247376|DALE|Gordon Dale|Christmas Tryptich|Choir - 2 part upper voices|2.75|38 75264|||9790222247383|DALE|Gordon Dale|I Saw A Falling Star|Choir - 2 part upper voices|1.50|13 75265|||9790222247390|DALE|Gordon Dale|Little Bird in the Sky|Choir - 2 part upper voices|2.00|25 75266|||9790222247406|DALE|Gordon Dale|Marie|Choir - 2 part upper voices|1.50|13 75267|||9790222247413|DALE|Gordon Dale|Three Songs for Two Part Choir|Choir - 2 part upper voices|2.75|38 75269|||9790222247420|DALE|Gordon Dale|Holy Babe Boy|Choir - Unison voices|1.50|13 75272|||9790222247437|DALE|Gordon Dale|Spring Is the Reason|Choir - Unison voices|1.50|13 75274|||9790222247444|SODERBERG|W.T. Soderberg|'Bird''s Song'|Choir - 3 part upper voices|2.00|25 75276|||9790222247451|ROWLEY|Alec Rowley|Cherry Tree / Father Sea|Choir - Unison voices|1.50|13 75279|||9790222247468|BOWERS|Timothy Bowers|Babe Is Born|Choir - Unison voices|1.50|13 75280|||9790222247475|HOPKINS A|Antony Hopkins|'Blake''s Lullaby'|Choir - Unison voices|1.50|13 75282|||9790222247482|FLEMING|Gordon M. Fleming|Five Primary Songs|Choir - Unison voices|2.00|25 75283|George Murray
HEAVEN IN EARTH for SSAA
Roberton 75283|A Carol for unaccompanied SSAA choir.
Duration 3 minutes|9790222247499|MURRAY G|George Murray|Heaven in Earth|Choir - 4 part upper voices|1.50|13 75284|||9790222247505|WORROLL|Terry Worroll|Immortal Babe|Choir - 2 part upper voices|1.50|13 75285|||9790222247512|ANDERSON|William Henry Anderson|Litany / Sleep, Little Jesus|Choir - Unison voices|1.50|13 75286|||9790222247529|ANDERSON|William Henry Anderson|Omens of Spring|Choir - Unison voices|2.00|25 75287|||9790222247536|CRAWLEY|Clifford Crawley|We Love To Sing|Choir - Unison voices|2.00|25 75288|||9790222247543|BILENCKO|Michael Bilencko (= W. H. Anderson)|Katerina|Choir - 3 part upper voices|1.50|13 75289|||9790222247550|DUNHILL|Thomas Dunhill|Three Jovial Welshman|Choir - Unison voices|2.00|25 75290|||9790222247567|HELYER|Marjorie Helyer|Moon|Choir - 2 part upper voices|2.00|25 75291|||9790222247574|CRAWLEY|Clifford Crawley|Once Upon A Christmas Time|Choir - Unison voices|2.00|25 75292|||9790222247581|IVES G|Grayston Ives|Five Sacred Songs|Choir - 4 part upper voices|3.50|50 75294|||9790222247598|BILENCKO|Michael Bilencko (= W. H. Anderson)|Near A Leafy Woodland / Old Gipsy..|Choir - Unison voices|1.50|13 75296|||9790222247604|CRAWLEY|Clifford Crawley|Thunder and Lightning|Choir - Unison voices|1.50|13 75297|||9790222247611|BURTCH|Mervyn Burtch|'World''s End'|Choir - Unison voices|1.50|13 75298|||9790222247628|GREEN D|David Llewellyn Green|Hush My Babe|Choir - 2 part upper voices|1.50|13 75300|||9790222247635|GREEN D|David Llewellyn Green|Angels Brightly Sing the Song|Choir - Unison voices|1.50|13 75303|||9790222247642|HUGHES-JONES|Llifon Hughes-Jones|Migildi Magildi|Choir - 4 part upper voices|2.00|25 75304|||9790222247659|LIDDELL C|Claire Liddell|Flight|Choir - 3 part upper voices|4.75|75 75306|||9790222247666|STANFORD|Charles Villiers Stanford|Windy Nights|Choir - Unison voices|1.50|13 75307|||9790222247673|SCHUBERT|Franz Schubert|Quiet Serenade|Choir - 2 part upper voices|1.50|13 75308|||9790222247680|GRAVES|Richard Graves|Songs of Christmas Past|Choir - Unison voices|2.00|25 75309|||9790222247697|HUGHES-JONES|Llifon Hughes-Jones|Patapan|Choir - 2 part upper voices|1.50|13 75310|||9790222247703|DONIACH|Shula Doniach|Forest Carol / Christmas Lullaby|Choir - 2 part upper voices|1.50|13 75311|||9790222247710|GREEN G|Gareth D. Green|Cradle Song / Ring the Bells.....|Choir - 2 part upper voices|2.00|25 75312|||9790222247727|STEVENSON R|Ronald Stevenson|No Coward Soul Is Mine|Choir - 4 part upper voices|2.00|25 75313|George Murray
THE KINGDOM for SSAA choir
Roberton 75313|For unaccompanied SSAA choir
Duration 3 minutes|9790222247734|MURRAY G|George Murray|Kingdom|Choir - 4 part upper voices|1.50|13 75314|||9790222247741|CRAWLEY|Clifford Crawley|Creatures Great and Small Set 1|Choir - Unison voices|2.00|25 75315|||9790222247758|CRAWLEY|Clifford Crawley|Everyday Things|Choir - Unison voices|2.00|25 75316|||9790222247765|ANDERSON|William Henry Anderson|Two Icelandic Folk Songs|Choir - Unison voices|1.50|13 75317|||9790222247772|JEFFREYS J|John Jeffreys|I Will Go With My Father [key F]|Choir - Unison voices|1.50|13 75319|||9790222247789|HILLIER|Ian Hillier|Welcome Yule|Choir - 3 part upper voices|2.75|38 75321|||9790222247796|NELSON H|Havelock Nelson|Shivery Sarah|Choir - Unison voices|1.50|13 75323|||9790222247802|BROWN G|Gerald Brown|Bells Across the Frosty Plain|Choir - Unison voices|1.50|13 75323GLOCK|||9790222247819|BROWN G|Gerald Brown|Bells Across the Frosty Plain glock|Choir - Unison voices|1.50|7 75324|||9790222247826|BROWN G|Gerald Brown|Christmas Time Is Carol Time|Choir - Unison voices|1.50|13 75324GLOCK|||9790222247833|BROWN G|Gerald Brown|Christmas Time Is Carol Time glock|Choir - Unison voices|1.50|7 75325|||9790222247840|WALTERS E|Edmund Walters|Bonny Bobby Shafto|Choir - 3 part upper voices|2.00|25 75327|TWO SPANISH TRADITIONAL SONGS arr. Michael Neaum
for upper voice choir and piano
Roberton 75327|Two Spanish songs, A la rurru nino and Bolera Sevillanas in an arrangement for upper voice (SSA) choir and piano. Words are given in Spanish and English and either may be used. Bolera Sevillanas is also available in an arrangement for mixed voice choir - catalogue number Roberton 63303.
Total duration 5 minutes|9790222247857|NEAUM|Michael Neaum|Two Spanish Traditional Songs|Choir - 3 part upper voices|2.75|38 75328|'Michael Neaum
DIDN''T IT RAIN for upper voice choir
Roberton 75328'|Spiritual arranged for SSAA choir and piano|9790222247864|NEAUM|Michael Neaum|'Didn''t It Rain'|Choir - 4 part upper voices|2.00|25 75329|Michael Neaum
LONG TIME AGO for upper voice choir
Roberton 75329|American traditional song arranged for SSA choir and piano.|9790222247871|NEAUM|Michael Neaum|Long Time Ago|Choir - 3 part upper voices|1.50|13 75330|||9790222247888|WALTERS E|Edmund Walters|Johnny Todd|Choir - 2 part upper voices|2.00|25 75331|||9790222247895|OXLEY|Harrison Oxley|Angel Gabriel from God|Choir - Unison voices|2.00|25 75332|||9790222247901|ANDERSON|William Henry Anderson|Sweet Nightingale|Choir - Unison voices|1.50|13 75334|||9790222247918|BELYEA|Warren Herbert Belyea|Lions|Choir - Unison voices|1.50|13 75335|||9790222247925|CRAWLEY|Clifford Crawley|Magic in the Air|Choir - Unison voices|2.75|38 75336|||9790222247932|BRAHMS|Johannes Brahms|Blacksmith|Choir - Unison voices|1.50|13 75339|||9790222247949|BROWN C|Christopher Brown|Strawberry Fair|Choir - 2 part upper voices|1.50|13 75340|||9790222247956|ADAMS J|Jean Adams|'Shepherds'' Lullaby'|Choir - 3 part upper voices|2.00|25 75341|||9790222247963|MORGAN|Hilda Morgan|I Saw Three Ships|Choir - 4 part upper voices|2.00|25 75342|||9790222247970|MORGAN|Hilda Morgan|Christmas Morn|Choir - 3 part upper voices|1.50|13 75343|||9790222247987|MORGAN|Hilda Morgan|Snowdrop and Lamb|Choir - Unison voices|1.50|13 75344|||9790222247994|DEALE|Edgar Deale|Lark in the Clear Air|Choir - 3 part upper voices|2.00|25 75345|||9790222248007|TELFER|Nancy Telfer|If You Should Meet A Crocodile|Choir - Unison voices|2.00|25 75346|||9790222248014|NELSON H|Havelock Nelson|Songs for Joanna|Choir - Unison voices|2.00|25 75347|||9790222248021|WETHERELL|Eric Wetherell|All Things Bright and Beautiful|Choir - 2 part upper voices|2.00|25 75348|||9790222248038|LANE P|Philip Lane|It Was A Lover and His Lass|Choir - 3 part upper voices|2.00|25 75349|||9790222248045|GORDON-SMITH|Richard Gordon-Smith|Welcome Carol|Choir - Unison voices|2.00|25 75350|||9790222248052|FRASER S|Shena Fraser|Boy Was Born|Choir - 3 part upper voices|2.00|25 75351|||9790222248069|THIMAN|Eric Thiman|Joy To the World|Choir - Unison voices|1.50|13 75352|||9790222248076|THIMAN|Eric Thiman|When I Was A Little Boy|Choir - 2 part upper voices|1.50|13 75353|||9790222248083|THIMAN|Eric Thiman|You Spotted Snakes|Choir - 2 part upper voices|2.00|25 75355|||9790222248090|NELSON H|Havelock Nelson|You Must Have That True Religion|Choir - 4 part upper voices|2.00|25 75356|Samuel Coleridge-Taylor
FALL ON ME LIKE A SILENT DEW for upper voice choir
Roberton 75356|Words by Robert Herrick, music by Samuel Coleridge Taylor for SA and piano.|9790222248106|COLERIDGE-TA|Samuel Coleridge-Taylor|Fall On Me Like A Silent Dew|Choir - 2 part upper voices|1.50|13 75357|||9790222248113|COLERIDGE-TA|Samuel Coleridge-Taylor|Oh, the Summer|Choir - 2 part upper voices|1.50|13 75358|||9790222248120|THIMAN|Eric Thiman|Saviour Teach Me Day By Day|Choir - 2 part upper voices|2.00|25 75359|||9790222248137|ROBERTON|Hugh S. Roberton|'Flowers O'' the Forest'|Choir - 3 part upper voices|1.50|13 75362|||9790222248168|WALTERS E|Edmund Walters|Thou Blessed Haven|Choir - Unison voices|2.75|38 75363|||9790222248175|NELSON H|Havelock Nelson|For Snow|Choir - 4 part upper voices|1.50|13 75364|||9790222248182|HANDEL GF|George Frideric Handel|Silent Worship (key G)|Choir - Unison voices|1.50|13 75366|||9790222248199|MEAKINS|Vaughan Meakins|De Virgin Mary Had A Baby Boy|Choir - 4 part upper voices|2.75|38 75367|||9790222248205|BLYTON|Carey Blyton|Three Bird Songs|Choir - Unison voices|1.50|13 75368|||9790222248212|BOYLE|Rory Boyle|Magnificat and Nunc Dimittis|Choir - Unison voices|2.00|25 75369|||9790222248229|GIBBS CA|C Armstrong Gibbs|Thorough Bush Thorough Briar|Choir - 2 part upper voices|1.50|13 75370|||9790222248236|LANE P|Philip Lane|Blow Blow Thou Winter Wind|Choir - 3 part upper voices|2.00|25 75371|||9790222248243|CRAWLEY|Clifford Crawley|Little Leprechaun|Choir - Unison voices|1.50|13 75372|||9790222248250|ARNE|Thomas Arne|Where the Bee Sucks (key F)|Choir - Unison voices|1.50|13 75373|||9790222248267|OXLEY|Harrison Oxley|'Rise ''n'' Shine'|Choir - 3 part upper voices|2.00|25 75374|||9790222248274|GRAVES|Richard Graves|Carol of the Refugee Children|Choir - Unison voices|1.50|13 75375|||9790222248281|FIELD G|Geoffrey Field|Child Is Born|Choir - 2 part upper voices|2.00|25 75376|||9790222248298|BERTALOT|John Bertalot|See the Baby Jesus (any voices)|Choir - 2 part upper voices|2.00|25 75378|||9790222248304|CRAWLEY|Clifford Crawley|Circus Songs|Choir - Unison voices|2.00|25 75379|||9790222248311|HOYLE|John S. Hoyle|Te Deum|Choir - 4 part upper voices|2.75|38 75380|||9790222248328|SANGSTER|Donalda Sangster|Songs of Springtime|Choir - Unison voices|2.00|25 75381|||9790222248335|FLETCHER P|Percy Fletcher|'Caller Herrin'''|Choir - 3 part upper voices|2.00|25 75382|||9790222248342|ANDERSON|William Henry Anderson|Cowslip|Choir - Unison voices|1.50|13 75383|Michael Neaum
THE WATER OF TYNE
for upper voice choir
Roberton 75383|Excellent arrangement for SSA and piano of this much loved folksong.
Duration 3 minutes|9790222248359|NEAUM|Michael Neaum|Water of Tyne|Choir - 3 part upper voices|2.00|25 75384|Michael Neaum
LAST ROSE OF SUMMER for upper voice choir
Roberton 75384|Irish traditional song arranged for SSA choir, soprano solo and piano.|9790222248366|NEAUM|Michael Neaum|Last Rose of Summer|Choir - 3 part upper voices|2.00|25 75385|Michael Neaum
I GAVE MY LOVE A CHERRY for upper voice choir
Roberton 75385|Traditional Appalachian folk song arranged for 2 soloists, SSAA choir and piano.|9790222248373|NEAUM|Michael Neaum|I Gave My Love A Cherry|Choir - 4 part upper voices|1.50|13 75386|'Craig Cassils
SHE''S LIKE THE SWALLOW
for unison voices
Roberton 75386'||9790222248380|CASSILS C|Craig Cassils|'She''s Like the Swallow'|Choir - Unison voices|2.00|25 75387|||9790222248397|ZERAFA|Benigno Zerafa|Magnus Dominus (ed.Camilleri)|Choir - 4 part upper voices|2.75|38 75388|'Brahms
SEVEN CHILDREN''S SONGS
for unison voices
Roberton 75388'||9790222248403|BRAHMS|Johannes Brahms|'Seven Children''s Songs'|Choir - Unison voices|2.00|25 75389|||9790222248410|COGHLAN M|Michael Coghlan|Rocking in Rhythm|Choir - Unison voices|1.50|13 75390|||9790222248427|CRAWLEY|Clifford Crawley|Penguin Dance|Choir - Unison voices|1.50|13 75391|Clifford Crawley
MRS.DINOSAUR for unison voices
Roberton 75391||9790222248434|CRAWLEY|Clifford Crawley|Mrs.Dinosaur|Choir - Unison voices|1.50|13 75392|Telfer
JUMPETY BUMPETY
for unison voices
Roberton 75392||9790222248441|TELFER|Nancy Telfer|Jumpety Bumpety|Choir - Unison voices|2.00|25 75393|Telfer
ON THE BACK OF AN EAGLE
for unison voices
Roberton 75393||9790222248458|TELFER|Nancy Telfer|On the Back of an Eagle|Choir - Unison voices|2.00|25 75394|||9790222248465|BELYEA|Warren Herbert Belyea|Gnus and Gnats / Rabbits|Choir - Unison voices|2.00|25 75395|||9790222248472|CRAWLEY|Clifford Crawley|Humpy the Camel / the Fox|Choir - Unison voices|2.00|25 75396|||9790222248489|SHAW ML|Marshall L. Shaw|Elements|Choir - Unison voices|2.00|25 75397|||9790222248496|GOULD|Raymond Gould|Ebenezer Scrooge|Choir - 2 part upper voices|2.00|25 75398|||9790222248502|GOULD|Raymond Gould|Magical Christmas|Choir - 2 part upper voices|2.00|25 75399|||9790222248519|GOULD|Raymond Gould|Your Wonderful Sleigh|Choir - Unison voices|1.50|13 75400|||9790222248526|CRAWLEY|Clifford Crawley|We Can Make A Difference|Choir - Unison voices|1.50|13 75401|||9790222248533|FLEMING|Gordon M. Fleming|Witch|Choir - Unison voices|1.50|13 75402|||9790222248540|FRITZ|Sherilyn Fritz|Fiddle Dee Fee|Choir - 3 part upper voices|2.00|25 75403|||9790222248557|CAMILLERI|Charles Camilleri|Requiem|Choir - 4 part upper voices|2.00|25 75404|||9790222248564|BELYEA|Warren Herbert Belyea|Bears (from the Zoo)|Choir - Unison voices|1.50|13 75405|||9790222248571|CRAWLEY|Clifford Crawley|Shadows|Choir - 2 part upper voices|1.50|13 75406|||9790222248588|THORNE|Brenda Thorne|Flunky Jim|Choir - Unison voices|1.50|13 75407|Alasdair Jamieson
THE BURNING BABE
for female voice choir|'A carol for female or boys'' choir (SA) with organ accompaniment.
A modern setting of words by Robert Southwell (1561-95), something different for Yuletide, originally written for the choir of Cheltenham Ladies College.'|9790222252172|JAMIESON|Alasdair Jamieson|Burning Babe|Choir - 2 part upper voices|2.75|38 75408|||9790222248595|CAMILLERI|Charles Camilleri|Malta Yok!|Choir - 4 part upper voices|2.00|25 75409|Michael Neaum
A BUNCH OF THYME
for upper voice choir
Roberton 75409||9790222248601|NEAUM|Michael Neaum|Bunch of Thyme|Choir - 3 part upper voices|2.00|25 75410|||9790222248618|CORFE|Joseph Corfe|Hosanna To the Son/Ponder My Words|Choir - 2 part upper voices|2.75|38 75411|||9790222248625|ARCH|Gwyn Arch|Gospel Train|Choir - 4 part upper voices|2.00|25 75412|||9790222248632|JEFFREYS J|John Jeffreys|Behold A Tender Silly Babe|Choir - 2 part upper voices|1.50|13 75413|||9790222248649|JEFFREYS J|John Jeffreys|Good Day Sire Cristemas|Choir - Unison voices|2.00|25 75414|||9790222248656|JEFFREYS J|John Jeffreys|I Sing of A Maiden|Choir - 2 part upper voices|1.50|13 75415|Michael Neaum
SWEET LITTLE JESUS BOY for upper voice choir|Traditional spiritual arranged for SSAA choir, soprano solo and piano.|9790222248663|NEAUM|Michael Neaum|Sweet Little Jesus Boy|Choir - 4 part upper voices|2.00|25 75416|Michael Neaum
TIREE LOVE SONG for upper voice choir
Roberton 75416|Arranged for SSA choir, soli and piano.|9790222248670|NEAUM|Michael Neaum|Tiree Love Song (Ho-ree,ho-ro)|Choir - 3 part upper voices|2.00|25 75417|Michael Neaum
TOMORROW IS A LONG TIME
Roberton 75417|The Bob Dylan song arranged for SSA choir and piano by Michael Neaum|9790222248687|NEAUM|Michael Neaum|Tomorrow is a Long Time|Choir - 3 part upper voices|1.50|13 75418|||9790222248694|RIDOUT|Alan Ridout|Songs of Advent|Choir - Unison voices|3.50|50 75419|||9790222248700|BERTALOT|John Bertalot|Preces and Responses|Choir - 2 part upper voices|1.50|13 75420|||9790222248717|GIBBS CA|C Armstrong Gibbs|Dream Pedlary|Choir - Unison voices|1.50|13 75421|||9790222248724|GIBBS CA|C Armstrong Gibbs|Dream Pedlary|Choir - 2 part upper voices|2.00|25 75422|||9790222248731|GIBBS CA|C Armstrong Gibbs|Balow|Choir - 3 part upper voices|2.00|25 75423|||9790222248748|GIBBS CA|C Armstrong Gibbs|Slow Horses Slow (A minor)|Choir - Unison voices|1.50|13 75424|||9790222248755|OXLEY|Harrison Oxley|English Folk Song Suite|Choir - 2 part upper voices|5.50|88 75425|Michael Neaum
AFRICAN LULLABY for upper voice choir
Roberton 75425|Arranged for SSAA choir, soprano solo and small semi-chorus (unaccompanied).|9790222248762|NEAUM|Michael Neaum|African Lullaby|Choir - 4 part upper voices|1.50|13 75426|||9790222248779|CAMILLERI|Charles Camilleri|Tfal (Children)|Choir - 4 part upper voices|2.00|25 75427|Michael Neaum
DING DONG MERRILY ON HIGH for upper voice choir
Roberton 75427|Traditional carol arranged for SSAA choir and piano.|9790222248786|NEAUM|Michael Neaum|Ding Dong Merrily On High|Choir - 4 part upper voices|2.00|25 75428|Michael Neaum
VIRGIN MARY HAD A LITTLE BABY for upper voice choir
Roberton 75428|Spiritual arranged for SSAA choir and piano.|9790222248793|NEAUM|Michael Neaum|Virgin Mary Had A Little Baby|Choir - 4 part upper voices|1.50|13 75429|Michael Neaum
I ONCE LOVED A LAD
for upper voice choir
Roberton 75429||9790222248809|NEAUM|Michael Neaum|I Once Loved A Lad|Choir - 4 part upper voices|2.00|25 75430|||9790222248816|FAURE G|Gabriel Faure|Cantique De Jean Racine (Oxley)|Choir - 3 part upper voices|2.75|38 75431|Derek Clark
SCARBOROUGH FAIR
for female voice choir|Lovely new arrangement of this well-known English folk song for SSAA choir and piano.

Duration about 5 minutes |9790222260740|CLARK|Derek Clark|Scarborough Fair|Choir - 4 part upper voices|3.50|50 75432|Michael Neaum
BONNY AT MORN for upper voice choir
Roberton 75432|Traditional Northumbrian song arranged for SSAA choir, soprano solo and piano.|9790222248823|NEAUM|Michael Neaum|Bonny At Morn|Choir - 4 part upper voices|2.75|38 75433|Michael Neaum
GLOUCESTERSHIRE WASSAIL for upper voice choir
Roberton 75433|Traditional Gloucestershire song arranged for SSAA choir and piano.|9790222248830|NEAUM|Michael Neaum|Gloucestershire Wassail|Choir - 4 part upper voices|1.50|13 75434|Michael Neaum
TWO HUNGARIAN FOLK SONGS for upper voice choir
Roberton 75434|"Szilvas Faklu" (Silvas Village) and "Alazatos Szolgaja" (Pleased to meet you, now goodbye) arranged for SSAA choir and piano. Words in Hungarian and English.|9790222248847|NEAUM|Michael Neaum|Two Hungarian Folk Songs|Choir - 4 part upper voices|4.00|63 75435|||9790222248854|GILBERT J|John Gilbert|'Lord''s Prayer'|Choir - Unison voices|1.50|13 75436|||9790222248861|ROBERTON|Hugh S. Roberton|'Ballad of Yarrow/Broom O''Cowdenknow'|Choir - 2 part upper voices|1.50|13 75437|||9790222248878|ROTHERY|Kenneth Rothery|Christ-Child in the Manger|Choir - 3 part upper voices|2.00|25 75438|Tom Cunningham
THE DUKE OF PERTH and other Scottish reels
for upper voice choir|This is a typical sequence of Scottish reel tunes with a traditional "vamp" piano accompaniment. The tunes are arranged for two parts and nonsense sounds added for the words. This is based on the well-established practice known in Gaelic as puirt-a-beul (mouth-music) where dance music originally written for instruments is adapted for voices. This tradition is thought to have originated as a means whereby the Highland people perpetuated their favourite tunes after the banning of instruments following the Jacobite rebellion. The tunes used are: The Duke of Perth, Lady Mackenzie of Coul, Caddam Woods & Barren Rocks. Great fun!|9790222258839|CUNNINGHAM|Tom Cunningham|Duke of Perth|Choir - 2 part upper voices|2.75|38 75439|Michael Neaum
ALL MY TRIALS
for upper voice choir
Roberton 75439||9790222248885|NEAUM|Michael Neaum|All My Trials|Choir - 3 part upper voices|2.75|38 75440|Michael Neaum
GRAIH MA CHREE for upper voice choir
Roberton 75440|Manx folk song arranged for SSAA choir and solo voice (unaccompanied).|9790222248892|NEAUM|Michael Neaum|Graih Ma Chree|Choir - 4 part upper voices|2.00|25 75441|||9790222248908|LANE P|Philip Lane|Song of Love|Choir - 4 part upper voices|2.75|38 75442|||9790222248915|LANE P|Philip Lane|Game of Fives|Choir - 4 part upper voices|2.00|25 75443|||9790222248922|DAVIES JAYNE|Jayne Davies|Y Deryn Pur (The Gentle Dove)|Choir - 4 part upper voices|2.75|38 75444|||9790222248939|DAVIES JAYNE|Jayne Davies|Y March Glas (The Grey Horse)|Choir - 4 part upper voices|3.50|50 75445|||9790222248946|BROWN G|Gerald Brown|Jesu Son of God Most High|Choir - 2 part upper voices|1.50|13 75446|||9790222248953|BROWN G|Gerald Brown|When Gabriel To Mary Came|Choir - 2 part upper voices|2.00|25 75447|Michael Neaum
TWO SONGS OF THE ISLES
for female voice choir|'Two fine arrangements for two-part (SA) choir with soloists and piano accompaniment of "Morag''s Cradle Song" and "Air Falalalo".'|9790222252189|NEAUM|Michael Neaum|Two Songs of the Isles|Choir - 2 part upper voices|2.75|38 75448|Jayne Davies
Y GOG LWDLAS (The Cuckoo)
for female voice choir|'This is one of a collection of twelve Welsh folksongs arranged by Jayne Davies for SSAA choir and piano. All can be sung in Welsh or an English text (by Rhian Davies) is also given.
The twelve songs are:-
Y Deryn Pur (The Gentle Dove) No.75443
Y March Glas (The Grey Horse) No.75444
Y Gog Lwydlas (The Cuckoo) No.75448
Hen Ferchetan (Poor Old Maid) No.75449
Suo-gan (Lullaby) No.75450
Dacw ''Nghariad i Lawr yn y Berllan (See My Love) No.75451
Y G''loman (The Dove) No.75452
Deryn y Bwn o''r Banna'' (The Bittern) No.75453
Bugeilio''r Gwenith Gwyn (Watching the White Wheat) No.75454
Lisa Lan (Lisa Fair) No.75455
Y Gelynnen (The Holly) No.75456
Ar Gyfer Heddiw''r Bore''n Faban Bach (For us this Christmas Morning) No.75457'|9790222252196|DAVIES JAYNE|Jayne Davies|Y Gog Lwydlas (The Cuckoo)|Choir - 3 part upper voices|2.75|38 75449|Jayne Davies
HEN FERCHETAN (Poor old maid)
for female voice choir|'This is one of a collection of twelve Welsh folksongs arranged by Jayne Davies for SSAA choir and piano. All can be sung in Welsh or an English text (by Rhian Davies) is also given.
The twelve songs are:-
Y Deryn Pur (The Gentle Dove) No.75443
Y March Glas (The Grey Horse) No.75444
Y Gog Lwydlas (The Cuckoo) No.75448
Hen Ferchetan (Poor Old Maid) No.75449
Suo-gan (Lullaby) No.75450
Dacw ''Nghariad i Lawr yn y Berllan (See My Love) No.75451
Y G''loman (The Dove) No.75452
Deryn y Bwn o''r Banna'' (The Bittern) No.75453
Bugeilio''r Gwenith Gwyn (Watching the White Wheat) No.75454
Lisa Lan (Lisa Fair) No.75455
Y Gelynnen (The Holly) No.75456
Ar Gyfer Heddiw''r Bore''n Faban Bach (For us this Christmas Morning) No.75457'|9790222252202|DAVIES JAYNE|Jayne Davies|Hen Ferchetan (Poor Old Maid)|Choir - 3 part upper voices|3.50|50 75450|Jayne Davies
SUO GAN (Lullaby)
for female voice choir|'This is one of a collection of twelve Welsh folksongs arranged by Jayne Davies for SSAA choir and piano. All can be sung in Welsh or an English text (by Rhian Davies) is also given.
The twelve songs are:-
Y Deryn Pur (The Gentle Dove) No.75443
Y March Glas (The Grey Horse) No.75444
Y Gog Lwydlas (The Cuckoo) No.75448
Hen Ferchetan (Poor Old Maid) No.75449
Suo-gan (Lullaby) No.75450
Dacw ''Nghariad i Lawr yn y Berllan (See My Love) No.75451
Y G''loman (The Dove) No.75452
Deryn y Bwn o''r Banna'' (The Bittern) No.75453
Bugeilio''r Gwenith Gwyn (Watching the White Wheat) No.75454
Lisa Lan (Lisa Fair) No.75455
Y Gelynnen (The Holly) No.75456
Ar Gyfer Heddiw''r Bore''n Faban Bach (For us this Christmas Morning) No.75457'|9790222252219|DAVIES JAYNE|Jayne Davies|Suo Gan (Lullaby)|Choir - 3 part upper voices|2.75|38 75451|'Jayne Davies
DACW ''NGHARIAD (see my love)
for female voice choir'|'This is one of a collection of twelve Welsh folksongs arranged by Jayne Davies for SSAA choir and piano. All can be sung in Welsh or an English text (by Rhian Davies) is also given.
The twelve songs are:-
Y Deryn Pur (The Gentle Dove) No.75443
Y March Glas (The Grey Horse) No.75444
Y Gog Lwydlas (The Cuckoo) No.75448
Hen Ferchetan (Poor Old Maid) No.75449
Suo-gan (Lullaby) No.75450
Dacw ''Nghariad i Lawr yn y Berllan (See My Love) No.75451
Y G''loman (The Dove) No.75452
Deryn y Bwn o''r Banna'' (The Bittern) No.75453
Bugeilio''r Gwenith Gwyn (Watching the White Wheat) No.75454
Lisa Lan (Lisa Fair) No.75455
Y Gelynnen (The Holly) No.75456
Ar Gyfer Heddiw''r Bore''n Faban Bach (For us this Christmas Morning) No.75457'|9790222252226|DAVIES JAYNE|Jayne Davies|'Dacw ''Nghariad (See My Love)'|Choir - 3 part upper voices|3.50|50 75452|'Jayne Davies
Y G''LOMAN (The Dove)
for female voice choir'|'This is one of a collection of twelve Welsh folksongs arranged by Jayne Davies for SSAA choir and piano. All can be sung in Welsh or an English text (by Rhian Davies) is also given.
The twelve songs are:-
Y Deryn Pur (The Gentle Dove) No.75443
Y March Glas (The Grey Horse) No.75444
Y Gog Lwydlas (The Cuckoo) No.75448
Hen Ferchetan (Poor Old Maid) No.75449
Suo-gan (Lullaby) No.75450
Dacw ''Nghariad i Lawr yn y Berllan (See My Love) No.75451
Y G''loman (The Dove) No.75452
Deryn y Bwn o''r Banna'' (The Bittern) No.75453
Bugeilio''r Gwenith Gwyn (Watching the White Wheat) No.75454
Lisa Lan (Lisa Fair) No.75455
Y Gelynnen (The Holly) No.75456
Ar Gyfer Heddiw''r Bore''n Faban Bach (For us this Christmas Morning) No.75457'|9790222252233|DAVIES JAYNE|Jayne Davies|'Y G''loman (The Dove)'|Choir - 3 part upper voices|2.75|38 75453|'Jayne Davies
DERYN Y BWN O''R BANNA (The Bittern)
for female voice choir'|'This is one of a collection of twelve Welsh folksongs arranged by Jayne Davies for SSAA choir and piano. All can be sung in Welsh or an English text (by Rhian Davies) is also given.
The twelve songs are:-
Y Deryn Pur (The Gentle Dove) No.75443
Y March Glas (The Grey Horse) No.75444
Y Gog Lwydlas (The Cuckoo) No.75448
Hen Ferchetan (Poor Old Maid) No.75449
Suo-gan (Lullaby) No.75450
Dacw ''Nghariad i Lawr yn y Berllan (See My Love) No.75451
Y G''loman (The Dove) No.75452
Deryn y Bwn o''r Banna'' (The Bittern) No.75453
Bugeilio''r Gwenith Gwyn (Watching the White Wheat) No.75454
Lisa Lan (Lisa Fair) No.75455
Y Gelynnen (The Holly) No.75456
Ar Gyfer Heddiw''r Bore''n Faban Bach (For us this Christmas Morning) No.75457'|9790222252240|DAVIES JAYNE|Jayne Davies|'Deryn Y Bwn o''r Banna (The Bittern)'|Choir - 3 part upper voices|3.50|50 75454|'Jayne Davies
BUGEILIO''R GWENITH GWYN (Watching the white wheat)
for female voice choir'|'This is one of a collection of twelve Welsh folksongs arranged by Jayne Davies for SSAA choir and piano. All can be sung in Welsh or an English text (by Rhian Davies) is also given.
The twelve songs are:-
Y Deryn Pur (The Gentle Dove) No.75443
Y March Glas (The Grey Horse) No.75444
Y Gog Lwydlas (The Cuckoo) No.75448
Hen Ferchetan (Poor Old Maid) No.75449
Suo-gan (Lullaby) No.75450
Dacw ''Nghariad i Lawr yn y Berllan (See My Love) No.75451
Y G''loman (The Dove) No.75452
Deryn y Bwn o''r Banna'' (The Bittern) No.75453
Bugeilio''r Gwenith Gwyn (Watching the White Wheat) No.75454
Lisa Lan (Lisa Fair) No.75455
Y Gelynnen (The Holly) No.75456
Ar Gyfer Heddiw''r Bore''n Faban Bach (For us this Christmas Morning) No.75457'|9790222252257|DAVIES JAYNE|Jayne Davies|'Bugeilio''r Gwenith Gwyn (Watching.)'|Choir - 3 part upper voices|3.50|50 75455|Jayne Davies
LISA LAN (Fair Lisa)
for female voice choir|'This is one of a collection of twelve Welsh folksongs arranged by Jayne Davies for SSAA choir and piano. All can be sung in Welsh or an English text (by Rhian Davies) is also given.
The twelve songs are:-
Y Deryn Pur (The Gentle Dove) No.75443
Y March Glas (The Grey Horse) No.75444
Y Gog Lwydlas (The Cuckoo) No.75448
Hen Ferchetan (Poor Old Maid) No.75449
Suo-gan (Lullaby) No.75450
Dacw ''Nghariad i Lawr yn y Berllan (See My Love) No.75451
Y G''loman (The Dove) No.75452
Deryn y Bwn o''r Banna'' (The Bittern) No.75453
Bugeilio''r Gwenith Gwyn (Watching the White Wheat) No.75454
Lisa Lan (Lisa Fair) No.75455
Y Gelynnen (The Holly) No.75456
Ar Gyfer Heddiw''r Bore''n Faban Bach (For us this Christmas Morning) No.75457'|9790222252264|DAVIES JAYNE|Jayne Davies|Lisa Lan (Lisa Fair)|Choir - 3 part upper voices|2.75|38 75456|Jayne Davies
Y GELYNNEN (The Holly)
for female voice choir|'This is one of a collection of twelve Welsh folksongs arranged by Jayne Davies for SSAA choir and piano. All can be sung in Welsh or an English text (by Rhian Davies) is also given.
The twelve songs are:-
Y Deryn Pur (The Gentle Dove) No.75443
Y March Glas (The Grey Horse) No.75444
Y Gog Lwydlas (The Cuckoo) No.75448
Hen Ferchetan (Poor Old Maid) No.75449
Suo-gan (Lullaby) No.75450
Dacw ''Nghariad i Lawr yn y Berllan (See My Love) No.75451
Y G''loman (The Dove) No.75452
Deryn y Bwn o''r Banna'' (The Bittern) No.75453
Bugeilio''r Gwenith Gwyn (Watching the White Wheat) No.75454
Lisa Lan (Lisa Fair) No.75455
Y Gelynnen (The Holly) No.75456
Ar Gyfer Heddiw''r Bore''n Faban Bach (For us this Christmas Morning) No.75457'|9790222252271|DAVIES JAYNE|Jayne Davies|Y Gelynnen (The Holly)|Choir - 3 part upper voices|2.75|38 75457|'Jayne Davies
AR GYFER HEDDIW''R BORE''N FABAN BACH (For us this Christmas morning)
for female voice choir'|'This is one of a collection of twelve Welsh folksongs arranged by Jayne Davies for SSAA choir and piano. All can be sung in Welsh or an English text (by Rhian Davies) is also given.
The twelve songs are:-
Y Deryn Pur (The Gentle Dove) No.75443
Y March Glas (The Grey Horse) No.75444
Y Gog Lwydlas (The Cuckoo) No.75448
Hen Ferchetan (Poor Old Maid) No.75449
Suo-gan (Lullaby) No.75450
Dacw ''Nghariad i Lawr yn y Berllan (See My Love) No.75451
Y G''loman (The Dove) No.75452
Deryn y Bwn o''r Banna'' (The Bittern) No.75453
Bugeilio''r Gwenith Gwyn (Watching the White Wheat) No.75454
Lisa Lan (Lisa Fair) No.75455
Y Gelynnen (The Holly) No.75456
Ar Gyfer Heddiw''r Bore''n Faban Bach (For us this Christmas Morning) No.75457'|9790222252288|DAVIES JAYNE|Jayne Davies|Ar Gyfer (For Us This Christmas..)|Choir - 3 part upper voices|2.75|38 75458|Antony Le Fleming
TWO CAROLS
for female voice choir|Not an arrangement of the traditional tunes but "I saw three ships" and "Away in a manger" set to completely new music by Antony Le Fleming. These excellent, very approachable settings send the choir and the audience away still humming the tunes. Try some fresh versions of old favourites this Christmas! (Total duration 3? minutes)
Also available in a version for mixed voice choir.|9790222252516|LE FLEMING A|Antony le Fleming|Two Carols|Choir - 2 part upper voices|2.75|38 75459|'Tom Cunningham
THE BOATMAN (Fear a''bhata) for upper voice choir
Roberton 75459'|A beautiful traditional Gaelic air adapted and arranged for upper voice choir and piano. English verses with the chorus in Gaelic (a note on pronunciation is given for all us non-Gaelic speakers!)
Duration 3? minutes
Also available in a version for SA+Men - see 62010|9790222258846|CUNNINGHAM|Tom Cunningham|'Boatman (Fear a''bhata)'|Choir - 3 part upper voices|2.75|38 75460|Michael Neaum
TWO SONGS OFHENRY VIII
for female voice choir|Two melodies written by Henry VIII arranged for unaccompanied female choir with tambour and tambourine accompaniment. (A piano reduction of the choral parts is provided for rehearsal purposes). Duration 3 minutes|9790222258891|NEAUM|Michael Neaum|Two Songs of Henry VIII|Choir - 3 part upper voices|2.00|25 75461|Michael Neaum
THE BELLS OF PARADISE
for female voice choir|A female choir arrangement (with piano accompaniment) of a lovely, but perhaps lesser-known, traditional Derbyshire carol.
(Duration 2? minutes)|9790222258907|NEAUM|Michael Neaum|Bells of Paradise (Carol)|Choir - 3 part upper voices|2.00|25 75462|Michael Neaum
LOWLANDS AWAY
for female voice choir|Arranged for female voice choir with soloist and piano, based on the words of an old shanty ballad this is a wonderful setting in the style of the old sea shanties.|9790222258914|NEAUM|Michael Neaum|Lowlands Away|Choir - 3 part upper voices|2.75|38 75463|Michael Neaum
CHERRY TREE CAROL
for female voice choir|Another excellent Michael Neaum arrangement of this traditional Christmas Carol for female voice choir with soloists and piano. Both the sopranos and altos each divide into as many as four parts on occasions and several soloists are featured.|9790222258921|NEAUM|Michael Neaum|Cherry Tree Carol|Choir - 4 part upper voices|2.00|25 75464|Michael Neaum
DE VIRGIN MARY HAD A BABY BOY
for female voice choir|An arrangement for three-part female voice choir and piano of this popular carol of West Indian origin.

Duration 2? minutes |9790222258938|NEAUM|Michael Neaum|Virgin Mary Had A Baby Boy|Choir - 3 part upper voices|2.00|25 75465|Michael Neaum
TWO FRENCH FOLKSONGS
for female voice choir|The two French folksongs are "A la Claire Fontaine" and "Aupres de ma Blonde", arranged for female voice choir (SSA) with soloists and a piano accompaniment. The two songs can be sung separately or linked together.

Duration 6 minutes|9790222258945|NEAUM|Michael Neaum|Two French Folksongs|Choir - 4 part upper voices|3.50|50 75466|Michael Neaum
OFT IN THE STILLY NIGHT
for female voice choir|This lovely traditional Irish song is here arranged for female voice choir (SSA) with a soloist and piano accompaniment.

Duration 3 minutes |9790222258952|NEAUM|Michael Neaum|Oft in the Stilly Night|Choir - 3 part upper voices|2.00|25 75467|'Michael Neaum
SHE''S LIKE THE SWALLOW
for female voice choir'|Another excellent Michael Neaum arrangement for SSAA choir and piano of this lovely traditional Newfoundland song.

Duration c.3 minutes|9790222258969|NEAUM|Michael Neaum|'She''s Like the Swallow'|Choir - 4 part upper voices|2.00|25 75468|Rosseter arr.Michael Neaum
WHAT THEN IS LOVE
for female voice choir|An arrangement for unaccompanied female voice choir (SSAA) of this beautiful song by Philip Rosseter (1567-1623)

Duration nearly 2 minutes|9790222258976|ROSSETER|Philip Rosseter|What Then Is Love (arr.Neaum)|Choir - 4 part upper voices|1.50|13 75469|'Michael Neaum
MY LOVE''S AN ARBUTUS
for female voice choir'|Traditional Irish melody arranged for SSA choir, solo voice and piano

Duration 2? minutes|9790222258983|NEAUM|Michael Neaum|'My Love''s an Arbutus'|Choir - 3 part upper voices|2.00|25 75470|Michael Neaum
JAPANESE LULLABY
for female voice choir|A setting of perhaps the best-known of all Japanese lullabies for soloists, female voice choir in three parts and piano. The words are in Japanese and are straightforward to sing phonetically.

Duration 2 minutes|9790222258990|NEAUM|Michael Neaum|Japanese Lullaby|Choir - 4 part upper voices|2.00|25 75471|Michael Neaum
DUERME NEGRITO
for female voice choir|'Duerme Negrito - "Sleep, little black one" - a traditional Cuban song, partly a simple lullaby, but with overtones of the slave trade. The child is warned that the "white devil" will eat his foot if he doesn''t go to sleep; but he is also promised all sorts of wonderful things despite the plight of the sick, destitute mother. Arranged for SSAA choir and a soloist with piano accompaniment.

Duration nearly 3 minutes'|9790222259003|NEAUM|Michael Neaum|Duerme Negrito|Choir - 3 part upper voices|2.75|38 75472|Michael Neaum
BE STILL, AND KNOW I AM WITH YOU
for female voice choir|An original setting for female voice choir, 2 soloists and organ/piano. Words from Psalm 46 set to original music by Michael provide this exceptionally beautiful piece suitable for use in church or the concert hall. The organ part is optional but preferable. (Duration 2? minutes)|9790222259010|NEAUM|Michael Neaum|Be Still and Know I Am With You|Choir - 4 part upper voices|1.50|13 75473|'Vincent D''Indy (arr.David Patrick)
SANCTA MARIA SUCCURE MISERIS Op.49
for female voice choir'|'A two-part setting by D''Indy (1851-1931) with optional organ accompaniment. Can be sung with the original Latin words or in an English version by David Patrick. Duration 2 minutes.'|9790222259041|'D''INDY'|'Vincent D''Indy'|Sancta Maria Succurre Miseris Op.49|Choir - 2 part upper voices|1.50|13 75474|David Patrick (arr.)
COME NOW CHILDREN, COME TO THE MANGER
for SA and/or TB choir|A carol for upper and lower voices arranged from a traditional Bulgarian folk melody with piano or organ and optional triangle. Something for Christmas with a different flavour. This can be sung SA, TB or SATB.|9790222259058|PATRICK|David Patrick|Come Now Children (SA and/or TB)|Choir - Mixed voices (SATB)|2.00|25 75475|Gareth Walters
TO MUSIC
for female voice choir|A setting of a poem by Robert Herrick for an able two-part choir with a soloist and piano.|9790222259065|WALTERS G|Gareth Walters|To Music|Choir - 2 part upper voices|2.00|25 75476|Gareth Walters
THE LAMB
for female voice choir|Many composers have done settings of these well-known words by William Blake. Here is an excellent example by Gareth Walters for a choir of sopranos and altos with piano.|9790222259072|WALTERS G|Gareth Walters|Lamb (The)|Choir - 2 part upper voices|2.00|25 75477|'Paul Lewis
CHILD''S CAROL
for two-part choir or two solo voices
Roberton 75477'|A lovely Christmas carol for children with words by Helen Cresswell, either for a two-part choir or two solo voices, accompanied by harp or piano.
Duration c.3 minutes|9790222261280|LEWIS P|Paul Lewis|'Child''s Carol'|Choir - 2 part upper voices|2.00|25 75478|'Paul Lewis
DEUX CHANSONS D''ENFANTS
for unison or solo voice and piano'|Two French songs for children - "Lucie cueille les fleurs des champs" and "Vilain garcon!" - original words by Genevieve Lewis set to music by Paul Lewis. Musically straightforward, these songs are excellent to help youngsters to sing in French. The words are not given in English though a free translation is shown so that the meaning can be understood by the singers!
Duration 3 minutes (in total)|9790222261297|LEWIS P|Paul Lewis|'Deux Chansons d''Enfants'|Choir - Unison voices|2.00|25 75479|Vaughan Williams (arr.Lane)
GREENSLEEVES or THE KING OF LOVE
for female voice choir|'This is a choral setting by Philip Lane of Vaughan Williams'' ever-popular Fantasia on Greensleeves. Two sets of words are given: either the traditional folk song words for "Greensleeves" can be used or alternatively "The King of Love my shepherd is" makes it suitable for church use. An SSA choir is accompanied by piano or this choral version can be sung with an orchestral accompaniment by using the original orchestral version of Fantasia on Greensleeves (arranged by Ralph Greaves) which is now published for sale in the Goodmusic Orchestral Series (Catalogue number GMCL128).

Also available in a version for SATB - number 63270

Duration 4 Minutes '|9790222261358|VAUGHAN WILL|Ralph Vaughan Williams|Greensleeves/King of Love arr.Lane|Choir - 3 part upper voices|2.75|38 75480|||9790222263680|TUCAPSKY|Antonin Tucapsky|Before Trees Stir|Choir - 4 part upper voices|5.50|88 75481|Max Bruch
FOUR SONGS Op.6 No.1
for female voice choir and piano
Roberton 75481|Four original songs by Max Bruch edited by Philip Lane. Originally set to German texts, this edition has English words by Philippa Frischmann. See also the THREE SONGS Op.6 No.2 (catalogue number 75482)
Duration: c.9 minutes|9790222264311|BRUCH|Max Bruch|Four Songs Op.6/1 Lane/Frischmann|Choir - 3 part upper voices|3.50|50 75482|Max Bruch
THREE SONGS Op.6 No.2
for female voice choir and piano
Roberton 75482|Three original songs by Max Bruch edited by Philip Lane. Originally set to German texts, this edition has English words by Philippa Frischmann. See also the FOUR SONGS Op.6 No.1 (catalogue number 75481)
Duration: c.8 minutes|9790222264328|BRUCH|Max Bruch|Three Songs Op.6/2 Lane/Frischmann|Choir - 2 part upper voices|3.50|50 75483|Michael Short
THREE BURNS SONGS for female voice choir
Roberton 75483|'Wandering Willie, Bessie at her spinnin'' wheel and Up in the morning arranged for female voice choir (SSA) with accompaniment of harp or piano. The three songs may be sung as a sequence (they link together) or as individual items.
Total duration: 8 minutes'|9790222264335|SHORT M|Michael Short|Three Burns Songs|Choir - 3 part upper voices|4.75|75 75484|SPRINGTHORPE, Nigel
LUTE BOOK LULLABY for female voice choir
Roberton 75485|A setting for female voice choir and organ of anonymous words from the 16th century.
Duration 2 minutes|9790222267350|SPRINGTHORPE|Nigel Springthorpe|Lute-Book Lullaby|Choir - 3 part upper voices|2.00|25 75485|SPRINGTHORPE, Nigel
A LITEL CHILDE THERE IS IBORE for female voice choir
Roberton 75485|A setting for female voice choir and organ of anonymous words from the 14th century.
Duration nearly 2 minutes|9790222267343|SPRINGTHORPE|Nigel Springthorpe|Litel Childe Thereis Ibore|Choir - 4 part upper voices|2.00|25 75486|JEPSON, David W
THE LEAVING OF LIVERPOOL for female voice choir
Roberton 75486|A setting of a sea song with Liverpudlian origin, arranged for female choir with piano accompaniment. This song is also available arranged for mixed voice choir along with three other Liverpool Sea Songs (Catalogue number 03114).
Duration 4 minutes|9790222267367|JEPSON D|David Jepson|Leaving of Liverpool|Choir - 3 part upper voices|2.00|25 75487|'Michael Neaum (arr)
O WON''T YOU SIT DOWN?
for female voice choir and piano
Roberton 75487'|Spiritual arranged for solo voices(s) and female voice choir (SSA) with piano accompaniment.
Duration 2 minutes|9790222269798|NEAUM|Michael Neaum|'O Won''t You Sit Down?'|Choir - 3 part upper voices|2.75|38 75488|Michael Neaum (arr)
TWO SHORT SPIRITUALS
for female voice choir and piano
Roberton 75488|'"Over my head I hear music in the air" followed by "Didn''t my Lord deliver Daniel" arranged for female voice choir with solos and piano accompaniment.
Duration 2 minutes'|9790222269804|NEAUM|Michael Neaum|Two Short Spirituals|Choir - 3 part upper voices|2.00|25 75489|Michael Neaum (arr)
RISE UP SHEPHERD AND FOLLOW
for female voice choir
Roberton 75489|Arrangement for female voice choir (divides into 4 parts) and 3 solo voices unaccompanied of this well-loved Christmas spiritual.
Duration 2 minutes|9790222269811|NEAUM|Michael Neaum|Rise Up Shepherd and Follow|Choir - 4 part upper voices|1.50|13 75490|Michael Neaum (arr)
CAROL OF THE BIRDS
for female voice choir
Roberton 75490|The Carol of the Birds arranged for solo voice(s), female voice choir (sopranos and altos - the altos divide occasionally) and piano.
Duration 2? minutes|9790222269828|NEAUM|Michael Neaum|Carol of the Birds|Choir - 3 part upper voices|2.00|25 75491|Michael Neaum (arr)
RIU RIU CHIU
for female voice choir, piano and percussion
Roberton 75491|A Spanish traditional song arranged for SSA choir, tambourine, triangle and piano.
Duration 2? minutes|9790222269835|NEAUM|Michael Neaum|Riu Riu Chiu|Choir - 3 part upper voices|2.75|38 75492|David Stone
WINTER for SSA choir and piano
Roberton 75492|No.1 of FOUR SONGS OF WINTER, settings of four poems on the theme of winter without any mention of Christmas! The four poems are "Winter" by Walter de la Mare, "Sleighing" by Edgar Allen Poe, "A widow bird sate mourning" by Percy Bysshe Shelley and "Up in the morning" by Robert Burns. The four songs can be sung separately or as a set. They are published for sale individually (catalogue numbers 75492, 75493, 75494 and 75495) or complete (catalogue number 3116).
Duration 2? minutes|9790222271494|STONE|David Stone|Winter No.1 of Four Songs|Choir - 3 part upper voices|2.00|25 75493|David Stone
SLEIGHING for SSA choir and piano
Roberton 75493|No.2 of FOUR SONGS OF WINTER, settings of four poems on the theme of winter without any mention of Christmas! The four poems are "Winter" by Walter de la Mare, "Sleighing" by Edgar Allen Poe, "A widow bird sate mourning" by Percy Bysshe Shelley and "Up in the morning" by Robert Burns. The four songs can be sung separately or as a set. They are published for sale individually (catalogue numbers 75492, 75493, 75494 and 75495) or complete (catalogue number 3116).
Duration 1? minutes|9790222271500|STONE|David Stone|Sleighing No.2 of Four Songs|Choir - 3 part upper voices|2.00|25 75494|David Stone
A WIDOW BIRD SATE MOURNING for SSA choir and piano
Roberton 75494|No.3 of FOUR SONGS OF WINTER, settings of four poems on the theme of winter without any mention of Christmas! The four poems are "Winter" by Walter de la Mare, "Sleighing" by Edgar Allen Poe, "A widow bird sate mourning" by Percy Bysshe Shelley and "Up in the morning" by Robert Burns. The four songs can be sung separately or as a set. They are published for sale individually (catalogue numbers 75492, 75493, 75494 and 75495) or complete (catalogue number 3116).
Duration 1? minutes|9790222271517|STONE|David Stone|Widow Bird Sate No.3 of Four Songs|Choir - 3 part upper voices|1.50|13 75495|David Stone
UP IN THE MORNING for SSA choir and piano
Roberton 75495|No.4 of FOUR SONGS OF WINTER, settings of four poems on the theme of winter without any mention of Christmas! The four poems are "Winter" by Walter de la Mare, "Sleighing" by Edgar Allen Poe, "A widow bird sate mourning" by Percy Bysshe Shelley and "Up in the morning" by Robert Burns. The four songs can be sung separately or as a set. They are published for sale individually (catalogue numbers 75492, 75493, 75494 and 75495) or complete (catalogue number 3116).
Duration 1? minutes|9790222271524|STONE|David Stone|Up in the Morning No.4of Four Songs|Choir - 3 part upper voices|2.00|25 75497|||9790222271951|COOMBES|Douglas Coombes|Psalm 149 from Psalms for Dancing|Choir - 3 part upper voices|2.75|38 75498|||9790222274297|ANDERSON|William Henry Anderson|Gay Is the Rose+By a Clear Fountain|Choir - Unison voices|1.50|13 75500|Michael Neaum (arr)
AFTON WATER
for female voice choir and piano
Roberton 75500|Scottish song arranged for SSA choir and piano.
Duration 3 minutes|9790222275157|NEAUM|Michael Neaum|Afton Water|Choir - 3 part upper voices|2.00|25 75501|Robert Johnson arranged by Michael Neaum
HAVE YOU SEEN BUT A WHITE LILY GROW?
for female voice choir and piano
Roberton 75501|Song by Robert Johnson (1583 - 1633) arranged for solo voice, SSA choir and piano.
Duration 3 minutes|9790222275164|NEAUM|Michael Neaum|Have You Seen But A White Lily Grow|Choir - 3 part upper voices|2.00|25 75502|Michael Neaum (arr)
SHE MOVED THROUGH THE FAIR
for female voice choir and piano
Roberton 75502|Traditional Irish song arranged for SSAA choir and piano.
Duration 2? minutes|9790222275171|NEAUM|Michael Neaum|She Moved Through the Fair|Choir - 4 part upper voices|2.00|25 75503|Michael Neaum (arr)
SIUIL A RUIN
for female voice choir and piano
Roberton 75503|Traditional Irish song in English and Gaelic arranged for SSAA choir and piano.
Duration 3? minutes|9790222275188|NEAUM|Michael Neaum|Siuil a Ruin|Choir - 4 part upper voices|2.00|25 75504|Michael Neaum (arr)
SWING LOW, SWEET CHARIOT
for female voice choir and piano
Roberton 75504|Spiritual arranged for SSAA choir and piano.
Duration 2? minutes|9790222275195|NEAUM|Michael Neaum|Swing Low Sweet Chariot|Choir - 4 part upper voices|2.00|25 75505|Michael Neaum
TAKE, O TAKE THOSE LIPS AWAY
for female voice choir and piano
Roberton 75505|Words by Shakespeare set to music by Michael Neaum for unaccompanied SSAA choir.
Duration 1? minutes|9790222275201|NEAUM|Michael Neaum|Take O Take Those Lips Away|Choir - 4 part upper voices|1.50|13 75506|Michael Neaum (arr)
THE TURTLE DOVE
for female voice choir and piano
Roberton 75506|English folk song arranged for solo voice with SSA choir and piano.
Duration 2? minutes|9790222275218|NEAUM|Michael Neaum|Turtle Dove|Choir - 3 part upper voices|2.00|25 75507|Michael Neaum (arr)
TWO CANADIAN SONGS
for female voice choir and piano
Roberton 75507|'Two Canadian songs, "Mary Ann" and "Bonavist'' Harbour", arranged for female voice choir and piano.
Duration 6 minutes'|9790222275225|NEAUM|Michael Neaum|Two Canadian Songs|Choir - 4 part upper voices|3.50|50 75508|Michael Neaum (arr)
TWO TRADITIONAL LOVE SONGS
for female voice choir and piano
Roberton 75508|Two traditional love-songs, "I will give my love an apple" and "If I were a blackbird", arranged for female voice choir and piano.
Duration 4 minutes|9790222275232|NEAUM|Michael Neaum|Two Traditional Love Songs|Choir - 3 part upper voices|2.00|25 75509|Verdi arranged by Michael Neaum
VA PENSIERO
for female voice choir and piano
Roberton 75509|'The famous "Chorus of the Hebrew Slaves" from Verdi''s opera "Nabucco" arranged for SSAA choir and piano.
Duration 3? minutes'|9790222275249|VERDI G|Giuseppe Verdi|Va Pensiero (arr.Neaum)|Choir - 4 part upper voices|2.00|25 75510|Michael Neaum (arr)
WHEN THE BOAT COMES IN - a sequence of five sea songs
for female voice choir and piano
Roberton 75510|'A sequence of five sea songs - Shenandoah, Blow the man down, When the boat comes in, The drunken sailor, The sailor''s hornpipe - arranged for female voice choir and piano.
Duration 6 minutes'|9790222275256|NEAUM|Michael Neaum|When the Boat Comes in (Sea Songs)|Choir - 2 part upper voices|3.50|50 75511|SPRINGTHORPE, Nigel
LULLAY MY CHILD AND WEEP NO MORE for female voice choir
Roberton 75511|An original carol scored for SSA choir and organ with words taken from Musica Britannica Vol.IV. Also available in a version for mixed voice choir (Roberton 85360).
Duration c.3 minutes|9790222276284|SPRINGTHORPE|Nigel Springthorpe|Lullay My Child and Weep No More|Choir - 3 part upper voices|2.00|25 75512|Nigel Springthorpe
JESUS CHRIST THE APPLE TREE for upper voices
Roberton 75512|This new musical setting by Nigel Springthorpe of now well-known words, is for upper voices in two parts with accompaniment of piano or organ.
Duration 2? minutes|9790222280144|SPRINGTHORPE|Nigel Springthorpe|Jesus Christ the Apple Tree|Choir - 2 part upper voices|1.50|13 75513|BLOW THE WIND SOUTHERLY arr. Michael Neaum
for upper voice choir
Roberton 75513|A beautiful setting for unaccompanied upper voice choir (SSAA).
Duration 2? minutes|9790222281394|NEAUM|Michael Neaum|Blow the Wind Southerly|Choir - 4 part upper voices|2.00|25 75514|CHRISTMAS OFFERINGS by Michael Neaum
for upper voice choir and piano
Roberton 75514|Two original songs by Michael Neaum - "Bring your offerings" and "The Christmas Tree" - for upper voice choir (SSA) with piano accompaniment.
Duration 3? minutes|9790222281400|NEAUM|Michael Neaum|Christmas Offerings (two songs)|Choir - 3 part upper voices|2.75|38 75515|GUANTANAMERA arr. Michael Neaum
for upper voice choir and piano
Roberton 75515|This well known traditional Cuban song is arranged here for upper voice choir (SSA) and piano by Michael Neaum.
Duration 3? minutes|9790222281417|NEAUM|Michael Neaum|Guantanamera|Choir - 3 part upper voices|2.00|25 75516|SKYE BOAT SONG arr. Michael Neaum
for upper voice choir and piano
Roberton 75516|One of the loveliest arrangements of this famous traditional Scottish song, here brilliantly arranged by Micahel Neaum for SSA choir with piano.
This is one of the pieces in the sequence of songs entitled "A Jacobite Legacy" (see catalogue number 3123).
Duration 3? minutes|9790222281424|NEAUM|Michael Neaum|Skye Boat Song|Choir - 3 part upper voices|2.00|25 75517|NO WIND AT THE WINDOW arr. Michael Neaum
for upper voice choir and piano
Roberton 75517|Traditional Irish song arranged by Michael Neaum for upper voice choir (SSA) with piano.
Duration 3 minutes|9790222281431|NEAUM|Michael Neaum|No Wind At the Window|Choir - 3 part upper voices|2.00|25 75518|THE TRUTH FROM ABOVE arr. Michael Neaum
for upper voice choir and piano
Roberton 75518|Traditional English song arranged by Michael Neaum for unaccompanied upper voice choir (SSAA).
Duration 2 minutes|9790222281448|NEAUM|Michael Neaum|Truth from Above|Choir - 4 part upper voices|2.00|25 75519|WALY WALY arr. Michael Neaum
for upper voice choir and piano
Roberton 75519|A well-known traditional English song here beautifully arranged by Michael Neaum for upper voice choir (SSAA) with piano accompaniment.
Duration 4 minutes|9790222281455|NEAUM|Michael Neaum|Waly Waly|Choir - 4 part upper voices|2.00|25 75520|SPRINGTHORPE, Nigel
UBI CARITAS for upper voice choir and organ
Roberton 75520|A new setting by Nigel Springthorpe of Ubi Caritas (Where charity is) for two-part female voice choir and organ.
Duration 2? minutes|9790222281844|SPRINGTHORPE|Nigel Springthorpe|Ubi Caritas|Choir - 2 part upper voices|2.00|25 75521|SPRINGTHORPE, Nigel
BALULALOW for upper voice choir and harp or piano
Roberton 75521|A delightful new setting by Nigel Springthorpe of Balulalow for two-part upper voice choir, soprano solo (or semi-chorus) with harp or piano accompaniment.
Duration 1? minutes|9790222284593|SPRINGTHORPE|Nigel Springthorpe|Balulalow|Choir - 2 part upper voices|2.00|25 75522|SPRINGTHORPE, Nigel
IL EST NE LE DIVIN ENFANT for upper voice choir and organ or piano
Roberton 75522|A new arrangement by Nigel Springthorpe of this traditional French carol. It is scored for two-part upper voice choir with organ (or piano) accompaniment.
Duration just over 2 minutes|9790222284609|SPRINGTHORPE|Nigel Springthorpe|Il Est Ne Le Divin Enfant|Choir - 2 part upper voices|2.00|25 75600|BLACK IS THE COLOUR arr. Michael Neaum
for upper voice choir
Roberton 75600|Appalachian song arranged for SSAA choir unaccompanied.
Duration 2 minutes|9790222286399|NEAUM|Michael Neaum|Black Is the Colour|Choir - 4 part upper voices|2.00|25 75601|CARRICKFERGUS arr. Michael Neaum
for upper voice choir and piano
Roberton 75601|Irish traditional song arranged for SSAA and piano.
Duration 5 minutes|9790222286405|NEAUM|Michael Neaum|Carrickfergus|Choir - 3 part upper voices|2.00|25 75602|THE LASS FROM THE LOW COUNTREE arr. Michael Neaum
for upper voice choir and piano
Roberton 75602|Traditional American song arranged for SSA choir with piano accompaniment.
Duration 3 minutes|9790222286412|NEAUM|Michael Neaum|Lass from the Low Countree|Choir - 3 part upper voices|2.00|25 75603|THE PARTING GLASS arr. Michael Neaum
for upper voice choir
Roberton 75603|Irish traditional song arranged for unaccompanied SSA choir.
Duration 2 minutes|9790222286429|NEAUM|Michael Neaum|Parting Glass|Choir - 4 part upper voices|2.00|25 75604|GOUNOD - SANCTUS arr. Michael Neaum
for upper voice choir and piano
Roberton 75604|'An arrangement for soloist plus SSA choir and piano of Gounod''s famous Sanctus.
Duration 4? minutes'|9790222286436|GOUNOD|Charles Gounod|Sanctus arr.Neaum|Choir - 3 part upper voices|2.75|38 75605|SUSANNI arr. Michael Neaum
for upper voice choir and piano
Roberton 75605|German traditional Christmas song arranged for SSA choir and piano (or organ) accompaniment.
Duration 3 minutes|9790222286443|NEAUM|Michael Neaum|Susanni|Choir - 3 part upper voices|2.00|25 75606|WHENCE IS THAT GOODLY FRAGRANCE FLOWING? arr. Michael Neaum
for upper voice choir
Roberton 75606|Traditional French Christmas song arranged for SSA choir with piano.
Duration 3 minutes|9790222286450|NEAUM|Michael Neaum|Whence Is That Goodly Fragrance....|Choir - 3 part upper voices|2.00|25 75607|HAIKU - SIX MINIATURES by Michael Neaum
for piano and upper voice choir
Roberton 75607|Six miniatures, piano ostinati with voices floating above the main musical material. Beautiful!
Duration 9 minutes|9790222286467|NEAUM|Michael Neaum|Haiku - Six Miniatures|Choir - 3 part upper voices|4.00|63 75608|FAURE - APRES UN REVE arranged by Sue Harris
for piano and upper voice choir
Roberton 75608|'Faure''s beautiful Apres un Reve, originally for solo voice and piano, here arranged for SSAA choir and piano.
Duration 2? minutes'|9790222286559|FAURE G|Gabriel Faure|Apres Un Reve (arr.Harris)|Choir - 4 part upper voices|2.00|25 75609|Tom Cunningham
PATAPAN for piano and upper voice choir
Roberton 75609|A traditional French carol text set to new music by Tom Cunningham for two part (SA) upper voice choir with accompaniment of piano or orchestra. Orchestra score and parts available to buy or hire on request.

Sung at the Royal Liverpool Philharmonic Christmas concerts in 2019 and gained the comment:"They all loved it, and the choir were going around singing it - it became their jingle - very catchy."
Duration c.3 minutes|9790222286566|CUNNINGHAM|Tom Cunningham|Patapan|Choir - 2 part upper voices|2.00|25 75609FSC||||CUNNINGHAM|Tom Cunningham|Patapan Orchestral Score|Orchestral Score|10.00|63 75609PART||||CUNNINGHAM|Tom Cunningham|Patapan Orchestral Part|Orchestral Part|1.50|13 75610|'EL TESTAMENTA D''AMELIA arr. Michael Neaum
for upper voice choir and piano
Roberton 75610'|Traditional Catalan song with English words by John Neaum, arranged by Michael Neaum for SSA choir with piano accompaniment.
Duration 3? minutes|9790222290549|NEAUM|Michael Neaum|'El Testament d''Amelia'|Choir - 3 part upper voices|2.00|25 75611|LOVE CAME DOWN AT CHRISTMAS by Michael Neaum
for upper voice choir and piano
Roberton 75611|Beautiful new setting by Michael Neaum of words by Christina Rosetti. Scored for SSA choir with piano accompaniment.
Duration 2 minutes|9790222290556|NEAUM|Michael Neaum|Love Came Down at Christmas|Choir - 3 part upper voices|1.50|13 75612|REJOICE REJOICE by Michael Neaum
for upper voice choir and piano
Roberton 75612|Words and music by Michael Neaum for SSA choir with piano accompaniment. The text is based on an old Russian carol.
Duration 2? minutes|9790222290563|NEAUM|Michael Neaum|Rejoice, Rejoice!|Choir - 3 part upper voices|2.00|25 75613|SILENT NIGHT - A STABLE BARE by Michael Neaum
for unaccompanied upper voice choir
Roberton 75613|A new Christmas song with words and music by Michael Neaum based on an anonymous text. Scored for unaccompanied SSA choir and featuring two soloists.
Duration 2? minutes|9790222290570|NEAUM|Michael Neaum|Silent Night (A Stable Bare)|Choir - 3 part upper voices|2.00|25 75614|TWO LOVESONGS arr. by Michael Neaum
for upper voice choir
Roberton 75614|Two lovesongs: John Anderson my jo by Robert Burns arranged by Michael Neaum for two part (SA) unaccompanied voices; and Goldenhair - words by James Joyce set to music by Michael Neaum for two part (SA) choir with piano accompaniment. The two songs fit together rather well as a pair, though they could be sung separately.
Duration 3? minutes in total|9790222290587|NEAUM|Michael Neaum|Two Lovesongs (Anderson/Goldenhair)|Choir - 2 part upper voices|2.00|25 75615|AIR FALALALO arr. by Ken Johnston
for upper voice choir
Roberton 75615|A wonderful arrangement by Ken Johnston of Air Falalalo the traditional Gaelic tune with words by Hugh Roberton. A mixed voice choir version also by Ken Johnston is also available - 63243.
Duration 3 minutes|9790222291843|JOHNSTON|Ken Johnston|Air Falalalo|Choir - 3 part upper voices|2.75|38 75616|THE FLOWER OF MAHERALLY
arranged for upper voice choir by Michael Neaum
Roberton 75616|Traditional Irish song arranged for SSA choir with piano accompaniment. (Maherally is also sometimes written as Magherally)
Duration 3 minutes|9790222298064|NEAUM|Michael Neaum|Flower of Maherally|Choir - 3 part upper voices|2.00|25 75617|STAR IN THE SOUTH
arranged for upper voice choir by Michael Neaum
Roberton 75617|Polish carol arranged by Michael Neaum for unaccompanied SSAA choir.
Duration 3 minutes|9790222298071|NEAUM|Michael Neaum|Star in the South|Choir - 4 part upper voices|2.00|25 75618|Michael Neaum
THE SKYLARK
for upper voice choir and piano
Roberton 75618|'In 2014, Hereford Cathedral School''s Cantabile Girls'' Choir commissioned Michael Neaum to set to music, a poem by Digby Haseler, a former pupil of the school who served in the First World War. The Skylark premiered on 18th October 2014 in Hereford Cathedral at a charity concert to raise money for local military charities. Subsequently, the choir sung The Skylark when they won the BBC Songs of Praise "School Choir of the Year" in May 2015.
Duration 3? minutes

One lark sings over No Man''s Land.
The batteries roar on either hand,
And very angry guns are they,
Now the night turns into day . . . .'|9790222298309|NEAUM|Michael Neaum|Skylark|Choir - 3 part upper voices|2.75|38 75619|Tom Cunningham
SONGS OF SOLOMON
for SSA choir with clarinet and piano
Roberton 75619|'New musical settings of texts taken from the King James version of the "Song of Solomon", for upper voice choir (SSA) with clarinet and piano accompaniment. A separate clarinet part is on sale; it is, of course, shown in the score.

The song of songs, which is Solomon''s.
Let him kiss me with the kisses of his mouth:
for thy love is better than wine.
My beloved spake, and said unto me,
Rise up, my love, my fair one, and come away.
For, lo, the winter is past, the rain is over and gone;
The flowers appear on the earth;
the time of the singing of birds is come,
and the voice of the turtle is heard in our land;
The fig tree putteth forth her green figs,
and the vines with the tender grape give a good smell.
Arise, my love, my fair one, and come away.
My beloved is mine, and I am his.
His head is as the most fine gold,
his locks are bushy, and black as a raven.
His eyes are as the eyes of doves by the rivers of waters,
washed with milk and fitly set.
His cheeks are as a bed of spices, as sweet as flowers:
his lips like lilies, dropping sweet smelling myrrh.
His hands are as gold rings set with the beryl;
his belly is as bright as ivory overlaid with sapphires.
His legs are as pillars of marble, set upon sockets of fine gold:
his countenance is as Lebanon, excellent as the cedars.
My beloved is mine, and I am his.

Duration 7 minutes'|9790222304222|CUNNINGHAM|Tom Cunningham|Songs of Solomon|Choir - 3 part upper voices|4.75|75 75619CL|||9790222304239|CUNNINGHAM|Tom Cunningham|Songs of Solomon Clarinet Part|Choir - 3 part upper voices|3.50|13 75620|Philip Lane
AMAZING GRACE for SSA choir and piano
Roberton 75620|An arrangement for a choir of upper voices (SSA with divisi) with piano accompaniment of this much loved hymn. This arrangement was originally published in 1982 by Fulcrum Music Publications. This new edition for the Roberton Catalogue has been newly typeset and has a revised layout. A number of alterations and amendments have also been made.
Duration 4 minutes|9790222304666|LANE P|Philip Lane|Amazing Grace|Choir - 3 part upper voices|2.75|38 75621|Tom Cunningham
FOR UNTO US A CHILD IS BORN for upper voice choir and piano
Roberton 75621|'Words from Isaiah 9:6, well known from their use in a section of Handel''s Messiah, are here set to new music by Tom Cunningham for upper voice choir (SSA) and piano. There are also versions for mixed voice choir - either SATB (no. 63304) or SA+Men (no. 62007).
Duration 3 minutes

An orchestral accompaniment is available on hire from Goodmusic.'|9790222307513|CUNNINGHAM|Tom Cunningham|For Unto Us A Child Is Born|Choir - 3 part upper voices|2.75|38 75631|Peter Lawson
A BED OF HAY for SSA choir
Roberton 75631|'This is the first carol in a sequence entitled A BED OF HAY, a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2 minutes'|9790222310742|LAWSON|Peter Lawson|A Bed of Hay|Choir - 3 part upper voices|2.00|25 75632|'Peter Lawson
SHEPHERDS'' CAROL for SSA choir
Roberton 75632'|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2? minutes'|9790222310759|LAWSON|Peter Lawson|'Shepherds'' Carol'|Choir - 3 part upper voices|2.00|25 75633|Peter Lawson
DOMINE TE ADORO for SSA choir
Roberton 75633|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 3 minutes'|9790222310766|LAWSON|Peter Lawson|Domine Adoro Te|Choir - 3 part upper voices|2.00|25 75634|Peter Lawson
CHRIST IS HERE, HOLY YEAR for SSA choir
Roberton 75634|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2? minutes'|9790222310773|LAWSON|Peter Lawson|Christ is here Holy Year|Choir - 3 part upper voices|2.00|25 75635|Peter Lawson
THIS HAPPY NIGHT for SSA choir
Roberton 75635|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 3 minutes'|9790222310780|LAWSON|Peter Lawson|This Happy Night|Choir - 3 part upper voices|2.75|38 75636|Peter Lawson
THE NIGHT WIND IS COLD for SSA choir
Roberton 75636|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 3 minutes'|9790222310797|LAWSON|Peter Lawson|The Night Wind is Cold|Choir - 3 part upper voices|2.00|25 75637|Peter Lawson
HODIE! CHRISTUS NATUS EST for SSA choir
Roberton 75637|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 2? minutes'|9790222310803|LAWSON|Peter Lawson|Hodie! Christus Natus est|Choir - 3 part upper voices|2.00|25 75638|Dvorak arr. Philip Lane
A NEW WORLD VOCALISE for SSA choir
Roberton 75638|'Taken from Dvorak''s famous "Largo", the second movement of his Symphony No.9 "From the New World", here arranged for unaccompanied wordless SSA choir.
Duration c.3 minutes'|9790222311831|DVORAK A|Antonin Dvorak|New World Vocalise arr.Lane|Choir - 3 part upper voices|2.00|25 75639|Clive Jenkins
SWEET WAS THE SONG for two part voices
Roberton 75639|A Christmas song for soprano and alto voices with piano or organ accompaniment. Words are by William Ballet (early 17th Century).
Duration 2 minutes

Also available in a version for SSA - 75649|9790222313415|JENKINS C|Clive Jenkins|Sweet was the Song|Choir - 2 part upper voices|1.50|13 75640|Hugh Roberton
DALMATIAN CRADLE SONG
Arranged for upper voice choir by Kerry Boyle
Roberton 75640|The Dalmatian Cradle Song is a song created by Hugh Roberton from "a tune noted from the singing of a peasant in Yugoslavia". Also available in its original form for solo (or unison voices) and piano (No.75012), this new arrangement by Kerry Boyle is for unaccompanied upper voice choir (SSA).
Duration 2 minutes|9790222313422|ROBERTON|Hugh S. Roberton|Dalmatian Cradle Song arr.Boyle|Choir - 3 part upper voices|1.50|13 75641|Clive Jenkins
AVE MARIA for unison voices or mezzo-soprano solo
Roberton 75641|A lovely gentle setting of the Ave Maria for unison voices or a mezzo-soprano solo with organ accompaniment. Vocal range C-E.
Duration 2 minutes|9790222313453|JENKINS C|Clive Jenkins|Ave Maria|Choir - Unison voices|1.50|13 75642|Philip Lane
AMERICAN LULLABY for upper voice choir
Roberton 75642|'"Hush little baby, don''t say a word....." in a setting by Philip Lane for unaccompanied upper voice choir (SSA).
Duration 2? minutes'|9790222320703|LANE P|Philip Lane|American Lullaby|Choir - 3 part upper voices|2.00|25 75643|Tchaikovsky arr.Philip Lane
LEGEND for upper voice choir
Roberton 75643|'An arrangement by Philip Lane for unaccompanied upper voice choir (SSA) of Tchaikovsky''s "Legend".
Duration 2? minutes'|9790222320710|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Legend arr.Lane|Choir - 3 part upper voices|2.00|25 75644|Philip Lane
CARIBBEAN CHORALE for upper voice choir
Roberton 75644|"O little one sweet...." - 17th century text set to music in a Caribbean style by Phlip Lane, for two part upper voice choir (SA) and piano with optional flutes or recorders.
Duration 3 minutes|9790222320727|LANE P|Philip Lane|Caribbean Chorale|Choir - 2 part upper voices|2.00|25 75645|Philip Lane
ANGELS FROM THE REALMS OF GLORY for upper voice choir
Roberton 75645|A lively and very rhythmic setting by Philip Lane for two part upper voice choir (SA) and piano.
Duration 3 minutes|9790222320734|LANE P|Philip Lane|Angels from the Realms of Glory|Choir - 2 part upper voices|2.75|38 75646|Michael Neaum
BAILERO for upper voice choir and piano
Roberton 75646|'Traditional shepherds'' song from the mountains in the Auvergne region of France in a lovely arrangement for upper voice choir and piano.
Duration 3 minutes'|9790222322844|NEAUM|Michael Neaum|Bailero|Choir - 4 part upper voices|2.00|25 75647|Michael Neaum
BOBBY SHAFTOE for upper voice choir and piano
Roberton 75647|A very original Michael Neaum arrangement for upper voice choir and piano of this favourite folk song.
Duration 2 minutes|9790222322851|NEAUM|Michael Neaum|Bobby Shaftoe|Choir - Upper voices|2.00|25 75648|Michael Neaum
EARLY ONE MORNING for upper voice choir and piano
Roberton 75648|A gentle, soothing Michael Neaum arrangement for upper voice choir and piano. Just what you need early in the morning!
Duration 2? minutes|9790222322868|NEAUM|Michael Neaum|Early One Morning|Choir - 2 part upper voices|2.00|25 75649|Clive Jenkins
SWEET WAS THE SONG for SSA
Roberton 75649|A Christmas song for 2 soprano and alto voices with piano or organ accompaniment. Words are by William Ballet (early 17th Century).
Duration 2 minutes

Also available in a two part version - 75639|9790222323933|JENKINS C|Clive Jenkins|Sweet was the Song|Choir - 3 part upper voices|2.00|25 80405|||9790222248960|GOUNOD|Charles Gounod|'By Babylon''s Wave'|Choir - Mixed voices (SATB)|2.75|38 80580|||9790222248977|NAYLOR E W|Edward Woodall Naylor|Magnificat and Nunc Dimittis in A|Choir - Mixed voices (2xSATB)|3.50|50 85001|||9790222248984|NAYLOR B|Bernard Naylor|Invitation To Music|Choir - Mixed voices (SATB)|2.75|38 85002|||9790222248991|NAYLOR B|Bernard Naylor|Missa Sine Credo|Choir - Mixed voices (SATB)|3.50|50 85003|Jack Griffin
THE MOUNTAIN OF THE LORD
Roberton 85003|Anthem for SATB and organ|9790222249004|GRIFFIN|Jack Griffin|Mountain of the Lord|Choir - Mixed voices (SATB)|2.00|25 85013|||9790222249011|NAYLOR B|Bernard Naylor|Come Holy Ghost Eternal God|Choir - Mixed voices (SATB)|2.00|25 85014|||9790222249028|LE FLEMING C|Christopher Le Fleming|Two Motets for Christmas|Choir - Mixed voices (SATB)|2.75|38 85015|||9790222249035|ELDRIDGE|Guy Eldridge|Hymn To God the Father|Choir - Mixed voices (SATB)|2.00|25 85016|||9790222249042|BEAUMONT|Adrian Beaumont|Spacious Firmament On High|Choir - Mixed voices (SATB)|2.75|38 85017|Heath Lees
TWO MEDIEVAL CAROLS for mixed voice choir
Roberton 85017|Two Medieval Carols - "Nowell, Nowell" and "Jesu, fili dei" - set to music by Heath Lees for unaccompanied mixed voice chori (SATB)
Duration 2 minutes and 3 minutes|9790222249059|LEES|Heath Lees|Two Medieval Carols|Choir - Mixed voices (SATB)|2.00|25 85018|Neil Butterworth
BLESSED BE THE TIME
Roberton 85018|for SATB chorus unaccompanied|9790222249066|BUTTERWORTHN|Neil Butterworth|Blessed Be the Time|Choir - Mixed voices (SATB)|1.50|13 85019|||9790222249073|LE FLEMING C|Christopher Le Fleming|I Sing of A Maiden|Choir - Mixed voices (SATB)|2.00|25 85023|||9790222249080|CENTER|Ronald Center|Three Nativity Carols|Choir - Mixed voices (SATB)|2.00|25 85026|||9790222249097|SAUNDERS|Neil Saunders|Benedic Anima Mea - Psalm 104|Choir - Mixed voices (SATB)|5.50|88 85027|||9790222249103|SAUNDERS|Neil Saunders|Jubilate Deo|Choir - Mixed voices (SATB)|3.50|50 85028|||9790222249110|SAUNDERS|Neil Saunders|Magnificat and Nunc Dimittis|Choir - Mixed voices (SATB)|2.75|38 85029|||9790222249127|BROWN C|Christopher Brown|Hexham Mass Series 3|Choir - Mixed voices (SATB)|5.50|88 85029C|||9790222249134|BROWN C|Christopher Brown|Hexham Mass Series 3 (congregation)|Choir - Mixed voices (SATB)|2.00|25 85030|||9790222249141|WATERS|Charles F. Waters|Creator Spirit|Choir - Mixed voices (SATB)|2.00|25 85031|||9790222249158|HANSON|Geoffrey Hanson|Two Harvest Carols|Choir - Mixed voices (SATB)|1.50|13 85032|||9790222249165|HANSON|Geoffrey Hanson|Lute-Book Lullaby|Choir - Mixed voices (SATB)|1.50|13 85033|||9790222249172|GIBBS D|Douglas Gibbs|In A Stable Bare|Choir - Mixed voices (SATB)|2.00|25 85034|||9790222249189|GARDEN|Edward Garden|Angel Voices Singing|Choir - 4 part upper voices|2.00|25 85035|||9790222249196|CAMILLERI|Charles Camilleri|Missa Brevis|Choir - Mixed voices (SATB)|4.75|75 85037|||9790222249202|HANSON|Geoffrey Hanson|People Look East|Choir - Mixed voices (SATB)|1.50|13 85038|||9790222249219|HANSON|Geoffrey Hanson|Let the Whole Creation Cry|Choir - Mixed voices (SATB)|2.75|38 85039|||9790222249226|HANSON|Geoffrey Hanson|Down in Yon Forest|Choir - Mixed voices (SATB)|1.50|13 85040|Healey Willan
GLORIA DEO PER IMMENSA SAECULA for choir
Roberton 85040|Motete for SSATB choir. Words from a Doxology c.1100, music by Healey Willan.|9790222249233|WILLAN|Healey Willan|Gloria Deo Per Immensa Saecula|Choir - Mixed voices (SATB)|4.00|63 85041|||9790222249240|HANSON|Geoffrey Hanson|Venite Exultemus Domino|Choir - Mixed voices (SATB)|2.00|25 85042|||9790222249257|HANSON|Geoffrey Hanson|Benedictus|Choir - Mixed voices (SATB)|3.50|50 85043|||9790222249264|HANSON|Geoffrey Hanson|Te Deum Laudamus|Choir - Mixed voices (SATB)|2.75|38 85044|||9790222249271|HANSON|Geoffrey Hanson|Magnificat and Nunc Dimittis|Choir - Mixed voices (SATB)|3.50|50 85045|||9790222249288|HANSON|Geoffrey Hanson|Preces and Responses|Choir - Mixed voices (SATB)|1.50|13 85046|||9790222249295|SMITH|Robert Smith|Star of Bethlehem (English/Welsh)|Choir - Mixed voices (SATB)|7.00|113 85049|||9790222249301|ROSE|Bernard Rose|Behold, I Make All Things New|Choir - Mixed voices (SATB)|2.00|25 85053|||9790222249318|BACH JS|Johann Sebastian Bach|Jesus Is the Loveliest Light|Choir - Mixed voices (SATB)|1.50|13 85057|||9790222249325|COPLEY|Ian A. Copley|As Joseph Was A-walking|Choir - Mixed voices (SAMen)|2.00|25 85058|||9790222249332|NAYLOR B|Bernard Naylor|Crown of Thorns|Choir - Mixed voices (SATB)|3.50|50 85059|||9790222249349|NAYLOR B|Bernard Naylor|Easter Sequence|Choir - Mixed voices (SATB)|4.00|63 85060|||9790222249356|NAYLOR B|Bernard Naylor|Ascension|Choir - Mixed voices (SATB)|2.75|38 85061|||9790222249363|IVES G|Grayston Ives|Magnificat and Nunc Dim.(Edington)|Choir - Mixed voices (SATB)|2.75|38 85062|||9790222249370|WILKINSON|Stephen Wilkinson|Galician Carol|Choir - Mixed voices (SATB)|2.00|25 85067|||9790222249387|LE FLEMING C|Christopher Le Fleming|Since We Stay Not Here|Choir - Mixed voices (SATB)|2.75|38 85068|||9790222249394|HEAD|Michael Head|I Will Magnify the Lord|Choir - Mixed voices (SATB)|3.50|50 85069|||9790222249400|NAYLOR B|Bernard Naylor|Does the Day-star Rise?|Choir - Mixed voices (SATB)|1.50|13 85070|||9790222249417|NAYLOR B|Bernard Naylor|Magnificat and Nunc Dimittis|Choir - Mixed voices (SATB)|2.75|38 85071|||9790222249424|NAYLOR B|Bernard Naylor|O Be Joyful in the Lord|Choir - Mixed voices (SATB)|2.00|25 85072|||9790222249431|NAYLOR B|Bernard Naylor|Service and Strength|Choir - Mixed voices (SATB)|2.00|25 85073|||9790222249448|NAYLOR B|Bernard Naylor|Sonnet To the Trinity|Choir - Mixed voices (SATB)|2.75|38 85074|||9790222249455|NAYLOR B|Bernard Naylor|Spacious Firmament On High|Choir - Mixed voices (SATB)|2.00|25 85075|||9790222249462|NAYLOR B|Bernard Naylor|Star-song: A Carol To the King|Choir - Mixed voices (SATB)|2.00|25 85084|||9790222249479|NAYLOR B|Bernard Naylor|9 Motets - No.1 (Advent)|Choir - Mixed voices (SATB)|2.00|25 85085|||9790222249486|NAYLOR B|Bernard Naylor|9 Motets - No.2 (Christmas Day)|Choir - Mixed voices (SATB)|2.00|25 85086|||9790222249493|NAYLOR B|Bernard Naylor|9 Motets - No.3 (Epiphany)|Choir - Mixed voices (SATB)|2.75|38 85087|||9790222249509|NAYLOR B|Bernard Naylor|9 Motets - No.4 (Ash Wednesday)|Choir - Mixed voices (SATB)|2.00|25 85088|||9790222249516|NAYLOR B|Bernard Naylor|9 Motets - No.5 (Good Friday)|Choir - Mixed voices (SATB)|1.50|13 85089|||9790222249523|NAYLOR B|Bernard Naylor|9 Motets - No.6 (Easter Day)|Choir - Mixed voices (SATB)|2.00|25 85090|||9790222249530|NAYLOR B|Bernard Naylor|9 Motets - No.7 (Ascension Day)|Choir - Mixed voices (SATB)|2.75|38 85091|||9790222249547|NAYLOR B|Bernard Naylor|9 Motets - No.8 (Whitsunday)|Choir - Mixed voices (SATB)|2.00|25 85092|||9790222249554|NAYLOR B|Bernard Naylor|9 Motets - No.9 (Trinity Sunday)|Choir - Mixed voices (SATB)|2.00|25 85094|||9790222249561|NAYLOR B|Bernard Naylor|My Song Is Love Unknown|Choir - Mixed voices (SATB)|2.00|25 85095|||9790222249578|NAYLOR B|Bernard Naylor|Creator Spirit|Choir - Mixed voices (SATB)|1.50|13 85096|||9790222249585|GANGE|Kenneth Gange|Unto Us A Boy Is Born (suite)|Choir - Mixed voices (SATB)|3.50|50 85097|||9790222249592|GIBBONS|Orlando Gibbons|Christmas Introit (ed.Beechey)|Choir - Mixed voices (SATB)|1.50|13 85098|||9790222249608|BEECHEY|Gwilym Beechey|Linden Tree Carol|Choir - Mixed voices (SATB)|1.50|13 85099|||9790222249615|PRAETORIUS|Michael Praetorius|Veni Redemptor Gentium arr.Beechey|Choir - Mixed voices (SATB)|1.50|13 85100|||9790222249622|TAYLOR JWR|John W.R. Taylor|Birthday|Choir - Mixed voices (SATB)|2.00|25 85101|||9790222249639|ROPER|Judeth Roper|Jesus Christ Is Born for Aye|Choir - Mixed voices (SATB)|2.00|25 85102|||9790222249646|FISHER|David J. Fisher|Mary Laid Her Child|Choir - Mixed voices (SATB)|1.50|13 85103|||9790222249653|ROBERTON|Hugh S. Roberton|O Brother Man|Choir - Mixed voices (SATB)|1.50|13 85104|||9790222249660|ROBERTON|Hugh S. Roberton|Stracathro|Choir - Mixed voices (SATB)|1.50|13 85105|||9790222249677|SWANN|Donald Swann|Praise the Lord Who Reigns Above|Choir - Mixed voices (SATB)|1.50|13 85106|||9790222249684|CAMILLERI|Charles Camilleri|'Christ''s Birthday'|Choir - Mixed voices (SATB)|1.50|13 85108|||9790222249691|LANGDON|Richard Langdon|'Lord''s Prayer'|Choir - Mixed voices (SATB)|1.50|13 85110|||9790222249707|BARNBY|Joseph Barnby|Jesus the First and Last|Choir - Mixed voices (SATB)|1.50|13 85111|||9790222249714|WESTBROOK|Francis Westbrook|Love Is His Name|Choir - Mixed voices (SATB)|2.00|25 85114|||9790222249721|HEAD|Michael Head|Oxen|Choir - Mixed voices (SATB)|2.00|25 85115|||9790222249738|ROBERTON|Hugh S. Roberton|Be With Us Lord This Eventide|Choir - Mixed voices (SATB)|2.00|25 85116|||9790222249745|VIVALDI|Antonio Vivaldi|Gloria (from the Cantata)|Choir - Mixed voices (SATB)|2.75|38 85117|||9790222249752|ROBERTON|Hugh S. Roberton|Martyrdom|Choir - Mixed voices (SATB)|1.50|13 85118|||9790222249769|ROBERTON|Hugh S. Roberton|Belmont|Choir - Mixed voices (SATB)|1.50|13 85119|||9790222249776|ROBERTON|Hugh S. Roberton|Ballerma|Choir - Mixed voices (SATB)|1.50|13 85120|||9790222249783|ROBERTON|Hugh S. Roberton|Orlington|Choir - Mixed voices (SATB)|1.50|13 85121|||9790222249790|ROBERTON|Hugh S. Roberton|Old 124th|Choir - Mixed voices (SATB)|1.50|13 85122|||9790222249806|ROBERTON|Hugh S. Roberton|Kedron|Choir - Mixed voices (SATB)|1.50|13 85123|||9790222249813|ROBERTON|Hugh S. Roberton|Martyrs|Choir - Mixed voices (SATB)|1.50|13 85124|||9790222249820|ROBERTON|Hugh S. Roberton|Jackson|Choir - Mixed voices (SATB)|1.50|13 85125|||9790222249837|ROBERTON|Hugh S. Roberton|Elgin|Choir - Mixed voices (SATB)|1.50|13 85126|||9790222249844|ROBERTON|Hugh S. Roberton|Glasgow|Choir - Mixed voices (SATB)|1.50|13 85127|||9790222249851|ROBERTON|Hugh S. Roberton|Abbey|Choir - Mixed voices (SATB)|1.50|13 85128|||9790222249868|ROBERTON|Hugh S. Roberton|Hosanna|Choir - Mixed voices (SATB)|1.50|13 85129|||9790222249875|ROBERTON|Hugh S. Roberton|Crimond|Choir - Mixed voices (SATB)|1.50|13 85130|||9790222249882|ROBERTON|Hugh S. Roberton|Dennis|Choir - Mixed voices (SATB)|1.50|13 85131|||9790222249899|GANGE|Kenneth Gange|Childing Slept|Choir - Mixed voices (SATB)|1.50|13 85132|||9790222249905|GANGE|Kenneth Gange|Love Came Down At Christmas/O Litt.|Choir - Mixed voices (SATB)|2.00|25 85135|||9790222249912|BLAKE L|Leonard Blake|'God''s Farm'|Choir - Mixed voices (SATB)|2.00|25 85138|||9790222249929|HEWITT-JONES|Tony Hewitt-Jones|Welcome Yule|Choir - Mixed voices (SATB)|2.75|38 85140|||9790222249936|BENGER|Richard Benger|Michaelmas|Choir - Mixed voices (SATB)|2.00|25 85142|Mary Plumstead
EVENING PRAYER for mixed voice choir
Roberton 85142|Also known as EVENING HYMN this lovely short piece is for unaccompanied SATB choir.
Duration 1 minute|9790222249943|PLUMSTEAD|Mary Plumstead|Evening Prayer|Choir - Mixed voices (SATB)|1.50|13 85145|||9790222249950|SAUNDERS|Neil Saunders|Plainsong Carol|Choir - Mixed voices (SATB)|1.50|13 85149|||9790222249967|SHAW M|Martin Shaw|'God''s Grandeur'|Choir - Mixed voices (SATB)|3.50|50 85150|||9790222249974|SHAW M|Martin Shaw|Come Rejoicing|Choir - Mixed voices (SATB)|2.00|25 85157|||9790222249981|CAMILLERI|Charles Camilleri|Bless the Lord - Psalm 103|Choir - Mixed voices (SATB)|2.00|25 85159|||9790222249998|CLARK H|Henry Clark|He Is Risen|Choir - Mixed voices (SATB)|2.00|25 85160|||9790222250000|PATRICK|David Patrick|On This Day Is Born A Baby|Choir - Mixed voices (SATB)|1.50|13 85161|||9790222250017|BROWN G|Gerald Brown|Make We Joy / Bye,By Lullaby|Choir - Mixed voices (SATB)|2.75|38 85169|||9790222250024|STEPHENS|Howard Stephens|Osterley Service|Choir - Mixed voices (SATB)|3.50|50 85169C|||9790222250031|STEPHENS|Howard Stephens|Osterley Service (congregation pt)|Choir - Mixed voices (SATB)|2.75|38 85177|||9790222250048|GREENWAY|Kenneth Greenway|Dulcis Est Amor|Choir - Mixed voices (SATB)|1.50|13 85180|||9790222250055|FISHER|David J. Fisher|Ave Regina Caelorum|Choir - Mixed voices (SATB)|1.50|13 85187|William Henry Anderson
AS I WALKED IN BETHLEHEM for mixed voice choir
Roberton 85187|Christmas carol-anthem for mixed voice choir (SATB) a cappella. Words by Audrey Alexander Brown, music by W.H.Anderson.|9790222250062|ANDERSON|William Henry Anderson|As I Walked in Bethlehem|Choir - Mixed voices (SATB)|1.50|13 85188|||9790222250079|GARLAND|Hugh Garland|Two Besancon Carols|Choir - Mixed voices (SATB)|1.50|13 85189|||9790222250086|ANDERSON|William Henry Anderson|Two Christmas Carols|Choir - Mixed voices (SATB)|1.50|13 85190|Michael Head
I WILL LIFT UP MINE EYES for mixed voice choir
Roberton 85190|'Michael Head''s lovely setting of Psalm 121 (originally for solo voice) is here arranged by Antonin Tucapsky for mixed voice choir with organ or piano.
Duration: 3 minutes'|9790222263222|HEAD|Michael Head|I Will Lift Up Mine Eyes (Tucapsky)|Choir - Mixed voices (SATB)|2.00|25 85191|Michael Head
MAKE A JOYFUL NOISE UNTO THE LORD for mixed voice choir
Roberton 85191|'Michael Head''s lovely setting of Psalm 100 (originally for solo voice) is here arranged by Antonin Tucapsky for mixed voice choir with organ or piano.
Duration: 3 minutes'|9790222263239|HEAD|Michael Head|Make A Joyful Noise (Tucapsky)|Choir - Mixed voices (SATB)|2.00|25 85192|James Kirkwood
FUM, FUM, FUM
Roberton 85192||9790222250093|KIRKWOOD|James Kirkwood|Fum, Fum, Fum|Choir - Mixed voices (SATB)|2.75|38 85193|||9790222250109|THIMAN|Eric Thiman|Christmas Night|Choir - Mixed voices (SATB)|2.00|25 85194|||9790222250116|THIMAN|Eric Thiman|My Little Son|Choir - Mixed voices (SATB)|1.50|13 85195|||9790222250123|THIMAN|Eric Thiman|Christ Was Born At Bethlehem|Choir - Mixed voices (SATB)|2.00|25 85196|||9790222250130|THIMAN|Eric Thiman|Father Most Holy|Choir - Mixed voices (SATB)|2.00|25 85201|||9790222250147|BALDWYN|Rodney Baldwyn|Carol of the Trees|Choir - Mixed voices (SATB)|1.50|13 85210|||9790222250154|BLAKE L|Leonard Blake|Offering of Praise|Choir - Mixed voices (SATB)|2.00|25 85214|||9790222250161|CAREY|J. D. Carey|Seven Festival Introits|Choir - Mixed voices (SATB)|2.75|38 85216|||9790222250178|WEBB|Evelyn Webb|Joseph Dearest|Choir - Mixed voices (SATB)|2.00|25 85223|Knut Nystedt
MISSA BREVIS
for mixed voice choir
Roberton 85223|Missa Brevis by Knut Nystedt for unaccompanied mixed voice choir (SATB).
Kyrie; Gloria; Credo; Sanctus; Agnus Dei
Duration 15 minutes|9790222250185|NYSTEDT|Knut Nystedt|Missa Brevis|Choir - Mixed voices (SATB)|4.75|75 85232|||9790222250192|BROWN P|Peter Brown|Who Lies in Yon Manger?|Choir - Mixed voices (SATB)|1.50|13 85237|||9790222250208|THOMAS M|Mansell Thomas|Canodd y Ser|Choir - Mixed voices (SATB)|1.50|13 85241|||9790222250215|NYSTEDT|Knut Nystedt|Wall Is Down|Choir - Mixed voices (SATB)|4.00|63 85242|||9790222250222|COOPER|David Cooper|Come My Way My Truth.. SATB or Unis|Choir - Mixed voices (SATB)|1.50|13 85243|||9790222250239|TUCAPSKY|Antonin Tucapsky|Veni Sancte Spiritus|Choir - Mixed voices (SATB)|3.50|50 85246|||9790222250246|PATRICK|David Patrick|Out of the Orient Crystal Skies|Choir - Mixed voices (SATB)|2.00|25 85249|||9790222250253|SWANN|Donald Swann|Canticles of the Eastern Church 1|Choir - Mixed voices (SATB)|7.00|113 85250|||9790222250260|SWANN|Donald Swann|Canticles of the Eastern Church 2|Choir - Mixed voices (SATB)|7.50|125 85251|||9790222250277|WHITBURN|Victor Whitburn|Advent Music for Choirs|Choir - Mixed voices (SATB)|2.75|38 85253|||9790222250284|FRASER S|Shena Fraser|I Saw Three Ships|Choir - Mixed voices (SATB)|2.00|25 85255|Knut Nystedt
AVE MARIA
for mixed voice choir and solo violin
Roberton 85255|Ave Maria set to music by Knut Nystedt for mixed voice choir (SATB) and violin.
Duration about 10 minutes
The violin part is available spearately under 85255VLN|9790222250291|NYSTEDT|Knut Nystedt|Ave Maria (mixed voices & violin)|Choir - Mixed voices (SATB)|3.50|50 85255VLN|Knut Nystedt
AVE MARIA (VIOLIN PART)
Roberton 85255VLN|See under 85255 for the choral copy.|9790222250307|NYSTEDT|Knut Nystedt|Ave Maria (violin part)|Violin solo|1.50|13 85256|||9790222250314|GRINDLE|Harry Grindle|What Is That Light?|Choir - Mixed voices (SATB)|1.50|13 85257|||9790222250321|PRICE|Beryl Price|'Chesterton''s Carol'|Choir - Mixed voices (SATB)|1.50|13 85258|||9790222250338|PRICE|Beryl Price|Small As A Bird|Choir - Mixed voices (SATB)|1.50|13 85267|||9790222250345|HAWES J|Jack Hawes|Drop Drop Slow Tears|Choir - Mixed voices (SATB)|1.50|13 85269|||9790222250352|FIELD G|Geoffrey Field|Sing We To This Merry Company|Choir - Mixed voices (SATB)|2.00|25 85270|||9790222250369|JOHNSON R|Reginald Johnson|Stars Watch High|Choir - Mixed voices (SATB)|1.50|13 85271|||9790222250376|MORGAN|Hilda Morgan|This Little Babe|Choir - Mixed voices (SATB)|1.50|13 85272|||9790222250383|MORGAN|Hilda Morgan|As With Gladness|Choir - Mixed voices (SATB)|1.50|13 85275|||9790222250390|WETHERELL|Eric Wetherell|Your Gift To Man (SSATBB)|Choir - Mixed voices (SATB)|2.75|38 85276|||9790222250406|VANN|Stanley Vann|I Sing of A Maiden|Choir - Mixed voices (SATB)|1.50|13 85277|||9790222250413|GORDON-SMITH|Richard Gordon-Smith|Welcome Carol|Choir - Mixed voices (SATB)|3.50|50 85288|||9790222250420|BRUCH|Max Bruch|'On Jordan''s Banks'|Choir - Mixed voices (SATB)|2.00|25 85290|||9790222250437|TERRY|Richard Runciman Terry|Myn Lyking / Angel Gabriel|Choir - Mixed voices (SATB)|1.50|13 85293|||9790222250444|WEBB|Evelyn Webb|Whence Is That Goodly Fragrance|Choir - Mixed voices (SATB)|1.50|13 85296|||9790222250451|MEAKINS|Vaughan Meakins|De Virgin Mary Had A Baby Boy|Choir - Mixed voices (SATB)|2.75|38 85297|||9790222250468|OXLEY|Harrison Oxley|Call of the Bells|Choir - Mixed voices (SATB)|2.75|38 85298|||9790222250475|GRIFFIN|Jack Griffin|Nine Short Introits|Choir - Mixed voices (SATB)|2.00|25 85299|||9790222250482|BERTALOT|John Bertalot|See the Baby Jesus|Choir - Mixed voices (SATB)|2.00|25 85300|||9790222250499|ZERAFA|Benigno Zerafa|Magnus Dominus (ed.Camilleri)|Choir - Mixed voices (SATB)|2.75|38 85302|||9790222250505|ROTHERY|Kenneth Rothery|Christ-Child in the Manger|Choir - Mixed voices (SATB)|2.00|25 85304|||9790222250512|ELFYN-JONES|Richard Elfyn-Jones|Good King Wenceslas|Choir - Mixed voices (SATB)|2.00|25 85306|||9790222250529|BUHAGIAR|Don Buhagiar|O Bone Jesu|Choir - Mixed voices (SATB)|1.50|13 85307|||9790222250536|SCHUBERT|Franz Schubert|Salve Regina (arr.Camilleri)|Choir - Mixed voices (SATB)|2.00|25 85308|||9790222250543|HEWITT-JONES|Tony Hewitt-Jones|Out of the Deep (Psalm 130)|Choir - Mixed voices (SATB)|2.00|25 85309|||9790222250550|GREAVES|Terence Greaves|Rejoice and Be Merry|Choir - Mixed voices (SATB)|4.00|63 85311CH|||9790222250567|TUCAPSKY|Antonin Tucapsky|Come Sing and Dance (chorus pt)|Choir - Mixed voices (SATB)|2.00|25 85311SC|||9790222250574|TUCAPSKY|Antonin Tucapsky|Come Sing and Dance|Choir - Mixed voices (SATB)|2.75|38 85312|||9790222250581|TUCAPSKY|Antonin Tucapsky|Child Is Born|Choir - Mixed voices (SATB)|2.75|38 85313CH|||9790222250604|TUCAPSKY|Antonin Tucapsky|Sing All Ye Shepherds (chorus part)|Choir - Mixed voices (SATB)|1.50|13 85313SC|||9790222250598|TUCAPSKY|Antonin Tucapsky|Sing All Ye Shepherds (perc+chorus)|Choir - Mixed voices (SATB)|2.00|25 85314|||9790222250611|TUCAPSKY|Antonin Tucapsky|Balulalow (+sop solo/gtr)|Choir - Mixed voices (SATB)|1.50|13 85315CH|||9790222250628|TUCAPSKY|Antonin Tucapsky|Let Us Go To Bethlehem (chorus pt)|Choir - Mixed voices (SATB)|2.00|25 85315SC|||9790222250635|TUCAPSKY|Antonin Tucapsky|Let Us Go To Bethlehem|Choir - Mixed voices (SATB)|3.50|50 85316|||9790222250642|TUCAPSKY|Antonin Tucapsky|Joseph and Mary|Choir - Mixed voices (SATB)|2.00|25 85317CH|||9790222250659|TUCAPSKY|Antonin Tucapsky|Make We Merry (chorus pt)|Choir - Mixed voices (SATB)|2.75|38 85317SC|||9790222250666|TUCAPSKY|Antonin Tucapsky|Make We Merry|Choir - Mixed voices (SATB)|4.00|63 85318|||9790222250673|CAMILLERI|Charles Camilleri|Requiem|Choir - Mixed voices (SATB)|2.00|25 85319|||9790222250680|PATRICK|David Patrick|Bethlehem Road|Choir - Mixed voices (SATB)|2.75|38 85320|||9790222250697|BELYEA|Warren Herbert Belyea|Ballad of the Infant King|Choir - Mixed voices (SATB)|1.50|13 85321|||9790222250703|HAWES J|Jack Hawes|Venite Exultemus Domino (Psalm 95)|Choir - Mixed voices (SATB)|2.75|38 85322|||9790222250710|WILLS A|Arthur Wills|Christmas|Choir - Mixed voices (SATB)|1.50|13 85323|||9790222250727|ANDERSON|William Henry Anderson|Come I Pray Thee|Choir - Mixed voices (SATB)|1.50|13 85324|||9790222250734|PATRICK|David Patrick|Angel Gabriel from God Was Sent|Choir - Mixed voices (SATB)|1.50|13 85325|||9790222250741|CLOVER|David Clover|Ukrainian Bell Carol|Choir - Mixed voices (SATB)|1.50|13 85326|||9790222250758|TUCAPSKY|Antonin Tucapsky|5 Lenten Motets 1.Tristis Est Anima|Choir - Mixed voices (SATB)|1.50|13 85327|||9790222250765|TUCAPSKY|Antonin Tucapsky|5 Lenten Motets 2.Pater Mi|Choir - Mixed voices (SATB)|1.50|13 85328|||9790222250772|TUCAPSKY|Antonin Tucapsky|5 Lenten Motets 3.Filiae Jerusalem|Choir - Mixed voices (SATB)|2.00|25 85329|||9790222250789|TUCAPSKY|Antonin Tucapsky|5 Lenten Motets 4.Eli, Eli|Choir - Mixed voices (SATB)|1.50|13 85330|||9790222250796|TUCAPSKY|Antonin Tucapsky|5 Lenten Motets 5.Pater Meus|Choir - Mixed voices (SATB)|1.50|13 85331|||9790222250802|BROWN P|Peter Brown|In Love He Came To Earth|Choir - Mixed voices (SATB)|1.50|13 85332|||9790222250819|BROWN P|Peter Brown|Gentle Child of Mary|Choir - Mixed voices (SATB)|2.00|25 85333|||9790222250826|BRADE A|Andrew Brade|Only God Knows|Choir - Mixed voices (SATB)|2.00|25 85334|||9790222250833|OXLEY|Harrison Oxley|Rose Carol|Choir - Mixed voices (SATB)|2.00|25 85335|||9790222250840|TIMMS|T. Arundel Timms|Lamb (The)|Choir - Mixed voices (SATB)|2.00|25 85336|||9790222250857|LE FLEMING A|Antony le Fleming|Nunc Dimittis|Choir - Mixed voices (SATB)|3.50|50 85336ORCH||||LE FLEMING A|Antony le Fleming|Nunc Dimittis score & parts|Orchestra|25.00|500 85337|||9790222250864|OXLEY|Harrison Oxley|Carillon, Carilla|Choir - Mixed voices (SATB)|2.00|25 85338|||9790222250871|BAILEY L|Leon Bailey|Thornless Rose|Choir - Mixed voices (SATB)|2.00|25 85339|||9790222250888|BAILEY L|Leon Bailey|Cherry Tree Carol|Choir - Mixed voices (SATB)|2.00|25 85340|||9790222250895|FAURE G|Gabriel Faure|Cantique De Jean Racine (Oxley)|Choir - Mixed voices (SATB)|2.75|38 85341|||9790222250901|ROE|Betty Roe|O Praise the Lord|Choir - Mixed voices (SATB)|2.75|38 85343|||9790222250918|LE FLEMING A|Antony le Fleming|'Lord''s My Shepherd'|Choir - Mixed voices (SATB)|2.00|25 85344|||9790222250925|TIMMS|T. Arundel Timms|Come Thou Redeemer|Choir - Mixed voices (SATB)|2.00|25 85345|||9790222250932|JEFFREYS J|John Jeffreys|Miserere Mei|Choir - Mixed voices (SATB)|1.50|13 85346|||9790222250949|BROWN G|Gerald Brown|Fanfare and Vesper for Christmas|Choir - Mixed voices (SATB)|1.50|13 85347|||9790222250956|BROWN G|Gerald Brown|May the Grace of Christ|Choir - Mixed voices (SATB)|1.50|13 85348|||9790222250963|BROWN G|Gerald Brown|Noel Sing|Choir - Mixed voices (SATB)|2.00|25 85349|||9790222250970|BROWN G|Gerald Brown|Easter Bells|Choir - Mixed voices (SATB)|2.00|25 85350|Antony Le Fleming
TWO CAROLS
for mixed voice choir|Not an arrangement of the traditional tunes but "I saw three ships" and "Away in a manger" set to completely new music by Antony Le Fleming. These excellent, very approachable settings send the choir and the audience away still humming the tunes. Try some fresh versions of old favourites this Christmas! (Total duration 3? minutes)
Also available in a version for female voice choir.|9790222252509|LE FLEMING A|Antony le Fleming|Two Carols|Choir - Mixed voices (SATB)|3.50|50 85351|John Jeffreys
AS DEW IN APRIL for mixed voice choir
Roberton 85351|"I sing of a maiden" in a beautiful setting for unaccompanied mixed voice choir (SATB).
Duration: 3? minutes|9790222264892|JEFFREYS J|John Jeffreys|As Dew in April|Choir - Mixed voices (SATB)|1.50|13 85352|John Jeffreys
STABAT MATER for mixed voice choir
Roberton 85352|A short but beautiful setting of the Stabat Mater for unaccompanied mixed voice choir.
Duration: 3 minutes|9790222264908|JEFFREYS J|John Jeffreys|Stabat Mater|Choir - Mixed voices (SATB)|1.50|13 85353|SPRINGTHORPE, Nigel
A LITEL CHILDE THERE IS IBORE for mixed voice choir
Roberton 85353|A setting for mixed voice choir and organ of anonymous words from the 14th century.
Duration nearly 2 minutes|9790222267336|SPRINGTHORPE|Nigel Springthorpe|Litel Childe Thereis Ibore|Choir - Mixed voices (SATB)|2.00|25 85354|Philip Lane
EVENING CANTICLES (Short Service) for mixed voice choir and organ
Roberton 85354|Magnificat and Nunc Dimittis commissioned by the Charlton Kings Choral Society, Cheltenham.
Duration 4? minutes|9790222271142|LANE P|Philip Lane|Evening Canticles (short service)|Choir - Mixed voices (SATB)|2.75|38 85355|Antony le Fleming
CAROL OF LIGHT
for mixed voice choir and organ
Roberton 85355|Wonderful setting of words by Peter Dale, this carol by Antony le Fleming is suitable for more advanced choirs.
Duration 3? minutes|9790222271487|LE FLEMING A|Antony le Fleming|Carol of Light|Choir - Mixed voices (SATB)|2.75|38 85356|Antony le Fleming
REJOICE IN THE LORD
Roberton 85356|An anthem for S, A, T/B choir in three parts with keyboard.
The THREE SECTIONS of this anthem may be performed either as a whole or separately:
1. Rejoice in the Lord - Bars 1 to 36
2. Be Careful for Nothing - Bars 37 to 72 with alternative ending
3. The Peace of God - Bar 74 (with upbeat) to end.
The VOCAL LINES can be redistributed where appropriate, for example to incorporate T/B voices into the main tune from bar 96.
The ACCOMPANIMENT is for keyboard or organ (with pedals ad lib.).
Duration 4? minutes|9790222273962|LE FLEMING A|Antony le Fleming|Rejoice in the Lord|Choir - Mixed voices (SAMen)|2.75|38 85357|Antony le Fleming
MASS OF ST.BARNABAS
Roberton 85357|Mass for unaccompanied mixed voice choir (SATB).
Duration 9? minutes |9790222273979|LE FLEMING A|Antony le Fleming|Mass of St.Barnabas|Choir - Mixed voices (SATB)|5.50|88 85358|'Antony le Fleming
JOSEPH''S CAROL
for mixed voice choir and organ or keyboard
Roberton 85358'|'A setting of words by Peter Dale - the nativity from Joseph''s point of view - for mixed voice choir with organ or keyboard accompaniment.

The angels heralded the Saviour
From the realms of light.
And shepherds marvelled at the lamb''s behaviour
On that sparkling night.

Mute Joseph, lost in shadow, watching
Round the manger bed,
Was wondering at the birth, the make-do lodging;
What the shepherds said.

The Wise Men read the new star''s message,
Sought the future King.
They found a child, the Gift of God more precious
Than their wealth could bring.

And Joseph, lost in shadow, pondered
On the gifts they brought:
The frankincense, and myrrh, the gold they fondled;
What was in their thought.

Yet Mary held the angel''s forecast
Secret in her mind
And saw across the years a light that broadcast
Hope to all mankind.

Here we, like Joseph in the glimmers,
Watch that manger bed
And marvel at the light of love that shimmers
Round that lowly head.

? Peter Dale
Duration 2? minutes
See also Antony le Fleming''s MARY''S CAROL (85361)'|9790222276093|LE FLEMING A|Antony le Fleming|'Joseph''s Carol'|Choir - Mixed voices (SATB)|2.00|25 85359|Antony le Fleming
GRANT US YOUR LIGHT, O LORD
for mixed voice choir and organ or keyboard
Roberton 85359|A short introit anthem for mixed voice choir and organ. Words from Adam Bede.
Duration 1 minute|9790222276109|LE FLEMING A|Antony le Fleming|Grant Us Your Light O Lord|Choir - Mixed voices (SATB)|1.50|13 85360|SPRINGTHORPE, Nigel
LULLAY MY CHILD AND WEEP NO MORE for mixed voice choir
Roberton 85360|An original carol scored for SATB choir and organ with words taken from Musica Britannica Vol.IV. Also available in a version for female voice choir (Roberton 75511).
Duration c.3 minutes|9790222276291|SPRINGTHORPE|Nigel Springthorpe|Lullay My Child and Weep No More|Choir - Mixed voices (SATB)|2.00|25 85361|'Antony le Fleming
MARY''S CAROL
for mixed voice choir unaccompanied
Roberton 85361'|'A setting of words by Peter Dale - the nativity from Mary''s point of view - for mixed voice choir without accompaniment.

Why do you give the baby gold?
The guiding star foretold a king.
A little child shall lead you, bring
No metal rich and cold.

Who brings my boy this frankincense?
The star foretold a priestly role.
A little child shall save your soul,
Not gifts of great expense.

What is this myrrh? What do you see?
The star foretold a bitter cup.
And I if I be lifted up
Shall draw all men to me

A child shall lead you from tonight.
The angel heralded his birth.
Our Saviour born to save the earth,
Our Way, our Truth, our Light.

Three gifts that far outweigh all gold
And gifts like frankincense and myrrh.
Sleep, child, my little comforter,
That no star has foretold.

? Peter Dale
Duration 2? minutes
See also Antony le Fleming''s JOSEPH''S CAROL (85358)'|9790222280120|LE FLEMING A|Antony le Fleming|'Mary''s Carol'|Choir - Mixed voices (SATB)|2.75|38 85362|Mary Plumstead
A GRATEFUL HEART
for mixed voice choir
Roberton 85362|'Mary Plumstead''s original setting of these words by George Herbert was for solo or unison voices. (See catalogue number 75100)
Here is an arrangement by John Barnard for mixed voice choir. Two versions are included in the copy, one accompanied and one unaccompanied.
Each setting: Duration 1 minute'|9790222281240|PLUMSTEAD|Mary Plumstead|Grateful Heart|Choir - Mixed voices (SATB)|2.00|25 85363|Antony le Fleming
FESTIVAL JUBILATE
for mixed voice choir and orchestra
Roberton 85363|An exciting setting of texts from Psalms 101 and 104 and Exodus 15, this Festival Jubilate by Antony le Fleming is scored for double SATB choir and orchestra though this vocal score shows a reduction for piano.
The orchestral score and parts are available on sale or on hire.
ORCHESTRATION
Flute*, Oboe*, Clarinet in Bb*, Bassoon*, 2 Horns in F,
2 Trumpets in C, 2 Trombones, Harp [could be played on a keyboard],
Percussion [2-3 players: Cymbals, Bass Drum, Snare Drum, Glockenspiel, Maracas, Triangle]
Strings (Violin 1, Violin 2, Viola, Violoncello, Bass)
(* The woodwind instruments could be optional, if necessary)
Duration 3? minutes|9790222281264|LE FLEMING A|Antony le Fleming|Festival Jubilate|Choir - Mixed voices (SATB)|4.00|63 85363PART||||LE FLEMING A|Antony le Fleming|Festival Jubilate orchestral part|Choir - Mixed voices (SATB)|1.50|13 85363SC||||LE FLEMING A|Antony le Fleming|Festival Jubilate full score|Choir - Mixed voices (SATB)|5.00|75 85364|Philip Lane
THREE CAROLS for unaccompanied mixed voice choir
Roberton 85364|'Three carols: Herrick''s Carol; The rose that bare Jesu; Balulalow; for unaccompanied SATB choir.
Duration 6? minutes

"Balulalow" is also available in a version for SATB choir with organ accompaniment - Catalogue number 85365'|9790222293649|LANE P|Philip Lane|Three Carols|Choir - Mixed voices (SATB)|3.50|50 85365|Philip Lane
BALULALOW for mixed voice choir and organ
Roberton 85365|A setting of the 16th century carol for SATB choir with organ.
Duration 2? minutes

An a cappella version of this carol is available as one of "Three Carols" by Philip Lane - Catalogue number 85364.|9790222293656|LANE P|Philip Lane|Balulalow (with organ)|Choir - Mixed voices (SATB)|2.00|25 85366|Eric Wetherell
AWAY IN A MANGER
for mixed voice choir and piano
Roberton 85366|A lovely new setting of "Away in a Manger" to new music by Eric Wetherell for SATB choir with piano.
Duration 3 minutes|9790222293663|WETHERELL|Eric Wetherell|Away in a Manger|Choir - Mixed voices (SATB)|2.00|25 902009|C.H.H.Parry
JERUSALEM for voice and piano
Roberton 902009|The original vocal version of Jerusalem in the key of D. This version can be used with either of the two orchestral versions available: The Parry Orchestration - GMCH006 or the Elgar Orchestration - GMCH011.|9790222250987|PARRY|C. Hubert H. Parry|Jerusalem (original in Key D)|Voice solo (with accompaniment)|3.50|25 94056|||9790222250994|HAYDN J|Joseph Haydn|Larghetto (vln/fl/ob/cl & piano)|Violin and piano|4.00|38 94058|||9790222251007|MOZART|Wolfgang Amadeus Mozart|Adagio from K.576 arr.Brearley|Clarinet and piano|4.00|38 95001|||9790222251014|WISEMAN|Carlo Wiseman|Trio for 2 Flutes and Cello/Bassoon|Flute ensemble|4.50|76 95002|||9790222251021|BLYTON|Carey Blyton|Pantomime|Cello and piano|4.00|38 95008|||9790222251038|CAMILLERI|Charles Camilleri|String Quartet score|Full score|6.00|112 95009|||9790222251045|SAUNDERS|Neil Saunders|Fantasia for Brass Quartet|Ensemble - Mixed brass|7.50|136 95010|||9790222251052|JACQUES|Michael Jacques|Midsummer Suite (tr.rec or flute)|Flute and piano|5.00|88 95013|||9790222251069|LYELL|Margaret Lyell|Barcarollina|Flute and piano|3.50|25 95014|Charles Camilleri
FANTASIA CONCERTANTE No.6 for alto saxophone
Roberton 95014|Written for Paul Brodie and the 5th World Saxophone Congress, London 1976.|9790222251076|CAMILLERI|Charles Camilleri|Fantasia Concertante No.6|Saxophone|4.50|76 95036|||9790222251083|COCKSHOTT|Gerald Cockshott|Three Pieces Appalachian Folk Tunes|Cello and piano|4.00|50 95037|||9790222251090|CAMILLERI|Charles Camilleri|Two Classical Pieces|Violin and piano|3.50|25 95038|Bernard Stevens
IMPROVISATION for solo viola
Roberton 95038|Improvisation Op.48 first performed by Catherine Stevens in October 1976 on BBC Radio Scotland.
Duration 10 minutes|9790222251106|STEVENS B|Bernard Stevens|Improvisation for Solo Viola|Viola solo|4.00|63 95039|||9790222251113|NIEMAN|Alfred Nieman|Gavotte for a Latin Lady|Violin and piano|3.50|25 95040|||9790222251120|NIEMAN|Alfred Nieman|Mountain Dance|Violin and piano|4.00|38 95043|||9790222251137|CAMILLERI|Charles Camilleri|Fantasia Concertante No.5|Guitar|4.00|38 95048|||9790222251144|CAMILLERI|Charles Camilleri|Images for 3 Clarinets|Clarinet ensemble|4.00|38 95049|||9790222251151|CAMILLERI|Charles Camilleri|Percussion 1 - Solos Duos Trios|Percussion|5.00|75 95050|||9790222251168|CAMILLERI|Charles Camilleri|Prelude and Dance for 3 Percusssion|Percussion|5.00|63 95087|||9790222251175|WHITE A|Alexander White|Bagatelles|Clarinet and piano|4.50|76 95103|Weber arr.Forbes
MARCH Op.3 No.5 for violin or viola or cello and piano
Roberton 95103|A march by Weber, No.5 from his "Six little pieces for piano duet" Op.3, arranged for either violin and piano, viola and piano or cello and piano by Watson Forbes.|9790222251182|WEBER|Carl Maria von Weber|March Op.3 No.5 (vln or vla or vc)|Violin and piano|3.50|25 95109|||9790222251199|CAMILLERI|Charles Camilleri|'Sama''i'|Flute solo|4.50|76 95121PTS|||9790222251205|BIBERIAN|Gilbert Biberian|Quartet No.4 parts|Guitar ensemble|12.00|300 95121SC|||9790222251212|BIBERIAN|Gilbert Biberian|Quartet No.4 score|Guitar ensemble|10.00|200 95294|||9790222251229|CAMILLERI|Charles Camilleri|Fantasia Concertante No.1|Cello solo|4.00|63 95300|||9790222251236|QUINTON|Charles Quinton (= Charles Camilleri)|Homage a Bartok|Accordion|3.50|13 95301|||9790222251243|QUINTON|Charles Quinton (= Charles Camilleri)|Scherzino|Accordion|3.50|25 95302|||9790222251250|QUINTON|Charles Quinton (= Charles Camilleri)|Landscapes|Accordion|3.50|13 95303|||9790222251267|CAMILLERI|Charles Camilleri|Deux Impressions (Maltese Folklore)|Accordion|4.00|38 95304|||9790222251274|CAMILLERI|Charles Camilleri|Evening Hymn|Accordion|3.50|13 95312|||9790222251281|BACH JS|Johann Sebastian Bach|Presto (Sonata 1) (tr.Camilleri)|Accordion|3.50|25 95314|||9790222251298|CAMILLERI|Charles Camilleri|Romance|Accordion|3.50|13 95315|||9790222251304|DELIBES L|Leo Delibes|Scarf Dance (Tr.camilleri)|Accordion|3.50|25 95316|||9790222251311|METALLO|Gerardo Metallo|Sharpshooters March (Tr.camilleri)|Accordion|3.50|25 95319|||9790222251328|MOZART|Wolfgang Amadeus Mozart|Turkish March (Trans.camilleri)|Accordion|3.50|25 95320|||9790222251335|CHOPIN|Frederic Chopin|Valse Op.70 No.2 (Tr.camilleri)|Accordion|3.50|25 95322|||9790222251342|VERDI G|Giuseppe Verdi|Waltz from Traviata Act 1/Camilleri|Accordion|3.50|13 95380|||9790222251359|TUCAPSKY|Antonin Tucapsky|Soliloquies|Guitar|4.50|76 95382|||9790222251366|TUCAPSKY|Antonin Tucapsky|Five Little Pieces|Violin and piano|8.00|149 95394|||9790222251373|FEARING|John Fearing|Carol Duets from Europe|Recorder ensemble|5.00|63 95395|||9790222251380|FEARING|John Fearing|Duets from the Masters|Recorder ensemble|5.00|63 95396|||9790222251397|FEARING|John Fearing|Folk-song and Shanty Duets|Recorder ensemble|5.00|75 95397|||9790222251403|DUNLOP|Isobel Dunlop|Suite for Cello and Piano|Cello and piano|5.00|88 95398|||9790222251410|BACH JS|Johann Sebastian Bach|Bourree (from Cello Suite 3)|Accordion|3.50|25 95406|Hugh S. Roberton
HEBRIDEAN SUITE arranged Brian Bonsor
Roberton 95406|'Suite for recorder ensemble of two descant and one treble recorder and piano.
The tunes included are Lewis Bridal Song (Mairi''s Wedding); Morag''s Cradle Song & Tiree Love Song (Ho-ree, ho-ro, my little wee girl). A score and one recorder playing score are included. Extra recorder playing scores are on sale.'|9790222251427|ROBERTON|Hugh S. Roberton|Hebridean Suite (arr.Bonsor) sc+pt|Recorder ensemble|6.00|112 95406-PT|||9790222251434|ROBERTON|Hugh S. Roberton|Hebridean Suite (arr.Bonsor) rec.pt|Recorder ensemble|2.00|25 95414|||9790222251441|DALE|Gordon Dale|Rhapsodie for Guitar|Guitar|3.50|25 95415|||9790222251458|DALE|Gordon Dale|Variations On A Theme|Guitar|3.50|25 95416|Michael Head
SUITE FOR RECORDERS OR PIPES
Roberton 95416|This work is written for descant, treble, tenor and bass instruments and may be performed by recorders or pipes. Sold as a score (95416) and, separately, a set of parts (95416-PTS).
The six movements are March; The Stranger; Cradle Song; Scherzo; Folksong Melody; A Negro Spiritual.|9790222251472|HEAD|Michael Head|Suite for Recorders or Pipes score|Recorder ensemble|6.00|88 95416-PTS|||9790222251465|HEAD|Michael Head|Suite for Recorders or Pipes parts|Recorder ensemble|5.00|75 95419|||9790222251489|FORBES|Watson Forbes|Scottish Fiddle Music|Violin and piano|5.50|100 95423|||9790222251496|CAMILLERI|Charles Camilleri|Concertante for Violin & Strings|Miniature score|5.00|40 95424|||9790222251502|CAMILLERI|Charles Camilleri|Fantasy Fugue for Strings|Miniature score|5.00|40 95425|||9790222251519|CAMILLERI|Charles Camilleri|Overture Classique (string orch.)|Miniature score|5.50|88 95430|||9790222251526|CAMILLERI|Charles Camilleri|Fantasia Concertante No.4|Violin solo|4.00|38 95433|||9790222251533|NIEMAN|Alfred Nieman|Soliloquy for Solo Cello|Cello solo|4.00|38 95434|Albert Sammons
THE SECRET OF TECHNIQUE IN VIOLIN PLAYING
Roberton 95434|"The Secret of Technique in Violin Playing - being an unique method of daily practice for soloists and advanced players" was originally published in 1916 by Hawkes & Son, London but had been out of print for many years when, in 1986, Kenneth Roberton, then owner of Roberton Publications, with the encouragement of a number of violinists, sought permission to re-issue it. All the legal formalities were completed by 1987 but then for some unknown reason the project stalled and the material lay undisturbed in the Roberton archives until this publication thirty years later!
Hugh Bean (1929-2003), the eminent English violinist, and a pupil of Albert Sammons, was one of those urging re-issue and he wrote this note for the preface of the new publication:
I am delighted that this unique work by Albert Sammons is once more available. Practical teacher as he was, with little formal instruction himself, his methods were simple and direct - eschewing impressionistic word pictures in favour of simple, down to earth advice, understood by all his pupils. He thus knew supremely well, not only how to develop a highly serviceable technique, but also, under practical, professional conditions (i.e. limited practise time available, often in highly unfavourable situations) how to maintain this technique under performing conditions. There are many works already which have this ideal, but none I feel, which guides the violinist in so practical and concise a manner.

28 pages - Facsimile edition.|9790222304185|SAMMONS|Albert Sammons|Secret of Technique in Vln Playing|Violin solo|6.50|124 95436|||9790222251540|HOLST|Gustav Holst|Landler|Violin and piano|3.50|25 95448PTS|||9790222251557|SIMPSON|Robert Simpson|Quartet 10 For Peace (1983) parts|String Quartet|10.00|150 95448SC|||9790222251564|SIMPSON|Robert Simpson|Quartet 10 For Peace (1983) score|Study score|8.00|149 95453|||9790222251571|CAMILLERI|Charles Camilleri|March of the Blues (concert band)|Wind band|30.00|890 95454|||9790222251588|CAMILLERI|Charles Camilleri|Fantasia Concertante No.7|Piano - Solo|5.00|63 95483|||9790222251625|HAWES J|Jack Hawes|Harp Suite|Harp|5.00|75 95490|||9790222251649|TUCAPSKY|Antonin Tucapsky|Sonata Per Violino Solo|Violin solo|5.50|100 95491|||9790222251656|TUCAPSKY|Antonin Tucapsky|Pod Ukvaly|Oboe and piano|7.50|136 95494|||9790222251663|CAMILLERI|Charles Camilleri|Song of Olympus|Flute solo|3.50|25 95499|Dame Ethel Smyth
TRIO in D minor
for violin, cello and piano|Although written in 1880, it was not until 1985 in the USA that this enchanting trio received a public performance. This is the first publication of the work and it has been edited by Terry King of the Mirecourt Trio who gave the first performance. A CD recording by the Chagall Trio, issued in 1995, is available on the Meridian label.
Duration 28 minutes|9790222252042|SMYTH E|Dame Ethel Smyth|Trio in Dm for violin cello & piano|Piano trio|18.25|330 95501|||9790222251687|VANECEK|Jaroslav Vanecek|Spanish Rhapsody|Violin solo|3.50|25 95502|||9790222251694|VANECEK|Jaroslav Vanecek|Set of Strauss Waltzes|Violin solo|3.50|25 95503|GIBBS, C. Armstrong (1889-1960)
THREE PIECES for string quartet
Roberton 95503|Known principally for his solo songs, Armstrong Gibbs also wrote music for the stage, sacred works, three symphonies and a substantial amount of chamber music, much of which remains unpublished. Armstrong Gibbs was born near Chelmsford in Essex and spent much of his busy life there when he was not touring the country adjudicating at festivals, conducting and composing. He also lived for a time in the Lake District and these three pieces for string quartet are musical pictures of places that he must have known very well.
The three pieces are:-
1. Above Blea Tarn
2. Winster Valley
3. Loweswater: Calm after Storm
A full score and set of parts is included.
Duration about 8? minutes|9790222258860|GIBBS CA|C Armstrong Gibbs|Three Pieces (score & parts)|String Quartet|9.50|173 95505|||9790222251717|CAMILLERI|Charles Camilleri|Scanzona|Violin and piano|3.50|25 95506|||9790222251724|CAMILLERI|Charles Camilleri|Barcarolle|Trumpet and piano|4.00|38 95508|Philip Lane
DIVERTISSEMENT
for clarinet and piano
Roberton Publications 95508|'Divertissement for clarinet was commisssioned by Verity Butler in 1994, and first performed by her that year in Cheltenham Town Hall. The work holds a similar place in the composer''s oeuvre as Elgar''s "The Music Makers" and Shostakovich''s 8th String Quartet in that there are literal quotations from earlier works, and in the last movement, a reworking of material heard in the first.
A recording of this work in a version with orchestral accompaniment "Divertissement for Solo Clarinet, Harp & Strings" is available on Marco Polo CD 8.225185
performed by Verity Butler and the Royal Ballet Sinfonia conducted by Gavin Sutherland. The music of the orchestral version is available in the
Goodmusic Orchestral Series - GMCO059'|9790222251748|LANE P|Philip Lane|Divertissement|Clarinet and piano|8.50|160 95511|||9790222251786|TUCAPSKY|Antonin Tucapsky|Sonata Rhapsody|Violin and piano|8.00|149 95512|||9790222251793|STEVENS B|Bernard Stevens|Improvisation for Solo Violin|Violin solo|4.00|63 95513|||9790222251809|TUCAPSKY|Antonin Tucapsky|Sonata for Viola & Piano|Viola & Piano|10.75|197 95514|Hugh S. Roberton
ALL IN THE APRIL EVENING for handbells
Roberton 95514|This arrangement is compatible with the vocal and choral versions of this work but has an additional introduction, interludes and ending bars.
It is arranged for 3,4 or 5 octave handbells and is sold as a single playing score.|9790222251816|ROBERTON|Hugh S. Roberton|All in the April Evening handbells|Handbells|3.50|25 95515|Charles Camilleri
LITTLE SPACE SUITE
for violin and piano|'1.Still 2.Moon Hopping 3.Floating Clouds 4.Dancing Stars
A set of 4 genuinely contemporary pieces for early-grade violinists. In most new string music for children ". . the only somewhat innovative ideas lie in a dissonant piano accompaniment. The violin part keeps to the same norms as always and could well have been written a hundred years ago. There is never any attempt at some facet of the more contemporary notation, so that the gap between what the children really absorb and what they are supposed to be learning is forever widening. Little Space Suite by Charles Camilleri represents one attempt to bridge this gap and, considering that there is a dearth of such music, it is very likely to become a teachers'' favourite."
Antoine Frendo (Member of European String Teachers'' Association)'|9790222251823|CAMILLERI|Charles Camilleri|Little Space Suite|Violin and piano|4.50|76 95516|Antonin Tucapsky
TOCCATA E CANZONE
for organ and piano|The combination of piano and organ is a very unusual one - both very individual and self-sufficient. When I was asked to compose some music for this fairly rare duet I was very reluctant but after continual pressure I accepted the challenge and in 1993 composed "Toccata e Canzone" - two very different movements. In the Toccata the piano dominates, but in the Canzone the organ takes the lead. There is no programme to this composition - I simply tried to capture the true character of these two very contrasting keyboard instruments. A.Tucapsky
(Duration c.10 minutes)
Two copies would be required for a performance.|9790222252097|TUCAPSKY|Antonin Tucapsky|Toccata e Canzone for organ & piano|Keyboard|6.50|124 95517|Peter Lawson (1951- )
SONG OF THE MUSK ORCHID
for oboe and piano|'The Song of the Musk Orchid written in 1982 for David Presly and Reiko Isobe, is the fourth in a projected series of portraits by Peter Lawson, for solo, chamber and orchestral combinations of the forty-eight wild orchids of Great Britain and Ireland.
The Musk Orchid (Herminium monorchis) is a tiny, yellowish-green plant which inhabits short turf on chalk limestone from the Cotswolds in Britain - where it is becoming increasingly rare - eastwards throughout Europe into Asia and Japan. It is likely to be overlooked by all but the curious - even resembling a piece of grass to the casual observer - but on closer inspection, reveals itself as an altogether more attractive and intricate, if diminutive, member of the hugely varied and sophisticated orchid family. Particularly in the evening, it smells strongly - almost beguilingly - of honey, rather than of musk.
The Song of the Musk Orchid begins with a reference to the orchid''s downland habitat by alluding to the English folk music of Brigg Fair. There then follows an episode portraying, as it were in close-up, the many-flowered spike of the plant. Here, also, is a hint of its more oriental distribution. We then move even closer into the plant - a cadenza for the oboe. Finally we see the outside world from the point of view of the orchid itself: a calm, serene, dignified and spiritual world - and a very different one from our own.
Duration 10 minutes'|9790222252578|LAWSON|Peter Lawson|Song of the Musk Orchid|Oboe and piano|6.00|112 95518|Peter Lawson (1951- )
THE GRAND DESIGN QUARTET
(Song of the Common Spotted Orchid)
for string quartet|'Written in 2002-4, The Grand Design Quartet is dedicated to Paul and Charlotte Houlton by way of thanks for a holiday in France. The title takes its name from their Graphic Design company in Croydon. The work is subtitled Song of the Common Spotted Orchid and is the 25th in a series of portraits by Peter Lawson of the 48 wild orchids of Great Britain and Ireland for chamber and orchestral resources.
The Common Spotted Orchid, Dactylorhiza fuchsii, is probably the most familiar, well-loved and widely-distributed orchid in Britain and Ireland, and is most reliably found in its favoured downland habitats of the South-East, where, in a good year, it can be almost abundant. It also favours railway-cuttings and even the verges of the older motorways, though it can often be found in damp woods and even non-acidic wetlands. The adjective ''common'' can only refer to its comparitive frequency, as the appearance of the flowering plant is distinctively and splendidly opulent and robust, even regal. The flowering spikes contain many small pink or lilac individual flowers with magenta markings. The leaves are fleshy and shiny and are spotted with distinctively bold, dark blotches.
Like many orchids of its type, the Common Spotted Orchid is extremely variable and liable to hybridize with its close relatives, particularly with the Marsh Orchid species, but it has been possible to categorise four subspecies in North-Western Europe - represented by the four movements of the quartet. These are the standard form (the first movement - in sonata form), the short and stocky, rosy-purple subspecies hebridensis, found in the Outer Hebrides and portrayed in the slow movement, a pure-white form with unspotted leaves, found in the Burren, County Clare and known as ssp. okellyi, forming the third movement (a scherzo) and the rare and recently-designated Southern-English dark-pink variation rhodochila, depicted in the finale.
Duration c.25 minutes'|9790222259447|LAWSON|Peter Lawson|Grand Design Quartet (sc+pts)|String Quartet|30.00|445 95519|J.S. Bach (arranged & edited by Warwick Cole)
TRIO SONATA in D BWV.1028
for two violins* and continuo|'Bach''s Sonata for viola da gamba in D is one of his most attractive and accessible pieces of chamber music. This unique arrangement for its presumed original format makes a welcome addition to the trio sonata repertoire. An informative preface is included giving the origins and background to the work.
*The Violin 2 part can be played by flute or oboe. Parts are included for Violin 1, Violin 2 (or oboe or flute), cello continuo (with figured bass) and keyboard (realised by Warwick Cole).
Duration 10 minutes'|9790222261303|BACH JS|Johann Sebastian Bach|Trio Sonata in D Bwv 1028 (Cole)|Ensemble - Mixed|10.00|184 95520|J.S. Bach (arranged & edited by Warwick Cole)
TRIO SONATA in G minor BWV.1029
for two violins* and continuo|'Bach''s Sonata for viola da gamba in G minor is one of his most dramatic and moving chamber works. Although scholars have long considered it to be an arrangement, it is presented here for the first time as a trio sonata in its original key. As such it makes another welcome addition to the trio sonata repertoire. An informative preface is included giving the origins and background to the work.
*The Violin 1 part can be played by flute or oboe. Parts are included for Violin 1 (or oboe or flute), Violin 2, cello continuo (with figured bass) and keyboard (realised by Warwick Cole).
Duration 11? minutes'|9790222261310|BACH JS|Johann Sebastian Bach|Trio Sonata in Gm Bwv 1029 (Cole)|Ensemble - Mixed|10.00|184 95521|LEWIS, Paul (1943- )
SONATA POPPIFLORA for bassoon and piano
Roberton 95521|On May 30th 2004, a few days after completing my Concerto Burlesco for bassoon and small orchestra, I attended a concert given by bassoonist Alison Woodward, known to her friends as "Poppy". The ensuing friendship has been a source of great fun and inspiration, and Sonata Poppiflora was written in late summer 2004 as a celebration both of our friendship and of Poppy herself in all her Poppiness! (Paul Lewis)
Duration about 11 minutes|9790222261464|LEWIS P|Paul Lewis|Sonata Poppiflora|Bassoon and piano|8.00|149 95522|TUCAPSKY, Antonin (1928- )
RONDO CAPRICCIOSO for bassoon and piano
Roberton 95522|Antonin Tucapsky is a Czech born composer who lives and works in London. In 1975 he was appointed Professor of Composition at Trinity College of Music, London and held this position for 21 years until his retirement. His compositions cover most spheres of music: instrumental, chamber and orchestral music, including a one-act opera "The Undertaker", but vocal and choral music dominates his creative output.
RONDO CAPRICCIOSO for bassoon and piano was completed in 2002. There is no special programme in this demanding work - the only programme the composer had in mind is rather simple: to write a piece of good music for this characteristic and beautiful instrument.
Duration 7? minutes|9790222261471|TUCAPSKY|Antonin Tucapsky|Rondo Capriccioso|Bassoon and piano|5.50|100 95523|LAWSON, Peter (1951- )
SONG OF THE NORTHERN MARSH ORCHID for clarinet and piano
Roberton 95523|Written for Kei Itoh and Reiko Isobe for a concert in Japan in 2005, the Song of the Northern Marsh Orchid (a Sonatina for clarinet and piano) is the 26th in a series of musical portraits of the 48 wild orchids of Britain and Ireland, some for solo or chamber groups and some for orchestral forces.
The Northern Marsh Orchid (Dactylorhiza purpurella) is compact, but lush and usually rich magenta in colour. Marsh orchids are rapidly evolving and not easy to pin down and categorise as stable species, but a characteristic of this particular plant is its flat top - as if someone had cut the top third or so off the many-flowered spike. Like all marsh orchids, it has upward-pointing bracts amongst the flower head, which can appear to give it a distinctively eastern appearance. Although this is reflected at times in the music, the distribution of the orchid is, in fact, north-westerly - the furthest east it has been recorded is western Norway and it extends westwards through northern Britain (particularly Scotland) and Ireland to the Faroe Islands.
The music, which particularly owes a debt of gratitude to Poulenc, is in three short inter-connected movements, which are loosely based on a colour-coding scheme of harmonies. Sadly, at the height of its opulence (near the end of the third movement) the plant is pollinated, sets seed and dies down to shelter from the harsh winter. Peter Lawson, 2004
Duration: 8 minutes|9790222261501|LAWSON|Peter Lawson|Song of the Northern Marsh Orchid|Clarinet and piano|8.00|149 95524|LAWSON, Peter (1951- )
SONG OF THE RED HELLEBORINE for viola and piano
Roberton 95524|'The Song of the Red Helleborine was written in 1981 for James Shenton and Elizabeth Dunn, who gave it its first performance. It was the first in an extended cycle of portraits of the forty-eight wild orchids of Britain and Ireland - of which twenty-six, to date, have been written - ranging from solo items to pieces for chamber and orchestral combinations.
In Britain, the Red Helleborine (Cephalanthera rubra) is an extremely rare and protected species, being confined to three localities in the Cotswolds, the Chilterns and in Hampshire, where it will typically only flower in beech woods when it has the exact degree of light and shade it needs. Its British outposts are at the western edge of its distribution, which extends through Europe and the Middle East, to Iran. The plant is stately, but discreet, about eighteen inches in height and bears a handful of medium-size pink flowers, which alternate up the stem amongst a few spear-shaped leaves.
An introduction for solo viola describes the orchid underground in winter, as it were, talking to itself. The entry of the piano heralds the emergence of the flowering spike, which eventually dies away. There then follows a further winter solo viola section followed by a second summer of flowering. The music, which pays more than lip-service to Messiaen''s Jardin du sommeil d''amour from his Turangalila Symphony, reflects the secretive peace and dappled sunlight of the cathedral-like canopy of the beech woods in which the orchid grows. (Peter Lawson, 2004)
Duration: 6 minutes'|9790222264243|LAWSON|Peter Lawson|Song of the Red Helleborine|Viola & Piano|5.50|100 95525|TUCAPSKY, Antonin (1928- )
DUE PEZZI for violin, bassoon and piano
Roberton 95525|Antonin Tucapsky is a Czech born composer who lives and works in London. In 1975 he was appointed Professor of Composition at Trinity College of Music, London and held this position for 21 years until his retirement. His compositions cover most spheres of music: instrumental, chamber and orchestral music, including a one-act opera "The Undertaker", but vocal and choral music dominates his creative output.
Violin, bassoon and piano may not be a particularly common combination, but the instruments blend beautifully together in these two original pieces each lasting about 6 minutes.
Duration 12 minutes|9790222264298|TUCAPSKY|Antonin Tucapsky|Due Pezzi (violin/bassoon/piano)|Ensemble - Mixed|11.25|209 95526|GRYSPEERDT, Michael (1927-2000)
TWO PIECES Op.26 for clarinet and piano
Roberton 95526|'Two original pieces "Prelude" and "Rondino" for clarinet and piano. Michael Gryspeerdt, who inherited his name from his Flemish grandfather, was born in London in 1927. He studied medicine at St. Thomas''s and after National Service, including a short spell in Egypt, was posted to Hereford and subsequently settled in Gloucestershire with his wife Colleen in 1959. They had four children and lived for over thirty years at the Leigh a few miles south of Tewkesbury.
Michael''s dedication to composition started at the age of nine, he also became a mainly self taught French horn player in his teens. He later had lessons in counterpoint from the late Dr Herbert Sumsion, the organist at Gloucester Cathedral, and took great pleasure in playing the horn with the Gloucestershire Symphony Orchestra (GSO) for forty years; informally he also played jazz trombone. Following retirement from a busy life as a doctor in 1987 he fulfilled his ambition to write music full-time. His compositions range from pieces for solo instrument and chamber ensembles, to choral and full orchestral works. His music has been performed frequently in the Gloucestershire area - for example in the Three Choirs Festival, has been broadcast on Radio Three, and has also has been played in Europe and America. Sadly Michael became seriously ill in early 2000. He retained his faculties just long enough to complete his first Symphony which he had started work on around a year before and which had been commissioned by the GSO for its centenary. A Tribute concert (which he attended in failing health) was given by the GSO in June 2000 when the symphony was given its first performance. He passed away two months later.
Duration 5? minutes'|9790222265592|GRYSPEERDT|Michael Gryspeerdt|Two Pieces Op.26|Clarinet and piano|5.00|88 95527|LAWSON, Peter (1951- )
SONG OF THE DUNE HELLEBORINE for treble recorder and piano
Roberton 95527|The Song of the Dune Helleborine, for treble recorder and piano, was written for John Turner in 2005 and first performed by him in the Bridgewater Hall in 2006. It is the twenty-seventh in a projected series of musical portraits of the forty-eight wild orchids of Great Britain and Ireland.
The Dune Helleborine, Epipactis dunensis, is a very rare orchid with a North-West European distribution. In Great Britain, it is restricted to coastal regions of Anglesey, Lancashire and Northumberland. The plant grows in stabilised sand dunes and it is at its most lush and robust when growing under pine trees in Lancashire. Otherwise, it is a more stunted and less colourful version of its nearest relative, Epipactis helleborine (Common, or Broad (-leaved) Helleborine). The flowers (up to about twenty on each plant) tend to be greener, with less infusions of pink than Common Helleborine and the flowering period is about a month earlier.
The work opens with the juxtaposition of arpeggiated chords representing both the green and pink colours of the flowers and the nature of the habitat of the plant - the shifting sands of the dunes and the salty, windswept vista.
The short piece is loosely in sonata form - the first and second subjects respectively corresponding to our perception of the orchid in its environment and the song of the orchid itself, stripped of human connotations. Following a turbulent development section, the two elements fuse in recapitulation. The orchid, which has only been observed to self-pollinate, sets seed in the coda and withers as the summer fades and colder weather sets in.

Duration: 6? minutes|9790222266407|LAWSON|Peter Lawson|Song of the Dune Helleborine|Recorder and piano|6.50|124 95528|LEWIS, Paul (1943- )
SENTIMENTAL SONGS basoon or cello and piano
Roberton 95528|The two sentimental songs hark back in style to the palm court music played in seaside hotels in days gone by. Paul Lewis writes "The bassoon is for me primarily an instrument of poetry and passion, and as such is ideally suited to the romantic nature of these songs without words".

Duration: 8 minutes|9790222269156|LEWIS P|Paul Lewis|Sentimental Songs bsn or vc|Bassoon and piano|6.00|112 95529|LEWIS, Paul (1943- )
RUSSIAN SCENES alto flute and piano
Roberton 95529|Russian Scenes are pictures of the old Russia my forbears would have known. The melodies are simple and folk-like, the middle movement being a lament, something which the possession of Russian blood enables one to do with a certain thoroughness. This movement is dedicated to the memory of Phyllis, my ninety-three-year-old half-Russian violinist mother, recently deceased at the time of composing. Paul Lewis.
The three movements are entitled "Easter Bells", "Lament" and "Troika".
This work is also available in a version for Cor Anglais and Piano (95530) or Clarinet and Piano (95531)

Duration: 11 minutes|9790222269163|LEWIS P|Paul Lewis|Russian Scenes alto flute|Flute and piano|6.50|124 95530|LEWIS, Paul (1943- )
RUSSIAN SCENES cor anglais and piano
Roberton 95530|Russian Scenes are pictures of the old Russia my forbears would have known. The melodies are simple and folk-like, the middle movement being a lament, something which the possession of Russian blood enables one to do with a certain thoroughness. This movement is dedicated to the memory of Phyllis, my ninety-three-year-old half-Russian violinist mother, recently deceased at the time of composing. Paul Lewis.
The three movements are entitled "Easter Bells", "Lament" and "Troika".
This work is also available in a version for Alto Flute and Piano (95529) or Clarinet and Piano (95531)

Duration: 11 minutes|9790222269170|LEWIS P|Paul Lewis|Russian Scenes cor anglais|Oboe and piano|6.50|124 95531|LEWIS, Paul (1943- )
RUSSIAN SCENES clarinet and piano
Roberton 95531|Russian Scenes are pictures of the old Russia my forbears would have known. The melodies are simple and folk-like, the middle movement being a lament, something which the possession of Russian blood enables one to do with a certain thoroughness. This movement is dedicated to the memory of Phyllis, my ninety-three-year-old half-Russian violinist mother, recently deceased at the time of composing. Paul Lewis.
The three movements are entitled "Easter Bells", "Lament" and "Troika".
This work is also available in a version for Alto Flute and Piano (95529) or Cor Anglais and Piano (95530)

Duration: 11 minutes|9790222269187|LEWIS P|Paul Lewis|Russian Scenes|Clarinet and piano|6.50|124 95532|John Joubert
IN RETROSPECT Op.159
for string quartet or string ensemble
Roberton 95532|'The theme on which "In Retrospect" is based comes from a work written in my teens and first performed in the early 1940s by the strings of Cape Town Municipal Orchestra. Since both my children have grown up to be professional string players, I have dedicated each variation to one of their own four children (as indicated in the score). The work, though retrospective in both style and content, can perhaps also be regarded as looking forwards not only in its involvement with younger people, but also in its suitability for students and amateurs of all ages. (John Joubert)
Commissioned by Mary Cohen for String Quartets from Scratch (SQFS) with funding from the Ida Carroll Trust, the first public performance took place on May 20th 2007 at the Bridgewater Hall, Manchester at a concert to celebrate the composer''s 80th birthday.
A pack containing a score and a set of parts (one of each) is on sale, but extra parts are available separately should you wish to perform this with an ensemble rather than a quartet.
Duration 12? minutes'|9790222269231|JOUBERT|John Joubert|In Retrospect Op.159 sc+pts|String Quartet|12.00|221 95532-01|||9790222269248|JOUBERT|John Joubert|In Retrospect Op.159 Violin 1 part|String Quartet|2.50|38 95532-02|||9790222269255|JOUBERT|John Joubert|In Retrospect Op.159 Violin 2 part|String Quartet|2.50|38 95532-03|||9790222269262|JOUBERT|John Joubert|In Retrospect Op.159 Viola part|String Quartet|2.00|25 95532-04|||9790222269279|JOUBERT|John Joubert|In Retrospect Op.159 Cello part|String Quartet|2.00|25 95533|TUCAPSKY, Antonin (b.1928)
FOUR CAPRICIOUS PIECES
for clarinet and piano
Roberton 95533|Antonin Tucapsky is a Czech born composer who lives and works in London. In 1975 he was appointed Professor of Composition at Trinity College of Music, London and held this position for 21 years until his retirement. His compositions cover most spheres of music: instrumental, chamber and orchestral music, including a one-act opera "The Undertaker", but vocal and choral music dominates his creative output. This set of four pieces for clarinet in Bb and piano is made up of Impromptu; Nocturne; Blues; Rondino.
Duration 13 minutes|9790222269897|TUCAPSKY|Antonin Tucapsky|Four Capricious Pieces|Clarinet and piano|7.50|136 95534|LEWIS, Paul (1943- )
SENTIMENTAL SONGS for palm court trio
Roberton 95534|Paul Lewis writes "The two Sentimental Songs were originally written for bassoon and piano following lunches in the beautiful cathedral city of Chichester with the original dedicatee, bassoonist Alison Woodward, and hark back in style to the palm court music I heard my violinist mother playing in seaside hotels when I was young. The present palm court trio arrangement was made for violinist Shelley van Loen and her husband, cellist Trevor Burley, whose monthly concerts at the Grand Hotel, Eastbourne, joyfully keep alive the musical tradition in which my mother excelled."
Scored for violin, cello and piano
Duration: 8 minutes|9790222270916|LEWIS P|Paul Lewis|Sentimental Songs Palm Court Trio|Piano trio|6.00|112 95535|David Stone
MINIATURE STRING QUARTET No.4
for string quartet
Roberton 95535|'As in my earlier Miniature String Quartets the objective has been to write music that stems from the kinds of passage-work that will be familiar to players of an intermediate technical standard. This quartet may perhaps be a little more demanding than the earlier ones, but nonetheless should allow for intense listening to matters of ensemble and expressive playing. (David Stone)
A full score and a set of parts are included.
Duration 9? minutes
David Stone''s previous three Minature String Quartets are published by Novello (numbers 1 and 2), and Musicland (number 3).'|9790222271159|STONE|David Stone|Miniature String Quartet 4 sc+pts|String Quartet|11.25|209 95536|Antonin Tucapsky
VIOLIN DUETS - Ten pieces for two violins
Roberton 95536|It started very modestly; years ago I composed a few pieces for two violins for students at Trinity College of Music in London. They enjoyed playing them and because my duets were very well received, I wrote a few more; then came a very long pause - the manuscript of my pieces was put aside and rested quietly in the drawer of my desk. Only a couple of years ago, I remembered them and composed two more duets, revised the older ones and formed this set of ten. I hope violin players will find them enjoyable. (Antonin Tucapsky - 2008)
Total duration about 22 minutes|9790222271449|TUCAPSKY|Antonin Tucapsky|Violin Duets 10 Pieces for 2 vlns|Violin ensemble|6.00|112 95537|Paul Lewis
MERMAIDS AND MUSES for 2 flutes and piano
Roberton 95537|'"Mermaids and Muses" is the generic term for my closest friends and colleagues: those whose talent, beauty and friendship are a source of continual joy and inspiration to me. One such is Hispano-French poet Carole Lopes-Hak, to whom I once played a melody over the telephone from my home by the sea in Hove. That evening, by the River Seine in France, Carole wrote an enchanting poem, "Rond d''eau" ("Circle of Water"), and sent it to me. I immediately set it to music. "Mermaids" is an arrangement of that setting, and to complete the rond, or circle, "Muses" is the melody which inspired the poem. (Paul Lewis)
Duration 4? minutes'|9790222271456|LEWIS P|Paul Lewis|Mermaids and Muses 2 fls and piano|Flute and piano|5.00|88 95538|Paul Lewis
A POTTLE OF FAGOTTS for bassoon quartet
Roberton 95538|'A suite of three movements for bassoon quartet. Score and parts are included.
POTTLE: An old English liquid measure, bassoon-like in pronunciation. If the sound of the bassoon could be converted into liquid, it might, I believe, be of the colour, consistency and taste of maple syrup.
FAGOTT: German for bassoon. Not to be confused with FAGGOT: a bundle of sticks, a liver ball, an irritating woman or, in America, a male homosexual!
SERPENT: An obsolete wind instrument sometimes found lurking in dusty cupboards in old churches where it provided an accompaniment to Sunday hymn-singing in the 18th and 19th centuries. Serpents have a similar range to that of the fagott, but are of uncertain and dangerous intonation.
Serpents on Sunday I imagined four serpents preaching from the pulpit to a congregation which becomes ever more restless and fidgety until called to order by the pontificating preachers.
Soulful Song Based on the bassoon theme from my score to Elizabeth Jane Baldry''s short film "Pottle o'' Brains". The bassoon soloist on the soundtrack was Alison Woodward, for whose highly personal performance style the melody was tailored.
Sixes and Sevens A condition frequently experienced on Sundays, with or without serpents. As befits the title, the music alternates between six and seven beats per bar. Paul Lewis
Duration c.10 minutes'|9790222271463|LEWIS P|Paul Lewis|Pottle of Fagotts quartet|Bassoon ensemble|10.00|184 95539|Antonin Tucapsky
MEDITATION for cello solo
Roberton 95539|The Meditation is remotely based on an old Czech chorale. This chorale is a prayer to the national patron saint, Wenceslas. This ancient hymn has no connection with the well-known English carol "Good King Wenceslas". My Meditation uses only fragments of the old chorale and unfolds them in a varied way, displaying various instrumental effects. Antonin Tucapsky
Antonin Tucapsky is a Czech born composer who lives and works in London. In 1975 he was appointed Professor of Composition at Trinity College of Music, London and held this position for 21 years until his retirement. His compositions cover most spheres of music: instrumental, chamber and orchestral music, including a one-act opera "The Undertaker", but vocal and choral music dominates his creative output.
Duration: c.9 minutes|9790222274303|TUCAPSKY|Antonin Tucapsky|Meditation|Cello solo|4.00|63 95540|Antonin Tucapsky
THREE PIECES for cello and piano
Roberton 95540|The Three Pieces are Impromptu, Legende and Rondello.
Antonin Tucapsky is a Czech born composer who lives and works in London. In 1975 he was appointed Professor of Composition at Trinity College of Music, London and held this position for 21 years until his retirement. His compositions cover most spheres of music: instrumental, chamber and orchestral music, including a one-act opera "The Undertaker", but vocal and choral music dominates his creative output.
Duration: c.15? minutes|9790222274310|TUCAPSKY|Antonin Tucapsky|Three Pieces|Cello and piano|6.50|124 95541|Peter Lawson
SONG OF THE DENSE-FLOWERED ORCHID
for flute, bass clarinet and piano
Roberton 95541|'Written in 2007 for Mari Hikichi, Kei Ito and Reiko Isobe for a concert in Tokyo, the Song of the Dense-flowered Orchid - for flute, bass clarinet and piano - is the 28th in a series of musical portraits of the 48 wild orchids of Britain and Ireland - some for solo or chamber groups and some for orchestral forces.
The Dense-flowered Orchid, Neotinea intacta, (or N. maculata) is mainly confined to Mediterranean regions but there exists a strange pocket of the species in Western Ireland, where, presumably it is a relic from warmer times and where it evidently survived the ice-age, but became detached from the Mediterranean colonies. Here, it mainly grows in grassland with many other rarities - amongst the clints and grikes which make up the huge limestone pavement on the strange lunar landscape of the Burren, County Clare. It was also discovered in 1969 in the Isle of Man, growing in calcareous sand.
The Song of the Dense-flowered Orchid begins with a series of chords representing the pink, white and green petals, over which a plaintive Air in Irish folk-style is played - two octaves apart, this being the theme for a loose set of variations, the first being the theme set against rows of bell-like chords, like the spirals of flowers. The second variation is frolicsome and playful and the third is in the ''pink'' key. The fourth leads to a short development section and a triumphant recapitulation of the first variation. A sinister interlude represents the orchid underground in winter after which we cut to the following spring with more increasingly light-hearted variations as flowering time approaches. As the orchid sets seed, there are nostalgic echoes of the flowering period and finally a jovial glance forward to next-year''s fun and games.

Duration about 9? minutes'|9790222275027|LAWSON|Peter Lawson|Song of the Dense-flowered Orchid|Ensemble - Mixed|10.75|197 95542|Antonin Tucapsky
SONATA SERIA
for violin and piano
Roberton 95542|A four movement sonata: Moderato; Lento; Adagio; Poco allegro, Rondo Rustico. For advanced players.
Duration c.25 minutes|9790222276062|TUCAPSKY|Antonin Tucapsky|Sonata Seria|Violin and piano|10.00|184 95543|Antonin Tucapsky
CLARINETTISSIMO
for two and three clarinets
Roberton 95543|Five miniatures for two and three clarinets.
CLARINETTISSIMO - a very strange and unusual word! I invented this expression and I think it suggests very clearly that music under such a title is for clarinets. Some clarinet teachers asked me to write something suitable for them and while all music is educational, the five pieces here are not educational in its specific meaning, but are meant for advanced pupils and young clarinettists, though older musicians are not excluded and might enjoy playing them too! A.Tucapsky
Total duration c.10 minutes|9790222276079|TUCAPSKY|Antonin Tucapsky|Clarinettissimo Miniatures for 2/3|Clarinet ensemble|4.50|76 95544|Paul Lewis
A FLIRTATION OF FLUTES for flute quartet
Roberton 95544|A Flirtation of Flutes (scored for three flutes plus alto flute) is a jazzy, fun work written as an antidote to all that beautiful, florid and impressionistic French flute music that I love! Flirtation has always been one of my favourite pastimes, so the piece is possibly, even probably, autobiographical.
"First Meeting" is playful and provocative, while "Getting Sentimental" is inspired by numerous pop ballads from my teenage years, the late 1950s and early 1960s. "That Old Infernal Triangle" is, of course, three-in-a-bar and depicts the muddle of moods likely to be experienced by those trapped within. If getting sentimental and that old infernal (eternal) triangle are the sometime consequences of a flirtatious first meeting, then moving on is often the only solution, so the final movement, "Moving On", although outwardly bright, has overtones of wistful melancholy.
This then is music with a moral: Beware! Flirtation can be dangerous - it may not always be as innocent as it seems! Paul Lewis
Score and set of parts included.
Duration c.10? minutes|9790222276086|LEWIS P|Paul Lewis|Flirtation of Flutes quartet|Flute ensemble|14.25|257 95545|Paul Lewis
A FLIRTATION OF FIDDLES for 4 violins
Roberton 95545|A Flirtation of Fiddles is a jazzy, fun work written originally for flute quartet. Flirtation has always been one of my favourite pastimes, so the piece is possibly, even probably, autobiographical.
"First Meeting" is playful and provocative, while "Getting Sentimental" is inspired by numerous pop ballads from my teenage years, the late 1950s and early 1960s. "That Old Infernal Triangle" is, of course, three-in-a-bar and depicts the muddle of moods likely to be experienced by those trapped within. If getting sentimental and that old infernal (eternal) triangle are the sometime consequences of a flirtatious first meeting, then moving on is often the only solution, so the final movement, "Moving On", although outwardly bright, has overtones of wistful melancholy.
This then is music with a moral: Beware! Flirtation can be dangerous - it may not always be as innocent as it seems! Paul Lewis
Score and set of parts included.
Duration c.10? minutes|9790222279025|LEWIS P|Paul Lewis|Flirtation of Fiddles|Violin ensemble|14.25|257 95546|Antonin Tucapsky
SONATA for cello and piano
Roberton 95546|Substantial three movement sonata for cello and piano.
Antonin Tucapsky is a Czech born composer who lives and works in London. In 1975 he was appointed Professor of Composition at Trinity College of Music, London and held this position for 21 years until his retirement. His compositions cover most spheres of music: instrumental, chamber and orchestral music, including a one-act opera "The Undertaker", but vocal and choral music dominates his creative output.
Duration c.18 minutes|9790222284555|TUCAPSKY|Antonin Tucapsky|Sonata|Cello and piano|8.50|160 95547|SUITE for clarinet and guitar
by Antonin Tucapsky
Roberton 95547|A suite of 5 movements for Bb clarinet (optionally doubling bass clarinet in the 4th movement) and guitar.
Duration 14 minutes|9790222286351|TUCAPSKY|Antonin Tucapsky|Suite for Clarinet and Guitar|Clarinet and Guitar|7.50|136 95548|DIALOGUES for violin and guitar
by Antonin Tucapsky
Roberton 95548|Four movements for violin and guitar.
Duration 12 minutes|9790222286368|TUCAPSKY|Antonin Tucapsky|Dialogues for Violin and Guitar|Violin and guitar|7.50|136 98001|||9790222251830|CAMILLERI|Charles Camilleri|Invocation To the Creator|Organ Solo|5.00|88 98003|||9790222251847|CAMILLERI|Charles Camilleri|Wine of Peace|Organ Solo|3.50|13 98004|Geoffrey Hanson
THREE PIECES FOR ORGAN
Roberton 98004||9790222251854|HANSON|Geoffrey Hanson|Three Pieces for Organ|Organ Solo|5.00|88 98005|||9790222251861|WILLAN|Healey Willan|Chorale Prelude No.2 (Andernach)|Organ Solo|3.50|25 98006|||9790222251878|WHITE P|Peter White|Urbs Beata|Organ Solo|4.50|76 98008|||9790222251885|CAMILLERI|Charles Camilleri|Battalja|Organ Solo|5.00|75 98012|||9790222251892|CAMILLERI|Charles Camilleri|'L''Amour de Dieu'|Organ Solo|4.00|63 98016|||9790222251908|HEWITT-JONES|Tony Hewitt-Jones|Music for Joyful Occasions|Organ Solo|5.00|88 98017|||9790222251915|HERSCHEL HIL|Anthony Herschel-Hill|Toccata Eroica|Organ Solo|4.50|76 98018|||9790222251922|PURCELL H|Henry Purcell|Five Movements (arr.Wolff)|Organ Solo|4.00|50 98019|||9790222251939|CAMILLERI|Charles Camilleri|Concertino in Three Movements|Organ Solo|4.50|76 98021|||9790222251946|STEVENSON R|Ronald Stevenson|Prelude and Fugue On Theme By Liszt|Organ Solo|4.50|76 98029|Keith John
TIME AND MOTION
for organ|'1. Exordium 2. Interlude 3. Rhythmic energy
Dating from 1979, Time and Motion began life as improvisations in the church of St. Augustine''s, Queen''s Gate, South Kensington before progressing to a more permanent form on paper. The first performance was at St. Gabriel''s, Warwick Square with other important performances that year in Gloucester Cathedral and the Albert Hall. The latter is of note because on this occasion Jill Henderson''s choreography of contemporary dance entitled Clairon des Anges was performed to the last movement with an additional section preceding it. It is indeed Rhythmic Energy which seems to have acquired a certain reputation: it happily stands alone or, by using the short Interlude as a preparation for the coming onslaught, as a two movement unit. The atmospheric Exordium demands i) a certain ambience which allows the music to gradually unfold at will, and ii) on a practical level celestes which, despite their quiet dynamic, have a presence and resonant clarity.
This superbly atmospheric piece is suitable for advanced organists.
(Duration c.24 minutes)'|9790222252103|JOHN|Keith John|Time and Motion|Organ Solo|6.50|124 98030|Brian Brockless
FANTASIA, ADAGIO & FUGUE
for organ|This was first performed at the 1969 Cheltenham Festival of Music played by the composer in a recital on the organ in the Chapel at Cheltenham College for which it was composed. It has since been revised and now appears in print for the first time.
Suitable for advanced organists.
(Duration c.16 minutes)|9790222252110|BROCKLESS B|Brian Brockless|Fantasia Adagio and Fugue|Organ Solo|5.50|100 98031|Johann Sebastian Bach
SINFONIA TO CANTATA NO.29
Roberton 98031|Arranged for organ by David Patrick|9790222251953|BACH JS|Johann Sebastian Bach|Sinfonia To Cantata No.29|Organ Solo|4.00|38 98032|||9790222251960|KOLOSS I|Istvan Koloss|Metamorphosis|Organ Solo|5.50|100 98033|||9790222251977|BROCKLESS B|Brian Brockless|Toccata for an Occasion|Organ Solo|5.00|88 98034|||9790222251984|BROCKLESS B|Brian Brockless|'Toccatina Upon Tallis'' 9th Tune'|Organ Solo|4.00|51 98035|||9790222251991|BROCKLESS B|Brian Brockless|Prelude Toccata and Chaconne|Organ Solo|5.00|88 98036|John Jeffreys
MUSIC FROM OTTEN
for organ|These twelve voluntaries were written in the summer of 1985 following a series of visits to the church of St.Ethelbert at Belchamp Otten in North Essex, to play the little chamber organ there.|9790222252004|JEFFREYS J|John Jeffreys|Music from Otten|Organ Solo|6.00|112 98037|John Jeffreys
PASSAGES OF NIGHT
for organ|These three related works for organ are entitled In Limine, In Nubibus and Christ in Majesty. All are wonderfully atmospheric. Christ in Majesty is one of the works included on a CD of the organ works of John Jeffreys by Michel Bourcier at the Organ of Saint-Antoine des Quinze-Vingts, Paris available on the Somm-CD label.|9790222252011|JEFFREYS J|John Jeffreys|Passages of Night|Organ Solo|5.00|88 98038|John Jeffreys
DUODECIMEDES
for organ|'A collection of twelve short works. Both this volume and John Jeffreys'' "Music from Otten" contain a wonderful selection of atmospheric pieces for use on organs large and small.'|9790222252028|JEFFREYS J|John Jeffreys|Duodecimedes|Organ Solo|7.50|136 98039|John Jeffreys
FANTASIA
for organ|'Written for and dedicated to David Williams, the composer''s "master in all matters relating to the organ" this is a major piece of some considerable complexity and contrapuntal ingenuity based on quite simple motifs in clearly defined sections. It exploits the full range of a large organ and a resonant acoustic.
(Duration c.10 minutes)'|9790222252035|JEFFREYS J|John Jeffreys|Fantasia for the Organ|Organ Solo|4.50|76 98040|John Jeffreys
FLOURISH & AFFIRMATION, MEDITATION & THREE VARIATIONS
for organ|'Useful service music suitable for modest organists! Also see John Jeffreys'' "Music from Otten" and "Duodecimedes".'|9790222252127|JEFFREYS J|John Jeffreys|Flourish & Affirmation etc|Organ Solo|4.00|63 98041|Peter Lawson (1951- )
SONG OF THE BROAD HELLEBORINE
for organ|'The Song of the Broad Helleborine, written in 1987 for Nicolas Kynaston and first performed by him in the Royal Festival Hall, London, was the fourteenth to be written in a projected series of musical portraits of the forty-eight wild orchids of Britain and Ireland, for various instruments, chamber and vocal combinations and orchestral forces.
The Broad or Broad-leaved or Common Helleborine, Epipcatis helleborine, has a wide distribution in Europe and can also be found as far apart as Siberia, the Himalayas and North Africa. It is a tall, somewhat luxuriant orchid and grows in both deciduous and coniferous woodland, flowering, in Britain, in August. It is easily recognisable from its broad, oval-shaped leaves and its dense flower-spike, which may contain as many as one hundred blooms. These are unspectacular from a distance, but on closer inspection, reveal exciting combinations of green, red, pink and purple.
The music begins with an evocation of this - apparently - somewhat subdued, hardly flamboyant orchid growing in shade. There then follows an Allegro giocoso, the ''song'' of the orchid, as it were, from its own point of view, depicting the riot of kaleidoscopic colour in its inflorescence and the dappling interplay of shafts of sunlight and the shadows caused by the rich overhead canopy of trees.
Duration c.8 minutes'|9790222264250|LAWSON|Peter Lawson|Song of the Broad Helleborine|Organ Solo|5.50|100 98042|Maurice Jacobson
ELEGY for organ
Roberton 98042|'This ELEGY was written in memory of E.Norman Hay.
Edward Norman Hay (1889-1943) was a composer and musicologist and a friend of Maurice Jacobson. Hay studied in Belfast and took a BMus at Oxford, and later a Doctorate in Music at Bailliol College, Oxford for composition (1919). He was also a fellow of the Royal College of Organists. In 1922-3 he served as Head of Music at Campbell College, Belfast, and from 1923-4 was the external examiner (degrees) at Trinity College, Dublin, and shortly before his death was lecturer in music at Queen''s University, Belfast.
On the last page of the manuscript of the Elegy, alluding to bars 78-79, Maurice Jacobson wrote "I shall always associate this Beethoven theme with Norman Hay; we once listened to it in the company of a Roman Catholic priest, and in the stillness which followed we sat silent - Catholic, Protestant and Jew. At last Norman broke the silence, saying quietly: ''Father, would you give us your blessing?''. In a short time he was dead."
Duration 4? minutes'|9790222280151|JACOBSON M|Maurice Jacobson|Elegy|Organ Solo|4.00|63 98043|Maurice Jacobson
PROCESSIONAL for organ
Roberton 98043|In the mid 1930s, Maurice Jacobson was commissioned by the Markova-Dolin Ballet Company to compose the music for a new biblical ballet, David. The ballet was premiered in 1936 and a suite of four pieces from the ballet was first performed by the Scottish National Orchestra in 1950. This PROCESSIONAL is taken from the ballet and has been arranged for organ by Trevor Widdicombe.
Duration 3? minutes|9790222280168|JACOBSON M|Maurice Jacobson|Processional|Organ Solo|4.00|63 99123|Hugh S Roberton
MEDITATION on ALL IN THE APRIL EVENING
for organ|'"All in the April Evening" is probably Hugh Roberton''s best known original work. We publish many different versions for voice, choir, orchestra etc but here is a re-issue of a solo organ version (arranged by Purcell J Mansfield) which had long been out of print.'|9790222263215|ROBERTON|Hugh S. Roberton|All in the April Evening Meditation|Organ Solo|3.50|13 AESS008|A CENTURY OF ENGLISH SONG Volume 8
for voice and piano
AESS008|'A Century of English Song Volume 8
13 songs for medium/low female voice and piano - 56 pages

Arthur Somervell: Come to me in my dreams; Granville Bantock: Lament of Isis; Samuel Coleridge-Taylor: The Willow Song; Martin Shaw: Heffle Cuckoo Fair; Graham Peel: The early Morning; Roger Quilter: Wind from the South; Cyril Scott: Lullaby; Cecil Armstrong Gibbs: Why do I love?; Ivor Gurney: The Idlers; Robin Milford: So sweet love seemed; Deryck Cooke: The Dolls; Elaine Hugh-Jones: The Raven''s Tomb; Ronald Corp: The Garden of Love.

The first seven volumes of "A Century of English Song" were published by Thames Publishing. The new volumes 8, 9 and 10 are produced and sold by Goodmusic Publishing on behalf of The Association of English Singers & Speakers (AESS). All the music has been reset and newly edited by Michael Pilkington. Each volume contains notes on the composers of the songs.'|9790900298805|VARIOUS|Various|Century of English Song Volume 8|Voice solo (with accompaniment)|11.00|221 AESS009|A CENTURY OF ENGLISH SONG Volume 9
for voice and piano
AESS009|'A Century of English Song Volume 9
12 songs for high voice and piano - 60 pages

Samuel Coleridge-Taylor: A Birthday; John Sykes: London; Geoffrey Bush: Echo''s Lament for Narcissus; Peter Wishart: Spring Sadness; Elaine Hugh-Jones: High Flight; Betty Roe: In a Garden; David Bedford: An Easy Decision; Trevor Hold: The Scholar''s Lament; Clive Pollard: Sweet Chance; Julian Grant: Street Music; Roderick Williams: Love; Michael Betteridge: Charity.

The first seven volumes of "A Century of English Song" were published by Thames Publishing. The new volumes 8, 9 and 10 are produced and sold by Goodmusic Publishing on behalf of The Association of English Singers & Speakers (AESS). All the music has been reset and newly edited by Michael Pilkington. Each volume contains notes on the composers of the songs.'|9790900298812|VARIOUS|Various|Century of English Song Volume 9|Voice solo (with accompaniment)|11.00|221 AESS010|A CENTURY OF ENGLISH SONG Volume 10
for voice and piano
AESS010|'A Century of English Song Volume 10
Fourteen songs for medium/low voice and piano - 60 pages

Edward German: Of All the Tribe of Tegumai; Martin Shaw: Cargoes; Francis George Scott: Ane Sang of the Birth of Christ; Michael Head: The Lark; Edmund Rubbra: Nod; Constant Lambert: The Long-Departed Lover; John Sykes: On Another''s Sorrow; Deryck Cooke: I hear an army; Betty Roe: The Dream House; Patricia Williams: Love is a sickness; Dominic Muldowney: On Suicide; Clive Pollard: Pot and Kettle; Roderick Williams: Confessions of a Countertenor; Rose Miranda Hall; For Amber.

The first seven volumes of "A Century of English Song" were published by Thames Publishing. The new volumes 8, 9 and 10 are produced and sold by Goodmusic Publishing on behalf of The Association of English Singers & Speakers (AESS). All the music has been reset and newly edited by Michael Pilkington. Each volume contains notes on the composers of the songs.'|9790900298829|VARIOUS|Various|Century of English Song Volume 10|Voice solo (with accompaniment)|11.00|221 GM002|||9790222218888|GRANT R|Robin Grant|Ebony VIbes|Clarinet and piano|5.50|100 GM003|||9790222218895|GRANT R|Robin Grant|Jazz in the Air|Flute and piano|5.50|100 GM004|||9790222218901|GRANT R|Robin Grant|Stamp It Out!|Trumpet and piano|5.00|88 GM005|Adriano Banchieri (1568-1634)
CONTRAPPUNTO BESTIALE ALLA MENTE
Goodmusic GM005|"The animals improvise counterpoint" for mixed voices in 5 parts (SSATB) a capella. A short humorous work in latin and animal ( . . . . cuckoo / meow / bow-wow etc.) . . . . they knew how to have a good laugh at the start of the 17th century!
Duration c.1 minute|9790222218918|BANCHIERI A|Adriano Banchieri|Contrappunto Bestiale Alla Mente|Choir - Mixed voices (SATB)|1.50|13 GM006|||9790222218925|FLIES B|Bernhard Flies|Wiegenlied|Voice solo (with accompaniment)|3.50|13 GM007|SIGHT SINGING PRACTICE by Doris Jennings
Goodmusic GM007|A collection of 135 graded exercises to help all singers improve their sight-singing.
This 72 page book gives examples in major and minor keys and uses various time signatures as well as different notation (such as beamed notes and separate tails); in short, many things that you will come across in "real" music! It provides essential material for all singers who want to improve the accuracy of their sight reading. Doris Jennings was a singer and teacher who studied singing with a variety of teachers including John Carol Case. She taught singing both to private pupils and at schools in and around Buckinghamshire including Stowe. These exercises have been tried and tested on her pupils!|9790222218932|JENNINGS DOR|Doris Jennings|Sight Singing Practice|Voice solo (with accompaniment)|14.25|257 GM008|FIVE CHRISTMAS ENCORES arranged by Philip Colls
Goodmusic GM008|Five popular Christmas songs arranged for unaccompanied mixed voice choir in close-harmony style. Winter Wonderland, Carol of the Drum [Little drummer boy], The Christmas Alphabet, The Christmas Song [Chestnuts roasting on an open fire] and Rudolph the Red-nosed Reindeer. Such fun!|9790222218949|COLLS P(ARR)|Philip Colls|Five Christmas Encores|Choir - Mixed voices (SATB)|4.00|63 GM009|||9790222209602|SHORT M|Michael Short|Double Concerto (2 Violins & Piano)|Violin and piano|12.75|233 GM010|||9790222221369|SHORT M|Michael Short|Apollo Concerto 1|Flute and piano|8.00|149 GM011|||9790222226203|SHORT M|Michael Short|Apollo Concerto 2|Oboe and piano|8.00|149 GM012|||9790222222434|SHORT M|Michael Short|Apollo Concerto 3|Clarinet and piano|8.50|160 GM013|||9790222229549|SHORT M|Michael Short|Apollo Concerto 4|Bassoon and piano|8.00|149 GM014|||9790222218956|GRANT R|Robin Grant|Iron Mad Wilkinson|Choir - Vocal score|7.50|136 GM014ORCH|||9790222218987|GRANT R|Robin Grant|Iron Mad Wilkinson (Score & Parts)|Orchestra|75.00|750 GM014PT||||GRANT R|Robin Grant|Iron Mad Wilkinson (Extra Part)|Orchestral Part|2.50|38 GM014SC|||9790222218970|GRANT R|Robin Grant|Iron Mad Wilkinson (Full Score)|Orchestral Score|25.00|290 GM014WDS|||9790222218963|GRANT R|Robin Grant|Iron Mad Wilkinson|Words only edition|2.00|25 GM015|FOUR ANIMAL SONGS arranged by Philip Colls
Goodmusic GM015|Four amusing popular songs about animals arranged for unaccompanied mixed voice choir in close-harmony style. Nellie the Elephant, The Hippopotamus Song, The animals went in two by two and Little Red Monkey. Ideal individually as encores or have an "animal" section in your concert!|9790222218994|COLLS P(ARR)|Philip Colls|Four Animal Songs|Choir - Mixed voices (SATB)|5.50|88 GM016|||9790222207158|FREWER G|Graham Frewer|Try A Trio!|Violin ensemble|6.50|124 GM017|||9790222207165|FREWER G|Graham Frewer|Try A Trio!|Cello ensemble|6.50|124 GM018|HEWITT-JONES, Tony (1926-1989)
CONCERTO FOR TRUMPET & STRINGS|'Orchestration
Solo trumpet in C or Bb
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This concerto is dedicated to the memory of the trumpet player Bernard Brown. This concerto was Tony Hewitt-Jones'' last major work before he died in 1989 at the age of 63. This is a trumpet and piano reduction of the concerto. The orchestral score and parts are also available to buy under catalogue number GMCO025.
Duration: 20 minutes'|9790222219526|HEWITT-JONES|Tony Hewitt-Jones|Concerto for Trumpet|Trumpet and piano|12.00|221 GM020|||9790222271197|PARRY|C. Hubert H. Parry|Jerusalem arr.Lane|Wind band|25.00|315 GM021|||9790222228405|BARRELL B|Bernard Barrell|Week of Pieces|Trumpet and piano|6.00|112 GM022|||9790222236783|SHORT M|Michael Short|Apollo Concerto 5|Horn in F and piano|8.00|149 GM023|||9790222229914|SHORT M|Michael Short|Apollo Concerto 6|Trumpet and piano|10.00|184 GM024|LANE, Philip (1950- )
THREE SPANISH DANCES for oboe or clarinet and piano
Goodmusic GM024|Malaguena, Habanera and Tango make up this set of three Spanish Dances which is scored for solo oboe or solo clarinet and orchestra. This version has a piano reduction of the orchestral part. For details of the orchestral version see catalogue number GMCO040.
A recording of the clarinet and piano version played by Verity Butler and Gavin Sutherland is available on "Clarinet Kaleidoscope" on Campion Cameo CD2022.
Duration: 8? minutes
Malaguena is set on the Grade 5 clarinet syllabus of the Associated Board examinations for 2008 to 2013.|9790222230057|LANE P|Philip Lane|Three Spanish Dances (Ob or Cl)|Oboe and piano|7.50|136 GM025|Peter Lawson
SONG OF THE LESSER TWAYBLADE
Goodmusic GM025|'Orchestration
Solo Treble Recorder
Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Lesser Twayblade is a type of orchid, a miniature plant, found in Britain almost exculsively in Scotland, unlike it''s much commoner and more robust relative the Twayblade Orchid which can be found plentifully throughout Great Britain. It is very dainty and sweet and discreet in colour. This work for treble recorder, harp and strings is in one movement and owes something to Debussy and Ravel and, like the plant, is dainty and sweet. This is a reduction for recorder and piano. The orchestral parts are also available (Catalogue number GMCO041).
An excellent performance, with the leading recorder soloist John Turner, is available on an ASV CD.
Duration: 6 minutes'|9790222230156|LAWSON|Peter Lawson|Song of the Lesser Twayblade|Recorder and piano|6.00|112 GM026|Paul Lewis
VALSES for harp
Goodmusic GM026|'Three waltzes: Valse Nostalgique and Two Valses Pastiches - Valse Sentimentale and Valse Brave.
Also see Paul Lewis'' Saturday Night Jazz Suite and Slavic Dances for harp.'|9790222230163|LEWIS P|Paul Lewis|Valses for Harp|Harp|4.50|76 GM027|Paul Lewis (1943- )
ENGLISH SUITE
for string quartet|'English Suite was originally written for string quartet but is also published in a version for string orchestra (GMCO042). The work reflects the composer''s love of the English countryside, uses folk song-like material and sits firmly in the tradition established by Holst and Vaughan Williams. Paul Lewis is of the opinion that every English composer should write a work for string orchestra.
This suite is in four movements: March, Meditation, Jig & Jaunt.
PAUL LEWIS was born in Brighton in 1943, avoided all formal musical training and worked during his teens in music publishing instead. He wrote his first score for a major TV drama at the age of 20, since when he has scored over 130 different TV plays and series, from high drama (Peter O''Toole in "The Dark Angel") to children''s comedy (the long-running series "Woof!"). Paul also enjoys composing concert and chamber works, all of them tonal and of a generally optimistic and romantic nature. Television, he says, has taught him to send the audience away whistling the tune, and he doesn''t see why he should do any differently in the concert hall!
Duration 10 minutes'|9790222230422|LEWIS P|Paul Lewis|English Suite for String Quartet|String Quartet|11.25|209 GM028|Paul Lewis
SATURDAY NIGHT JAZZ SUITE for harp
Goodmusic GM028|'A suite of three pieces in light jazzy styles: 1.Jazzette 2.Blues for Harpo 3.Blue Fiver.
The final movement (a homage to Dave Brubeck) is included in the Associated Board Harp Examinations syllabus.
Also see Paul Lewis'' Valses for harp and Slavic Dances for harp.'|9790222252561|LEWIS P|Paul Lewis|Saturday Night Jazz Suite|Harp|5.00|88 GM029|JEFFREYS, John (1927- )
VIOLIN CONCERTO in G minor
Violin & piano reduction GM029|'This is a violin and piano reduction of this concerto for violin and orchestra. The orchestral version is also available (as GMCO055).
Orchestration
Solo violin
Flute, Cor anglais, French horn
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The opening is a slow introduction recalling the wide span of the River Exe at Bickleigh. On the opposite west bank there is a green meadow and upon this imagine a fiddler and country dance in progress: the attention wanders and the fiddler fades as nature reveals a more gentle approach in the brief Allegretto where the violin dreams before the attention returns to the fiddler at the dance. The slow movement is the wide river itself, leisurely in summer. The third and final movement contains elements suggested by its predecessors with alternative moods of graceful nature and dark clouds providing contrast and the work ends slowly as it began with the introduction transformed into the concerto''s epilogue. The river flows on.
Duration: 25? minutes'|9790222263093|JEFFREYS J|John Jeffreys|Violin Concerto|Violin and piano|9.50|173 GM030|ARNOLD, Malcolm (1921- )
SAXOPHONE CONCERTO
Reduction for alto saxophone & piano|'Original orchestration
Solo Alto saxophone
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This work is an arrangement and orchestration of Malcolm Arnold''s Piano Sonata, which he wrote in 1942, produced for alto saxophone and strings by David Ellis in 1994 at the request of the composer. It was first performed by Gerard McChrystal and the Milton Keynes Orchestra conducted by Hilary Davan Wetton.
This is the saxophone and piano reduction of this concerto. The orchestral score and parts are available (GMCO065) and also the original Piano Sonata from which it is taken (Roberton Publications no.9524)

Duration: c.10 minutes'|9790222263000|ARNOLD M|Malcolm Arnold|Saxophone Concerto (arr.Ellis)|Saxophone and piano|8.00|149 GM031|LEWIS, Paul (1943- )
CONCERTO BURLESCO for Bassoon & Small Orchestra
Reduction for bassoon & piano GM031|'This concerto was written for, and is dedicated to, Graham Salvage, the principle bassoonist of the Halle Orchestra. The first performance was given by Graham on March 4th 2005 in a concert in Turkey with the Izmir State Symphony Orchestra conducted by Marek Pijarowski.
The concerto is in three movements: 1. Burlesque; 2. Serenade; 3. Fandango.
The concerto takes its name from the first movement, which the composer feels is more a burlesque of first movement sonata form than the real thing. The middle movement gives the soloist an opportunity to serenade the audience in the most romantic manner, using the poetic and soulful upper register of the bassoon, and the finale is a fandango, an energetic dance from the Basque region of France and Spain. The concerto finishes with a rapid chromatic scale from the bottom to the top of the bassoon, ending on a trill on a high D.
The score and orchestral parts are also available from us (Catalogue no.GMCO066).
Orchestration
Solo Bassoon
Flute (doubling piccolo), Oboe, Clarinet in Bb, Horn in F, Timpani (doubling susp.cymbal), Percussion (one player: Susp.cymbal, Snare drum, Tambourine, Tam-tam, 3 Wood blocks, Triangle, Whip, Vibraslap, Glockenspiel, Vibraphone), Celeste, Harp
Strings (Violin 1, Violin 2, Viola, cello, Bass)

Duration: c.20 minutes

This work is included on the Associated Board''s 2005 syllabus for LRSM diploma'|9790222262355|LEWIS P|Paul Lewis|Concerto Burlesco|Bassoon and piano|10.75|197 GM032|HANDEL, George Frideric (1685-1759)
CONCERTINO for trumpet (arr.A.W.Benoy)
Trumpet and piano reduction GM032|A suite for trumpet in four movements arranged from various sources.
1. Adagio ("Sorge nel petto" from Rinaldo )
2. Minuet (from Suite No.10 for Keyboard)
3. Sarabande (from Suite No.16 for Keyboard)
4. Finale ("Si spietata" from Julius Caesar )
Orchestral parts to accompany this work are also available on sale in the Goodmusic Concert Cameos Series (GMCA010). It is scored for Violin 1, Violin 2, Viola (or Violin 3) and Cello/Bass and may be performed with or without piano.
Solo Trumpet parts are included in Bb and C.
This work was originally published by Oxford University Press.
Duration: 11? minutes|9790222265615|HANDEL GF|George Frideric Handel|Concertino (arr.Benoy)|Trumpet and piano|6.00|112 GM033|MAHLER, Gustav
SYMPHONY No.2 Choral Score
edited by Tom Cunningham
Goodmusic GM033|'The traditional choral scores of this work present many problems for both singers and director. This edition addresses and resolves each of these problems. As well as incorporating many corrections, the main points can be summarised as follows:
a) The tenor part in Mahler''s manuscript and in other editions is in tenor C-clef which today''s singers cannot easily read. In this edition it is transcribed to the usual tenor G-clef.
b) The tenor part often divides and the parts are sometimes difficult to distinguish in some editions. In this edition the tenor parts are on two staves throughout. The bass parts are also separated at one point where it is impossible to show Mahler''s intentions otherwise.
c) The text in some editions is not under every voice part which makes it difficult for the singers to read the notes and the text together. In this edition the text is under every voice part.
d) The page layout in some editions causes unfortunate page turns, such as at the quietest point in the opening phrase. The layout of this edition solves these problems.
e) One popular choral score contains many differences from the published full scores - one example is in the last two bars of the chorus parts where there is an erroneous decrescendo. Other differences involve misplaced or incorrect dynamics and markings.
f) A literal translation of the German text is given at the foot of each page.
This edition of the choral score is based on Mahler''s final 1910 full score. It is therefore completely compatible with the current full scores and orchestral material. It contains all necessary orchestral cues and can also be used by the soloists as the solo parts are given complete.
A similar score of Mahler Symphony No.3 is also available - GM034.'|9790222269699|MAHLER|Gustav Mahler|Symphony No.2 (ed.Cunningham)|Choir - Vocal score|3.50|50 GM034|MAHLER, Gustav
SYMPHONY No.3 Choral Score
edited by Tom Cunningham
Goodmusic GM034|'This edition uses the same clear layout as the editor''s acclaimed score of Mahler''s 2nd symphony. The main points can be summarised as follows:
a) The score includes the soloist, the boys'' choir and the women''s choir using modern, clear presentation.
b) The parts are clearly divided onto separate staves using the layout from Mahler''s full score. Each staff is identified on every page. The women''s voices are given on three staves throughout.
c) The text in some editions is not under every voice part, which makes it difficult for the singers to read the notes and the text together. In this edition the text is under every staff.
d) All the composer''s directions are translated into English.
e) A literal translation of the German text is given at the foot of each page.
In addition, there are many corrections based on the full score. This edition of the choral score is based on the full score. It is therefore completely compatible with the current full scores and orchestral material. It contains all necessary orchestral cues and can also be used by the soloist.
A similar edition of the choral score of Mahler Symphony No.2 is also available - GM033.'|9790222269705|MAHLER|Gustav Mahler|Symphony No.3 (ed.Cunningham)|Choir - Vocal score|3.50|50 GM035|Paul Lewis
SLAVIC DANCES for harp
Goodmusic GM035|'Magyar Dance; Maidens'' Dance; Peasant Dance; Lamentation; Gypsy Dance.
Paul Lewis''s mother, who died in 2005 aged 93, was a half-Russian violinist who, whilst in her twenties, led her own ensemble "Phyllis Burstein and her Bohemian Girls Band". This suite of five pieces for harp reflects some of her many moods!
Duration:c.23 minutes'|9790222271470|LEWIS P|Paul Lewis|Slavic Dances|Harp|6.00|112 GM036|Paul Carr (b.1961)
VIOLA AIR for solo viola and piano
Goodmusic GM036|The Viola Air for solo viola and string orchestra, here with a piano reduction, is a heartfelt love song in the form of a long arching lament, built around a simple and passionate theme woven through the strings. The principal idea is first heard on the solo viola and passes through to the violins and then a solo cello before slowly building towards a climactic statement about half way through. The music then subsides leaving the theme exposed in a more relaxed setting before arriving at its conclusion in quiet, calm suspension. (Paul Carr)
It was written for and is dedicated to Peter Sulski.
The version for viola with string orchestra is available - catalogue number GMCO084.
There are also versions of this work for string orchestra without soloist (GMCO080) and also for full orchestra (GMCO081).
Duration: about 10 minutes|9790222271920|CARR P|Paul Carr|Viola Air|Viola & Piano|5.00|88 GM037|Paul Carr
FORBIDDEN WALTZ
for bassoon and piano
Goodmusic GM037|Having watched the film Imagining Argentina which tells the plight of political refugees and the "missing persons" of Argentina, I felt moved to write this soulful waltz. I imagine two people in love, dancing alone, late at night and in secret, for fear of persecution against their political, religious, or sexual preference. (Paul Carr)
Duration about 4 minutes|9790222271937|CARR P|Paul Carr|Forbidden Waltz|Bassoon and piano|4.50|76 GM038|Paul Carr (b.1961)
CONCERTO FOR OBOE for solo oboe and piano
Goodmusic GM038|'I have long wanted to write an Oboe Concerto and have made several false starts - I don''t know why, but somehow the work never seemed to take flight and those earlier attempts were abandoned. I''ve written concertos for flute, two for clarinet, bassoon, 4 guitars, piano, and trumpet, but have always loved the oboe and find it puzzling that I should have taken so long to write a work for it - perhaps the oboe calls for a certain maturity, at least in me.
The Concerto is in three movements: Allegro energico is a lively conversation where the oboe takes the lead, pitted against the strings, in a blended mix of boisterous eruptions and loftier linear lines. The unusual quietness of snow is a slow and poignant expression of sadness and loss. At a difficult time in my life, a few days before my Mother''s death, it seemed strange that a heavy, early morning snow fall in the first days of March could have provided a sense of calmness and unity at a time of extreme emotion. The final movement, September music is a spirited evocation of Summer''s end. Whilst the general feeling is still of warmth and lightness, there is a certain nostalgia in the central passages, hinting that Summer is on the way out and the season about to change. Paul Carr
The Concerto was written for, and is dedicated to Nicholas Daniel, who gave the first performance with the Southern Sinfonia conducted by Ronald Corp, in Dorchester Abbey, Dorchester-on-Thames on 27th May 2008 as part of the English Music Festival. The concerto has also been recorded by Nicholas Daniel and the Royal Ballet Sinfonia, conducted by Gavin Sutherland and is released on the Dutton Epoch label.
Duration 18 minutes
The version for oboe and strings is available - see catalogue number GMCO083'|9790222272989|CARR P|Paul Carr|Concerto for Oboe|Oboe and piano|8.00|149 GM039|Paul Carr
SONATINA
for bassoon and piano
Goodmusic GM039|Commissioned by, and dedicated to "The Glens", Sonatina is in three movements and was written over the course of a few days in December, here on the island of Mallorca where I live. Trying to start a piece is always the most difficult thing and sometimes I have to search for inspiration - on this occasion a beautiful walk on our local beach with my partner and our three small dogs, started me off with the first movement, "Running with Dogs"; not that I do a lot of running these days, but you get the drift! In the summer months the beach is crowded, but during winter it is deserted save for a few locals, also with dogs. It is a heavenly spot, and in the fading golden sun of a December day, even more so. The slow movement, "Poetic, somewhat sad", has a rather nostalgic feel to it. Written in the form of a simple song, its gentle lyricism lends it an air of days gone by, a quiet lamenting song of memories and of thoughtfulness. To end with "Short impromptu dance" is just that! (Paul Carr)
The first performance was given by Ian Glen and Glen Capra ["The Glens"] at the Brighton Festival in the church of St. Michael and All Angels on 17th May 2008
Duration about 7 minutes|9790222272897|CARR P|Paul Carr|Sonatina for Bassoon|Bassoon and piano|5.00|88 GM040|Paul Carr
I THANK YOU GOD FOR MOST THIS AMAZING DAY
for mixed voice choir and small orchestra
Goodmusic GM040|A setting of a poem by e e cummings, scored for Flute, Oboe, Clarinet in Bb, Horn in F, Trumpet in Bb, Percussion [2] (Triangle, Tubular Bells, Vibraphone, Glockenspiel, Suspended Cymbal, Crash Cymbals), Harp, Strings (Violin 1, Violin 2, Viola, Cello, Bass) and Mixed Voice Choir (SATB).
The setting is an essentially gentle song of praise, opening on high strings with percussion and harp, slowly falling to a warm B flat major for the opening line of the poem, "i thank You God for most this amazing day". The music follows with a series of panels as the poem unfolds, each interspersed with short orchestral interludes but always returning home, before finally building to a climax with the words ".... doubt unimaginable You?" The last lines of the poem are first heard unaccompanied, but are joined by the orchestra with the words "and now the eyes of my eyes are opened" modulating in transcendant reassurance to the key of D flat major, where the work eventually comes to rest in complete tranquillity.

Vocal Score, Full Score and all orchestral parts are available to purchase.
Duration 9 minutes
You can view the vocal score. The audio file is a computer-generated version of the full orchestral performance.|9790222275003|CARR P|Paul Carr|I Thank You God Vocal Score|Choir - Mixed voices (SATB)|3.50|50 GM040-00|||9790222275591|CARR P|Paul Carr|I Thank You God Full Score|Orchestra|6.00|88 GM040-01|||9790222275607|CARR P|Paul Carr|I Thank You God Violin 1|Orchestra|1.50|13 GM040-02|||9790222275614|CARR P|Paul Carr|I Thank You God Violin 2|Orchestra|1.50|13 GM040-03|||9790222275621|CARR P|Paul Carr|I Thank You God Viola|Orchestra|1.50|13 GM040-04|||9790222275638|CARR P|Paul Carr|I Thank You God Cello|Orchestra|1.50|13 GM040-05|||9790222275645|CARR P|Paul Carr|I Thank You God Bass|Orchestra|1.50|13 GM040-06|||9790222275652|CARR P|Paul Carr|I Thank You God Flute|Orchestra|1.50|13 GM040-07|||9790222275669|CARR P|Paul Carr|I Thank You God Oboe|Orchestra|1.50|13 GM040-08|||9790222275676|CARR P|Paul Carr|I Thank You God Clarinet|Orchestra|1.50|13 GM040-09|||9790222275683|CARR P|Paul Carr|I Thank You God Horn|Orchestra|1.50|13 GM040-10|||9790222275690|CARR P|Paul Carr|I Thank You God Trumpet|Orchestra|1.50|13 GM040-11|||9790222275706|CARR P|Paul Carr|I Thank You God Percussion|Orchestra|1.50|13 GM040-12|||9790222275713|CARR P|Paul Carr|I Thank You God Harp|Orchestra|1.50|13 GM041|Paul Carr
REQUIEM FOR AN ANGEL
for mixed voice choir and orchestra
Goodmusic GM041|Orchestration
2 Flutes, Oboe, 2 Clarinets (2nd db. Alto Sax), Bassoon, 2 Horns, 2 Trumpets, Timpani, Percussion, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Soprano and Baritone soloists, Mixed Voice Choir

Reduced Chamber Version Orchestration
Flute, Oboe db.Cor Anglais, Clarinet in Bb, Horn in F, Trumpet in C, Percussion [1 player], Violin, Cello, Harp, Piano, Soprano and Baritone soloists, Mixed Voice Choir

A beautiful work with instant appeal for choirs and audiences. A CD on the Stone Records label is available.

It is inevitable that at some point in our lives we are faced with situations and events which may alter our daily routines and so change the way we feel and think about our own existence. This certainly was the case with me following the death, in 2005, of my Mother. A few months prior, my brother Gavin suggested that I might like to write a work for his choir, the Athenaeum Singers of Warminster. Despite not being a religious person in the formal sense of the word, I felt strangely drawn to writing a Requiem as it gave me the opportunity to express my love and gratitude to a woman who gave me everything. I wished to avoid the terrors of the Last Judgement and preferred my work to be an intimate one, reflecting feelings of peace, love and compassion. Therefore, I chose not to follow the standard Requiem Mass but have included words from other literary sources; a poem by St.Teresa of Avila and a love poem by the American poet Jack Larson, a poem written to another man but with words applicable to anyone, and not least to God. Paul Carr

Vocal score (112 pages), Study score (A4 size), Full score (A3 size) and orchestral parts on sale or hire.
Reduced Chamber Version for small instrumental ensemble also available (listed below).
To see the VOCAL SCORE click the View score button.
Duration: 46 minutes|9790222275010|CARR P|Paul Carr|Requiem for an Angel|Choir - Vocal score|13.00|370 GM041-00|||9790222276116|CARR P|Paul Carr|Requiem for an Angel A3 Full Score|Orchestral Score|60.00|980 GM041-01|||9790222276123|CARR P|Paul Carr|Requiem for an Angel Violin 1|Orchestral Part|4.00|50 GM041-02|||9790222276130|CARR P|Paul Carr|Requiem for an Angel Violin 2|Orchestral Part|4.00|50 GM041-03|||9790222276147|CARR P|Paul Carr|Requiem for an Angel Viola|Orchestral Part|4.00|63 GM041-04|||9790222276154|CARR P|Paul Carr|Requiem for an Angel Cello|Orchestral Part|4.00|63 GM041-05|||9790222276161|CARR P|Paul Carr|Requiem for an Angel Bass|Orchestral Part|4.00|50 GM041-06|||9790222276178|CARR P|Paul Carr|Requiem for an Angel Flute 1|Orchestral Part|4.00|50 GM041-07|||9790222276185|CARR P|Paul Carr|Requiem for an Angel Flute 2|Orchestral Part|4.00|38 GM041-08|||9790222276192|CARR P|Paul Carr|Requiem for an Angel Oboe|Orchestral Part|4.00|50 GM041-09|||9790222276208|CARR P|Paul Carr|Requiem for an Angel Clarinet 1|Orchestral Part|4.00|50 GM041-10|||9790222276215|CARR P|Paul Carr|Requiem for an Angel Clarinet 2|Orchestral Part|4.00|38 GM041-11|||9790222276222|CARR P|Paul Carr|Requiem for an Angel Bassoon|Orchestral Part|4.00|50 GM041-12|||9790222276239|CARR P|Paul Carr|Requiem for an Angel Horn 1+2|Orchestral Part|4.00|50 GM041-13|||9790222276246|CARR P|Paul Carr|Requiem for an Angel Trumpet 1+2|Orchestral Part|4.00|38 GM041-14|||9790222276253|CARR P|Paul Carr|Requiem for an Angel Timpani|Orchestral Part|4.00|25 GM041-15|||9790222276260|CARR P|Paul Carr|Requiem for an Angel Percussion|Orchestral Part|4.00|38 GM041-16|||9790222276277|CARR P|Paul Carr|Requiem for an Angel Harp|Orchestral Part|6.50|113 GM041-17|||9790222279339|CARR P|Paul Carr|Requiem for an Angel A4 Score|Orchestral Score|40.00|490 GM041-50|||9790222290419|CARR P|Paul Carr|Requiem for an Angel CHAMBER Score|Orchestral Score|40.00|500 GM041-51|||9790222290426|CARR P|Paul Carr|Requiem for an Angel CHAMBER Parts|Orchestral Part|70.00|680 GM042|G. F. Handel
MESSIAH (edited Clifford Bartlett)
Orchestral parts
Goodmusic GM042
on behalf of Oxford University Press|'for SATB soloists, SATB choir, and orchestra
A truly versatile and user-friendly edition - a practical approach for performers, informed by the very highest standard of scholarship. The vocal score presents with great clarity the standard version that we all know and love, complete with a new, practical piano reduction. The appendix contains Handel''s alternative movements and transpostions. The full score includes all the alternative movements and transpositions in their correct sequence and all material is signposted clearly and cross-referenced with the vocal score.

The orchestral parts to this wonderfully clear edition of Messiah are now reprinted and sold by Goodmusic Publishing on behalf of Oxford University Press.
Note that the parts are reproduced at A4 size which is smaller than the original copies sold by OUP.
The Vocal Score and the Full Score are still available from Oxford University Press though we can supply the full score too.
Orchestral parts available are:-
Violin 1
Violin 2
Viola
Cello/Bass/Bassoon
Harpsichord/Organ Continuo
Wind Set (comprising 1 each of Oboe 1, Oboe 2, Trumpet 1 in C+Bb, Trumpet 2 in C+Bb, Bassoon, Timpani)

The Continuo part is figured in the Full Score but the "Harpsichord/Organ Continuo" part is not and is fully realised.'|9780193366671|HANDEL GF|George Frideric Handel|Messiah (Bartlett) Full Score [OUP]|Orchestral Score|58.50|1090 GM042-01|G. F. Handel
MESSIAH (edited Clifford Bartlett)
Orchestral parts
Goodmusic on behalf of Oxford University Press|'for SATB soloists, SATB choir, and orchestra
A truly versatile and user-friendly edition - a practical approach for performers, informed by the very highest standard of scholarship. The vocal score presents with great clarity the standard version that we all know and love, complete with a new, practical piano reduction. The appendix contains Handel''s alternative movements and transpostions. The full score includes all the alternative movements and transpositions in their correct sequence and all material is signposted clearly and cross-referenced with the vocal score.

The orchestral parts to this wonderfully clear edition of Messiah are now reprinted and sold by Goodmusic Publishing.
The Vocal Score and the Full Score are still published by Oxford University Press, though we can supply those to retail customers as well.
Orchestral parts available are:-
Violin 1
Violin 2
Viola
Cello/Bass/Bassoon
Harpsichord/Organ Continuo
Wind Set (comprising 1 each of Oboe 1, Oboe 2, Trumpet 1 in C+Bb, Trumpet 2 in C+Bb, Bassoon, Timpani)'|9780193366657|HANDEL GF|George Frideric Handel|Messiah (Bartlett) Violin 1|Orchestral Part|15.00|294 GM042-02|||9780193366664|HANDEL GF|George Frideric Handel|Messiah (Bartlett) Violin 2|Orchestral Part|15.00|294 GM042-03|||9780193366695|HANDEL GF|George Frideric Handel|Messiah (Bartlett) Viola|Orchestral Part|15.00|198 GM042-04|||9780193366701|HANDEL GF|George Frideric Handel|Messiah (Bartlett) Cello/Bass/Bsn|Orchestral Part|15.00|294 GM042-05|||9780193366718|HANDEL GF|George Frideric Handel|Messiah (Bartlett) Org/Hpschd Cont.|Orchestral Part|35.00|580 GM042-06|||9780193366725|HANDEL GF|George Frideric Handel|Messiah (Bartlett) Wind Set|Orchestral Part|40.00|628 GM043|Paul Carr
CONCERTO FOR CLARINET
Goodmusic GM043|The concerto (my second for clarinet) is in four linked movements which run through continuously. It opens with a sustained but passionate Paean, beginning gently and building to a climax, before settling into a more reflective section in which vibraphone and harp complement the rising and falling motif in the clarinet and strings. This leads quite naturally into the second movement, a short and thoughtful Contemplation in which, for the most part, the clarinet is left on its own. The third section, Rather fast and lively, is a robust "kitchen sink drama" in which the clarinet starts off in buoyant mood with a simple catchy tune, later becoming more agitated and demonstrative. The music passes between clarinet and strings almost as if they are trying to out-do one another and ending with a forceful outburst in the strings, with percussion and timpani having the last word. The clarinet cannot compete and, in a short accompanied cadenza, slowly relinquishes its position and returns the concerto to its harmonious conclusion with a Quiet ending of relaxed contentment. Paul Carr
Duration about 15 minutes
The CONCERTO FOR CLARINET is published in this edition for clarinet and piano and also for clarinet and orchestra (see under GMCO087):|9790222277663|CARR P|Paul Carr|Concerto for Clarinet|Clarinet and piano|6.50|124 GM044|Paul Carr
RUNNING WITH DOGS for clarinet and piano
Goodmusic GM044|'Running with Dogs started life as the first movement to my Bassoon Sonatina and was later re-worked as the first movement to my string suite "A Gentle Music". It is a liltingly infectious piece that translates easily into other forms, none more so than in this arrangement I made for the clarinettist Sabine Grofmeier, who lives in the same village as me on the island of Mallorca. In the summer months our nearest beach at Canyamel is crowded, but during the winter it is deserted save for a few locals, mostly with dogs. It is a heavenly spot, and in the fading golden sun of a winter''s day, even more so. The dogs in question are my three little Mallorcan Rateros, a sort of miniature pincher, and totally adorable as they scuttle across the sands, leaping into my arms should any larger dog approach. Paul Carr
Duration 3 minutes'|9790222276413|CARR P|Paul Carr|Running With Dogs|Clarinet and piano|4.50|76 GM045|Tom Cunningham
THE OKAVANGO MACBETH
Goodmusic GM045|'A chamber opera with a libretto by Alexander McCall Smith. Set in the Botswana Okavango Delta, it tells a story of the struggle for power among competing baboons in their matriarchal society - thus drawing parallels with the Macbeth story.

Cast:
Male Primatologist (baritone),
Assistant (baritone, can also sing Duncan),
Female Primatologist (soprano),
Lady Macbeth (soprano),
Lady Macbeth''s friend (mezzo-soprano),
Macbeth (tenor),
Duncan (baritone),
Chorus (with solos).

Piano accompaniment OR Nine-piece chamber group (comprising 2 x violins, viola, violoncello, bass/bass guitar, piano/harmonium, saxophone, horn in F and percussion).

The idea for this opera came when Alexander McCall Smith was on a wildlife safari holiday with friends in Botswana''s Okavango Delta. He says: "I knew that there were two distinguished American primatologists, Dorothy Cheney and Robert Seyfarth, in the region who had spent some years researching baboon behaviour. I asked our river guide if he could take our boat across to where they worked. I had read their remarkable book (Baboon Metaphysics) which looks at how baboons view the world. I was struck by the hierarchical nature of baboon society and by the status and role of powerful females. It seemed to me that the essential elements of the Macbeth story could well be told in the context of baboon society. I sounded out the composer, Tom Cunningham, and we decided that this was a theme worthy of opera."

First performed on 3rd October 2009 at the No.1 Ladies'' Opera House, Gaborone, Botswana

Vocal scores and the full score and parts for the chamber group accompaniment are also available on hire from Goodmusic.

Before staging this work, a performing licence must be obtained from Goodmusic.
Duration 90 minutes

CLICK HERE to visit Tom Cunningham''s website

A selection of songs from the opera is also available - see GM135
A CD recording of the opera is available on Delphian DCD34096'|9790222277656|CUNNINGHAM|Tom Cunningham|Okavango Macbeth|Choir - Vocal score|20.00|620 GM046|Paul Carr
SILENT NIGHT for mixed voice choir
Goodmusic GM046|A beautiful new carol setting for unaccompanied mixed voice choir. Not an arrangement but new music that nods to the traditional tune and uses the traditional words. First performances by the Bath Minerva Choir and the Bournemouth Symphony Chorus in their Christmas 2009 concerts.
Duration c.5 minutes|9790222277991|CARR P|Paul Carr|Silent Night|Choir - Mixed voices (SATB)|2.75|38 GM047|Beethoven (arr.Peter Lawson)
MOONLIGHT for mixed voice choir
Goodmusic GM047|'Here is Beethoven''s most famous piano piece, the first movement of his Moonlight Sonata, in an arrangement for choir with a soloist. The piece can be accompanied by piano or by an orchestra. For full details of the orchestral version see under catalogue number GMCL169.
The choir can be either a mixed voice choir (SATB) [this version], a choir of upper voices (SSA) [GM048] or a male voice choir (TTBB) [GM049].
There is also a version for mixed voice choir of S/A/Men [Roberton 62004].
The lyrics have been written specially by Jason Pimblett.
Duration 5? minutes'|9790222278615|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr.Lawson)|Choir - Mixed voices (SATB)|2.75|38 GM048|Beethoven (arr.Peter Lawson)
MOONLIGHT for upper voice choir
Goodmusic GM048|'Here is Beethoven''s most famous piano piece, the first movement of his Moonlight Sonata, in an arrangement for choir with a soloist. The piece can be accompanied by piano or by an orchestra. For full details of the orchestral version see under catalogue number GMCL169.
The choir can be either a mixed voice choir (SATB) [GM047], a mixed voice choir of S/A/Men [Roberton 62004], a choir of upper voices (SSA) [this version] or a male voice choir (TTBB) [GM049].
The lyrics have been written specially by Jason Pimblett.
Duration 5? minutes'|9790222278622|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr.Lawson)|Choir - 3 part upper voices|2.75|38 GM049|Beethoven (arr.Peter Lawson)
MOONLIGHT for male voice choir
Goodmusic GM049|'Here is Beethoven''s most famous piano piece, the first movement of his Moonlight Sonata, in an arrangement for choir with a soloist. The piece can be accompanied by piano or by an orchestra. For full details of the orchestral version see under catalogue number GMCL169.
The choir can be either a mixed voice choir (SATB) [GM047], a mixed voice choir of S/A/Men [Roberton 62004], a choir of upper voices (SSA) [GM048] or a male voice choir (TTBB) [this version].
The lyrics have been written specially by Jason Pimblett.
Duration 5? minutes'|9790222278639|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr.Lawson)|Choir - Male voices|2.75|38 GM050|Peter Lawson
MUSIC HALL MEDLEY for mixed voice choir (SATB)
Goodmusic GM050|'A splendid medley of songs made famous in the music halls comprising "Put on your tat-ta little girlie", "I''ll be your sweetheart", "Danny Boy", "After the ball", "She was one of the early birds", "Somebody stole my gal", "I do like to be beside the seaside", "Oh, Oh, Antonio", "Daisy Bell", "Daddy wouldn''t buy me a bow-wow", "Let''s all go down the Strand", "Lily of Laguna" and "It''s a long way to Tipperary" . . . . . . . Phew!
This medley can be performed by mixed voice choir with a piano accompaniment or, if you just happen to have a full concert orchestra hanging around, they can accompany you instead. The orchestral score and parts are available in our Goodmusic Concert Pops series (see under GMCP016 for full details).
Your audience, should you be lucky enough to have one, can join in all the choruses they know and love!
There are two short instrumental sections in this medley (bars 21 to 52 and bars 99 to 130) which may be cut if you are performing it with just a piano and you want to deny your accompanist a bit of a solo spot and a little glory.
A version of this medley for male voice choir is also available (Catalogue number GM051) as well as a version for mixed voice choir of S/A/Men (Roberton 62005) and upper voice choir (GM148) .
Duration 12 minutes'|9790222278646|LAWSON|Peter Lawson|Music Hall Medley|Choir - Mixed voices (SATB)|7.00|113 GM051|Peter Lawson
MUSIC HALL MEDLEY for male voice choir
Goodmusic GM051|'A splendid medley of songs made famous in the music halls comprising "Put on your tat-ta little girlie", "I''ll be your sweetheart", "Danny Boy", "After the ball", "She was one of the early birds", "Somebody stole my gal", "I do like to be beside the seaside", "Oh, Oh, Antonio", "Daisy Bell", "Daddy wouldn''t buy me a bow-wow", "Let''s all go down the Strand", "Lily of Laguna" and "It''s a long way to Tipperary" . . . . . . . Phew!
This medley can be performed by male voice choir with a piano accompaniment or, if you just happen to have a full concert orchestra hanging around,
they can accompany you instead. The orchestral score and parts are available in our Goodmusic Concert Pops series (see under GMCP016 for full details).
Your audience, should you be lucky enough to have one, can join in all the choruses they know and love!
There are two short instrumental sections in this medley (bars 21 to 52 and bars 99 to 130) which may be cut if you are performing it with just a piano and you want to deny your accompanist a bit of a solo spot and a little glory.
A version of this medley for mixed voice choir (SATB) is also available (Catalogue number GM050) as well as a version for mixed voice choir of S/A/Men (Roberton 62005) and upper voice choir (GM148).
Duration 12 minutes'|9790222278653|LAWSON|Peter Lawson|Music Hall Medley|Choir - Male voices|7.00|113 GM052|Paul Carr
NOW COMES BEAUTY for mixed voice choir
Goodmusic GM052|"Now comes beauty" was originally composed in the Summer of 2009 as a song for solo voice and piano. At the suggestion of my brother Gavin, I then made this arrangement for unaccompanied mixed voice choir and also an instrumental version for string orchestra. Written at a time of great change in my life, it is essentially a song about reluctantly saying farewell to an idyllic, though sometime solitary life on the beautiful island of Mallorca, where I lived from 2004 to 2009 - the ending of a long relationship and the need to move on in a new direction. Death and re-birth if you like; painfully lost, but accepting and open at the same time. Paul Carr
For the solo voice version see GM055. For the string orchestra version see GMCO090.
Also available as part of "Three Motets" see GM128
Duration 5 minutes|9790222279650|CARR P|Paul Carr|Now Comes Beauty|Choir - Mixed voices (SATB)|2.00|25 GM053|Paul Carr
HOLDING THE STARS for mixed voice choir
Goodmusic GM053|'In November 2009 I attended a concert in the church of St. Mary Redcliffe in Bristol, given by the Bristol Bach Choir, conducted by my brother Gavin. It was an inspired programme of contemporary American music and included works by Morten Lauridsen, Eric Whitacre and Samuel Barber. Among the Barber pieces was his timeless setting of the James Agee poem "Sure on this shining night". I thought it beautiful and felt I wanted to set the words myself for unaccompanied choir and did so straight away. I assumed, foolishly, that the works of James Agee would be in the public domain, but I was wrong. As Eric Whitacre discovered with his now famous choral piece "Sleep" - which he originally set to words by Robert Frost, but was then denied publishing rights - obtaining permission from publishers to set words still under copyright can be painfully problematic, as I have now found out. In the end Whitacre commissioned a friend and poet to write new words to his already composed music and the piece went on to become a modern choral classic. So, I have followed suit, only in this case I found it cheaper to commission myself! I''m no poet, but anyone can write words, and mine are a simple reverie to the solitude of thoughts and feelings that we all feel from time to time. Lost in the beauty of a summer''s night - in contemplation of oneself and the world. Paul Carr
Also available as part of "Three Motets" see GM128
Duration about 5? minutes'|9790222279667|CARR P|Paul Carr|Holding the Stars|Choir - Mixed voices (SATB)|2.00|25 GM054|Paul Lewis
TAURANGA CONCERTO for clarinet and piano
Goodmusic GM054|'It was in Tauranga, New Zealand, that I bought my friend Ian Scott''s CD of British clarinet concertos, listened to it, and spontaneously began this work.
1. PERAMBULATION
This movement reflects the contentment of domestic life in a quiet suburb of Tauranga with my partner, soprano Sharon Elizabeth, and the serene happiness of our early morning walks in the local nature reserve.
2. KAIMAI SUNSET
The Kaimais are nearby mountains; we often watched the sun setting behind them. A romantic melody is allowed to develop and increase in passion with the intensity of the colours of a Kaimai sunset - here a metaphor for the surgings that passionate love is prone to.
3. BAYCOURT JITTERBUG
We saw a musical show at Tauranga''s Baycourt Theatre containing a dance number entitled "Jitterbug", which gave me the idea for the concerto''s finale - a jazzy movement reminiscent of the Swing music of the 1920s and 30s. In the unaccompanied cadenza the soloist muses on the tunes he has just played, like a dancer left alone on the dance floor after the band stops playing who carries on dancing to the music in his head, tentatively at first but with growing confidence until he runs out of energy. A bluesy moment ensues, leading to a wistful recollection of the lyrical second theme of the first movement, before the band strikes up again and the dance resumes. In an unexpected coda the "Kaimai Sunset" melody returns in the guise of a fast rumba! Paul Lewis

The TAURANGA CONCERTO is published in for clarinet and orchestra (GMCO089) and also for clarinet with piano reduction (GM054).
A PACK comprises one full score, parts for clarinet, percussion and strings 4/4/3/4/2.
Duration about 20 minutes'|9790222279827|LEWIS P|Paul Lewis|Tauranga Concerto|Clarinet and piano|11.25|209 GM055|Paul Carr
NOW COMES BEAUTY for solo voice and piano
Goodmusic GM055|"Now comes beauty" was originally composed in the Summer of 2009 as this song for solo voice and piano. Written at a time of great change in my life, it is essentially a song about reluctantly saying farewell to an idyllic, though sometime solitary life on the beautiful island of Mallorca, where I lived from 2004 to 2009 - the ending of a long relationship and the need to move on in a new direction. Death and re-birth if you like; painfully lost, but accepting and open at the same time. At the suggestion of my brother Gavin, I then made an arrangement for unaccompanied mixed voice choir (see GM052) and also an instrumental version for string orchestra (see GMCO090). Paul Carr
Duration about 4? minutes

Two keys are shown in the same copy: Key A (range E to G#) and Key G (range D to F#)|9790222280106|CARR P|Paul Carr|Now Comes Beauty|Voice solo (with accompaniment)|3.50|25 GM056|Paul Carr
THE UNUSUAL QUIETNESS OF SNOW
for oboe and string quartet
Goodmusic GM056|'Elegy for oboe & string quartet. This work is an arrangement of the slow movement from Paul Carr''s Concerto for Oboe. Score and parts included.
The unusual quietness of snow is a slow and poignant expression of sadness and loss. At a difficult time in my life, a few days before my Mother''s death, it seemed strange that a heavy, early morning snow fall in the first days of March could have provided a sense of calmness and unity at a time of extreme emotion. It was a snow fall and a quietness I shall never forget, and I remember thinking how comforting and beautiful it was - the large heavy flakes falling slowly and silently, as if out of a mark of respect. Opening with quiet sustained chords in the strings the oboe enters with an expressive theme that continually rises and falls, deepening in emotional intensity. Eventually the theme is taken up by the strings and joined by the oboe as it reaches its highest point - leaving the movement to subside into calm, quiet, and eventual rest. Paul Carr

The Concerto was written for, and is dedicated to Nicholas Daniel, who gave the first performance with the Southern Sinfonia conducted by Ronald Corp, in Dorchester Abbey, Dorchester-on-Thames on 27th May 2008 as part of the "English Music Festival". The concerto has also been recorded by Nicholas Daniel and the Royal Ballet Sinfonia, conducted by Gavin Sutherland and is released on the Dutton Epoch label.

At the request of Nicholas Daniel, Paul made this arrangement for oboe and string quartet for the Leicester International Festival of Music. The first performance was given at the Festival on 18th September 2009 by Nicholas Daniel, Priya Mitchell, Alexander Sitkovetsky, Guy Ben-Ziony & Natalie Clein.
Duration 6? minutes'|9790222280137|CARR P|Paul Carr|Unusual Quietness of Snow Ob+str.qu|Ensemble - Mixed|6.50|124 GM057|Paul Carr
SONATINA for violin and piano
Goodmusic GM057|'I have always wanted to write a short work for violin and piano but have never had anyone to write it for. I once wrote a Violin Concerto, but it weren''t so good (!), except for the slow movement which I subsequently used elsewhere. I''ve written a series of SONATINAS, for Flute (two), Oboe (for Nicholas Daniel), Clarinet, Bassoon, and Viola and am delighted finally to have added one for Violin at the suggestion of Rupert Luck.
Written within the course of a week in early June at my family home outside Bath, a perfect summer''s day instills the opening movement with warmth and contentment - followed by "Falls the rain", a slow piece of quiet reflection, sadness perhaps, as a light evening rain falls on lush leaves and warm pathing stones, like an accompaniment to tears from within. The final movement is written in homage to the distinguished opera director, John Copley, with whom I have worked and laughed for many years - an invitation to his Birthday lunch provided me the opportunity of setting him to music; I even managed to include a favourite Poulenc progression of mine from his opera "Dialogue of the Carmelites".
I was delighted when Rupert asked me to write him something, otherwise I''d still be waiting to write that Violin piece - to be asked is often the only real inspiration a composer needs. Paul Carr
Duration 9 minutes'|9790222280298|CARR P|Paul Carr|Sonatina for Violin|Violin and piano|6.50|124 GM058|Paul Lewis
JANE AUSTEN SUITE for harp
Goodmusic GM058|In 1998, inspired by close acquaintance with two antique gilded harps, I decided to compose a work in a style that would remind them of their younger days! To think myself into a thoroughly Regency frame of mind I played through antique music books until I was so immersed in the style of the period that I could close the books and continue playing in the same vein without any anachronistic intrusions. The books were a leather-bound volume of popular piano salon pieces by long-forgotten composers, written out in a neat copperplate ink script: "The Manuscript Books of Mary Heberden, Datchett Lodge, 1819 & 1826" and a similar collection of harp pieces compiled by one Eliza Euphrosina Saris at about the same time. By these means I hope to have produced music of the kind which Jane Austen might have imagined her fictional heroines playing, the sort of music that all well-bred young Regency ladies would have wanted to perform before an admiring audience, no doubt silhouetted with their harps before the French windows, making the most of the opportunity to display their slender fingers upon the strings and their delicate ankles as they moved the pedals. (Paul Lewis)
Four movements: Prologue; Country Dance; Romance; Ride away.
Duration 10 minutes|9790222281257|LEWIS P|Paul Lewis|Jane Austen Suite|Harp|4.50|76 GM059|David Wilde
THE CELLIST OF SARAJEVO for solo cello
Goodmusic GM059|'A lament in rondo form for solo ''cello

During the conflict in Bosnia-Herzegovina, on May 27th 1992, a bakery in the pedestrian precinct Vase Miskina in Sarajevo, happened to have a supply of flour and was making bread. A long line of customers stretched down the street when a mortar shell landed in their midst. Twenty-two people were killed. Close by lived Vedran Smailovic who had been a ''cellist with the Sarajevo Opera. After the tragedy, he went daily to the spot in full evening dress and risked his own life by playing in memory of the dead, regardless of mortar and machine-gun fire and the risk of further grenade attacks.

The report by John Burns of the New York Times of this heroic musical declaration made an impact more immediate than any political statement about the Bosnian catastrophe before or since. It was quoted by many newspapers including the Herald Tribune who, in an editorial, directly challenged President Bush to match the ''cellist''s courage.

"I first read about it in a copy of the Herald Tribune that I bought prior to boarding a train from Nurnberg to Hannover. As I sat in the train, greatly moved, I listened, and somewhere deep within me a ''cello began to play a circular melody like a lament without end . . . . ." David Wilde

"The ''Cellist of Sarajevo" was immediately taken up by many distinguished ''cellists, and repeatedly played in America, Britain, Australia, New Zealand, Thailand and Germany. Alexander Baillie gave the first performance, in the Queen Elizabeth Hall in London, and Matthew Barley the first broadcast performance, on the UK broadcasting network, Classic FM.
Yo Yo Ma has recorded "The ''Cellist of Sarajevo" for Sony Classical on his CD "Solo", and has played it worldwide, as have many other distinguished ''cellists.
Duration 8? minutes'|9790222281387|WILDE D|David Wilde|Cellist of Sarajevo|Cello solo|7.50|75 GM060|'SONG OF THE CREEPING LADY''S TRESSES by Peter Lawson
for violin and piano
Goodmusic GM060'|'The Song of the Creeping Lady''s Tresses Orchid for violin and piano was written in 1990 and was extensively re-written in 2015. It is the eighteenth in a projected series of musical portraits of the forty-eight wild orchids of Great Britain and Ireland - for various instrumental and orchestral combinations.
The Creeping Lady''s Tresses, Goodyera repens, is typically found growing amongst sphagnum moss in ancient cathedral-like pinewoods, where there is enough space between the pines to let in shafts of sunlight.
Apart from one colony in North Norfolk, it has a distinctly Northerly distribution in Britain, being found in the border counties of Northern England up to the Inverness area of Scotland. It is entirely absent from Ireland, but occurs in most European countries and the temperate regions of the northern hemisphere, in Asia, North America and North Africa.
Unusually for orchids, the bulbs are replaced by fleshy rhizomes which creep under the moss and send up occasional spikes of about twenty creamy-white, sweetly-scented, hairy flowers arranged in single spirals, fancifully looking like tresses of a lady''s hair. Although propagation can result from pollination by insects, resulting in seeds as fine as dust which can establish new colonies, most plants within colonies result from the mesh of creeping rhizomes. There is a rosette of pointed oval, heavily-veined leaves at the base of the stem.

The Song of the Creeping Lady''s Tresses Orchid is in the form of three short movements - a colour-coding of harmonies is employed, as in other orchid portraits. The first movement, Introduction, sets the scene in the ancient pinewoods, with the orchid creeping around the sphagnum moss amongst dappled shafts of sunlight. This leads, without a break, to a Minuet, referring to the dainty nature of the flowering spike. The final movement, The Ancient Pinewood, reflects the mystery and beauty of the surroundings of the orchid.
Duration 7 minutes'|9790222281486|LAWSON|Peter Lawson|'Song of the Creeping Lady''s Tresses'|Violin and piano|5.50|100 GM061|SONG OF THE DARK RED HELLEBORINE by Peter Lawson
for piano
Goodmusic GM061|The Song of the Dark Red Helleborine is the seventeenth in a projected cycle of musical portraits of the forty-eight wild orchids of Britain and Ireland, and was first performed on January 4th, 1991 in the Wigmore Hall, London, by James Kirby, for whom it was written.

The Dark Red Helleborine is a rather rare, attractive and distinctive orchid, which grows on limestone pavements and cliffs in Northern England, North Wales, Scotland and Western Ireland. It is distributed widely throughout Europe and in Asia it is even found in Siberia. Although it may attain a height of two feet, it is more commonly much more stunted in exposed positions.

The harmony of the slow introduction attempts to invoke the colour of the orchid, the ensuing Allegretto its grace and charm. An Allegro leads to its pollination it finally dies back down to over-winter - on its windswept, lunar landscape - such as the Burren in County Clare.

Duration 5? minutes|9790222281493|LAWSON|Peter Lawson|Song of the Dark Red Helleborine|Piano - Solo|4.50|76 GM062|SONG OF THE GREEN WINGED ORCHID by Peter Lawson
for flute and piano
Goodmusic GM062|'The Song of the Green-Winged Orchid was written in 1986 for Simon Desorgher who gave the first performance in Putney Parish Church later that year. It was the eleventh to be written in a projected series of 48 portraits of the wild orchids of Britain and Ireland, with instrumentation ranging from solo piano to orchestral music.

The Green-winged or Green-veined orchid, Orchis morio (from the Greek moros, meaning fool, clown, crazy, so named in Renaissance times when its hooded, green-veined lateral sepals evidently invoked imagery of clowns) is rather short and stocky - usually 6-15cms high - and has a loose spike of generally 6-12 rich purple flowers, with the central lobe of the three-lobed lower lip lighter in colour with dark mauve spots. It is distinctly local and favours open dampish meadows in May, particularly on chalk, though it can tolerate a slightly acid soil - and when conditions are right, it can be abundant, though modern farming techniques and the use of fertilisers has led to a drastic reduction in plant numbers in the last fifty years. In large colonies, about one per cent are albinos, ie pure white, but there is considerable range in flower colour otherwise, from dark purple to carmine pink. The scent of the flowers is sweeter in lighter-coloured forms. It is widely distributed throughout Ireland, Wales and England (but strangely not Scotland), westward as far as the Faroe Islands, eastwards to Western Siberia and to the south, as far as the Mediterranean region, where there are two subspecies.

The Song of the Green-Winged Orchid contrasts (sometimes violently) the craziness of the outward appearance of the orchid with the beauty and sadness of the ''inner song'' of the plant itself. As with other orchid portraits in the cycle, colour-coded harmonies denote the plant and its environment.
Duration 10 minutes

The YouTube video is of a concert at the London New Wind Festival 2020 at Burgh House, Hampstead on Monday 9th November 2020 in which this piece was played by its dedicatee, Simon Desorgher. The video should start at around 29''50" at the beginning of the Song of the Green Winged Orchid.'|9790222281509|LAWSON|Peter Lawson|Song of the Green Winged Orchid|Flute and piano|6.00|112 GM063|SONG OF THE PYRAMID ORCHID by Peter Lawson
for harp
Goodmusic GM063|'Song of the Pyramid Orchid was written in 1990 and revised in 2015 for Bryn Lewis, then the principal harpist of the Philharmonia Orchestra, now the principal harpist of the London Symphony Orchestra and a Professor of Harp at the Guildhall School of Music and Drama. It was the sixteenth to be composed in a projected series of musical portraits of the forty-eight wild orchids of Britain and Ireland, of which there are currently thirty-one written, scored for various instrumental and orchestral forces.
The Pyramid (or Pyramidal) Orchid, Anacamptis pyramidalis, is a familiar sight on chalk and limestone grassland in Southern England, extending upwards to Western Scotland and Ireland and South-East to Eastern Asia, the Mediterranean and North Africa. The orchid takes its name from its neat, conical spike of closely-packed flowers, which range from rich red or cerise to pink - very rarely pure white. The lower labellum is three-lobed with its two upper petals having evolved to be so angled as to act as a guide for the nectar-seeking proboscis of a butterfly.
Taking its cue from the Egyptian Pyramids, the Song of the Pyramid Orchid employs Middle-Eastern type scales as well as referring to a colour coding scheme of harmonies used in all of the orchid portraits. An arch-like melodic fragment heard at the beginning refers to both the faint, sweet perfume of the flowers and the mysteries of the ancient Pyramids. This is expounded upon, but gives way to a chorale-like passage, using harmonies taken from the opening pyramid figuration''s ''scale''. Increasingly animated sections fancifully lead up to the flower''s pollination, after which the music revisits the more reflective chorale-like passage. Finally, the pyramid figuration makes an appearance which is intended to represent the flower dying back for the winter - ready to flower again the following year. So there is an arch-like structure in the piece, complementing the arch-like pyramid motif.
Duration 7? minutes'|9790222281516|LAWSON|Peter Lawson|Song of the Pyramid Orchid|Harp|5.00|88 GM064|SONG OF THE VIOLET HELLEBORINE by Peter Lawson
for piano
Goodmusic GM064|The Song of the Violet Helleborine, written in 1987 for Philip Fowke, is the thirteenth in a projected cycle of musical portraits of the forty-eight wild orchids of Britain and Ireland, for various solo, chamber and orchestral combinations.

The Violet Helleborine, Epipactis purpurea, is a very localised plant, confined in Britain to South East England, mainly in clumps in beech woods. In Europe, it has a central and Northern distribution and has been reported as far East as Western Siberia. The plant, which can grow up to a metre tall, while unspectacular from a distance, is most attractive at closer range - the flowers are reddish-green, in a tightly-packed raceme with long bracts, giving the spike a leafy appearance. The leaves and stems are suffused with violet, a distinguishing feature from which the plant takes its name. It flowers about two weeks later, in August, than its commoner close relative, the Broad Helleborine and has adapted itself to be pollinated by wasps, which are prevalent in the late summer. Its nectar contains a yeast fungi which causes the wasp to be intoxicated with alcohol and less able to scrape off pollen, thus facilitating pollination when the wasp moves to another plant.

The music uses the same colour-coding of harmonies as in the other orchid portraits. The piece is in binary form, the first section depicting the outward appearance of the plant to ourselves, a riot of subtle colours - delicate and tender at times, becoming increasingly intoxicated as pollination takes place. A chorale-like transition leads to the song of the orchid itself, in which motifs from the first section can be heard again, but serenely this time, as it were through the eyes of the orchid.
Duration 12 minutes|9790222281523|LAWSON|Peter Lawson|Song of the Violet Helleborine|Piano - Solo|6.00|112 GM065|'SONG OF THE IRISH LADY''S TRESES ORCHID by Peter Lawson
for flute, oboe, viola and piano
Goodmusic GM065'|'The Song of the Irish Lady''s Tresses Orchid, written in 1987 for Maura and David Presly and Simon Desorgher, was the twelfth to be written in a projected cycle of musical portraits of the forty-eight wild orchids of Britain and Ireland for solo, chamber and orchestral resources.

The Irish Lady''s Tresses Orchid, Spiranthes romanzoffiana, is present in Europe only in Western Scotland, Dartmoor (possibly now extinct there) and in Western and Northern Ireland. It''s main distribution, however, is in the Northern states of the US and in Southern Canada - yet more evidence that Europe and North America were once joined up. There are also uncorroborated reports of it growing in the far East of Russia. The plant has three spiral rows of about seven creamy flowers on each row (the ''tresses''), which have a vanilla or hawthorn scent. It grows in wet ground by lochs and in wettish meadowland on slightly acid soils, flowering in late July and throughout August. Its principal threat appears to be the drainage of potential sites by humans and being eaten by cattle, sheep and particularly horses, who appear to regard it as a tasty delicacy.

The piece is in binary form, the first part being a representation of the Irish and Scottish habitats (with references to an Irish hornpipe, which many will remember as the theme to ''Captain Pugwash'' and to the air ''Slieve na mon''). At one point, the flute, oboe and viola launch into a slightly eerie representation of the three rows of flowers. The second part is, as it were, the ''Song'' of the orchid itself and is a tranquil paean to the beautiful surroundings in which the orchid is invariably found.
Duration 10 minutes'|9790222281530|LAWSON|Peter Lawson|'Song of the Irish Lady''s Tresses Or'|Ensemble - Mixed|12.00|221 GM066|Havelock Nelson
TWO PIECES for flute and piano
Goodmusic GM066|Two lovely pieces "Eirie Cherie" and "In Venzuela" for flute and piano.
EIRIE CHERIE was written for Kenneth Smith (flute) and Paul Rhodes (piano) and is based on a Trinidadian folk song. It captures much of the spirit of Jamaican music through its laid-back, langorous melody and its infectious rhythms.
IN VENEZUELA is subtitled "Improvisation on a South American theme", this work started out as a piece for cello and harp. Havelock Nelson subsequently arranged it for flute and piano and dedicated it to Kenneth Smith and Paul Rhodes (for whom "Eirie Cherie", above, was written). The piece opens with a haunting melody in the minor key on the flute which is taken up and developed by the piano. A contrasting section of a more reflective character appears before the opening theme returns once again for the conclusion.
Duration 2 minutes and 3 minutes
A CD recording of these pieces played by Kenneth Smith and Paul Rhodes is available on Divine Arts DDA25069.|9790222281547|NELSON H|Havelock Nelson|Two Pieces: Eirie Cherie+Venezuela|Flute and piano|5.00|88 GM067|Paul Carr
THERE IS NO ROSE for mixed voice choir and piano
Goodmusic GM067|A carol for SATB choir and piano. A lovely setting of this old English carol with new music by Paul Carr. Just beautiful . . . . .
Duration 6 minutes|9790222281745|CARR P|Paul Carr|There Is No Rose|Choir - Mixed voices (SATB)|2.00|25 GM068|SONG OF THE LATE SPIDER ORCHID by Peter Lawson
for two pianos
Goodmusic GM068|'The Song of the Late Spider Orchid was the tenth to be written in a series of musical portraits - for various instrumental combinations - of the wild orchids of Great Britain and Ireland, of which there are forty-eight. It was first performed by its dedicatees, Stephen Coombs and Christopher Scott, in the Purcell Room, London, on October 23rd 1986.

The Late Spider Orchid is a member of the exotic Ophrys section of the orchid family. Ophrys orchids imitate insects and in some instances the male insect is tricked into believing the flower to be a female - inducing pollination by a process known as pseudo-copulation. Although widely found in the Mediterranean region and as far North and East as Germany and Syria, the Late Spider Orchid, Ophrys fuciflora (or O. holoserica) is now extremely rare in Britain, being confined to short chalk turf in two small areas of Kent.

The Song of the Late Spider Orchid commences with a passacaglia-like sequence of chords - representing our impression of the orchid and fancifully depicting the brown, gold, pink and green colours of the plant: this is basically harmony and rhythm without melody. Later we hear the ''song'' of the orchid itself - melody without much of a rhythmic shape. In the final section, the two elements are ultimately fused, the melody of the ''song'' being given the passacaglia''s rhythm - a musical pollination, as it were.
Two copies are required for performance
Duration 10 minutes'|9790222281851|LAWSON|Peter Lawson|Song of the Late Spider Orchid|Piano - 2 players on 2 pianos|7.50|136 GM069|SONG OF THE MILITARY ORCHID by Peter Lawson
for five flutes
Goodmusic GM069|'The Song of the Military Orchid, for five flutes, was written in 1982 for Simon Desorgher, who subsequently broadcast it on Radio 3, playing the first flute against the other four flutes, which he had pre-recorded. It was the second to be written in a series of musical portraits of the forty-eight wild orchids of Britain and Ireland for various combinations from solo instruments to orchestral forces.

The Military or Soldier Orchid, Orchis militaris, is widely distributed from Sweden and Southern Siberia in the North to the Mediterranean region in the South. In England, it was, in the mid nineteenth century fairly frequent in the Chiltern Hills, with sites in Kent and Surrey. Because of its robust, flamboyant appearance, it suffered from picking and changes in land usage and techniques, became increasingly rare and was thought to be extinct for about twenty years until a colony was found in a Buckinghamshire wood in 1947, followed by a large colony in Suffolk in 1954. The orchid''s name derives from the lower lip with its two rows of reddish-purple spots on a pink background resembling a soldier''s buttoned-up tunic, with two lobes for ''arms'' and the sepals and two upper petals forming a helmet-like ''hood''. It prefers half shade and typically grows in clearings and at the edges of woods.

In the first part of the Song of the Military Orchid, we hear military-like fanfares on the flutes, which intensify to something of a cacophony. A short cadenza leads to the ''Song'' of the orchid itself - rather than our perception of it. The short piece ends with a brief reference to the military motif.
Duration 5? minutes'|9790222281868|LAWSON|Peter Lawson|Song of the Military Orchid (5xFls)|Flute ensemble|6.50|124 GM070|SUITE FOR UNACCOMPANIED VIOLA by Imogen Holst
for solo viola
Goodmusic GM070|'Imogen Holst, the daughter of Gustav Holst, wrote this suite for viola in 1930, though the exact date is unknown. It was first performed on 14th December 1931 at the Ballet Club Theatre, 2a Ladbroke Road, London W11, by Violet Brough who was the viola player with the Macnaghten String Quartet. In this concert the Quartet and others performed Elizabeth Maconchy''s Quintet for Strings, a Haydn String Quartet, songs by Patrick Hadley and Philip Rosseter and also gave the first performance of a string quartet by Betty Lutyens.

In June 1932, Imogen Holst specially wrote out a fair copy of the work and gave it to her schoolfriend Leila Andrews as a wedding present. It bore the dedication "For Leila with love from Imo. June 1932". It seems as though it was the copy of the work that was given as the gift, rather than the work itself. With her solo suite for violin, Imogen Holst appears to have given a number of copies of the work to different people with individual dedications on each. However, with the Suite for Viola, only Leila Andrews'' copy has come to light with a dedication so it is that dedication that appears on this published edition.

Virtually all bowings and fingerings are editorial. The work is in four movements: Prelude, Cinquepace, Saraband & Gigue and is published here for the first time.

Duration 8? minutes'|9790222281837|HOLST I|Imogen Holst|Suite for Unaccompanied Viola|Viola solo|4.50|76 GM071|Wilhelm Friedrich Ernst Bach
DAS DREYBLATT for three players on one piano
Goodmusic GM071|'Wilhelm Friedrich Ernst Bach was born on 23rd May 1759 and died on Christmas Day 1845. He was the son of Johann Christoph Friedrich Bach and the grandson of Johann Sebastian Bach. He received training in music from his father and from his uncle, Carl Philipp Emanuel Bach, and from another uncle in England, Johann Christian Bach. He held several musical posts during his life including Music Director to King Friedrich William II, Kapellmeister of Minden in 1786, and from 1788 to 1811 Kapellmeister in Berlin.

Wilhelm''s compositions were certainly less remarkable than those of his esteemed grandfather or his uncles, but he did at least have a sense of humour. Das Dreyblatt for three players on one piano was written in such a way that it was to be performed with one large male in the middle and two petite females on either side of him. He indicated that the man was to stretch his arms around the ladies to play the outside parts, while the ladies performed the middle parts.

In these enlightened times, there is no reason why these roles should be confined to the genders he suggested - though the middle (outer) player does need to have reasonably long arms . . . . . . . . . .
Duration 2 minutes'|9790222281875|BACH WFE|Wilhelm Friedrich Ernst Bach|Das Dreyblatt|Piano - 3 players on 1 piano|4.50|76 GM072|SONG OF THE SLENDER-LIPPED HELLEBORINE by Peter Lawson
for violin and guitar
Goodmusic GM072|The Song of the Slender-Lipped Helleborine, for violin and guitar, was written in 1983 for the violinist Stephen Bentley-Klein, who took part in its first performance. It was the third to be written in a series of musical portraits - for various instrumental combinations - of the wild orchids of Great Britain and Ireland, of which there are forty-eight.

The Slender-Lipped (or Narrow-Lipped) Helleborine, Epipactis leptochila, was first separated out from its commoner relative, Broad-Leaved (or Common) Helleborine, in 1921, though it is still regarded by some as a subspecies of it. However, the plant differs from its relative by being largely self-pollinating and visually in having a long, sharply-pointed lower lip. It usually lacks the rosy hue of Broad-Leaved Helleborine, but sometimes retains a pink flush; generally, though, it is entirely green. Like its close relative, it is robust - up to 60 cms in height, grows in clumps of up to six spikes and one spike can bear as many as twenty-five flowers. It is rather rare in all of its locations and grows in deciduous woods on calcareous or sandy soils, favouring beechwoods. Its distribution in the British Isles is generally confined to the South East, but has been found as far West as Devon. Abroad, it appears to be confined to Europe but has been recorded widely from Denmark to Greece.

The Song of the Slender-Lipped Helleborine is in ternary form with the outer sections representing the cathedral-like serenity of its typical beechwood habit. The middle section, with its more animated dialogue between the violin and the guitar, represents the detailed physiognomy of the plant.
Duration 8 minutes|9790222281882|LAWSON|Peter Lawson|Song of the Slender-lipped Hellebor|Violin and guitar|6.00|112 GM073|SONG OF THE BIRDS-NEST ORCHID by Peter Lawson
for piano
Goodmusic GM073|'The Song of the Bird''s-Nest Orchid was written in 1982 for Reiko Isobe. It was the fifth to be written in a series of musical portraits of the 48 species of wild orchids in Britain and Ireland.

The Bird''s-Nest Orchid, Neottia nidus-avis, so named because of the resemblance of its root system to a magpie''s nest, is a saprophtye, living off decayed material from plants and animals. The roots are heavily infected with a mycorrhizal fungus which helps it absorb food from the rotting material (usually dead leaves). This robust orchid - up to 40cm high - is widely distributed throughout Northern regions of Europe and Asia - as far East as Siberia. It is a strange plant, to be found in deep shade in woodland, where practically nothing else will grow. It has virtually no chlorophyll and is therefore completely lacking in the greenness which one associates with normal plants. There are no true leaves, only brown, translucent scales up the stem. In fact the whole plant is honey-brown in colour and from a distance, looks as if it is dead. On closer inspection it is rather subtle and beautiful and has up to a hundred flowers with large yellow pollen masses, smelling pleasantly of honey. These attract small insects which pollinate them, though the plant also self-pollinates.

The Song takes us on a journey from initially noticing what looks like a dead plant, through to closer inspection of its finer details and realisation of the wider beauty of the plant in relation to its environment, to finally hearing the orchid''s own song. We begin with a gloomy passacaglia. This is embroidered and eventually gathers pace and is developed to a powerful climax. We then - in a transitional section - reflect on the orchid in relation to the overhead canopy of trees with distant shafts of sunlight penetrating through it, before we finally hear the song of the orchid itself - as if from its own point of view.
Duration 14 minutes'|9790222281899|LAWSON|Peter Lawson|Song of the Birds-nest Orchid|Piano - Solo|6.00|112 GM074|Paul Carr
THE CLOTHS OF HEAVEN for mixed voice choir
Goodmusic GM074|'A new, very moving, beautiful setting for unaccompanied mixed voice choir of W. B. Yeats'' poem "He wishes for the Cloths of Heaven". Although much of the piece is in four parts, all of the voice parts divide at some stage, the sopranos and altos each into 3 parts at one point, where it is necessary for some delicious chordal effects. You can view the score here and your computer will attempt to play it - the result may be quite a long way from a real performance with the subtlety that voices can bring, but it might give you a rough idea of the notes!
Also available as part of "Three Motets" see GM128
Duration 5? minutes'|9790222281912|CARR P|Paul Carr|Cloths of Heaven|Choir - Mixed voices (SATB)|2.00|25 GM075|SONG OF THE FROG ORCHID by Peter Lawson
for trombone and piano
Goodmusic GM075|'The Song of the Frog Orchid, completed in 1983 for Paul Nieman, who gave it it''s first performance in London, was the sixth to be written in a cycle of instrumental and orchestral depictions of the forty-eight wild orchids of Britain and Ireland, of which twenty-eight have been completed to date.

The Frog Orchid, Coeloglossum viride, though widely distributed throughout Britain and Ireland, is local and often overlooked, being camouflaged by its greenish inflorescence, which is sometimes tinged red or brown. It derives its name from the likeness of its hooded upper petals and divided lower petals to the ''bulging eyes'' and legs of a frog. It varies greatly in size (tiny to robust) and habitat (from stabilised sand dunes to the height of 3,300 feet in the Grampians of Scotland and to 13,000 feet on the Turkestan plateau). In the south of England it is generally associated with calcareous pastures, ancient workings and battlefields.
The orchid''s links to human antiquity account for the first part of the work; the second part is the ''Song'' of the orchid ''from its own point of view''. The piano commences a lugubrious narrative, leading to a somewhat Mahlerian funeral march. The latter becomes the subject of a couple of loose variations - the one referring to an ancient conflict and the other to its fusty and ''fossilised'' remains. A more lyrical interval leads to a ghoulish cadenza, after which the piano returns with a birdsong-line diversion from the gloom, which misleadingly heralds an even more bloody reference to the funeral march, ending the first part of the piece. The ''Song'', itself the subject of two loose variants, follows without a break and is totally unrelated to the human perception of the plant: the orchid basks in the warmth of its cushion of short grass and enjoys the tranquillity of its downland surroundings - so sadly disappearing nowadays.
Duration 17 minutes'|9790222282179|LAWSON|Peter Lawson|Song of the Frog Orchid|Trombone and piano|7.50|136 GM076|Giovanni Battista Pergolesi / John Barbirolli
CONCERTO for oboe and piano
Goodmusic GM076|'This transcription was originally made and intended for oboe, but is also playable by flute in which case the 8va markings and the ossia at the end of the last movement should be used.
The sources of the themes used in the Concerto are: Movement 1) Stabat Mater, 2) & 4) Twelve Sonatas for two violins and bass, and 3) Song "Se tu m''ami".*
This edition was originally published in 1937 by Oxford University Press. This new edition has been re-typeset but is otherwise unchanged.
The orchestral score and parts are also available - see catalogue number GMCA020 (where you can also hear the Concerto).
Pergolesi was born in Iesi, Italy and studied there under a local musician before going to Naples in 1725 where he studied under Gaetano Greco and Francesco Feo. He was an important early composer of opera as well as writing sacred choral works and secular instrumental works. He died of tuberculosis at the age of 26.

*There is now some doubt as to whether the song "Se tu m''ami" was actually written by Pergolesi and it is now more often attributed to Alessandro Parisotti (1853-1913).
Duration 12 minutes'|9790222283633|PERGOLESI|Giovanni Baptista Pergolesi|Concerto for Oboe (Barbirolli)|Oboe and piano|5.00|88 GM077|G. F. HANDEL transcribed John Barbirolli
CONCERTO for viola and piano
Goodmusic GM077|'This work was dedicated by John Barbirolli (1899-1970) to the Scottish born virtuoso violist and teacher William Primrose (1904-1982) who provided the fingering and bowing in the viola part. This transcription uses the following sources for the five movements:-
1. "Herakles" Act 1, Iole''s aria
2. "Rinaldo" Act 3, Almira''s last aria
3. "Alcina", Musette from the Overture
4. Introduction to "Delmiro amoroso", no.12 of Cantate con strumente Vol.1
5. Second movement of Sonata VI from Nine Sonatas or Trios for two violins, flutes or hautboys.
This edition was originally published in 1950 by Oxford University Press. This new edition has been re-typeset but is otherwise unchanged.
The orchestral score and parts are on sale (see GMCA022 where you can also hear the work) apart from this reduction for viola and piano. There are several passages in the solo viola part which are to be played only when accompanied by piano, but not when there is an orchestra present. These passages are cued in the orchestral full score and the solo viola part.
Duration 15 minutes'|9790222283817|HANDEL GF|George Frideric Handel|Concerto for Viola (Barbirolli)|Viola & Piano|6.50|124 GM078|SONG OF THE FRAGRANT ORCHID by Peter Lawson
for soprano, clarinet and piano
Goodmusic GM078|'The Song of the Fragrant Orchid was completed in 1986. It is dedicated to Frances Ann Brookes and Damaris Wollen who took part in its first performance in London, which was accompanied by myself. It was the eighth to be written in a cycle of instrumental and orchestral depictions of the forty-eight wild orchids of Britain and Ireland, of which twenty-nine have been composed to date. It also exists, in a slightly more eccentric version, for soprano, violin and piano as the Song of the Marsh Fragrant Orchid (GM079), which is a more localised variant which is arguably not fragrant at all, as it smells of cloves. In both versions, the soprano sings without words, at times indulging in a degree of vocal acrobatics.

The Fragrant Orchid (Gymnadenia conopsea) is a familiar sight in meadows and downs and has a fairly loose spike of sweetly-scented pink, sometimes white, flowers. The downland connotations with England inspired the Elgarian germ from which the piece grows. It consists of two continuous sections. The first of these is intended to evoke, to some extent, our impressions of the orchid and the second is, fancifully, the ''song'' of the orchid itself - intoxicated, as it were, in its own perfume. Peter Lawson
Duration 7 minutes'|9790222284562|LAWSON|Peter Lawson|Song of the Fragrant Orchid +cl/pf|Voice solo (with accompaniment)|6.50|124 GM079|SONG OF THE MARSH FRAGRANT ORCHID by Peter Lawson
for soprano, violin and piano
Goodmusic GM079|'The Song of the Marsh Fragrant Orchid is a slightly eccentric variant of the Song of the Fragrant Orchid (for soprano, clarinet and piano - see GM078) incorporating elements of music theatre and an even greater degree of vocal acrobatics from the soprano, whose part is basically a song without words.
It was dedicated to Frances Ann Brookes, Stephen Bentley Klein and James Kirby, who gave its first performance in North Thoresby Parish Church, Lincolnshire on April 4th, 1986 - and was the eighth to be written in a cycle of instrumental and orchestral depictions of the forty-eight wild orchids of Britain and Ireland, of which twenty-nine have been written to date.

Although the Fragrant Orchid (Gymnadenia conopsea) is a familiar sight in meadows and downs, the later-flowering form known as the Marsh Fragrant Orchid, var. densiflora, is much more localised and can be found in fens and wetter limestone areas such as the Burren district of County Clare. It is more robust, darker pink in colour, has a denser flower spike and smells - somewhat unpleasant when one expects to be intoxicated with the sweetness of the perfume of the ''standard'' relative - of cloves.
The downland connotations with England inspired the Elgarian germ from which the piece grows, the first of the two continuous sections being intended to evoke, to some extent, our impressions of the orchid - and the second being, fancifully, the ''song'' of the orchid itself, which, of course, knows nothing of unpleasant smells! Peter Lawson
Duration 7 minutes'|9790222284579|LAWSON|Peter Lawson|Song of the Marsh Fragrant Orchid|Voice solo (with accompaniment)|6.50|124 GM080|'SONG OF THE TWAYBLADE ORCHID by Peter Lawson
for oboe, oboe d''amore and cor anglais
Goodmusic GM080'|'The Song of the Twayblade Orchid, completed in 1983 and dedicated to David Presly, who took part in its first performance in London, was the seventh to be written in a cycle of instrumental and orchestral depictions of the forty-eight wild orchids of Britain and Ireland, of which twenty-nine have been written to date.

The Twayblade Orchid, Twayblade, or Common Twayblade (Listera ovata) is by far the most common European Orchid and is widely distributed throughout Britain and Ireland, only being missing from the Shetlands. Despite its comparative frequency, it is often overlooked, owing to its yellow-green flowers tending to merge into the surrounding grassland. It typically has two large oval leaves opposite each other - hence the name, Twayblade - and these are some way up the stem. The stem continues upwards for some distance on taller plants. After this gap come some 20 to100 or so flowers, which look, fancifully, like little green men with arms and legs created from the perianth segments and the deeply-divided lower lip of the flower. It is pollinated by small flies, beetles and ichneumons who, attracted by the musk-like scent, crawl up the ''legs'' of the flower, following a nectar channel, only to find that the rostellum explodes on contact, gluing the pollinia to their heads. The frightened insect immediately flies off to another flower and pollination thereby takes place.
The plant has a rather top-heavy, almost comical appearance and it is this somewhat humorous aspect which playfully dominates the first part of the Song of the Twayblade Orchid. After a chorale like interlude, there follows the ''Song'' of the orchid itself, which takes itself much more seriously. As far as the orchid is concerned, its beauty is unquestioned as it languidly reflects in its idyllic surroundings. Peter Lawson
Duration 10 minutes'|9790222284586|LAWSON|Peter Lawson|Song of the Twayblade Orchid|Oboe ensemble|9.50|173 GM081|HOLST, Gustav (arranged by Peter Lawson)
FOUR HOLST CAROLS for mixed voice choir
Goodmusic GM081|IN THE BLEAK MIDWINTER [5 minutes], PERSONENT HODIE [3 minutes], LULLAY MY LIKING [3 minutes], MASTERS IN THIS HALL [3? minutes].
These four carols, written or originally arranged by Gustav Holst, have all become well-known as congregational carols. Peter Lawson has arranged them so that they are more of a choir concert item with optional orchestral accompaniment. Rather than keeping each verse and chorus the same, the carols have been "through arranged", often with key changes which also enables the melody to be passed to other voices, adding more interest to some wonderful old favourites. In Personent hodie there is a new singable English translation by Peter Lawson. The Four Holst Carols can be performed as a set or individually.
There are four different choral versions of this work available separately, all fit the orchestral accompaniment though the orchestral score shows the SATB version.
For details of the Orchestral parts see Catalogue number GMCH012 where you can also hear a computer generated performance with orchestra. No choral copies are included with the orchestral pack.
These carols can be performed without orchestra with either piano or organ accompaniment using the vocal scores listed below.
Mixed Voice Choir (SATB) see Catalogue number GM081
Upper Voice Choir (SSA) see Catalogue number GM082
Male Voice Choir (TTBB) see Catalogue number GM083
Mixed Voice Choir (SA+Men) see Catalogue number GM084

Duration 15 minutes|9790222285347|LAWSON|Peter Lawson|Four Holst Carols|Choir - Mixed voices (SATB)|7.50|125 GM082|HOLST, Gustav (arranged by Peter Lawson)
FOUR HOLST CAROLS for female voice choir
Goodmusic GM082|IN THE BLEAK MIDWINTER [5 minutes], PERSONENT HODIE [3 minutes], LULLAY MY LIKING [3 minutes], MASTERS IN THIS HALL [3? minutes].
These four carols, written or originally arranged by Gustav Holst, have all become well-known as congregational carols. Peter Lawson has arranged them so that they are more of a choir concert item with optional orchestral accompaniment. Rather than keeping each verse and chorus the same, the carols have been "through arranged", often with key changes which also enables the melody to be passed to other voices, adding more interest to some wonderful old favourites. In Personent hodie there is a new singable English translation by Peter Lawson. The Four Holst Carols can be performed as a set or individually.
There are four different choral versions of this work available separately, all fit the orchestral accompaniment though the orchestral score shows the SATB version.
For details of the Orchestral parts see Catalogue number GMCH012 where you can also hear a computer generated performance with orchestra. No choral copies are included with the orchestral pack.
These carols can be performed without orchestra with either piano or organ accompaniment using the vocal scores listed below.
Mixed Voice Choir (SATB) see Catalogue number GM081
Upper Voice Choir (SSA) see Catalogue number GM082
Male Voice Choir (TTBB) see Catalogue number GM083
Mixed Voice Choir (SA+Men) see Catalogue number GM084

Duration 15 minutes|9790222285354|LAWSON|Peter Lawson|Four Holst Carols|Choir - 3 part upper voices|7.50|125 GM083|HOLST, Gustav (arranged by Peter Lawson)
FOUR HOLST CAROLS for male voice choir
Goodmusic GM083|IN THE BLEAK MIDWINTER [5 minutes], PERSONENT HODIE [3 minutes], LULLAY MY LIKING [3 minutes], MASTERS IN THIS HALL [3? minutes].
These four carols, written or originally arranged by Gustav Holst, have all become well-known as congregational carols. Peter Lawson has arranged them so that they are more of a choir concert item with optional orchestral accompaniment. Rather than keeping each verse and chorus the same, the carols have been "through arranged", often with key changes which also enables the melody to be passed to other voices, adding more interest to some wonderful old favourites. In Personent hodie there is a new singable English translation by Peter Lawson. The Four Holst Carols can be performed as a set or individually.
There are four different choral versions of this work available separately, all fit the orchestral accompaniment though the orchestral score shows the SATB version.
For details of the Orchestral parts see Catalogue number GMCH012 where you can also hear a computer generated performance with orchestra. No choral copies are included with the orchestral pack.
These carols can be performed without orchestra with either piano or organ accompaniment using the vocal scores listed below.
Mixed Voice Choir (SATB) see Catalogue number GM081
Upper Voice Choir (SSA) see Catalogue number GM082
Male Voice Choir (TTBB) see Catalogue number GM083
Mixed Voice Choir (SA+Men) see Catalogue number GM084

Duration 15 minutes|9790222285361|LAWSON|Peter Lawson|Four Holst Carols|Choir - Male voices|7.50|125 GM084|HOLST, Gustav (arranged by Peter Lawson)
FOUR HOLST CAROLS for mixed voice choir of SA+Men
Goodmusic GM084|IN THE BLEAK MIDWINTER [5 minutes], PERSONENT HODIE [3 minutes], LULLAY MY LIKING [3 minutes], MASTERS IN THIS HALL [3? minutes].
These four carols, written or originally arranged by Gustav Holst, have all become well-known as congregational carols. Peter Lawson has arranged them so that they are more of a choir concert item with optional orchestral accompaniment. Rather than keeping each verse and chorus the same, the carols have been "through arranged", often with key changes which also enables the melody to be passed to other voices, adding more interest to some wonderful old favourites. In Personent hodie there is a new singable English translation by Peter Lawson. The Four Holst Carols can be performed as a set or individually.
There are four different choral versions of this work available separately, all fit the orchestral accompaniment though the orchestral score shows the SATB version.
For details of the Orchestral parts see Catalogue number GMCH012 where you can also hear a computer generated performance with orchestra. No choral copies are included with the orchestral pack.
These carols can be performed without orchestra with either piano or organ accompaniment using the vocal scores listed below.
Mixed Voice Choir (SATB) see Catalogue number GM081
Upper Voice Choir (SSA) see Catalogue number GM082
Male Voice Choir (TTBB) see Catalogue number GM083
Mixed Voice Choir (SA+Men) see Catalogue number GM084

Duration 15 minutes|9790222285378|LAWSON|Peter Lawson|Four Holst Carols|Choir - Mixed voices (SAMen)|7.50|125 GM085|SONG OF THE SOUTHERN MARSH ORCHID by Peter Lawson
for violin, cello and piano
Goodmusic GM085|'The Song of the Southern Marsh Orchid (1997-8) was the 21st to be written in a projected cycle of musical portraits of the 48 wild orchids of Britain and Ireland. It is dedicated to the Barbican Piano Trio, who first performed it in Uzbekistan in 1998.

The Southern Marsh Orchid (Dactylorhiza majalis, ssp. praetermissa) is a robust, spectacular plant, bearing a large spike of pinkish-mauve flowers. In Britain, it is least uncommon in southern England, but sadly in decline, as are so many wetland species. Abroad, it is rarer, primarily being confined to central Western Europe.

References to French, Austrian and German music reflect the orchid''s distribution in its ''song'', which comes, as it were, from the orchid itself. The piece begins with a depiction of its surroundings, followed by a capricious flowering section, reaching a climax as pollination occurs. This rapidly leads to the setting of seed and the dying down of the plant as it over-winters - a slower, rather still section. The return of the capricious mood heralds another year of flowering, cut short in its prime by the lowering of the water table due to farming activities and the consequent destruction of the colony. To conclude, there follows a short epilogue, with a reference to the Venusberg music from Wagner''s Tannhauser, fancifully transporting the orchid back to a sweet but sadly receding time when the orchid colony was alive and untroubled by human intervention. Peter Lawson
Duration 10 minutes'|9790222286290|LAWSON|Peter Lawson|Song of the Southern Marsh Orchid|Piano trio|8.50|160 GM086|SONG OF THE LIZARD ORCHID by Peter Lawson
for four players on two pianos [score and parts]
Goodmusic GM086|'The Song of the Lizard Orchid , written in 2012 for the double piano duet team Piano 40 for a Purcell Room concert, is the 29th to be written of a projected cycle of musical portraits of the 48 wild orchids of the British Isles and Ireland for various chamber and orchestral ensembles.

The Lizard Orchid (Himantoglossum hircinum) is extremely rare in Britain. The plant is tall - with a raggle-taggle spike of dozens of opulent greenish-white flowers which have a long twisted lower lip resembling a lizard''s tongue, marked with lines and dots of a pinkish or reddish purple. The flowers have a positively foul smell of old billy goats. The leaves quickly turn brown and make the plant look half dead from a distance.

Throughout the music, the colours are depicted by colour-coded harmonies: green for the leaves and parts of the flowers, blue for the sky above, white for the clouds and the whitish-green of the tongue of the lizard, purple, red and pink for the markings on the tongue, gold for the pollinia and brown for the dead leaves. These eight colours are heard together to form a huge black discord at the outset (the smell of billy goat!) and are then introduced one by one in layers by the eight hands of the players as tongue-like rhythmic motifs. When they are all playing together, they are at their most discordant (and foetid!) but they one by one change into blue. There is a short interruption for a lizard motif and then the blue layers continue, changing gradually to green, white, purple and red, suddenly becoming pink, then gold and brown. The return of the lizard motif ushers in a short, calmer, second movement, once again layered, with echoes of the first movement creeping back in. The lizard motif reoccurs for the third and final time, heralding a spirited dance-like finale culminating in the reappearance of the black (smelly!) chord at which the orchid dies back for the winter. Peter Lawson

Duration 8 minutes'|9790222286306|LAWSON|Peter Lawson|Song of the Lizard Orchid|Piano - 4 players on 2 pianos|17.00|305 GM087|SONG OF THE CORALROOT ORCHID by Peter Lawson
for mezzo-soprano or tenor and piano
Goodmusic GM087|'The Song of the Coralroot Orchid, written in 1988 for Frances Ann Brooks for a concert in Putney - and revised in 2012 - was the fifteenth to be written in a projected series of musical portraits of the 48 wild orchids of Britain and Ireland for various solo, chamber and orchestral forces.

The Coralroot Orchid (Corallorhiza trifida) is difficult to spot as it is small - often tiny - and has a greenish-yellow appearance which tends to camouflage it against a background of pine needles and sphagnum moss. It does not have any leaves and although there is some chlorophyll in the stem, it is entirely dependent on a saphrophytic relationship with a mycorrhizal fungus, which its branched, coral-like ''roots'' foster. It has a distinct Northerly distribution and in Britain it is mainly restricted to ancient Scottish pinewoods, heaths and dune slacks where it is distinctly rare. The flowers vary from a pinkish-cream to a greenish white and are often flecked with reddish-purple. The side petals resemble a bird in flight.

The music - for wordless mezzo-soprano (or tenor) and piano - opens with a ''misterioso'' passage intended to evoke the habitat and the plant''s mainly subterranean existence. There follows a faster section depicting the orchid''s outward appearance and using a harmonic ''colour-coding'' technique. Finally, we hear, fancifully, the ''song'' of the orchid itself, - its ''inside story'', as it were, reflecting the majesty and beauty of its surroundings. As the music finally winds down, the orchid appears to die, but remains alive underground and will perhaps pop up again next year. Peter Lawson
Duration 8 minutes'|9790222286313|LAWSON|Peter Lawson|Song of the Coralroot Orchid|Voice solo (with accompaniment)|4.50|76 GM088|SEVEN LAST WORDS FROM THE CROSS by Paul Carr
for baritone solo, chorus and orchestra
Goodmusic GM088|'A new 40 minute work in seven sections for mixed voice choir with baritone solo and orchestra accompaniment. Settings of the Seven Last Words from the Cross but also utilising other texts from, amongst others, the Good Friday Antiphon and Reproaches and including in No.3 With Me in Paradise, a stunningly beautiful setting of Phineas Fletcher''s Drop, drop, slow tears.
The orchestra required is Harp, Organ, Percussion [2 players] and strings.
The vocal score can be viewed here. Vocal scores, the full score (at A4 and larger A3 size) and the orchestral parts are available to purchase or can be hired from Goodmusic.
The computer generated audio sample is of the third section No.3 With Me in Paradise
Total Duration 40 minutes
A CD recording is available on the Stone Records label.'|9790222286320|CARR P|Paul Carr|Seven Last Words|Choir - Vocal score|10.00|184 GM088-00|||9790222286597|CARR P|Paul Carr|Seven Last Words Full Score (A3)|Orchestral Score|50.00|500 GM088-01|||9790222286603|CARR P|Paul Carr|Seven Last Words Full Score (A4)|Orchestral Score|20.00|256 GM088-02||||CARR P|Paul Carr|Seven Last Words Violin 1|Orchestral Part|3.00|38 GM088-03||||CARR P|Paul Carr|Seven Last Words Violin 2|Orchestral Part|3.00|25 GM088-04||||CARR P|Paul Carr|Seven Last Words Viola|Orchestral Part|3.00|25 GM088-05||||CARR P|Paul Carr|Seven Last Words Cello|Orchestral Part|3.00|38 GM088-06||||CARR P|Paul Carr|Seven Last Words Bass|Orchestral Part|3.00|25 GM088-07||||CARR P|Paul Carr|Seven Last Words Harp|Orchestral Part|3.00|38 GM088-08||||CARR P|Paul Carr|Seven Last Words Organ|Orchestral Part|3.00|38 GM088-09||||CARR P|Paul Carr|Seven Last Words Percussion|Orchestral Part|3.00|50 GM089|Paul Carr
NOW COMES BEAUTY for violin and piano
Goodmusic GM089|Now Comes Beauty was originally composed as a song for voice and piano (GM055), but I have since made versions of it for unaccompanied mixed voice choir (GM052) and for string orchestra (GMCO090). In August 2011, Em Marshall, director of the English Music Festival and chairman of the Ralph Vaughan Williams Society, married violinist Rupert Luck, in the Church of St. Levan in the far western reaches of Cornwall. In celebration of this occasion, I arranged this simple but passionate song for violin and piano, as a quiet reflection on love and new beginnings. Paul Carr

Duration about 4? minutes|9790222286337|CARR P|Paul Carr|Now Comes Beauty|Violin and piano|4.00|63 GM091|EVENSONG and REQUIEM by Philip Henderson
for unaccompanied mixed voice choir
Goodmusic GM091|'Two beautiful and original settings of poems by Robert Louis Stevenson - Evensong (The embers of the day are red . . . . ) and Requiem (Under the wide and starry sky . . . . ). Listen to the sample recording [which is an actual performance by The Clothworkers Consort of Leeds, not a computer-generated one!] and you will appreciate how lovely these settings are.
Duration 3? and 2 minutes
Philip Henderson started composing in 1969 when he joined Radio Luxembourg to write station jingles. Carlin Music Corporation of America then signed him as a contract songwriter. During that period he co-composed and conducted two choral works recorded by the Ambrosian Singers. He orchestrated Genesis guitarist Steve Hackett''s Prizefighters performed by Bonnie Tyler on Steve''s Feedback 86 album. With Michael Ward providing the lyric their song Symphony for My Love went Platinum in Denmark in 1998. In 2005 Philip composed the musical score for The Far Pavilions which ran for six months in London''s West End at the Shaftesbury Theatre. A CD of the score featuring The City of London Sinfonia conducted by Philip was released on Stage Door Records in 2009. A concert of Philip''s classical music held at Cadogan Hall, London in 2010 featured his string quartet The Hop-picker''s Daughter and two works for ten solo strings The Magic Wood and Sea Voices.'|9790222286375|HENDERSON P|Philip Henderson|Evensong and Requiem|Choir - Mixed voices (SATB)|2.75|38 GM092|TRANSATLANTIC TRUMPET
Six pieces arranged for trumpet and piano
Goodmusic GM092|An excellent new collection of six pieces from Europe and America arranged by Philip Lane for Bb trumpet and piano. Pieces with a military flavour and some that are bit more laid back make this an interesting mixture. Probably best suited to trumpeters around UK grade 4 to 6.
The pieces are Dukas - Fanfare "La Peri", Pierne - Entry of the Fauns + March of the Little Lead Soldiers, Gershwin - Walking the Dog + Prelude No.2, Jessel - Parade of the Tin Soldiers.|9790222286382|LANE P|Philip Lane|Transatlantic Trumpet|Trumpet and piano|7.50|136 GM093|DO NOT STAND AT MY GRAVE AND WEEP by Philip Henderson
for unaccompanied mixed voice choir
Goodmusic GM093|'The well-known very moving poem beautifully set to music for unaccompanied mixed voice choir (SSAATB).
Duration 2 minutes
Philip Henderson started composing in 1969 when he joined Radio Luxembourg to write station jingles. Carlin Music Corporation of America then signed him as a contract songwriter. During that period he co-composed and conducted two choral works recorded by the Ambrosian Singers. He orchestrated Genesis guitarist Steve Hackett''s Prizefighters performed by Bonnie Tyler on Steve''s Feedback 86 album. With Michael Ward providing the lyric their song Symphony for My Love went Platinum in Denmark in 1998. In 2005 Philip composed the musical score for The Far Pavilions which ran for six months in London''s West End at the Shaftesbury Theatre. A CD of the score featuring The City of London Sinfonia conducted by Philip was released on Stage Door Records in 2009. A concert of Philip''s classical music held at Cadogan Hall, London in 2010 featured his string quartet The Hop-picker''s Daughter and two works for ten solo strings The Magic Wood and Sea Voices.

The audio sample is an actual performance by The Clothworkers Consort of Leeds, not a computer-generated one!'|9790222286474|HENDERSON P|Philip Henderson|Do Not Stand At My Grave and Weep|Choir - Mixed voices (SATB)|2.00|25 GM094|ADLESTROP by Philip Henderson
for unaccompanied mixed voice choir
Goodmusic GM094|'The well-known very evocative poem by Edward Thomas in a new setting by Philip Henderson for unaccompanied mixed voice choir (SATB with divisi). Taken from "The Edward Thomas Quartet", four settings comprising "Adlestrop", "So we lay, all night", "The Cherry Trees" and "Lights out - Here love ends". The Quartet is available complete (GM100) and "Lights out..." is also published separately (GM099).
Adlestrop: Duration 2? minutes

Philip Henderson started composing in 1969 when he joined Radio Luxembourg to write station jingles. Carlin Music Corporation of America then signed him as a contract songwriter. During that period he co-composed and conducted two choral works recorded by the Ambrosian Singers. He orchestrated Genesis guitarist Steve Hackett''s Prizefighters performed by Bonnie Tyler on Steve''s Feedback 86 album. With Michael Ward providing the lyric their song Symphony for My Love went Platinum in Denmark in 1998. In 2005 Philip composed the musical score for The Far Pavilions which ran for six months in London''s West End at the Shaftesbury Theatre. A CD of the score featuring The City of London Sinfonia conducted by Philip was released on Stage Door Records in 2009. A concert of Philip''s classical music held at Cadogan Hall, London in 2010 featured his string quartet The Hop-picker''s Daughter and two works for ten solo strings The Magic Wood and Sea Voices.

The audio sample is an actual performance by The Clothworkers Consort of Leeds, not a computer-generated one!'|9790222286481|HENDERSON P|Philip Henderson|Adlestrop|Choir - Mixed voices (SATB)|2.00|25 GM095|AVE MARIA by Paul Carr
for mixed voice choir and orchestra
Goodmusic GM095|A new setting by Paul Carr of the Ave Maria for mixed voice choir (SATB) and orchestra or piano. It was commissioned by Matthew Hopkins and the Nottingham Trent University Choir and first performed by them with the City of Birmingham Symphony Orchestra in March 2013.
There are two versions of the orchestral accompaniment.
The full version is scored for: 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Percussion (2 players: Tubular Bells, Crotales, Glockenspiel, Bass Drum, Triangle), Harp [optional] and Strings.
The reduced version is scored for: Harp, Percussion (1 or 2 players: Tubular Bells, Glockenspiel, Crotales [optional]) and Strings.
It may also be performed with only a piano accompaniment.
Duration 8 minutes|9790222286504|CARR P|Paul Carr|Ave Maria|Choir - Mixed voices (SATB)|2.75|38 GM095-00||||CARR P|Paul Carr|Ave Maria Full Score (A3)|Full score|15.00|130 GM095-01||||CARR P|Paul Carr|Ave Maria Set of Orchestral Parts|Orchestral Part|35.00|400 GM095-02||||CARR P|Paul Carr|Ave Maria Full Score (A4)|Full score|6.00|50 GM095-50||||CARR P|Paul Carr|Ave Maria string version Full Sc.|Orchestral Score|6.00|63 GM095-99||||CARR P|Paul Carr|Ave Maria Extra Orchestral Part|Orchestral Part|1.50|13 GM096|MAGNIFICAT by Paul Carr
for mixed voice choir with organ, brass and percussion
Goodmusic GM096|Commissioned by the Reigate and Redhill Choral Society, this 8 minute work is for mixed voice choir with an accompaniment of organ, 2 trumpets in C, Horn in F, Tenor Trombone, Bass Trombone and Percussion (Bass Drum, Glockenspiel, Tubular Bells). The organ plays from a copy of the full score.
The work can also be performed with just an organ accompaniment in which case the organ part shown in the vocal score is used.
On sale:
Vocal Score (all chorus parts with organ accompanment)
Pack (2 copies of the full score [1 for the conductor, 1 for the organist] plus all of the brass and percussion parts)
Extra Full Score
Duration 8 minutes|9790222286511|CARR P|Paul Carr|Magnificat|Choir - Mixed voices (SATB)|4.00|63 GM096-00|||9790222286535|CARR P|Paul Carr|Magnificat Full Score|Full score|8.50|160 GM096-01|||9790222286542|CARR P|Paul Carr|Magnificat Pack (2xFsc+inst.parts)|Ensemble - Mixed|25.00|338 GM097|Paul Carr
BEATITUDES for mixed voice choir
Goodmusic GM097|ORCHESTRATION
Mixed voice choir (SATB)
String orchestra: Violin 1, Violin 2, Viola, Violoncello, Double Bass

A very moving new setting of the Beatitudes. May also be performed accompanied only by organ.

THE BEATITUDES OF JESUS (From the Gospel of St. Matthew 5:3-10)
Blessed are the poor in spirit,
for theirs is the kingdom of heaven.
Blessed are they who mourn,
for they shall be comforted.
Blessed are the meek,
for they shall inherit the earth.
Blessed are they who hunger and thirst for righteousness,
for they shall be satisfied.
Blessed are the merciful,
for they shall obtain mercy.
Blessed are the pure of heart,
for they shall see God.
Blessed are the peacemakers,
for they shall be called the children of God.
Blessed are they who are persecuted for the sake of righteousness,
for theirs is the kingdom of heaven.

Duration about 10 minutes

A vocal score (with organ accompaniment), full score and orchestral parts are available. The score that you can view here is the full score from which the audio sample is also taken.|9790222286528|CARR P|Paul Carr|Beatitudes|Choir - Mixed voices (SATB)|2.75|38 GM097-00|||9790222288553|CARR P|Paul Carr|Beatitudes Full Score|Orchestral Score|6.00|63 GM097-99||||CARR P|Paul Carr|Beatitudes Orchestral Parts (each)|Orchestral Part|1.50|13 GM098|RHAPSODY IN BLUE by George Gershwin
arranged for piano duet by Yukie Smith
Goodmusic GM098|This favourite piece which was originally for piano and orchestra is here arranged for one piano with two players of intermediate standard (around grade 4 to 6).
This is an abridged arrangement lasting around 5? minutes. The two parts are of a similar standard and both have their fair share of technical challenges including cross-hand playing, long and rapid arpeggio passages, fast repeated notes, wide ranges of dynamic control, various tone colour production and articulation as well as capturing the essence of tempo changes together with effective ensemble playing. As the original was for piano and orchestra, in this arrangement quite a few of the orchestral instrument cues are marked so that the pianists will know what sort of instrument they are trying to emulate! Tempo indications are only a guide and can be varied according to the ability and interpretation of the players.
Duration 5? minutes|9790222286580|GERSHWIN G|George Gershwin|Rhapsody in Blue arr.Yukie Smith|Piano - 2 players on 1 piano|6.00|112 GM099|LIGHTS OUT - HERE LOVE ENDS by Philip Henderson
for mixed voice choir and piano
Goodmusic GM099|'A new setting by Philip Henderson for mixed voice choir (SATB with divisi) and piano of words by Edward Thomas (1878-1917). Taken from "The Edward Thomas Quartet", four settings comprising "Adlestrop", "So we lay, all night", "The Cherry Trees" and "Lights out - Here love ends". The Quartet is available complete (GM100) and "Adlestrop" is also published separately (GM094).
Duration 4 minutes

Philip Henderson started composing in 1969 when he joined Radio Luxembourg to write station jingles. Carlin Music Corporation of America then signed him as a contract songwriter. During that period he co-composed and conducted two choral works recorded by the Ambrosian Singers. He orchestrated Genesis guitarist Steve Hackett''s Prizefighters performed by Bonnie Tyler on Steve''s Feedback 86 album. With Michael Ward providing the lyric their song Symphony for My Love went Platinum in Denmark in 1998. In 2005 Philip composed the musical score for The Far Pavilions which ran for six months in London''s West End at the Shaftesbury Theatre. A CD of the score featuring The City of London Sinfonia conducted by Philip was released on Stage Door Records in 2009. A concert of Philip''s classical music held at Cadogan Hall, London in 2010 featured his string quartet The Hop-picker''s Daughter and two works for ten solo strings The Magic Wood and Sea Voices.

The audio sample is an actual performance by The Clothworkers Consort of Leeds, not a computer-generated one!'|9790222286610|HENDERSON P|Philip Henderson|Lights Out - Here Love Ends|Choir - Mixed voices (SATB)|2.00|25 GM100|THE EDWARD THOMAS QUARTET by Philip Henderson
for mixed voice choir and piano
Goodmusic GM100|'Four settings, comprising "Adlestrop", "So we lay, all night", "The Cherry Trees" and "Lights out - Here love ends", by Philip Henderson for mixed voice choir (SATB with divisi) and piano of words by Edward Thomas (1878-1917) and his wife Helen Thomas. The Quartet is available complete (GM100) and "Adlestrop" (GM094) and "Lights out...." (GM099) are also published separately.
Duration 10? minutes

Philip Henderson started composing in 1969 when he joined Radio Luxembourg to write station jingles. Carlin Music Corporation of America then signed him as a contract songwriter. During that period he co-composed and conducted two choral works recorded by the Ambrosian Singers. He orchestrated Genesis guitarist Steve Hackett''s Prizefighters performed by Bonnie Tyler on Steve''s Feedback 86 album. With Michael Ward providing the lyric their song Symphony for My Love went Platinum in Denmark in 1998. In 2005 Philip composed the musical score for The Far Pavilions which ran for six months in London''s West End at the Shaftesbury Theatre. A CD of the score featuring The City of London Sinfonia conducted by Philip was released on Stage Door Records in 2009. A concert of Philip''s classical music held at Cadogan Hall, London in 2010 featured his string quartet The Hop-picker''s Daughter and two works for ten solo strings The Magic Wood and Sea Voices.

The audio sample is an actual performance by The Clothworkers Consort of Leeds, not a computer-generated one!'|9790222286627|HENDERSON P|Philip Henderson|Edward Thomas Quartet|Choir - Mixed voices (SATB)|4.75|75 GM101|SERGEI RACHMANINOV (1873-1943)
VOCALISE Op.34 No.14 arranged for soloist and piano or orchestra
Goodmusic GM101|'For voice or solo instrument (Flute, Oboe, Clarinet, Bassoon, Sop/Ten Sax, Alto/Bar Sax, Horn, Trumpet, Trombone, Violin, Viola or Cello) and piano.

Rachmaninov''s Vocalise is the last in his set of Fourteen Songs Op.34 published in 1912. It is wordless and was written for soprano and piano but there have been numerous arrangements made by the composer and others. Rachmaninov''s own arrangements were for orchestra alone and for voice and orchestra.
The soloist''s part has a two octave range and the original version is in a high key, which results in a top C# so a medium key version, a third lower, is also printed here - a top A being a little more achievable for many!
Instead of a vocal soloist, many different instruments can be used as listed above and parts are included for all of these options. An orchestral accompaniment is also available (see GMCA023)
Duration 4 minutes'|9790222286634|RACHMANINOV|Sergei Rachmaninov|Vocalise Piano Accomp.with solo pts|Piano accompaniment|7.50|127 GM102|David Jennings
PIANO SONATA Op.1 for solo piano
Goodmusic GM102|'My Piano Sonata Op.1 was begun in 1988 and completed in its original form in 1995. Further work on the piece was carried out subsequently at various times until the Sonata was finally finished in 2009. I think it is fair to say that none of my other pieces have troubled me for so long! The opening of the first movement, Ballade, is deceptively serene but becomes increasingly combative. By the end of the recapitulation, the original material has been bent and distorted both melodically and harmonically. The jazzy Scherzo that forms the second movement explores the contrasts of time signature and is a test of the dexterity of the pianist. The third movement, entitled Romance, is the emotional kernel of the whole work. The outer sections are consolatory, the inner portion being more playful. The fiery Finale shows the influence of jazz and has an unusual structure. It begins as a rondo with a brief development section. This is followed by a contrasting quiet section that gives the music a moment of much needed calm. A transition passage leads directly to the coda, which begins in a mood of elation but winds down to a calm and reflective close. The work is dedicated to the distinguished Lancaster-based pianist Phillip Fawcett, who gave the first performance on 12th June 2009 at the University of Cumbria, Lancaster.
Duration about 21 minutes - 32 pages - Difficulty: Advanced/Recital level
A recording of David Jennings'' piano music is available on Divine Art CD DDA25110'|9790222287839|JENNINGS DAV|David Jennings|Piano Sonata Op.1|Piano - Solo|7.50|136 GM103|David Jennings
SONATINA Op.2 No.1 for solo piano
Goodmusic GM103|'The Three Sonatinas Op.2 were originally written in the mid to late 1980s. Some of these pieces are more or less unchanged from this time, having received the mildest of editorial handling. Other movements have retained their original themes but have undergone a certain amount of rewriting. I view my Three Sonatinas as belonging to the tradition of Schumann''s Kinderscenen. These pieces offer an innocence that is rare in music today; my aim was to make them simple but not simplistic, nostalgic but never sentimental. After having been tucked away in a drawer for many years, the Sonatinas were revised in 2007. They were then given their premiere by Phillip Fawcett on 27th June 2008 at the University of Cumbria, Lancaster.
Duration about 4? minutes - 8 pages - Difficulty: Elementary/Intermediate
A recording of David Jennings'' piano music is available on Divine Art CD DDA25110'|9790222287846|JENNINGS DAV|David Jennings|Sonatina Op.2 No.1|Piano - Solo|4.00|63 GM104|David Jennings
SONATINA Op.2 No.2 for solo piano
Goodmusic GM104|'The Three Sonatinas Op.2 were originally written in the mid to late 1980s. Some of these pieces are more or less unchanged from this time, having received the mildest of editorial handling. Other movements have retained their original themes but have undergone a certain amount of rewriting. I view my Three Sonatinas as belonging to the tradition of Schumann''s Kinderscenen. These pieces offer an innocence that is rare in music today; my aim was to make them simple but not simplistic, nostalgic but never sentimental. After having been tucked away in a drawer for many years, the Sonatinas were revised in 2007. They were then given their premiere by Phillip Fawcett on 27th June 2008 at the University of Cumbria, Lancaster.
Duration about 9 minutes - 16 pages - Difficulty: Intermediate/Advanced
A recording of David Jennings'' piano music is available on Divine Art CD DDA25110'|9790222287853|JENNINGS DAV|David Jennings|Sonatina Op.2 No.2|Piano - Solo|5.00|88 GM105|David Jennings
SONATINA Op.2 No.3 for solo piano
Goodmusic GM105|'The Three Sonatinas Op.2 were originally written in the mid to late 1980s. Some of these pieces are more or less unchanged from this time, having received the mildest of editorial handling. Other movements have retained their original themes but have undergone a certain amount of rewriting. I view my Three Sonatinas as belonging to the tradition of Schumann''s Kinderscenen. These pieces offer an innocence that is rare in music today; my aim was to make them simple but not simplistic, nostalgic but never sentimental. After having been tucked away in a drawer for many years, the Sonatinas were revised in 2007. They were then given their premiere by Phillip Fawcett on 27th June 2008 at the University of Cumbria, Lancaster.
Duration about 7 minutes - 12 pages - Difficulty: Advanced
A recording of David Jennings'' piano music is available on Divine Art CD DDA25110'|9790222287860|JENNINGS DAV|David Jennings|Sonatina Op.2 No.3|Piano - Solo|4.50|76 GM106|David Jennings
PRELUDE AND FUGUE Op.6 for solo piano
Goodmusic GM106|'This is strikingly different in style to all my other piano music to date. Employing twelve-note procedures throughout, it is to some degree a response to newer musical influences encountered at university. The Prelude was composed in 1992 and was originally intended to stand on its own. In 1999 I decided to add a Fugue, having been impressed by Bach''s Prelude and Fugue in A minor from Book 2 of his "48 Preludes and Fugues". Unfortunately, however, I had to put the work to one side in order to concentrate on other projects. The Fugue remained unfinished until 2010, when, having found it amongst my papers, I finally added the last two pages!
The Prelude explores the sonority of the instrument, especially with regard to the sustaining pedal. This movement combines twelve-note procedures with jazz-inflected harmony and juxtaposes lyrical ideas with more aggressive ones. The Fugue has a tense, slightly ironic feel about it and ends with a strongly assertive stretto section (where the fugal entries overlap). The work is dedicated to the composer Gary Higginson, a pupil of Edmund Rubbra.
Duration about 5? minutes - 12 pages - Difficulty: Recital level
A recording of David Jennings'' piano music is available on Divine Art CD DDA25110'|9790222287877|JENNINGS DAV|David Jennings|Prelude and Fugue Op.6|Piano - Solo|4.50|76 GM107|David Jennings
THREE LYRICAL PIECES Op.17 for solo piano
Goodmusic GM107|'1. Evening Twilight: Andante tranquillo
2. Cavatina: Andante tranquillo
3. Waltz: Allegretto grazioso
These three pieces were composed in 2010. "Cavatina" was the first to be written and was composed in response to a commission to write a short piece for the Lancaster and the Lakes 2010 Piano Competition. Having felt that this work was too brief to stand on its own, I added the other two movements shortly afterwards. "Evening Twilight" is named after a watercolour by the artist George Barret Junior (1767-1842) and aims to transfer his poetic qualities into sound. The straightforward language of the "Cavatina" recalls the sound world of my earlier Sonatinas. The "Waltz" is faster in tempo than the preceding two movements and is generally straightforward despite occasional harmonic twists and several unexpected forays into four time. The Three Lyrical Pieces are dedicated to the composer Robin Field and his wife Jean. They were first performed at the University of Cumbria on 26th March 2010 with the composer at the piano.
Duration about 7 minutes - 12 pages -Difficulty: Advanced
A recording of David Jennings'' piano music is available on Divine Art CD DDA25110'|9790222287884|JENNINGS DAV|David Jennings|Three Lyrical Pieces Op.17|Piano - Solo|4.50|76 GM108|David Jennings
MINIATURE SUITE Op.18 for solo piano
Goodmusic GM108|'1. Prelude: Allegro con brio
2. Air: Largo tranquillo
3. Invention: Allegro moderato
4. Romance: Adagio ma con moto
5. Fugue: Allegro con brio
This suite was written in 2010. Squeezing five brief movements into an eight minute span, the work is an affectionate (if slightly irreverent!) homage to Bach, recreating aspects of Baroque style in an updated form. The "Prelude" opens with a three-note flourish reminiscent of Bach''s Toccata and Fugue in D minor and proceeds to lay out a ''table of contents'' that musically prefigures material that will appear in subsequent movements. The second movement, "Air", was inspired by watching a remarkably lazy cat going in and out of slumber! The music is suitably expansive in manner. The third movement, "Invention", takes a Bach-like C major idea but twists it through some distinctly un-Bachian modulations before abruptly cutting off. The initial idea is then heard again, but at double speed. The lyrical fourth movement, "Romance", was inspired by a walk along the Lancaster Canal. The final movement, "Fugue", provides a spirited close to the suite. As the opening and closing ideas relate back to the first movement, there is a feeling that the work has come full circle.
Phillip Fawcett gave the first performance at a Lakeland Composers Concert in St. Peter''s Church, Scorton, on 6th November 2010 and the piece is dedicated to his two sons, Kyle and David.
Duration about 8 minutes - 16 pages - Difficulty: Advanced
A recording of David Jennings'' piano music is available on Divine Art CD DDA25110'|9790222287891|JENNINGS DAV|David Jennings|Miniature Suite Op.18|Piano - Solo|5.00|88 GM109|David Jennings
HARVEST MOON SUITE Op.19 for solo piano
Goodmusic GM109|'1. Stags in Knole Park: Andante con moto
2. Aira Force: Andante con moto
3. The Haunted Abbey:Presto con moto
4. Harvest Moon:Largo
5. Harlech Castle: Andante maestoso
6. Innisfallen Lake: Andante sostenuto
This suite was composed between 2009 and 2010 and was inspired by six 19th century English watercolours. The work is unashamedly romantic in nature, though this does not preclude moments of darker introspection. The first piece was prompted by "Stags in Knole Park" by Robert Hills, an artist who specialised in depicting animals in picturesque landscape settings. A striking watercolour by Edward Richardson of Aira Force, an imposing waterfall in the Lake District, suggested the next piece. The third movement, "The Haunted Abbey", attempts to represent an early 19th century picture by William Payne, a world of exaggerated ''Gothic'' gloom, famously lampooned in Jane Austen''s "Northanger Abbey". "Harvest Moon" was inspired by a watercolour by George Barret Junior which depicts the night sky illuminated by the moon at its brightest, while workers toil in the fields below. On the right of the picture are some curiously distorted-looking trees, which look rather twisted and sinister. These elements are all featured with material in different registers of the piano suggesting different parts of the picture. Thomas Miles Richardson Senior''s stark and compelling watercolour of Harlech Castle is represented in music that uses uncompromisingly dissonant harmonies and melodic fragments that allude to the musical style of the 13th century. George Fennel Robson''s glorious picture of Innisfallen Lake, a scene of the utmost tranquillity in the Lakes of Killarney in south-west Ireland, was the inspiration for the final movement.
Duration about 15 minutes - 20 pages - Difficulty: Advanced
A recording of David Jennings'' piano music is available on Divine Art CD DDA25110'|9790222287907|JENNINGS DAV|David Jennings|Harvest Moon Suite Op.19|Piano - Solo|5.50|100 GM110|Peter Lawson
BRING BACK CHRISTMAS CHEER for mixed voice choir
Goodmusic GM110|'A merry original song for the Christmas season for choir and orchestra or orchestra alone or choir and piano, with words by Anthony Pritchard set to music by Peter Lawson.
This song is available in four different choral versions:
Mixed Voice Choir (SATB) - GM110
Upper Voice Choir (SSA) - GM111
Male Voice Choir (TTBB) - GM112
or if you have a mixed voice choir but a shortage of men . . . .
Mixed Voice Choir (SA+Men) - Roberton 62008
The orchestral score and parts (for details see under GMCH013) are the same for all versions.

The computer-generated audio sample is the version for SATB choir and piano as is the score shown here.
You can hear the other choral versions with piano accompaniment and the orchestral version (with SATB choir) and see their associated scores by looking on the "details" page under the respective catalogue numbers.
Duration c.5 minutes
To give you a flavour of the humour the first (of four) verses and choruses is:-

We think we had better
Write Santa a letter
And tell him that Christmas
Is cancelled this year,
The shops barely close
And as it hardly ever snows,
Rudolph''s cold is better
So there''s no more red nose.
And Prancer and Dancer
Have taken up ballet,
They live by the coast
In a very nice chalet;
They''re really quite neat
And they have very light feet
And watching them plie
Is really a treat!

Oh bring back, Oh bring back,
Oh bring back the spirit of Christmases past!
We hadn''t much money, But the jokes are still funny,
Oh how we so wanted those good times to last!'|9790222287921|LAWSON|Peter Lawson|Bring Back Christmas Cheer|Choir - Mixed voices (SATB)|4.75|75 GM111|Peter Lawson
BRING BACK CHRISTMAS CHEER for upper voice choir
Goodmusic GM111|'A merry original song for the Christmas season for choir and orchestra or orchestra alone or choir and piano, with words by Anthony Pritchard set to music by Peter Lawson.
This song is available in four different choral versions:
Mixed Voice Choir (SATB) - GM110
Upper Voice Choir (SSA) - GM111
Male Voice Choir (TTBB) - GM112
or if you have a mixed voice choir but a shortage of men . . . .
Mixed Voice Choir (SA+Men) - Roberton 62008
The orchestral score and parts (for details see under GMCH013) are the same for all versions.

The computer-generated audio sample is the version for SSA choir and piano as is the score shown here.
You can hear the other choral versions with piano accompaniment and the orchestral version (with SATB choir) and see their associated scores by looking on the "details" page under the respective catalogue numbers.
Duration c.5 minutes
To give you a flavour of the humour the first (of four) verses and choruses is:-

We think we had better
Write Santa a letter
And tell him that Christmas
Is cancelled this year,
The shops barely close
And as it hardly ever snows,
Rudolph''s cold is better
So there''s no more red nose.
And Prancer and Dancer
Have taken up ballet,
They live by the coast
In a very nice chalet;
They''re really quite neat
And they have very light feet
And watching them plie
Is really a treat!

Oh bring back, Oh bring back,
Oh bring back the spirit of Christmases past!
We hadn''t much money, But the jokes are still funny,
Oh how we so wanted those good times to last!'|9790222287938|LAWSON|Peter Lawson|Bring Back Christmas Cheer|Choir - 3 part upper voices|4.75|75 GM112|Peter Lawson
BRING BACK CHRISTMAS CHEER for male voice choir
Goodmusic GM112|'A merry original song for the Christmas season for choir and orchestra or orchestra alone or choir and piano, with words by Anthony Pritchard set to music by Peter Lawson.
This song is available in four different choral versions:
Mixed Voice Choir (SATB) - GM110
Upper Voice Choir (SSA) - GM111
Male Voice Choir (TTBB) - GM112
or if you have a mixed voice choir but a shortage of men . . . .
Mixed Voice Choir (SA+Men) - Roberton 62008
The orchestral score and parts (for details see under GMCH013) are the same for all versions.

The computer-generated audio sample is the version for TTBB choir and piano as is the score shown here.
You can hear the other choral versions with piano accompaniment and the orchestral version (with SATB choir) and see their associated scores by looking on the "details" page under the respective catalogue numbers.
Duration c.5 minutes
To give you a flavour of the humour the first (of four) verses and choruses is:-

We think we had better
Write Santa a letter
And tell him that Christmas
Is cancelled this year,
The shops barely close
And as it hardly ever snows,
Rudolph''s cold is better
So there''s no more red nose.
And Prancer and Dancer
Have taken up ballet,
They live by the coast
In a very nice chalet;
They''re really quite neat
And they have very light feet
And watching them plie
Is really a treat!

Oh bring back, Oh bring back,
Oh bring back the spirit of Christmases past!
We hadn''t much money, But the jokes are still funny,
Oh how we so wanted those good times to last!'|9790222287945|LAWSON|Peter Lawson|Bring Back Christmas Cheer|Choir - Male voices|4.75|75 GM113|Paul Lewis
BALLADE ROMANTIQUE for solo harp
Goodmusic GM113|'I have always loved the harp. My first TV score, written in 1963 when I was twenty, contained an extensive harp part, and I have recorded with many wonderful harpists, including Marie Goossens, Jean Bell, Sheila Bromberg, Frances Kelly, Skaila Kanga, Gabriella Dall''Olio, Elizabeth Jane Baldry and David Snell. "Ballade Romantique" is my love song to the harp. (Paul Lewis)
Duration 5? minutes'|9790222288249|LEWIS P|Paul Lewis|Ballade Romantique|Harp|4.00|63 GM114|Paul Lewis
MUSINGS ON A MAORI LULLABY for solo harp
Goodmusic GM114|The subject of these musings, "Hine e Hine", is a simple but tender lullaby written in New Zealand by Fanny Rose Howie, 1868-1916. Renaming herself Princess Te Rangi Pai after her Maori mother, she enjoyed a successful singing career in England for several years until, with failing health, she returned to New Zealand. Her family life having disintegrated, she spent her last years living in isolation writing songs, the most famous of which is "Hine e Hine".
As accompanist to my soprano wife, I have performed "Hine e Hine" many times, and my "Musings" are written both in fond memory of time spent living and working in New Zealand, and as a gift of gratitude to the dedicatee, Margaret Harper, who played the harp so beautifully in my concerts in Rotorua. Paul Lewis
Duration 18 minutes|9790222288256|LEWIS P|Paul Lewis|Musings on a Maori Lullaby|Harp|6.00|112 GM115|Paul Lewis
POSTCARDS FROM PARIS for solo harp
Goodmusic GM115|'Three musical postcards from the city of love, culture and expensive shops.
1. Moonlight in Montmartre: Montmartre, a village within a city - artists, singers of chanson, cafes and the bells of Sacre Coeur.
2. Left Bank Nocturne: The Left Bank and Latin Quarter - haunt of students, intellectuals and jazz musicians.
3. Shopping in the Champs Elysees: The Champs Elysees - a shopper''s paradise - if you can afford it!
Duration 12 minutes'|9790222288263|LEWIS P|Paul Lewis|Postcards from Paris|Harp|6.00|112 GM116|Paul Lewis
PINK AND WHITE TERRACES for flute and harp
Goodmusic GM116|'The Pink and White Terraces near Rotorua, with their thermal pools, were known as the eighth wonder of the world and were New Zealand''s most famous beauty spot and tourist attraction in the nineteenth century.
"Set in a basin of pure white silica, delicately carved and fretted, lay a pool of pale blue water, so pure in colour, so opaque in substance." (Mrs. Howard Vincent, tourist)
The terraces were reached by a three-hour canoe ride across Lake Tarawera, followed by an hour''s walk. On May 31st 1886, at different times of day, the occupants of two canoes, both Maori and non-Maori alike, saw an extraordinary sight.
"We were startled by a cry from an old Maori woman. We distinctly saw a Maori war canoe gliding along, apparently racing us." (George Sise, tourist)
"The Maoris said it was a phantom canoe and predicted that it would be the end of the world. No such canoe as we had seen now existed." (Louise Sise, tourist)
The mysterious sighting did indeed herald the end of their world, for after eleven days and many ominous tremors, Mount Tarawera erupted violently in the early hours of June 10th, 1886, burying several villages, killing around 120 people and destroying the Pink and White Terraces.
The music seeks to evoke the unearthly beauty of the Terraces. The old Maori woman''s cry on seeing the phantom canoe is heard in bar 64 and the piece ends uneasily as night falls on the eve of the fatal eruption.
Duration 8 minutes

Should a player be available, a taonga puoro (Maori native instruments) improvisation evoking the sighting of the waka wairua (spirit canoe) and the subsequent predictions of disaster may be inserted at bar 66.'|9790222288287|LEWIS P|Paul Lewis|Pink and White Terraces|Flute and Harp|5.00|88 GM117|Rutland Boughton
STRING QUARTET No.1 in A based on Greek Folk-Songs
Goodmusic GM117|'Rutland Boughton (1878-1960) was born in Aylesbury, Buckinghamshire and was taught by Stanford and Walford Davies at the Royal College of Music. For a while he was professor of singing and taught music at the Birmingham Institute of Music under Granville Bantock, later moving to Glastonbury where, until 1926, he established his highly successful annual Festivals.
Each of Boughton''s two string quartets (see GM118 for No.2) was written in 1923 when he was enjoying great success in London and reflects his exuberant mood at his recent dramatic success and the union with his third wife, Kathleen. They were first performed at a series of three chamber music concerts which he presented at the Aeolian Hall, London in 1923, the ''Greek'' quartet on 12th October and the ''Welsh'' on 19th October. Boughton advertised the concerts as being " . . . not for high-brows, but for the general musical public who still believe in the common-chord and an occasional tune", compounding this by adding that there were to be "no free tickets even for ''the profession''." The critics were mixed in their reaction, so he presented for a second performance on 26th October the quartet which they had most disliked - the ''Greek''. The performances seem to have left something to be desired and the fact that he insisted that the audience hear the works for the first time in a darkened auditorium with the players behind a screen, did not add to the success of the occasion.
Quartet No.1: Boughton''s brief programme note for the performance on 26th October explains the ''Greek'' title: "The Summer School at Glastonbury last year was devoted to the study of Greek drama. One of the stage productions was The Trachiniae of Sophocles, in the English version of Plumtre. The choruses were sung to adaptations of Greek Folk Songs, unaccompanied. Those tunes haunted me, till last summer I managed to lay their ghosts by using some of them in the making of this quartet. It is fashioned with conventional form, so the listener need not be bothered with a pedantic analysis. The sub-titles of the movements have been added as key-words to their preponderant emotion; they have no further meaning or value."
The four movements are: Apollonian; Dionysian; Threnody; Aphrodisian
Duration 28 minutes
Score and parts included. The audio sample is of the first movement.'|9790222288294|BOUGHTON|Rutland Boughton|String Quartet 1 in A|String Quartet|30.00|450 GM118|Rutland Boughton
STRING QUARTET No.2 in F "From the Welsh Hills"
Goodmusic GM118|'Rutland Boughton (1878-1960) was born in Aylesbury, Buckinghamshire and was taught by Stanford and Walford Davies at the Royal College of Music. For a while he was professor of singing and taught music at the Birmingham Institute of Music under Granville Bantock, later moving to Glastonbury where, until 1926, he established his highly successful annual Festivals.
Each of Boughton''s two string quartets (see GM117 for No.1) was written in 1923 when he was enjoying great success in London and reflects his exuberant mood at his recent dramatic success and the union with his third wife, Kathleen. They were first performed at a series of three chamber music concerts which he presented at the Aeolian Hall, London in 1923, the ''Greek'' quartet on 12th October and the ''Welsh'' on 19th October. Boughton advertised the concerts as being " . . . not for high-brows, but for the general musical public who still believe in the common-chord and an occasional tune", compounding this by adding that there were to be "no free tickets even for ''the profession''." The critics were mixed in their reaction, so he presented for a second performance on 26th October the quartet which they had most disliked - the ''Greek''. The performances seem to have left something to be desired and the fact that he insisted that the audience hear the works for the first time in a darkened auditorium with the players behind a screen, did not add to the success of the occasion.
Quartet No.2: The quartet was originally titled "The Snowdon Quartet" and is a loving souvenir of a holiday Boughton spent with his wife, Kathleen, at Beddgelert. Although he gave titles to each movement he warned that the music was not to be thought of as programmatic except in the sense that it was a personal reaction to "the emotional pleasure one has in natural beauty of a certain kind". The angry third movement, "Satire", mirrored his distress at finding that Snowdon had fallen victim to civilization - in particular to an undignified tin-hut ''hotel'' at the summit - and consequently has jagged themes and dissonant harmonies. Boughton declared that the form of the quartet is in accordance with Classical precepts and therefore is in need of no explanation!
The four movements are: Landscape: Purple and Grey - from the valleys; Landscape: Green and Gold - from the summits; Satire; Song of the Hills
Duration 28 minutes
Score and parts included. The audio sample is of the first movement.'|9790222288300|BOUGHTON|Rutland Boughton|String Quartet 2 in F|String Quartet|30.00|515 GM119|CHRISTMAS BLESSING by Philip Henderson
for unaccompanied mixed voice choir
Goodmusic GM119|A lovely new setting for unaccompanied mixed voice choir of anonymous words.
The sample recording here is an actual performance by The Clothworkers Consort of Leeds, not a computer-generated one!

Loving Father,
Help us remember the birth of Jesus,
That we may share in the song of the angels,
The gladness of the shepherds and worship of the wise men.
Close the door of hate
And open the door of love all over the world.
Let kindness come with every gift
And good desires with every greeting.
Deliver us from evil by the blessing that Christ brings
And teach us to be merry with clear hearts.
May Christmas morning make us grateful to be Thy children
And Christmas evening bring us to our beds
With grateful thoughts, forgiving and forgiven!
Let us remember this Christmas morning the birth of Jesus.

Duration 2? minutes|9790222288522|HENDERSON P|Philip Henderson|Christmas Blessing|Choir - Mixed voices (SATB)|2.00|25 GM120|TONIGHT IN THE SPINDRIFT SNOW by Philip Henderson
for unaccompanied mixed voice choir
Goodmusic GM120|'A wonderful new setting by Philip Henderson for unaccompanied mixed voice choir of a poem by Patrick Gordon-Duff-Pennington.
The sample recording here is an actual performance by The Clothworkers Consort of Leeds, not a computer-generated one!

Tonight in the spindrift snow
Spare a thought for the birds and the beasts in the fields.
Think, as you sit in the warmth of your room of the fear in glittering eyes of the sparrows -
As they perch in the creeper watching the pencils of light through the curtain chinks.
Cruel wind ruffles the down of the doves in the spruces,
Of the hares in their forms, facing the merciless night after the merciless day of starvation.
Spare a thought, spare a thought for the stirring life in the womb of the starving hind
In the drifts and the wind, in the rocks of the eagles.
You who are kind, will have heard the wind''s whisper,
"Have pity, have pity, on the birds and the beasts,
Spare a thought, spare a prayer for their night in the snow".

Text ? Patrick Gordon-Duff-Pennington. Used by permission.

Duration 4 minutes'|9790222288539|HENDERSON P|Philip Henderson|Tonight in the Spindrift Snow|Choir - Mixed voices (SATB)|2.75|38 GM121|ENGLISH VIOLIN SOLOS arranged by Philip Lane
for violin and piano
Goodmusic GM121|A collection of five pieces by English composers, arranged for violin and piano by Philip Lane.
Intermezzo from The Crown of India Suite - Edward Elgar
Scene de Nuit from Suite de Ballet - Gustav Holst
Fiddle Dance - Percy Fletcher
Destiny Waltz - Sydney Baynes
Envoy from Nursery Suite - Edward Elgar (solo violin)
Total duration about 18 minutes|9790222288546|VARIOUS|Various|English Violin Solos (arr.Lane)|Violin and piano|9.50|173 GM122|Philip Lane
MEDITATION ON A MEDIEVAL CAROL for harp
Goodmusic GM122|'This piece was originally designed to be the equivalent of the Interlude in Britten''s Ceremony of Carols in a similar type work which was later abandoned, leaving it artistically stranded. So it now stands on its own. It is a ''musing'' on the Carol of the Nuns of Chester, Qui creavit caelum, which dates from 1425 and was originally sung by the sisters in a procession which itself was part of an Advent Mystery play.
Duration 2 minutes'|9790222288799|LANE P|Philip Lane|Meditation on a Medieval Carol|Harp|3.50|13 GM123|I WILL WADE OUT by Paul Carr
for mixed voice choir
Goodmusic GM123|'A setting of a poem by e.e.cummings for mixed voice choir (SATB), organ, harp and percussion (Tubular Bells and optional Vibraphone). This piece was commissioned and first performed by the choir of St.Giles-in-the-Fields, London (also commonly known as The Poets'' Church) in November 2013.
The choir would normally use the Vocal Score (which has a piano reduction of the instrumental parts). The Full Score and individual instrumental parts are available separately. The sample score available to view here is the Full Score.
Duration 10 minutes'|9790222289123|CARR P|Paul Carr|i will wade out Vocal Score|Choir - Vocal score|4.00|63 GM123-00|||9790222289130|CARR P|Paul Carr|i will wade out Full score|Full score|6.50|100 GM123-01|||9790222289147|CARR P|Paul Carr|i will wade out Organ part|Orchestral Part|1.50|13 GM123-02|||9790222289154|CARR P|Paul Carr|i will wade out Harp part|Orchestral Part|1.50|13 GM123-03|||9790222289161|CARR P|Paul Carr|i will wade out Percussion part|Orchestral Part|1.50|13 GM124|Paul Lewis
DECOSPHERICS for solo harp
Goodmusic GM124|'Four Jazz Age Dances for harp.
Decospherics is the name of a circle of ebullient Art Deco enthusiasts revolving around the fabulous Art Deco Weekends in Napier, New Zealand. Every year devotees of the 1920s and 30s descend on Napier from all over the world, dressed to the nines in period style, to spend three riotous days attending fashion parades, shows, dances and vintage car parades and having a generally rollicking time amongst the Deco architecture of this iconic seaside resort. The members of Decospherics adopt a nom de guerre for the weekend and each of my dances is dedicated to a different member.
Charleston Chic - dedicated to ''Penelope'', aka Lee-Anne Freeman, proprietor of the colourful Charleston Chic boutique in Napier, a veritable Aladdin''s Cave of Deco attire.
Silent Movie Rag - dedicated to ''Charlie'', aka Max Patmoy, whose unexpectedly anarchic impersonations of Charlie Chaplin enliven the Napier Art Deco scene.
Cocktail Blues - a sultry serenade dedicated to ''Forget-Me-Not'', aka Sharon Elizabeth, cabaret artiste and composer''s wife, whose one-woman shows have been a highlight of many a Napier Art Deco Weekend.
Flapper''s Foxtrot - dedicated to ''Last-to-Leave Leigh'', aka Leigh Gillard, evergreen epitomy of latter-day Deco, reputed far and wide to be the last to leave a party and never to go to bed on the day she got up!
Two of the melodies were inspired by my wife''s and my participation as singer and pianist in the Napier Deco Weekends, and the other two were written for the 2010 National Jazz Festival to accompany vintage silent movie footage from the NZ Film Archive. By recasting them as harp solos I hope to provide harpists with a rare chance to let their musical hair down and recapture the spirit of the Roaring Twenties! Paul Lewis
Duration about 11 minutes

With thanks to harpist Gabriella Dall''Olio, not only for her generous editorial assistance, but also for premiering Decospherics in the Swiss Harp Festival, Ligerz, on May 6th 2017.'|9790222289178|LEWIS P|Paul Lewis|Decospherics (Four Jazz-Age Dances)|Harp|5.50|100 GM125|Paul Lewis
TINTINNABULATIONS for solo harp
Goodmusic GM125|'"Scintillate the tintinnabulator" my maths master used to say when it was time to ring the school bell, adding his own take to Edgar Alan Poe''s beautiful word "tintinnabulations", devised to describe the after-sound of bells lingering in the air. The word has always fascinated me, and so have bells. These pieces are impressions of three memorable church bell experiences, but only the third makes use of the actual sequences and changes that were rung. Owing to the manner in which all the strings of the harp resonate no matter which notes have been played, it is an instrument uniquely capable of tintinnabulating in bell-like fashion.

1. Chimes at Chagford - In 1997 I spent the first of many a New Year''s Eve in the village of Chagford, Devon, at the home of harpist Elizabeth Jane Baldry. At midnight the bells of St. Michael the Archangel rang out across the valley, optimistically marking the start of the New Year.
2. Hand Bells at Bosham - One day in 1998 as Elizabeth Jane and I approached the picturesque Holy Trinity Church at Bosham, Sussex, the magical sound of hand bells wafted towards us on the afternoon air. We lingered in the church to watch the ringers, and as we left, the great church bells joined in, lending an element of majesty to this otherwise ethereal experience.
3. Westham Welcome - In August 2012 soprano Sharon Elizabeth and I, newly married, moved into a beautiful Tudor house next to the ancient church of St. Mary at Westham, Sussex. One afternoon shortly after, the church bells pealed out and an excited neighbour knocked on the door to tell us this was the first time they had been rung in ten years! I''m happy to say they have sounded regularly ever since, and though they were not rung because of our arrival, we like to think of their reawakening as a joyous welcome to our new home. Paul Lewis
Duration 16 minutes'|9790222289185|LEWIS P|Paul Lewis|Tintinnabulations|Harp|5.00|88 GM126|Tom Cunningham
FIVE AUDEN SONGS for voice and piano
Goodmusic GM126|'Five of W.H.Auden''s poems on the theme of "love" set to music by Tom Cunningham for voice and piano. Due to the nature of Auden''s texts, these settings are more suited to an adult performer and audience.
The five titles are: The Willow-Wren and the Stare (Range:C-F#, 4? minutes); Make this night loveable (Nocturne II) (Range:D-F#, 2? minutes); Dear, though the night is gone (Range: D-F, 2 minutes); If I could tell you (but I can''t) (Range: Db-F, 2? minutes); The Love Feast (Range: C-Eb, 1? minutes).
28 pages - Duration 13 minutes in total
These can be performed as a set or individually.
Also available for upper voice choir and piano - see Roberton 03124.'|9790222289192|CUNNINGHAM|Tom Cunningham|Five Auden Songs|Voice solo (with accompaniment)|6.50|124 GM127|Philip Lane
PIANO LOLLIPOPS for piano solo
Goodmusic GM127|'Eight pieces for piano solo.
Private Detective; Scene d''Amour; The'' ''eavy Mob; Happy Solitaire; Suburban Sunday; The Flapper; Solitude; Anaiis.
The first six pieces in this collection were originally published in 1982 under the title Leisure Lanes as fun pieces for piano. They were revised in 2014 to remove unneccessarily difficult corners to open them up to a wider range of players. The other two pieces were added for this album.'|9790222289208|LANE P|Philip Lane|Piano Lollipops|Piano - Solo|5.50|100 GM128|Paul Carr
THREE MOTETS for mixed voice choir
Goodmusic GM128|'Three beautiful, very moving pieces for unaccompanied mixed voice choir: "Holding the Stars", "Now Comes Beauty" and "The Cloths of Heaven". These are also available separately - see GM053, GM052 and GM074.

Holding the Stars
The words by Paul Carr are a simple reverie to the solitude of thoughts and feelings that we all feel from time to time. Lost in the beauty of a summer''s night - in contemplation of oneself and the world. Duration 5? minutes

Now Comes Beauty
This was originally composed in the Summer of 2009 as a song for solo voice and piano. At the suggestion of my brother Gavin, I then made this arrangement for unaccompanied mixed voice choir and also an instrumental version for string orchestra. Written at a time of great change in my life, it is essentially a song about reluctantly saying farewell to an idyllic, though sometime solitary life on the beautiful island of Mallorca, where I lived from 2004 to 2009 - the ending of a long relationship and the need to move on in a new direction. Death and re-birth if you like; painfully lost, but accepting and open at the same time. Paul Carr Words by Paul Carr. Duration 5 minutes

The Cloths of Heaven
A new, very moving, beautiful setting for unaccompanied mixed voice choir of W. B. Yeats'' poem "He wishes for the Cloths of Heaven". Although much of the piece is in four parts, all of the voice parts divide at some stage, the sopranos and altos each into 3 parts at one point, where it is necessary for some delicious chordal effects. Duration 5? minutes

CD Recordings on Stone Records: "Holding the Stars" and "Now Comes Beauty" along with other choral music by Paul Carr is available on 5060192780048. "The Cloths of Heaven" appears on a second CD of Paul''s choral music - 5060192780376.'|9790222289246|CARR P|Paul Carr|Three Motets|Choir - Mixed voices (SATB)|4.00|63 GM129|Philip Lane
BRIC-A-BRAC for piano solo
Goodmusic GM129|'Twelve short pieces for piano solo.
Victorian Lady; Mr. Punch; Ceremonial; Toy Soliders; Pagoda Garden; Circus Clowns; "Rag" Doll; Cakewalk; Lazy Old Joe; Flapper Girl; Cabbage White; Flapping About.
All of these pieces, apart from Lazy Old Joe & Flapping About, were originally published in 1992 as ''fun pieces'' for young pianists. More recently they have been revised to iron out a few technical points but they remain mostly untouched overall. Hopefully they instruct as they entertain!'|9790222289253|LANE P|Philip Lane|Bric-a-Brac|Piano - Solo|5.50|100 GM130|Philip Lane
THREE LITTLE BITES AT THE BIG APPLE for piano solo
Goodmusic GM130|'Three pieces for piano solo with the flavour of New York.
Streets and Avenues; A Walk in the Park; Struttin'' at the Waldorf.
Duration 4? minutes

Two of these pieces are also available in a version for solo harp as "Two Little Bites at the Big Apple" (GM162).'|9790222289260|LANE P|Philip Lane|Three Little Bites at the Big Apple|Piano - Solo|4.00|63 GM131|Peter Lawson
TUNES FROM THE TRENCHES - Songs from World War One
Goodmusic GM131|'For choir and orchestra or concert band, or choir and piano.
A non-stop medley of tunes from World War One from recruiting through to the Last Post. This arrangement can be performed by a choir with either an orchestra, band or piano accompaniment. There are different choral versions available for Mixed Voice Choir - both SATB (GM131) and, for those with a shortage of male voices, SA+Men (GM134) - for Upper Voice Choir (SSA - GM132) and for Male Voice Choir (TTBB - GM133). The orchestra score and parts (GMCP020) can be used either on its own or to accompany a choir.

The recruiting song "Your King and Country Want You" starts us off followed by "Goodbye, Dolly Gray" as the soldiers leave for war. "Belgium put the Kibosh on the Kaiser" is followed by some proper trench songs - various lyrics were improvised by the soldiers!! - "Three German Officers crossed the Rhine" and "They were only playing Leap-Frog". "The Bells of Hell go Ting-a-ling-a-ling" leads to strains of "Stille Nacht" recalling the Christmas truce. "When this Lousy War is Over" and "There''s no place like Home" are balanced by "Land of Hope and Glory" before the Americans arrive with "The Caissons go Rolling Along" and "Over There". "It''s a Long Way to Tipperary" brings us towards a rousing finish save for an optional "Last Post-lude" to end reflectively.
Duration 13? minutes
The audio sample here is the version with piano accompaniment. To hear the orchestral version see GMCP020.
To hear the concert band version see GM150.
CLICK HERE to see the other choral copies'|9790222290105|LAWSON|Peter Lawson|Tunes from the Trenches|Choir - Mixed voices (SATB)|7.00|113 GM132|Peter Lawson
TUNES FROM THE TRENCHES - Songs from World War One
Goodmusic GM132|'For choir and orchestra or concert band, or choir and piano.
A non-stop medley of tunes from World War One from recruiting through to the Last Post. This arrangement can be performed by a choir with either an orchestra, band or piano accompaniment. There are different choral versions available for Mixed Voice Choir - both SATB (GM131) and, for those with a shortage of male voices, SA+Men (GM134) - for Upper Voice Choir (SSA - GM132) and for Male Voice Choir (TTBB - GM133). The orchestra score and parts (GMCP020) can be used either on its own or to accompany a choir.

The recruiting song "Your King and Country Want You" starts us off followed by "Goodbye, Dolly Gray" as the soldiers leave for war. "Belgium put the Kibosh on the Kaiser" is followed by some proper trench songs - various lyrics were improvised by the soldiers!! - "Three German Officers crossed the Rhine" and "They were only playing Leap-Frog". "The Bells of Hell go Ting-a-ling-a-ling" leads to strains of "Stille Nacht" recalling the Christmas truce. "When this Lousy War is Over" and "There''s no place like Home" are balanced by "Land of Hope and Glory" before the Americans arrive with "The Caissons go Rolling Along" and "Over There". "It''s a Long Way to Tipperary" brings us towards a rousing finish save for an optional "Last Post-lude" to end reflectively.
Duration 13? minutes
The audio sample here is the version with piano accompaniment. To hear the orchestral version see GMCP020.
To hear the concert band version see GM150.
CLICK HERE to see the other choral copies'|9790222290112|LAWSON|Peter Lawson|Tunes from the Trenches|Choir - 3 part upper voices|7.00|113 GM133|Peter Lawson
TUNES FROM THE TRENCHES - Songs from World War One
Goodmusic GM133|'For choir and orchestra or concert band, or choir and piano.
A non-stop medley of tunes from World War One from recruiting through to the Last Post. This arrangement can be performed by a choir with either an orchestra, band or piano accompaniment. There are different choral versions available for Mixed Voice Choir - both SATB (GM131) and, for those with a shortage of male voices, SA+Men (GM134) - for Upper Voice Choir (SSA - GM132) and for Male Voice Choir (TTBB - GM133). The orchestra score and parts (GMCP020) can be used either on its own or to accompany a choir.

The recruiting song "Your King and Country Want You" starts us off followed by "Goodbye, Dolly Gray" as the soldiers leave for war. "Belgium put the Kibosh on the Kaiser" is followed by some proper trench songs - various lyrics were improvised by the soldiers!! - "Three German Officers crossed the Rhine" and "They were only playing Leap-Frog". "The Bells of Hell go Ting-a-ling-a-ling" leads to strains of "Stille Nacht" recalling the Christmas truce. "When this Lousy War is Over" and "There''s no place like Home" are balanced by "Land of Hope and Glory" before the Americans arrive with "The Caissons go Rolling Along" and "Over There". "It''s a Long Way to Tipperary" brings us towards a rousing finish save for an optional "Last Post-lude" to end reflectively.
Duration 13? minutes
The audio sample here is the version with piano accompaniment. To hear the orchestral version see GMCP020.
To hear the concert band version see GM150.
CLICK HERE to see the other choral copies'|9790222290129|LAWSON|Peter Lawson|Tunes from the Trenches|Choir - Male voices|7.00|113 GM134|Peter Lawson
TUNES FROM THE TRENCHES - Songs from World War One
Goodmusic GM134|'For choir and orchestra or concert band, or choir and piano.
A non-stop medley of tunes from World War One from recruiting through to the Last Post. This arrangement can be performed by a choir with either an orchestra, band or piano accompaniment. There are different choral versions available for Mixed Voice Choir - both SATB (GM131) and, for those with a shortage of male voices, SA+Men (GM134) - for Upper Voice Choir (SSA - GM132) and for Male Voice Choir (TTBB - GM133). The orchestra score and parts (GMCP020) can be used either on its own or to accompany a choir.

The recruiting song "Your King and Country Want You" starts us off followed by "Goodbye, Dolly Gray" as the soldiers leave for war. "Belgium put the Kibosh on the Kaiser" is followed by some proper trench songs - various lyrics were improvised by the soldiers!! - "Three German Officers crossed the Rhine" and "They were only playing Leap-Frog". "The Bells of Hell go Ting-a-ling-a-ling" leads to strains of "Stille Nacht" recalling the Christmas truce. "When this Lousy War is Over" and "There''s no place like Home" are balanced by "Land of Hope and Glory" before the Americans arrive with "The Caissons go Rolling Along" and "Over There". "It''s a Long Way to Tipperary" brings us towards a rousing finish save for an optional "Last Post-lude" to end reflectively.
Duration 13? minutes
The audio sample here is the version with piano accompaniment. To hear the orchestral version see GMCP020.
To hear the concert band version see GM150.
CLICK HERE to see the other choral copies'|9790222290136|LAWSON|Peter Lawson|Tunes from the Trenches|Choir - Mixed voices (SAMen)|7.00|113 GM135|Tom Cunningham
Songs from THE OKAVANGO MACBETH
Goodmusic GM135|A selection of seven songs from the chamber opera The Okavango Macbeth - Macbeth with baboons! - with music by Tom Cunningham and words by Alexander McCall Smith. This album for solo voice and piano was produced in response to requests for a collection of songs from the opera that could be used especially by students of Music Theatre. A synopsis of the opera is included to put the selected songs in context.
Vocal range: Bb up to Eb (with one optional F).
The full vocal score of the opera is also available - see GM045.|9790222290433|CUNNINGHAM|Tom Cunningham|Songs from The Okavango Macbeth|Voice solo (with accompaniment)|6.50|124 GM136|Philip Henderson
ON THE BEACH WITH ALICE for cello and piano
Goodmusic GM136|'This work, a cello concerto in all but name, was inspired by an old black and white photograph taken on Sheerness beach with a very young Philip Henderson huddling up to Alice, his mother, at the waters edge. She had just been made a widow following the tragic death of Philip''s father, and she had taken her son and daughter for a trip to the seaside, despite their great loss.
There are four movements: Sunrise; Morning Delight; Dancing in the Midday Sun; Castles of Sand.
This is a reduction for cello and piano of the original for cello and orchestra. Orchestral parts are available - see GMCO108
Duration 18 minutes

On the beach with Alice received its World Premiere in Beijing on 3rd November 2013 played by the Beijing Youth Orchestra conducted by Shane O''Shea with Jacob Shaw as soloist. www.jacobshaw.de
The audio file is an actual performance (with orchestra accompaniment) played by Jacob Shaw and not a computer-generated one!'|9790222290594|HENDERSON P|Philip Henderson|On the Beach with Alice|Cello and piano|8.50|160 GM137|SONG OF THE SMALL WHITE ORCHID by Peter Lawson
for recorders (one player) and string quartet
Goodmusic GM137|'The Song of the Small White Orchid, written in 2013 for John Turner in celebration of his seventieth birthday, is the thirtieth to be written in a projected cycle of musical portraits of the forty-eight wild orchids of Britain and Ireland, ranging from solo instruments to various combinations of chamber and orchestral ensembles.
It is a short, light-hearted piece which explores the wide range of pitches from the lowest note on the Bass recorder to the top notes of the tiny Sopranino via the Tenor, Treble and Descant instruments. The string quartet acts both in an accompanying mode and also as a completer of the musical argument of a stanza whilst the soloist changes recorder in readiness for the next stanza.
The Small White Orchid, Pseudorchis albida, has a distinctly Northerly distribution in Great Britain and is extremely rare and endangered in Northern England, Wales and Ireland. Most of its sites are in Scotland, but even here it is very local and decreasing - due to overgrazing in its typical habitat of rough pasture ground and to agricultural ''improvement'' of land in sites nearer to sea level. It has a wide distribution abroad and can be seen as far south as the Balkans, as far east as Siberia and as far west as Greenland and Eastern Canada.
It is a dainty plant, less than 15cm high, with long, lanceolate leaves wrapping around the stem. It has a relatively long, sweetly-scented, compact spike of often as many as thirty small white flowers with yellow-gold pollinia, which are pollinated by a variety of insects, particularly moths at twilight.
The neat, dainty nature of the plant is reflected in the music. A ''colour scheme'' of harmonies is employed for the green of the leaves, white of the petals, gold of the pollinia, blue of the sky above and brown of the fading plant. The harmony is often in the form of arpeggiated patterns, whose rhythmic figurations sometimes suggest birdsong which might be heard in the vicinity of the orchid.
Gradually, references to imaginary Scottish marching-band music, a reel, jigs and numerous Scottish and Irish folk-song-like airs creep in and as the conclusion approaches there are capricious, fleeting references to Richard Strauss''s "Till Eulenspiegel''s Merry Pranks" and the Irish air "Believe me, if all those endearing young charms". Peter Lawson
Duration 6? minutes

For the version with piano accompaniment see GM207.'|9790222290860|LAWSON|Peter Lawson|Song of the Small White Orchid|Ensemble - Mixed|8.50|160 GM138|Judith Bailey
AQUAMARINE WALTZ for cello and piano
Goodmusic GM138|'This work was commissioned by Isabel Young in May 1999 and written in June of that year. She had commissioned a piece for ''cello and piano for her 75th birthday.
The composer''s first thoughts were to relate the title to her Cornish home, but she did not feel "The Haven" to be an appropriate name for a piece! However, because of its happy associations and spectacular sea view, the word "aquamarine" seemed an apt description of what turned into a light-hearted waltz.
Duration 5 minutes
A CD recording of this work is available on Metier Records (Divine Art) MSVCD92101 which contains a collection of instrumental music by Judith Bailey played by the Davey Chamber Ensemble.'|9790222290877|BAILEY J|Judith Bailey|Aquamarine Waltz|Cello and piano|4.50|76 GM139|SONG OF THE BOG ORCHID by Peter Lawson
for flute (doubling bass flute), oboe (doubling cor anglais), clarinet (doubling bass clarinet) and trumpet
Goodmusic GM139|'Song of the Bog Orchid was originally composed in 1992 as a commission for the Nettlefold Festival, but was completely rewritten for the same resources in 2013. It is the nineteenth to be written in a projected cycle of musical portraits of the forty-eight wild orchids of Britain and Ireland, ranging from solo instruments to various combinations in chamber and orchestral ensembles.
The Bog Orchid, Hammarbya paludosa, is a rather rare and delicate little green-flowered plant, difficult to spot in boggy areas where water is fairly still and - unusually for orchids - prefers acidic conditions. Apart from a few sites in the New Forest, it is confined to the North of England, a few sites in Wales and Ireland and significantly more in Scotland, though still very uncommon there.
It has suffered a noticeable decline in recent decades, through loss of habitat due to drainage. Globally, it can be found all round the Northern hemisphere in more Northerly areas from Alaska and Canada, from Scandinavia to Siberia and Japan. It can be as tiny as the nail of a little finger and still be in flower, but is generally about as tall as between half of the width of a palm of a hand and the full width. The green flowers have, like the whole plant, a yellow-gold tinge and smell sweetly of cucumber and there are generally ten to twenty of them on a spike.
The Song of the Bog Orchid is in binary form - the first half being our impression of the orchid and its habitat and the second part being the song of the orchid itself, fancifully of course! A colour coding scheme of harmonies are used for the green and yellowish-gold, blue for sky and white for clouds, brown for dead vegetation. These first four colours mentioned are heard in arpeggiated patterns of harmony from the four instruments in overlapping layers - which then gradually change to brown.
This gives way to a sinister ''boggy'' theme heard first on the bass flute which occurs throughout the piece in various guises. There follows a scherzando section describing the delicate nature of the well-hidden plant, followed by the ''song'' of the plant itself - slower, sad and serene as it dies back for winter. A coda, referring back to the scherzando section, concludes the piece in a playful way as the orchid pops up again in the late spring of the following year. Peter Lawson
Duration 9 minutes'|9790222291188|LAWSON|Peter Lawson|Song of the Bog Orchid|Ensemble - Mixed|8.00|149 GM140|SONG OF THE FEN ORCHID by Peter Lawson
for piano solo
Goodmusic GM140|'The Song of the Fen Orchid, was written for James Kirby in 1985-6 and revised in 1990 and again in 2012-3. It was the ninth to be written in a projected cycle of musical portraits of the 48 wild orchids of Great Britain and Ireland - for various soloists and for chamber and orchestral ensembles.
The Fen Orchid, Liparis loeselii, can be found - with some difficulty, due to its camouflaged colouring and dainty features - in fens and sand-dune slacks. It is, on closer inspection, a miniature orchid of considerable beauty, with its rather open spike of small creamy flowers clasped near the base of the stalk in a cluster of glossy leaves.
It is distributed widely from North America to Siberia, but is decreasing in many of its habitats, due to the drainage of boggy fenland and by the gradually-evolving nature of the terrain of semi-stabilised dune slacks. This trend is particularly prevalent in Britain, where the plant is now a threatened species in both its fenland haunts in Norfolk and its two maritime habitats in South Wales.
The South Wales form, (var. ovata), is significantly smaller and squatter than the more robust, fenland form. In fact, the Nature Reserve of Kenfig Burrows, near Port Talbot, which has a refreshingly open attitude to conservation - by education rather than secrecy with regard to its precious and vulnerable colony - became the inspiration for the final section of the music.
The Song of the Fen Orchid reflects - in the introduction - the challenges of finding the plant in the first place. This gives way to a scherzo-like section, portraying the delicate, almost intimate, features of the plant in close-up. Then comes the ''Song'' of the orchid itself, in which the listener is invited to experience the world as seen, as it were, from the orchid, culminating in an evocation of the majestic irony of the Port Talbot Steelworks - ever looming closer as the site of the orchid is approached. Peter Lawson
Duration 9 minutes
First performed in Almaty, Kazakhstan on 13th May 2015 by James Kirby'|9790222291195|LAWSON|Peter Lawson|Song of the Fen Orchid|Piano - Solo|5.00|88 GM141|Paul Lewis
FANFARE FOR KING RICHARD III for brass and percussion
Goodmusic GM141|'Though scored for 3 trumpets, 3 trombones and 3 percussion (snare drum, tambourine, cymbals), the fanfare can be performed by trumpets or trombones without one another and with or without percussion.
Never was a king more greatly loved in his lifetime yet more grossly maligned after his death than Richard III.
This is a fanfare to celebrate the discovery of Richard III under a Leicester car park in 2013 and his re-interment in Leicester Cathedral in 2015.
At the age of twelve I was inspired to become a composer by Laurence Olivier''s film of Shakespeare''s Richard III with William Walton''s stirring score, but I never believed that Shakespeare''s view of the monarch as a murderous villain was anything other than character assassination performed by 16th century historians anxious to justify the presence of Tudors on the English throne. Happily this opinion is now widely held by historians. Paul Lewis
Duration 1? minutes

Score and set of parts included.
Also available in an arrangement for organ - Goodmusic GM143'|9790222291812|LEWIS P|Paul Lewis|Fanfare for King Richard III|Ensemble - Mixed brass|9.50|173 GM142|GOBBLEDEGOOK THE TURKEY by Philip Lane
for unison voices
Goodmusic GM142|Words by Frances Button
Music by Philip Lane
A new Christmas song for unison voices (with an optional 2nd part) with piano or orchestra accompaniment.
It tells the story of Gobbledegook, a turkey with a very simple brain who is really looking forward to Christmas time as he has heard that he is being included in the "wonderful turkey dinner"! Some angels come to warn him and whisk him off to a Pacific land where the natives worship turkeys. He ends up happily living like a king.
Duration 5 minutes

The orchestral score & parts are available on hire from Goodmusic. Orchestration: Double woodwind, 2 Horns, Timpani, Percussion, Harp & Strings.|9790222291829|LANE P|Philip Lane|Gobbledegook the Turkey|Choir - Unison voices|2.00|25 GM143|Paul Lewis
FANFARE FOR KING RICHARD III for organ
Goodmusic GM143|'Never was a king more greatly loved in his lifetime yet more grossly maligned after his death than Richard III.
This is a fanfare to celebrate the discovery of Richard III under a Leicester car park in 2013 and his re-interment in Leicester Cathedral in 2015.
At the age of twelve I was inspired to become a composer by Laurence Olivier''s film of Shakespeare''s Richard III with William Walton''s stirring score, but I never believed that Shakespeare''s view of the monarch as a murderous villain was anything other than character assassination performed by 16th century historians anxious to justify the presence of Tudors on the English throne. Happily this opinion is now widely held by historians. Paul Lewis
Duration 1? minutes

Also available in a version for brass and percussion - Goodmusic GM141'|9790222291836|LEWIS P|Paul Lewis|Fanfare for King Richard III|Organ Solo|3.50|25 GM144|Henry Wood arr.Peter Lawson
FANTASIA ON BRITISH SEA SONGS for SATB choir
Goodmusic GM144|'The Fantasia on British Sea Songs was arranged by Sir Henry Wood in 1905 to mark the centenary of the Battle of Trafalgar. It is a medley of British sea songs and for many years has been seen as an indispensable item at the BBC''s Last Night of the Proms concert.
The complete work is made up of nine parts which follow the course of the battle from the point of view of a British sailor, starting with the call to arms, progressing through the death of a comrade, thoughts of home, and ending with a victorious return and the assertion that Britain will continue to ''rule the waves''. Individual sections can be omitted if required. The fantasia commences with a series of six naval bugle calls and their responses. These calls were traditionally used to convey orders on a naval warship.
1. Bugle Calls (Admiral''s Salute, Action, General Assembly, Landing Party, Prepare to Ram, Quick, Double, Extend and Close.)
2. The Anchor''s Weighed
3. The Saucy Arethusa
4. Tom Bowling
5. Jack''s The Lad (Hornpipe) (with optional encore)
6. Farewell and Adieu, Ye Spanish Ladies
Clarinet Cadenza
7. Home, Sweet Home
8. See, the Conqu''ring Hero Comes
9. Rule, Britannia! (A soloist can be used for the verses/choruses)

Originally for orchestra (with a singer in Rule Britannia), this new arrangement by Peter Lawson has added a choir throughout as all of the tunes used (except the bugle calls) started life as sea songs. The accompaniment can be provided either by an orchestra or just a piano. Four different choral versions are available and four different 48 page vocal scores are available: SATB - GM144 SSA - GM145 TTBB - GM146 SA+Men - GM147
The orchestra score and parts are the same for each and are available under the catalogue number GMCL200
Duration 19 minutes

The audio sample here is of the choir with piano version and begins after the Bugle Calls and omits the clarinet cadenza. Look under GMCL200 to hear the orchestral version.'|9790222291850|WOOD|Henry Wood|Fantasia on British Sea Songs|Choir - Mixed voices (SATB)|9.00|148 GM145|Henry Wood arr.Peter Lawson
FANTASIA ON BRITISH SEA SONGS for SSA choir
Goodmusic GM145|'The Fantasia on British Sea Songs was arranged by Sir Henry Wood in 1905 to mark the centenary of the Battle of Trafalgar. It is a medley of British sea songs and for many years has been seen as an indispensable item at the BBC''s Last Night of the Proms concert.
The complete work is made up of nine parts which follow the course of the battle from the point of view of a British sailor, starting with the call to arms, progressing through the death of a comrade, thoughts of home, and ending with a victorious return and the assertion that Britain will continue to ''rule the waves''. Individual sections can be omitted if required. The fantasia commences with a series of six naval bugle calls and their responses. These calls were traditionally used to convey orders on a naval warship.
1. Bugle Calls (Admiral''s Salute, Action, General Assembly, Landing Party, Prepare to Ram, Quick, Double, Extend and Close.)
2. The Anchor''s Weighed
3. The Saucy Arethusa
4. Tom Bowling
5. Jack''s The Lad (Hornpipe) (with optional encore)
6. Farewell and Adieu, Ye Spanish Ladies
Clarinet Cadenza
7. Home, Sweet Home
8. See, the Conqu''ring Hero Comes
9. Rule, Britannia! (A soloist can be used for the verses/choruses)

Originally for orchestra (with a singer in Rule Britannia), this new arrangement by Peter Lawson has added a choir throughout as all of the tunes used (except the bugle calls) started life as sea songs. The accompaniment can be provided either by an orchestra or just a piano. Four different choral versions are available and four different 48 page vocal scores are available: SATB - GM144 SSA - GM145 TTBB - GM146 SA+Men - GM147
The orchestra score and parts are the same for each and are available under the catalogue number GMCL200
Duration 19 minutes

The audio sample here is of the choir with piano version and begins after the Bugle Calls and omits the clarinet cadenza. Look under GMCL200 to hear the orchestral version.'|9790222291867|WOOD|Henry Wood|Fantasia on British Sea Songs|Choir - 3 part upper voices|9.00|148 GM146|Henry Wood arr.Peter Lawson
FANTASIA ON BRITISH SEA SONGS for TTBB choir
Goodmusic GM146|'The Fantasia on British Sea Songs was arranged by Sir Henry Wood in 1905 to mark the centenary of the Battle of Trafalgar. It is a medley of British sea songs and for many years has been seen as an indispensable item at the BBC''s Last Night of the Proms concert.
The complete work is made up of nine parts which follow the course of the battle from the point of view of a British sailor, starting with the call to arms, progressing through the death of a comrade, thoughts of home, and ending with a victorious return and the assertion that Britain will continue to ''rule the waves''. Individual sections can be omitted if required. The fantasia commences with a series of six naval bugle calls and their responses. These calls were traditionally used to convey orders on a naval warship.
1. Bugle Calls (Admiral''s Salute, Action, General Assembly, Landing Party, Prepare to Ram, Quick, Double, Extend and Close.)
2. The Anchor''s Weighed
3. The Saucy Arethusa
4. Tom Bowling
5. Jack''s The Lad (Hornpipe) (with optional encore)
6. Farewell and Adieu, Ye Spanish Ladies
Clarinet Cadenza
7. Home, Sweet Home
8. See, the Conqu''ring Hero Comes
9. Rule, Britannia! (A soloist can be used for the verses/choruses)

Originally for orchestra (with a singer in Rule Britannia), this new arrangement by Peter Lawson has added a choir throughout as all of the tunes used (except the bugle calls) started life as sea songs. The accompaniment can be provided either by an orchestra or just a piano. Four different choral versions are available and four different 48 page vocal scores are available: SATB - GM144 SSA - GM145 TTBB - GM146 SA+Men - GM147
The orchestra score and parts are the same for each and are available under the catalogue number GMCL200
Duration 19 minutes

The audio sample here is of the choir with piano version and begins after the Bugle Calls and omits the clarinet cadenza. Look under GMCL200 to hear the orchestral version.'|9790222291874|WOOD|Henry Wood|Fantasia on British Sea Songs|Choir - Male voices|9.00|148 GM147|Henry Wood arr.Peter Lawson
FANTASIA ON BRITISH SEA SONGS for SA+Men choir
Goodmusic GM147|'The Fantasia on British Sea Songs was arranged by Sir Henry Wood in 1905 to mark the centenary of the Battle of Trafalgar. It is a medley of British sea songs and for many years has been seen as an indispensable item at the BBC''s Last Night of the Proms concert.
The complete work is made up of nine parts which follow the course of the battle from the point of view of a British sailor, starting with the call to arms, progressing through the death of a comrade, thoughts of home, and ending with a victorious return and the assertion that Britain will continue to ''rule the waves''. Individual sections can be omitted if required. The fantasia commences with a series of six naval bugle calls and their responses. These calls were traditionally used to convey orders on a naval warship.
1. Bugle Calls (Admiral''s Salute, Action, General Assembly, Landing Party, Prepare to Ram, Quick, Double, Extend and Close.)
2. The Anchor''s Weighed
3. The Saucy Arethusa
4. Tom Bowling
5. Jack''s The Lad (Hornpipe) (with optional encore)
6. Farewell and Adieu, Ye Spanish Ladies
Clarinet Cadenza
7. Home, Sweet Home
8. See, the Conqu''ring Hero Comes
9. Rule, Britannia! (A soloist can be used for the verses/choruses)

Originally for orchestra (with a singer in Rule Britannia), this new arrangement by Peter Lawson has added a choir throughout as all of the tunes used (except the bugle calls) started life as sea songs. The accompaniment can be provided either by an orchestra or just a piano. Four different choral versions are available and four different 48 page vocal scores are available: SATB - GM144 SSA - GM145 TTBB - GM146 SA+Men - GM147
The orchestra score and parts are the same for each and are available under the catalogue number GMCL200
Duration 19 minutes

The audio sample here is of the choir with piano version and begins after the Bugle Calls and omits the clarinet cadenza. Look under GMCL200 to hear the orchestral version.'|9790222291881|WOOD|Henry Wood|Fantasia on British Sea Songs|Choir - Mixed voices (SAMen)|9.00|148 GM148|Peter Lawson
MUSIC HALL MEDLEY for upper voice choir (SSA)
Goodmusic GM148|'A splendid medley of songs made famous in the music halls comprising "Put on your tat-ta little girlie", "I''ll be your sweetheart", "Danny Boy", "After the ball", "She was one of the early birds", "Somebody stole my gal", "I do like to be beside the seaside", "Oh, Oh, Antonio", "Daisy Bell", "Daddy wouldn''t buy me a bow-wow", "Let''s all go down the Strand", "Lily of Laguna" and "It''s a long way to Tipperary" . . . . . . . Phew!
This medley can be performed by mixed voice choir with a piano accompaniment or, if you just happen to have a full concert orchestra hanging around, they can accompany you instead. The orchestral score and parts are available in our Goodmusic Concert Pops series (see under GMCP016 for full details).
Your audience, should you be lucky enough to have one, can join in all the choruses they know and love!
There are two short instrumental sections in this medley (bars 21 to 52 and bars 99 to 130) which may be cut if you are performing it with just a piano and you want to deny your accompanist a bit of a solo spot and a little glory.
A version of this medley for male voice choir is also available (Catalogue number GM051) as well as versions for mixed voice choir of SATB (Goodmusic GM050) and SA+Men (Roberton 62005).
Duration 12 minutes'|9790222291898|LAWSON|Peter Lawson|Music Hall Medley|Choir - 3 part upper voices|8.25|138 GM149|Philip Henderson
17 poets form lines on the foot of Mt.Fuji
for tenor or baritone soloist, mixed voice choir and orchestra
Goodmusic GM149|An intriguing short work composed for the International Schools Choral Music Society to "nonsense" words by Douglas Macari. It is scored for tenor or baritone soloist, mixed voice choir (SATB) and orchestra of Piccolo, Flute, Oboe, Clarinet in A, Percussion [5 players: Finger cymbals, Wind chimes (mark tree), Triangle, Cymbals (suspended and clashed), Gong, Bass drum, Vibraphone) and Strings.
First performed at the Shanghai Oriental Arts Centre on February 7th 2015 conducted by the composer.

HAIKU: A 17-syllable verse form and one of the most important forms of Japanese poetry.

"17 poets form lines on the foot of Mt.Fuji - the perfect hike queue?"

Vocal score with piano reduction on sale, full score and orchestral parts available on hire from Goodmusic.
Duration 10 minutes|9790222292932|HENDERSON P|Philip Henderson|17 poets form lines on the foot....|Choir - Vocal score|6.50|124 GM150|Peter Lawson
TUNES FROM THE TRENCHES - Songs from World War One
Goodmusic GM150|'For choir and concert band, or concert band alone (can also be performed by choir accompanied only by piano).
A non-stop medley of tunes from World War One from recruiting through to the Last Post. This arrangement can be performed by concert band alone as a concert piece or by various types of choir with either an orchestra, band or piano accompaniment. There are different choral versions available for Mixed Voice Choir - both SATB (GM131) and, for those with a shortage of male voices, SA+Men (GM134) - for Upper Voice Choir (SSA - GM132) and for Male Voice Choir (TTBB - GM133). The band score and parts can be used either on its own or to accompany a choir.

ORCHESTRATION
Piccolo, 2 Flutes, 2 Oboes, Eb Clarinet, 3 Bb Clarinets, Bass Clarinet, 2 Bassoons, 2 Alto Saxes, Tenor Sax, Baritone Sax, 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Baritone/Euphonium, Basses, String Bass, Timpani, Percussion (5 players: Triangle, Side Drum, Cymbals, Bass Drum, Temple Blocks, Whip, Tambourine, Tubular Bells, Sleigh Bells, Swanee Whistle, Glockenspiel, Xylophone, Vibraphone), Harp (or Keyboard)
Choir [optional]

The recruiting song "Your King and Country Want You" starts us off followed by "Goodbye, Dolly Gray" as the soldiers leave for war. "Belgium put the Kibosh on the Kaiser" is followed by some proper trench songs - various lyrics were improvised by the soldiers!! - "Three German Officers crossed the Rhine" and "They were only playing Leap-Frog". "The Bells of Hell go Ting-a-ling-a-ling" leads to strains of "Stille Nacht" recalling the Christmas truce. "When this Lousy War is Over" and "There''s no place like Home" are balanced by "Land of Hope and Glory" before the Americans arrive with "The Caissons go Rolling Along" and "Over There". "It''s a Long Way to Tipperary" brings us towards a rousing finish save for an optional "Last Post-lude" to end reflectively.
Duration 13? minutes
For the orchestral version see GMCP020

CLICK HERE to see the choral copies'|9790222292949|LAWSON|Peter Lawson|Tunes from the Trenches BAND ScPts|Wind band|75.00|1370 GM150-99||||LAWSON|Peter Lawson|Tunes from the Trenches - Extra Pts|Wind band|2.00|25 GM151|Tom Cunningham
A SCOTTISH FOUR SEASONS for voice and piano
Goodmusic GM151|Poems by Alexander McCall Smith on the four seasons from a Scottish point of view, set to music by Tom Cunningham.
Spring (Range: Eb-F), Summer (Range: D-E), Autumn (Range: E-E), Winter (Range: C-F).
Also available in a version for upper voice choir and piano - 03125
Duration 8 minutes|9790222292963|CUNNINGHAM|Tom Cunningham|Scottish Four Seasons|Voice solo (with accompaniment)|5.00|88 GM152|Paul Lewis
FOUR ANTICKE DANCES for harp
Goodmusic GM152|'These pieces are evocations of 16th and 17th century dance forms by a composer long fascinated by the period. The melodies are new and no genuine anticke (old English for antique) tunes are used.
MONSIEUR LEO''S BASSEDANSE was inspired by accounts of masques in the grounds of the royal chateau at Amboise in the Loire Valley, for which Leonardo da Vinci, living nearby, devised sets and costumes. The Bassedanse was popular in France and Italy - a dance in which couples moved in a processional manner.
MASTER WILL''S SARABAND was originally written to accompany a reading of "Music Ho! Music such as charmeth sleep!" from William Shakespeare''s "A Midsummer Night''s Dream" at Petworth House in Sussex. The Saraband was a slow dance in three-time with the emphasis on the second beat.
MISTRESS NELL''S PAVAN is named after King Charles II''s favourite mistress, Nell Gwynn, and describes her not as the boisterous Covent Garden orange seller but as the luscious court beauty painted nude and recumbent by Sir Peter Lely. The Pavan was a slow courtly dance.
MASTER KIT''S BRAWL. Brawl was Shakespeare''s Anglicization of the almost unpronounceable French Bransle, a lively dance suited to tavern and village green. "Kit" was the nickname of Christopher Marlowe, playright and spy, whom some believe was the author of Shakespeare''s plays, and who died in a tavern brawl, though not of the dancing kind! Paul Lewis
Duration 12? minutes'|9790222292970|LEWIS P|Paul Lewis|Four Anticke Dances|Harp|5.00|88 GM153|Paul Lewis
TWO LAMENTS for harp
Goodmusic GM153|'Lament for a King (in memoriam Richard III, slain 1485)
Lament for a Castle (in memoriam Cathcart Castle, demolished 1980)
In September 2014 I discovered that Cathcart Castle in Scotland, which I had visited and sketched in 1964, had been demolished in 1980 after decades of neglect on the part of its owners, Glasgow City Council. Such was my fondness for the castle and for my sketch that I felt bereft, as if I had lost an old friend, and immediately decided to compose a lament. Two days later I read the newly published analysis of the horrific battle wounds to Richard III''s skull. Having previously, in celebratory mood, written my Fanfare for King Richard III to celebrate the discovery of the king''s skeleton in a Leicester car park, I now, deeply saddened at what I had read, felt I must write a lament for him too. (Paul Lewis)
Duration 5? minutes
Version also available for solo horn - GM154.'|9790222292987|LEWIS P|Paul Lewis|Two Laments for Harp|Harp|4.00|63 GM154|Paul Lewis
TWO LAMENTS for horn
Goodmusic GM154|'Lament for a King (in memoriam Richard III, slain 1485)
Lament for a Castle (in memoriam Cathcart Castle, demolished 1980)
In September 2014 I discovered that Cathcart Castle in Scotland, which I had visited and sketched in 1964, had been demolished in 1980 after decades of neglect on the part of its owners, Glasgow City Council. Such was my fondness for the castle and for my sketch that I felt bereft, as if I had lost an old friend, and immediately decided to compose a lament. Two days later I read the newly published analysis of the horrific battle wounds to Richard III''s skull. Having previously, in celebratory mood, written my Fanfare for King Richard III to celebrate the discovery of the king''s skeleton in a Leicester car park, I now, deeply saddened at what I had read, felt I must write a lament for him too. (Paul Lewis)
Duration 5? minutes
Version also available for solo harp - GM153.'|9790222292994|LEWIS P|Paul Lewis|Two Laments for Horn|Horn in F solo|4.00|63 GM155|Paul Lewis
LULLABY and MUSIC BOX WALTZ for harp
Goodmusic GM155|Lullaby and Music Box Waltz were commissioned by Graham and Jenny Pay as a gift for their daughter, harpist Camilla Pay, upon the birth of her first child, Rosanna Chloe Knight, on September 23rd, 2014.
It was with great joy that I accepted the commission to compose a new work for a harpist whose heartfelt interpretations of my music always move me.
With the pieces go my congratulations to Camilla and her husband Bob Knight on the creation of such a beautiful daughter. Paul Lewis
Duration 6 minutes|9790222293007|LEWIS P|Paul Lewis|Lullaby and Music Box Waltz|Harp|4.00|63 GM156|Philip Lane
DIVERSIONS ON A THEME OF PAGANINI
for brass quintet
Goodmusic GM156|'These ''fun variations'' on the famous Paganini Caprice No.24 were commissioned by the Three Choirs Festival and first performed on August 21st 1989 by the London Gabrieli Brass Ensemble in St.Catherine''s Church, Gloucester.
Score and parts included.
Duration 12 minutes
A version for orchestra is also published by Goodmusic - Catalogue number GMCO045 - and has been recorded by the Royal Ballet Sinfonia conducted by Gavin Sutherland on the Marco Polo label - 8.225185'|9790222293014|LANE P|Philip Lane|Diversions on a theme of Paganini|Ensemble - Mixed brass|12.75|233 GM157|Philip Lane
FOUR AMERICAN MINIATURES for saxophone or clarinet and piano
Goodmusic GM157|Four short pieces in different styles, all with an American flavour, for Eb or Bb saxophone or Bb clarinet and piano.
The four pieces are: Just for Starters; Chat Show Host; Late Night Ballad; Cheeky Little Charleston.
Total duration 7 minutes|9790222293021|LANE P|Philip Lane|Four American Miniatures|Saxophone and piano|6.50|124 GM158|PARRY, C Hubert H (1848-1918)
BLEST PAIR OF SIRENS
Goodmusic GM158|'In 1886 Parry was commissioned by Charles Villiers Stanford to compose a piece for the Bach Choir of London, of which Parry was a member. Stanford, one of the first British musicians to recognise Parry''s talent, called him the greatest English composer since Purcell. Asked to write a new piece, Parry turned, at the suggestion of his colleague George Grove, to Milton''s ode "At a solemn musick" which he had been considering setting for many years.
Reviewing the concert, The Times said of Blest Pair of Sirens: The choral writing is in eight parts and abounds in contrapuntal devices. At the same time the spirit and the accent of the words are carefully attended to, as befits a work in which "sphere-born harmonious sisters, voice and verse" are invoked to "wed their divine sounds, and mix''d power employ". An excellent rendering contributed to the brilliant success of the ode.
The work was an immediate success, and was quickly taken up by other choirs. The following year it was included in the Three Choirs Festival. Recognised as "one of the outstanding English choral works", it has remained a standard in the choral repertory.
This new edition has been prepared from the first published score. Besides being much clearer than the original, certain mistakes and anomalies have also been corrected.
All of the orchestra material is also available in this new edition - see catalogue number GMCH014.
Duration 9? minutes

The audio sample is of the choir and piano version. See catalogue number GMCH014 to hear the version with orchestra.'|9790222293304|PARRY|C. Hubert H. Parry|Blest Pair of Sirens|Choir - Vocal score|7.00|149 GM159|VIOLIN CONCERTO by Paul Carr
Reduction for violin and piano
Goodmusic GM159|'I have often found that being asked to write a particular work can be the greatest source of inspiration, and this work is no exception. At the time Em Marshall-Luck (founder and director of the English Music Festival) suggested I might like to write a concerto for her husband, violinist Rupert Marshall-Luck, I had in fact been suffering a period of creative depression and hadn''t written anything for about nine months. So this invitation couldn''t have come at a better time and feeling challenged, but inspired by the idea, I completed the work in just five weeks.
Taking three words which best summed up my emotional state at the time "Lonely, thoughtful, passionate" the 1st movement opens very quietly with a mysterious music of empitness. Slowly gaining in tempo and dynamic this leads to a more dramatic section where the violin seems to almost outrun itself, before returning to the rather sparse ambiguity of the opening.
The central slow movement is one of deep emotion and was written following a visit to my mother''s grave in Penzance and gives the piece its title, "Beside a grave in Cornwall". It is a stark reflection on love, life, loss, and the ultimate journey we must all undertake, and while there is a strong underlying pain to the music, I also feel there is a beauty and acceptance within its sadness.
In contrast to the first two movements, the final one has no agenda. Marked "Continuously running" it merely conveys a general feeling of energy and joy, although it is interspersed with quiet sections of a dream-like-nursery-rhyme quality. However, with a sudden twist to the proceedings the main key of G major suddenly shifts to E minor and the work ends with a nod to the starkness of the slow movement. Paul Carr

The orchestral material is also available - see GMCO113
Duration 20 minutes'|9790222300729|CARR P|Paul Carr|Violin Concerto|Violin and piano|9.50|173 GM160|Paul Carr
PSALM 23 for mixed voice choir, solo cello and organ
Goodmusic GM160|A lovely setting of The Lord is my shepherd for SATB choir with solo cello and organ accompaniment.
Originally written in 2014, Paul revised this setting in March 2017 to make it even lovelier!
The cello part (although shown in the score) is sold separately.
Duration 7 minutes|9790222293618|CARR P|Paul Carr|Psalm 23|Choir - Mixed voices (SATB)|4.00|63 GM160-01|||9790222293625|CARR P|Paul Carr|Psalm 23 Solo cello part|Cello solo|3.50|13 GM161|Paul Carr
THE LAMB (2015) for unaccompanied mixed voice choir
Goodmusic GM161|'A beautiful setting for unaccompanied SATB choir of William Blake''s famous text. This is the second setting of these words by Paul Carr. The earlier version (from 1985) also for unaccompanied mixed voice choir is also available (Roberton 63144).
Duration 4? minutes

This work can also be performed with string orchestra accompaniment (plus optional harp and organ).'|9790222293632|CARR P|Paul Carr|Lamb (Second setting 2015)|Choir - Mixed voices (SATB)|4.00|63 GM161-00||||CARR P|Paul Carr|Lamb Full Score|Orchestral Score|5.00|88 GM161-01||||CARR P|Paul Carr|Lamb Violin 1|Orchestral Part|1.50|13 GM161-02||||CARR P|Paul Carr|Lamb Violin 2|Orchestral Part|1.50|13 GM161-03||||CARR P|Paul Carr|Lamb Viola|Orchestral Part|1.50|7 GM161-04||||CARR P|Paul Carr|Lamb Cello|Orchestral Part|1.50|7 GM161-05||||CARR P|Paul Carr|Lamb Bass|Orchestral Part|1.50|7 GM161-06||||CARR P|Paul Carr|Lamb Harp|Orchestral Part|1.50|13 GM161-07||||CARR P|Paul Carr|Lamb Organ|Orchestral Part|1.50|13 GM162|Philip Lane
TWO LITTLE BITES AT THE BIG APPLE for harp solo
Goodmusic GM162|Two pieces with the flavour of New York for harp solo - Streets and Avenues; A Walk in the Park. Edited for harp by Danielle Perrett, these are two of the "Three Little Bites at the Big Apple", a set of pieces by Philip Lane for piano solo (see GM130).
Duration c.4 minutes|9790222293670|LANE P|Philip Lane|Two little bites at the Big Apple|Harp|4.00|63 GM163|Clive Jenkins
PASTORALE AND ALLEGRO for violin and piano
Goodmusic GM163|'''A tuneful piece for baroque string orchestra but with a modern sound'' was the brief. The Chamber Ensemble of London first played the result at St Martin-in-the-Fields in 2005 and later recorded it. However, its actual premiere was in Plymouth Museum & Art Gallery the year before in this violin and piano reduction suggested by CEOL''s director, Peter Fisher, who was the soloist.
The Pastorale was inspired by the gentle countryside of the South Hams, where Clive Jenkins now lives. The Allegro theme came to him when, out walking on Dartmoor, he saw a herd of ponies suddenly gallop off across the horizon.
Duration 7 minutes
The orchestral material is available - catalogue number GMCO123.'|9790222294271|JENKINS C|Clive Jenkins|Pastorale and Allegro|Violin and piano|6.00|112 GM164|Paul Lewis
ON PEVENSEY LEVELS for solo and piano
Goodmusic GM164|'The solo part may be played either by harmonica or violin or flute (doubling piccolo).

Whilst walking ''twixt castle and coast on Pevensey Levels one sunny winter''s day a melody played incessantly in my head, leaving me no option on my return home but to write it down and compose this piece.
In all seasons and all weathers the Levels are an area of great beauty and abundant wildlife and are haunted by the ghosts of history. They were once under water and it was at Pevensey that the Romans built their great fortress of Anderitum and here that William the Conqueror landed some 800 years later. In Tudor times Pevensey was a bustling seaport and the castle was re-armed in anticipation of the Spanish Armada, but by the 18th century the sea had receded and the area had become the natural home of smugglers. The coastline today is dominated by the Martello Towers that once guarded against the threatened Napoleonic invasion, and the castle was refortified with military pill boxes and occupied by Allied Forces during World War II. The Levels are now a place of peace and solitude, shared by walkers with all manner of birdlife including swans and herons, and the inevitable rabbits, foxes and grazing livestock, not to mention other walkers and their dogs. Paul Lewis
Duration 4? minutes
A version of this piece with string orchestra accompaniment is also available - Goodmusic GMCO124.'|9790222294370|LEWIS P|Paul Lewis|On Pevensey Levels Solo & Piano|Instrument and piano|4.50|76 GM165|Peter Lawson
SONG OF THE BEE ORCHID for piano and orchestra
Goodmusic GM165|'Orchestration: 2 Flutes (2nd db.Piccolo & Alto Flute), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba,
Timpani, Percussion (3 players: Snare Drum, Triangle, Maracas, Wood Block, Cymbals, Football Rattle (or Guiro), Tambourine, Tam-tam, Bass Drum, Guiro, Glockenspiel, Tubular Bells, Xylophone, Marimba, Vibraphone)
Harp, Celesta, Solo Piano
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Song of the Bee Orchid is the twentieth to be completed in a cycle of musical portraits of the 48 wild orchids of Britain and Ireland, originally written in 1991-5 and substantially revised in 2014-5. It is a Piano Concerto in three movements, written for James Kirby.
Bee Orchids are a part of the Ophrys group of orchids, which imitate insects. In Britain there are also Fly and Spider orchids which look equally convincing.
The first movement of the concerto is somewhat pastoral in mood and deals with the standard Bee Orchid, Ophrys apifera, with a reverie-like middle section depicting the beautiful but rare variation chlorantha,. The movement begins and ends with a pre-echo of the ''nobilmente'' theme from the second movement.
The second movement is one of colourful and violent contrasts, depicting two of the genetic mutations of the standard Bee Orchid, including the variation trollii, known as the ''Wasp Orchid''. The outer sections are themselves in three distinct sections. The first, reflecting the shock of seeing a Bee Orchid without the bee, is discordant, violent and rather weird. The second section, by contrast, is an appreciation of the beauty of the orchid mutation and is much sweeter and concordant. The third section is military and marching in style, leading to a nobilmente climax reflecting the onward march of genetic mutations.
The final movement starts with a portrait of the subspecies jurana,. This leads to a depiction of the rare subspecies bicolor. The music starts exuberantly, becoming more astringent. Finally we return to the normal bee orchid, reviewing previous material and adding new motifs as the orchid begins to self-pollinate. The mood darkens as the flowers wither as winter approaches, before a coda depicts the orchid''s thousands of dust-like seeds dispersing.
The A4 score and the Piano Solo (two piano copy) part are on sale. Orchestral material is available on hire from Goodmusic.
Duration 30 minutes'|9790222294387|LAWSON|Peter Lawson|Song of the Bee Orchid - Piano Part|Piano - 2 players on 2 pianos|15.00|266 GM165-00|||9790222294394|LAWSON|Peter Lawson|Song of the Bee Orchid - Score|Orchestral Score|25.00|435 GM166|Edward Elgar
THE SERIOUS DOLL for solo and piano
Goodmusic GM166|'"The Serious Doll" is the second movement taken from Elgar''s Nursery Suite for orchestra (also published by Goodmusic - GMCL201).
Elgar had been appointed "Master of the King''s Musick" in 1924 and the Nursery Suite, written in 1931, was prompted by the birth in August 1930 of Princess Margaret. The work is dedicated to "The Duchess of York and the Princesses Elizabeth and Margaret Rose". In the original "The Serious Doll" features a flute solo. This has been adapted by Peter Lawson for various solo instruments.
The solo part can be played by: Flute, Oboe, Clarinet in Bb, Saxophone in Eb, Saxophone in Bb, Bassoon, Horn in F, Trumpet in Bb, Trombone, Tuba, Violin, Viola or Cello here with piano accompaniment. Parts are included for all solo instruments.
The orchestral version is also available - Goodmusic GMCA024.
Duration 2? minutes'|9790222293861|ELGAR|Edward Elgar|Serious Doll (arr.Lawson)|Instrument and piano|8.00|149 GM167|Paul Carr
SONATINA for solo violin
Goodmusic GM167|Sonatina "on the reburial of King Richard III" for solo violin.
When Em Marshall-Luck of the English Music Festival asked me to write a work for solo violin on the subject of King Richard III I had no idea where to start. However, watching the documentaries surrounding his reburial in Leicester Cathedral in March of 2015, and then seeing the rather powerful and moving ceremony itself on Channel 4, I found writing this piece surprisingly spontaneous.
Having composed a number of sonatinas for various instruments with piano accompaniment, it was a change and much less of a challenge than I had initially thought, in writing this one for solo violin. Although related to the subject of King Richard III (as was stipulated in the commission) I also wanted this piece to stand alone as four short movements in a familiar format to join my growing collection of sonatinas. The two outer movements and the Dance are mostly brisk and dramatic in mood, and relate to my thoughts on Richard as both a king and a man of the people, and the suspicions surrounding his rule through historic documentation, however accurate they may or may not be. The slow third movement was written as a direct response to the ceremony itself, and in particular the solemn procession as the coffin was carried to its final resting place within the Cathedral. This was then followed by the eulogy, a moving poem by Carol Ann Duffy, beautifully given by Benedict Cumberbatch. Paul Carr
Duration 12 minutes|9790222294585|CARR P|Paul Carr|Sonatina for solo violin|Violin solo|5.00|88 GM168|Paul Lewis
THRENODY for solo violin
Goodmusic GM168|'Threnody: The Most Famous Prince of Blessed Memory
Threnody: a song of lamentation. "The most famous prince of blessed memory": a description of the late King Richard III in the minutes of the Corporation of the City of York, October 14th 1485.
Ever since I saw Laurence Olivier''s film of Shakespeare''s "Richard III", which made me decide to become a composer at the age of twelve, I have been fascinated by the real Richard III and appalled by the character assassination carried out by the Tudors in order to justify their presence on the English throne. The discovery of Richard''s bones beneath a car park in Leicester in 2012 inspired my celebratory "Fanfare for King Richard III", and the resulting analysis of the horrific wounds to the skull received by Richard at the Battle of Bosworth brought forth my "Lament for a King".
This work is in eight sections to be played without a break: Lament; Richard the Soldier; Richard the Husband; Richard the Father; Richard the King; Richard the Devout; Richard Betrayed (The exiled Henry Tudor had long plotted to invade England and seize the throne. Richard confronted him at the Battle of Bosworth but was deserted by the notoriously unreliable Lord Stanley. The 9/8 "Furioso" section depicts Richard''s heroic final charge and ends as the violin cries out the last words he uttered as he was slain: "Treason! Treason!"); Epilogue.
"Threnody for Violin: The Most Famous Prince of Blessed Memory" was commissioned by the English Music Festival for a concert in Richard III''s honour given by violinist Rupert Marshall-Luck in Middleham Church, Yorkshire, on September 12th 2015, and is dedicated with respect to the founder-members of the team who discovered Richard III''s remains. Paul Lewis
Duration 23 minutes'|9790222294974|LEWIS P|Paul Lewis|Threnody for Violin|Violin solo|5.00|88 GM169|Clive Jenkins
ROMANCE for viola or clarinet and piano
Goodmusic GM169|This piece, with string orchestra accompaniment, was composed in 1987 for Jonathan Mallalieu, now artistic director of Beauville Arts in France, then a gifted viola player at Plymouth College, where Clive Jenkins was director of music. Jonathan recorded the piece with the South East Cornwall String Orchestra under Hans Kassier for BBC Radio Cornwall. Its first professional performance was by Steve Gleed with the South West Sinfonietta under Derek Kitt. This Viola (or Clarinet) and Piano version was made at the suggestion of Jeanie Moore MVO, concert organiser for Plymouth Museum and Art Gallery, for a lunchtime recital by Keith Lovell of the Dartington String Quartet with the pianist John Bryden.
Duration 5 minutes

The version with string orchestra is also available - GMCO127.
The audio sample is with viola. The clarinet version can be heard on the orchestral edition|9790222295896|JENKINS C|Clive Jenkins|Romance (Viola or Clarinet)|Viola & Piano|5.50|100 GM170|Clive Jenkins
COLOGNE for solo instrument and piano
Goodmusic GM170|'A memorable piece in slow swing style. 4, 7, 11 - Counting the number of bars in the introduction, the main theme and the episodes reminded the composer of Germany''s best-known house number, 4711 in Glockengasse, Cologne, home of the world-famous perfumery; hence the title. The piece (with string orchestra accompaniment) was written for the distinguished British harmonica player, Chris Shrimpton. Apart from the harmonica, the solo part is suitable to be played by violin, flute, clarinet or alto sax. Alternative solo parts are included for clarinet and sax.
Duration 5 minutes
The version with string orchestra accompaniment is also available - GMCO128.
The audio sample is with sax. The harmonica version can be heard on the orchestral edition'|9790222296008|JENKINS C|Clive Jenkins|Cologne|Instrument and piano|5.50|100 GM171|'SONG OF THE YOUNG''S HELLEBORINE by Peter Lawson
for violin and piano
Goodmusic GM171'|'The Song of the Young''s Helleborine is associated with a cycle of musical portraits of the 48 wild orchids of Britain and Ireland. It is not so much a portrait of one of the numbered separate species, but an arrangement of parts of the Song of the Broad Helleborine, for organ, incorporating parts of Song of the Slender-Lipped Helleborine, for violin and guitar. It is dedicated to Patrick Wastnage and Elizabeth Dunn.
Young''s Helleborine, Epipactis Helleborine var. youngiana, was once thought by some to be a new species but it is now regarded as a variant of Broad Helleborine. The two plants look very similar in that they are robust in stature, with many flowers on the tall spike. However, the leaves of var. youngiana are rather more yellowish in colour and the lower labellum of each flower is suffused with a rose rather than a red tint. This has led many to speculate that these are merely colour variations due to the effects of pollution - the orchid has always been found on or near spoil heaps from old lead mines. It flowers slightly earlier than Broad Helleborine, in July rather than August.
It appears to be endemic to Britiain and is found in Northumberland, the area near the South Tyne and in the industrial belt of Southern Scotland. It was first discovered by the late Tony Porter, who showed me a colony of plants in a wood near an old lead mine near Hexham. He and the botanist AJ Richards named it in tribute to D.P.Young, who had carried out much research into Helleborines.

The Song of the Young''s Helleborine begins in the peaceful world of a deep wood and quotes the opening of the Song of the Slender-Lipped Helleborine. The latter, although having slightly different characteristics as a plant, shares a similar sylvan habitat. There follows a more energetic and jocular section, taken from the Song of the Broad Helleborine, referring to the exciting jumble of colours in the flowering spike - greens, reds , creams and the yellow of the pollinia. We gradually return to the opening tranquillity before revisiting the excitement and colour of the world of the orchid itself - to end in a playful manner. Peter Lawson
Duration 10? minutes'|9790222297555|LAWSON|Peter Lawson|'Song of the Young''s Helleborine'|Violin and piano|6.50|124 GM172|SONG OF THE EARLY SPIDER ORCHID by Peter Lawson
for piano duet
Goodmusic GM172|'The Song of the Early Spider Orchid, for piano duet, was planned in 1988 as the 23rd to be written in a cycle of musical portraits of the 48 wild orchids of Britain and Ireland, but remained very much in embryonic form until rewritten from the start in 2015. It is dedicated to James Kirby and Alan MacLean.
The Early Spider Orchid, Ophrys sphegodes, although it can grow to a height of almost half a metre on the continent, is a small plant from 5cm to 20cm in height in Britain, where it is only found regularly in Kent, Sussex and Dorset on short turf on chalk or limestone grassland. As the name suggests, it flowers much earlier than its much rarer and showy relative, the Late Spider Orchid - from late April until the end of May, as opposed to July in the case of the Late Spider Orchid. On the continent it is in flower from February onwards in the favoured Mediterranean region and can be found as far north as Germany and as far east as Iran.
The Song of the Early Spider Orchid is divided into four movements, which all musically hark back to earlier music such as Bach, in the case of the first two movements, or to the world of earlier piano duet music such as Faur?''s Dolly Suite or Debussy''s Petite Suite. A personal colour scheme of harmonies is employed as in other orchid portraits.
The first movement, Prelude and Fughetta, sets the scene of pastoral downland, the second, a Minuet in Eb minor (a ''dark-brown'' colour) describes the ''spider'' from our point of view. The third movement is a Jig using a recurring pattern of 3-in-the-bar followed by two bars of two-in-the bar. This movement is intended to be, fancifully, the actual ''Song'' of the Orchid from its own point of view - and at the beginning, seven colours from the orchid itself and its surroundings are heard in quick succession. As the movement develops, there is a stuttering section of pauses as various insects are unsuccessful in pollinating the plant. Finally one is successful! The fourth movement, Finale, a gallop alternating with a waltz, depicts the thousands of orchid seeds being merrily scattered for the wind to carry off to pastures new. Peter Lawson
Duration 8? minutes'|9790222297562|LAWSON|Peter Lawson|Song of the Early Spider Orchid|Piano - 2 players on 1 piano|6.50|124 GM173|John Jeffreys
ELEGY FOR ANDRE MANGEOT for string quartet
Goodmusic GM173|'Andre Louis Mangeot was born in Paris in 1883 but settled in London and became a British citizen. He was a leading violinist and impresario and played in the Queen''s Hall Orchestra under Henry Wood. He founded the International String Quartet (Andre Mangeot, Harry Berly, Boris Pecker and John Barbirolli) which specialised in British works and contemporary music. They gave the first performance of Faure''s String Quartet in 1925.
He became a good friend of the young composer John Jeffreys and supported and encouraged his work. John wrote his Serenade for Strings for Andre Mangeot on the occasion of his 76th birthday in 1959. Andre Mangeot died in London in 1970.
Some years later, in 1984, John Jeffreys wrote this Elegy for string quartet, which is based on the second theme from the Serenade for Strings.
Duration 4 minutes'|9790222297579|JEFFREYS J|John Jeffreys|Elegy for Andre Mangeot|String Quartet|5.50|100 GM174|SONG OF THE BURNT-TIP ORCHID by Peter Lawson
for oboe and piano
Goodmusic GM174|'The Oboe Concertino was originally started in about 1980 as an Oboe Concerto for Gordon Hunt, whilst the Song of the Burnt-Tip Orchid was originally started in1990 as the 24th to be written in a cycle of musical portraits of the 48 wild orchids of Britain and Ireland, but scored for (wordless) Mezzo-soprano, Oboe and Harp. Both pieces remained untouched and very much incomplete for many years until 2015, when they were both totally rewritten and combined as a Concertino for Oboe and Orchestra with the subtitle Song of the Burnt-Tip Orchid. It is a miniature concerto in three short movements - about a miniature orchid.
The Song of the Burnt-Tip Orchid employs a colour-code for harmonies throughout, as in the other musical portraits. The first movement, Introduction, sets the scene of the orchid in its downland habitat. In its coda, the music fancifully follows the orchid''s long rhizome and root - going down into the ground. The second movement, Romance, is, as it were, the ''song'' of the orchid itself, tranquil but impassioned. The third, Dance, could be entitled ''the dance of the seeds'' - orchid seeds are as fine as dust and can be whisked away in the wind and storms to land in other countries. Here, the colour-coded chords form a 5/4 rhythm and melodic shapes suggest Greek music. Contrasting orchestral tutti outbursts juxtapose the interplay of 3/4 and 6/8 rhythms so typical of Spanish music. This movement reflects the orchid''s apparent affection for these two countries, where it can be most commonly found. Peter Lawson

Duration 7? minutes

The piano part is a reduction of the orchestral accompaniment but the work may be performed with piano as an alternative to orchestra, in which case it should be titled "Song of the Burnt Tip Orchid" rather than "Oboe Concertino". The orchestral version is also available in the Goodmusic Concert Originals series - GMCO135'|9790222297715|LAWSON|Peter Lawson|Song of the Burnt-Tip Orchid|Oboe and piano|6.50|124 GM175|SONG OF THE AUTUMN LADIES TRESSES ORCHID by Peter Lawson
for piano solo
Goodmusic GM175|'This work was written for the pianist Yuki Matsuzawa in November 2015. It is the thirty-second to be composed in a projected series of musical portraits of the forty-eight wild orchids of Great Britain and Ireland - for various instrumental and orchestral combinations.
The Autumn Lady''s Tresses, Spiranthes spiralis, is the last to flower of the orchids of Britain and Ireland and can be found on ancient pastureland in short turf on chalk and limestone, on infrequently-mown lawns and near the sea - in mid-August to the end of September. It is the daintiest of the three of its genus, normally up to 15cms high and has up to twenty white flowers on each spike arranged in a tight spiral resembling plaits of lady''s hair. It has bluish-green, shiny leaves in a basal rosette, which is withered at the time of flowering, but next to the flowering spike is next year''s rosette. The stem, also bluish-green, is covered with silvery hairs.
The Song of the Autumn Lady''s Tresses Orchid uses a colour-coded scheme of harmonies, as in other orchid portraits. It is in three short movements, the first, Study in Spirals, was inspired not only by the spiralling inflorescence of the orchid, but by Yuki Matsuzawa''s brilliant recordings of Chopin''s Etudes - where one particular figuration can dominate an individual piece. Here, the figurations are a short upward arpeggio with a wiggle or spiral-shaped downward path, a bit like a tendril. The second movement is a simple air, mainly pentatonic and therefore suggestive of the music of Ireland, where the orchid luxuriates on the Burren, in County Clare. Harmonisation is more chromatic in nature and has a whiff of the America of the cowboy era, whose music-making was heavily influenced by the folk songs of the Irish settlers. After the opening stanza, the melody is accompanied by spiral figurations. The third movement, Minuet, refers to the dainty nature of the plant, with its frills and spirals and harmonies more French in nature - the orchid is particularly frequent in coastal areas of Brittany and Provence. Peter Lawson
Duration 7 minutes'|9790222299160|LAWSON|Peter Lawson|'Song of the Autumn Lady''s Tresses'|Piano - Solo|4.50|76 GM176|PAVANE by Paul Lewis
for organ
Goodmusic GM176|'Whilst scoring a TV play starring actor Robert Hardy, I was asked by him to write a short organ piece in memory of his recently deceased mother-in-law, the famous star of stage and screen Gladys Cooper. I accordingly composed this Pavane to provide a time of contemplation and remembrance during Miss Cooper''s Memorial Service at St. Paul''s, Covent Garden on December 18th, 1971.
Pavane has subsequently been arranged for flute, piano and optional cello, and also forms the slow movement of Norfolk Concerto for flute, harp and strings since it was in Norwich that Robert Hardy commissioned the piece. Paul Lewis
Duration 4 minutes'|9790222300743|LEWIS P|Paul Lewis|Pavane|Organ Solo|4.00|63 GM177|PAVANE by Paul Lewis
for flute and piano with optional cello
Goodmusic GM177|'Whilst scoring a TV play starring actor Robert Hardy, I was asked by him to write a short organ piece in memory of his recently deceased mother-in-law, the famous star of stage and screen Gladys Cooper. I accordingly composed this Pavane to provide a time of contemplation and remembrance during Miss Cooper''s Memorial Service at St. Paul''s, Covent Garden on December 18th, 1971.
Pavane has subsequently been arranged for flute, piano and optional cello, and also forms the slow movement of Norfolk Concerto for flute, harp and strings since it was in Norwich that Robert Hardy commissioned the piece. Paul Lewis
Duration 4 minutes'|9790222300750|LEWIS P|Paul Lewis|Pavane|Flute and piano|4.50|76 GM178|NORFOLK IDYLL by Paul Lewis
for flute and harp
Goodmusic GM178|'Norfolk Idyll is based on my score for the celebrated 1972 BBC TV documentary The Vanishing Hedgerows, presented by author and naturalist Henry Williamson. The film was Williamson''s reaction to modern farming methods which had changed the face of the Norfolk countryside he had previously farmed, and was the first ever hard-hitting conservationist TV documentary. Director David Cobham unforgettably counterpointed the argument with idyllic recreations of traditional farming and montages of threatened wildlife, which inspired me to compose a nostalgic flute and harp score based on a folk song-like melody of my own creation. The 13th century English song Sumer is Icumen In puts in an appearance, heard in the film under a montage of summer birds.
The score was performed on the soundtrack by flautist Chris Taylor and the celebrated harpist Marie Goossens. With the addition of string orchestra, Norfolk Idyll forms the first movement of my Norfolk Concerto for flute, harp and strings. Paul Lewis
Duration 7 minutes'|9790222300767|LEWIS P|Paul Lewis|Norfolk Idyll|Flute and Harp|5.00|88 GM179|Paul Lewis
LYRIC SUITE for flute and piano
Goodmusic GM179|Lyric Suite is dedicated to Sharon my wife and is inspired by the happiness of married life in our Tudor home near the South Downs. Sharon grew up north of the Downs within sight of Chanctonbury Ring and I grew up on the southern slopes of the Downs in Hove. When we met we discovered that as youngsters we both used to watch skylarks and listen to their song as they hovered above the hills.
The three-movement suite begins with Contemplation, a peaceful minor key pastorale; the central movement, Joy, is an expression of rural happiness in Morris dance style, and the the final movement, Contentment, is melodically related to the opening pastoral movement, but being in a major key is of a positively smiling demeanor.
Contentment, which was never my prevailing state of mind during the 64 years that elapsed before I met Sharon, is the inescapable result of the contemplation and joy expressed in the previous two movements.
Paul Lewis
Duration 10 minutes|9790222300774|LEWIS P|Paul Lewis|Lyric Suite|Flute and piano|5.00|88 GM180|Hubert Parry
JERUSALEM orchestrated Elgar
arranged for wind band by David Cole.
Goodmusic GM180|'ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, Cor Anglais, Eb Clarinet, 3 Clarinets in Bb, Bass Clarinet, 2 Bassoons, Contrabassoon, 2 Alto Saxophones, Tenor Saxophone, Baritone Saxophone, 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Euphonium, Tubas, Double Bass, Timpani, Percussion (2 players: Snare Drum, Bass Drum), 2 Harps, Organ, Unison Voices

Parry''s Jerusalem was well known in his original orchestration when Elgar came along with a more florid arrangement scored for a larger orchestra. It is the Elgar version that is usually played at the Last Night of the Proms concerts. Here the Elgar orchestration has been arranged for wind band by David Cole. Some instruments may be omitted if a full band is not available.
A full score and complete set of parts is included.
Duration 2? minutes'|9790222301122|PARRY|C. Hubert H. Parry|Jerusalem orch Elgar arr David Cole|Wind band|40.00|296 GM181|Paul Carr
PRAYER OF SAINT FRANCIS
for mixed voice choir and orchestra or organ
Goodmusic GM181|Commissioned by Reigate & Redhill Choral Society to mark their 75th anniversary and inspired by Julia Nelson and the people of Shere village.
First performance: 13th November 2016 in Dorking Halls, Surrey by the Reigate & Redhill Choral Society with the Redhill Sinfonia conducted by Peter Farrant.

Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Glockenspiel, Snare Drum, Bass Drum, Crash Cymbals, Suspended Cymbal, *Tubular Bells, *Tam-Tam [* optional])
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Mixed Voice Choir (SATB)
Orchestral score and parts available from Goodmusic.
The orchestral accompaniment can be replaced with organ alone. The choir should use the standard vocal score but an organ score is on sale for the organist.

Duration about 10 minutes|9790222301672|CARR P|Paul Carr|Prayer of Saint Francis|Choir - Vocal score|5.00|88 GM181-00|||9790222301689|CARR P|Paul Carr|Prayer of Saint Francis|Orchestral Score|25.00|220 GM181-50|||9790222301696|CARR P|Paul Carr|Prayer of Saint Francis (Organ Ed)|Choir - Vocal score|5.00|88 GM181-99||||CARR P|Paul Carr|Prayer of Saint Francis Orch Pt|Orchestral Part|1.50|20 GM182|Philip Lane
SANTAS CHRISTMAS CEILIDH
for unison voices and orchestra or piano
Goodmusic GM182|'A new unison song for Christmas with piano or orchestra accompaniment. Words by Frances Button and music by Philip Lane.
Christmas Day has just arrived and Santa has finished work after a long night delivering presents. Now it''s time to celebrate and he is ready for a party!
Just leave your reindeer at the door,
And bring your ukulele,
And dance your way around the floor
At Santa''s Christmas Ceilidh!/i>

Duration 3 minutes

The orchestral score & parts are available on hire from Goodmusic.
Orchestration: 2 flutes (2nd db.Piccolo), oboe [opt.], 2 clarinets (2nd db alto sax [opt]), bassoon, 2 horns, 2 trumpets, 2 trombones, percussion[2], Piano[opt] & Strings with optional Ukulele.
It can be performed accompanied by strings & piano.'|9790222301702|LANE P|Philip Lane|'Santa''s Christmas Ceilidh'|Choir - Unison voices|2.00|25 GM183|Paul Carr
SONATINA for alto sax and piano
Goodmusic GM183|This Sonatina for Alto Saxophone and Piano joins a series of Sonatinas I have written over the years for various instruments. I first met George Hewett at the Dorset Opera Festival where I have directed a number of productions and where George has been a member of the chorus since he was 17. Each festival, following one of the opera dress rehearsals, an informal Cabaret Night is held in the impressive mansion house at Bryanston School, at which various members of the cast and chorus offer up a variety of entertainments. This has always been one of the highlights of this summer-school festival for me, and more often than not, George either sings or plays his sax, and play it he certainly can, usually something more jazz inspired. So this piece is inspired by George himself - his popularity and charm, his handsome good looks, and his effervescent sense of fun! Paul Carr
The three movements are headed: Let Beauty Awake; As she walks by; Oh George!
Duration 10? minutes|9790222302075|CARR P|Paul Carr|Sonatina for alto sax and piano|Saxophone and piano|7.50|136 GM184|John Jeffreys
PEACEFUL ARE THE MEADOWLANDS
and other pieces for organ
Goodmusic GM184|'A selection of short original pieces all composed in 1991-2 and published here for the first time; gentle, pastoral pieces plus a Wedding March. Two of the pieces were written for the small organ in the Parish of Brockley, Suffolk, near to where John Jeffreys lived.
The pieces are:- Peaceful are the Meadowlands (1''45"); Air - In Green Pastures (2''30"); Air from Cheshunt Marsh (3''00"); Wedding March - Bridal Procession (2''30"); Brockley Wedding March (2''15"); Prelude for the Brockley Church Organ (2''00").
Total duration c.14 minutes'|9790222302365|JEFFREYS J|John Jeffreys|Peaceful are the Meadowlands etc.|Organ Solo|4.50|76 GM185|Antony le Fleming
ELEGY AND SCHERZO
for cello and piano
Goodmusic GM185|'Among the disturbing number of World War One casualties listed in the old church of St.Michael''s, East Peckham, Kent are the following, to whose memory this Elegy is dedicated: Hugh Robert Lachlan (Organist), Harry Bell (Choir), William Honey (Ringer)
A work for more advanced cellists. The cello part has been edited by Naomi Butterworth.
Duration 9? minutes'|9790222302617|LE FLEMING A|Antony le Fleming|Elegy and Scherzo|Cello and piano|8.50|160 GM186|Peter Lawson
SONG OF THE SMALL TONGUE ORCHID
for bassoon and piano
Goodmusic GM186|The Song of the Small Tongue Orchid is the thirty-fourth to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland - for various instrumental and orchestral combinations.
The Serapias or Tongue orchids, named after the Greek-Egyptian god, Serapis, have a strangely middle-eastern look to them with the sepals forming a hood above each flower on the spike, resembling Arabic head-gear. Moreover the keeled nature of these hoods on the flower-cluster fancifully look as if they are, performing some sort of dance. The lower lip of each flower is triangular, rather large and pointing downwards, like a tongue. The flowers range from orange to vermillion to magenta and the sepals are pink to red to magenta, with dark magenta stripes down them. The arrangement of the pollinia is such as to give the appearance of two dark magenta eyes and a nose looking out of a slit not unlike that on an organ pipe - from which one can make a tenuous link to the bassoon! Although the distribution of Serapias orchids in general is strongly Mediterranean, they extend southwards to the Canary Islands and north-east to the Caucasus region. Serapias parviflora has a more Westerly distribution but is spreading fairly quickly, so it may well one day reach south-western Russia.
The Song of the Small Tongue Orchid consists of four short movements which, in places, employ a colour-coding system, used in the other orchid portraits, whereby certain colours are represented by certain harmonies. The first movement, Misterioso, starts with these colours, but soon there are mysterious hints of the middle-east in melodic shapes. This is very much more pronounced in the second movement, Intermezzo: Dance of the Seeds, which builds gradually to an almost manic degree as the pace quickens and the key-centres rise chromatically. The third movement, Minuetto, is a wistful reference to the plant extending northwards up the French coast to Britain and maybe one day to Russia, with a hint of Borodin as well as Debussy. The fourth movement, Scherzo, returns to the colour-coded harmonies and brings the work to a rumbustious conclusion in jovial mood. Peter Lawson
Duration 7 minutes|9790222302907|LAWSON|Peter Lawson|Song of the Small Tongue Orchid|Bassoon and piano|6.00|112 GM187|Paul Carr
AGNUS DEI for choir and strings or organ
Goodmusic GM187|'A beautiful setting of the "Agnus Dei" to a choral arrangement by Gavin Carr (Paul''s brother) of Paul''s well-loved "Air for Strings".
The SATB choir can be accompanied by organ (or piano) or strings. On sale is the Vocal Score (which includes the organ/piano part), a Full Score (for the choir and strings version) and the individual string parts.
Duration 8 minutes'|9790222302914|CARR P|Paul Carr|Agnus Dei Vocal Score (rev.2018)|Choir - Mixed voices (SATB)|4.50|76 GM187-00|||9790222307162|CARR P|Paul Carr|Agnus Dei Full Score|Orchestral Score|6.50|124 GM187-01|||9790222307179|CARR P|Paul Carr|Agnus Dei Violin 1|Orchestral Part|1.50|13 GM187-02|||9790222307186|CARR P|Paul Carr|Agnus Dei Violin 2|Orchestral Part|1.50|13 GM187-03|||9790222307193|CARR P|Paul Carr|Agnus Dei Viola|Orchestral Part|1.50|13 GM187-04|||9790222307209|CARR P|Paul Carr|Agnus Dei Cello|Orchestral Part|1.50|13 GM187-05|||9790222307216|CARR P|Paul Carr|Agnus Dei Bass|Orchestral Part|1.50|13 GM188|Peter Lawson
SONG OF THE MARSH HELLEBORINE
for horn and piano
Goodmusic GM188|'The Song of the Marsh Helleborine is the thirty-fifth to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland - for various instrumental and orchestral combinations.
The Marsh Helleborine, Epipactis palustris, is one of the showiest of the native orchids of the region, with a large white frilled labellum with yellow and magenta stripes and spots, magenta and green sepals and a number of flowers on a one-sided raceme which can reach 60 cms high. As it prefers alkaline marshes, where it likes to be submerged in the winter, its possible sites are fairly limited, but where it does grow, it can be abundant, such as at Newborough Warren National Nature Reserve on Anglesey. In Scotland, it has a more southerly preference, but this is probably more to do with the lack of suitable alkaline habitat rather than the climate, as it can be found as far away as Eastern Siberia as well as in the Middle East and Europe.
The Song of the Marsh Helleborine is in three movements and, like the other orchid portraits, employs a colour-coding of harmonies representing the colours found on the plant. These colours can be heard at the outset of the first movement, Aria, in which the horn''s lyrical qualities are on show, with coloratura-like decorations exploiting the instrument''s perhaps surprising nimbleness and agility. The second movement, Palustris Waltz, is in ternary form, with the middle section and coda referring to the variation ochroleuca, where the reddish or magenta colour is largely absent in favour of white, yellow and green. The third movement starts with a lament to the number of sites lost to marsh and fenland drainage in recent decades. This gives way to a more resolute section, depicting the tireless work of conservationists successfully to preserve the plant''s habitat. The writing at this juncture is somewhat Bach-like in flavour, a nod to the almost classical beauty of the flower. The movement gradually picks up in optimism, to end in good humour. Peter Lawson
Duration 8 minutes'|9790222302921|LAWSON|Peter Lawson|Song of the Marsh Helleborine|Horn in F and piano|5.50|100 GM189|Peter Lawson
SONG OF THE HEATH SPOTTED ORCHID
for trumpet and piano
Goodmusic GM189|The Song of the Heath Spotted Orchid is the thirty-sixth to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland - for various instrumental and orchestral combinations.
The Heath Spotted Orchid, Dactylorhiza maculata ssp. ericetorum, is a short, daintier version of the main species. Subspecies ericetorum is only found in Western Europe, but is most plentiful on the acidic moors of Scotland, Ireland, Wales and western England. It is a subspecies of the Heath or Moorland Spotted orchid, Dactylorhiza maculata, ssp maculata, which is usually found on alkaline soils, from Morocco to Eastern Siberia, sometimes growing with Common Spotted Orchid, Dactylorhiza fuschii,.
Subspecies ericetorum has white or pinkish flowers in roundish clusters. Each flower has a wide frilly-edged, three-lobed lower lip with the central lobe being the least significant, more like a small tooth. The lobes are marked with magenta dots and lines and the long, narrow, pointed leaves are marked with dark, brownish spots or stains, hence the botanical name maculata, meaning spotted.
The Song of the Heath Spotted Orchid has four short movements and employs a colour-coding scheme of harmonies, which can heard in the piano accompaniment at the outset of the first movement, Folk Song, a ternary movement in which the middle section is in the magenta colour. The second movement, in the light blue key, refers not to any colour in the orchid but the sky above and is entitled Air: Blue Skies Over the Heath. Its melody line mainly uses the pentatonic variant of the light-blue key, pentatonic scales being a characteristic mode used in Gaelic music. The third movement, Intermezzo, again in ternary form, is largely in the green key. The final movement, Gavotte and Jig, is a light-hearted dance-like affair in binary form with a nautical flavour in the opening Gavotte, referring to heathland in Western Britain. It also refers (during abrupt key changes) to the struggle of the orchid to survive in its natural environment, having to contend with the drainage of moorland, being eaten by sheep, being trampled on or picked by humans and, in a short frosty section, the unpredictable winter weather. This gives way to the re-emergence of the plant in the spring, where the melody is turned into a lively, exuberant jig. Peter Lawson
Duration 8 minutes|9790222302938|LAWSON|Peter Lawson|Song of the Heath Spotted Orchid|Trumpet and piano|6.00|112 GM190|Peter Lawson
SONG OF THE BROAD LEAVED MARSH ORCHID
for tuba and piano
Goodmusic GM190|The Song of the Broad-Leaved Marsh Orchid is the thirty-seventh to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland - for various instrumental and orchestral combinations.
The Broad-Leaved Marsh Orchid, Dactylorhiza majalis, is widely distributed, occurring throughout Europe. In Britain it is very rare, probably because of drainage of marshes and improvement of land for cultivation - it has a low tolerance of nitrogen and any human interference to this effect will destroy the orchid. For the same reason it is common in parts of Western Ireland where it flourishes in particular in the limestone pavements of the Burren region of County Clare.
The Broad-Leaved Marsh Orchid is a robust, imposing plant with up to forty purplish-red flowers on its spike. It has broad, lanceolate leaves, which are heavily covered in dark spots. Each flower consists of three tepals and a convex, three-lobed lower lip. The outer tepals are fairly erect and the middle one curves down to form a helmet. The lower lip is covered in dark purplish lines and loops, guiding insects under the helmet to achieve pollination.
The Song of the Broad-Leaved Marsh Orchid is in three movements, all in ternary form. The first, Majalis, starts with a dramatic representation of the imposing nature of the plant, giving way in the middle section to a more romantic evocation of the beauty of the flowers.
The second movement, Hebridean Air, describes the subspecies ebudensis, which can only be found on the northern coastal machair of North Uist, in the outer Hebrides. These plants are shorter, magenta in colour and the markings on the leaves are absent near the base of the leaves but merge for the remainder of the leaf into a dark purplish stain. The gaelic pentatonic scale is much to the fore in this movement, which, like the first movement, exploits the rich, singing qualities of the instrument.
The third movement, Jig, refers to the other subspecies to be found in Britain and Ireland, traunsteinerioides, or Irish Marsh Orchid. In this subspecies the leaves are generally unspotted and narrower and the central lobe of the lower lip is more pointed. Peter Lawson
Duration 8 minutes|9790222302945|LAWSON|Peter Lawson|Song of the Broad-Leaved Marsh Orch|Tuba and piano|6.00|112 GM191|Peter Lawson
SONG OF THE WHITE HELLEBORINE
for cello and piano
Goodmusic GM191|'This is the thirty-eighth to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland for various instrumental and orchestral combinations.
The White Helleborine, Cephalanthera Damasonium is a delight to see in May or June, often growing in deep shade where no other plants grow, chiefly in beechwoods on calcareous soils. It has a preference for young or coppiced beechwoods, where there is a little more light and perhaps a chance of pollination by insects. Its elegant, creamy-white flowers often do not fully open, particularly if self-pollination is taking place, but if one is lucky enough to spot a flower which has opened up, the lower lip of the inflorescence is golden yellow - hence the alternative name of ''Poached-Egg Plant''.
The Song of the White Helleborine is cast in two contrasting movements. The first, Damasonium, opens with a cadenza for the cello, using harmonies from a colour-coding scheme employed in the other orchid portraits, in this case, white, golden-yellow and green. There follows a warm interplay between the cello and piano, chiefly utilising these three colours, with hints of Romantic, Classical and Baroque styles intended to reflect the elegant beauty of the flowers.
The second movement, Poached-Egg Plants in the Beechwood, is an imagined walk through a beechwood - somewhat sombre, awesome and cathedral-like at first. The music employs a passacaglia-like repeated sequence of colour-coded chords - not only the orchid''s colours this time, but also the blue sky above and the brown carpet of dead leaves below. As one''s eyes get carried upwards to the canopy of leaves, the cello weaves a melody over the chord sequence, building in intensity. Conversely, as the eyes drop down again, the music darkens to fall on the leaf-mould and the mycorrhizal fungus underground on which all orchids depend for their nutrition. We arrive at something of a clearing, where coppicing has taken place and discover a colony of White Helleborines in the dappled shade. The music becomes more playful and we get drawn into the inner world of the orchid and its environment. Eventually we walk on through the beechwood: the passacaglia returns, but in a short coda we remember the uplifting experience of seeing the plants? at this point, the music briefly returns to conclude in the jovial, scherzo-like mode. Peter Lawson
Duration 9 minutes'|9790222303430|LAWSON|Peter Lawson|Song of the White Helleborine|Cello and piano|6.00|112 GM192|Peter Lawson
SONG OF THE FLY ORCHID for contrabass and piano
Goodmusic GM192|'The Song of the Fly Orchid is the thirty-ninth to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland.
The Fly Orchid, Ophrys insectifera, is arguably the most successful of the Ophrys genus in its imitation of insects, in this case, the common fly, which it so perfectly copies that the plant really does look as if it has a number of flies resting on it. It completes the job by imitating the fly''s pheremones, so that the male fly is deceived into pollinating the plant - a process known as pseudo-copulation. The mimicry of the flowers is quite fascinating: the flower''s lateral petals look like the fly''s antennae, there are two glossy humps at the rear end of the lower lip which look like the eyes of a fly, near to which there is a rectangular-shaped, violet-bluish mirror-like area resembling the fly''s folded wings. The plant prefers calcareous soils, where, though never common, it can be fairly plentiful in the first half of June. Although it has a penchant for beechwoods, particularly where there is dappled sunlight filtering through the branches, it can also flower out in open grassland or on limestone pavements.
The Song of the Fly Orchid is in three short movements, the first of which, Insectifera, exploits the buzzing effects which a double bass is particularly able to make, despite it being very much greater in size than the humble fly!
The second movement, The Edge of the Beechwood, is in ternary form, with the outer sections referring to the plant''s preferred habitat of dappled shade. The central section depicts the ssp. ochroleuca. A colour-coding scheme of harmonies is employed and this central section uses green and yellow chords, with the outer sections employing violet and dark-brown/magenta hues.
The third movement, Perpetuum Mobile, refers not only to the fly''s tendency to buzz around continuously but also to the never-ending cycle of flowering, deceiving flies and producing hundreds of tiny seeds which are carried off into the atmosphere like dust. The music is fugue-like - half-way through which the bass comes up with a second melodic idea, which is confidently pronounced as if launching into a double-fugue, but just at that very moment it is invaded by flies and the music goes completely haywire for a while, before resuming the fugue and ending in jovial spirit. Peter Lawson
Duration 8 minutes'|9790222303447|LAWSON|Peter Lawson|Song of the Fly Orchid|Double bass and piano|6.00|112 GM193|Peter Lawson
SONG OF THE GREEN-FLOWERED HELLEBORINE for percussion
Goodmusic GM193|Requirements (One player): Temple Blocks (5 different pitches), Wood Blocks (high & low), Bongos (high & low), Tam-tam, Gong (large), Bass Drum, Glockenspiel, Crotales, Vibraphone, Marimba.

The Song of the Green-flowered Helleborine is the fortieth to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland - for various instrumental and orchestral combinations.
The Green-flowered (or Pendulous) Helleborine, Epipactis phyllanthes, is a fairly robust orchid, particularly when growing out of deep shade, when it can reach 45 cm in height. It has 3 to 6 oval leaves arranged in two rows up the stem and has a spike of up to 30 green, drooping flowers, flushed with white and sometimes pink or violet, which often do not fully open or even open at all. As the flowers usually self-pollinate, opening up seems unnecessary and sometimes flowers self-pollinate when completely closed. It is very localised and reclusive - and though not present in Scotland, has a wide distribution , mainly in beechwoods in England (in Dorset, Hampshire, Kent, Norfolk and Cumbria) and in Ireland (in Co. Dublin, Leitrim and Fermanagh). In both North and South Wales, it appears to favour coastal dunes. Abroad, it is only found in Western Europe, from Spain up to Denmark.
The Song of the Green-flowered Helleborine, like the other orchid portraits, employs a colour-coding scheme of harmonies, which is chiefly green in the outer of the three movements. The first, Prelude, features a florid cadenza-like role for the Marimba. The second, a somewhat hypnotic Woodland Reverie, is based on a colour-coded passacaglia, moving in sequence continually through green, white, pink, violet and the yellow-gold (the colour of the pollinia), first of all on the Vibraphone, then the Crotales, Glockenspiel and Marimba, before returning to the Vibraphone.
The third movement, Dance of the Phyllanthes, is a more light-hearted affair and has concertino-like roles for some of the tuned percussion instruments, the Temple and Wood Blocks, which are punctuated by repetitive comments from the bongos, the whole gaining in acrobatic virtuosity as the speed gathers towards the end. Peter Lawson
Duration 9 minutes|9790222303454|LAWSON|Peter Lawson|Song of Green-Flowered Helleborine|Percussion|6.50|124 GM194|Clive Jenkins
FIVE PIECES FOR CLARINET QUINTET
for clarinet and string quartet
Goodmusic GM194|'To mark ten years of lunchtime recitals in the International Series at Plymouth Museum & Art Gallery in 2003, concert organiser Jeanie Moore MVO commissioned Clive Jenkins to write "fairly light music to run fifteen minutes including a spoken introduction". She asked for Tamarside, originally an orchestral piece, to be included; she liked the tune. The budget wouldn''t stretch to the clarinet quintet originally planned so a version for clarinet and piano was produced.
Peter Cigleris premiered the work with the composer accompanying and in 2013 recorded it on English Fantasy (Cala CD77015) with the pianist Antony Gray. The Chamber Ensemble of London took up the work which resulted in the string orchestra arrangement. The version with string quartet had to wait until 2014 when it was played by Colin Parr with members of the Taunton Sinfonietta Ensemble.
The Five Pieces have been given names for the three published editions, all connected with Plymouth:
Richmond Walk is a promenade by the sea.
Plym Valley has woods and a boulder-strewn river with weirs.
Tamarside is the broad estuary between Devon and Cornwall.
The Barbican is Plymouth''s bustling old quarter.
Drake Circus is its very busy hub.

Score and set of parts included
Duration 14 minutes

Three versions of this work are available:
FIVE PIECES FOR CLARINET QUINTET - Goodmusic GM194
FIVE PIECES FOR CLARINET & PIANO - Goodmusic GM195
FIVE PIECES FOR CLARINET & STRINGS - Goodmusic GMCO151
The orchestral version of TAMARSIDE is available - Goodmusic GMCO150'|9790222303461|JENKINS C|Clive Jenkins|Five Pieces for Clarinet Quintet|Ensemble - Mixed|14.25|257 GM195|Clive Jenkins
FIVE PIECES for clarinet and piano
Goodmusic GM195|'To mark ten years of lunchtime recitals in the International Series at Plymouth Museum & Art Gallery in 2003, concert organiser Jeanie Moore MVO commissioned Clive Jenkins to write "fairly light music to run fifteen minutes including a spoken introduction". She asked for Tamarside, originally an orchestral piece, to be included; she liked the tune. The budget wouldn''t stretch to the clarinet quintet originally planned so a version for clarinet and piano was produced.
Peter Cigleris premiered the work with the composer accompanying and in 2013 recorded it on English Fantasy (Cala CD77015) with the pianist Antony Gray. The Chamber Ensemble of London took up the work which resulted in the string orchestra arrangement. The version with string quartet had to wait until 2014 when it was played by Colin Parr with members of the Taunton Sinfonietta Ensemble.
The Five Pieces have been given names for the three published editions, all connected with Plymouth:
Richmond Walk is a promenade by the sea.
Plym Valley has woods and a boulder-strewn river with weirs.
Tamarside is the broad estuary between Devon and Cornwall.
The Barbican is Plymouth''s bustling old quarter.
Drake Circus is its very busy hub.

Duration 14 minutes

Three versions of this work are available:
FIVE PIECES FOR CLARINET QUINTET - Goodmusic GM194
FIVE PIECES FOR CLARINET & PIANO - Goodmusic GM195
FIVE PIECES FOR CLARINET & STRINGS - Goodmusic GMCO151
The orchestral version of TAMARSIDE is available - Goodmusic GMCO150'|9790222303478|JENKINS C|Clive Jenkins|Five Pieces for Clarinet|Clarinet and piano|8.50|160 GM197|Peter Lawson
SONG OF THE SWORD-LEAVED HELLEBORINE
for alto sax and piano
Goodmusic GM197|'The Sword-leaved (or Narrow-leaved) Helleborine, Cephalanthera longifolia, is a fairly substantial orchid, growing up to 60 cms in height. It can easily be distinguished from its nearest relative, the White Helleborine, by its very long, erect and narrowly-tapering, dark-green leaves which collectively appear in the shape of a fan. The slightly whiter flowers, with the ''poached-egg''-like, yellow-gold markings on the lower lip, are seen more clearly than in the White Helleborine, as nearly all the flowers open up, being only pollinated by small bees, rather than the plant''s mainly self-pollinating relative. Each spike has up to twenty flowers, each one''s anther being hinged so as to spring back into place when the insect retreats.
The Sonatina of the Sword-leaved Helleborine is in four movements and, as in the other orchid portraits, a colour-coded harmonic scheme is employed. The white, yellow-gold and green chords of the plant are dramatically intoned at the outset of the first movement, Introduction and Longifolia Song, with suitably striking flourishes from the saxophone giving way to a simple melody above the colour chords'' sequence. The second movement, Below the Boughs of the Beech, likewise spins a tranquil tune above the pattern of colour-coding. The third movement is lighter in mood, once again using the colour chords as its starting-off point. As its title, A Visit from Small Bees, suggests, there are hints of pollination and indeed of flirtation!
The fourth movement is entitled Hornpipe and Sword-Leaved Fugue. The Hornpipe (a characteristic dance from Britain and Ireland) has a hint of Ragtime and suddenly gives way to a fugue, whose subject is long and is fancifully intended to resemble the running of one''s finger along one of the sword-like leaves. Rather than a Hornpipe, there is a resemblance to the last movement of Mozart''s 3rd Horn concerto. Gradually the Hornpipe infiltrates the Fugue until the point of irritation at which point the piano quotes the last movement of the 4th Concerto instead. The ensuing chaos can be likened to a musical sword-fight with the right and left hands in two different keys suggesting the Laurel and Hardy theme above the mocking augmentation of the fugue subject in a third key from the saxophone. The hornpipe cheerfully returns and, apart from a sinister taunt from the fugue near the end, all is well at last! Peter Lawson
Duration 10 minutes'|9790222304642|LAWSON|Peter Lawson|Sonatina of the Sword-Leaved Helleb|Saxophone and piano|6.50|124 GM198|Paul Carr
OCCASIONAL SERENADE
for flute, viola and cello
Goodmusic GM198|'Occasional Serenade was a commission for a private family occasion, where three members of the family were instrumentalists, playing flute, viola and cello. There are three short movements with the final one using Schubert''s famous song "Der Erlkonig" as a starting point. (Schubert was a family favourite).
Score and parts included.
Duration 10 minutes'|9790222304000|CARR P|Paul Carr|Occasional Serenade (Fl/Vla/Vc)|Ensemble - Mixed|10.00|184 GM199|Clive Jenkins
FOUR PIANO PIECES for solo piano
Goodmusic GM199|'Berceuse; Scherzo; Intermezzo; Finale
These Four Piano Pieces were composed for the Italian pianist Giorgio Vercillo following a 2004 recital at St James''s Piccadilly with the violinist Peter Fisher which featured Clive Jenkins''s Pastorale & Allegro (also published by Goodmusic - GM163).
Since then, British pianists have taken an interest. Margaret Fingerhut wrote: "They are absolutely delightful, full of character and charm." They are published at the suggestion of Mark Bebbington after his recital at the Tavistock Festival in 2017.
Standard: Grade 5 to 8
Duration 10 minutes'|9790222304567|JENKINS C|Clive Jenkins|Four Piano Pieces|Piano - Solo|5.00|88 GM200|Paul Carr
STABAT MATER
for choir and orchestra
Goodmusic GM200|Scored for SATB choir and orchestra, this lovely new setting of the Stabat Mater was commissioned by the English Arts Chorale. It is in six sections.

The Stabat Mater is my third large-scale religious choral work, following on from my 2012 setting of the Seven Last Words from the Cross, and tells of the painful grieving of the Mother Mary for her dying son. As someone who struggles with a belief in God, I have, nonetheless, always had an underlying fascination, a love, in fact, of Jesus Christ and the journey leading to his eventual demise; I feel a passionate response to him as a unique and individual man.
The poem, Stabat Mater Dolorosa, is considered by many to be one of the seven greatest Latin hymns of all time. Its origins stem from the peak of Franciscan devotion to the crucified Jesus and attributed to either Pope Innocent III, Saint Bonaventure (the 7th Minister General of the Order of Friars Minor), or more commonly, Jacapone da Todi (a Franciscan Friar from Umbria, 1230-1306), who is considered by most to be its true author.
I have divided the Latin poem into six sections and scored the work for choir, with 2 oboes (with the 2nd doubling Cor Anglais in No.3) harp and strings. This somewhat baroque influenced orchestration is a direct response to my recent fascination with the baroque period and the works of Handel and Bach in particular. Having grown up listening to the likes of Stravinsky, Britten, Richard Strauss and Wagner etc., I am surprised, though not disappointed, to find myself, in later years, embracing early music in a way I never truly did before, and this enjoyment and evocation can unashamedly be heard in this Stabat Mater. Paul Carr

Duration 33 minutes
The orchestral material is available to buy or hire from Goodmusic.
A version with organ only accompaniment is also available. Choirs should still use the standard vocal score.|9790222303904|CARR P|Paul Carr|Stabat Mater|Choir - Vocal score|9.50|173 GM200-00|||9790222303911|CARR P|Paul Carr|Stabat Mater Full Score|Orchestral Score|30.00|285 GM200-01|||9790222303928|CARR P|Paul Carr|Stabat Mater Violin 1|Orchestral Part|2.50|38 GM200-02|||9790222303935|CARR P|Paul Carr|Stabat Mater Violin 2|Orchestral Part|2.50|38 GM200-03|||9790222303942|CARR P|Paul Carr|Stabat Mater Viola|Orchestral Part|2.50|38 GM200-04|||9790222303959|CARR P|Paul Carr|Stabat Mater Cello|Orchestral Part|2.50|38 GM200-05|||9790222303966|CARR P|Paul Carr|Stabat Mater Bass|Orchestral Part|2.50|38 GM200-06|||9790222303973|CARR P|Paul Carr|Stabat Mater Oboe 1|Orchestral Part|2.00|25 GM200-07|||9790222303980|CARR P|Paul Carr|Stabat Mater Oboe 2/Cor Anglais|Orchestral Part|2.00|25 GM200-08|||9790222303997|CARR P|Paul Carr|Stabat Mater Harp|Orchestral Part|3.00|50 GM200-50|||9790222311848|CARR P|Paul Carr|Stabat Mater ORGAN VERSION|Full score|10.00|169 GM200-51|||9790222311855|CARR P|Paul Carr|Stabat Mater ORGAN VERSION Org Part|Organ Solo|7.50|136 GM201|Paul Carr
UBI CARITAS
for choir and orchestra
Goodmusic GM201|'A setting of Ubi Caritas for mixed voice choir (SATB) with Cor Anglais and String Orchestra, commissioned by and dedicated to Janet Haney and the Jubilate Choir.

Ubi caritas et amor, Deus ibi est.
Congregavit nos in unum Christi amor.
Exsultemus et in ipso jucundemur.
Timeamus et amemus Deum vivum.
Et ex corde diligamus nos sincero.
Amen.

Where charity and love are, God is there.
Christ''s love has gathered us into one.
Let us rejoice and be pleased in Him.
Let us fear, and let us love the living God.
And may we love each other with a sincere heart.
Amen.

It can be performed with an organ accompaniment instead of string orchestra, though this still requries the cor anglais. A separate organ score is available for this version; the choir should use the standard vocal score whichever accompaniment is used.
Duration 9 minutes'|9790222304093|CARR P|Paul Carr|Ubi Caritas|Choir - Vocal score|5.00|88 GM201-00|||9790222304109|CARR P|Paul Carr|Ubi Caritas Full Score|Orchestra|10.00|131 GM201-01|||9790222304116|CARR P|Paul Carr|Ubi Caritas Violin 1|Orchestral Part|1.50|13 GM201-02|||9790222304123|CARR P|Paul Carr|Ubi Caritas Violin 2|Orchestral Part|1.50|13 GM201-03|||9790222304130|CARR P|Paul Carr|Ubi Caritas Viola|Orchestral Part|1.50|13 GM201-04|||9790222304147|CARR P|Paul Carr|Ubi Caritas Cello|Orchestral Part|1.50|13 GM201-05|||9790222304154|CARR P|Paul Carr|Ubi Caritas Bass|Orchestral Part|1.50|13 GM201-06|||9790222304161|CARR P|Paul Carr|Ubi Caritas Cor Anglais|Orchestral Part|1.50|13 GM201-50|||9790222304178|CARR P|Paul Carr|Ubi Caritas Organ Score|Organ Solo|4.50|76 GM202|Paul Lewis
FAMILY ALBUM for piano solo
Goodmusic GM202|Three light and tuneful pieces for solo piano - around grade 4 standard.

For Nina Marie; For Rowena; For Mike - Three musical gifts to my granddaughter, daughter and son-in-law.
For Nina Marie was my instinctive reaction on first receiving photos of my baby granddaughter. The melody liltingly repeats the rhythm of her name.
For Rowena was composed following a re-union with my daughter after a lengthy separation, and expresses my feelings of love and contentment on that occasion. The final three notes suggest her name.
For Mike. To complete the family album I wrote this piece for my son-in-law who is of Indian extraction. The music accordingly attempts to suggest an exotic Indian scale and the rhythmic bass drone of my favourite Indian instrument, the sitar, alternating with sections of syncopated western harmony as befits one born and brought up in London! Paul Lewis
Duration 9? minutes|9790222304192|LEWIS P|Paul Lewis|Family Album|Piano - Solo|4.50|76 GM203|Paul Lewis
RHAPSODY ON SCARBOROUGH FAIR for flute and harp
Goodmusic GM203|'Listening in England to harpist Alessandra Ziveri''s recording of Luigi Perracchio''s Sonata on popular Italian folk songs, I decided as a gesture of international musical friendship to thank her for the enormous pleasure her recording gives me by sending her a work based on an English folk song. I had long harboured a desire to write a piece based on Scarborough Fair, a traditional song made world famous by Simon and Garfunkel in the 1960s, and Alessandra Ziveri''s playing at last provided the inspiration and the impetus to fulfil this ambition.
The resulting Rhapsody is, in effect, a set of variations in romantic-pastoral style, an idyll evocative of the English countryside of a faraway age. The melody of Scarborough Fair, being in the archaic Dorian mode, a minor scale of sorts distinguished by the haunting sharpened sixth, i.e. D to D on the white notes of the piano, suggests mediaeval origins, and indeed bears a remarkable similarity to the 15th century composer Guillaume Dufay''s setting of Je veuil chanter de cuer joyeux, the lyrics of which already existed, raising the possibility that Dufay used a pre-existing melody too. The words of Scarborough Fair, though bearing similarities to the 17th century Scottish ballad The Elfin Knight, are sometimes said to refer to the Great Plague of the 14th century, all of which accords well with my love of pre-18th century history. Paul Lewis

Duration 6 minutes'|9790222304208|LEWIS P|Paul Lewis|Rhapsody on Scarborough Fair|Flute and Harp|5.00|88 GM204|Paul Lewis
THREE VALENTINES for violin and piano
Goodmusic GM204|'Three latter-day salon pieces: A Rapture of Roses; A Shimmer of Champagne; Rhapsody in Chocolate
The third of my Three Valentines, Rhapsody in Chocolate was composed in 2007, ever since when I had thought whimsically of writing two companion pieces to represent the other traditional Valentine''s Day gifts, Champagne and roses, as an offering to the violin, an instrument I love and grew up with, since my mother, her brother and his wife were busy professional violinists.
The catalyst for the composing of the other movements came in the form of the brilliant virtuoso violinist Nazrin Rashidova, whose performance of my Rosa Mundi with her string orchestra FeMusa moved me like no other had.
Additionally, there were connections that struck a deep chord. Nazrin is of Azerbaijani origin and plays with a wonderful Eastern European sensitivity - my mother was half-Russian and also deeply passionate in her playing. Nazrin directs her own all-female orchestra, the first in Britain for sixty years, and my mother, in her twenties, also had her own all-female ensemble, Phyllis Burstein and Her Bohemian Girls Band, playing the kind of Eastern European gypsy music that was popular at the time.
There was obviously no choice: the two new pieces had to be written for Nazrin. Happily she not only enthusiastically accepted the dedication of Three Valentines and premiered them with pianist Daniel Grimwood at St. James''s Church, Piccadilly, London, on August 9th 2017, but also commissioned me to arrange them for FeMusa, premiering them in this version in the Gabala International Music Festival, Azerbaijan, on August 1st 2017. Paul Lewis

Duration about 9 minutes

Suggestions for bowing and fingering the solo violin part kindly supplied by Nazrin Rashidova

Also available:
THREE VALENTINES for violin, Strings & Harp or Piano: Goodmusic GMCO154'|9790222304215|LEWIS P|Paul Lewis|Three Valentines|Violin and piano|6.00|112 GM205|FIRST CLARINET SOLOS arranged by Philip Lane
for clarinet in Bb and piano
Goodmusic GM205|'A collection of ten pieces for early grade clarinettists with a piano accompaniment.
CONTENTS:
The Hen (La Gallina) - Louis Moreau Gottschalk
Romance - French Traditional
La Cinquantaine - Gabriel Marie
Recuerdos de la Alhambra - Francisco Tarrega
La Paloma - Sebastian Yradier
The Grasshoppers'' Dance - Ernest Bucalossi
Kalinka - Russian Folksong
Moscow Nights - Russian Folksong
Victorian Dream Waltz - Philip Lane
Jamaican Dance - Philip Lane
'|9790222304550|LANE P|Philip Lane|First Clarinet Solos|Clarinet and piano|8.50|160 GM206|Peter Lawson
SAXOPHONE QUARTET OF THE LADY AND MAN ORCHIDS
Goodmusic GM206|'The Lady Orchid, Orchis purpurea, grows up to a metre high with broad oblong-to-lanceolate, bright-green, fleshy, shiny leaves up to 15 cms long with up to fifty inflorescences on the flower spike. The sepals and upper petals are violet, with a pale pink or white, three-lobed labellum, which is spotted with purple - the flower resembles a lady in a poke bonnet.
The Man Orchid, Orchis anthropophora, is smaller and harder to spot, as the flowering spike is predominantly yellow-green, which, on closer inspection is usually marked with magenta, but the overall shape of the flowers and petals resembles little greenish-yellow men, with a head formed from the petals and sepals and the labellum forming the arms and the legs.
The Saxophone Quartet of the Lady and Man Orchids is in four movements, the first two being in sonata form and being two musical portraits of the two respective orchids. The first, Fanfare and March of the Queen of Orchids, resembles a Pomp and Circumstance March preceded by a dramatic introduction intoning the colours of the Lady Orchid, using a colour-coded scheme of harmonies used throughout the orchid portraits. It is as if the Queen of Orchids is making a flamboyant ''look-at-me!'' entry.
The second movement, Song of the Man Orchid, is more wistful and delicate in nature, with an introduction using the colour coding harmonies and a more classical first subject, as if to point out that this man is well turned-out, almost dapper, but has a stronger, sterner side, exhibited in the second subject, which in recapitulation has an almost triumphant, swashbuckling feel.
The third movement, Downland and Woodland, is pastoral in mood. Imagine walking across downland. Suddenly a man orchid is spotted and the mood becomes more scherzo-like. On reaching the edge of the wood you can hardly fail to see Lady Orchids and go up to each one, noting their beauty and subtlety. The differences between them are fascinating, reflected in the quizzical nature of the music. The fourth movement, Double Fugue of the Man and Lady Orchids, begins with the Man Orchid theme which gradually becomes more adventurous until the Lady Orchid bursts in. A domestic squabble ensues, but everything ends in harmony and jollity! Peter Lawson
Duration 18 minutes
Score and parts included.'|9790222304659|LAWSON|Peter Lawson|Sax Quartet of Lady & Man Orchids|Saxophone quartet|18.25|330 GM207|SONG OF THE SMALL WHITE ORCHID by Peter Lawson
for recorders (one player) and piano
Goodmusic GM207|'The Song of the Small White Orchid, written in 2013 for John Turner in celebration of his seventieth birthday, is the thirtieth to be written in a projected cycle of musical portraits of the forty-eight wild orchids of Britain and Ireland, ranging from solo instruments to various combinations of chamber and orchestral ensembles.
Originally written with string quartet accompaniment, this version is with piano.
It is a short, light-hearted piece which explores the wide range of pitches from the lowest note on the Bass recorder to the top notes of the tiny Sopranino via the Tenor, Treble and Descant instruments. The string quartet/piano acts both in an accompanying mode and also as a completer of the musical argument of a stanza whilst the soloist changes recorder in readiness for the next stanza.
The Small White Orchid, Pseudorchis albida, has a distinctly Northerly distribution in Great Britain and is extremely rare and endangered in Northern England, Wales and Ireland. Most of its sites are in Scotland, but even here it is very local and decreasing - due to overgrazing in its typical habitat of rough pasture ground and to agricultural ''improvement'' of land in sites nearer to sea level. It has a wide distribution abroad and can be seen as far south as the Balkans, as far east as Siberia and as far west as Greenland and Eastern Canada.
It is a dainty plant, less than 15cm high, with long, lanceolate leaves wrapping around the stem. It has a relatively long, sweetly-scented, compact spike of often as many as thirty small white flowers with yellow-gold pollinia, which are pollinated by a variety of insects, particularly moths at twilight.
The neat, dainty nature of the plant is reflected in the music. A ''colour scheme'' of harmonies is employed for the green of the leaves, white of the petals, gold of the pollinia, blue of the sky above and brown of the fading plant. The harmony is often in the form of arpeggiated patterns, whose rhythmic figurations sometimes suggest birdsong which might be heard in the vicinity of the orchid.
Gradually, references to imaginary Scottish marching-band music, a reel, jigs and numerous Scottish and Irish folk-song-like airs creep in and as the conclusion approaches there are capricious, fleeting references to Richard Strauss''s "Till Eulenspiegel''s Merry Pranks" and the Irish air "Believe me, if all those endearing young charms". Peter Lawson
Duration 6? minutes'|9790222305236|LAWSON|Peter Lawson|Song of the Small White Orchid|Recorder and piano|6.00|112 GM208|Paul Lewis
JUBILATE for brass ensemble and timpani
Goodmusic GM208|'Instrumentation: Horn in F, 4 Trumpets in Bb, 4 Trombones, Tuba, Timpani.
Jubilate was commissioned in 2016 by the Restoration Committee of St. Nicolas Church Parochial Church Council, Pevensey, to commemorate the 800th anniversary restoration of the church.

Being a mediaevalist, obsessed since childhood with ancient buildings, I find the restoration of any historic building - if done properly - a source of excitement and joy, hence the jubilant nature of this piece. The music, largely modal after the fanfare-like introduction, has deliberately archaic overtones and may at times suggest the presence of mounted knights, due to the close proximity of Pevensey Castle, which was besieged twice during the church''s lifetime and which saw the imprisonment in the 15th century of the future King James I of Scotland and of Joan of Navarre by her stepson Henry V. A quiet, contemplative passage transforms the principal motif to suggest the chanting of plainsong echoing through the centuries. Paul Lewis

The first performance was given by the dedicatees, Harvey''s Brass, in St. Nicolas Church, Pevensey, on April 21st, 2018.
A full score and set of parts is included.
Duration 8 minutes'|9790222305229|LEWIS P|Paul Lewis|Jubilate for brass & timpani|Ensemble - Mixed brass|13.50|245 GM209|Paul Carr
SUMMER MUSIC
Trio for Clarinet, Cello and Piano
Goodmusic GM209|Summer Music was composed during the month of August, 2017; a particularly bad summer here in the UK with much rain and rather less than normal amounts of warm sunshine for this time of year. However, the work is still infused for the most part with a warm summery feel and the enjoyment of summer is evident, with the slow central movement being the exception - a quiet and reflective night, with the gentle rain outside complementing the stillness of the mood.
Originally begun as a trio for the less well-known combination of Clarinet, Cello & Piano, I soon realised that this piece would also suit the more familiar ensembles of Violin, Cello & Piano, and Oboe, Bassoon & Piano; and not wanting to miss the opportunity of presenting it to as wide an audience as possible, I added a version for Flute, Cello & Piano. I worked on all four versions simultaneously with none taking precedence over the other, and a most rewarding venture it turned out to be too!
There is no reason why the various combinations should not also be mixed up: Flute, Violin or Clarinet with Bassoon & Piano, or Oboe with Cello & Piano. Paul Carr

The three movements are titled:
One weekend in August
The softness of rainfall at night
Bicycles on Sunday morning

Four different versions are available:
Clarinet, Cello & Piano - GM209
Flute, Cello & Piano - GM210
Oboe, Bassoon & Piano - GM211
Violin, Cello & Piano - GM212

Duration 13 minutes|9790222305182|CARR P|Paul Carr|Summer Music - Clarinet/Cello/Piano|Piano trio|9.50|173 GM210|Paul Carr
SUMMER MUSIC
Trio for Flute, Cello and Piano
Goodmusic GM210|Summer Music was composed during the month of August, 2017; a particularly bad summer here in the UK with much rain and rather less than normal amounts of warm sunshine for this time of year. However, the work is still infused for the most part with a warm summery feel and the enjoyment of summer is evident, with the slow central movement being the exception - a quiet and reflective night, with the gentle rain outside complementing the stillness of the mood.
Originally begun as a trio for the less well-known combination of Clarinet, Cello & Piano, I soon realised that this piece would also suit the more familiar ensembles of Violin, Cello & Piano, and Oboe, Bassoon & Piano; and not wanting to miss the opportunity of presenting it to as wide an audience as possible, I added a version for Flute, Cello & Piano. I worked on all four versions simultaneously with none taking precedence over the other, and a most rewarding venture it turned out to be too!
There is no reason why the various combinations should not also be mixed up: Flute, Violin or Clarinet with Bassoon & Piano, or Oboe with Cello & Piano. Paul Carr

The three movements are titled:
One weekend in August
The softness of rainfall at night
Bicycles on Sunday morning

Four different versions are available:
Clarinet, Cello & Piano - GM209
Flute, Cello & Piano - GM210
Oboe, Bassoon & Piano - GM211
Violin, Cello & Piano - GM212

Duration 13 minutes|9790222305199|CARR P|Paul Carr|Summer Music - Flute/Cello/Piano|Piano trio|9.50|173 GM211|Paul Carr
SUMMER MUSIC
Trio for Oboe, Bassoon and Piano
Goodmusic GM211|Summer Music was composed during the month of August, 2017; a particularly bad summer here in the UK with much rain and rather less than normal amounts of warm sunshine for this time of year. However, the work is still infused for the most part with a warm summery feel and the enjoyment of summer is evident, with the slow central movement being the exception - a quiet and reflective night, with the gentle rain outside complementing the stillness of the mood.
Originally begun as a trio for the less well-known combination of Clarinet, Cello & Piano, I soon realised that this piece would also suit the more familiar ensembles of Violin, Cello & Piano, and Oboe, Bassoon & Piano; and not wanting to miss the opportunity of presenting it to as wide an audience as possible, I added a version for Flute, Cello & Piano. I worked on all four versions simultaneously with none taking precedence over the other, and a most rewarding venture it turned out to be too!
There is no reason why the various combinations should not also be mixed up: Flute, Violin or Clarinet with Bassoon & Piano, or Oboe with Cello & Piano. Paul Carr

The three movements are titled:
One weekend in August
The softness of rainfall at night
Bicycles on Sunday morning

Four different versions are available:
Clarinet, Cello & Piano - GM209
Flute, Cello & Piano - GM210
Oboe, Bassoon & Piano - GM211
Violin, Cello & Piano - GM212

Duration 13 minutes|9790222305205|CARR P|Paul Carr|Summer Music - Oboe/Bassoon/Piano|Piano trio|9.50|173 GM212|Paul Carr
SUMMER MUSIC
Trio for Violin, Cello and Piano
Goodmusic GM212|Summer Music was composed during the month of August, 2017; a particularly bad summer here in the UK with much rain and rather less than normal amounts of warm sunshine for this time of year. However, the work is still infused for the most part with a warm summery feel and the enjoyment of summer is evident, with the slow central movement being the exception - a quiet and reflective night, with the gentle rain outside complementing the stillness of the mood.
Originally begun as a trio for the less well-known combination of Clarinet, Cello & Piano, I soon realised that this piece would also suit the more familiar ensembles of Violin, Cello & Piano, and Oboe, Bassoon & Piano; and not wanting to miss the opportunity of presenting it to as wide an audience as possible, I added a version for Flute, Cello & Piano. I worked on all four versions simultaneously with none taking precedence over the other, and a most rewarding venture it turned out to be too!
There is no reason why the various combinations should not also be mixed up: Flute, Violin or Clarinet with Bassoon & Piano, or Oboe with Cello & Piano. Paul Carr

The three movements are titled:
One weekend in August
The softness of rainfall at night
Bicycles on Sunday morning

Four different versions are available:
Clarinet, Cello & Piano - GM209
Flute, Cello & Piano - GM210
Oboe, Bassoon & Piano - GM211
Violin, Cello & Piano - GM212

Duration 13 minutes|9790222305212|CARR P|Paul Carr|Summer Music - Violin/Cello/Piano|Piano trio|9.50|173 GM213|SONG OF THE LESSER BUTTERFLY ORCHID by Peter Lawson
for sopranino recorder (or piccolo) and piano
Goodmusic GM213|'The Song of the Lesser Butterfly Orchid, for the tiny (and remarkably agile!) Sopranino Recorder (or alternatively, Piccolo) and piano, is the forty-third to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland for various instrumental and orchestral combinations. The work also exists as Concertino of the Lesser Butterfly Orchid, with orchestra accompaniment.
The Song of the Lesser Butterfly Orchid is in three dance-like movements, which in places, as in the other orchid portraits, employs a colour-coding scheme of harmonies and these chords are heard at the outset of the first movement, Introduction and Butterfly Rumba, on the piano - light-green suffusing the white of the petals, the yellow of the anthers and the darker green of the two shiny, spoon-shaped basal leaves and bract-like leaves sheathing the stem. The Rumba and indeed the last movement, Jig of the Moths and Butterflies, reflect the dedicatee, Miguel Lawrence, who is half Mexican and half Northern-Irish. His virtuosity and sense of fun are amply catered for in these outer movements as well as in a cadenza in the middle of the second movement, Butterfly Minuet, which, in its outer sections, is more reflective of the pastoral habitats of the orchid. The Jig''s opening melody is rather weirdly tempered by the juxtaposition of the colour-coded harmonies, portraying the pollinating moths. The dancing butterflies are portrayed in less eccentric harmonic manoeuvres, the music gathering pace towards a breathless conclusion. Peter Lawson

Duration 7 minutes
A CD recording is available on Tremula Records (TREM106) played by Miguel and Jeremy Lawrence. A review of the disc says "It bubbles and floats in a brisk breeze. It''s always melodious but cuts a toe-tapping velocitous and felicitous path across the three little movements".'|9790222306035|LAWSON|Peter Lawson|Song of the Lesser Butterfly Orchid|Recorder and piano|7.50|136 GM214|Paul Carr
DROP, DROP, SLOW TEARS
for unaccompanied mixed voice choir
Goodmusic GM214|A lovely new setting of the text by Phineas Fletcher (1580-1650) for SATB choir unaccompanied.
Drop, drop, slow tears,
And bathe those beauteous feet
Which brought from Heaven
The news and Prince of Peace:
Cease not, wet eyes,
His mercy to entreat;
To cry for vengeance
Sin doth never cease.
In your deep floods
Drown all my faults and fears;
Nor let His eye
See sin, but through my tears.

Duration 4 minutes|9790222305243|CARR P|Paul Carr|Drop Drop Slow Tears|Choir - Mixed voices (SATB)|2.00|25 GM215|Paul Carr
A LITANY for organ
arranged by Richard Sharpe
Goodmusic GM215|'A lovely arrangement for organ solo of Paul''s unaccompanied choral setting of Drop, drop, slow tears (see GM214).
Duration 4 minutes'|9790222305441|CARR P|Paul Carr|A Litany|Organ Solo|4.00|63 GM216|Clive Jenkins
IN ROSELAND
for Brass Quintet
Goodmusic GM216|'A piece for brass quintet (2 Trumpets in Bb, Horn in F, Trombone and Tuba) which features the trombone. Score and parts included.
The first four notes of the trombone solo came to me out of the air.
Years ago, my wife Sheila and I were weekending on the Roseland Peninsula. We had arrived late in the evening. When we woke up next morning, fog had blotted out sight but not sound. From the sea we could hear ships'' foghorns and, more distantly, on land, the horn of a diesel locomotive. These combined to suggest a tune which formed in my head as I took in the beautiful scenery after the fog lifted. Clive Jenkins
Duration 4? minutes

Also available in a version for Trombone and Piano - GM217.

Front cover image: St.Anthony Head, looking towards the lighthouse, Roseland Peninsula, Cornwall
Photo by Thomas Tolkien / www.thomastolkien.wordpress.com / ? CC by 2.0'|9790222305892|JENKINS C|Clive Jenkins|In Roseland (Brass Quintet)|Ensemble - Mixed brass|7.50|136 GM217|Clive Jenkins
IN ROSELAND
for Trombone and Piano
Goodmusic GM217|'A piece for trombone and piano.
The first four notes of the trombone solo came to me out of the air.
Years ago, my wife Sheila and I were weekending on the Roseland Peninsula. We had arrived late in the evening. When we woke up next morning, fog had blotted out sight but not sound. From the sea we could hear ships'' foghorns and, more distantly, on land, the horn of a diesel locomotive. These combined to suggest a tune which formed in my head as I took in the beautiful scenery after the fog lifted. Clive Jenkins
Duration 4? minutes

Also available in a version for Brass Quintet - GM216.

Front cover image: St.Anthony Head, looking towards the lighthouse, Roseland Peninsula, Cornwall
Photo by Thomas Tolkien / www.thomastolkien.wordpress.com / ? CC by 2.0'|9790222305908|JENKINS C|Clive Jenkins|In Roseland|Trombone and piano|4.50|76 GM218|Clive Jenkins
FOUR FOR FLUTE
for Flute and Piano
Goodmusic GM218|'These four pieces were all recorded for light music sessions in the early days of BBC Radio London.
1. Autumn Gold: The tune came to me when walking in Ashridge Forest one autumn.
2. Blue Flute: My very first broadcast piece.
3. Prisoner: This was originally written as the main title music for a TV film but not used.
4. Sheila''s Tune: My wife, Sheila, liked this (long before the days of "liking" on social media!) hence the attribution.
Clive Jenkins

Autumn Gold: 2? minutes
Blue Flute: 2 minutes
Prisoner: 2? minutes
Sheila''s Tune: 2 minutes
Total duration about 9 minutes'|9790222305915|JENKINS C|Clive Jenkins|Four for Flute|Flute and piano|5.50|100 GM219|Philip Lane
BARDSONG - Nine Shakespeare Lyrics
for High Voice and Piano
Goodmusic GM219|'Nine songs - music by Philip Lane set to texts by William Shakespeare. These songs have been adapted from Philip Lane''s Four Shakespeare Lyrics and Five Shakespeare Lyrics originally composed for choir and piano.
1. Where the bee sucks (Range D-G)
2. Tell me where is fancy bred (C-F)
3. Under the greenwood tree (E-A)
4. Sigh no more (B-A)
5. Fear no more the heat of the sun (F#-B)
6. Full fathom five (C-G)
7. Blow, blow, thou winter wind (B-E)
8. Come away death (Eb-Ab)
9. It was a lover and his lass (B-G)

Total duration 18 minutes, each song around 1? to 2 minutes

Also available for LOW voice GM220.'|9790222305922|LANE P|Philip Lane|Bardsong High Voice|Voice solo (with accompaniment)|7.50|136 GM220|Philip Lane
BARDSONG - Nine Shakespeare Lyrics
for Low Voice and Piano
Goodmusic GM220|'Nine songs - music by Philip Lane set to texts by William Shakespeare. These songs have been adapted from Philip Lane''s Four Shakespeare Lyrics and Five Shakespeare Lyrics originally composed for choir and piano.
1. Where the bee sucks (Range Bb-D#)
2. Tell me where is fancy bred (Bb-Eb)
3. Under the greenwood tree (C-F)
4. Sigh no more (G-F)
5. Fear no more the heat of the sun (D-G)
6. Full fathom five (Bb-F)
7. Blow, blow, thou winter wind (B-E)
8. Come away death (C-F)
9. It was a lover and his lass (A-F)

Total duration 18 minutes, each song around 1? to 2 minutes

Also available for HIGH voice GM219.'|9790222305939|LANE P|Philip Lane|Bardsong Low Voice|Voice solo (with accompaniment)|7.50|136 GM221|SONG OF THE GHOST ORCHID by Peter Lawson
for mixed voice choir and piano (or organ)
Goodmusic GM221|'The Song of the Ghost Orchid is the forty-fifth to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland - for various instrumental, vocal and orchestral combinations.
The Ghost Orchid, or Spurred Coralroot, Epipogium aphyllum, is Britain''s rarest orchid, not in the sense that it has the fewest potential sites, but in the number of sightings seen. It has many times been proclaimed to be extinct, having not been seen for decades, only to confound the notion by popping up again. It has been found in two distinct areas, both in England, firstly in oak woods in Herefordshire and Shropshire, from 1854; secondly in beech woods in Oxfordshire and Buckinghamshire, from 1923 onwards. Because of its long system of coral-like roots (stolons), stretching out for sometimes as many as a hundred yards, it can survive underground for long periods without throwing up a flower spike. Because of its complete lack of chlorophyll and leaves, it being parasitic on fungus in leaf-mould, it grows generally in dark woods, where nothing else will grow.
The Song of the Ghost Orchid is the only orchid portrait to contain actual words. I considered the history of sightings to be so extraordinary, that I decided to write a poem, in Iambic Pentameter, with thirty four-line stanzas, chronicling the remarkable tale. I set it for mixed chorus with piano or organ accompaniment, though soloists from the choir have the lion''s share of conveying the story. A colour-coding scheme of harmonies is employed throughout the orchid portraits and is used at times during this piece, which is in two parts, each ending with a choral number. Part One has eleven verses and deals with the westerly orchids near the Welsh border and Part Two has nineteen verses and deals with the Oxfordshire and Buckinghamshire sites and sightings.
In between the two parts is a substantial chorus, Red Faces, referring to some botanical authors'' tendency to pronounce the plant extinct, only to be disproved. At the end of Part Two, there is a shorter, lighter choral movement, resembling a Morris Dance, Mum''s the Word! The orchid''s increasing popularity caused orchid hunters to trample through woods, potentially damaging the orchid''s root system. Nowadays a culture of secrecy has tended to prevail! Peter Lawson
Duration 17? minutes'|9790222305946|LAWSON|Peter Lawson|Song of the Ghost Orchid|Choir - Mixed voices (SATB)|11.25|209 GM222|Paul Lewis
ECHOES OF OLDEN TIMES for Lever Harp
Goodmusic GM222|'A collection of pieces evocative of an age of wandering minstrels, kings and castles, by a composer with a lifelong fascination for all things mediaeval. Having composed many works for pedal harp, Paul Lewis was inspired to write these pieces when his wife, Sharon Elizabeth, took up the lever harp, an instrument very much at home among the oak beams of their Tudor house.

MONASTERY BELLS: Solemn bells call the monks to prayer. A gentle introduction to slow right hand scale passages.
TROUBADOUR: Troubadours were mediaeval minstrels who travelled from court to court, singing of romance and chivalry. The melody is evocative of the middle ages.
TIBBY TELOR by Sharon Elizabeth:Telor is the Welsh name for the warbler bird, and is also the name of a lever harp made in Wales by Teifi Harps. Sharon Elizabeth is Paul Lewis''s wife and plays a Telor. The day the harp arrived she named it Tibby and composed this charming piece in ancient style to welcome him to his new home. Hints of warbling can occasionally be heard!
GREENSLEEVES: Contrary to popular belief, this is one of the songs that Henry VIII didn''t write as it is thought to date from 1580, 37 years after his death! Greensleeves was popular in Shakespeare''s time and is mentioned more than once in A Midsummer Night''s Dream. This arrangement gives the left hand a chance to play the melody.
SARABAND FOR SHAKESPEARE: The Saraband was a slow dance, popular in the 16th and 17th centuries. Paul Lewis wrote this one in the 20th century to accompany a reading from Shakespeare''s A Midsummer Night''s Dream.
LAMENT FOR A KING: Richard III made headlines in 2012 when his skeleton was found beneath a car park in Leicester where it had lain since the king was killed at the Battle of Bosworth in 1485.
LAMENT FOR A CASTLE: After standing deserted for three hundred years, the remains of Cathcart Castle were demolished in 1970. Horn calls introduce a melody in the style of a Scottish Strathspey, quiet at first but growing stronger as we approach the castle standing proudly on its hill.
HUNTING HORNS: Huntsmen sound their horns, calling to one another through the forest as they pursue their prey. French huntsmen still play music like this, keeping up their ancient traditions.
BLOW THE TRUMPETS: Echoing trumpets on castle walls announce the approach of a royal party.'|9790222305953|LEWIS P|Paul Lewis|Echoes of Olden Times|Lever Harp|5.50|100 GM223|Paul Lewis
CONTEMPLATION AND COMEDY for Lever Harp
Goodmusic GM223|'A collection of pieces from the contemplative to the downright silly, with a choice of local takeaway for added sustenance! Paul Lewis was inspired to write these pieces when his wife, Sharon Elizabeth, took up the lever harp.

THOUGHTFUL MOMENT: A wistful, lyrical melody - a study in legato playing.
GENTLE INTERLUDE: A dreamy, romantic piece with passages of consecutive thirds.
CONTEMPLATION: Inspired by a distant view of the hilltop town of Vezelay in Burgundy. Centuries-old plainsong can still be heard in the abbey. Chords in contrary motion contrast with celestial triplets to portray an atmosphere of ancient devotion.
BELLS OF WESTHAM: The bells of St. Mary''s Church, Westham, Sussex, rang out shortly after Paul Lewis and Sharon Elizabeth moved into the village in what seemed like a joyous welcome to their new home. The opening and closing sections are transcriptions of some of the actual sequences rung.
MAORI LULLABY (HINE E HINE): This lullaby, beloved of all New Zealanders, was written by the self-styled Princess Te Rangi Pai, 1868-1916, a Maori singer who enjoyed a successful career in oratorio in England but died in lonely isolation in New Zealand.
CHINESE TAKEAWAY: Jolly jolly chopsticks! The woks are sizzling in the kitchen of the local Chinese takeaway! This piece uses the Oriental pentatonic scale, which, when in the key of C consists of the notes C,D,E,G and A.
INDIAN TAKEAWAY: The apparently double key signature will tune the harp to an Indian scale - (D,Eb,F#,G,A,Bb,C#) - in order to sound like the Indian sitar and add exotic spice to the music!
CHARLIE CHAPLIN: Charlie, the little tramp with battered bowler hat, cane, and a heart of gold - hero of countless black and white silent slapstick movies. The piece ends with a vibrato for comic effect, made by wobbling the lever while the note is ringing.
LAUREL AND HARDY: Simple-minded Stan Laurel and bumbling, bombastic Oliver Hardy: famous comedy double-act of silent cinema and early talkies with their catch-phrase: "Another fine mess you''ve got me into!" This musical portrait exploits something the lever harp can do that the pedal harp cannot: i.e. play with each hand tuned to a different key, in this case to portray the antics of two chaotic characters constantly at loggerheads with one another - interspersed with comments which can be spoken aloud whenever you have an audience!'|9790222305960|LEWIS P|Paul Lewis|Contemplation and Comedy|Lever Harp|5.50|100 GM224|Paul Lewis
JAZZ-N-JIVE for Lever Harp
Goodmusic GM224|'A sometimes quirky collection of jazzy little numbers and reminiscences of the vintage rock-n-roll era from the composer of the well-known Saturday Night Jazz Suite for pedal harp. Paul Lewis was inspired to write these pieces when his wife, Sharon Elizabeth, took up the lever harp.
ROCK-A-BYE BOOGIE: Boogie-woogie time! Memories of the rock-n-roll years of the late 1950s and 60s.
LARGO IN JAZZ: A gentle jazz take on the famous Largo from Dvorak''s New World Symphony.
WALTZIN'' TIME: Time for a jazzy waltz! Paul Lewis enjoys composing jazz waltzes. One of them, composed in the ''60s, was broadcast several times a day for a very long time indeed as accompaniment to a BBC Television test card. This piece is in the same style.
FOUR BUT NOT SQUARE!: Four-square the left hand walking bass may be, but the syncopated right hand melody is anything but!
JIVE IN FIVE: Overtones of jive in an unlikely five-beat rhythm, leaving the would-be dancer with a spare foot at the end of each bar! The melody makes use of characteristic jazz blue notes: the flattened third and seventh of the major scale, i.e. E flat and B flat in the key of C, while the accompanying harmony has E natural - something easily achieved on lever harp as, unlike the pedal harp, the left and right hands can be tuned differently.
LOPSIDED RUMBA: An even more unlikely rhythm for this rumba - seven quavers to the bar instead of eight! In the absence of the bongos that traditionally accompany this Cuban dance, the fingers of both hands tap out the rhythm on the soundboard to begin and end the piece.
BOSTON''S BLUES: Not Boston the city in America but Boston the Boxer dog in Tauranga, New Zealand! He is owned by the composer''s friends Pete and Janet O''Shea, who posted a picture on the internet of Boston looking rather disgruntled. As Paul began composing this piece the photo of Boston sprang to mind and inspired the main melody. With some nifty lever changes and bluesy lever slides.
ROMANCE IN ROCK: A gently rocking melody in the style of a love song from the era of the first teenagers in the modern sense: the ''50s and ''60s. Built on the 1-6-4-5 chord sequence beloved of pop song writers of the twentieth century.
HARPING ON: A bright minor key number to end the collection, contradicting the belief, widely-held by non-musicians, that music in a minor key has to be sad!'|9790222305977|LEWIS P|Paul Lewis|Jazz-n-Jive|Lever Harp|6.00|112 GM225|Paul Lewis
CELTIC DREAMS for Lever Harp
Goodmusic GM225|'Music evocative of a far-off realm of mists and magic where our ancestors lived close to nature and pagan beliefs were still strong. Paul Lewis was inspired to write music for the lever harp when his wife, Sharon Elizabeth, took up the instrument.

STONE CIRCLE: Standing remote and weather-beaten, nothing evokes the mysteries of a far-distant age more than stone circles. Echoes of Druids abound, and there is the tantalising possibility that as well as places of worship they may have been cosmic calendars that measured the movement of the sun and the passing of the seasons, aligned as many are with the rising solstice sun.
CELTIC JOURNEY: Travelling through time to a simpler, more spiritual age that lingers in our ancestral memory.
HOLY WELL: Often known to this day as Holy wells, natural springs were revered for their healing properties and were thought to be home to benevolent spirits.
CORACLE: Rowing gently along a stream in a wicker coracle.
SKYLARK LULLABY: Having moved to New Zealand, Sharon Elizabeth was surprised one day to hear a lark. Realising how much she missed home she wrote Skylark Lullaby. When Sharon and Paul Lewis met they discovered that as youngsters they both used to lie in the grass listening to skylarks singing above the Sussex Downs, so it was with love that Paul made this harp arrangement of the song for Sharon to play. The skylark has been a source of wonder since time immemorial, hanging motionless in the air while it sings. Its voice is always the first to usher in the dawn chorus.
SOLSTICE DANCE: A bright dance of welcome for a solstice dawn.
THE BARD PLAYS: Bards were the tellers of tales and the keepers of ancestral memories. They were often harpers too, playing their instruments to accompany their storytelling. This piece was originally composed for the 1972 TV series Arthur of the Britons.
BALLAD FOR A MAIDEN: A new arrangement of a melody also known as The Fair Rowena, another theme from Arthur of the Britons. Dedicated to the composer''s daughter.
THE GLASTONBURY THORN: Glastonbury is the focus of many an ancient legend. It is said that Joseph of Arimathea visited, some believe bringing the infant Jesus with him. He is supposed to have planted his hawthorn staff in the ground on Wearyall Hill, where it took root and has flowered twice a year ever since, including at Christmas, which no other species of hawthorn does.'|9790222305984|LEWIS P|Paul Lewis|Celtic Dreams|Lever Harp|5.50|100 GM226|Paul Lewis
MELODIC MOMENTS for Lever Harp
Goodmusic GM226|'An album of gentle, relaxing pieces with the emphasis on melody. Nothing too difficult and only one lever change while playing! Paul Lewis was inspired to write these pieces when his wife, Sharon Elizabeth, took up the lever harp.

BLUE SKY AND LONG GRASS: Meandering past the rushes on the riverbank, alone but for an occasional heron fishing in the stream.
LAZY SUNDAY: Relaxing in the garden on a sunny Sunday afternoon.
WONDERING AS I WANDER: Walking along a country lane thinking of this, that and the other, but nothing too serious!
LUCIE: Lucie picks wild flowers in the meadow and puts them in her basket bedecked with ribbons. This is based on the first of Deux Chansons pour Enfants for children''s voices and piano, published by Roberton/Goodmusic No.75478.
BLOSSOM TIME: A delicate waltz for a garden full of scented blossom.
SHEPHERD''S TUNE: A shepherd on a hillside plays his pipe as he watches his sheep.
GOATHERD''S DANCE: A merry rustic dance.
RIPPLES: Floating arpeggios suggestive of mesmerizing ripples on a pond.
MUSICAL EVENING: A slow but elegant piece in classical style for an old-fashioned musical evening.'|9790222307223|LEWIS P|Paul Lewis|Melodic Moments|Lever Harp|5.50|100 GM229|Paul Lewis
CHRISTMAS SONGS for Lever Harp
Goodmusic GM229|'Five of Paul Lewis''s favourite Christmas carols arranged as miniature tone poems for intermediate players, some with tongue-in-cheek scenarios of his own invention, and an easier medley of a further seven carols for seasonal background music, plus a new piece, Fireside Carol, written by Paul for his wife Sharon who was inspired to take up the lever harp when a friend brought hers to a Christmas party.
Contents:
I Saw Three Ships
Christmas Waltz (The First Nowell)
Fireside Carol
God Rest You Merry
Ding Dong Merrily
Silent Night
Yuletide Medley.'|9790222306028|LEWIS P|Paul Lewis|Christmas Songs|Lever Harp|5.50|100 GM230|Tom Cunningham
TARTAN TERRORS
for Voice(s) and Piano
Goodmusic GM230|'A set of five amusing songs for either unison voices or a solo voice, with piano accompaniment, about the "Tartan Terrors". Words by Derek Roberts set to music by Tom Cunningham. Commissioned by the National Youth Choir of Scotland.
The five songs are:
The Wild Haggis
The Loch Ness Monster
Bogle Boogie (A Bogle is a Scottish sprite that loves to play tricks on humans, especially children)
The Wee Gigelorum (an insect of Scottish folklore, believed to be the smallest creature)
The Kelpie (a shape-shifting water spirit that often appears as a horse)
"Never take a selfie with a kelpie,
This river horse just isn''t man''s best friend,
When a kelpie starts to smile
It is time to run a mile,
Or you''ll come to a very sticky end!"

Total duration 10 minutes

Apart from the audio file, for teaching use or as an accompaniment (if you don''t have a pianist) you can find separate recordings of each song with a clarinet on the vocal line on Tom Cunningham''s website. CLICK HERE'|9790222306578|CUNNINGHAM|Tom Cunningham|Tartan Terrors|Voice solo (with accompaniment)|6.00|112 GM231|Paul Lewis
A LA FRANCAISE
for Violin and Piano
Goodmusic GM231|'Two easy pieces in French folk song style for violin and piano.
Lucie Lucie picks flowers in the meadow.
Naughty boy! He makes his mother cry, pulls his old grandfather''s beard and empties the salt into the mashed potato!

These pieces are arrangements of Deux Chansons d''Enfants, two children''s songs in French by Paul and Genevieve Lewis (Roberton 75478).'|9790222306585|LEWIS P|Paul Lewis|A La Francaise|Violin and piano|4.50|76 GM234|Peter Lawson
CHORALES AT CHRISTMAS for mixed voice choir (SATB)
GM234|'Chorales at Christmas is, in essence, three Chorale Preludes based on well-known carols arranged for choir and orchestra. There is a Mixed Voice Choir (SATB) Vocal Score with Piano (or organ) accompaniment [GM234] either for rehearsal purposes or for performance without orchestra and also a Mixed Voice Choir (SA+Men) version with one stave of male voices, for choirs with a shortage of men, with the male voices in the baritone range [GM235]. Either version may be performed just with piano (or organ) accompaniment. For details of the orchestral version see GMCO161.

Chorale Preludes date back to Bach and his contemporaries, probably the best known of these being Jesu, Joy of Man''s Desiring and Wachet Auf (Sleepers Awake) - the organ weaving a melody around the chorale, which is expounded a line at a time. This methodology is carried out in all three of the Chorales at Christmas but in three different contexts.
The first Chorale Prelude is a Baroque-like melody woven around O Holy Night, Adolphe Adam''s well-known carol being written a century later than the Baroque period, so it could be thought of as the musical equivalent of a barn conversion in reverse - an antiquated Baroque gloss on something from the early Romantic era.
For the second Chorale Prelude, Berlioz''s Shepherds'' Farewell, from L''enfance du Christ, the prelude melody is a more of a dream-like evocation of distant bells, perhaps the musical equivalent of the scene being painted by a French impressionist.
The third Chorale Prelude, O Little Town / I Saw Three Ships, treats two old favourites together, I Saw Three Ships Come Sailing In being treated as the Prelude and O Little Town of Bethlehem as the chorale. The two carols fit together with only minor adjustments and bring the whole to a rousing conclusion.

Duration 10 minutes'|9790222307230|LAWSON|Peter Lawson|Chorales at Christmas|Choir - Mixed voices (SATB)|7.00|113 GM235|Peter Lawson
CHORALES AT CHRISTMAS for mixed voice choir (SA+Men)
GM235|'Chorales at Christmas is, in essence, three Chorale Preludes based on well-known carols arranged for choir and orchestra. There is a Mixed Voice Choir (SATB) Vocal Score with Piano (or organ) accompaniment [GM234] either for rehearsal purposes or for performance without orchestra and also a Mixed Voice Choir (SA+Men) version with one stave of male voices, for choirs with a shortage of men, with the male voices in the baritone range [GM235]. Either version may be performed just with piano (or organ) accompaniment. For details of the orchestral version see GMCO161.

Chorale Preludes date back to Bach and his contemporaries, probably the best known of these being Jesu, Joy of Man''s Desiring and Wachet Auf (Sleepers Awake) - the organ weaving a melody around the chorale, which is expounded a line at a time. This methodology is carried out in all three of the Chorales at Christmas but in three different contexts.
The first Chorale Prelude is a Baroque-like melody woven around O Holy Night, Adolphe Adam''s well-known carol being written a century later than the Baroque period, so it could be thought of as the musical equivalent of a barn conversion in reverse - an antiquated Baroque gloss on something from the early Romantic era.
For the second Chorale Prelude, Berlioz''s Shepherds'' Farewell, from L''enfance du Christ, the prelude melody is a more of a dream-like evocation of distant bells, perhaps the musical equivalent of the scene being painted by a French impressionist.
The third Chorale Prelude, O Little Town / I Saw Three Ships, treats two old favourites together, I Saw Three Ships Come Sailing In being treated as the Prelude and O Little Town of Bethlehem as the chorale. The two carols fit together with only minor adjustments and bring the whole to a rousing conclusion.

Duration 10 minutes'|9790222307247|LAWSON|Peter Lawson|Chorales at Christmas|Choir - Mixed voices (SAMen)|6.25|100 GM237|Brian Hughes
ON THE BANKS OF ALLAN WATER
for flute and piano
Goodmusic GM237|An eighteenth century Scottish melody (composer unknown) in a beautiful arrangement for flute and piano by Brian Hughes.
Also available in versions for solo voice (02580), male voice choir (53218) and mixed voice choir (63309).
Duration 2? minutes|9790222307520|HUGHES|Brian Hughes|On the Banks of Allan Water|Flute and piano|4.00|50 GM238|'Peter Lawson
SONG OF THE LADY''S SLIPPER ORCHID
for piano
Goodmusic GM238'|'The Lady''s Slipper Orchid, Cypripedium calceolus, is immediately recognisable by its large, yellow lip, resembling a slipper. It attracts small burrowing bees, who fall into it. The slipper''s walls are impossibly slippery but have hairs which act as footholds to guide the insect up a narrow passage where it rubs up against a mass of sticky pollen. It leaves and, exhausted, tends to land on a nearby flower. The process is repeated and this time the sticky pollen from the first flower pollinates the second flower.
This orchid''s exotic beauty caused it to be picked, dug up, hunted for and eventually declared extinct in Britain in 1917. However, in the 1930s a solitary plant was found in Yorkshire, which was kept secret but had a warden on 24-hour guard, sleeping in a tent by it, with a trip-wire around it to stop orchid collectors from digging it up. This single plant remains to this day, but in the 1990s scientists at Kew Gardens started a programme of producing seedlings from it by cross-pollinating it with a plant in cultivation that had been taken from the wild. After a worrying start, where only four out of a hundred such plants actually flowered, nowadays there are many successfully flowering plants in Cumbria, Lancashire, Yorkshire, Derbyshire and County Durham.
The Song of the Lady''s Slipper Orchid is in four continuous movements. There is also an orchestrated version with optional narrator The Lady''s Slipper Orchid.
The first movement, A little Pollination Subterfuge, refers to the trick the orchid plays on the poor insect as described above.
The second movement, Legend of the Lady''s Slipper Orchid, describes Venus, the Goddess of Beauty and Love, walking through a wood one day, when she heard thunder. She found herself running for shelter, only to find she had lost one of her golden slippers. The next day, a shepherdess was walking through the wood when she espied the slipper and ran to it, but in front of her very eyes, it turned into a flower, now known as Lady''s Slipper Orchid.
The third movement, A Drastic Decline in Population, describes the orchid''s demise and the fourth movement, The Programme of Reintroduction, describes the scientists'' endeavours in a fugue, which takes unexpected twists as the programme temporarily went wrong, only to end triumphantly. Peter Lawson
Duration 7? minutes'|9790222307568|LAWSON|Peter Lawson|'Song of the Lady''s Slipper Orchid'|Piano - Solo|4.50|76 GM239|Paul Lewis
SONGS OF ISRAEL
for Harp and String Quintet
Goodmusic GM239|'Scored for harp, two violins, viola, cello and bass, this suite is in three movements: Shalom Chaverim Fantasia; Hava Nagila Rumba; Mevo Hama Nocturne.
A full score and set of parts is included.

When Israeli harpist Rachel Talitman suggested that I might write a work for harp and string quintet the subject matter sprang immediately to mind. Both she and I had a Russian Jewish grandfather; mine spawned a generation of musicians whose offspring includes two composers. Though not of the Jewish faith my violinist mother was sentimental about all things Jewish and would have been deeply satisfied to know that this composition celebrates not only the heartfelt playing of Rachel Talitman but also her own Jewish heritage.
There is Jewish blood in my wife''s family too, in fact her Aunt Helen moved to Israel to live in a kibbutz, only to die there a few years later. Songs of Israel could be said to follow Helen''s story from her farewell to friends and family in England in the first movement and her enthusiastic espousal of life in the kibbutz in the second to the final gentle nocturne in her memory. This was not my intention when I set out to write the piece, the storyline only occurring to me as the sequence of movements revealed itself. Such are the mysteries of the creative process. Paul Lewis
Duration 17 minutes'|9790222307865|LEWIS P|Paul Lewis|Songs of Israel for Harp+Str.Quint.|Ensemble - Mixed strings|25.00|346 GM240|Philip Lane
JOY TO THE WORLD
for Upper Voice Choir accompanied
Goodmusic GM240|A Nativity Sequence of Five Carols for upper voice choir (SSA) with accompaniment of either piano or organ or piano and strings.
1. The Angel Gabriel
2. O Holy Night
3. The Last Sleep of the Virgin
4. Sleep, Little Prince
5. Joy to the World
This is a new revised edition of this delightful Christmas sequence originally published in 1977. The accompaniment can be played either on the piano or organ or alternatively a string orchestra or ensemble with piano can be used. The separate piano part on sale is only for the "strings and piano" version. If the accompaniment is solely piano (or organ) then the vocal score should be used.
Orchestration for string version:
Violin 1, Violin 2, Viola, Cello, Bass, Piano
The individual parts and an A4 sized full score for the string version are on sale.
Duration 15 minutes|9790222308084|LANE P|Philip Lane|Joy to the World|Choir - 3 part upper voices|5.50|88 GM240-00|||9790222308091|LANE P|Philip Lane|Joy to the World Full Score|Orchestral Score|6.00|88 GM240-01|||9790222308107|LANE P|Philip Lane|Joy to the World Violin 1|Orchestral Part|1.50|13 GM240-02|||9790222308114|LANE P|Philip Lane|Joy to the World Violin 2|Orchestral Part|1.50|13 GM240-03|||9790222308121|LANE P|Philip Lane|Joy to the World Viola|Orchestral Part|1.50|13 GM240-04|||9790222308138|LANE P|Philip Lane|Joy to the World Cello|Orchestral Part|1.50|13 GM240-05|||9790222308145|LANE P|Philip Lane|Joy to the World Bass|Orchestral Part|1.50|13 GM240-06|||9790222308152|LANE P|Philip Lane|Joy to the World Piano|Orchestral Part|2.50|38 GM241|Paul Lewis
PERFUME NOTES
for Soprano vocalise or Flute or Violin and Piano
Goodmusic GM241|'Three melodies that leave the listener with memories which, like a perfume, waft in and out of the mind.
Jasmine, a youthful, bright and fresh fragrance bringing with it memories of spring and the promise of summer.
Musk, a powerful fragrance that has presence and a passionate character.
Rose, a timeless scent that evokes nostalgia. The rose is the eternal flower of romance and love.
Without the essence of pure love, what we create can have no soul. Sharon Elizabeth

Paul and Sharon Elizabeth Lewis''s interest in the ancient art of blending and distilling perfume began with a visit to the Chateau de Chamerolles, France, where recreations of ancient perfumes made from plants grown in the chateau''s renaissance gardens can be enjoyed. It was the parfumier''s terminology for the layers of scents known as high, base and the heart notes, which when combined create a perfume by making a perfect "accord" or chord, that suggested this musical evocation of heady olfactory delights.
The three arias that make up Perfume Notes were composed in 2008 and premiered on October 30th that year by the dedicatee Sharon Elizabeth and the composer in a gala concert to celebrate the first anniversary of the opening of the Tauranga Art Gallery, Tauranga, New Zealand.
Duration 7? minutes'|9790222308053|LEWIS P|Paul Lewis|Perfume Notes (Voice/Vln/Fl+Pno)|Voice solo (with accompaniment)|5.00|88 GM242|Peter Lawson
FLUTE SONATA
for Flute and Piano
Goodmusic GM242|Subtitled A Portrait of the Greater Butterfly Orchid, this sonata is the forty-seventh to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland for various instrumental and orchestral combinations. There is an orchestrated version with an identical solo part, published separately as Flute Concerto (GMCO164).
The Greater Butterfly Orchid, Platanthera chlorantha, is a robust plant, up to half a metre tall. It has two large, oval leaves on opposite sides of the stem, slightly staggered in height. Higher up, its leaves are more like sheathing bracts. The lateral petals spread out, like the wings of a butterfly, with the lower lip vaguely resembling the abdomen. It is pollinated in the evening by moths brushing the anthers on to both sides of their backs and in the process pollinating the next flower visited.
The Flute Sonata has three movements, the first, The Song of the Greater Butterfly Orchid, is in modified Sonata form, with new material, in the form of a Reverie, replacing the first part of the development section. This leads to a recapitulation of the second subject (march-like) before, rather than after, the first subject. A cadenza leads to a brief coda. The second movement, Woodland Glades, in ternary form, is rhapsodic in nature, with moments of birdsong filtering through the trees into the music. The third movement, Toccata of the Butterfly Seeds, is something of a light-hearted perpetuum mobile, with fugal elements representing the dust-like seeds being dispersed by the wind, some falling on stony ground and in odd places, where the harmonic language briefly becomes more unpredictable. Just before the end, there is an interval of respite and repose, in a brief Andantino grazioso section, before the hustle and bustle resumes and leads to a rousing finish. Peter Lawson

Duration 16? minutes|9790222308060|LAWSON|Peter Lawson|Flute Sonata|Flute and piano|10.00|184 GM243|Paul Lewis
LUX ET OMBRA for Brass Quintet
Goodmusic GM243|'Lux et Ombra: light and shadow - for brass quintet of two trumpets in Bb (or Cornet and Flugelhorn), Horn in F, Trombone and Tuba.
The music suggests an interplay between the forces of light and darkness, though the latter seems to have the upper hand and light only manages to break through temporarily before subsiding uneasily back into the gloom. Is this a reflection of the composer''s mood or a meditation upon the state of the world at the time of writing? Neither! The piece is a concert version of the score to Edward D.Hoch''s The Vorpal Blade, an episode of the iconic British TV series Tales of the Unexpected which Paul Lewis scored in 1982. In 2017 trombonist Tony Turner saw a repeat of the programme on daytime television and commissioned Lewis to write a concert work based on the score for his Yorkshire Wolds Brass Quintet.
An alternative title might well be Fencing and Wenching, since the drama takes place in Heidelberg before the First World War and concerns deadly rivalry among aristocratic students in a university fencing fraternity and a duel over a bierkeller barmaid. A wistful opening theme introduces the ageing German prisoner-of-war who recounts the story. The music of the fencing school supplies the dark and dangerous element and a landler-style theme for the blonde femme fatale provides the light. After a fatal duel a funeral march literally tramples the landler, heard briefly on the tuba, underfoot, and the barmaid who fleetingly brought the only light to the story is left to mourn in emotional darkness.

Footnote
Shortly after writing the above notes I received the following from Tim Priestley, tuba player in the Yorkshire Wolds Quintet: "I have today returned from a river cruise down the Rhine where I was taken on a walking tour of Heidelberg on the feast of Corpus Christi. The guide stood us outside the pub on the cobbled street running down to the river and told the story of the duelling students and the barmaid''s loss. I have just read the Lux et Ombra programme notes. Spooky!!"
I had always believed the story to be total fiction, but this revelation adds a final twist worthy in itself of the plot of an episode of Tales of the Unexpected! Paul Lewis
Duration 8 minutes
Score and parts included.'|9790222308077|LEWIS P|Paul Lewis|Lux et Ombra (Brass Quintet)|Ensemble - Mixed brass|8.00|149 GM244|Peter Thorogood
HARLEQUIN SUITE for piano
Goodmusic GM244|'A sequence of six short movements composed for Peter Thorogood''s own scenario, Harlequin at the Fair.
Overture: Pantaloon is chasing Columbine in the hope of a kiss but the ugly Brighella spoils his fun with a comical prancing-hopping dance which makes everybody laugh.
Pastoral Waltz: Pierrot is searching for Pierrette. They dance soulfully, moving in every direction but towards each other. Pierrot, inconsolable, drifts away.
Aquarelle: The impish Water Sprite emerges from the magic waterfall and immediately gets up to his roguish tricks by teasing Pierrette, who is saved by Columbine from falling into the pool.
Valse-Caprice: Harlequin appears, disguised as the handsome Capitano, and beguiles Columbine into dancing with him. In the end, she unmasks him and escapes his clutches.
Passepied: Denied the attentions of Columbine, the cruel Polichinelle (Punch) pursues her mistress, the matronly Pandolfina. He tries to impress her by pretending to be a soldier but she gives him a box of the ears and everyone slips quietly away.
Polka: The vigorous Harlequin dances a quasi-polka to show off his physical prowess. He chases off the wicked Sprite, grabs hold of Columbine and they disappear into the magic cave together.

Duration 12 minutes'|9790222308169|THOROGOOD|Peter Thorogood|Harlequin Suite|Piano - Solo|5.50|100 GM245|Peter Thorogood
SUITE FRANCAISE for piano
Goodmusic GM245|'This suite was composed in the 1970s when Peter Thorogood came under the influence of the ''Groupe des Six'', in particular Germaine Tailleferre. The work is dedicated to Robert Plowright, with whom Peter was studying at the time.

Aquarelle etude is a rippling watery piece which requires the pianist to make considerable leaps, crossing over with the left hand.
Serenade interrompue depicts a hesitant lover serenading a maiden who waits impatiently for him to finish playing and take her in his arms.
Chanson douce is a simple song of joy for soprano voice. A version, Angel Carol, with words by Neil Jenkins, is often performed at Christmas time.
Valse oubliee. Two young lovers return to life in the deserted ballroom where they once danced together.
Reverie en bleu is a dream-like piece in the ''blues'' tradition.
Danse champetre is a joyful country dance.

Duration 18 minutes'|9790222308176|THOROGOOD|Peter Thorogood|Suite Francaise|Piano - Solo|6.00|112 GM246|Peter Thorogood
HALCYON DAYS for piano
Goodmusic GM246|Halcyon Days recalls the pleasures of youth and is an earlier suite revised in 1949 while Peter Thorogood was studying at the Royal Irish Academy of Music in Dublin. It consists of five pieces:
By the Rippling Stream
Halcyon Days
In the Rose Garden
Trotting to the Fair
Evening by the Lake

Duration 12 minutes|9790222308183|THOROGOOD|Peter Thorogood|Halcyon Days|Piano - Solo|5.00|88 GM247|Peter Thorogood
SCENES FROM MY CHILDHOOD for piano
Goodmusic GM247|'In these five scenes, Peter Thorogood recalls the pleasant days of his childhood on the family farm, running through the meadows, playing in his father''s rose garden, chasing butterflies and enjoying listening to his mother at the piano.
Through the Meadows We ran through the meadows, bright with buttercups and daisies - we in our innocent joy, delighting in all that was beautiful and good in our little world.
Marionette On Christmas morning we came down to discover our treasures under the Christmas Tree, so lovingly decorated by Mother and Father. Among the games and puzzles and train-sets and flying-tops was a comical marionette.
Butterfly Sometimes we scampered about Father''s rose-garden, chasing after butterflies that fluttered to and fro among the fragrant flowers and on out-of-reach in the dark ivy that grew over the old apple tree.
Musical Box I remember one of my school friends bringing a musical box to class. None of us had ever set eyes on such a magical toy. We listened and watched in wonder as, at the touch of a lever, a small mechanical doll, dressed in Spanish costume, pirouetted on the lid to a tinkling tune.
Skipping On a warm summer afternoon, one of us brought out a skipping rope and we raced about the lawn, jumping, leaping and skipping by turns, while Father was trying to mow. Through the window we could hear, at intervals, the sound of Aunt Cissie''s beautiful soprano voice. She was singing a sentimental song, with Mother sweetly accompanying her at the piano.

Duration 12 minutes'|9790222308190|THOROGOOD|Peter Thorogood|Scenes from My Childhood|Piano - Solo|5.00|88 GM248|Paul Lewis
TWO FOR FI for harp
Goodmusic GM248|'Two short pieces for harp with a gentle jazz inflection.
Sunday Morning Meander:
One Sunday morning Fiona Hosford, my wife''s harp teacher, emailed her a chord she''d discovered and taken a liking to. Intrigued, I played it and meandered around it to see where it led me. The result is this piece, which starts with the chord, wanders dreamily off and wends its way back to the chord four bars from the end.
Memory Lane:
Having meandered around a chord in the morning and feeling that a companion piece was needed, I decided to saunter down Memory Lane in the afternoon, building on an idea I''d had previously for a piece to reflect Fi''s relaxed performance style. Paul Lewis
Duration 4 minutes'|9790222308206|LEWIS P|Paul Lewis|Two for Fi|Harp|4.00|63 GM249|Paul Carr
DO I LOVE YOU
for female voice choir and piano
Goodmusic GM249|'This is an arrangement for female voice choir (SSAA) and piano of one of the movements from Paul Carr''s "Requiem for an Angel". The words are by Jack Larson (1928-2015)

Do I love you more than a day?
Days used to be faint hours to endure.
Now, through our love,
I feel each hour on this spinned world about the sun.
Embodied time, I live creation.
Through you. And I love you more than a day.
. . . . . . . .

Duration 4? minutes

Also available in a version for mixed voice choir and piano - GM254 and the original solo song - GM275.'|9790222308213|CARR P|Paul Carr|Do I Love You|Choir - 4 part upper voices|4.00|63 GM250|Paul Carr
GLORIA
for choir and orchestra
Goodmusic GM250|'Orchestration: Flute, 2 Oboes (2nd db Cor Anglais), Bassoon, Horn in F, Trumpet in C, Bass Trombone
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Soprano solo, Mixed Voice Choir (SATB)

In 2014 the Brian Kay selected my Requiem for an Angel for performance at the Leith Hill Music Festival in Surrey, with my brother Gavin Carr as baritone soloist. Gavin took with him a handful of leaflets promoting his forthcoming choral trip to Cyprus where my Three Motets were on the programme. Rosemary Scott and Sheila Nye, singers at Leith Hill and with the English Arts Chorale took up this invitation and I met them for the first time in Cyprus. Both were keen to acknowledge the contribution that Ian Le Grice had made to the life of English Arts Chorale as their accompanist and commissioned a short piece from me in dedication to him. The result was a setting of William Blake''s poem, The Lamb. So started my association with EAC.
In 2017, EAC then commissioned me to compose a setting of the Stabat Mater for choir and orchestra and in October that year the work was premiered in St.Mary''s Church, Reigate, with a 2nd performance a week later in the magnificent chapel of St.John''s College, Cambridge, directed by their founding conductor, Leslie Olive. Both works have now been recorded and are released on the EM Records label.
So imagine my delight, when in 2018 the choir commissioned me a third time, to compose this Gloria. For me, as a composer, nothing is more rewarding than being asked to write a specific piece and forming a relationship with a conductor and choir as I have with Leslie Olive and English Arts Chorale. As with my Stabat Mater, I have again taken inspiration in the music of baroque and classical composers; in this instance Vivaldi, whose Gloria I first encountered as a teenager at school and whose energetic key of D major formed a starting point for my own work; and Mozart, the exquisite Adagio from his Gran Partita which forms the harmonic basis of the Domine Deus. There is also a nod towards Bach in using a chorale from the St.Matthew Passion in the final pages.
The Gloria is in five movements lasting approximately 30 minutes.
Paul Carr
Duration 30 minutes'|9790222309098|CARR P|Paul Carr|Gloria|Choir - Vocal score|11.25|209 GM250-00|||9790222309104|CARR P|Paul Carr|Gloria Full Score|Orchestral Score|35.00|381 GM250-01|||9790222309111|CARR P|Paul Carr|Gloria Violin 1|Orchestral Part|2.50|38 GM250-02|||9790222309128|CARR P|Paul Carr|Gloria Violin 2|Orchestral Part|2.50|38 GM250-03|||9790222309135|CARR P|Paul Carr|Gloria Viola|Orchestral Part|2.50|38 GM250-04|||9790222309142|CARR P|Paul Carr|Gloria Cello|Orchestral Part|3.00|50 GM250-05|||9790222309159|CARR P|Paul Carr|Gloria Bass|Orchestral Part|3.00|50 GM250-06|||9790222309166|CARR P|Paul Carr|Gloria Flute|Orchestral Part|2.00|25 GM250-07|||9790222309173|CARR P|Paul Carr|Gloria Oboe 1 & 2 (db.C.A.)|Orchestral Part|3.00|50 GM250-08|||9790222309180|CARR P|Paul Carr|Gloria Bassoon|Orchestral Part|2.50|38 GM250-09|||9790222309197|CARR P|Paul Carr|Gloria Horn|Orchestral Part|2.00|25 GM250-10|||9790222309203|CARR P|Paul Carr|Gloria Trumpet|Orchestral Part|2.00|25 GM250-11|||9790222309210|CARR P|Paul Carr|Gloria Trombone|Orchestral Part|2.00|25 GM251|Peter Lawson
PIANO SONATA
for Piano and optional Narrator
Goodmusic GM251|'The Piano Sonata - A Portrait of the Monkey Orchid, with optional narrator, is the final piece to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland for various instrumental and orchestral combinations. This work exists also as an orchestral Tone Poem: The Monkey Orchid, orchestrated from the Sonata (GMCO167).
The Monkey Orchid, Orchis simia, has a raggle-taggle spike of pinkish-white flowers at the top of the stem, which is anything from ten centimetres to half a metre in height. On closer inspection, each individual flower bears a striking resemblance to a spider monkey, wearing long, dark-red gloves and socks on its slender arms and legs.
The music is in four continuous movements. The first of these is a Prelude in Sonata form called Song of the Monkey Orchid. At the end of the movement, the narrative begins, the second movement being entitled The Story of the Orchid''s Decline, chronicling the discovery of the orchid in the seventeenth-century in Oxfordshire and the much rarer appearances of the Orchid in Kent. In one secret Kent site, orchid enthusiasts'' joy in seeing the first Monkey Orchid for a century and a half, was short-lived, as the plant was subsequently eaten by a horse! If only the horse could have understood what it had done!
The third movement, Conservation and the Road Back, chronicles the hard work undertaken by naturalists in both counties with sites protected from the grazing of rabbits - and horses! The fourth movement, Celebrating with the Monkeys, is a short romp, incorporating a certain amount of ''monkeying about''! Peter Lawson
Duration 15 minutes'|9790222309555|LAWSON|Peter Lawson|Piano Sonata - The Monkey Orchid|Piano - Solo|6.00|112 GM252|Paul Lewis
TWO SOLILOQUIES for harp
Goodmusic GM252|Two rhapsodic and improvisatory pieces composed in 1997 for harpist Elizabeth Jane Baldry and revised for publication in 2018.
The second makes use of two three-note motifs representing the initials of dedicatee and composer. Using an extended musical alphabet in which J equals the note C and R is the note D, EJB becomes ECB, the defining notes of a C major seventh chord, and PRL its near mirror image, BDE.
Duration 8? minutes

Also available in a version for Flute (or Violin), Viola and Harp (GM255)|9790222308787|LEWIS P|Paul Lewis|Two Soliloquies|Harp|4.50|76 GM253|Paul Lewis
PARIS PARAPLUIE for harp
Goodmusic GM253|'A photo of harpist Maia Darme, smiling beneath her umbrella in the Paris rain, inspired this Parisian-style waltz.
S''il pleut a Paris, n''importe pas, c''est la pluie parisienne!
If it rains in Paris, no matter, it''s Parisian rain! Paul Lewis
Duration 4? minutes

A companion piece Paris Parasol (GM477) is also available.'|9790222308794|LEWIS P|Paul Lewis|Paris Parapluie|Harp|4.50|76 GM254|Paul Carr
DO I LOVE YOU
for mixed voice choir and piano
Goodmusic GM254|'This is an arrangement for mixed voice choir (SATB) and piano of one of the movements from Paul Carr''s "Requiem for an Angel". The words are by Jack Larson (1928-2015)

Do I love you more than a day?
Days used to be faint hours to endure.
Now, through our love,
I feel each hour on this spinned world about the sun.
Embodied time, I live creation.
Through you. And I love you more than a day.
. . . . . . . .

Duration 4? minutes

Also available in a version for female voice choir and piano - GM249 and the original solo song - GM275.'|9790222309227|CARR P|Paul Carr|Do I Love You|Choir - Mixed voices (SATB)|4.00|63 GM255|Paul Lewis
TWO SOLILOQUIES for trio
Goodmusic GM255|Two Soliloquies were originally composed in 1997 as solos for harpist Elizabeth Jane Baldry.
The composer made this trio arrangement (for Flute [or Violin], Viola and Harp) for the Aurora Trio in September 2018.

The soliloquies are rhapsodic and improvisatory in nature and the second makes use of motifs based on the initials of the original dedicatee and the composer, represented by means of an extended musical alphabet whereby the initials EJB become the notes ECB and PRL become BDE.
Paul Lewis

Duration 8? minutes

Also available in the original solo harp version - GM252.|9790222309234|LEWIS P|Paul Lewis|Two Soliloquies (Fl/Vla/Harp)|Ensemble - Mixed|7.50|136 GM256|Paul Lewis
CRADLE SONG & MUSIC BOX POLKA for Harp
Goodmusic GM256|'Cradle Song & Music Box Polka were commissioned by Graham and Jenny Pay as a gift for their daughter, harpist Camilla Pay, upon the birth of her second daughter, Claudia Poppy Knight, on November 17th 2018.
They are companion pieces to Lullaby and Music Box Waltz (GM155), which were similarly commissioned for the birth of Camilla''s first daughter in 2014 - a musical sister for a sister in fact! Paul Lewis
Duration 6 minutes'|9790222309548|LEWIS P|Paul Lewis|Cradle Song and Music Box Polka|Harp|4.00|63 GM257|Paul Lewis
CHAMEROLLES for flute or violin and guitar
Goodmusic GM257|'Chamerolles is a fairytale French renaissance chateau built by the romantically named Lancelot du Lac, (Lancelot of the Lake,) which has been restored and its ancient gardens replanted. It is bathed in the perfumes of fragrant flowers outside and of essences distilled from ancient recipes within. All this deeply moved the composer on his visit and inspired the music.
Danse Galante: Noblemen and their ladies dance in the courtyard on a summer evening.
Jardin d''Autrefois: Garden from another time - a place of contemplation and lovers'' trysts.
Parfum d''Antan: Scent of yesteryear - something lingers in the air evoking memories of past lives and loves.
Lancelot du Lac: Lancelot of the Lake returns in spirit, inspired by the rebirth of his ancient home. Paul Lewis

First performed by the dedicatees, Susanna Candlin, violin, and John Mills, guitar, at the Mediaeval Hall, Salisbury, on October 15th, 1994. Guitar fingering by John Mills.

Duration 12 minutes'|9790222309852|LEWIS P|Paul Lewis|Chamerolles (Vln+Gtr or Fl+Gtr)|Ensemble - Mixed|8.50|160 GM258|Paul Lewis
ETUDES AMICALES for violoncello and guitar
Goodmusic GM258|A Paris & Tango Erotique - The two Etudes Amicales, or "Friendly Studies", were written for two pairs of friends and are spontaneous gestures of appreciation for their musicianship and friendship. A Paris was composed in 1991 as a musical thank-you for a happy day in Paris with the dedicatees, guitarist Erik Marchelie and his friend and colleague, the cellist Lucille Fauquet. In the style of a Parisian cafe-valse, it uses the first three notes of my Concerto Francais for guitar, cello and orchestra, a rehearsal of which had been the reason for my visit to Paris the previous day. Having performed A Paris several times, another pair of friends, guitarist Paul Gregory and cellist Rachel Firmager, suggested that the friendly study itself should have a friend in the form of a companion piece, so in 2003, inspired by their intensely romantic performance style, I composed the Argentinian-sounding Tango Erotique. Paul Lewis

Duration 7? minutes|9790222309869|LEWIS P|Paul Lewis|Etudes Amicales (cello+guitar)|Ensemble - Mixed|6.50|124 GM259|Paul Lewis
TROIS PRELUDES for guitar and harp
Goodmusic GM259|'The Trois Preludes were composed in March 2006 to thank the dedicatees, guitarist Erik Marchelie and harpist Anne Mispelter, for their passionate performances of my music at the Journee avec le compositeur Paul Lewis, (Day with composer Paul Lewis), at the Ecole Nationale de Musique de Mantes en Yvelines on the outskirts of Paris on March 5th, 2006.
The day''s events, featuring performances of my music and an illustrated talk on my career, were conceived and organized by Erik Marchelie, himself a noted composer, guitarist and teacher, in a true sign of international musical friendship.
Duration 8 minutes'|9790222309876|LEWIS P|Paul Lewis|Trois Preludes (Harp+Guitar)|Ensemble - Mixed|5.50|100 GM260|Paul Lewis
DANCES for guitar and string quartet
Goodmusic GM260|'In 1997 guitar virtuoso John Mills asked me to write a piece to conclude his 50th birthday concert that would "bring the house down". The result was this dance suite.
The first movement, Slow Waltz, was composed in the French countryside, which perhaps accounts for its languorous romanticism - a mood that comes over me whenever I so much as think of France.
Tango (Homage to Piazzolla) was the result of a long-held desire to write something in Brazilian style.
The work ends with a fiery and energetic Fandango. A rhythmic ostinato minor key drone propels the music forward, but the guitar twice breaks into uninhibited major key strumming with the characteristically Hispanic alternation of 6/8 and 3/4. The second time the lead violin joins in with a joyful tune in folk-dance style which is eventually dismissed by a 3-note motif, ECB, the defining notes of my favourite C major seventh chord and the initials of a secret amour at the time of composing. The motif is repeated obsessively until it drives the music to a thrilling conclusion which did, as John Mills had requested, bring the house down! Paul Lewis

First performed by John Mills with a string quartet led by Susanna Candlin at London''s Wigmore Hall on September 13th, 1997

Score and set of parts included. Guitar fingering by John Mills

Duration 12 minutes'|9790222309883|LEWIS P|Paul Lewis|Dances for Guitar & String Quartet|Ensemble - Mixed|12.00|221 GM261|Paul Lewis
TROIS SERENADES for guitar, violin and violoncello
Goodmusic GM261|'Trois Serenades: three romantic pieces with a Mediterranean atmosphere, adapted from music composed in 1969 for film and TV and completed in France in April 1992 for guitar virtuoso John Mills. Paul Lewis

First performed by John Mills and friends at London''s Purcell Room on May 3rd 1992. Guitar fingering by John Mills.

Duration 6? minutes'|9790222309890|LEWIS P|Paul Lewis|Trois Serenades (Guitar+Vln+Cello)|Ensemble - Mixed|6.00|112 GM262|Paul Carr
OLD-FASHIONED LOVE SONGS for solo voice and piano
Goodmusic GM262|'Three songs of love with gorgeous music by Paul Carr for solo voice and piano.
Devotion (Fain would I change that note To which fond Love hath charm''d me.....) [Anonymous 1605]
Range: C to G (opt E)
Now sleeps the crimson petal [Alfred, Lord Tennyson 1809-1892]
Range: B to F# (opt E)
I am not yours [Sara Teasdale 1844-1933]
Range: Bb to G (opt F)

Duration 11 minutes
Also available in a version for mixed voice choir and piano (GM263).'|9790222309906|CARR P|Paul Carr|Old-Fashioned Love Songs|Voice solo (with accompaniment)|5.00|88 GM263|Paul Carr
OLD-FASHIONED LOVE SONGS for mixed voice choir
Goodmusic GM263|'Three songs of love with gorgeous music by Paul Carr for mixed voice choir (SATB) and piano.
Devotion (Fain would I change that note To which fond Love hath charm''d me.....) [Anonymous 1605]
Now sleeps the crimson petal [Alfred, Lord Tennyson 1809-1892]
I am not yours [Sara Teasdale 1844-1933]

Duration 11 minutes
Also available in a version for solo voice and piano (GM262).'|9790222309913|CARR P|Paul Carr|Old-Fashioned Love Songs|Choir - Mixed voices (SATB)|6.00|112 GM264|Paul Carr
SOFT MUSIC
for mixed voice choir and piano
Goodmusic GM264|'Composed for the Guildhall Alumni Choir in dedication to Diana Bickley with words and music by Paul Carr. A beautiful setting for SATB and piano.

Soft music floats on waves of love, as flowers burn in praise of you.
Holding the sun''s soft embrace I leap into the warm air, eyes closed,
heart still, alive with memories and chorales.
My senses are caressed by light, perfumed by music, yet in the cold
silver of the moon I cry out in the darkness to you; love is laid bare
through my pain, its song a sea of tears.
My soul shall complete its course unseen, but true; and I will rise
from a thousand sighs to bathe in the love of you.

Duration 4? minutes'|9790222309920|CARR P|Paul Carr|Soft Music|Choir - Mixed voices (SATB)|4.50|76 GM265|Peter Lawson
CARE-CHARMER SLEEP
for High Voice and Piano
Goodmusic GM265|'The song-cycle Care-Charmer Sleep was written, with funds from the Ralph Vaughan Williams Trust, for Alison Mary Sutton, who was accompanied by Alan Hazeldine, in its first performance in the Purcell Room on May 18th, 1978. It was subsequently given a live broadcast on BBC Radio 3 by Jane Manning and John McCabe. Jane Manning wrote a chapter about the work in her book New Vocal Repertory (MacMillan, 1986 - see below).
It comprises fairly straight-forward tonal and atonal settings of four poems, loosely connected in their different references to sleep, as being, in the first poem, a pre-birth to love; the second, from which the cycle takes its title, a relief from strife; the third, a shadow over waking life... and in the fourth, romance is seen as a youthful drowsiness for which the poet has now no time.
The first song, The Good Morrow, is a love poem by John Donne (1572-1631), where the poet wonders "what thou and I/Did till we loved? - were we not weaned till then?... And now good morrow to our waking souls". The piano part weaves a texture around the vocal line, sometimes reminiscent of birdsong.
The second poem, a Sonnet by Samuel Daniel (1562-1619), expresses a wish to sleep through the "day''s disdain". Here, the piano accompaniment is characterised by hypnotic repeated chords, which form a gigantic mirror canon. Rhythms and notes are reflected at the centre point, from which they are heard back in reverse order.
The third poem, The Morning Watch, by Henry Vaughan (1621-1695), expresses the joy of waking to the "Symphony of Nature" - sleep is a "curtained grave".
Finally comes Romance, by Edgar Allen Poe (1809-1849), typically dark, written some two centuries later. Romance is seen "with drowsy head and folded wing ... Far down within some shadowy lake", from the distance of "eternal Condor years"; the poet now has "no time for idle cares/Through gazing on the unquiet sky". Peter Lawson

Range (A - A). Duration 15 minutes

from Jane Manning''s New Vocal Repertory:
"substantial and strikingly original song cycle"..."this weighty and memorable song cycle would be an excellent choice for a standard mixed recital programme"..."audiences should be carried along by its dramatic sweep and intensity".'|9790222309944|LAWSON|Peter Lawson|Care-Charmer Sleep|Voice solo (with accompaniment)|6.00|112 GM266|Paul Lewis
W.I. WALTZ for piano
Goodmusic GM266|'. . . . a piece of cake for an enthusiastic pianist!
For some years I have enjoyed giving regular talks to the East Sussex Federation of Women''s Institutes, travelling to different branches throughout the county and meeting many remarkable and inspiring women.
At an audition for the West Sussex Federation speakers'' list I was asked, albeit it in jest, whether if I were accepted I would compose a waltz for their centenary in 2019. Being extremely susceptible to suggestion, I had already started composing the piece in my head before I left the hall, and here is the finished result!
Since Sir Hubert Parry''s anthem Jerusalem has been synonymous with the W.I. since 1924 and is still often sung to open their meetings, I start the Waltz with a quote from the melody and use it as a link between sections.
I have dedicated my W.I. Waltz not just to the West Sussex Federation but to the entire National Federation of Women''s Institutes, for which I have the utmost admiration.
. . . . And incidentally I passed the West Sussex audition! Paul Lewis

Duration 3 minutes'|9790222309968|LEWIS P|Paul Lewis|WI Waltz|Piano - Solo|4.00|63 GM267|Paul Lewis
GIRL WITH HARP AND ROSES for harp
Goodmusic GM267|In December 2018, browsing in an antique shop, I discovered a hand-coloured photographic print, dated 1900, of a loosely attired maiden with long wavy pre-Raphaelite hair bearing roses and gazing languidly into the air by a harp remarkably similar to the 1887 Erard Gothic harp I had recently purchased.
Is she Erato, the Muse of Love Poetry, more often portrayed with a lyre? Is she Ophelia contemplating a watery grave? Or is she the spirit of the harp itself? Whatever or whomsoever she is, she is made all the more alluring by the presence of the harp, that most seductive of musical instruments. Together, maiden and harp inspired this composition.
Girl with Harp and Roses is dedicated to harpist Alexander Rider because he loves the picture too. Paul Lewis

Duration 4? minutes
Also available in a version for harp and strings - GM362.|9790222309999|LEWIS P|Paul Lewis|Girl with Harp and Roses|Harp|4.00|63 GM268|Paul Carr
AVE VERUM CORPUS for mixed voice choir
Goodmusic GM268|A stunningly beautiful and very moving setting by Paul Carr of the Ave Verum Corpus for mixed voice choir, soprano saxophone and accompaniment of either string orchestra or organ. It was commissioned by the Chancel Choir of the Centenary United Methodist Church in Winston-Salem, North Carolina, USA in memory of their former Director of Music & Arts, Dr. Robert Frazier who died in 2018 at the age of only 53.

Whichever accompaniment is used, the choir uses the Vocal Score (which gives a piano reduction of the saxophone and accompaniment).
For the version with organ, the organist will require the Organ Score.
For the string orchestra accompaniment, a Full Score and all the parts are on sale.
The Soprano Saxophone is required whatever accompaniment is used and a separate part is on sale.

Duration 6? minutes|9790222310001|CARR P|Paul Carr|Ave Verum Corpus|Choir - Vocal score|4.50|76 GM268-00|||9790222310018|CARR P|Paul Carr|Ave Verum Corpus Full Score|Orchestral Score|6.00|76 GM268-01|||9790222310025|CARR P|Paul Carr|Ave Verum Corpus Violin 1|Orchestral Part|1.50|13 GM268-02|||9790222310032|CARR P|Paul Carr|Ave Verum Corpus Violin 2|Orchestral Part|1.50|13 GM268-03|||9790222310049|CARR P|Paul Carr|Ave Verum Corpus Viola|Orchestral Part|1.50|13 GM268-04|||9790222310056|CARR P|Paul Carr|Ave Verum Corpus Cello|Orchestral Part|1.50|13 GM268-05|||9790222310063|CARR P|Paul Carr|Ave Verum Corpus Bass|Orchestral Part|1.50|13 GM268-06|||9790222310070|CARR P|Paul Carr|Ave Verum Corpus Soprano Saxophone|Orchestral Part|1.50|13 GM268-50|||9790222310094|CARR P|Paul Carr|Ave Verum Corpus Organ Score|Choir - Vocal score|5.00|69 GM269|Peter Warlock
CAPRIOL Suite for Organ
Goodmusic GM269|'Warlock''s well-known Capriol, a six movement suite inspired by dances depicted in Arbeau''s "Orchesographie" of 1588 in a version newly arranged for organ by Malcolm Rudland. Includes detailed programme note by Fred Tomlinson.
The movements are:
Basse-Danse
Pavane
Tordion
Bransles
Pieds-en-l''air
Mattachins (Sword Dance).

Duration 10 minutes'|9790222310087|WARLOCK|Peter Warlock|Capriol arr. Rudland|Organ Solo|5.50|100 GM270|Paul Lewis
SONATINA for Lever Harp
Goodmusic GM270|Unusually for a work of mine, the Sonatina is neither pictorial nor programmatic, but is simply about the music itself and the instrument it is written for; it is in fact an attempt to contribute a substantial work to the largely neglected area of higher grade compositions of a non-folk nature for the instrument.
Though of smaller range than the pedal harp and unable to play in as many keys, the lever harp has the ability to play in more than one key at a time by the tuning of groups of strings to different keys, something that is obviously impossible on the pedal harp. Thus the Sonatina is able to move from tonality in the first movement through atonality in the second to bitonality in the third.
1. Toccatina Allegro energico (fast and energetic.)
Rapid classical-sounding semiquaver passages in 4/4 repeatedly give way to a lyrical but jazzily syncopated melody that slips from key to key through an ever-changing succession of different time signatures. Quasi-classical 4/4 has the last say and the movement ends where it began with a flurry of C major semiquavers.
2. Intermezzo Largo mesto (slow and sad.)
An atonal-sounding melody is played by the right hand while the left bends notes by means of lever slides. The second time round, left hand minor key harmonies add poignancy to the melody and piquancy to its "wrong notes". The movement ends serenely, unambiguously and perhaps unexpectedly in F major.
3. Scherzetto Allegro non troppo (not too fast.)
The extrovert finale pitches two quavers per beat in the left hand against three in the right and starts in C major, changing to C minor and back again. Thereafter it is pervaded by bitonal ambiguities and "false relations". Finally the opening is re-stated but an attempt to end fairly and squarely in C major is foiled by a dissonant sting in the tail.

Sonatina is dedicated to Anna Dunwoodie who encouraged me to write more advanced music for the lever harp than I might otherwise have contemplated. Paul Lewis

Duration 9? minutes|9790222310100|LEWIS P|Paul Lewis|Sonatina for lever harp|Lever Harp|4.50|76 GM271|Peter Lawson
A BED OF HAY Seven Carols for SATB choir
Goodmusic GM271|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 18 minutes'|9790222310230|LAWSON|Peter Lawson|A Bed of Hay - Seven Carols|Choir - Mixed voices (SATB)|7.00|113 GM272|Peter Lawson
A BED OF HAY Seven Carols for SA+Men choir
Goodmusic GM272|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 18 minutes'|9790222310247|LAWSON|Peter Lawson|A Bed of Hay - Seven Carols|Choir - Mixed voices (SAMen)|6.25|100 GM273|Peter Lawson
A BED OF HAY Seven Carols for SSA choir
Goodmusic GM273|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 18 minutes'|9790222310254|LAWSON|Peter Lawson|A Bed of Hay - Seven Carols|Choir - 3 part upper voices|6.25|100 GM274|Peter Lawson
A BED OF HAY Seven Carols for TTBB choir
Goodmusic GM274|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 18 minutes'|9790222310261|LAWSON|Peter Lawson|A Bed of Hay - Seven Carols|Choir - Male voices|7.00|113 GM275|Paul Carr
DO I LOVE YOU for voice and piano
Goodmusic GM275|'This song originally written for Paul''s brother, Gavin Carr, became one of the movements in Paul''s "Requiem for an Angel". Here it is in the original form (Range: Bb - Eb). It is suitable for male or female voice. The words are by Jack Larson (1928-2015)

Do I love you more than a day?
Days used to be faint hours to endure.
Now, through our love,
I feel each hour on this spinned world about the sun.
Embodied time, I live creation.
Through you. And I love you more than a day.
. . . . . . . .

Duration 4? minutes

Also available in a version for female voice choir and piano - GM249 and mixed voice choir - GM254.'|9790222310193|CARR P|Paul Carr|Do I Love You|Voice solo (with accompaniment)|4.00|51 GM276|John Merrick
THE BEE CAROL for unaccompanied mixed voice choir
Goodmusic GM276|'This stunningly beautiful carol was the winning entry in the BBC Radio 3 Carol Competition in 2018. The words are by Scottish poet and playwright and Poet Laureate Carol Ann Duffy.

Silently on Christmas Eve,
the turn of midnight''s key;
all the garden locked in ice -
a silver frieze -
except the winter cluster of the bees.

Duration 2? minutes

To hear the BBC Singers peforming this carol, click below

'|9790222310209|MERRICK J|John Merrick|Bee Carol|Choir - Mixed voices (SATB)|2.00|25 GM277|Paul Carr
IF EASTER BE NOT TRUE for SATB choir and organ
Goodmusic GM277|'A beautiful anthem for mixed voice choir and organ using a text by Henry H Barstow. The music is a version of the second of Paul Carr''s Old-Fashioned Love Songs (GM263)
Duration 4 minutes'|9790222310216|CARR P|Paul Carr|If Easter Be Not True|Choir - Mixed voices (SATB)|2.00|25 GM278|Paul Lewis
TROIS PRELUDES for Two Harps
Goodmusic GM278|'The Trois Preludes were originally composed for guitarist Erik Marchelie and harpist Anne Mispelter in gratitude for their passionate performances in a day-long celebration of my music at the Ecole Nationale de Music at Mantes-en-Yvelines on the outskirts of Paris in March 2006.
The present two harp version was arranged in March 2019 for Alexander Rider and Fiona Hosford to perform on their Parisian Erard harps in a recital entitled From Paris with Love, thus continuing the music''s French connection. Paul Lewis

Two copies of the playing score are included.

Duration 8 minutes'|9790222310223|LEWIS P|Paul Lewis|Trois Preludes for Two Harps|Harp Duo|8.50|160 GM279|Paul Lewis
FOUR ANTICKE DANCES for mixed voice choir and harp
Goodmusic GM279|'These pieces are evocations of 16th and 17th century dance forms by a composer long fascinated by the period. The melodies are new and no genuine anticke (old English for antique) tunes are used.
MONSIEUR LEO''S BASSEDANSE was inspired by accounts of masques in the grounds of the royal chateau at Amboise in the Loire Valley, for which Leonardo da Vinci, living nearby, devised sets and costumes. The Bassedanse was popular in France and Italy - a dance in which couples moved in a processional manner. The French text translates as "Monsieur Leonard, artist at the court of King Francois".
MASTER WILL''S SARABAND was originally written to accompany a reading of "Music Ho! Music such as charmeth sleep!" from William Shakespeare''s "A Midsummer Night''s Dream" at Petworth House in Sussex. The Saraband was a slow dance in three-time with the emphasis on the second beat.
MISTRESS NELL''S PAVAN is named after King Charles II''s favourite mistress, Nell Gwynn, and describes her not as the boisterous Covent Garden orange seller or the glittering star of the London stage, but as the luscious court beauty painted nude and recumbent by Sir Peter Lely. The king referred to Nell Gwynn as "Pretty witty Nell". The Pavan was a slow courtly dance.
MASTER KIT''S BRAWL. Brawl was Shakespeare''s anglicization of the almost unpronounceable French Bransle, a lively dance suited to tavern and village green. "Kit" was the nickname of Christopher Marlowe, playright and spy, whom some believe was the author of Shakespeare''s plays, and who died in a tavern brawl, though not of the dancing kind! Paul Lewis

Four Anticke Dances started life in 2015 as a solo harp work. This arrangement for choir and harp was made in 2019 for harpist Cecily Beer and the Choir of Royal Holloway, director Rupert Gough, with texts by the composer.
Duration 12? minutes'|9790222310810|LEWIS P|Paul Lewis|Four Anticke Dances|Choir - Mixed voices (SATB)|7.00|114 GM279-01|||9790222310827|LEWIS P|Paul Lewis|Four Anticke Dances Harp Part|Choir - Mixed voices (SATB)|4.00|50 GM280|Armstrong Gibbs
BRIDAL MARCH for Piano Duet
Goodmusic GM280|Armstrong Gibbs composed this Bridal March for the wedding of his daughter, Ann to Lyndon Rust. They married on 14th February 1948 in Danbury Church in Essex. The organ in the church had been damaged by wartime bombing and was out of action, hence the Bridal March had to be played on a piano. The pianists for the occasion were Armstrong Gibbs and Maurice Jacobson.
Gibbs was born in Great Baddow, a country village near Chelmsford in Essex on 10 August 1889. In the early 1920s, Gibbs and his family returned to Danbury, Essex, just a few miles from where he spent his childhood. Here, Vaughan Williams was their neighbour for a short time. Later, Gibbs had a house built in Danbury, named "Crossings", where he lived until World War II. In 1921 he founded the Danbury Choral Society, an amateur choir that he conducted until just before his death in 1960.
During World War II, "Crossings" was commandeered for use as a military hospital, so Gibbs and his wife, Honor, moved to Windermere in the Lake District. After the war, Gibbs and Honor returned to Essex to a small cottage near "Crossings" called "The Cottage in the Bush." At the foot of the last page of the manuscript of the Bridal March is written "C in the B 29.12.47" - expanded in this published version to aid understanding!

Duration 5 minutes

Had the organ in Danbury Church been available, it is certain that Gibbs would have composed the Bridal March for organ, so we have also published an organ arrangement of the work (arranged by Peter Lawson) - Goodmusic GM281.|9790222310834|GIBBS CA|C Armstrong Gibbs|Bridal March|Piano - 2 players on 1 piano|4.50|76 GM281|Armstrong Gibbs arr. Peter Lawson
BRIDAL MARCH for Organ
Goodmusic GM281|Armstrong Gibbs composed this Bridal March for the wedding of his daughter, Ann to Lyndon Rust. They married on 14th February 1948 in Danbury Church in Essex. The organ in the church had been damaged by wartime bombing and was out of action, hence the Bridal March had to be played on a piano. The pianists for the occasion were Armstrong Gibbs and Maurice Jacobson.
Gibbs was born in Great Baddow, a country village near Chelmsford in Essex on 10 August 1889. In the early 1920s, Gibbs and his family returned to Danbury, Essex, just a few miles from where he spent his childhood. Here, Vaughan Williams was their neighbour for a short time. Later, Gibbs had a house built in Danbury, named "Crossings", where he lived until World War II. In 1921 he founded the Danbury Choral Society, an amateur choir that he conducted until just before his death in 1960.
During World War II, "Crossings" was commandeered for use as a military hospital, so Gibbs and his wife, Honor, moved to Windermere in the Lake District. After the war, Gibbs and Honor returned to Essex to a small cottage near "Crossings" called "The Cottage in the Bush." At the foot of the last page of the manuscript of the Bridal March is written "C in the B 29.12.47".
Had the organ in Danbury Church been available, it is certain that Gibbs would have composed the Bridal March for organ, so we have published this organ arrangement of the work. The piano duet version is also available - Goodmusic GM280.

Duration 5 minutes
|9790222310841|GIBBS CA|C Armstrong Gibbs|Bridal March arr.Lawson|Organ Solo|4.50|76 GM282|Paul Carr
SAXOPHONE CONCERTO for soprano sax and piano
Goodmusic GM282|'In 2006 when I was living on the beautiful island of Mallorca I wrote an Oboe Concerto for Nicholas Daniel who gave the premiere in May 2008 at The English Music Festival. Nick also recorded the work on the Dutton label with Gavin Sutherland and the Royal Ballet Sinfonia. After a recent posting on YouTube in 2019 of the slow movement, The Unusual Quietness of Snow, Nick suggested that it would work very well on soprano saxophone, so I made this version of the Concerto for the young saxophonist, Robert Burton.

The first movement "Allegro energico" is a lively conversation where the saxophone takes the lead, pitted against the strings, in a blended mix of boisterous eruptions and loftier linear lines. The movement passes through various keys and while themes are not exactly developed they are spat out at each other, enjoying their playful correspondence.
In stark contrast the central elegy, "The unusual quietness of snow" is a slow and poignant expression of sadness and loss. At a difficult time in my life, a few days before my Mother''s death, it seemed strange that a heavy, early morning snowfall in the first days of March could have provided a sense of calmness and unity at a time of extreme emotion. It was a snowfall and a quietness I shall never forget, and I remember thinking how comforting and beautiful it was - the large heavy flakes falling slowly and silently, as if out of a mark of respect. Opening with quiet sustained chords in the strings the saxophone enters with an expressive theme that continually rises and falls, deepening in emotional intensity. Eventually the theme is taken up by the strings and joined by the saxophone as it reaches its highest point - leaving the movement to subside into calm, quiet, and eventual rest.
The final movement, "September music" is a spirited evocation of Summer''s end. Whilst the general feeling is still of warmth and lightness, there is a certain nostalgia in the central passages, hinting that Summer is on the way out and the season about to change. Paul Carr

Duration 16 minutes
This is a reduction for saxophone and piano of the original for saxophone and string orchestra. The orchestral parts are also available - GMCO171.'|9790222310858|CARR P|Paul Carr|Saxophone Concerto|Saxophone and piano|8.50|160 GM283|Paul Carr
O MAGNUM MYSTERIUM for SATB choir and orchestra
Goodmusic GM283|A beautiful new setting of O Magnum Mysterium for mixed voice choir (SATB) and oboe, harp and string orchestra.
The Vocal Score contains a piano reduction for rehearsal purposes, the Full Score and orchestral parts are also on sale.

The work is dedicated to four different choirs (Egham Choral, English Arts Chorale, Jubilate Choir & Great Missenden Choral Society), all of whom have performed other choral works by Paul and have asked for more!

Duration 7? minutes|9790222310940|CARR P|Paul Carr|O Magnum Mysterium|Choir - Vocal score|4.50|76 GM283-00|||9790222310957|CARR P|Paul Carr|O Magnum Mysterium Full Score|Orchestral Score|6.00|112 GM283-01|||9790222310964|CARR P|Paul Carr|O Magnum Mysterium Violin 1|Orchestral Part|1.50|13 GM283-02|||9790222310971|CARR P|Paul Carr|O Magnum Mysterium Violin 2|Orchestral Part|1.50|13 GM283-03|||9790222310988|CARR P|Paul Carr|O Magnum Mysterium Viola|Orchestral Part|1.50|13 GM283-04|||9790222310995|CARR P|Paul Carr|O Magnum Mysterium Cello|Orchestral Part|1.50|13 GM283-05|||9790222311008|CARR P|Paul Carr|O Magnum Mysterium Bass|Orchestral Part|1.50|13 GM283-06|||9790222311015|CARR P|Paul Carr|O Magnum Mysterium Oboe|Orchestral Part|1.50|13 GM283-07|||9790222311022|CARR P|Paul Carr|O Magnum Mysterium Harp|Orchestral Part|1.50|13 GM284|Peter Warlock
CAPRIOL Suite for Piano Duet
Goodmusic GM284|'A new clear edition of Warlock''s well-known piano duet version of Capriol, a suite inspired by dances depicted in Arbeau''s "Orchesographie" of 1588. This new 2019 edition has been taken from the original 1927 published edition but has corrected some minor anomalies between the two parts, such as missing staccato marks and accents. The two players here are shown one stave above the other rather than on opposite pages as was the custom at the time of the original edition.

Duration 10 minutes'|9790222311039|WARLOCK|Peter Warlock|Capriol Suite for Piano Duet|Piano - 2 players on 1 piano|6.00|112 GM285|Clive Jenkins
FOUR MAYFLOWER PORTRAITS for organ
Goodmusic GM285|'Like Carson Cooman''s Plymouth Soundings (GM286), Clive Jenkins'' Four Mayflower Portraits were composed especially for performances as part of Mayflower 400 celebrations on both sides of the Atlantic.
The American organist-composer Carson Cooman found old organ music by Clive Jenkins in a second hand shop on a visit to London, liked it and later had it republished in the USA. Carson is organist-composer at the Memorial Church at Harvard University just up the coast from Plymouth Massachusetts. Plymouth Devon is Clive''s birthplace and the final starting point for the Pilgrim Fathers'' epic voyage, so it seemed fitting for Clive to suggest joint premieres in 2020 - and publication of Carson''s work in the UK.

The people in the Four Mayflower Portraits
1. Myles Standish was an English military officer hired by the Pilgrims as military adviser for Plymouth Colony. He accompanied them on the Mayflower journey and played a leading role in the administration and defence of Plymouth Colony from its inception.
2. Peregrine White was born after the Mayflower had anchored in what is now Provincetown Harbor, Cape Cod. He was the second baby born on the Mayflower''s historic voyage and the first known English child born to the Pilgrims in America. His cradle can be seen in the Pilgrim Hall Museum in Plymouth, Massachusetts.
3. Priscilla Mullins was the object of two men''s affections. Myles Standish wanted to marry her but, shy and awkward in romantic matters, he asked his friend John Alden to propose on his behalf. But her response to the proposal was "Why don''t you speak for yourself, John?" As Mrs Alden she bore eleven children.
4. John Howland came on the Mayflower as manservant to John Carver who later became governor of Plymouth Colony. During the voyage, Howland fell overboard in a storm, and was almost lost at sea but he managed to grab hold of the topsail halyards and was pulled back on board with a boat-hook. His many descendants include Mrs Theodore Roosevelt and Presidents George Bush and George W. Bush.

Promoted and supported by Plymouth Culture, Plymouth Music Accord and Plymouth & District Organists'' Association as part of Mayflower 400 with funding from the Mayflower 400 Cultural Fund, two West Country organists, Richard Line and Dr Sean Sweeney perform the pieces in recitals around the UK and Carson Cooman performs them in Boston assachusetts.

Duration 11? minutes'|9790222311046|JENKINS C|Clive Jenkins|Four Mayflower Portraits|Organ Solo|6.50|124 GM286|Carson Cooman
PLYMOUTH SOUNDINGS for organ
Goodmusic GM286|'The American organist-composer Carson Cooman found old organ music by British composer Clive Jenkins in a second hand shop on a visit to London, liked it and later had it republished in the USA. Carson is organist-composer at the Memorial Church at Harvard University just up the coast from Plymouth Massachusetts. Plymouth Devon, UK is Clive''s birthplace and the final starting point for the Pilgrim Fathers'' epic voyage, so it seemed fitting for Clive to suggest joint premieres in 2020 - and publication of Carson''s work in the UK.
Plymouth Soundings (2019), like Clive Jenkins'' Four Mayflower Portraits (GM285), was composed for the Mayflower 400 celebrations (commemorating the voyage of the ship Mayflower in 1620 from Plymouth, England to establish Plymouth Colony in what is now Massachusetts). This festive work is dedicated to Clive Jenkins and Richard Line (originators of this project from Plymouth, England) and to Michael Eaton (organist at Church of the Pilgrimage, Plymouth, Massachusetts). The piece is a free fantasy on motives from psalm tunes found in the Ainsworth Psalter. This psalter, published in Amsterdam in 1612, was brought by the Pilgrims on their voyage. The collection proved seminal in the development of future American psalters and hymnody.

Promoted and supported by Plymouth Culture, Plymouth Music Accord and Plymouth & District Organists'' Association as part of Mayflower 400 with funding from the Mayflower 400 Cultural Fund, two West Country organists, Richard Line and Dr Sean Sweeney perform the pieces in recitals around the UK and Carson Cooman performs them in Boston Massachusetts.

Duration 5? minutes
'|9790222311053|COOMAN|Carson Cooman|Plymouth Soundings|Organ Solo|4.00|63 GM287|Peter Lawson
FANTASIA ON THE TWELVE DAYS OF CHRISTMAS
for SATB choir and Piano
Goodmusic GM287|Have you ever wondered what happened to all those gifts or what the recipient thought about them?
Well, now you can hear the full story of how they were all put to use by the Mistress of the Manor whose true-love went a bit over the top with his generosity!

The traditional verses of The Twelve Days of Christmas are sung with subsidiary verses between. The recipient of the gifts from her true-love is the mistress of a manor house with extensive grounds, a resourceful and feisty lady who remains undaunted by the gifts which build up alarmingly during the twelve days of Christmas. The Mistress is a Soprano and her somewhat less enthusiastic Sister an Alto. The subsidiary verses are often sung by the Mistress and Sister.
This Fantasia is available for Mixed Voice Choir (SATB) [GM287], a Mixed Voice Choir with a shortage of male voices with just one male line in the baritone range (SA+Men)[GM288], or for Upper Voice Choir (SSA)[GM289]. The vocal scores are 52 pages long. The work can be performed either with orchestra or piano accompaniment. The orchestra parts [GMCH016] are available to buy or hire.
Duration 16 minutes|9790222311060|LAWSON|Peter Lawson|Fantasia on 12 Days of Christmas|Choir - Mixed voices (SATB)|9.75|163 GM288|Peter Lawson
FANTASIA ON THE TWELVE DAYS OF CHRISTMAS
for SA+Men choir and Piano
Goodmusic GM288|Have you ever wondered what happened to all those gifts or what the recipient thought about them?
Well, now you can hear the full story of how they were all put to use by the Mistress of the Manor whose true-love went a bit over the top with his generosity!

The traditional verses of The Twelve Days of Christmas are sung with subsidiary verses between. The recipient of the gifts from her true-love is the mistress of a manor house with extensive grounds, a resourceful and feisty lady who remains undaunted by the gifts which build up alarmingly during the twelve days of Christmas. The Mistress is a Soprano and her somewhat less enthusiastic Sister an Alto. The subsidiary verses are often sung by the Mistress and Sister.
This Fantasia is available for Mixed Voice Choir (SATB) [GM287], a Mixed Voice Choir with a shortage of male voices with just one male line in the baritone range (SA+Men)[GM288], or for Upper Voice Choir (SSA)[GM289]. The vocal scores are 52 pages long. The work can be performed either with orchestra or piano accompaniment. The orchestra parts [GMCH016] are available to buy or hire.
Duration 16 minutes|9790222311077|LAWSON|Peter Lawson|Fantasia on 12 Days of Christmas|Choir - Mixed voices (SAMen)|9.75|163 GM289|Peter Lawson
FANTASIA ON THE TWELVE DAYS OF CHRISTMAS
for SSA choir and Piano
Goodmusic GM289|Have you ever wondered what happened to all those gifts or what the recipient thought about them?
Well, now you can hear the full story of how they were all put to use by the Mistress of the Manor whose true-love went a bit over the top with his generosity!

The traditional verses of The Twelve Days of Christmas are sung with subsidiary verses between. The recipient of the gifts from her true-love is the mistress of a manor house with extensive grounds, a resourceful and feisty lady who remains undaunted by the gifts which build up alarmingly during the twelve days of Christmas. The Mistress is a Soprano and her somewhat less enthusiastic Sister an Alto. The subsidiary verses are often sung by the Mistress and Sister.
This Fantasia is available for Mixed Voice Choir (SATB) [GM287], a Mixed Voice Choir with a shortage of male voices with just one male line in the baritone range (SA+Men)[GM288], or for Upper Voice Choir (SSA)[GM289]. The vocal scores are 52 pages long. The work can be performed either with orchestra or piano accompaniment. The orchestra parts [GMCH016] are available to buy or hire.
Duration 16 minutes|9790222311084|LAWSON|Peter Lawson|Fantasia on 12 Days of Christmas|Choir - 3 part upper voices|9.75|163 GM290|Paul Carr
SUMMER MUSIC
for Alto Saxophone and Piano
Goodmusic GM290|'Summer Music was originally composed in 2017 during the month of August; not a particularly good summer in the UK with rather too many days of windy wet weather. Perhaps this influenced my mood at the time, and although infused with a summer''s warmth at the start, there is a definite melancholy, almost a bluesy feel, pervading much of the first movement. The slow second movement which follows was written over the course of an evening, with a light summer rain setting the scene; an emotionally charged piece of reflection and thoughtfulness, and the stillpoint of the work. In stark contrast the final movement bounces with summer delights as I have taken to cycling along the river path which runs near my home in Bath - carefree joyousness on a perfect English summer''s day . . . at last!

Originally written as a Piano Trio and published in various combinations, I then made this arrangement two years later for Alto Saxophone and Piano for the brilliant young saxophonist, Rob Burton. Paul Carr

The three movements are titled:
One weekend in August
The softness of rainfall at night
Bicycles on Sunday morning

Duration 13 minutes'|9790222311091|CARR P|Paul Carr|Summer Music for alto sax|Saxophone and piano|9.50|173 GM291|Paul Lewis
HOPE for Harp
Goodmusic GM291|'Artist George Frederick Watts'' famous personification of Hope (which appears on the cover) inspired mixed reactions when first exhibited in 1886 since it appeared to many to depict the exact opposite: sheer hopelessness. Watts'' message that whatever one''s circumstances one must never lose hope has been exemplified for me by a dear friend whose life recently took a turn that would have crushed many, though she herself remains an inspirational beacon of warmth and optimism. In her honour therefore I dedicate this piece to all who find themselves in circumstances far harder than they could possibly have imagined. Paul Lewis
Duration 3? minutes'|9790222311107|LEWIS P|Paul Lewis|Hope|Harp|4.00|51 GM292|Paul Lewis
RELUCTANT HEROINES for Violin and Harp
Goodmusic GM292|'A suite in one movement based on characters from G.W.Pabst''s infamous 1929 silent film Pandora''s Box, an updating to 1920s Berlin of Frank Wedekind''s scandalous Lulu plays. The music is drawn from my 2007 orchestral score to the film. The Reluctant Heroines are three women who suffer heroically as a result of Lulu''s wayward lifestyle, including Lulu herself who pays the ultimate price for her peccadillos.
THE MISTRESS: Lulu as played in the film by Louise Brooks no mere Jazz Age flapper but goddess incarnate, naively innocent yet ever ready to use her seductive charms to her own ends. She is the mistress of Dr.Schon, a wealthy industrialist.
THE FIANCEE: Charlotte is the fiancee of Dr. Schon. Pale and beautiful, she is but a shadow beside Lulu''s vibrant sensuality and is trapped between Schon''s insatiable desire for his mistress and his desperate need for a socially acceptable marriage. She is publicly humiliated by Lulu who promptly marries Schon herself.
THE SUITOR: Countess Geschwitz is Lulu''s lesbian suitor. They dance a sensual waltz at Lulu''s wedding in full view of the other guests and after Lulu shoots her husband dead on their wedding night Geschwitz follows as she flees abroad to escape execution. Lulu is recognised and pursued to a French gambling ship where she loses everything. The infatuated Geschwitz attempts to settle Lulu''s debts and prevent her being turned over to the law but in the process suffers a violent heterosexual assault which sends her into raving insanity.
THE VICTIM: Lulu is her own final victim. Destitute and living in secret in a shabby London garrett she resorts to the streets to earn enough money for a meagre Christmas meal. She meets a disconsolate Jack the Ripper and takes him to her garrett, where for a while it seems that the love she offers may be the antidote to his murderous ways, but during a tender moment Jack sees a knife blade glint in the candlelight. He is powerless to control his demons and stabs Lulu to death, slipping away into the London fog.
Though the storyline is lurid to a degree, the music I have used for this suite is of a gentle nature that reflects my compassion for the characters. The solo violin is the voice of Lulu and her music dances with wayward capriciousness since I believe her to be incapable of malice in spite of the trail of ruined lives she leaves behind her. Paul Lewis

Score and parts for Violin and Harp included.
Duration 9? minutes'|9790222311190|LEWIS P|Paul Lewis|Reluctant Heroines (Vln & Harp)|Ensemble - Mixed|8.50|160 GM293|Peter Lawson
HAPPY BIG BIRTHDAY
for SATB choir and Piano
Goodmusic GM293|'An original light-hearted song of celebration. Although suitable for any birthday with a zero on the end, it would perhaps be most appropriate for birthdays in the range 40-100 of a person, organisation or even a building (with perhaps the odd appropriate alteration in the words). Whatever the occasion, alter the number in the opening line if necessary and adapt the phrase ''Big Seven-O'' to ''Big Four-O'' up to ''Big Ten-O'', accordingly.
Available in four different versions for SATB, SA+Men, SSA or TTBB.

Duration 3? minutes'|9790222311206|LAWSON|Peter Lawson|Happy Big Birthday|Choir - Mixed voices (SATB)|3.50|50 GM294|HAPPY BIG BIRTHDAY
for SA+Men choir and Piano
Goodmusic GM294|'An original light-hearted song of celebration. Although suitable for any birthday with a zero on the end, it would perhaps be most appropriate for birthdays in the range 40-100 of a person, organisation or even a building (with perhaps the odd appropriate alteration in the words). Whatever the occasion, alter the number in the opening line if necessary and adapt the phrase ''Big Seven-O'' to ''Big Four-O'' up to ''Big Ten-O'', accordingly.
Available in four different versions for SATB, SA+Men, SSA or TTBB.

Duration 3? minutes'|9790222311213|LAWSON|Peter Lawson|Happy Big Birthday|Choir - Mixed voices (SAMen)|3.50|50 GM295|HAPPY BIG BIRTHDAY
for SSA choir and Piano
Goodmusic GM295|'An original light-hearted song of celebration. Although suitable for any birthday with a zero on the end, it would perhaps be most appropriate for birthdays in the range 40-100 of a person, organisation or even a building (with perhaps the odd appropriate alteration in the words). Whatever the occasion, alter the number in the opening line if necessary and adapt the phrase ''Big Seven-O'' to ''Big Four-O'' up to ''Big Ten-O'', accordingly.
Available in four different versions for SATB, SA+Men, SSA or TTBB.

Duration 3? minutes'|9790222311220|LAWSON|Peter Lawson|Happy Big Birthday|Choir - 3 part upper voices|3.50|50 GM296|HAPPY BIG BIRTHDAY
for TTBB choir and Piano
Goodmusic GM296|'An original light-hearted song of celebration. Although suitable for any birthday with a zero on the end, it would perhaps be most appropriate for birthdays in the range 40-100 of a person, organisation or even a building (with perhaps the odd appropriate alteration in the words). Whatever the occasion, alter the number in the opening line if necessary and adapt the phrase ''Big Seven-O'' to ''Big Four-O'' up to ''Big Ten-O'', accordingly.
Available in four different versions for SATB, SA+Men, SSA or TTBB.

Duration 3? minutes'|9790222311237|LAWSON|Peter Lawson|Happy Big Birthday|Choir - Male voices|3.50|50 GM297|Carson Cooman
FOUR PIECES for organ
Goodmusic GM297|Four Pieces: Plaint, Tuba Tune, Refrains & Toccata-Rondo.

Plaint (2013) was written for Murray Forbes Somerville in memory of his mother Brenda (1912-2013). It is a quiet, lyric meditation. To hear a performance CLICK HERE

Tuba Tune (2017) is dedicated to Ian Tracey. The work is a festive tuba tune in the spirit of the famous offering of the same name by C. S. Lang. To hear a performance CLICK HERE

Refrains (2016) is dedicated to Peter Clark. The piece is built from a series of related musical materials that are presented in blocks. The overall mood is spacious and ceremonial, with the atmosphere of a forgotten rite. To hear a performance CLICK HERE

Toccata-Rondo (2014) was written for Brazilian organist Cristiano Rizzotto who premiered it on his summer 2014 South American recital tour. The work is a toccata in a traditional French romantic style, but with a contemporary American harmonic vocabulary. Two intervening rondo episodes alternate with the main toccata texture. To hear a performance CLICK HERE

Total duration about 17 minutes|9790222311244|COOMAN|Carson Cooman|Four Pieces|Organ Solo|5.50|100 GM298|Thomas Arne arr. Peter Lawson
RULE BRITANNIA!
for SA+Men choir and Piano
Goodmusic GM298|'The famous Rule Britannia! always heard at the Last Night of the Proms as the final part of Henry Wood''s Fantasia on British Sea Songs here arranged for a mixed voice choir of SA+Men and piano for choirs with a shortage of men. The verses could be sung by a soloist or soloists. Also available in a full SATB version (GM299).
Duration 3 minutes
Orchestral accompaniment is available - see GMCH017.'|9790222311251|ARNE|Thomas Arne|Rule Britannia! arr.Lawson|Choir - Mixed voices (SAMen)|2.00|25 GM299|Thomas Arne arr. Peter Lawson
RULE BRITANNIA!
for SATB choir and Piano
Goodmusic GM299|'The famous Rule Britannia! always heard at the Last Night of the Proms as the final part of Henry Wood''s Fantasia on British Sea Songs here arranged for a mixed voice choir of SATB and piano. The verses could be sung by a soloist or soloists. Also available in a version for SA+Men (GM298) for choirs with a shortage of men.
Duration 3 minutes
Orchestral accompaniment is available - see GMCH017.'|9790222311268|ARNE|Thomas Arne|Rule Britannia! arr Lawson|Choir - Mixed voices (SATB)|2.00|25 GM300|Gustav Holst
CLEAR AND COOL for choir and orchestra
Goodmusic GM300|'Orchestration: 3 Flutes (3rd optional), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones (optional), Tuba (optional), Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Mixed Voice Choir (SATB)

The first and only performance of Clear and Cool in Holst''s time took place on 26th March 1897 at the Athenaeum, Goldhawk Road, London, accompanied on the piano by Thomas Dunhill.
Reflecting his increased interest in politics, Holst had formed a Hammersmith Socialist Choir (where he met his future wife Isobel). The text is from The Water Babies by Charles Kingsley, widely read by generations of children. Here he describes the contrasting qualities of a river, symbolising good and evil, and the ABA structure of the poem is reflected in Holst''s musical setting. His earliest works were influenced by the music of Sullivan, but here there is more than a hint of Wagner in some of the harmonic progressions. Although Holst had prepared a full orchestral accompaniment, it remained dormant for 122 years!

Composed 1897, First publication 2020
First performance with orchestra 23rd November 2019 by the Charlton Kings Choral Society in Pittville Pump Room, Cheltenham conducted by John Wright.

Duration 8 minutes

Edition edited by John Wright. Scores and orchestral material available on sale or hire.'|9790222312012|HOLST|Gustav Holst|Clear and Cool|Choir - Vocal score|6.00|112 GM300-00|||9790222312029|HOLST|Gustav Holst|Clear and Cool Full Score|Orchestral Score|10.00|138 GM300-50||||HOLST|Gustav Holst|Clear and Cool Orch Part|Orchestral Part|1.50|13 GM301|Erik Satie
TROIS GNOSSIENNES for solo instrument and piano
Goodmusic GM301|'An arrangement for a variety of solo instruments with piano accompaniment. Suitable for Violin, Viola, Violoncello, Flute, Oboe, Clarinet, Saxophone in Eb or Bb, Bassoon, Horn, Trumpet, Trombone or Tuba. Buy the piano accompaniment part plus whatever solo part you require.
This may also be performed with orchestral accompaniment. See GMCL211.

Erik Satie (1866-1925) composed his Trois Gnossiennes between 1890 and 1893. Although he wrote four other pieces in a similar vein for piano, who others subsequently named Gnossiennes, the first three are by far the best known of his piano output along with the Trois Gymnopedies. The word Gnossiennes was artificially invented by Satie. At that time, he was interested in ''Gnosticism'', or the seeking of wisdom as a result of helping others. Others attribute the title to the Cretan word ''knossos'' or ''gnossos''. The remains of the Palace of Knossos were first discovered in 1878 and there was much talk at the time of the connection to the myth of Theseus, Ariadne and the Minotaur.
Like the Gymnopedies, the Gnossiennes are dreamy, mysterious, harmonically modal and similar to each other in mood, with the Gnossiennes, being more Middle Eastern in their melodic construction. They were originally written in free time, without time signature and bar lines, the idea presumably being to invite freedom of interpretation. For this version, I have put in bar lines and time signatures, as it would clearly be confusing in rehearsal if there was no clarity to indicate where to stop and start! However, the bar lines should not be regarded as a constriction and I have indicated that each piece should be rather elastic (rubato) in tempo.
Throughout, Satie gave typically quirky instructions to the pianist and I have reproduced these in the score above the relevant instrumentalist''s phrase, with a translation from the French?not a literal one in some cases. For instance, at one point Satie instructs the performer to Ouvrez la tete (literally ''open your head''). I have altered the translation to open your mind, as this would be more likely to engender a slight difference in the way in which the performer interpreted the phrase, if only just! Peter Lawson

Duration 7? minutes'|9790222312685|SATIE|Erik Satie|Trois Gnossiennes Piano Accomp.|Piano accompaniment|4.50|76 GM301-01|||9790222313996|SATIE|Erik Satie|Trois Gnossiennes Violin Part|Violin solo|1.50|13 GM301-02|||9790222314009|SATIE|Erik Satie|Trois Gnossiennes Viola Part|Viola solo|1.50|13 GM301-03|||9790222314016|SATIE|Erik Satie|Trois Gnossiennes Cello Part|Cello solo|1.50|13 GM301-04|||9790222314023|SATIE|Erik Satie|Trois Gnossiennes Flute Part|Flute solo|1.50|13 GM301-05|||9790222314030|SATIE|Erik Satie|Trois Gnossiennes Oboe Part|Oboe solo|1.50|13 GM301-06|||9790222314047|SATIE|Erik Satie|Trois Gnossiennes Clarinet Part|Clarinet|1.50|13 GM301-07|||9790222314054|SATIE|Erik Satie|Trois Gnossiennes Sax in Eb Part|Saxophone|1.50|13 GM301-08|||9790222314061|SATIE|Erik Satie|Trois Gnossiennes Sax in Bb Part|Saxophone|1.50|13 GM301-09|||9790222314078|SATIE|Erik Satie|Trois Gnossiennes Bassoon Part|Bassoon solo|1.50|13 GM301-10|||9790222314085|SATIE|Erik Satie|Trois Gnossiennes Horn in F Part|Horn in F solo|1.50|13 GM301-11|||9790222314092|SATIE|Erik Satie|Trois Gnossiennes Trumpet Part|Trumpet solo|1.50|13 GM301-12|||9790222314108|SATIE|Erik Satie|Trois Gnossiennes Trombone Part|Trombone solo|1.50|13 GM301-13|||9790222314115|SATIE|Erik Satie|Trois Gnossiennes Tuba Part|Tuba solo|1.50|13 GM302|Paul Lewis
ADIEU MICHEL for solo harp
Goodmusic GM302|'Since my teenage years the music of French composer Michel Legrand has been a source of joy and inspiration. When I heard of his death in January 2019 I went straight to the piano and found this melody waiting beneath my fingertips. It is a gentle tribute to a musical hero, suggestive of a French ballad or movie theme from the 1960s when I first discovered Legrand''s music. Paul Lewis
Also available in versions for harp duet (GM320), harp ensemble or harp quartet (GM303) or voice and harp (GM385).
Duration 4 minutes'|9790222311275|LEWIS P|Paul Lewis|Adieu Michel (Solo)|Harp|4.00|63 GM303|Paul Lewis
ADIEU MICHEL for harp quartet or ensemble
Goodmusic GM303|'Since my teenage years the music of French composer Michel Legrand has been a source of joy and inspiration. When I heard of his death in January 2019 I went straight to the piano and found this melody waiting beneath my fingertips. It is a gentle tribute to a musical hero, suggestive of a French ballad or movie theme from the 1960s when I first discovered Legrand''s music. Paul Lewis

Scored for two pedal harps and two lever harps though the lever harp parts can also be played on pedal harps. A score and one of each part is included. Individual extra parts are also available.
Duration 4 minutes

Adieu Michel is also available in versions for harp solo (GM302), harp duet (GM320) or voice and harp (GM385).'|9790222311282|LEWIS P|Paul Lewis|Adieu Michel (Ensemble version)|Harp|6.50|124 GM303-01|||9790222311299|LEWIS P|Paul Lewis|Adieu Michel (Ensemble) Harp 1 part|Harp|1.50|13 GM303-02|||9790222311305|LEWIS P|Paul Lewis|Adieu Michel (Ensemble) Harp 2 part|Harp|1.50|13 GM303-03|||9790222311312|LEWIS P|Paul Lewis|Adieu Michel (Ensemble) Harp 3 part|Harp|1.50|13 GM303-04|||9790222311329|LEWIS P|Paul Lewis|Adieu Michel (Ensemble) Harp 4 part|Harp|1.50|13 GM305|Paul Lewis
MEDITATION AND DANCE for harp
Goodmusic GM305|'A gentle piece to induce reminiscence and memories of childhood, commissioned by harpist Margaret Watson for her mother Carol''s eightieth birthday celebrations in November 2019.
Using the English extended musical alphabet by which every letter of the alphabet is assigned a note, letter R becomes note D, O becomes A and L becomes E, thus the name Carol becomes the musical motif CADAE which is heard at the beginning and end of the work and which provides the basis for a free flow of musical thought. Paul Lewis
Duration 5 minutes'|9790222311763|LEWIS P|Paul Lewis|Meditation and Dance|Harp|4.00|63 GM306|Paul Lewis
RYE RAMBLES for lever harp
Goodmusic GM306|'Rye Rambles is a tone poem in three continuous sections written in 2019 and based on material from Rye Festival Suite, a work for string orchestra and harp composed for the 40th anniversary Rye Arts Festival in 2011.
While walking through the cobbled streets for which the ancient town of Rye is famous and which, though now thronged with tourists, once echoed to the clatter of horse-drawn carriages, we encounter Morris Dancers whose presence unites past and present. We find ourselves on nearby Romney Marsh, a mystical landscape where isolated and redundant churches echo to the ghostly chanting of plainsong and Church of England hymns are sung in churches still in use. Rye was once a busy seaport and The Mermaid Inn was the haunt of notorious smuggling gangs. We eavesdrop across the centuries as a fiddler strikes up and an unruly nautical knees-up ensues. Paul Lewis
Rye Rambles was premiered by Alexander Rider in a concert at the composer''s home on June 21st 2019 and is dedicated to Alexander''s parents.
Duration 7? minutes'|9790222311756|LEWIS P|Paul Lewis|Rye Rambles|Lever Harp|4.50|76 GM307|Franz Lehar
VILIA arranged by Peter Lawson for SATB
Goodmusic GM307|'Probably the best-known song from The Merry Widow arranged for choir and piano by Peter Lawson.
The Merry Widow is an operetta by the Austro-Hungarian composer Franz Lehar with libretto by Viktor Leon & Leo Stein and English words by Adrian Ross. The story concerns a rich widow of Pontevedro (a poverty-stricken Balkan state), and her countrymen''s attempt to keep her money in the principality by finding her the right husband. It was based on an 1861 comedy play, L''attache d''ambassade (The Embassy Attache) by Henri Meilhac.
Vilia (or Vilja) means "the maid of the woods" and is sung in Act 2 of the operetta by Hanna Glawari (the wealthy widow) at a party to celebrate the birthday of the sovereign, the Grand Duke.

This choral arrangement is available in four versions:
Mixed Voice Choir SATB - GM307
Mixed Voice Choir SA+Men - GM308
Upper Voice Choir SSA - GM309
Male Voice Choir TTBB - GM310

Duration 4? minutes'|9790222311787|LEHAR|Franz Lehar|Vilia arr.Lawson|Choir - Mixed voices (SATB)|2.00|25 GM308|Franz Lehar
VILIA arranged by Peter Lawson for SA+Men
Goodmusic GM308|'Probably the best-known song from The Merry Widow arranged for choir and piano by Peter Lawson.
The Merry Widow is an operetta by the Austro-Hungarian composer Franz Lehar with libretto by Viktor Leon & Leo Stein and English words by Adrian Ross. The story concerns a rich widow of Pontevedro (a poverty-stricken Balkan state), and her countrymen''s attempt to keep her money in the principality by finding her the right husband. It was based on an 1861 comedy play, L''attache d''ambassade (The Embassy Attache) by Henri Meilhac.
Vilia (or Vilja) means "the maid of the woods" and is sung in Act 2 of the operetta by Hanna Glawari (the wealthy widow) at a party to celebrate the birthday of the sovereign, the Grand Duke.

This choral arrangement is available in four versions:
Mixed Voice Choir SATB - GM307
Mixed Voice Choir SA+Men - GM308
Upper Voice Choir SSA - GM309
Male Voice Choir TTBB - GM310

Duration 4? minutes'|9790222311794|LEHAR|Franz Lehar|Vilia arr.Lawson|Choir - Mixed voices (SAMen)|2.00|25 GM309|Franz Lehar
VILIA arranged by Peter Lawson for SSA
Goodmusic GM309|'Probably the best-known song from The Merry Widow arranged for choir and piano by Peter Lawson.
The Merry Widow is an operetta by the Austro-Hungarian composer Franz Lehar with libretto by Viktor Leon & Leo Stein and English words by Adrian Ross. The story concerns a rich widow of Pontevedro (a poverty-stricken Balkan state), and her countrymen''s attempt to keep her money in the principality by finding her the right husband. It was based on an 1861 comedy play, L''attache d''ambassade (The Embassy Attache) by Henri Meilhac.
Vilia (or Vilja) means "the maid of the woods" and is sung in Act 2 of the operetta by Hanna Glawari (the wealthy widow) at a party to celebrate the birthday of the sovereign, the Grand Duke.

This choral arrangement is available in four versions:
Mixed Voice Choir SATB - GM307
Mixed Voice Choir SA+Men - GM308
Upper Voice Choir SSA - GM309
Male Voice Choir TTBB - GM310

Duration 4? minutes'|9790222311800|LEHAR|Franz Lehar|Vilia arr.Lawson|Choir - 3 part upper voices|2.00|25 GM310|Franz Lehar
VILIA arranged by Peter Lawson for TTBB
Goodmusic GM310|'Probably the best-known song from The Merry Widow arranged for choir and piano by Peter Lawson.
The Merry Widow is an operetta by the Austro-Hungarian composer Franz Lehar with libretto by Viktor Leon & Leo Stein and English words by Adrian Ross. The story concerns a rich widow of Pontevedro (a poverty-stricken Balkan state), and her countrymen''s attempt to keep her money in the principality by finding her the right husband. It was based on an 1861 comedy play, L''attache d''ambassade (The Embassy Attache) by Henri Meilhac.
Vilia (or Vilja) means "the maid of the woods" and is sung in Act 2 of the operetta by Hanna Glawari (the wealthy widow) at a party to celebrate the birthday of the sovereign, the Grand Duke.

This choral arrangement is available in four versions:
Mixed Voice Choir SATB - GM307
Mixed Voice Choir SA+Men - GM308
Upper Voice Choir SSA - GM309
Male Voice Choir TTBB - GM310

Duration 4? minutes'|9790222311817|LEHAR|Franz Lehar|Vilia arr.Lawson|Choir - Male voices|2.00|25 GM311|Paul Lewis
POSTCARDS FROM BOLOGNA for harp
Goodmusic GM311|'Bologna is known as la Dotta, la Grassa, la Rossa - the Learned, the Fat, the Red. These three musical postcards are evocations of these three facets and are dedicated to harpist Gabriella Dall''Olio, a native of Bologna, in celebration of her home town.
1. La Dotta - the Learned
Solemn and serious as befits this ancient seat of learning. Bologna University, founded in 1088, was soon renowned for its teaching of religious and civil law and led the way in European scientific research. A sombre note is struck by the survival of an ornate anatomical theatre with a marble slab on which human corpses were dissected while students watched from the surrounding banks of seats.
2. La Grassa - the Fat
All the happiness and hustle-bustle of cafe life in the city centre as local families and tourists enjoy Bologna''s famous cuisine! Street musicians stop at tables outside and a fiddler steps inside to serenade diners with a romantic ballad. The present melodies are all original and no genuine Italian tunes were harmed in the creation of this piece!
3. La Rossa - the Red
Le Due Torri, the famous Two Towers, and the splendid mediaeval buildings lining the Piazza Maggiore are built of the red bricks that lend their distinctive hue to this splendid city. Paul Lewis

Duration 12 minutes'|9790222311824|LEWIS P|Paul Lewis|Postcards from Bologna|Harp|5.00|88 GM312|Paul Carr
I OFFER YOU LOVE for mixed voice choir and piano
Goodmusic GM312|'A setting of Mahatma Gandhi''s Prayer for Peace about love, compassion and a longing for peace. Composed as a gift for Jon L. Culpepper and Dallas Chamber Choir, who''s beautiful performance of my "Holding the Stars" last year, enthralled me. Paul Carr

GANDHI''S PRAYER FOR PEACE
I offer you peace.
I offer you love.

I offer you friendship.
I see your beauty.

I hear your need.
I feel your feelings.

My wisdom flows from the highest source.
I salute that source in you.

Let us work together.
For unity and peace.

Duration 5 minutes'|9790222311770|CARR P|Paul Carr|I Offer You Love|Choir - Mixed voices (SATB)|4.50|76 GM313|Paul Carr
FOUR NEW SEASONS for choir and orchestra
Goodmusic GM313|'Orchestration: Flute, Oboe, Clarinet in Bb & A, Bassoon, Horn in F, Trumpet in C, Percussion (Triangle, Snare Drum, Tenor Drum, Cymbals, Crotales, Glockenspiel), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Mixed Voice Choir (SATB)

Vivaldi reimagined! Settings of poems depicting the four seasons. Each season is made up of three interlinked sections/poems.

Ever since I first encountered Vivaldi''s Four Seasons (it was set for my Music O Level exam) I have loved the imagery and variety these four concertos for violin and string orchestra conjure up. There have been many re-interpretations of this work by various composers over the years, a sure testament to its enduring popularity, but very few have involved voices, and I''ve long thought of using the original Vivaldi as a basis for a new choral work, setting poems suggested to me by the atmosphere created by the individual movements in each of the four concertos.
For the most part, I have taken the harmonic structure of each movement and formed new material of my own, adding in direct quotes here and there from the more popular and instantly recognisable sections of the Vivaldi; for example, the hunting motif Vivaldi uses in the 3rd movement of Autumn, I''ve used to evoke the fluttering of leaves as they fall to the ground, and the lyrical theme he uses in the 2nd movement of Winter to describe a day by the fireside, I''ve given to the oboe in accompanying Rossetti''s popular poem "In the Bleak Midwinter".
The poems all relate to the moods and atmosphere created by Vivaldi''s evocative music, and mostly belong to their respective seasons. Emily Dickinson''s famous love-poem "Wild Nights" does not directly mention Summer, but it''s passionate outpouring has always felt to me like an evocation of summer nights, and it suits the passionate warmth of this season. Paul Carr

Vocal Scores (100 pages), Full Scores and the orchestral material are all available on sale or on hire from Goodmusic.
Duration 45 minutes'|9790222312692|CARR P|Paul Carr|Four New Seasons|Choir - Vocal score|15.00|334 GM313-00|||9790222312708|CARR P|Paul Carr|Four New Seasons Score A4|Full score|60.00|615 GM313-01|||9790222312715|CARR P|Paul Carr|Four New Seasons Violin 1|Orchestral Part|5.00|63 GM313-02|||9790222312722|CARR P|Paul Carr|Four New Seasons Violin 2|Orchestral Part|5.00|75 GM313-03|||9790222312739|CARR P|Paul Carr|Four New Seasons Viola|Orchestral Part|5.00|50 GM313-04|||9790222312746|CARR P|Paul Carr|Four New Seasons Cello|Orchestral Part|5.00|63 GM313-05|||9790222312753|CARR P|Paul Carr|Four New Seasons Bass|Orchestral Part|5.00|50 GM313-06|||9790222312760|CARR P|Paul Carr|Four New Seasons Flute|Orchestral Part|5.00|50 GM313-07|||9790222312777|CARR P|Paul Carr|Four New Seasons Oboe|Orchestral Part|5.00|50 GM313-08|||9790222312784|CARR P|Paul Carr|Four New Seasons Clarinet|Orchestral Part|5.00|50 GM313-09|||9790222312791|CARR P|Paul Carr|Four New Seasons Bassoon|Orchestral Part|5.00|50 GM313-10|||9790222312807|CARR P|Paul Carr|Four New Seasons Horn|Orchestral Part|5.00|38 GM313-11|||9790222312814|CARR P|Paul Carr|Four New Seasons Trumpet|Orchestral Part|5.00|38 GM313-12|||9790222312821|CARR P|Paul Carr|Four New Seasons Percussion|Orchestral Part|5.00|38 GM313-13|||9790222312838|CARR P|Paul Carr|Four New Seasons Harp|Orchestral Part|5.00|88 GM314|Peter Thorogood
FANTASY VARIATIONS for piano
Goodmusic GM314|'I began planning Fantasy Variations after hearing the simple tune from the clock on Copenhagen City Hall. I was studying with the Swiss pianist and musicologist Francis Engel at the Royal Irish Academy of Music. A gifted friend and fellow pupil, John Benson, was to go to London in the hope of studying with composer Herbert Howells; and everyone at the Academy wished him well and had high hopes for John''s future. Professor Engel, eager to help his star pupil, duly purchased the flight ticket on John''s behalf.
The bleak January day began with joy and ended with abject horror, as that evening news came that John''s plane had crashed in the Welsh mountains in heavy rain, and all on board were killed. Words could not describe the grief and shock of John''s family, fellow students and teachers. In due course, a concert was organised at the Academy to raise money for competitions in John''s name, and Francis Engel suggested that I should complete my Fantasy Variations for the occasion.
On the day of the concert, 9th June 1952, a deep gloom pervaded the corridors of the Academy; practice rooms were deserted and voices hushed. The unbearable silence continued into the evening and was made worse by the decision to dispense with applause. We had to walk silently on and off the platform. Professor Engel suffered unassuageable pangs of remorse at having given John the money to go to London, and eventually left Ireland for his home on the lake of Thun. Peter Thorogood

1. Encounter - a mood of foreboding dominates the first variation.
2. Dance expresses the joyful expectations and fulfilment of new friendships.
3. Pastoral brings a gentle Arcadian tone.
4. Polka - a time of merriment and good-fellowship.
5. Jig represents the more playful moods associated with happy friendship.
6. Carillon - a celebration of new friendship; the solitary bell in the final bars forshadows the brutal severance by sudden death.
7. Threnody - a song of sorrow as the funeral procession slowly approaches and passes by.
8. Retrospect brings a sense of repose and a note of remembered pleasures.
9. Parade is the remorseless passing of time and the acceptance of loss.
10. Lament - mourning and acceptance of the inevitable, and finally a philosophical calm.
11. Atonement begins with a quiet meditation which leads to a triumphant statement of faith, and the work ends with a tranquil coda.

Duration 19 minutes'|9790222313095|THOROGOOD|Peter Thorogood|Fantasy Variations|Piano - Solo|6.00|112 GM315|Paul Carr
INTO THE LIGHT for choir and orchestra
Goodmusic GM315|'Orchestration: 2 Flutes, Oboe, Cor Anglais, 2 Clarinets in B Flat, 2 Bassoons, 2 Horns in F, 2 Trumpets in C, 2 Tenor Trombones, Bass Trombone
Percussion (2 players: Glockenspiel / Snare Drum / Tam-tam / Cymbal Roll / Clash Cymbals / Tubular Bells), Harp, Organ (optional)
Strings (Violin 1, Violin 2, Viola, Violoncello, Contrabass)
Tenor Solo, SATB Choir

In composing this large-scale choral work in celebration of the 1000 year anniversary of the founding of St Edmundsbury Cathedral, as a source of text, I have incorporated quotes from The Rule of Saint Benedict, under whose doctrine the original Benedictine Abbey was founded, and woven them through verses from three Psalms; Psalms that particularly appealed to me, and were a source of inspiration in praising a devotion and love for God.

I have used Handel''s beautiful "Ode for the Birthday of Queen Anne" (a work I only recently discovered) as the basis for the opening movement; its regal qualities here taken a step further with music that seems to embrace, and even enhance the splendour of devout belief. The work takes its title from the opening lines of Saint Benedict "Let us open our eyes to the light that comes from God", and is in three movements, with the second movement being the dramatic core of the piece ("Out of the depths I cry to you, O Lord"), flanked by two emotionally-charged paeans in praise to the glory of God. Paul Carr

Commissioned by and dedicated to Leslie Olive and Suffolk Philharmonic Orchestra, in celebration of the 1,000th anniversary of the founding of the Abbey of St Edmund, Bury St Edmunds, Suffolk.

Duration 23 minutes

Scores and orchestral material available on sale or hire.'|9790222313460|CARR P|Paul Carr|Into the Light|Choir - Vocal score|8.50|160 GM315-00|||9790222313477|CARR P|Paul Carr|Into the Light A4 Score|Study score|12.50|194 GM315-01|||9790222313484|CARR P|Paul Carr|Into the Light Violin 1|Orchestral Part|2.00|25 GM315-02|||9790222313491|CARR P|Paul Carr|Into the Light Violin 2|Orchestral Part|2.00|25 GM315-03|||9790222313507|CARR P|Paul Carr|Into the Light Viola|Orchestral Part|2.00|25 GM315-04|||9790222313514|CARR P|Paul Carr|Into the Light Cello|Orchestral Part|2.50|38 GM315-05|||9790222313521|CARR P|Paul Carr|Into the Light Bass|Orchestral Part|2.00|25 GM315-06|||9790222313538|CARR P|Paul Carr|Into the Light Flute 1|Orchestral Part|1.50|13 GM315-07|||9790222313545|CARR P|Paul Carr|Into the Light Flute 2|Orchestral Part|1.50|13 GM315-08|||9790222313552|CARR P|Paul Carr|Into the Light Oboe|Orchestral Part|2.00|25 GM315-09|||9790222313569|CARR P|Paul Carr|Into the Light Cor Anglais|Orchestral Part|2.00|25 GM315-10|||9790222313576|CARR P|Paul Carr|Into the Light Clarinet 1|Orchestral Part|2.00|25 GM315-11|||9790222313583|CARR P|Paul Carr|Into the Light Clarinet 2|Orchestral Part|2.00|25 GM315-12|||9790222313590|CARR P|Paul Carr|Into the Light Bassoon 1|Orchestral Part|1.50|13 GM315-13|||9790222313606|CARR P|Paul Carr|Into the Light Bassoon 2|Orchestral Part|1.50|13 GM315-14|||9790222313613|CARR P|Paul Carr|Into the Light Horn 1|Orchestral Part|1.50|13 GM315-15|||9790222313620|CARR P|Paul Carr|Into the Light Horn 2|Orchestral Part|1.50|13 GM315-16|||9790222313637|CARR P|Paul Carr|Into the Light Trumpet 1|Orchestral Part|2.00|25 GM315-17|||9790222313644|CARR P|Paul Carr|Into the Light Trumpet 2|Orchestral Part|1.50|13 GM315-18|||9790222313651|CARR P|Paul Carr|Into the Light Trombone 1|Orchestral Part|1.50|13 GM315-19|||9790222313668|CARR P|Paul Carr|Into the Light Trombone 2|Orchestral Part|1.50|13 GM315-20|||9790222313675|CARR P|Paul Carr|Into the Light Trombone 3|Orchestral Part|1.50|13 GM315-21|||9790222313682|CARR P|Paul Carr|Into the Light Percussion|Orchestral Part|1.50|13 GM315-22|||9790222313699|CARR P|Paul Carr|Into the Light Harp|Orchestral Part|2.50|38 GM315-23|||9790222313705|CARR P|Paul Carr|Into the Light Organ|Orchestral Part|2.00|25 GM315-50|||9790222313712|CARR P|Paul Carr|Into the Light A3 Score|Full score|25.00|390 GM316|Paul Lewis
PERFUME NOTES
for Soprano vocalise or Flute or Violin and Harp
Goodmusic GM316|'Three melodies that leave the listener with memories which, like a perfume, waft in and out of the mind.
Jasmine, a youthful, bright and fresh fragrance bringing with it memories of spring and the promise of summer.
Musk, a powerful fragrance that has presence and a passionate character.
Rose, a timeless scent that evokes nostalgia. The rose is the eternal flower of romance and love.
Without the essence of pure love, what we create can have no soul. Sharon Elizabeth

Paul and Sharon Elizabeth Lewis''s interest in the ancient art of blending and distilling perfume began with a visit to the Chateau de Chamerolles, France, where recreations of ancient perfumes made from plants grown in the chateau''s renaissance gardens can be enjoyed. It was the parfumier''s terminology for the layers of scents known as high, base and the heart notes, which when combined create a perfume by making a perfect "accord" or chord, that suggested this musical evocation of heady olfactory delights.
The three arias that make up Perfume Notes were composed in 2008 and premiered on October 30th that year by the dedicatee Sharon Elizabeth and the composer in a gala concert to celebrate the first anniversary of the opening of the Tauranga Art Gallery, Tauranga, New Zealand.

Harp adaptation of the original piano accompaniment, March 2020

Duration 7? minutes'|9790222313729|LEWIS P|Paul Lewis|Perfume Notes (Voice/Vln/Fl+Harp)|Voice solo (with accompaniment)|5.00|88 GM317|Franz Schubert
MARCHES MILITAIRES for piano duet
Goodmusic GM317|'Edited by Peter Lawson, who has also done an orchestral arrangement of these three marches (Goodmusic GMCL213 and GMCL214), here is a new clear edition of these favourite pieces.

Schubert''s Trois Marches Militaires were written when the composer was in his early twenties, while teaching music to the daughters of Count Johann Karl Esterhazy at his summer home in Zseliz, then in Hungary. The French title may have been to deflect the performers from assuming that the marches were Austro-Hungarian in nature and, maybe, to appeal to a more international clientele when they were published in 1826. In this regard they do not stand alone, as the composer gave French titles to a number of piano pieces, such as the Moments Musicaux. Sadly, Schubert only lived for another two years and never achieved recognition in France until after his death.

The three marches are in ternary form, with the march sections recapitulated after a central Trio. The first one, in D major, is by far the best known - even Stravinsky quotes it in his Circus Polka. In fact, all three marches are equally tuneful and memorable. The second march is shorter and triumphal in nature. The third is longer and has an endearing ''swagger'', with a spectacular appearance of Schubert''s characteristic German 6th chord in the thirty-second bar. The central Trio sections, in particular, are full of Viennese finesse and will bring a smile of delight to the listener with their unexpected harmonic twists. They are charming, almost balletic in nature and it is no surprise that Isadora Duncan saw the choreographic potential of the first piece in 1909.
Above all, they are immense fun to play. Peter Lawson

Duration approx 17 minutes'|9790222314405|SCHUBERT|Franz Schubert|Marches Militaires|Piano - 2 players on 1 piano|5.50|100 GM318|Paul Carr
LOVE SONG
for Cello and Piano
Goodmusic GM318|'An arrangement of Paul''s beautiful setting of "Now Sleeps the Crimson Petal", one of the "Old-Fashioned Love Songs" originally composed for solo voice. (Goodmusic GM262)
Duration 3 minutes'|9790222313989|CARR P|Paul Carr|Love Song|Cello and piano|4.00|63 GM319|Paul Lewis
MEMORIES OF AMBOISE for solo harp
Goodmusic GM319|Amboise is my favourite Loire Valley city. Though it was the historic architecture that first attracted me, the memories I celebrate here are of a personal nature and reflect the heartfelt hospitality I have always received in the city.

Au Cheval Blanc (At The White Horse)
Le Cheval Blanc is a hotel and restaurant near the chateau. When I was a guest in 2002 the proprietress was a young Spanish woman whose warmth, allied with the animated gestures of a flamenco dancer, quite disarmed me. I began this piece on my return to England, but Teresa has subsequently sold the hotel and moved away I know not where, so she will never know about the music she inspired.

A la Patisserie Bigot (At the Bigot Patisserie)
La Patisserie Bigot is my favourite salon de the. I have paid many visits but still fondly recall the first one in 1978. Since its opening it has been presided over by successive Bigot family matriarchs, and I am lucky enough to have met the first three ladies to have fulfilled this role. In fact on my last visit in 2008 they were all were present and my wife and I have happy memories of sharing a table with the charming grand-mere who first welcomed me thirty years previously.

My Memories of Amboise are therefore dedicated to the four ladies whose hospitality was my inspiration, and after lying unfinished for eighteen years, the pieces were completed in 2020 at the request of harpist Rachel Talitman, for whose enthusiasm I am ever grateful. Paul Lewis

Duration 7 minutes|9790222314399|LEWIS P|Paul Lewis|Memories of Amboise|Harp|4.50|76 GM320|Paul Lewis
ADIEU MICHEL for harp duet
Goodmusic GM320|'Since my teenage years the music of French composer Michel Legrand has been a source of joy and inspiration. When I heard of his death in January 2019 I went straight to the piano and found this melody waiting beneath my fingertips. It is a gentle tribute to a musical hero, suggestive of a French ballad or movie theme from the 1960s when I first discovered Legrand''s music. Paul Lewis
Two copies are included.
Also available in versions for harp solo (GM302), harp ensemble or quartet (GM303) or voice and harp (GM385).
Duration 4 minutes'|9790222314382|LEWIS P|Paul Lewis|Adieu Michel for Two Harps|Harp Duo|5.00|88 GM321|Hubert Parry
JERUSALEM for SATB choir
Goodmusic GM321|'Arranged by Peter Lawson, this new four part SATB mixed voice choir arrangement of Parry''s Jerusalem is compatible with either the Parry orchestration (Goodmusic GMCH006) or the Elgar orchestration (Goodmusic GMCH011) whereas previously only a compatible unison version was available. It can also be performed with just piano or organ accompaniment. Also available are versions for three part mixed voice choir (SA+Men - GM322), upper voice choir (SSA - GM323) or male voice choir (TTBB - GM324).
Duration 2? minutes'|9790222314412|PARRY|C. Hubert H. Parry|Jerusalem arr.Lawson|Choir - Mixed voices (SATB)|2.00|25 GM322|Hubert Parry
JERUSALEM for SA+Men choir
Goodmusic GM322|'Arranged by Peter Lawson, this new three part mixed voice choir (SA+Men) arrangement of Parry''s Jerusalem is compatible with either the Parry orchestration (Goodmusic GMCH006) or the Elgar orchestration (Goodmusic GMCH011) whereas previously only a compatible unison version was available. It can also be performed with just piano or organ accompaniment. Also available are versions for four part mixed voice choir (SATB - GM321), upper voice choir (SSA - GM323) or male voice choir (TTBB - GM324).
Duration 2? minutes'|9790222314429|PARRY|C. Hubert H. Parry|Jerusalem arr.Lawson|Choir - Mixed voices (SAMen)|2.00|25 GM323|Hubert Parry
JERUSALEM for SSA choir
Goodmusic GM323|'Arranged by Peter Lawson, this new three part SSA upper voice choir arrangement of Parry''s Jerusalem is compatible with either the Parry orchestration (Goodmusic GMCH006) or the Elgar orchestration (Goodmusic GMCH011) whereas previously only a compatible unison version was available. It can also be performed with just piano or organ accompaniment. Also available are versions for four part mixed voice choir (SATB - GM321), three part mixed voice choir (SA+Men - GM322), or male voice choir (TTBB - GM324).
Duration 2? minutes'|9790222314436|PARRY|C. Hubert H. Parry|Jerusalem arr.Lawson|Choir - 3 part upper voices|2.00|25 GM324|Hubert Parry
JERUSALEM for TTBB choir
Goodmusic GM324|'Arranged by Peter Lawson, this new four part TTBB male voice choir arrangement of Parry''s Jerusalem is compatible with either the Parry orchestration (Goodmusic GMCH006) or the Elgar orchestration (Goodmusic GMCH011) whereas previously only a compatible unison version was available. It can also be performed with just piano or organ accompaniment. Also available are versions for four part mixed voice choir (SATB - GM321), three part mixed voice choir (SA+Men - GM322) or upper voice choir (SSA - GM323).
Duration 2? minutes'|9790222314443|PARRY|C. Hubert H. Parry|Jerusalem arr.Lawson|Choir - Male voices|2.00|25 GM325|Paul Lewis
SEAFORD SNAPSHOTS for horn and strings
Goodmusic GM325|This suite of six movements was commissioned by Brian Spiby to celebrate his adoptive home town of Seaford on the Sussex coast and its fascinating history. It is written for Horn and String Quartet with optional Double Bass and depicts various aspects of Seaford.
A full score and all parts are included.

Splash Point In mediaeval times Seaford was one of the most prosperous ports on the South Coast of England with a long history of attacks by the French. Horn calls echoing from ship to shore open the movement and are followed by a rousing melody in sea shanty-style symbolising the spirit of old Seaford.
The Seven Sisters Seven gentle hills slope down to white cliffs as the South Downs meet the sea. Magnificent and moody, these sentinels have guarded the entrance to the Cuckmere River for millennia and now try vainly to protect the fragile edges of our coastline, not from the French, but from the English Channel.
Corsica Hall Built in 1832 from the proceeds of imported Corsican wine, this was the residence of the local MP John Fitzgerald. Over the decades it saw many grand assemblies attended by the great and the good of Seaford, when writers, poets and politicians danced among the columns in the elegant panelled ballroom.
The Esplanade The 1920s and 30s saw Seaford in its heyday with the doubling of the railway line, the increase in the number of schools and its reputation for fresh air! A golf course encouraged an increase in the number of fashionable hotels, dance halls and roller skating rinks, all lending themselves to that very Edwardian habit: promenading.
The Beach Huts In 2018 Seaford re-created some of the atmosphere of the 50s and 60s with its new beach huts, so reminiscent of those candy-floss, kiss me-quick, Donald McGill saucy postcards days.
The Buckle In 1545 the French launched the last seaborne attack on Seaford but were roundly defeated when Sir Nicholas Pelham, (emblem a buckle) did, to quote his epitaph, "repell them back aboord." This love-hate relationship with the French has, thankfully, stabilised over the centuries and the entente is now generally cordiale, only one traditional enemy remaining - the sea.
Duration 18 minutes|9790222320079|LEWIS P|Paul Lewis|Seaford Snapshots (Hn+Strings)|Ensemble - Mixed|25.00|0 GM326|Gustav Holst arr Richard Brasier
SCHERZO (Unfinished Symphony) for Organ Duet
Goodmusic GM326|'Gustav Holst started work on his second symphony on 30th July 1933. He decided to begin with a scherzo. He finished the first sketch on 18th August 1933. During the final eight months of his life, he managed to orchestrate the Scherzo (H192), through bouts of illness. Unfortunately, he never commenced work on the other two or three movements (whatever he intended). In the event, Holst never heard a live performance of the work.
The first performance was given on 6th February 1935 by the BBC Symphony Orchestra under its conductor, Adrian Boult. The concert took place at the Queen''s Hall in London.
As Michael Short states in his biography of Holst, because of its brevity and unfamiliarity, Boult suggested that it should be performed twice in the concert. He went on the say, "It is fiendishly difficult to play and I imagine not too easy to listen to and so I think a case for immediate repetition might be made."
The Musical Times later wrote, "As it stands, it sounds too inconclusive, but it is characteristically angular, rather chilly in temperature and European rather than national in style? as if Hindemith had taken a hand in a scherzo by Vaughan Williams."
Following comment by critics that it must have been intended as a work complete in itself, Vaughan Williams wrote to the Times on 11th February 1935 saying, "I remember well that when he (Holst) first showed it to me, he told me that he intended to write a symphony and that he had sketched the scherzo movement first."
The score was published by Boosey and Hawkes in 1947. There is also an arrangement for two pianos. Chris Cope, Holst Society

Background to this arrangement
This arrangement for organ duet of the Scherzo pushes the bounds of virtuosity on the organ to the very limit. The orchestral original transfers exceptionally well to the organ, so the task of re-committing to manuscript was not an onerous one. Rehearsing the work requires hours of slow practice, unnatural contortions of the human body, patience, and complete confidence in your performing partner. The work was premiered by Richard Brasier and Tom Bell on 7th March 2015 at Westminster Central Hall, as part of the annual London Organ Day. Richard Brasier

Duration c.7 minutes
A recording of the Scherzo, performed by Richard Brasier and Tom Bell, features on "Alpha & Omega - Gustav Holst, Christmas Music", on the EM Record label (EMR CD062)'|9790222314702|HOLST|Gustav Holst|Scherzo arr.Brasier|Organ duet|7.50|136 GM327|Edward Elgar arr.Peter Lawson
POMP & CIRCUMSTANCE MARCH No.1 for Piano Duet
Goodmusic GM327|'This arrangement came about when I was making a harmonised choral version of Land of Hope and Glory, for various choir combinations to sing at the appropriate places when the famous tune occurs in Elgar''s Pomp and Circumstance March No 1. It first appears in the key of G (rather low for voices) and triumphantly returns near the end in D (rather too high for some voices). Instead of singing in unison, choirs could comfortably sing in harmony with the audience singing along in unison. This would solve the problem of choir members going off range as the tune either goes too low or too high for them. I thought of putting in cues from the orchestra or piano, but I came to the conclusion that a piano reduction would be the best idea. The problem with this is that the March sections are very busy and the piano reduction would either sound disappointingly simplified or would be almost impossibly difficult to play. It takes a good pianist to deal with an arrangement which tries to get too much in. The art of a good reduction is what to leave out as much as what to put in.
I then thought, "Pity I couldn''t make a piano duet arrangement of it", quickly followed by "What great fun that would be to play!" So this version, which may sound flashy, isn''t too difficult and, hopefully, will entertain performers and audience alike, in the absence of an orchestra. It could be used with the choir singing along in a Prom or Jubilee type concert. I would estimate that it could be played by two good grade 7 players.
Ironically, having done this, it was much easier to then, after all, make a one-player arrangement for a rehearsal pianist or performance, which is only a shade trickier than the duet version and could be played by a competent grade 7-8 pianist! But, obviously the duet arrangement is much more spectacular and faithful to the original with the four hands at one''s disposal. Peter Lawson
Duration 6 minutes'|9790222314788|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr.Lawson)|Piano - 2 players on 1 piano|5.00|88 GM328|Edward Elgar arr.Peter Lawson
POMP & CIRCUMSTANCE MARCH No.1 for SATB choir
Goodmusic GM328|'In Elgar''s Pomp and Circumstance March No.1 the Land of Hope and Glory section first appears in the key of G (rather low for voices) and triumphantly returns near the end in D (rather too high for some voices). With this arrangement, instead of singing in unison, choirs could comfortably sing in harmony with the audience singing along in unison. This would solve the problem of choir members going off range as the tune either goes too low or too high for them.
As the choir is only involved for part of the work, the March does give an opportunity for the pianist to shine and could be played by a competent grade 7-8 pianist. There is also available a piano duet arrangement which could be used to accompany the choir, or, of course, if you have a full orchestra, that would do . . . . . Peter Lawson
Duration 6 minutes

This choral arrangement is available in four versions:
Mixed Voice Choir SATB - GM328
Mixed Voice Choir SA+Men - GM329
Upper Voice Choir SSA - GM330
Male Voice Choir TTBB - GM331
Piano duet arrangement - GM327'|9790222314795|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr.Lawson)|Choir - Mixed voices (SATB)|2.75|38 GM329|Edward Elgar arr.Peter Lawson
POMP & CIRCUMSTANCE MARCH No.1 for SA+Men choir
Goodmusic GM329|'In Elgar''s Pomp and Circumstance March No.1 the Land of Hope and Glory section first appears in the key of G (rather low for voices) and triumphantly returns near the end in D (rather too high for some voices). With this arrangement, instead of singing in unison, choirs could comfortably sing in harmony with the audience singing along in unison. This would solve the problem of choir members going off range as the tune either goes too low or too high for them.
As the choir is only involved for part of the work, the March does give an opportunity for the pianist to shine and could be played by a competent grade 7-8 pianist. There is also available a piano duet arrangement which could be used to accompany the choir, or, of course, if you have a full orchestra, that would do . . . . . Peter Lawson
Duration 6 minutes

This choral arrangement is available in four versions:
Mixed Voice Choir SATB - GM328
Mixed Voice Choir SA+Men - GM329
Upper Voice Choir SSA - GM330
Male Voice Choir TTBB - GM331
Piano duet arrangement - GM327'|9790222314801|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr.Lawson)|Choir - Mixed voices (SAMen)|2.75|38 GM330|Edward Elgar arr.Peter Lawson
POMP & CIRCUMSTANCE MARCH No.1 for SSA choir
Goodmusic GM330|'In Elgar''s Pomp and Circumstance March No.1 the Land of Hope and Glory section first appears in the key of G (rather low for voices) and triumphantly returns near the end in D (rather too high for some voices). With this arrangement, instead of singing in unison, choirs could comfortably sing in harmony with the audience singing along in unison. This would solve the problem of choir members going off range as the tune either goes too low or too high for them.
As the choir is only involved for part of the work, the March does give an opportunity for the pianist to shine and could be played by a competent grade 7-8 pianist. There is also available a piano duet arrangement which could be used to accompany the choir, or, of course, if you have a full orchestra, that would do . . . . . Peter Lawson
Duration 6 minutes

This choral arrangement is available in four versions:
Mixed Voice Choir SATB - GM328
Mixed Voice Choir SA+Men - GM329
Upper Voice Choir SSA - GM330
Male Voice Choir TTBB - GM331
Piano duet arrangement - GM327'|9790222314818|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr.Lawson)|Choir - 3 part upper voices|2.75|38 GM331|Edward Elgar arr.Peter Lawson
POMP & CIRCUMSTANCE MARCH No.1 for TTBB choir
Goodmusic GM331|'In Elgar''s Pomp and Circumstance March No.1 the Land of Hope and Glory section first appears in the key of G (rather low for voices) and triumphantly returns near the end in D (rather too high for some voices). With this arrangement, instead of singing in unison, choirs could comfortably sing in harmony with the audience singing along in unison. This would solve the problem of choir members going off range as the tune either goes too low or too high for them.
As the choir is only involved for part of the work, the March does give an opportunity for the pianist to shine and could be played by a competent grade 7-8 pianist. There is also available a piano duet arrangement which could be used to accompany the choir, or, of course, if you have a full orchestra, that would do . . . . . Peter Lawson
Duration 6 minutes

This choral arrangement is available in four versions:
Mixed Voice Choir SATB - GM328
Mixed Voice Choir SA+Men - GM329
Upper Voice Choir SSA - GM330
Male Voice Choir TTBB - GM331
Piano duet arrangement - GM327'|9790222314825|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr.Lawson)|Choir - Male voices|2.75|38 GM332|Paul Carr
THE LIGHT OF LOVE for choir and four instruments
Goodmusic GM332|'The Light of Love - A Requiem Mass for mixed voice choir with soprano saxophone, violoncello, harp and organ.
Commissioned by Ken & Stella Palmer to celebrate their 15th wedding anniversary, this second Requiem by Paul Carr uses the standard Latin Requiem text with additional words by Euan Tait.

Having already composed Requiem for an Angel in 2006 (now one of my most frequently performed works), it was a little daunting thinking about starting a second Requiem, and especially so, during the Coronavirus Lockdown period in 2020; although, I should add that this, in fact, kept me occupied and I found myself relishing the creative process, even though writing a Mass for the Dead during such a troubled time in the world. After initially talking through the project with Ken and Stella, I learned that their most favoured Requiem was the Mozart, a work they''ve both sung many times, and that gave me the key to starting, in using the Mozart as a model; in some movements I have used harmonic and thematic structures from the Mozart as a basis for my own. It was also Ken and Stella''s wish that I use my Air for Strings (which they often hear played on Classic FM) for the Agnus Dei. The commission was for choir and organ, with soprano saxophone and cello, but I also added in a harp, creating I feel, a rather beautiful quartet of instruments. I''ve always loved Euan Tait''s words and his emotional response to the Requiem texts have been the most vital part in creating this substantial, though intimate Requiem; and this being my second, we decided upon a different title, The Light of Love, as ''light'' and ''love'' are the two most prevalent themes in this work. Paul Carr

Duration 55 minutes
The Vocal Score, an A4 sized Study Score, an A3 sized Full Score and the set of instrumental parts are on sale.
All material is also available on hire from Goodmusic.
(The audio file gives excerpts of each of the 13 movements)'|9790222314832|CARR P|Paul Carr|Light of Love (Requiem)|Choir - Vocal score|15.00|330 GM332-00|||9790222314849|CARR P|Paul Carr|Light of Love (Requiem) A4 score|Study score|15.00|254 GM332-01|||9790222314856|CARR P|Paul Carr|Light of Love (Requiem) Instr.parts|Ensemble - Mixed|25.00|330 GM332-50|||9790222314863|CARR P|Paul Carr|Light of Love (Requiem) A3 score|Full score|40.00|520 GM333|Bach/Elgar/Brasier/Bell
FANTASIA & FUGUE in C minor BWV 537
for organ duet
Goodmusic GM333|'J.S.Bach''s Fantasia & Fugue in C minor as orchestrated by Elgar, then arranged for organ duet by Richard Brasier and Tom Bell.
There is a poignant story connected with this work. Edward Elgar had been hoping to write a new piece of his own for the Gloucester Three Choirs Festival in 1922, but following his wife''s death, he was finding it impossible to write original music, because, as he said "The upset has been too great". So, instead, he turned for solace and inspiration to the music of Bach, and Elgar''s magnificent orchestral showpiece was the result.
This arrangement was premiered by Richard Brasier and Tom Bell on 2nd March 2016 at Holy Trinity Sloane Square, London, UK
Duration 9? minutes'|9790222314870|BACH/ELGAR|Bach arr.Elgar|Fantasia & Fugue arr.Brasier & Bell|Organ duet|8.00|149 GM334|Hubert Parry arr Joseph Wicks after Elgar
JERUSALEM for voices & organ
Goodmusic GM334|'An organ arrangement of the Elgar orchestration of the accompaniment to Parry''s Jerusalem. More florid than Parry''s original orchestration, Elgar''s version is a popular favourite particularly at the Last Night of the Proms. This organ version by Joseph Wicks includes all Elgar''s tricky bits!
Duration 2? minutes'|9790222314894|PARRY|C. Hubert H. Parry|Jerusalem (arr. Elgar/Joseph Wicks)|Organ Solo|3.50|25 GM335|Polo Piatti
THE IMPOSSIBLE PIECES for soloists and piano
Goodmusic GM335|Piano reduction of the orchestral accompaniment with copies of the solo parts included:
Solo Trumpet in C (No.1 & 4)
Solo Clarinet in A (No.2 & 4)
Solo Violin (No.3 & 4)

The Impossible Pieces were conceived as four short individual pieces written for three world class soloists (clarinet, trumpet and violin), each leading the orchestra with a different melody while the orchestral accompaniment remains exactly the same. What makes the work unique is the surprise at the end, when all three soloists come together in a glorious finale with all three melodies slotting together seamlessly in the fourth piece. Constructed with a very elaborate counterpoint throughout, universally appealing, uplifting and with the flair and panache of a concerto but much shorter in length, The Impossible Pieces may be difficult to play (though not impossible!) making them true showcase works for virtuoso soloists.
The Impossible Piece No.1 for Trumpet in C & Orchestra
The Impossible Piece No.2 for Clarinet in A & Orchestra
The Impossible Piece No.3 for Violin & Orchestra
The Impossible Piece No.4 for Trumpet in C, Clarinet in Bb, Violin & Orchestra
The accompaniment is the same for each piece. All four pieces can be played one after the other with the three soloists coming together for No.4. Alternatively, Nos.1, 2 or 3 would make ideal solo encore pieces if played alone. It would also be possible to perform No.4 with only two of the three soloists.

Duration 3? minutes each piece - 14 minutes for all four one after the other

The computer-generated audio here is of No.4 with all three soloists playing together with the piano accompaniment.
For the orchestral version see GMCO177 where you can listen to a computer-generated performance of all four pieces; trumpet solo first, then clarinet solo, then violin solo followed by No.4 when all three soloists fit together. Amazing!!|9790222314887|PIATTI|Polo Piatti|The Impossible Pieces (Trp/Cl/Vln)|Instrument and piano|7.50|136 GM336|Gustav Holst
THE VOYAGER (Twelve part-songs)
for mixed voice choir
Goodmusic GM336|'A collection of 12 previously unpublished part-songs by Gustav Holst for mixed voice choir (SATB), some are in 4 parts and others are for 6-part choir.
Contents:
The Stars are with the Voyager; Spring it is Cheery; O Lady, Leave thy Silken Thread; There''s a Voice in the Wind; Frank Leigh''s Song: A.D. 1586 (Ah Tyrant Love); Come Away, Death; It was a Lover and his Lass; In Youth is Pleasure; Now Rest Thee From All Care; Diverus and Lazarus; Playground Song; The Lover''s Complaint.
Edited by John Wright, Benedict Preece & Paul Sarcich. Includes notes on the part-songs by Chris Cope of the Holst Society.

52 pages. Total duration c.25 minutes

All of these part-songs (except "Playground Song") are also on sale separately, numbered GM403 to GM413'|9790222314900|HOLST|Gustav Holst|The Voyager (Twelve part-songs)|Choir - Mixed voices (SATB)|10.75|197 GM337|Peter Warlock
A SOPRANO SONGBOOK
Goodmusic GM337|'A collection of 23 songs by Peter Warlock in an up-to-date edition by Michael Pilkington, published in association with the Peter Warlock Society. An 84 page book with photographs and extensive notes containing:-
Sleep; Sweet Content; A Sad Song; Late Summer; Autumn Twilight; My little sweet darling; Consider; Balulalow; Take, O take those lips away; Pretty Ring Time; Lullaby; The bayly berith the bell away; The Singer; The Lover''s Maze; Rest sweet nymphs; Cradle Song; The First Mercy; Jillian of Berry; Robin Good-fellow; Mourn no moe; Ha''nacker Mill; The Night; My Own Country.'|9790222315006|WARLOCK|Peter Warlock|Soprano Songbook|Voice solo (with accompaniment)|16.25|294 GM338|Geoffrey Molyneux Palmer
CHAMBER MUSIC - 32 songs for high voice and piano
Goodmusic GM338|'32 songs by Anglo-Irish composer Geoffrey Molyneux Palmer (1882-1957) setting the text of James Joyce''s "Chamber Music". The cycle is a kind of Irish Winterreise that adds significantly to the history of Georgian song. Published for the first time, these songs have been edited by Peter Dickinson who provides extensive introductory and editorial notes about the songs. The 88 page volume also includes some samples of Palmer''s manuscripts as well as copies of letters from Joyce to Palmer. Joyce considered that of the many musical settings of his poetry, those by Palmer were the finest.
In exchanges with Palmer, Joyce urged that the songs be pitched in a high key and as a result the overall range of the songs is from D to high B, though only one song reaches B and two others Bb. In these three songs slightly lower alternatives are offered!
A complete recording is included on Heritage CD HTGCD175 (entitled "Joyce''s Favourite Songs") with Martyn Hill [tenor] and Peter Dickinson [piano].
Total duration around 45 minutes'|9790222314948|PALMER G M|G Molyneux Palmer|Chamber Music (Joyce) 32 Songs|Voice solo (with accompaniment)|17.00|305 GM339|Paul Carr
YOU GOD ARE MY GOD for choir, trumpet & organ
Goodmusic GM339|A beautiful setting of words from Psalm 63, a Psalm of David, for SATB choir, trumpet and organ.

You, God, are my God, eagerly I seek you
I thirst for you, my whole being longs for you,
in a dry and parched land where there is no water.

I have seen you in the sanctuary and beheld your power and your glory.
Because your love is better than life, my lips will glorify you.

I will praise you as long as I shall live, and in your name I will lift up my hands.
I will be fully satisfied as with the richest of foods; with singing lips my mouth will praise you.

On my bed I remember you; I think of you through the watches of the night.
Because you are my help, I sing in the shadow of your wings.
I cling to you; your right hand holds me fast.

A separate trumpet part is available as well as the score.
Duration 7 minutes|9790222314917|CARR P|Paul Carr|You God are My God|Choir - Mixed voices (SATB)|4.50|76 GM339-01|||9790222314924|CARR P|Paul Carr|You God are My God Trumpet Part|Choir - Vocal score|1.50|13 GM340|Polo Piatti
THE BIRDS for flute and piano
Goodmusic GM340|This piece for flute and piano was inspired by the multitude of birds that could suddenly be heard once more when human activity came to a standstill during the global pandemic in spring of 2020.
It is dedicated to Daisy Noton, a BBC Young Musician of the year finalist, who premiered it in August 2020 (YouTube video available).
Duration 5? minutes|9790222314931|PIATTI|Polo Piatti|The Birds|Flute and piano|5.00|88 GM341|Simon Hancock
GO TO THE CHILD for mixed voices
Goodmusic GM341|A finalist in the BBC Radio 3 Carol Competition 2019, this lovely carol for unaccompanied mixed voice choir is a setting of words by Imtiaz Dharker.
Rise and go on a bitter night
when hope lies frozen in the ground,
hushed and hidden out of sight,
no living thing for miles around.
........
Duration just under 3 minutes
This published copy has been slightly revised since the BBC Singers performance in the Carol Competition.
To hear the BBC Singers performing this carol, click below

|9790222314955|HANCOCK|Simon Hancock|Go to the Child|Choir - Mixed voices (SATB)|2.75|38 GM342|'Clive Pollard
A RAINBOW AND A CUCKOO''S SONG
for high voice and piano
Goodmusic GM342'|'Seven Songs for High Voice & Piano with words by W.H.Davies and music by Clive Pollard.
Sweet Chance (Range D-F#)
April''s Charms (G-F)
A Young Thrush (F-D)
Pot and Kettle (D#-E)
Wild Blossoms (E-F)
The Cuckoo (G-G)
Leisure (F-F)

Total duration 12 minutes

The audio file is an actual recording sung by Richard Roddis with Clive Pollard accompanying.'|9790222314962|POLLARD|Clive Pollard|'Rainbow and a Cuckoo''s Song'|Voice solo (with accompaniment)|6.00|112 GM343|Paul Lewis
ANYONE FOR TAKEAWAY? for piano
Goodmusic GM343|'Three easy pieces for piano.
Tasty foreign takeaway meals are a regular source of happiness and convenience in this busy modern world. Surveys show the most popular to be Chinese, Indian and Italian pizza. So great a part of British culture are they that they are often rated above good old British fish''n''chips!
Chinese Takeaway
The woks are sizzling in the kitchen of the local Chinese takeaway! This piece uses the Oriental pentatonic scale, which, when in the key of C consists of the notes C,D,E,G and A.
Indian Takeaway
The piano imitates a sitar with its drone bass. The second and sixth notes of the D major scale are flattened to imitate an Indian scale so as to add a touch of exotic spice to the music!
Pizza Delivery
A happy-go-lucky Italian tarantella for the pizza delivery bike with the shrill peep-peep of its hooter as it threads its way through the traffic. Paul Lewis
Duration 4 minutes'|9790222314986|LEWIS P|Paul Lewis|Anyone for Takeaway?|Piano - Solo|4.00|63 GM344|Paul Carr
RUNNING WITH DOGS for tenor sax & harp
Goodmusic GM344|'RUNNING WITH DOGS was originally composed in 2007 on the beautiful island of Mallorca, where I was living at the time. The piece formed the first movement of my Bassoon Sonatina, but was later re-worked as a solo piece for Clarinet and Piano: it''s the sort of piece that lends itself well to a variety of instruments.
In 2020 the Spanish saxophonist, Vicent Bas Ibanez, asked if I''d ever written anything for Tenor Saxophone and Harp, a lovely combination, and as Vicent was studying at the Conservatori Superior de Musica in Palma, this re-working of Running With Dogs felt an obvious choice in responding to his request. I''ve basically re-written it for this combination, but the carefee, light-hearted feeling of the piece remains at it''s core.
When in Mallorca, I had three dogs, Mallorcan Rateros, all of them rescued when puppies - a very cute miniature Pincher type of breed. In the winter months when the majority of tourists had left and the beaches deserted, I used to let them run across the white sands of Canyamel Beach, watching them relish in the freedom of being out in this wild and beautiful setting. Paul Carr
Duration 5 minutes

The harp part can also be played on the piano.'|9790222314993|CARR P|Paul Carr|Running with Dogs (T.Sax & Harp)|Saxophone and piano|5.00|88 GM345|Gustav Holst
HOLST SONGBOOK Volume 1 High Voice
Goodmusic GM345|'Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Capell, writing in The Musical Times in January 1927, mentions that songs by Holst were appearing in the programmes of London recitals early in the 1900s and several early examples were heard in company with the first performances of Vaughan Williams'' Songs of Travel and The House of Life in 1904. Only a relatively small number of Holst''s songs were published and, of those that were, many have been out of print for some time. The Holst Songbook (in 4 volumes, published in versions for both high and low voice) brings together all the solo songs for the first time and presents a wonderful opportunity for these hitherto undiscovered gems to be performed and appreciated for the first time.
Volume 1 includes 13 songs dating from the late 1890s. Indeed, we know that the majority date from 1897/1898. Holst, born in 1874, would have been 23/24 years old at the time. Holst''s daughter Imogen was fairly dismissive of much of her father''s early output and refused to use her H numbering sequence to such early works. Nevertheless, as all the works in Volume 1 have been ascribed an H number so I think that we can safely assume that Imogen approved of these works.

CONTENTS: O Lady, Leave thy Silken Thread (Range: D-G)
Spring''s Message (Fruhlingsbotschaft) (C-E)
Awake, my heart (E-A)
Song to the Sleeping Lady (E-F#)
The Ballade of Prince Eric (C-G)
A Lake and a Fairy Boat (D-F)
Sing Heigh-Ho (D-G)
Airly Beacon (E-G)
A Hope (E-G#)
The Day of the Lord (E-A)
Not a Sound (E-F)
Whether We Die or We Live (C-F)
Autumn Song (C-F)

The audio sample is a computer-generated performance [no words!] with male soloist. See GM346 for the LOW voice version where the audio has a female voice.'|9790222316324|HOLST|Gustav Holst|Holst Songbook Volume 1 HIGH VOICE|Voice solo (with accompaniment)|11.25|209 GM346|Gustav Holst
THE HOLST SONGBOOK Volume 1 Low Voice
Goodmusic GM346|'Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Capell, writing in The Musical Times in January 1927, mentions that songs by Holst were appearing in the programmes of London recitals early in the 1900s and several early examples were heard in company with the first performances of Vaughan Williams'' Songs of Travel and The House of Life in 1904. Only a relatively small number of Holst''s songs were published and, of those that were, many have been out of print for some time. The Holst Songbook (in 4 volumes, published in versions for both high and low voice) brings together all the solo songs for the first time and presents a wonderful opportunity for these hitherto undiscovered gems to be performed and appreciated for the first time.
Volume 1 includes 13 songs dating from the late 1890s. Indeed, we know that the majority date from 1897/1898. Holst, born in 1874, would have been 23/24 years old at the time. Holst''s daughter Imogen was fairly dismissive of much of her father''s early output and refused to use her H numbering sequence to such early works. Nevertheless, as all the works in Volume 1 have been ascribed an H number so I think that we can safely assume that Imogen approved of these works.

CONTENTS: O Lady, Leave thy Silken Thread (Range: Bb-Eb)
Spring''s Message (Fruhlingsbotschaft) (C-E)
Awake, my heart (C-F)
Song to the Sleeping Lady (C-D)
The Ballade of Prince Eric (A-E)
A Lake and a Fairy Boat (B-D)
Sing Heigh-Ho (B-E)
Airly Beacon (C-Eb)
A Hope (C-E)
The Day of the Lord (B-E)
Not a Sound (C#-D)
Whether We Die or We Live (Bb-Eb)
Autumn Song (Bb-Eb)

The audio sample is a computer-generated performance [no words!] with female soloist. See GM345 for the HIGH voice version where the audio has a male voice.'|9790222316331|HOLST|Gustav Holst|Holst Songbook Volume 1 LOW VOICE|Voice solo (with accompaniment)|11.25|209 GM347|Paul Carr
SUMMER MUSIC
for Piano Quartet
Goodmusic GM347|Scored for Violin, Viola, Violoncello and Piano. Score and Parts are included.

In the late Summer of 2017, I composed this Summer Music, originally for Clarinet, Cello and Piano, but I then also arranged it for a variety of instrumental combinations, and most recently, this one, for Piano Quartet; a more re-composed version of the original made especially for a concert presented by the English Music Festival in Cornwall, in July 2021. This version of the work is dedicated to Em Marshall-Luck, founder of the festival.

Although given the title of Summer Music and originally composed during the month of August, the music of the first two movements is instilled with a certain unease, a longing for happier times perhaps; it must have been my mood at the time as the late summer of 2017 was particularly wet and stormy - and now, here again in 2020, as I re-invent this piece for Piano Quartet, the world is a changed one as we try to live through the Coronavirus Pandemic. However, the final movement (Bicycles on Sunday Morning) returns us to summery optimism; in fact, during lockdown I bought a bike and as the weather in early Summer was surprisingly lovely, I took myself off on long bike rides along the River Avon, almost daily - losing myself in the quiet unspoilt beauty of this country. Paul Carr

The three movements are titled: One weekend in August; The softness of rainfall at night; Bicycles on Sunday morning.

Duration 15 minutes|9790222315013|CARR P|Paul Carr|Summer Music|Piano Quartet|15.00|269 GM348|Paul Lewis
SUITE JAZZERESQUE for harp
Goodmusic GM348|'An inevitable consequence of a long career as a professional composer is a bottom drawer (and in my case several boxes) full of works begun and never finished and others finished but forgotten. Sifting through these recently I came upon sketches for an autobiographical suite begun in 1973 when I was renting a basement flat beneath a Greek greengrocer''s in the Fitzrovia district of Central London to work as musical adviser and sometime composer on the 26-part TV series Orson Welles Great Mysteries while simultaneously scoring Spring and Autumn, a popular TV comedy series. Seeing the music again after 47 years has brought back vivid memories of my 30 year-old self coping with an unusually frenetic year workwise and personally. With much revising and refurbishing, the pieces have been transformed into this jazzy little suite for harpist Maia Darme.

Charlotte Street A charming lane lined with 18th century houses, restaurants and the Fitzroy Tavern, famous haunt of artists, intellectuals and writers.
Fitzrovia Romance A composer in amorous mood. Fitzrovia was known from the 19th century onwards for the dubious morals and bohemian lifestyle of its inhabitants, notably the infamous Bloomsbury set in the 1920s. In retrospect it seems that in my own modest way I may have inadvertently contributed to the local tradition of louche living, dallying there with a Russian artist, an American ballet dancer and a children''s nanny from Kensington. Which one inspired this melody I cannot remember!
Cleveland Street The location of my flat, a long street lined with Georgian and Victorian buildings and cosmopolitan cafes beneath the gaze of the iconic Post Office Tower with its sky-high revolving restaurant. It was in this and neighbouring streets that I walked my dog every morning before the daily round of rehearsal rooms and recording studios. Paul Lewis
Duration 10 minutes

Edition amended with the invaluable assistance of Maia Darme, August 2023'|9790222315020|LEWIS P|Paul Lewis|Suite Jazzeresque|Harp|5.00|88 GM349|Paul Lewis
WHATLINGTON WALTZES
for Theremin (or Violin or Flute) and Harp
Goodmusic GM349|'It was at Mrs.Yarrington''s Music Club in the village hall at Whatlington, East Sussex, that I first heard Stranger Strings: Charlie Draper on theremin and Holly Lowe on harp. I have always adored the harp and have long had a hankering for the theremin, so this mesmerising combination immediately set my compositional juices bubbling and the three Whatlington Waltzes are the result.
Since theremins are rare and exotic creatures and sightings of them few and far between, I have confined the solo part within the range of the flute (and consequently the violin) to increase the music''s chances of performance.

Wistful Waltz A chance encounter some twenty years ago with a young street performer on Brighton seafront led to a brief but touching friendship. Anna Neil, tall, slim and beautiful, stood motionless on a slowly revolving pedestal with a large golden key turning in the small of her back, convincing watching children that she was a life-size doll. I wrote this melody as a harp piece for her to revolve to but she had moved on to bestow her fairy dust elsewhere before I could play it to her. The combination of theremin and harp ideally conjures up the gentle other-worldliness of Anna''s persona.
Woeful Waltz A slow, mournful waltz, perhaps my hommage to film composer Bernard Herrmann in his less tempestuous moments.
Wilful Waltz Marked Brisk and belligerent, this is a waltz that, once in motion, doesn''t want to stop! Paul Lewis
Duration 6? minutes

Footnote The theremin was invented in Russia by Lev Theremin and first demonstrated publicly in 1920. It is in effect a radio receiver with protruding antenna and metal loop employing high frequency circuits and oscillating valves to enable the instrument to be played, without contact, by means of hand movements that resemble a surreal digital ballet. The unearthly, almost human voice-like quality of its sound made the instrument a sine qua non for science fiction film composers in the 1950s.'|9790222315037|LEWIS P|Paul Lewis|Whatlington Waltzes (Theremin+Harp)|Theremin +|5.50|100 GM350|Peter Lawson
NESSIE - an opera for children
Goodmusic GM350|'Nessie is the story of the conflicting aspirations of naturalists and property-developers, with the Loch Ness monster, Nessie, caught between the opposing factions. The scene is the banks of Loch Ness, the deepest and most mysterious of the Scottish lochs. We first see the loch-side at dawn. Property developers are sizing up the area for development into a theme park - with plastic brontosauruses popping out of the loch by the dozen. The Naturalists are horrified to learn of the intentions of the developers and suggest the idea of a wildlife park instead, but the children decide that they can only convince the developers of this if the monster is sighted. They go off in search?.
The children are lost in the mist which has suddenly descended and are tired and hungry. Meanwhile, the worried parents are looking for them, bickering to each other all the while about their conflicting interests. Their mutual loss unites the parents and the idea of a wildlife park finally meets with the approval of the developers. While the parents continue their search, the children, tired and pathetic, curl up asleep beside the loch. The monster gradually rises from the water, the children waking to greet her as if in a dream. The monster subsides and the children go back to sleep.
The parents return and find the children. They are too overjoyed to pay attention to the fact that the children claim they have seen the monster. The parents begin taking their children home but return, saying that they''ve been discussing with each other that if there really is a monster, then it will be protected for ever by the Loch Ness Wildlife Park. This goes down well with the children and now all parties are happy!

The number of parents and children can be varied to suit the available resources. Tenor and Bass parts (Parents) can be regarded as optional if broken voices are not available, or adults could play the parts of the parents. It can be performed as a staged opera, semi-staged or given as a concert performance. An orchestral accompaniment is available but it can be performed just with piano. A full vocal score and also a chorus part is available on sale or hire.
Duration 60 minutes

The opera includes a "show-stopping" chorus entitled "Conservation" which is also available separately for mixed, male or female voice choirs (GM351, GM352, GM353, GM354)'|9790222315334|LAWSON|Peter Lawson|Nessie|Choir - Vocal score|19.00|344 GM350-50|||9790222315341|LAWSON|Peter Lawson|Nessie Choral Score|Choir - Vocal score|8.50|160 GM351|Peter Lawson
CONSERVATION! for SATB choir
Goodmusic GM351|'SATB choir with accompanmiment of piano or orchestra.

Conservation! is an adaptation of the "show-stopper" from my children''s opera, Nessie. Set on the banks of Scotland''s Loch Ness, the opera is the story of the conflicting aspirations of naturalists and property-developers, with the mysterious Loch Ness monster, Nessie, caught between the opposing factions. In the opera, the song is an uplifting entreatment by the naturalists to the property-developers, to turn their land - on the banks of the loch - into a wildlife park, rather than a theme park. The song captivates the property-developers and eventually inspires them to create "The Loch Ness Wildlife Park".
In this arrangement, the words relating directly to Loch Ness have been re-written, particularly in the short middle section, which reflects the dire warnings of climate change. The outer sections are up-beat and largely unchanged, but the messages throughout are even more relevant today, thirty years after the original version. Peter Lawson

This choral arrangement is available in four versions:
Mixed Voice Choir SATB - GM351
Mixed Voice Choir SA+Men - GM352
Upper Voice Choir SSA - GM353
Male Voice Choir TTBB - GM354
The orchestral accompaniment for "Conservation!" is the same for all choral versions.
Duration 3? minutes

Also available:-
The complete opera "Nessie" - GM350'|9790222315044|LAWSON|Peter Lawson|Conservation!|Choir - Mixed voices (SATB)|4.00|63 GM351-00|||9790222315082|LAWSON|Peter Lawson|Conservation! Score|Orchestral Score|7.00|113 GM351-01|||9790222315099|LAWSON|Peter Lawson|Conservation! Violin 1|Orchestral Part|1.50|13 GM351-02|||9790222315105|LAWSON|Peter Lawson|Conservation! Violin 2|Orchestral Part|1.50|13 GM351-03|||9790222315112|LAWSON|Peter Lawson|Conservation! Viola|Orchestral Part|1.50|13 GM351-04|||9790222315129|LAWSON|Peter Lawson|Conservation! Violoncello|Orchestral Part|1.50|13 GM351-05|||9790222315136|LAWSON|Peter Lawson|Conservation! Bass|Orchestral Part|1.50|13 GM351-06|||9790222315143|LAWSON|Peter Lawson|Conservation! Flute 1|Orchestral Part|1.50|13 GM351-07|||9790222315150|LAWSON|Peter Lawson|Conservation! Flute 2/Piccolo|Orchestral Part|1.50|13 GM351-08|||9790222315167|LAWSON|Peter Lawson|Conservation! Oboe 1|Orchestral Part|1.50|13 GM351-09|||9790222315174|LAWSON|Peter Lawson|Conservation! Oboe 2|Orchestral Part|1.50|13 GM351-10|||9790222315181|LAWSON|Peter Lawson|Conservation! Clarinet 1|Orchestral Part|1.50|13 GM351-11|||9790222315198|LAWSON|Peter Lawson|Conservation! Clarinet 2|Orchestral Part|1.50|13 GM351-12|||9790222315204|LAWSON|Peter Lawson|Conservation! Bassoon 1|Orchestral Part|1.50|13 GM351-13|||9790222315211|LAWSON|Peter Lawson|Conservation! Bassoon 2|Orchestral Part|1.50|13 GM351-14|||9790222315228|LAWSON|Peter Lawson|Conservation! Horn 1|Orchestral Part|1.50|13 GM351-15|||9790222315235|LAWSON|Peter Lawson|Conservation! Horn 2|Orchestral Part|1.50|13 GM351-16|||9790222315242|LAWSON|Peter Lawson|Conservation! Trumpet 1|Orchestral Part|1.50|13 GM351-17|||9790222315259|LAWSON|Peter Lawson|Conservation! Trumpet 2|Orchestral Part|1.50|13 GM351-18|||9790222315266|LAWSON|Peter Lawson|Conservation! Trombone 1|Orchestral Part|1.50|13 GM351-19|||9790222315273|LAWSON|Peter Lawson|Conservation! Trombone 2|Orchestral Part|1.50|13 GM351-20|||9790222315280|LAWSON|Peter Lawson|Conservation! Trombone 3|Orchestral Part|1.50|13 GM351-21|||9790222315297|LAWSON|Peter Lawson|Conservation! Tuba|Orchestral Part|1.50|13 GM351-22|||9790222315303|LAWSON|Peter Lawson|Conservation! Timpani|Orchestral Part|1.50|13 GM351-23|||9790222315310|LAWSON|Peter Lawson|Conservation! Percussion|Orchestral Part|1.50|13 GM351-24|||9790222315327|LAWSON|Peter Lawson|Conservation! Harp|Orchestral Part|1.50|13 GM352|Peter Lawson
CONSERVATION! for SA+Men choir
Goodmusic GM352|'SA+Men choir with accompanmiment of piano or orchestra.

Conservation! is an adaptation of the "show-stopper" from my children''s opera, Nessie. Set on the banks of Scotland''s Loch Ness, the opera is the story of the conflicting aspirations of naturalists and property-developers, with the mysterious Loch Ness monster, Nessie, caught between the opposing factions. In the opera, the song is an uplifting entreatment by the naturalists to the property-developers, to turn their land - on the banks of the loch - into a wildlife park, rather than a theme park. The song captivates the property-developers and eventually inspires them to create "The Loch Ness Wildlife Park".
In this arrangement, the words relating directly to Loch Ness have been re-written, particularly in the short middle section, which reflects the dire warnings of climate change. The outer sections are up-beat and largely unchanged, but the messages throughout are even more relevant today, thirty years after the original version. Peter Lawson

This choral arrangement is available in four versions:
Mixed Voice Choir SATB - GM351
Mixed Voice Choir SA+Men - GM352
Upper Voice Choir SSA - GM353
Male Voice Choir TTBB - GM354
The orchestral accompaniment for "Conservation!" is the same for all choral versions - see under GM351
Duration 3? minutes

Also available:-
The complete opera "Nessie" - GM350'|9790222315051|LAWSON|Peter Lawson|Conservation!|Choir - Mixed voices (SAMen)|4.00|63 GM353|Peter Lawson
CONSERVATION! for SSA choir
Goodmusic GM353|'SSA choir with accompanmiment of piano or orchestra.

Conservation! is an adaptation of the "show-stopper" from my children''s opera, Nessie. Set on the banks of Scotland''s Loch Ness, the opera is the story of the conflicting aspirations of naturalists and property-developers, with the mysterious Loch Ness monster, Nessie, caught between the opposing factions. In the opera, the song is an uplifting entreatment by the naturalists to the property-developers, to turn their land - on the banks of the loch - into a wildlife park, rather than a theme park. The song captivates the property-developers and eventually inspires them to create "The Loch Ness Wildlife Park".
In this arrangement, the words relating directly to Loch Ness have been re-written, particularly in the short middle section, which reflects the dire warnings of climate change. The outer sections are up-beat and largely unchanged, but the messages throughout are even more relevant today, thirty years after the original version. Peter Lawson

This choral arrangement is available in four versions:
Mixed Voice Choir SATB - GM351
Mixed Voice Choir SA+Men - GM352
Upper Voice Choir SSA - GM353
Male Voice Choir TTBB - GM354
The orchestral accompaniment for "Conservation!" is the same for all choral versions - see under GM351
Duration 3? minutes

Also available:-
The complete opera "Nessie" - GM350'|9790222315068|LAWSON|Peter Lawson|Conservation!|Choir - 3 part upper voices|4.00|63 GM354|Peter Lawson
CONSERVATION! for TTBB choir
Goodmusic GM354|'TTBB choir with accompanmiment of piano or orchestra.

Conservation! is an adaptation of the "show-stopper" from my children''s opera, Nessie. Set on the banks of Scotland''s Loch Ness, the opera is the story of the conflicting aspirations of naturalists and property-developers, with the mysterious Loch Ness monster, Nessie, caught between the opposing factions. In the opera, the song is an uplifting entreatment by the naturalists to the property-developers, to turn their land - on the banks of the loch - into a wildlife park, rather than a theme park. The song captivates the property-developers and eventually inspires them to create "The Loch Ness Wildlife Park".
In this arrangement, the words relating directly to Loch Ness have been re-written, particularly in the short middle section, which reflects the dire warnings of climate change. The outer sections are up-beat and largely unchanged, but the messages throughout are even more relevant today, thirty years after the original version. Peter Lawson

This choral arrangement is available in four versions:
Mixed Voice Choir SATB - GM351
Mixed Voice Choir SA+Men - GM352
Upper Voice Choir SSA - GM353
Male Voice Choir TTBB - GM354
The orchestral accompaniment for "Conservation!" is the same for all choral versions - see under GM351
Duration 3? minutes

Also available:-
The complete opera "Nessie" - GM350'|9790222315075|LAWSON|Peter Lawson|Conservation!|Choir - Male voices|4.00|63 GM355|Clive Jenkins
THREE PIECES FOR OBOE
Goodmusic GM355|Reduction for oboe and piano.
Oboist Michael Stowe, prize-winner, first class graduate (Guildhall 2019), entered the music profession when the 2020 covid pandemic shut down all avenues of employment - with one exception. Peter Fisher, director of the Chamber Ensemble of London, had three recording sessions booked at the Henry Wood Hall and offered to squeeze Michael in as a soloist if there was any time spare. Re-using themes from an old oboe concerto, I hastily wrote three very short oboe solos on the understanding that not all might be recorded. Fortunately, all three were! Clive Jenkins

The oboe and strings version is also available (GMCO179).
Duration 8? minutes|9790222315433|JENKINS C|Clive Jenkins|Three Pieces for Oboe|Oboe and piano|5.00|112 GM356|Paul Lewis
VALSE LENTE
for Theremin (or Violin or Flute) and Piano
Goodmusic GM356|This haunting melody came out of the ether one day as if tailor-made for the theremin with its other-worldly quality, and is therefore dedicated to the eminent theremin virtuoso Charlie Draper. Valse Lente also sounds well on flute or violin. Paul Lewis
Duration 4 minutes

Footnote The theremin was invented in Russia by Lev Theremin and first demonstrated publicly in 1920. It is in effect a radio receiver with protruding antenna and metal loop employing high frequency circuits and oscillating valves to enable the instrument to be played, without contact, by means of hand movements that resemble a surreal digital ballet. The unearthly, almost human voice-like quality of its sound made the instrument a sine qua non for science fiction film composers in the 1950s.|9790222316027|LEWIS P|Paul Lewis|Valse Lente|Theremin +|4.50|76 GM357|Paul Carr
DOUBLE CONCERTO for two saxophones
Goodmusic GM357|'J.S.Bach''s Double Violin Concerto has been "reimagined" by Paul Carr (definitely reimagined rather than arranged!) for two saxophones and orchestra. This is a reduction for two saxes and piano. Written for the brilliant young saxophonists Rob Burton and Vicent Bas Ibanez - first performances are scheduled for 2021, circumstances permitting.
Orchestration: Solo Soprano Saxophone, Solo Alto Saxophone, Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trumpet in Bb, Bass Trombone, Percussion (2 players: Vibraphone, Glockenspiel, Triangle, Snare Drum, Tenor Drum, Bass Drum, Castanets, Bongos, Cymbals), Harp and Strings: (Violin 1, Violin 2, Viola, Cello, Bass)
Orchestral material is available under reference GMCO180 where you can also hear the orchestral version
Duration 20 minutes'|9790222317505|CARR P|Paul Carr|Double Concerto 2xSax+Piano|Saxophone and piano|10.75|197 GM358|Paul Carr
MIDWINTER for unaccompanied choir
Goodmusic GM358|'An excellent new setting of Christina Rossetti''s well-known text "In the Bleak Midwinter".
For unaccompanied mixed voice choir (SATB).
Note that this is a different setting of Rossetti''s words to the version that appears as a movement in Paul''s work "Four New Seasons".
Duration 5 minutes'|9790222318380|CARR P|Paul Carr|Midwinter|Choir - Mixed voices (SATB)|2.00|25 GM359|Gustav Holst
THE HOLST SONGBOOK Volume 2 High Voice
Goodmusic GM359|'Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Capell, writing in The Musical Times in January 1927, mentions that songs by Holst were appearing in the programmes of London recitals early in the 1900s and several early examples were heard in company with the first performances of Vaughan Williams'' Songs of Travel and The House of Life in 1904. Only a relatively small number of Holst''s songs were published and, of those that were, many have been out of print for some time. The Holst Songbook (in 4 volumes, published in versions for both high and low voice) brings together all the solo songs for the first time and presents a wonderful opportunity for these hitherto undiscovered gems to be performed and appreciated for the first time. And, we hope, recorded too.
Volume 2 includes 13 songs dating from the period 1896 to 1905. By the latter date Holst, born in 1874, would have been about 30 years of age, approaching his maturity as a composer and creating his own distinctive style. Holst''s daughter, Imogen, was fairly dismissive of much of her father''s early output and refused to use her H numbering sequence to such early works. Nevertheless, as all the songs in Volume 2 have been ascribed an H number, I think that we can safely assume that Imogen approved of them.
CONTENTS: Love''s Gleaning-Tide (Range: D-E); Song from Heine (D-A); Bhanavar''s Lament (E-F#); Ah, come, Fair Mistress (Db-G); She who is dear to me (F-G[F]); A Prayer for Light (C#-A); To a Wild Rose (D-F); Invocation to the Dawn (F-G); Fain would I change that note (Db-Ab); In a Wood (G#[B]-F#); Between us now (C-F); I will not let thee go (D-G); Darest thou now, O Soul (Bb-G#).

The audio sample is a computer-generated performance [no words!] with male soloist. See GM360 for the LOW voice version where the audio has a female voice.'|9790222319448|HOLST|Gustav Holst|Holst Songbook Volume 2 HIGH VOICE|Voice solo (with accompaniment)|10.75|197 GM360|Gustav Holst
THE HOLST SONGBOOK Volume 2 Low Voice
Goodmusic GM360|'Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Capell, writing in The Musical Times in January 1927, mentions that songs by Holst were appearing in the programmes of London recitals early in the 1900s and several early examples were heard in company with the first performances of Vaughan Williams'' Songs of Travel and The House of Life in 1904. Only a relatively small number of Holst''s songs were published and, of those that were, many have been out of print for some time. The Holst Songbook (in 4 volumes, published in versions for both high and low voice) brings together all the solo songs for the first time and presents a wonderful opportunity for these hitherto undiscovered gems to be performed and appreciated for the first time. And, we hope, recorded too.
Volume 2 includes 13 songs dating from the period 1896 to 1905. By the latter date Holst, born in 1874, would have been about 30 years of age, approaching his maturity as a composer and creating his own distinctive style. Holst''s daughter, Imogen, was fairly dismissive of much of her father''s early output and refused to use her H numbering sequence to such early works. Nevertheless, as all the songs in Volume 2 have been ascribed an H number, I think that we can safely assume that Imogen approved of them.
CONTENTS: Love''s Gleaning-Tide (Range: D-E); Song from Heine (A-E); Bhanavar''s Lament (D-E); Ah, come, Fair Mistress (Cb-F); She who is dear to me (Eb-F[E]); A Prayer for Light (A-F); To a Wild Rose (B-D); Invocation to the Dawn (D-E); Fain would I change that note (B-F#); In a Wood (G#[B]-F#); Between us now (A-D); I will not let thee go (Bb-Eb); Darest thou now, O Soul (Ab-F#)

The audio sample is a computer-generated performance [no words!] with female soloist. See GM359 for the HIGH voice version where the audio has a male voice.'|9790222319455|HOLST|Gustav Holst|Holst Songbook Volume 2 LOW VOICE|Voice solo (with accompaniment)|10.75|197 GM362|Paul Lewis
GIRL WITH HARP AND ROSES for harp and strings
Goodmusic GM362|In December 2018, browsing in an antique shop, I discovered a hand-coloured photographic print, dated 1900, of a loosely attired maiden with long wavy pre-Raphaelite hair bearing roses and gazing languidly into the air by a harp remarkably similar to the 1887 Erard Gothic harp I had recently purchased.
Is she Erato, the Muse of Love Poetry, more often portrayed with a lyre? Is she Ophelia contemplating a watery grave? Or is she the spirit of the harp itself? Whatever or whomsoever she is, she is made all the more alluring by the presence of the harp, that most seductive of musical instruments. Together, maiden and harp inspired this composition.
The original version of Girl with Harp and Roses for solo harp (GM267) is dedicated to harpist Alexander Rider because he loves the picture too.
The version with added string parts was made for Israeli harpist Rachel Talitman and the Hatikva Quartet for a recording due to be released in 2021. Paul Lewis

Duration 4? minutes
Score and all parts are included.|9790222319769|LEWIS P|Paul Lewis|Girl with Harp and Roses (Harp+Str)|Harp|6.00|101 GM363|Paul Carr
GO, LOVELY ROSE for mixed voice choir and piano
Goodmusic GM363|A superb new setting by Paul Carr of "Go, Lovely Rose" by Edmund Waller (1606-1687) for SATB choir and piano.
Duration 5 minutes|9790222320062|CARR P|Paul Carr|Go Lovely Rose|Choir - Mixed voices (SATB)|2.75|38 GM364|Paul Carr
MUSIC, WHEN SOFT VOICES DIE for mixed voice choir
Goodmusic GM364|Beautiful new setting by Paul Carr of "Music, when soft voices die" by Percy Bysshe Shelley(1792-1822) for unaccompanied SATB choir.
Duration 5 minutes|9790222320253|CARR P|Paul Carr|Music When Soft Voices Die|Choir - Mixed voices (SATB)|2.00|25 GM365|Paul Carr
HOW DO I LOVE THEE? for mixed voice choir and piano
Goodmusic GM365|'"How do I love thee? Let me count the ways........"
A new setting of Elizabeth Barrett Browning''s poem for SATB choir and piano by Paul Carr.
Duration about 4 minutes'|9790222320758|CARR P|Paul Carr|How Do I Love Thee?|Choir - Mixed voices (SATB)|2.75|38 GM366|Gustav Holst
THE HOLST SONGBOOK Volume 3 High Voice
Goodmusic GM366|'Thirteen songs for high voice.
Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Capell, writing in The Musical Times in January 1927, mentions that songs by Holst were appearing in the programmes of London recitals early in the 1900s and several early examples were heard in company with the first performances of Vaughan Williams'' Songs of Travel and The House of Life in 1904. Only a relatively small number of Holst''s songs were published and, of those that were, many have been out of print for some time. The Holst Songbook (in 4 volumes, published in versions for both high and low voice) brings together all the solo songs for the first time and presents a wonderful opportunity for these hitherto undiscovered gems to be performed and appreciated for the first time. And, we hope, recorded too.

Volume 3 includes one song dating from the 1890s, another from the 1900s, nine from the period 1906 to 1914 (precise date unknown) and two from 1906/07. Most of these songs were composed when Holst, born in 1874, had reached his maturity as a composer and created his own distinctive style. Holst''s daughter, Imogen, was fairly dismissive of much of her father''s early output and refused to use her H-numbering sequence for such early works (namely anything dating from 1894 or before). Of course, by that date Holst had reached his 20th birthday. Although Imogen was probably correct in her dismissal of some of these early works, it is a pity that she was so dismissive of everything predating 1895. Nevertheless, as all the songs in Volume 3 have been allocated an H-number, I think that we can safely assume that Imogen approved of them.
CONTENTS: Now Sleep and Take Thy Rest (Range Db-Gb); To Hope (D-F); Sovay (C-C);The Seeds of Love (C-D); The Female Farmer (D-F); Thorneyfield Woods (C-D); Moorfields (D-G); I Love My Love (C-F); Claudy Banks (D-G); On the Banks of the Nile (D-F); Here''s Adieu (D-D); Stu Mo Run (Eb-F); Ratri (Night) (C-D).

The audio sample is a computer-generated performance [no words!] with female soloist. See GM367 for the LOW voice version where the audio has a male voice.'|9790222321717|HOLST|Gustav Holst|Holst Songbook Volume 3 HIGH VOICE|Voice solo (with accompaniment)|7.50|136 GM367|Gustav Holst
THE HOLST SONGBOOK Volume 3 Low Voice
Goodmusic GM367|'Thirteen songs for high voice.
Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Capell, writing in The Musical Times in January 1927, mentions that songs by Holst were appearing in the programmes of London recitals early in the 1900s and several early examples were heard in company with the first performances of Vaughan Williams'' Songs of Travel and The House of Life in 1904. Only a relatively small number of Holst''s songs were published and, of those that were, many have been out of print for some time. The Holst Songbook (in 4 volumes, published in versions for both high and low voice) brings together all the solo songs for the first time and presents a wonderful opportunity for these hitherto undiscovered gems to be performed and appreciated for the first time. And, we hope, recorded too.

Volume 3 includes one song dating from the 1890s, another from the 1900s, nine from the period 1906 to 1914 (precise date unknown) and two from 1906/07. Most of these songs were composed when Holst, born in 1874, had reached his maturity as a composer and created his own distinctive style. Holst''s daughter, Imogen, was fairly dismissive of much of her father''s early output and refused to use her H-numbering sequence for such early works (namely anything dating from 1894 or before). Of course, by that date Holst had reached his 20th birthday. Although Imogen was probably correct in her dismissal of some of these early works, it is a pity that she was so dismissive of everything predating 1895. Nevertheless, as all the songs in Volume 3 have been allocated an H-number, I think that we can safely assume that Imogen approved of them.
CONTENTS: Now Sleep and Take Thy Rest (Range Bb-Eb); To Hope (B-D); Sovay (C-C);The Seeds of Love (C-D); The Female Farmer (B-D); Thorneyfield Woods (C-D); Moorfields (B-E); I Love My Love (A-D); Claudy Banks (B-E); On the Banks of the Nile (C-Eb); Here''s Adieu (D-D); Stu Mo Run (C-D); Ratri (Night) (C-D).

The audio sample is a computer-generated performance [no words!] with male soloist. See GM366 for the HIGH voice version where the audio has a female voice.'|9790222321724|HOLST|Gustav Holst|Holst Songbook Volume 3 LOW VOICE|Voice solo (with accompaniment)|7.50|136 GM368|Gustav Holst
THE HOLST SONGBOOK Volume 4 High Voice
Goodmusic GM368|'Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Capell, writing in The Musical Times in January 1927, mentions that songs by Holst were appearing in the programmes of London recitals early in the 1900s and several early examples were heard in company with the first performances of Vaughan Williams'' Songs of Travel and The House of Life in 1904. Only a relatively small number of Holst''s songs were published and, of those that were, many have been out of print for some time. The Holst Songbook (in 4 volumes, published in versions for both high and low voice) brings together all the solo songs for the first time and presents a wonderful opportunity for these hitherto undiscovered gems to be performed and appreciated for the first time. And, we hope, recorded too.
Volume 4 includes four songs dating from Holst''s relatively mature years, between the 1910s and 1929, and these complete the higher H numbers allocated by Imogen (his daughter) to the songs she considered worthy of being performed and possibly published. Imogen was fairly dismissive of much of her father''s early output and refused to use her H-numbering sequence for works dating from 1894 or earlier. This volume concludes with these early songs, now allocated H App numbers as a means of cataloguing.
CONTENTS: A Vigil of Pentecost (Range: C-F); May Day Carol (Db-Gb); The Ballad of Hunting Knowe (B-F); Epilogue (D-F); The Harper (D-A); I Come from Haunts of Coot and Hern (C#-E#); Sing Heigh-Ho (D-B[G]); A Lake and a Fairy Boat (E-F#); There Sits a Bird (D-A); Anna-Marie (B-G); The White Lady''s Farewell (C-G); The Coquette/Die Strode (D-A); There is Dew for the Flow''ret (D-E).

The audio sample is a computer-generated performance [no words!] with female soloist. See GM369 for the LOW voice version where the audio has a male voice.'|9790222321731|HOLST|Gustav Holst|Holst Songbook Volume 4 HIGH VOICE|Voice solo (with accompaniment)|8.50|160 GM369|Gustav Holst
THE HOLST SONGBOOK Volume 4 Low Voice
Goodmusic GM369|'Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Capell, writing in The Musical Times in January 1927, mentions that songs by Holst were appearing in the programmes of London recitals early in the 1900s and several early examples were heard in company with the first performances of Vaughan Williams'' Songs of Travel and The House of Life in 1904. Only a relatively small number of Holst''s songs were published and, of those that were, many have been out of print for some time. The Holst Songbook (in 4 volumes, published in versions for both high and low voice) brings together all the solo songs for the first time and presents a wonderful opportunity for these hitherto undiscovered gems to be performed and appreciated for the first time. And, we hope, recorded too.
Volume 4 includes four songs dating from Holst''s relatively mature years, between the 1910s and 1929, and these complete the higher H numbers allocated by Imogen (his daughter) to the songs she considered worthy of being performed and possibly published. Imogen was fairly dismissive of much of her father''s early output and refused to use her H-numbering sequence for works dating from 1894 or earlier. This volume concludes with these early songs, now allocated H App numbers as a means of cataloguing.
CONTENTS: A Vigil of Pentecost (Range: A-D); May Day Carol (Db-Gb); The Ballad of Hunting Knowe (B-F); Epilogue (B-D); The Harper (A-E); I Come from Haunts of Coot and Hern (B-D#); Sing Heigh-Ho (Bb-G[E]); A Lake and a Fairy Boat (C-D); There Sits a Bird (B-F#); Anna-Marie (B-G); The White Lady''s Farewell (Ab-Eb); The Coquette/Die Strode (Bb-F); There is Dew for the Flow''ret (D-E).

The audio sample is a computer-generated performance [no words!] with male soloist. See GM368 for the HIGH voice version where the audio has a female voice.'|9790222321748|HOLST|Gustav Holst|Holst Songbook Volume 4 LOW VOICE|Voice solo (with accompaniment)|8.50|160 GM370|Paul Carr
SONG WITHIN for SATB choir, soprano sax and organ
Goodmusic GM370|'In 2019, I attended a concert given in Bath, in which the opening work was Handel''s Ode for the Birthday of Queen Anne. Having never heard this work before, I was totally transfixed by the simplicity and extreme radiance of the first movement, ''Eternal Source of Light Divine''. During the second Coronavirus lockdown I entered a competition at Canterbury Cathedral for works based on an existing piece of music, and scored for choir and organ with a solo saxophone, and this was the result - but alas it didn''t get selected, so I slightly revised and extended the piece a few months later.
As I was using Handel''s music as a basis for something new, I asked my friend and librettist, Euan Tait, for a four-line stanza to mirror the passionate praise of Ambrose Phillips'' original text, and then wove his words into a reimagining of Handel''s exquisite music. Paul Carr

Song Within
Our longing cry of song within
will sound again, as love still sings,
for love remains as love has been:
a passing flock, then distant wings.
Euan Tait

Scored for SATB choir with organ plus solo soprano saxophone. A separate saxophone part is available.
Duration 7? minutes'|9790222320840|CARR P|Paul Carr|Song Within|Choir - Vocal score|2.75|38 GM370-01|||9790222320857|CARR P|Paul Carr|Song Within (Sax Part)|Saxophone|3.50|13 GM371|Peter Lawson
STAR OF BETHLEHEM for SATB choir
Goodmusic GM371|'"Star of Bethlehem" is a set of three carols for Christmas and is a tribute to the memory of the late Kath Hayes with whom I collaborated on a number of projects, notably the recent "A Bed of Hay - Seven Carols for Christmas". In this I had set to music poems by Kath but although I wrote the words for the three Star of Bethlehem carols, they are partly in a similar style to that of Kath Hayes - in particular, recalling her love of animals and anthropomorphising their thoughts into human speech.
The carols, which can be performed individually or as a twelve-minute-long sequence, begin with Star of Bethlehem, in which the eponymous member of the lily family is discovered by a little lamb. The lily begs the lamb not to eat it and explains that it is named after the star which the shepherds saw and which the three wise men followed to find the baby Jesus. The lambs and sheep gather round and eagerly listen to the flower''s tale and are moved henceforth to respect it and let it grow in peace.
The second carol, A Wond''rous Night, recalls the chorus of angels singing and events that followed, as described by the flower in the first carol. The third carol, Come, Let''s Gather Mistletoe! juxtaposes secular verses describing the gathering of mistletoe to welcome Christmas guests, with the sacred reasons for the celebration. Peter Lawson

The carols can be performed with an orchestra accompaniment (see GMCO200) or with piano.
Four different choral versions are available:
SATB (GM371), SA+Men (GM372), SSA (GM373) or TTBB (GM374).
The orchestral parts are the same for whichever choir version is used.
Duration 12 minutes'|9790222321120|LAWSON|Peter Lawson|Star of Bethlehem|Choir - Mixed voices (SATB)|5.50|88 GM372|Peter Lawson
STAR OF BETHLEHEM for SA+Men choir
Goodmusic GM372|'"Star of Bethlehem" is a set of three carols for Christmas and is a tribute to the memory of the late Kath Hayes with whom I collaborated on a number of projects, notably the recent "A Bed of Hay - Seven Carols for Christmas". In this I had set to music poems by Kath but although I wrote the words for the three Star of Bethlehem carols, they are partly in a similar style to that of Kath Hayes - in particular, recalling her love of animals and anthropomorphising their thoughts into human speech.
The carols, which can be performed individually or as a twelve-minute-long sequence, begin with Star of Bethlehem, in which the eponymous member of the lily family is discovered by a little lamb. The lily begs the lamb not to eat it and explains that it is named after the star which the shepherds saw and which the three wise men followed to find the baby Jesus. The lambs and sheep gather round and eagerly listen to the flower''s tale and are moved henceforth to respect it and let it grow in peace.
The second carol, A Wond''rous Night, recalls the chorus of angels singing and events that followed, as described by the flower in the first carol. The third carol, Come, Let''s Gather Mistletoe! juxtaposes secular verses describing the gathering of mistletoe to welcome Christmas guests, with the sacred reasons for the celebration. Peter Lawson

The carols can be performed with an orchestra accompaniment (see GMCO200) or with piano.
Four different choral versions are available:
SATB (GM371), SA+Men (GM372), SSA (GM373) or TTBB (GM374).
The orchestral parts are the same for whichever choir version is used.
Duration 12 minutes'|9790222321137|LAWSON|Peter Lawson|Star of Bethlehem|Choir - Mixed voices (SAMen)|5.50|88 GM373|Peter Lawson
STAR OF BETHLEHEM for SSA choir
Goodmusic GM373|'"Star of Bethlehem" is a set of three carols for Christmas and is a tribute to the memory of the late Kath Hayes with whom I collaborated on a number of projects, notably the recent "A Bed of Hay - Seven Carols for Christmas". In this I had set to music poems by Kath but although I wrote the words for the three Star of Bethlehem carols, they are partly in a similar style to that of Kath Hayes - in particular, recalling her love of animals and anthropomorphising their thoughts into human speech.
The carols, which can be performed individually or as a twelve-minute-long sequence, begin with Star of Bethlehem, in which the eponymous member of the lily family is discovered by a little lamb. The lily begs the lamb not to eat it and explains that it is named after the star which the shepherds saw and which the three wise men followed to find the baby Jesus. The lambs and sheep gather round and eagerly listen to the flower''s tale and are moved henceforth to respect it and let it grow in peace.
The second carol, A Wond''rous Night, recalls the chorus of angels singing and events that followed, as described by the flower in the first carol. The third carol, Come, Let''s Gather Mistletoe! juxtaposes secular verses describing the gathering of mistletoe to welcome Christmas guests, with the sacred reasons for the celebration. Peter Lawson

The carols can be performed with an orchestra accompaniment (see GMCO200) or with piano.
Four different choral versions are available:
SATB (GM371), SA+Men (GM372), SSA (GM373) or TTBB (GM374).
The orchestral parts are the same for whichever choir version is used.
Duration 12 minutes'|9790222321144|LAWSON|Peter Lawson|Star of Bethlehem|Choir - 3 part upper voices|5.50|88 GM374|Peter Lawson
STAR OF BETHLEHEM for TTBB choir
Goodmusic GM374|'"Star of Bethlehem" is a set of three carols for Christmas and is a tribute to the memory of the late Kath Hayes with whom I collaborated on a number of projects, notably the recent "A Bed of Hay - Seven Carols for Christmas". In this I had set to music poems by Kath but although I wrote the words for the three Star of Bethlehem carols, they are partly in a similar style to that of Kath Hayes - in particular, recalling her love of animals and anthropomorphising their thoughts into human speech.
The carols, which can be performed individually or as a twelve-minute-long sequence, begin with Star of Bethlehem, in which the eponymous member of the lily family is discovered by a little lamb. The lily begs the lamb not to eat it and explains that it is named after the star which the shepherds saw and which the three wise men followed to find the baby Jesus. The lambs and sheep gather round and eagerly listen to the flower''s tale and are moved henceforth to respect it and let it grow in peace.
The second carol, A Wond''rous Night, recalls the chorus of angels singing and events that followed, as described by the flower in the first carol. The third carol, Come, Let''s Gather Mistletoe! juxtaposes secular verses describing the gathering of mistletoe to welcome Christmas guests, with the sacred reasons for the celebration. Peter Lawson

The carols can be performed with an orchestra accompaniment (see GMCO200) or with piano.
Four different choral versions are available:
SATB (GM371), SA+Men (GM372), SSA (GM373) or TTBB (GM374).
The orchestral parts are the same for whichever choir version is used.
Duration 12 minutes'|9790222321151|LAWSON|Peter Lawson|Star of Bethlehem|Choir - Male voices|5.50|88 GM375|'Peter Lawson
MARY''S PRAYER for SATB choir
Goodmusic GM375'|'"Mary''s Prayer" for choir and orchestra or piano is an unusual and beautifully simple, direct carol, recalling the Angel Gabriel''s message to the Virgin Mary that she was chosen to bear God''s son, who would be named Jesus. Her prayer forms the chorus - Mary asks that her little son be kept safe from those whom would shun his teachings. The carol can be performed with an orchestra accompaniment (see GMCO201) or with piano.
Four different choral versions are available:
SATB (GM375), SA+Men (GM376), SSA (GM377) or TTBB (GM378).
The orchestral parts are the same for whichever choir version is used.
Duration 5 minutes'|9790222321366|LAWSON|Peter Lawson|'Mary''s Prayer'|Choir - Mixed voices (SATB)|2.00|25 GM376|'Peter Lawson
MARY''S PRAYER for SA+Men choir
Goodmusic GM376'|'"Mary''s Prayer" for choir and orchestra or piano is an unusual and beautifully simple, direct carol, recalling the Angel Gabriel''s message to the Virgin Mary that she was chosen to bear God''s son, who would be named Jesus. Her prayer forms the chorus - Mary asks that her little son be kept safe from those whom would shun his teachings. The carol can be performed with an orchestra accompaniment (see GMCO201) or with piano.
Four different choral versions are available:
SATB (GM375), SA+Men (GM376), SSA (GM377) or TTBB (GM378).
The orchestral parts are the same for whichever choir version is used.
Duration 5 minutes'|9790222321373|LAWSON|Peter Lawson|'Mary''s Prayer'|Choir - Mixed voices (SAMen)|2.00|25 GM377|'Peter Lawson
MARY''S PRAYER for SSA choir
Goodmusic GM377'|'"Mary''s Prayer" for choir and orchestra or piano is an unusual and beautifully simple, direct carol, recalling the Angel Gabriel''s message to the Virgin Mary that she was chosen to bear God''s son, who would be named Jesus. Her prayer forms the chorus - Mary asks that her little son be kept safe from those whom would shun his teachings. The carol can be performed with an orchestra accompaniment (see GMCO201) or with piano.
Four different choral versions are available:
SATB (GM375), SA+Men (GM376), SSA (GM377) or TTBB (GM378).
The orchestral parts are the same for whichever choir version is used.
Duration 5 minutes'|9790222321380|LAWSON|Peter Lawson|'Mary''s Prayer'|Choir - 3 part upper voices|2.00|25 GM378|'Peter Lawson
MARY''S PRAYER for TTBB choir
Goodmusic GM378'|'"Mary''s Prayer" for choir and orchestra or piano is an unusual and beautifully simple, direct carol, recalling the Angel Gabriel''s message to the Virgin Mary that she was chosen to bear God''s son, who would be named Jesus. Her prayer forms the chorus - Mary asks that her little son be kept safe from those whom would shun his teachings. The carol can be performed with an orchestra accompaniment (see GMCO201) or with piano.
Four different choral versions are available:
SATB (GM375), SA+Men (GM376), SSA (GM377) or TTBB (GM378).
The orchestral parts are the same for whichever choir version is used.
Duration 5 minutes'|9790222321397|LAWSON|Peter Lawson|'Mary''s Prayer'|Choir - Male voices|2.00|25 GM379|Peter Lawson
THIS BRIGHTEST OF DAYS! for SATB choir
Goodmusic GM379|"Christ is born, this brightest of days!"
A Carol for Christmas for choir and orchestra or piano.
This Brightest of Days! is a rousing, uplifting carol, rich in dramatic contrast of music in joyous praise of the events surrounding the holy birth that Christmas morning, alternating with tender sections referring to the serenity of the stable in Bethlehem.
The carol can be performed with an orchestra accompaniment (see GMCO202) or with piano.
Four different choral versions are available:
SATB (GM379), SA+Men (GM380), SSA (GM381) or TTBB (GM382).
The orchestral parts are the same for whichever choir version is used.
Duration 4 minutes|9790222321663|LAWSON|Peter Lawson|This Brightest of Days!|Choir - Mixed voices (SATB)|2.75|38 GM380|Peter Lawson
THIS BRIGHTEST OF DAYS! for SA+Men choir
Goodmusic GM380|"Christ is born, this brightest of days!"
A Carol for Christmas for choir and orchestra or piano.
This Brightest of Days! is a rousing, uplifting carol, rich in dramatic contrast of music in joyous praise of the events surrounding the holy birth that Christmas morning, alternating with tender sections referring to the serenity of the stable in Bethlehem.
The carol can be performed with an orchestra accompaniment (see GMCO202) or with piano.
Four different choral versions are available:
SATB (GM379), SA+Men (GM380), SSA (GM381) or TTBB (GM382).
The orchestral parts are the same for whichever choir version is used.
Duration 4 minutes|9790222321670|LAWSON|Peter Lawson|This Brightest of Days!|Choir - Mixed voices (SAMen)|2.75|38 GM381|Peter Lawson
THIS BRIGHTEST OF DAYS! for SSA choir
Goodmusic GM381|"Christ is born, this brightest of days!"
A Carol for Christmas for choir and orchestra or piano.
This Brightest of Days! is a rousing, uplifting carol, rich in dramatic contrast of music in joyous praise of the events surrounding the holy birth that Christmas morning, alternating with tender sections referring to the serenity of the stable in Bethlehem.
The carol can be performed with an orchestra accompaniment (see GMCO202) or with piano.
Four different choral versions are available:
SATB (GM379), SA+Men (GM380), SSA (GM381) or TTBB (GM382).
The orchestral parts are the same for whichever choir version is used.
Duration 4 minutes|9790222321687|LAWSON|Peter Lawson|This Brightest of Days!|Choir - 3 part upper voices|2.75|38 GM382|Peter Lawson
THIS BRIGHTEST OF DAYS! for TTBB choir
Goodmusic GM382|"Christ is born, this brightest of days!"
A Carol for Christmas for choir and orchestra or piano.
This Brightest of Days! is a rousing, uplifting carol, rich in dramatic contrast of music in joyous praise of the events surrounding the holy birth that Christmas morning, alternating with tender sections referring to the serenity of the stable in Bethlehem.
The carol can be performed with an orchestra accompaniment (see GMCO202) or with piano.
Four different choral versions are available:
SATB (GM379), SA+Men (GM380), SSA (GM381) or TTBB (GM382).
The orchestral parts are the same for whichever choir version is used.
Duration 4 minutes|9790222321694|LAWSON|Peter Lawson|This Brightest of Days!|Choir - Male voices|2.75|38 GM383|Paul Lewis
IMPROVISATIONS ON "THE ASH GROVE" for harp
Goodmusic GM383|Four short improvisations on the popular Welsh air, framed by an even briefer Introduction and Coda.
INTRODUCTION: In Celtic mythology the ash is associated with fairies. The Introduction, entirely in harmonics, sets an atmosphere of fairy magic.
IMPROVISATION 1: Lyrical and idyllic. The theme is decorated with triplets and grace notes.
IMPROVISATION 2: The ash was said to have healing properties for the very young. This extrovert waltz suggests children dancing happily through an ash grove.
IMPROVISATION 3: Lonely and pensive. A minor key movement, as of one seeking solace among the ash trees.
IMPROVISATION 4: Another waltz, this time in upbeat jazz style.
CODA: We return to the fairy world of the Introduction, with gentle bell-like harmonics.
The work is affectionately dedicated to harpist Sioned Williams. Paul Lewis

Duration about 5? minutes|9790222321700|LEWIS P|Paul Lewis|Improvisations on The Ash Grove|Harp|4.50|76 GM384|Paul Lewis
AUBADE for two harps
Goodmusic GM384|A melody written long ago lies sleeping, unheard.
Morning sunlight glints across the seashore.
The friendship of two divinely talented harpists
Kisses the melody back to life.

Aubade is dedicated to Maia Darme and Alexander Rider. Paul Lewis

Duration 3? minutes
Harp 1 plays from the score, a separate Harp 2 part is included.|9790222321762|LEWIS P|Paul Lewis|Aubade for two harps|Harp Duo|5.00|88 GM385|Paul Lewis
ADIEU MICHEL for voice and harp
Goodmusic GM385|'Since my teenage years the music of French composer Michel Legrand has been a source of joy and inspiration. When I heard of his death in January 2019 I went straight to the piano and found this melody waiting beneath my fingertips. It is a gentle tribute to a musical hero, suggestive of a French ballad or movie theme from the 1960s when I first discovered Legrand''s music. Paul Lewis
Duration 4 minutes

Adieu Michel, le grand maitre
Qui m''inspirait toute ma vie,
C''est pour vous que je compose
Cette petite melodie.

Also available in versions for solo harp (GM302), two harps (GM320) and for four-part harp ensemble (GM303).'|9790222321755|LEWIS P|Paul Lewis|Adieu Michel (Voice & Harp)|Voice solo (with accompaniment)|4.50|76 GM386|Peter Lawson
WEDDING RHAPSODY - Hodsock Priory - for piano
Goodmusic GM386|'A rhapsody for solo piano around Grade 7-8 standard.
This was written for my niece, Charlotte Tobin, for her wedding to Liam Ward. It was composed to capture and embrace the wonder of love and marriage and also to reflect the long and illustrious history of the wedding venue, Hodsock Priory.
The Rhapsody begins with a theme depicting the Priory, with its noble grandeur and endearing past. After two minutes or so, a dramatic key change ushers in a second, interrelated theme for the bride and groom. A decorated variant of this love theme broadens out to a nobilmente depiction of the Tudor gatehouse and grand vista of the main building before concluding quietly with the return of the Hodsock theme. Just like the Priory itself, so does marriage mellow and endure. Peter Lawson

Duration 7 minutes
The audio here is a computer-generated performance. An actual (much better!) performance played by Peter Lawson is available to stream or download from Amazon Music, Apple Music, iTunes, Spotify and many other platforms.(Available August 2021)

Hodsock Priory, situated in north Nottinghamshire, near the border with South Yorkshire, is set in 800 acres of beautiful grounds. People were living at Hodsock over two thousand years ago. As a building, it was listed in the Domesday Book of 1086. It has been much added to over the years, notably the grand gatehouse in Tudor times, celebrating the visit of Henry VIII in 1541. It was handed down from generation to generation until 1765, when it was sold to William Mellish who also owned the nearby Blyth Hall. Major alterations and improvements were carried out by subsequent generations, notably from 1854, by William Leigh Mellish''s widow, Margaret. She was the wealthy Canadian daughter of Sir William Cunard of ocean liner fame and was responsible for substantial remodelling of the Priory, which has remained essentially the same until the present day. It is currently owned by Sir Andrew and Lady Belinda Buchanan, who, in 2006, invited George and Katharine Buchanan to open up Hodsock Priory as an esteemed and spectacular venue for weddings and corporate events.'|9790222321779|LAWSON|Peter Lawson|Wedding Rhapsody - Hodsock Priory|Piano - Solo|4.00|63 GM387|Paul Lewis
VALSE LENTE for solo harp
Goodmusic GM387|Valse Lente was inspired by a film scenario by actor Tom Burke and was first published as a theremin solo with piano accompaniment [Goodmusic GM356]. This solo harp version was made for harpist Alexander Rider. Paul Lewis

Duration 4 minutes|9790222321786|LEWIS P|Paul Lewis|Valse Lente|Harp|4.00|63 GM388|Paul Lewis
CANTILENA for solo harp
Goodmusic GM388|'Cantilena is the love theme from the first and last movements of my Concerto Romantico for harp and strings. It is presented here as a solo piece for harpists who may wish to play it without the assistance of a string orchestra!

The melody was written in the mid 1990s when it was suggested that I might compose the score for a movie set during and after World War Two. The film was never made and a few years later I sketched improvisations on the theme for a harp and orchestra CD which in turn was never recorded. The melody haunted me thereafter and perfectly fitted harpist Rachel Talitman''s brief for a romantic concerto for her 2021 CD Paul Lewis - Romantic Music for Harp and Strings. Paul Lewis
Duration about 3? minutes'|9790222321793|LEWIS P|Paul Lewis|Cantilena|Harp|4.00|63 GM389|Peter Lawson
WIZARD! Vocal Score
Goodmusic GM389|'Wizard! is a 45 minute cantata originally written in 1980 for year-six juniors in a school in the East End of London, at which I taught for many happy years. The words were written by Katherine Hayes, who taught drama and poetry there. The story line is based upon a Grimms'' Fairy Tale. In 1986, it was performed in the Fairfield Hall, Croydon, by the combined forces of twenty-three local school choirs. In 2021, I revised the piece for this new edition. Peter Lawson

Soloists: King Reckless, Merlin, Brangwyn, Miller''s Wife, Five Elves/Fairies, Charon
Plus: Courtiers, Wizards, Soldiers, Imps & Chorus (unison & two-part) with piano accompaniment.

SYNOPSIS
This is the story of a King Reckless, who, in the opening number, appears overjoyed at having a baby daughter, Sophia, but, as time goes on, reveals a truly wicked side to his character. When he hears, through one of his Wizards, that his daughter will eventually marry a common soldier, he decides to intervene, just after the birth of the soldier-to-be, by throwing the baby, Will, into the river.
Twenty years later, he discovers that Will did not drown, but was rescued by a childless couple, who brought him up as if he was their own. The King tricks Will into going to the palace with a sealed letter to take to the Queen as a reward. The message reads: "This man is dangerous. Have him put to death." On his way to the palace, Will is set upon by robbers. They open his letter, take pity on him and change it to: "This admirable man must be married to the Princess without delay".
Reckless returns to find that Will and Sophia have become husband and wife. He cunningly declares Will as King in place, providing he can perform a task, namely fetching three hairs from the Devil''s head. The King does not believe Will will return.
Will sets out across the river Styx into hell, ferried by Charon, condemned forever to ferrying sinners across the river. Will persuades the Devil''s Granny to snip three curls from the Devil''s head and manages to overhear the secret of the spell which prevents Charon escaping. Apparently, if Charon gives his cap to someone else, that person becomes the ferryman. The Devil let slip the secret of how to make a certain tree grow golden apples. Will returns with golden apples and tricks King Reckless into thinking that he, too, will have access to the apple tree if he asks for Charon''s cap ... so off he goes!

Chorus part GM389-C also available.'|9790222321809|LAWSON|Peter Lawson|Wizard!|Choir - Vocal score|10.00|184 GM389-C|||9790222321816|LAWSON|Peter Lawson|Wizard! Chorus Score|Choir - Vocal score|4.00|63 GM390|Ivor Novello
KEEP THE HOME FIRES BURNING for SATB choir
Goodmusic GM390|'Ivor Novello was born David Ivor Davies, the son of David Davies and Clara Novello Davies in Cardiff in 1893. His father worked for the rent-collecting department of Cardiff City Council, while his mother, whose parents were both musical, was a well-known singing teacher and formed what became the Royal Welsh Ladies'' Choir, which she conducted with considerable success, under the name of Madame Clara Novello Davies, sometimes with her son as pianist, now adopting the stage name Ivor Novello.
In 1910, Ivor had his first song published and after the outbreak of war in 1914, Clara tried to persuade her son to write a patriotic song. He refused at first, but Clara had other ideas and composed a song herself, which was so crass that Ivor decided he would write a better one, which was the precise reaction Clara had intended all along! Ivor scribbled a few lines to go with the tune and a family friend, an American lady writer, Lena Guilbert Ford, completed the words. A few weeks later, it was first performed at the Alhambra Theatre, Leicester Square, by Miss Sybil Vane, accompanied by Ivor Novello, to huge success, with the audience joining in and thus launching Ivor to immediate stardom. Mrs Ford had no business sense and never received any royalties - and with sad irony, died when a bomb from a Zeppelin raid dropped on her Maida Vale house in 1918.
"Till the Boys Come Home" was the original title, but it gradually became known by the first rather than the last line of its refrain, namely, "Keep the Home Fires Burning". In this arrangement for choir, the Soprano (or Tenor) Solo begins and is gradually joined by the chorus, at first in ''commenting'' phrases during gaps and held notes, before taking over. There were some alternative versions published to a few of the lines, which gave the song a more general appeal, rather than referring specifically to England and the Great War and it is these alternatives which are used in this arrangement. The song also enjoyed great popularity through many well-known artists such as John McCormack recording it and it retained its popularity throughout World War Two and onwards.
This is available in four different versions: SATB (GM390), SA+Men (GM391), SSA (GM392) or TTBB (GM393).Accompaniment is either by piano or with orchestra (see GMCP022)
Duration 4 minutes'|9790222322073|NOVELLO|Ivor Novello|Keep the Home Fires Burning|Choir - Mixed voices (SATB)|2.75|38 GM391|Ivor Novello
KEEP THE HOME FIRES BURNING for SA+Men Choir
Goodmusic GM391|'Ivor Novello was born David Ivor Davies, the son of David Davies and Clara Novello Davies in Cardiff in 1893. His father worked for the rent-collecting department of Cardiff City Council, while his mother, whose parents were both musical, was a well-known singing teacher and formed what became the Royal Welsh Ladies'' Choir, which she conducted with considerable success, under the name of Madame Clara Novello Davies, sometimes with her son as pianist, now adopting the stage name Ivor Novello.
In 1910, Ivor had his first song published and after the outbreak of war in 1914, Clara tried to persuade her son to write a patriotic song. He refused at first, but Clara had other ideas and composed a song herself, which was so crass that Ivor decided he would write a better one, which was the precise reaction Clara had intended all along! Ivor scribbled a few lines to go with the tune and a family friend, an American lady writer, Lena Guilbert Ford, completed the words. A few weeks later, it was first performed at the Alhambra Theatre, Leicester Square, by Miss Sybil Vane, accompanied by Ivor Novello, to huge success, with the audience joining in and thus launching Ivor to immediate stardom. Mrs Ford had no business sense and never received any royalties - and with sad irony, died when a bomb from a Zeppelin raid dropped on her Maida Vale house in 1918.
"Till the Boys Come Home" was the original title, but it gradually became known by the first rather than the last line of its refrain, namely, "Keep the Home Fires Burning". In this arrangement for choir, the Soprano (or Tenor) Solo begins and is gradually joined by the chorus, at first in ''commenting'' phrases during gaps and held notes, before taking over. There were some alternative versions published to a few of the lines, which gave the song a more general appeal, rather than referring specifically to England and the Great War and it is these alternatives which are used in this arrangement. The song also enjoyed great popularity through many well-known artists such as John McCormack recording it and it retained its popularity throughout World War Two and onwards.
This is available in four different versions: SATB (GM390), SA+Men (GM391), SSA (GM392) or TTBB (GM393).Accompaniment is either by piano or with orchestra (see GMCP022)
Duration 4 minutes'|9790222322080|NOVELLO|Ivor Novello|Keep the Home Fires Burning|Choir - Mixed voices (SAMen)|2.75|38 GM392|Ivor Novello
KEEP THE HOME FIRES BURNING for SSA choir
Goodmusic GM392|'Ivor Novello was born David Ivor Davies, the son of David Davies and Clara Novello Davies in Cardiff in 1893. His father worked for the rent-collecting department of Cardiff City Council, while his mother, whose parents were both musical, was a well-known singing teacher and formed what became the Royal Welsh Ladies'' Choir, which she conducted with considerable success, under the name of Madame Clara Novello Davies, sometimes with her son as pianist, now adopting the stage name Ivor Novello.
In 1910, Ivor had his first song published and after the outbreak of war in 1914, Clara tried to persuade her son to write a patriotic song. He refused at first, but Clara had other ideas and composed a song herself, which was so crass that Ivor decided he would write a better one, which was the precise reaction Clara had intended all along! Ivor scribbled a few lines to go with the tune and a family friend, an American lady writer, Lena Guilbert Ford, completed the words. A few weeks later, it was first performed at the Alhambra Theatre, Leicester Square, by Miss Sybil Vane, accompanied by Ivor Novello, to huge success, with the audience joining in and thus launching Ivor to immediate stardom. Mrs Ford had no business sense and never received any royalties - and with sad irony, died when a bomb from a Zeppelin raid dropped on her Maida Vale house in 1918.
"Till the Boys Come Home" was the original title, but it gradually became known by the first rather than the last line of its refrain, namely, "Keep the Home Fires Burning". In this arrangement for choir, the Soprano (or Tenor) Solo begins and is gradually joined by the chorus, at first in ''commenting'' phrases during gaps and held notes, before taking over. There were some alternative versions published to a few of the lines, which gave the song a more general appeal, rather than referring specifically to England and the Great War and it is these alternatives which are used in this arrangement. The song also enjoyed great popularity through many well-known artists such as John McCormack recording it and it retained its popularity throughout World War Two and onwards.
This is available in four different versions: SATB (GM390), SA+Men (GM391), SSA (GM392) or TTBB (GM393).Accompaniment is either by piano or with orchestra (see GMCP022)
Duration 4 minutes'|9790222322097|NOVELLO|Ivor Novello|Keep the Home Fires Burning|Choir - 3 part upper voices|2.75|38 GM393|Ivor Novello
KEEP THE HOME FIRES BURNING for male voice choir
Goodmusic GM393|'Ivor Novello was born David Ivor Davies, the son of David Davies and Clara Novello Davies in Cardiff in 1893. His father worked for the rent-collecting department of Cardiff City Council, while his mother, whose parents were both musical, was a well-known singing teacher and formed what became the Royal Welsh Ladies'' Choir, which she conducted with considerable success, under the name of Madame Clara Novello Davies, sometimes with her son as pianist, now adopting the stage name Ivor Novello.
In 1910, Ivor had his first song published and after the outbreak of war in 1914, Clara tried to persuade her son to write a patriotic song. He refused at first, but Clara had other ideas and composed a song herself, which was so crass that Ivor decided he would write a better one, which was the precise reaction Clara had intended all along! Ivor scribbled a few lines to go with the tune and a family friend, an American lady writer, Lena Guilbert Ford, completed the words. A few weeks later, it was first performed at the Alhambra Theatre, Leicester Square, by Miss Sybil Vane, accompanied by Ivor Novello, to huge success, with the audience joining in and thus launching Ivor to immediate stardom. Mrs Ford had no business sense and never received any royalties - and with sad irony, died when a bomb from a Zeppelin raid dropped on her Maida Vale house in 1918.
"Till the Boys Come Home" was the original title, but it gradually became known by the first rather than the last line of its refrain, namely, "Keep the Home Fires Burning". In this arrangement for choir, the Soprano (or Tenor) Solo begins and is gradually joined by the chorus, at first in ''commenting'' phrases during gaps and held notes, before taking over. There were some alternative versions published to a few of the lines, which gave the song a more general appeal, rather than referring specifically to England and the Great War and it is these alternatives which are used in this arrangement. The song also enjoyed great popularity through many well-known artists such as John McCormack recording it and it retained its popularity throughout World War Two and onwards.
This is available in four different versions: SATB (GM390), SA+Men (GM391), SSA (GM392) or TTBB (GM393).Accompaniment is either by piano or with orchestra (see GMCP022)
Duration 4 minutes'|9790222322103|NOVELLO|Ivor Novello|Keep the Home Fires Burning|Choir - Male voices|2.75|38 GM394|Ivor Novello
PERCHANCE TO DREAM SELECTION for SATB choir
Goodmusic GM394|'"We''ll Gather Lilacs", "Love is My Reason" and "Highwayman Love".
Of all of Ivor Novello''s hugely-successful musicals, "Perchance to Dream" received the longest run of performances, 1020 in all, at the London Hippodrome, starting in April 1945. The smash hit was "We''ll Gather Lilacs", which resonated with the feeling that the war in Europe was nearly over and that many were soon to be reunited with their loved ones after long absences. The song was published separately just before the musical was launched and Ivor was well aware that he might be able to match the success that "Keep the Home Fires Burning" had had in the Great War.
The story centres around a country house called Huntersmoon and the events happening there from the Regency period, (Act 1), the Victorian period (Act 2) and Modern Times, which ends Act 2. Some actors, Ivor Novello included, thus played three characters. "We''ll Gather Lilacs" appears in the Victorian period as a duet between Veronica (Muriel Barron) and Mrs Bridport (Olive Gilbert).
In this choral arrangement there are three alternatives given for performance, bearing in mind that the sheet music version has two verses, neither of which appear in the musical, but will be familiar to many. For this version, follow the instructions in the score. To keep with the cast recording from the musical, after the eight-bar introduction, omit the verses as instructed. However, a third alternative is to carry straight on throughout, omitting verse 2 - thus getting the best of both worlds!
In the second arrangement, "Love is my Reason", both the sheet music and the musical''s score begin and end with the refrain, with a solitary verse in the middle, but the original cast recording abridges the first refrain, as does this arrangement. The song appears near the beginning of Act 1, sung by Lydia Lyddington (Muriel Barron).
The third song is "Highwayman Love", sung, with suitable gusto, in Act 1 by Ernestine Flavelle (Olive Gilbert, augmented by a male chorus of Highwaymen). Love is compared to a Highwayman, holding hearts to ransom with his arrows and cries of "Stand and deliver!" Fanciful stuff!
Duration 12 minutes

This is available in four different versions: SATB (GM394), SA+Men (GM395), SSA (GM396) or TTBB (GM397).Accompaniment is either by piano or with orchestra (see GMCP023)

"We''ll Gather Lilacs" is also published separately - GMCP024, GM398/GM399/GM400/GM401.'|9790222322370|NOVELLO|Ivor Novello|Perchance to Dream|Choir - Mixed voices (SATB)|6.25|100 GM395|Ivor Novello
PERCHANCE TO DREAM SELECTION for SA+Men choir
Goodmusic GM395|'"We''ll Gather Lilacs", "Love is My Reason" and "Highwayman Love".
Of all of Ivor Novello''s hugely-successful musicals, "Perchance to Dream" received the longest run of performances, 1020 in all, at the London Hippodrome, starting in April 1945. The smash hit was "We''ll Gather Lilacs", which resonated with the feeling that the war in Europe was nearly over and that many were soon to be reunited with their loved ones after long absences. The song was published separately just before the musical was launched and Ivor was well aware that he might be able to match the success that "Keep the Home Fires Burning" had had in the Great War.
The story centres around a country house called Huntersmoon and the events happening there from the Regency period, (Act 1), the Victorian period (Act 2) and Modern Times, which ends Act 2. Some actors, Ivor Novello included, thus played three characters. "We''ll Gather Lilacs" appears in the Victorian period as a duet between Veronica (Muriel Barron) and Mrs Bridport (Olive Gilbert).
In this choral arrangement there are three alternatives given for performance, bearing in mind that the sheet music version has two verses, neither of which appear in the musical, but will be familiar to many. For this version, follow the instructions in the score. To keep with the cast recording from the musical, after the eight-bar introduction, omit the verses as instructed. However, a third alternative is to carry straight on throughout, omitting verse 2 - thus getting the best of both worlds!
In the second arrangement, "Love is my Reason", both the sheet music and the musical''s score begin and end with the refrain, with a solitary verse in the middle, but the original cast recording abridges the first refrain, as does this arrangement. The song appears near the beginning of Act 1, sung by Lydia Lyddington (Muriel Barron).
The third song is "Highwayman Love", sung, with suitable gusto, in Act 1 by Ernestine Flavelle (Olive Gilbert, augmented by a male chorus of Highwaymen). Love is compared to a Highwayman, holding hearts to ransom with his arrows and cries of "Stand and deliver!" Fanciful stuff!
Duration 12 minutes

This is available in four different versions: SATB (GM394), SA+Men (GM395), SSA (GM396) or TTBB (GM397).Accompaniment is either by piano or with orchestra (see GMCP023)

"We''ll Gather Lilacs" is also published separately - GMCP024, GM398/GM399/GM400/GM401.'|9790222322387|NOVELLO|Ivor Novello|Perchance to Dream|Choir - Mixed voices (SAMen)|6.25|100 GM396|Ivor Novello
PERCHANCE TO DREAM SELECTION for SSA choir
Goodmusic GM396|'"We''ll Gather Lilacs", "Love is My Reason" and "Highwayman Love".
Of all of Ivor Novello''s hugely-successful musicals, "Perchance to Dream" received the longest run of performances, 1020 in all, at the London Hippodrome, starting in April 1945. The smash hit was "We''ll Gather Lilacs", which resonated with the feeling that the war in Europe was nearly over and that many were soon to be reunited with their loved ones after long absences. The song was published separately just before the musical was launched and Ivor was well aware that he might be able to match the success that "Keep the Home Fires Burning" had had in the Great War.
The story centres around a country house called Huntersmoon and the events happening there from the Regency period, (Act 1), the Victorian period (Act 2) and Modern Times, which ends Act 2. Some actors, Ivor Novello included, thus played three characters. "We''ll Gather Lilacs" appears in the Victorian period as a duet between Veronica (Muriel Barron) and Mrs Bridport (Olive Gilbert).
In this choral arrangement there are three alternatives given for performance, bearing in mind that the sheet music version has two verses, neither of which appear in the musical, but will be familiar to many. For this version, follow the instructions in the score. To keep with the cast recording from the musical, after the eight-bar introduction, omit the verses as instructed. However, a third alternative is to carry straight on throughout, omitting verse 2 - thus getting the best of both worlds!
In the second arrangement, "Love is my Reason", both the sheet music and the musical''s score begin and end with the refrain, with a solitary verse in the middle, but the original cast recording abridges the first refrain, as does this arrangement. The song appears near the beginning of Act 1, sung by Lydia Lyddington (Muriel Barron).
The third song is "Highwayman Love", sung, with suitable gusto, in Act 1 by Ernestine Flavelle (Olive Gilbert, augmented by a male chorus of Highwaymen). Love is compared to a Highwayman, holding hearts to ransom with his arrows and cries of "Stand and deliver!" Fanciful stuff!
Duration 12 minutes

This is available in four different versions: SATB (GM394), SA+Men (GM395), SSA (GM396) or TTBB (GM397).Accompaniment is either by piano or with orchestra (see GMCP023)

"We''ll Gather Lilacs" is also published separately - GMCP024, GM398/GM399/GM400/GM401.'|9790222322394|NOVELLO|Ivor Novello|Perchance to Dream|Choir - 3 part upper voices|6.25|100 GM397|Ivor Novello
PERCHANCE TO DREAM for male voice choir
Goodmusic GM397|'"We''ll Gather Lilacs", "Love is My Reason" and "Highwayman Love".
Of all of Ivor Novello''s hugely-successful musicals, "Perchance to Dream" received the longest run of performances, 1020 in all, at the London Hippodrome, starting in April 1945. The smash hit was "We''ll Gather Lilacs", which resonated with the feeling that the war in Europe was nearly over and that many were soon to be reunited with their loved ones after long absences. The song was published separately just before the musical was launched and Ivor was well aware that he might be able to match the success that "Keep the Home Fires Burning" had had in the Great War.
The story centres around a country house called Huntersmoon and the events happening there from the Regency period, (Act 1), the Victorian period (Act 2) and Modern Times, which ends Act 2. Some actors, Ivor Novello included, thus played three characters. "We''ll Gather Lilacs" appears in the Victorian period as a duet between Veronica (Muriel Barron) and Mrs Bridport (Olive Gilbert).
In this choral arrangement there are three alternatives given for performance, bearing in mind that the sheet music version has two verses, neither of which appear in the musical, but will be familiar to many. For this version, follow the instructions in the score. To keep with the cast recording from the musical, after the eight-bar introduction, omit the verses as instructed. However, a third alternative is to carry straight on throughout, omitting verse 2 - thus getting the best of both worlds!
In the second arrangement, "Love is my Reason", both the sheet music and the musical''s score begin and end with the refrain, with a solitary verse in the middle, but the original cast recording abridges the first refrain, as does this arrangement. The song appears near the beginning of Act 1, sung by Lydia Lyddington (Muriel Barron).
The third song is "Highwayman Love", sung, with suitable gusto, in Act 1 by Ernestine Flavelle (Olive Gilbert, augmented by a male chorus of Highwaymen). Love is compared to a Highwayman, holding hearts to ransom with his arrows and cries of "Stand and deliver!" Fanciful stuff!
Duration 12 minutes

This is available in four different versions: SATB (GM394), SA+Men (GM395), SSA (GM396) or TTBB (GM397).Accompaniment is either by piano or with orchestra (see GMCP023)

"We''ll Gather Lilacs" is also published separately - GMCP024, GM398/GM399/GM400/GM401.'|9790222322400|NOVELLO|Ivor Novello|Perchance to Dream|Choir - Male voices|6.25|100 GM398|'Ivor Novello
WE''LL GATHER LILACS for SATB choir
Goodmusic GM398'|'Of all of Ivor Novello''s hugely-successful musicals, "Perchance to Dream" received the longest run of performances, 1020 in all, at the London Hippodrome, starting in April 1945. The smash hit was "We''ll Gather Lilacs", which resonated with the feeling that the war in Europe was nearly over and that many were soon to be reunited with their loved ones after long absences. The song was published separately just before the musical was launched and Ivor was well aware that he might be able to match the success that "Keep the Home Fires Burning" had had in the Great War.
The story centres around a country house called Huntersmoon and the events happening there from the Regency period, (Act 1), the Victorian period (Act 2) and Modern Times, which ends Act 2. Some actors, Ivor Novello included, thus played three characters. "We''ll Gather Lilacs" appears in the Victorian period as a duet between Veronica (Muriel Barron) and Mrs Bridport (Olive Gilbert).
In this choral arrangement there are three alternatives given for performance, bearing in mind that the sheet music version has two verses, neither of which appear in the musical, but will be familiar to many. For this version, follow the instructions in the score. To keep with the cast recording from the musical, after the eight-bar introduction, omit the verses as instructed. However, a third alternative is to carry straight on throughout, omitting verse 2 - thus getting the best of both worlds!
Such was the popularity of Ivor Novello, over ten thousand people, including Lady Churchill, lined the streets on the route from central London to the site of his funeral at Golders Green Cemetery, where Olive Gilbert sang "We''ll Gather Lilacs". The last two lines of the song were subsequently engraved on Ivor''s headstone.
Duration 6 minutes

This is available in four different versions: SATB (GM398), SA+Men (GM399), SSA (GM400) or TTBB (GM401).Accompaniment is either by piano or with orchestra (see GMCP024).'|9790222322684|NOVELLO|Ivor Novello|'We''ll Gather Lilacs'|Choir - Mixed voices (SATB)|3.50|50 GM399|'Ivor Novello
WE''LL GATHER LILACS for SA+Men Choir
Goodmusic GM399'|'Of all of Ivor Novello''s hugely-successful musicals, "Perchance to Dream" received the longest run of performances, 1020 in all, at the London Hippodrome, starting in April 1945. The smash hit was "We''ll Gather Lilacs", which resonated with the feeling that the war in Europe was nearly over and that many were soon to be reunited with their loved ones after long absences. The song was published separately just before the musical was launched and Ivor was well aware that he might be able to match the success that "Keep the Home Fires Burning" had had in the Great War.
The story centres around a country house called Huntersmoon and the events happening there from the Regency period, (Act 1), the Victorian period (Act 2) and Modern Times, which ends Act 2. Some actors, Ivor Novello included, thus played three characters. "We''ll Gather Lilacs" appears in the Victorian period as a duet between Veronica (Muriel Barron) and Mrs Bridport (Olive Gilbert).
In this choral arrangement there are three alternatives given for performance, bearing in mind that the sheet music version has two verses, neither of which appear in the musical, but will be familiar to many. For this version, follow the instructions in the score. To keep with the cast recording from the musical, after the eight-bar introduction, omit the verses as instructed. However, a third alternative is to carry straight on throughout, omitting verse 2 - thus getting the best of both worlds!
Such was the popularity of Ivor Novello, over ten thousand people, including Lady Churchill, lined the streets on the route from central London to the site of his funeral at Golders Green Cemetery, where Olive Gilbert sang "We''ll Gather Lilacs". The last two lines of the song were subsequently engraved on Ivor''s headstone.
Duration 6 minutes

This is available in four different versions: SATB (GM398), SA+Men (GM399), SSA (GM400) or TTBB (GM401).Accompaniment is either by piano or with orchestra (see GMCP024).'|9790222322691|NOVELLO|Ivor Novello|'We''ll Gather Lilacs'|Choir - Mixed voices (SAMen)|3.50|50 GM400|'Ivor Novello
WE''LL GATHER LILACS for SSA choir
Goodmusic GM400'|'Of all of Ivor Novello''s hugely-successful musicals, "Perchance to Dream" received the longest run of performances, 1020 in all, at the London Hippodrome, starting in April 1945. The smash hit was "We''ll Gather Lilacs", which resonated with the feeling that the war in Europe was nearly over and that many were soon to be reunited with their loved ones after long absences. The song was published separately just before the musical was launched and Ivor was well aware that he might be able to match the success that "Keep the Home Fires Burning" had had in the Great War.
The story centres around a country house called Huntersmoon and the events happening there from the Regency period, (Act 1), the Victorian period (Act 2) and Modern Times, which ends Act 2. Some actors, Ivor Novello included, thus played three characters. "We''ll Gather Lilacs" appears in the Victorian period as a duet between Veronica (Muriel Barron) and Mrs Bridport (Olive Gilbert).
In this choral arrangement there are three alternatives given for performance, bearing in mind that the sheet music version has two verses, neither of which appear in the musical, but will be familiar to many. For this version, follow the instructions in the score. To keep with the cast recording from the musical, after the eight-bar introduction, omit the verses as instructed. However, a third alternative is to carry straight on throughout, omitting verse 2 - thus getting the best of both worlds!
Such was the popularity of Ivor Novello, over ten thousand people, including Lady Churchill, lined the streets on the route from central London to the site of his funeral at Golders Green Cemetery, where Olive Gilbert sang "We''ll Gather Lilacs". The last two lines of the song were subsequently engraved on Ivor''s headstone.
Duration 6 minutes

This is available in four different versions: SATB (GM398), SA+Men (GM399), SSA (GM400) or TTBB (GM401).Accompaniment is either by piano or with orchestra (see GMCP024).'|9790222322707|NOVELLO|Ivor Novello|'We''ll Gather Lilacs'|Choir - 3 part upper voices|3.50|50 GM401|'Ivor Novello
WE''LL GATHER LILACS for male voice choir
Goodmusic GM401'|'Of all of Ivor Novello''s hugely-successful musicals, "Perchance to Dream" received the longest run of performances, 1020 in all, at the London Hippodrome, starting in April 1945. The smash hit was "We''ll Gather Lilacs", which resonated with the feeling that the war in Europe was nearly over and that many were soon to be reunited with their loved ones after long absences. The song was published separately just before the musical was launched and Ivor was well aware that he might be able to match the success that "Keep the Home Fires Burning" had had in the Great War.
The story centres around a country house called Huntersmoon and the events happening there from the Regency period, (Act 1), the Victorian period (Act 2) and Modern Times, which ends Act 2. Some actors, Ivor Novello included, thus played three characters. "We''ll Gather Lilacs" appears in the Victorian period as a duet between Veronica (Muriel Barron) and Mrs Bridport (Olive Gilbert).
In this choral arrangement there are three alternatives given for performance, bearing in mind that the sheet music version has two verses, neither of which appear in the musical, but will be familiar to many. For this version, follow the instructions in the score. To keep with the cast recording from the musical, after the eight-bar introduction, omit the verses as instructed. However, a third alternative is to carry straight on throughout, omitting verse 2 - thus getting the best of both worlds!
Such was the popularity of Ivor Novello, over ten thousand people, including Lady Churchill, lined the streets on the route from central London to the site of his funeral at Golders Green Cemetery, where Olive Gilbert sang "We''ll Gather Lilacs". The last two lines of the song were subsequently engraved on Ivor''s headstone.
Duration 6 minutes

This is available in four different versions: SATB (GM398), SA+Men (GM399), SSA (GM400) or TTBB (GM401).Accompaniment is either by piano or with orchestra (see GMCP024).'|9790222322714|NOVELLO|Ivor Novello|'We''ll Gather Lilacs'|Choir - Male voices|3.50|50 GM402|Paul Carr
BE STILL, MY SOUL
Goodmusic GM402|'Lovely setting for unaccompanied mixed voice choir (SATB).

Be still, my soul: the Lord is on thy side.
Bear patiently the cross of grief or pain.
Leave to thy God to order and provide;
In every change, He faithful will remain.
Be still, my soul: thy best, thy heav''nly Friend
Through thorny ways leads to a joyful end.

Duration 4 minutes'|9790222322417|CARR P|Paul Carr|Be Still My Soul|Choir - Mixed voices (SATB)|2.00|25 GM403|Gustav Holst
THE STARS ARE WITH THE VOYAGER
Goodmusic GM403|For unaccompanied mixed voices (SATB).
A separate copy from the collection of previously unpublished Holst part-songs "The Voyager" - GM336.|9790222322721|HOLST|Gustav Holst|The Stars are with the Voyager|Choir - Mixed voices (SATB)|1.50|13 GM404|Gustav Holst
SPRING IT IS CHEERY
Goodmusic GM404|For unaccompanied mixed voices (SSATBarB).
A separate copy from the collection of previously unpublished Holst part-songs "The Voyager" - GM336.|9790222322738|HOLST|Gustav Holst|Spring it is Cheery|Choir - Mixed voices (SATB)|1.50|13 GM405|Gustav Holst
O LADY LEAVE THY SILKEN THREAD
Goodmusic GM405|For unaccompanied mixed voices (SSATBarB).
A separate copy from the collection of previously unpublished Holst part-songs "The Voyager" - GM336.|9790222322745|HOLST|Gustav Holst|O Lady Leave thy Silken Thread|Choir - Mixed voices (SATB)|2.00|25 GM406|'Gustav Holst
THERE''S A VOICE IN THE WIND
Goodmusic GM406'|For unaccompanied mixed voices (SSATBarB).
A separate copy from the collection of previously unpublished Holst part-songs "The Voyager" - GM336.|9790222322752|HOLST|Gustav Holst|'There''s a Voice in the Wind'|Choir - Mixed voices (SATB)|2.00|25 GM407|'Gustav Holst
FRANK LEIGH''S SONG: A.D.1586 (Ah Tyrant Love)
Goodmusic GM407'|For unaccompanied mixed voices (SATB).
A separate copy from the collection of previously unpublished Holst part-songs "The Voyager" - GM336.|9790222322769|HOLST|Gustav Holst|'Frank Leigh''s Song: A.D.1586'|Choir - Mixed voices (SATB)|1.50|13 GM408|Gustav Holst
COME AWAY DEATH
Goodmusic GM408|For unaccompanied mixed voices (SSATTB).
A separate copy from the collection of previously unpublished Holst part-songs "The Voyager" - GM336.|9790222322776|HOLST|Gustav Holst|Come Away Death|Choir - Mixed voices (SATB)|2.00|25 GM409|Gustav Holst
IT WAS A LOVER AND HIS LASS
Goodmusic GM409|For unaccompanied mixed voices (SATB).
A separate copy from the collection of previously unpublished Holst part-songs "The Voyager" - GM336.|9790222322783|HOLST|Gustav Holst|It Was a Lover and his Lass|Choir - Mixed voices (SATB)|2.00|25 GM410|Gustav Holst
IN YOUTH IS PLEASURE
Goodmusic GM410|For unaccompanied mixed voices (SATB).
A separate copy from the collection of previously unpublished Holst part-songs "The Voyager" - GM336.|9790222322790|HOLST|Gustav Holst|In Youth is Pleasure|Choir - Mixed voices (SATB)|1.50|13 GM411|Gustav Holst
NOW REST THEE FROM ALL CARE
Goodmusic GM411|For unaccompanied mixed voices (SATB).
A separate copy from the collection of previously unpublished Holst part-songs "The Voyager" - GM336.|9790222322806|HOLST|Gustav Holst|Now Rest Thee From All Care|Choir - Mixed voices (SATB)|1.50|13 GM412|Gustav Holst
DIVERUS AND LAZARUS
Goodmusic GM412|For unaccompanied mixed voices (SATB).
A separate copy from the collection of previously unpublished Holst part-songs "The Voyager" - GM336.|9790222322813|HOLST|Gustav Holst|Diverus and Lazarus|Choir - Mixed voices (SATB)|2.00|25 GM413|'Gustav Holst
THE LOVER''S COMPLAINT
Goodmusic GM413'|For unaccompanied mixed voices (SATB).
A separate copy from the collection of previously unpublished Holst part-songs "The Voyager" - GM336.|9790222322820|HOLST|Gustav Holst|'The Lover''s Complaint'|Choir - Mixed voices (SATB)|2.00|25 GM414|Clive Jenkins
BASSOONER OR LATER for bassoon and piano
Goodmusic GM414|'Five pieces for bassoon and piano.
Publisher David Good''s suggestion for a title for this collection could not be more apt! For years I had been meaning to write something for bassoon. The pandemic emptied my diary; I had the time. Contact with Alex Bone, former Plymouth College pupil from my days as director of music there in the 1970s, gave the reason. He had heard one of my Five Pieces for Clarinet on Radio 3. Had I written for bassoon? Roberta, his daughter, first prize winner in the Terras de La Salette international bassoon concurso in Portugal, was about to start her studies at the Royal Academy of Music in London. Hence these five short pieces for Bertie. Clive Jenkins

1. Man of Action (about 2 minutes)
2. Jester (about 2 minutes)
3. Dreamer (about 3? minutes)
4. Man About Town (about 2 minutes)
5. Contortionist (about 3 minutes)'|9790222322837|JENKINS C|Clive Jenkins|Bassooner or Later|Bassoon and piano|7.50|136 GM415|Paul Carr
RAIN for mixed voice choir
Goodmusic GM415|A setting for unaccompanied mixed voice choir (SATB) of a poem by Euan Tait dedicated to the University of North Texas A Cappella choir and their conductor Allen Hightower.
Never a sound so beautiful:
Rainfall through the deep
Of the stillness, the darkness,
Like a refreshing caress
The skin relearns, gives back
At a time of pain. Rain,
Like an old friend, forgotten,
Returning laden with light.
Euan Tait

Duration 5 minutes|9790222322875|CARR P|Paul Carr|Rain|Choir - Mixed voices (SATB)|2.00|25 GM416|Paul Carr
AUTUMN SONG for SATB choir and piano
Goodmusic GM416|'Text by Emily Bronte:
Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.
I shall smile when wreaths of snow
Blossom where the rose should grow;
I shall sing when night''s decay
Ushers in a drearier day.

When working in London I often stay with my dear friend Nic Howard in his beautifully designed cottage in Outwood, Surrey. Nic is an award-winning garden designer, so this seasonal poem feels particularly apt as a thank-you in dedication to him. Nic was the owner of a very good Yamaha Clavinova which sat in his design office, but was rarely played and took up space, so when I was staying the Summer before Coronavirus hit, he offered it to me. Not having had access to a piano for years, I said I''d happily take it if it would fit in the boot of my car, and as luck would have it, it did, with mere centimetres to spare. Having spent most of my adult years composing straight on computer as is my norm, having a piano at my disposal has been significant in starting me on a course of song-writing, and this is just one of many solo and choral songs I have now composed using the somewhat old-fashioned method of pencil and manuscript paper, seated at Nic''s piano. Paul Carr
Duration about 4 minutes'|9790222322882|CARR P|Paul Carr|Autumn Song|Choir - Mixed voices (SATB)|2.75|38 GM417|Gustav Holst
NEW YEAR CHORUS for choir & piano
Goodmusic GM417|'For soprano solo, mixed voice choir (SATB) and piano.
In November 1888 the 14 year-old Holst''s attention was caught by the announcement of a composing competition in the Boy''s Own Paper (of which he was an avid reader), offering prizes of two guineas and one guinea. He entered the competition and came sixth out of twenty-nine entries in the Junior division. Holst continued to enter the competition in the next few years, going on to win first prize. The New Year Chorus of 1892 was one of his winning entries.
This is the first published edition of this work.
Duration 3? minutes'|9790222322899|HOLST|Gustav Holst|New Year Chorus|Choir - Mixed voices (SATB)|2.75|38 GM418|Gustav Holst
INTRODUCTION & BOLERO for piano duet
Goodmusic GM418|'A preview of Holst''s intention to write a piano duet comes in his Four Organ Voluntaries (written in 1890-91 for the organ at All Saints Church, Cheltenham). At the end of the last of these (a Funeral March in G minor) he wrote to his dedicatee Nina von Holst (his aunt): "I am thinking of writing a piano duet for you and Miss Scott. It will be very difficult and therefore will just suit you!" The Introduction and Bolero was composed in 1893 just as Holst was making the transition to becoming a student at the Royal College of Music. The manuscript contains the inscription "This was written expressly for and dedicated to My adored Beloved Sweet-Heart." The young lady in question was probably the 18 year old Mabel Forty, with whom he often played piano duets. Mabel''s father, Frank Forty, was the co-founder of the once well-known Cheltenham piano and sheet music shop Dale, Forty & Co., which existed until 1961.
This is the first published edition of this work.
Duration 6? minutes'|9790222322905|HOLST|Gustav Holst|Introduction and Bolero|Piano - 2 players on 1 piano|5.00|88 GM419|Paul Carr
RAIN for sax quartet
Goodmusic GM419|RAIN is an arrangement I made for Sam Corkin and his Saxophone Quartet, in the quieter few days between Christmas 2021 and the New Year, of my a cappella choral piece of the same title, to words by Euan Tait.

Never a sound so beautiful:
Rainfall through the deep
Of the stillness, the darkness,
Like a refreshing caress
The skin relearns, gives back
At a time of pain. Rain,
Like an old friend, forgotten,
Returning laden with light.
Euan Tait

Score and parts included
Duration 5 minutes|9790222323285|CARR P|Paul Carr|Rain for sax quartet|Saxophone quartet|7.50|94 GM420|Paul Carr
AIR FOR STRINGS for string sextet
Goodmusic GM420|'Paul''s popular Air for Strings, which is regularly played on Classic FM in it''s original string orchestra version, is here available for string sextet of 2 violins, 2 violas and 2 cellos. Score and parts are included.
Duration 10 minutes

Also available for string orchestra (GMCO080) and for full orchestra (GMCO081).'|9790222323292|CARR P|Paul Carr|Air for Strings (Sextet)|Ensemble - Mixed strings|9.50|156 GM421|Paul Carr
RAIN - Elegy for wind nonet
Goodmusic GM421|RAIN, an elegy for Wind Nonet, is an arrangement of my unaccompanied choral piece (to words by Euan Tait) that I made for London Serenata; the expressive quality of wind instruments is perfectly suited to the reflective emotion and calm simplicity of the original. Paul Carr

Never a sound so beautiful:
Rainfall through the deep
Of the stillness, the darkness,
Like a refreshing caress
The skin relearns, gives back
At a time of pain. Rain,
Like an old friend, forgotten,
Returning laden with light. Euan Tait

Scored for Flute, 2 Oboes, 2 Clarinets in Bb, 2 Horns in F, 2 Bassoons. Score and set of parts included.
Duration 5 minutes|9790222323926|CARR P|Paul Carr|Rain - Elegy for wind nonet|Ensemble - Mixed|8.50|108 GM422|Paul Carr
RAIN for brass quintet
Goodmusic GM422|RAIN, started out as an unaccompanied choral piece to words by Euan Tait, but I sometimes like to arrange my own music for other instruments, as is the case with this simple, but passionate song; so I have since made versions for String Orchestra (as one of Three Elegies), Saxophone Quartet, Wind Ensemble, as well as for Alto Saxophone, Cor Anglais, or Violin and Piano, and this arrangement for Brass Quintet, in dedication to Paul Goodchild, who for many years was Principal Trumpet with the Sydney Symphony Orchestra, and with whom I spent many an hour drinking fine wines (mostly with no labels on) while enjoying life in Australia. Paul Carr

Never a sound so beautiful:
Rainfall through the deep
Of the stillness, the darkness,
Like a refreshing caress
The skin relearns, gives back
At a time of pain. Rain,
Like an old friend, forgotten,
Returning laden with light. Euan Tait

Scored for 2 Trumpets in Bb, Horn in F, Trombone and Tuba. Score and set of parts included.|9790222323940|CARR P|Paul Carr|Rain for brass quintet|Ensemble - Mixed brass|6.00|86 GM423|Paul Lewis
VALSE LENTE for bassoon or cello and harp
Goodmusic GM423|Valse Lente was inspired by a film scenario by actor Tom Burke and is also available as a harp solo. This arrangement was made for harpist Rachel Talitman and bassoonist Mavroudes Troullos but is also suitable for cello and harp.
Duration 4? minutes|9790222324213|LEWIS P|Paul Lewis|Valse Lente (Bassoon or Cello+Harp)|Bassoon & Harp|4.50|76 GM424|Peter Lawson
HOLY THE NIGHT for SATB
Goodmusic GM424|'A carol for Christmas adapted from the 2nd movement of Beethoven''s Piano Sonata in C minor Op.13 (Pathetique) with words by Peter Lawson arranged by Peter Lawson for choir with orchestra or piano
Orchestration:2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F (3 & 4 optional), 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (1 player: Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir (SATB or SA+Men or SSA or TTBB)

Holy, the Night is written to the well-known second movement of Beethoven''s Sonata Pathetique, No.8 in C minor, Op.13. The appellation ''Pathetique'' derives from the original publisher''s title Grande Sonate Pathetique - with Beethoven''s approval, though it refers, principally, to the dramatic, Grave opening of the first movement and the rather stormy Allegro di molto e con brio which follows it, rather than to the nature of the second and third movements.
The second movement, marked Adagio cantabile, has been employed in various different contexts by others since and, with this in mind, I thought that it''s hymn-like theme could become a suitable melody for a Christmas carol. I wrote words to it, describing the nativity scene in the lowly stable in Bethlehem. There are two contrasting episodic sections in which the words refer back to the Angel Gabriel appearing to Mary, telling her that she would be visited by the Holy Spirit and would bear God''s son, who would be known as Jesus. With the final return of the hymn-like theme, the Three Wise Men come to worship baby Jesus, bearing their gifts of gold, frankincense and myrrh. Mary and Joseph are greatly comforted and honoured by the kindness of the distinguished visitors from afar. Peter Lawson
The orchestral parts are available under catalogue number GMCH018.
Duration 4? minutes'|9790222324497|LAWSON|Peter Lawson|Holy the Night|Choir - Mixed voices (SATB)|2.75|38 GM425|Peter Lawson
HOLY THE NIGHT for SA+Men
Goodmusic GM425|'A carol for Christmas adapted from the 2nd movement of Beethoven''s Piano Sonata in C minor Op.13 (Pathetique) with words by Peter Lawson arranged by Peter Lawson for choir with orchestra or piano
Orchestration:2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F (3 & 4 optional), 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (1 player: Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir (SATB or SA+Men or SSA or TTBB)

Holy, the Night is written to the well-known second movement of Beethoven''s Sonata Pathetique, No.8 in C minor, Op.13. The appellation ''Pathetique'' derives from the original publisher''s title Grande Sonate Pathetique - with Beethoven''s approval, though it refers, principally, to the dramatic, Grave opening of the first movement and the rather stormy Allegro di molto e con brio which follows it, rather than to the nature of the second and third movements.
The second movement, marked Adagio cantabile, has been employed in various different contexts by others since and, with this in mind, I thought that it''s hymn-like theme could become a suitable melody for a Christmas carol. I wrote words to it, describing the nativity scene in the lowly stable in Bethlehem. There are two contrasting episodic sections in which the words refer back to the Angel Gabriel appearing to Mary, telling her that she would be visited by the Holy Spirit and would bear God''s son, who would be known as Jesus. With the final return of the hymn-like theme, the Three Wise Men come to worship baby Jesus, bearing their gifts of gold, frankincense and myrrh. Mary and Joseph are greatly comforted and honoured by the kindness of the distinguished visitors from afar. Peter Lawson
The orchestral parts are available under catalogue number GMCH018.
Duration 4? minutes'|9790222324503|LAWSON|Peter Lawson|Holy the Night|Choir - Mixed voices (SAMen)|2.75|38 GM426|Peter Lawson
HOLY THE NIGHT for SSA
Goodmusic GM426|'A carol for Christmas adapted from the 2nd movement of Beethoven''s Piano Sonata in C minor Op.13 (Pathetique) with words by Peter Lawson arranged by Peter Lawson for choir with orchestra or piano
Orchestration:2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F (3 & 4 optional), 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (1 player: Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir (SATB or SA+Men or SSA or TTBB)

Holy, the Night is written to the well-known second movement of Beethoven''s Sonata Pathetique, No.8 in C minor, Op.13. The appellation ''Pathetique'' derives from the original publisher''s title Grande Sonate Pathetique - with Beethoven''s approval, though it refers, principally, to the dramatic, Grave opening of the first movement and the rather stormy Allegro di molto e con brio which follows it, rather than to the nature of the second and third movements.
The second movement, marked Adagio cantabile, has been employed in various different contexts by others since and, with this in mind, I thought that it''s hymn-like theme could become a suitable melody for a Christmas carol. I wrote words to it, describing the nativity scene in the lowly stable in Bethlehem. There are two contrasting episodic sections in which the words refer back to the Angel Gabriel appearing to Mary, telling her that she would be visited by the Holy Spirit and would bear God''s son, who would be known as Jesus. With the final return of the hymn-like theme, the Three Wise Men come to worship baby Jesus, bearing their gifts of gold, frankincense and myrrh. Mary and Joseph are greatly comforted and honoured by the kindness of the distinguished visitors from afar. Peter Lawson
The orchestral parts are available under catalogue number GMCH018.
Duration 4? minutes'|9790222324510|LAWSON|Peter Lawson|Holy the Night|Choir - 3 part upper voices|2.75|38 GM427|Peter Lawson
HOLY THE NIGHT for TTBB
Goodmusic GM427|'A carol for Christmas adapted from the 2nd movement of Beethoven''s Piano Sonata in C minor Op.13 (Pathetique) with words by Peter Lawson arranged by Peter Lawson for choir with orchestra or piano
Orchestration:2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F (3 & 4 optional), 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (1 player: Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir (SATB or SA+Men or SSA or TTBB)

Holy, the Night is written to the well-known second movement of Beethoven''s Sonata Pathetique, No.8 in C minor, Op.13. The appellation ''Pathetique'' derives from the original publisher''s title Grande Sonate Pathetique - with Beethoven''s approval, though it refers, principally, to the dramatic, Grave opening of the first movement and the rather stormy Allegro di molto e con brio which follows it, rather than to the nature of the second and third movements.
The second movement, marked Adagio cantabile, has been employed in various different contexts by others since and, with this in mind, I thought that it''s hymn-like theme could become a suitable melody for a Christmas carol. I wrote words to it, describing the nativity scene in the lowly stable in Bethlehem. There are two contrasting episodic sections in which the words refer back to the Angel Gabriel appearing to Mary, telling her that she would be visited by the Holy Spirit and would bear God''s son, who would be known as Jesus. With the final return of the hymn-like theme, the Three Wise Men come to worship baby Jesus, bearing their gifts of gold, frankincense and myrrh. Mary and Joseph are greatly comforted and honoured by the kindness of the distinguished visitors from afar. Peter Lawson
The orchestral parts are available under catalogue number GMCH018.
Duration 4? minutes'|9790222324527|LAWSON|Peter Lawson|Holy the Night|Choir - Male voices|2.75|38 GM428|'Peter Lawson
SHEPHERDS WATCH''D PEACEFULLY for SATB
Goodmusic GM428'|'A carol for Christmas adapted from Schubert''s Impromptu No.3, Op.90 with words by Peter Lawson arranged by Peter Lawson for choir with orchestra or piano. Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir (SATB or SA+Men or SSA or TTBB)
Shepherds Watch''d Peacefully is set to the well-loved Impromptu No.3, Op.90, by Franz Schubert, originally written for piano and in the intriguing key of G flat major, but here transposed up a semitone into the more accessible G major, with the Impromptu being abridged by about a third in length. Above a rippling accompaniment in the right hand, the pianist brings out a song-like melody of great beauty, mainly with the righthand little-finger. It is to this melody which I wrote words, describing the shepherds in the fields and the Nativity scene in the humble stable in nearby Bethlehem. A more troubled middle section reflects the duress Mary and Joseph had incurred, whilst trying to find somewhere to spend the night in a crowded Bethlehem. After much searching, a kindly landlord, seeing that Mary was about to give birth, lets the anxious couple share a humble stable with cattle - at this point, the music becomes more tender in nature. The troubled motif returns, depicting the enduring journey made by the three Wise men to find their holy saviour. The music then becomes more intimate as they end their journey and kneel before the baby Jesus. The opening melody returns as the chorus of angels from heaven above can be heard serenading the tranquil scene below: Mary and Joseph and the Wise men, giving praise to God''s son, who was born in such humble circumstances, in the lowly stable. Peter Lawson
The orchestral parts are available under catalogue number GMCH019.
Duration 4? minutes'|9790222324770|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully'|Choir - Mixed voices (SATB)|3.50|50 GM429|'Peter Lawson
SHEPHERDS WATCH''D PEACEFULLY for SA+Men
Goodmusic GM429'|'A carol for Christmas adapted from Schubert''s Impromptu No.3, Op.90 with words by Peter Lawson arranged by Peter Lawson for choir with orchestra or piano. Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir (SATB or SA+Men or SSA or TTBB)
Shepherds Watch''d Peacefully is set to the well-loved Impromptu No.3, Op.90, by Franz Schubert, originally written for piano and in the intriguing key of G flat major, but here transposed up a semitone into the more accessible G major, with the Impromptu being abridged by about a third in length. Above a rippling accompaniment in the right hand, the pianist brings out a song-like melody of great beauty, mainly with the righthand little-finger. It is to this melody which I wrote words, describing the shepherds in the fields and the Nativity scene in the humble stable in nearby Bethlehem. A more troubled middle section reflects the duress Mary and Joseph had incurred, whilst trying to find somewhere to spend the night in a crowded Bethlehem. After much searching, a kindly landlord, seeing that Mary was about to give birth, lets the anxious couple share a humble stable with cattle - at this point, the music becomes more tender in nature. The troubled motif returns, depicting the enduring journey made by the three Wise men to find their holy saviour. The music then becomes more intimate as they end their journey and kneel before the baby Jesus. The opening melody returns as the chorus of angels from heaven above can be heard serenading the tranquil scene below: Mary and Joseph and the Wise men, giving praise to God''s son, who was born in such humble circumstances, in the lowly stable. Peter Lawson
The orchestral parts are available under catalogue number GMCH019.
Duration 4? minutes'|9790222324787|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully'|Choir - Mixed voices (SAMen)|3.50|50 GM430|'Peter Lawson
SHEPHERDS WATCH''D PEACEFULLY for SSA
Goodmusic GM430'|'A carol for Christmas adapted from Schubert''s Impromptu No.3, Op.90 with words by Peter Lawson arranged by Peter Lawson for choir with orchestra or piano. Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir (SATB or SA+Men or SSA or TTBB)
Shepherds Watch''d Peacefully is set to the well-loved Impromptu No.3, Op.90, by Franz Schubert, originally written for piano and in the intriguing key of G flat major, but here transposed up a semitone into the more accessible G major, with the Impromptu being abridged by about a third in length. Above a rippling accompaniment in the right hand, the pianist brings out a song-like melody of great beauty, mainly with the righthand little-finger. It is to this melody which I wrote words, describing the shepherds in the fields and the Nativity scene in the humble stable in nearby Bethlehem. A more troubled middle section reflects the duress Mary and Joseph had incurred, whilst trying to find somewhere to spend the night in a crowded Bethlehem. After much searching, a kindly landlord, seeing that Mary was about to give birth, lets the anxious couple share a humble stable with cattle - at this point, the music becomes more tender in nature. The troubled motif returns, depicting the enduring journey made by the three Wise men to find their holy saviour. The music then becomes more intimate as they end their journey and kneel before the baby Jesus. The opening melody returns as the chorus of angels from heaven above can be heard serenading the tranquil scene below: Mary and Joseph and the Wise men, giving praise to God''s son, who was born in such humble circumstances, in the lowly stable. Peter Lawson
The orchestral parts are available under catalogue number GMCH019.
Duration 4? minutes'|9790222324794|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully'|Choir - 3 part upper voices|3.50|50 GM431|'Peter Lawson
SHEPHERDS WATCH''D PEACEFULLY for TTBB
Goodmusic GM431'|'A carol for Christmas adapted from Schubert''s Impromptu No.3, Op.90 with words by Peter Lawson arranged by Peter Lawson for choir with orchestra or piano. Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir (SATB or SA+Men or SSA or TTBB)
Shepherds Watch''d Peacefully is set to the well-loved Impromptu No.3, Op.90, by Franz Schubert, originally written for piano and in the intriguing key of G flat major, but here transposed up a semitone into the more accessible G major, with the Impromptu being abridged by about a third in length. Above a rippling accompaniment in the right hand, the pianist brings out a song-like melody of great beauty, mainly with the righthand little-finger. It is to this melody which I wrote words, describing the shepherds in the fields and the Nativity scene in the humble stable in nearby Bethlehem. A more troubled middle section reflects the duress Mary and Joseph had incurred, whilst trying to find somewhere to spend the night in a crowded Bethlehem. After much searching, a kindly landlord, seeing that Mary was about to give birth, lets the anxious couple share a humble stable with cattle - at this point, the music becomes more tender in nature. The troubled motif returns, depicting the enduring journey made by the three Wise men to find their holy saviour. The music then becomes more intimate as they end their journey and kneel before the baby Jesus. The opening melody returns as the chorus of angels from heaven above can be heard serenading the tranquil scene below: Mary and Joseph and the Wise men, giving praise to God''s son, who was born in such humble circumstances, in the lowly stable. Peter Lawson
The orchestral parts are available under catalogue number GMCH019.
Duration 4? minutes'|9790222324800|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully'|Choir - Male voices|3.50|50 GM432|Peter Lawson
VARIATIONS ON HAPPY BIRTHDAY TO YOU Piano Accompaniment
for solo instrument and piano
Goodmusic GM432|'This score is a version (rather than a ''reduction'') of the orchestral Variations on ''Happy Birthday To You'', (Goodmusic GMCO140) for solo instrument and piano, the piano accompaniment being for someone of a Grade 7-8 standard or upwards. The accompaniment remains the same for each instrument, but the arrangement for the soloist is slightly different, as befits the range and nature of the instrument. The solo part appearing in the pianist''s score is that of a violin, but in the case of a non-violinist, it should still be easy enough to follow! The music is very much the same as the orchestral version, with the fugato section near the end slightly slowed down for clarity and ease of playing. The main criteria are that it should be a fun piece to listen to and equally fun to play. To reflect the worldwide popularity of the tune, most of the twenty variations are in musical styles from around the world and some are well-known pieces of mainly classical music in which ''Happy Birthday'' makes a comical ''intrusion''. After an introduction, there is full-scale version of the theme itself followed by a waltz section, a Latin- American section and various other styles and well-known pieces which are ''infiltrated''. There is then a fugato section, whose subject is based on the theme, leading to a majestic recapitulation of the theme itself, with which an audience can join in. Peter Lawson
Solo parts are available separately for Violin, Viola, Violoncello, Flute, Oboe, Clarinet in Bb, Bassoon or Trumpet in Bb.
Duration 11 minutes'|9790222324817|LAWSON|Peter Lawson|Variations on Happy Birthday|Piano accompaniment|6.00|112 GM432-01|||9790222324824|LAWSON|Peter Lawson|Variations on Happy Birthday Violin|Violin solo|2.75|38 GM432-02|||9790222324831|LAWSON|Peter Lawson|Variations on Happy Birthday Viola|Viola solo|2.75|38 GM432-03|||9790222324848|LAWSON|Peter Lawson|Variations on Happy Birthday Cello|Cello solo|2.75|38 GM432-04|||9790222324855|LAWSON|Peter Lawson|Variations on Happy Birthday Flute|Flute solo|2.75|38 GM432-05|||9790222324862|LAWSON|Peter Lawson|Variations on Happy Birthday Oboe|Oboe solo|2.75|38 GM432-06|||9790222324879|LAWSON|Peter Lawson|Variations on Happy Birthday Clar.|Clarinet|2.75|38 GM432-07|||9790222324886|LAWSON|Peter Lawson|Variations on Happy Birthday Bsn.|Bassoon solo|2.75|38 GM432-08|||9790222324893|LAWSON|Peter Lawson|Variations on Happy Birthday Trpt.|Trumpet solo|2.75|38 GM433|Peter Lawson
VARIATIONS ON HAPPY BIRTHDAY TO YOU for piano duet
Goodmusic GM433|'This is a version (rather than a reduction) for four hands on one piano, of the Variations on ''Happy Birthday To You'' for orchestra (Goodmusic GMCO140). It is intended for two players of a Grade 7 standard or upwards. The music is very much the same, with the fugato section near the end slightly slowed down for clarity and ease of playing. The main criterium is that it should be a fun piece to listen to and equally fun to play. To reflect the worldwide popularity of the tune, most of the twenty variations are in musical styles from around the world and some are well-known pieces of mainly classical music in which ''Happy Birthday'' makes a comical ''intrusion''. After an introduction, there is full-scale version of the theme itself followed by a waltz section, a Latin-American section and various other styles and well-known pieces which are ''infiltrated''. There is then a fugato section, whose subject is based on the theme, leading to a majestic recapitulation of the theme itself, with which an audience can join in. Peter Lawson
Duration 11 minutes
Also available for a solo instrument with piano accompaniment (GM432).'|9790222324909|LAWSON|Peter Lawson|Variations on Happy Birthday to You|Piano - 2 players on 1 piano|7.50|136 GM434|Scott Joplin arranged Peter Lawson
THE ENTERTAINER for piano
Goodmusic GM434|'The Entertainer was one of the most original of many piano rags written by the American composer-pianist Scott Joplin (1868-1917). It was published in 1902, and is subtitled "A Rag Time Two Step", which was a popular dance at the time. There was something of a revival in Joplin''s music after the centenary of his birth and The Entertainer was used as the theme tune in the well-known film, The Sting (1973), which won no less than seven Oscars. As a result, the tune became familiar to many. Ever since, its easy-going, memorable themes have continued to endear themselves to the listening public and to pianists of all ages, amateur and professional.
In this edition, there is an option to hear the first theme again at the end, or to end where Joplin intended, after the last of three contrasting sections. Phrasing, extra dynamics, articulation marks, fingering and suggested extra tempi instructions (i.e. all except the initial ''Not fast'') have been added, as, in the original publication, there are just occasional indications.
This arrangement is suitable for a pianist of around Grade 6 standard.
Duration 5 minutes

Also available for solo instruments and piano (GM435) and orchestra (GMCP025).'|9790222324916|JOPLIN|Scott Joplin|Entertainer (arr Lawson)|Piano - Solo|4.00|63 GM435|Scott Joplin arranged Peter Lawson
THE ENTERTAINER for solo instrument & piano
Goodmusic GM435|'The Entertainer was one of the most original of many piano rags written by the American composer-pianist Scott Joplin (1868-1917). It was published in 1902, and is subtitled "A Rag Time Two Step", which was a popular dance at the time. There was something of a revival in Joplin''s music after the centenary of his birth and The Entertainer was used as the theme tune in the well-known film, The Sting (1973), which won no less than seven Oscars. As a result, the tune became familiar to many. Ever since, its easy-going, memorable themes have continued to endear themselves to the listening public and to pianists of all ages, amateur and professional.
In this edition, there is an option to hear the first theme again at the end, or to end where Joplin intended, after the last of three contrasting sections. Phrasing, extra dynamics, articulation marks and suggested extra tempi instructions (ie all except the initial ''Not fast'') have been added, as, in the original publication, there are just occasional indications.

The piano accompaniment part (which is the same for all solo instruments) and the individual solo parts are sold separately.
The Violin solo is shown in the pianist''s copy, but the parts for other instruments only differ in tessitura as befits the characteristics of the instrument and the pianist should not be at all troubled by the differences between what is written and what is being played!
Solo parts are available for Violin, Viola, Violoncello, Flute, Treble Recorder, Oboe, Clarinet, Alto Saxophone, Bassoon, Horn, Trumpet, and Tenor Trombone.
Duration 5 minutes

Also available for solo piano (GM434) and orchestra (GMCP025).'|9790222324923|JOPLIN|Scott Joplin|Entertainer (arr Lawson) Accomp.|Piano accompaniment|4.00|63 GM435-01|||9790222324930|JOPLIN|Scott Joplin|Entertainer (arr Lawson)|Violin solo|1.50|13 GM435-02|||9790222324947|JOPLIN|Scott Joplin|Entertainer (arr Lawson)|Viola solo|1.50|13 GM435-03|||9790222324954|JOPLIN|Scott Joplin|Entertainer (arr Lawson)|Cello solo|1.50|13 GM435-04|||9790222324961|JOPLIN|Scott Joplin|Entertainer (arr Lawson) Treble Rec|Recorder|1.50|13 GM435-05|||9790222324978|JOPLIN|Scott Joplin|Entertainer (arr Lawson)|Flute solo|1.50|13 GM435-06|||9790222324985|JOPLIN|Scott Joplin|Entertainer (arr Lawson)|Oboe solo|1.50|13 GM435-07|||9790222324992|JOPLIN|Scott Joplin|Entertainer (arr Lawson)|Clarinet|1.50|13 GM435-08|||9790222325005|JOPLIN|Scott Joplin|Entertainer (arr Lawson)|Saxophone|1.50|13 GM435-09|||9790222325012|JOPLIN|Scott Joplin|Entertainer (arr Lawson)|Bassoon solo|1.50|13 GM435-10|||9790222325029|JOPLIN|Scott Joplin|Entertainer (arr Lawson)|Horn in F solo|1.50|13 GM435-11|||9790222325036|JOPLIN|Scott Joplin|Entertainer (arr Lawson)|Trumpet solo|1.50|13 GM435-12|||9790222325043|JOPLIN|Scott Joplin|Entertainer (arr Lawson)|Trombone solo|1.50|13 GM436|'Peter Lawson
SONG OF THE SUMMER LADY''S TRESSES ORCHID
Goodmusic GM436'|'Score and parts. A Nonet for Wind Quintet, Violin, Viola, Violoncello & Contrabass
This is a rather sad epilogue to my musical portraits of the 48 Wild orchids of Britain and Ireland - a mysterious 49th. The orchid formerly occurred in two areas of the New Forest, Hampshire. At the beginning of the twentieth century, there were as many as 200 flowering plants recorded yearly, dwindling to only 20 by the early 1930s. It is now classed as extinct in Britain, but there is always a lingering possibility of it being rediscovered or the orchid''s microscopic, dust-like seeds could be carried in the winds of a storm from the near continent into other wetter areas elsewhere.
Each plant of Summer Lady''s Tresses Spiranthes aestivalis has up to 20 white or cream, evening-scented flowers, arranged in a loose spiral and looking like a robust version of Autumn Lady''s Tresses. The stem sometimes attains a height of 40 cm, with up to six upward-pointing, linear-lanceolate basal leaves and smaller, bract-like leaves up the stem. It favours damp meadows in slightly acid conditions and flowers from June to August. Its distribution is from North Africa northwards to Germany and eastwards to Turkey. The same problems with drainage of wet land have caused it to become extinct or threatened in more densely-populated countries.
The Song is scored as a nonet for wind quintet (with flute and clarinet doubling on piccolo and bass clarinet) and strings. After nine bars of a sombre chorale, a spooky four-bar ''extinction'' motif is intoned. The mood gradually lightens and the pace quickens as the delightful characteristics of the orchid are remembered from times past, culminating in a transformation of the extinction motif into an almost triumphant proclamation. The music then becomes more playful and whimsical, but culminates in a dramatic, discordant warning of extinction. A mysterious link leads to ''The Song'' of the orchid itself, followed by an elegiac chorale: it is feared that the orchid may never return.
Then we move forward to the days of organised conservation - a busy baroque-like fugato section. After an increasing mood of optimism, it becomes apparent that there is still a huge amount of work to be done, particularly to the reversal of habitat-loss of wetlands. The extinction motif reappears to cast a shadowy question mark in the final bars. Peter Lawson
Duration 11? minutes'|9790222325562|LAWSON|Peter Lawson|'Song of Summer Lady''s TressesOrchid'|Ensemble - Mixed|25.00|319 GM437|Peter Lawson
SONG OF THE GREATER TONGUE ORCHID
Goodmusic GM437|'for Piano Quintet (Two Violins, Viola, Violoncello & Piano)
This is another addendum to the musical portraits of the 48 wild orchids of Britain and Ireland. This fiftieth portrait is for a newcomer, probably due to climate change. The Greater Tongue Orchid Serapias lingua sometimes known as ''Common Tongue Orchid'', has been gradually migrating northwards through France and has evidently jumped the channel into Southern England. The first British appearance of Greater Tongue Orchid was in South Devon, where, in 1998, three plants were found in a coastal hay meadow, the colony surviving for about five years and increasing to a maximum of nine plants. A large colony was found in May, 2017 in a meadow in central Essex and has expanded to 120 plants believed to have originated from one plant, reproducing itself vegetatively underground into exact clones of each other.
Greater Tongue Orchid has 4-5 linear to lanceolate leaves and its stems are from 10-30 cms in length. with 2-8 loosely-distributed flowers, situated almost horizontally up the stem, with the ''tongue'' hanging down.
The Song of the Greater Tongue Orchid, as in the other orchid portraits, employs, in places, a colour-coding scheme of harmonies. In the introduction, the ''tongue'' is evoked by gradually building up these colours in rather scary, tongue-like sequences, as if seeing this peculiar alien for the first time! This quickly gives way to the delight of witnessing an exotic new species, bedecked in a riot of colour. This section eventually gives way to ''The Song'' of the orchid itself, as if from its own point of view - serene and rather sad.
After this, music picks up in speed again and ends energetically with a passing reference to the ''scary tongue'' just before the end. Peter Lawson
Duration 7 minutes'|9790222325579|LAWSON|Peter Lawson|Song of the Greater Tongue Orchid|Piano Quintet|15.00|181 GM438|Clive Jenkins
FANTASY FOR HORN & PIANO
Goodmusic GM438|With a different title and in another arrangement, Fantasy for Horn premiered in Plymouth Guildhall in March, 2002 played by the South West Sinfonietta under Derek Kitt. It had been commissioned by Plymouth Music Accord to promote a brilliant young horn player, Andrew Maher, now a long-standing member of the Halle Orchestra and the Metropolitan Brass Ensemble. The version with string orchestra accompaniment (GMCO206) was made in 2022 for the Chamber Ensemble of London and the Turkish horn player Kerim Gurerk for a performance at St Martin-in-the-Fields in London.
Duration 6 minutes|9790222325661|JENKINS C|Clive Jenkins|Fantasy for Horn & Piano|Horn in F and piano|5.00|88 GM439|'John Wright
IN PRAISE OF EARTH''S BEAUTY
Goodmusic GM439'|'Scored for 3 Trumpets in Bb, Timpani, Organ, Strings, Mezzo-Soprano & Baritone Soloists and Mixed Voice Choir (SATB).
Three movements lasting in total about 16 minutes, this lovely work uses poems by Ivor Gurney and F.W.Harvey as well as words from the Psalms to evoke earth''s beauty.
The vocal score, full score and orchestral parts are available to buy or to hire. (If ordering the orchestral parts, please state the quantity of each part required.)
Duration 16 minutes'|9790222326187|WRIGHT JOHN|John Wright|'In Praise of Earth''s Beauty'|Choir - Vocal score|10.00|184 GM439-00||||WRIGHT JOHN|John Wright|'In Praise of Earth''s Beauty'|Full score|13.50|245 GM439-PARTS||||WRIGHT JOHN|John Wright|'In Praise of Earth''s Beauty Orch Pt'|Orchestral Part|2.50|25 GM440|John Wright
MAKE WE JOY NOW IN THIS FEST Organ & Choir
Goodmusic GM440|An anonymous old English carol set by John Wright for SATB choir and organ with optional brass. A cheerful, rousing carol for the Christmas season.
The optional brass accompaniment is 2 trumpets, horn and trombone. If brass is used the organ should play from the "organ and brass score" [GM440BR] as the organ part is different, but the choir should always use the normal choir and organ score [GM440] whether with brass or not.
The "organ and brass score" is sold complete with a set of the individual brass parts.
Duration 4 minutes|9790222325906|WRIGHT JOHN|John Wright|Make We Joy Now In This Fest|Choir - Mixed voices (SATB)|3.50|50 GM440BR|John Wright
MAKE WE JOY NOW Organ and Brass score & parts
Goodmusic GM440BR|"Make we joy now in this fest" - an anonymous old English carol set by John Wright for SATB choir and organ with optional brass. A cheerful, rousing carol for the Christmas season.
The optional brass accompaniment is 2 trumpets, horn and trombone. If brass is used the organ should play from the "organ and brass score" [GM440BR] as the organ part is different, but the choir should always use the normal choir and organ score [GM440] whether with brass or not.
The "organ and brass score" is sold complete with a set of the individual brass parts.
Duration 4 minutes|9790222325913|WRIGHT JOHN|John Wright|Make We Joy Now +Brass Sc & Pts|Choir - Mixed voices (SATB)|6.25|100 GM441|John Wright
TOCCATA PRIMAVERA for organ
Goodmusic GM441|'I wrote this for my daughter Naomi''s wedding in May 2021 in St Andrew''s Church, East Hagbourne, Oxfordshire, and played it at the end of the service. At the end of 2021 I also entered it for an organ composition competition arranged by Manchester Organists'' Association, and was delighted to find that I was one of the prize winners. John Wright
Duration 4 minutes'|9790222325890|WRIGHT JOHN|John Wright|Toccata Primavera|Organ Solo|4.00|63 GM442|Paul Carr
IN THE BLEAK MIDWINTER
Goodmusic GM442|'A setting of Christina Rossetti''s words for SATB with orchestra or piano accompaniment.
This is an arrangement taken from the "Winter" section of Paul''s Four New Seasons for choir. It differs from the Four New Seasons version which means that this separate copy is not compatible with the full vocal score of Seasons.
The accompaniment can be provided by piano or either chamber orchestra or symphony orchestra.
CHAMBER ORCHESTRA orchestration:
Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trumpet in C, Percussion (1 player: Triangle, Glockenspiel), Harp & Strings
SYMPHONY ORCHESTRA orchestration:
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in C, 3 Trombones, Percussion (2 players: Triangle, Mark Tree, Glockenspiel, Cymbal Roll), Timpani, Harp & Strings.
Please contact Goodmusic for orchestral material.
Duration 6 minutes

A different setting of these words by Paul Carr for unaccompanied SATB choir is available under the title of "Midwinter" - GM358.'|9790222326170|CARR P|Paul Carr|In the Bleak Midwinter|Choir - Mixed voices (SATB)|2.75|38 GM442CO||||CARR P|Paul Carr|In the Bleak Midwinter (Chamb.Orch)|Orchestral Score|6.00|63 GM442CO-PT|||9790222326958|CARR P|Paul Carr|In the Bleak Midwinter (Chamb.Orch)|Orchestral Part|1.50|13 GM442SO||||CARR P|Paul Carr|In the Bleak Midwinter (Sym Orch)|Orchestral Score|6.00|63 GM442SO-PT||||CARR P|Paul Carr|In the Bleak Midwinter (Sym Orch)|Orchestral Part|1.50|13 GM443|Paul Lewis
THE UNPREDICTABILITY OF THINGS for harp (one hand)
Goodmusic GM443|October 2022 did not go to plan. The month had been eagerly anticipated but the Fates had ideas of their own.
My wife and I had long been looking forward to hosting the brilliant French harpist Maia Darme for a week of rehearsing and recording a selection of my harp solos, and Alexander Rider, another brilliant harpist friend, was due to join us in a duo I had written for them. They were also scheduled to share the platform in a concert of my music.
However, Alexander was offered a prestigious recital in Paris on the day of our proposed concert, and Maia had an accident and broke a finger. With our plans sabotaged and our recording indefinitely postponed, Sharon my wife went on a three-week storytelling retreat in the Ashdown Forest and I found myself at home, alone and pondering the unpredictability of things.
So here is a piece for harp, one hand, entitled The Unpredictability of Things, for harpists temporarily deprived of the use of a hand. The music moves through a range of emotions, from anger and frustration to pensiveness, sadness and desolation, followed by sarcasm - "So you Fates, you think you can disrupt my life and get away with it do you?" - before a sentimental expression of love for the harp. The work ends in quiet resignation with the acceptance that time alone will heal the injury.
This heartfelt fantasy is dedicated to Maia Darme, in sympathy with whom I too have experienced, in addition to the deepest compassion, the emotions described in the music. Paul Lewis

The piece may be played with either hand, at whatever tempi seem appropriate and comfortable.
Duration about 4 minutes|9790222326194|LEWIS P|Paul Lewis|The Unpredictability of Things|Harp|4.00|51 GM444|'Peter Lawson
OUR SAVIOUR BORN IN BETHL''EM FAIR for SATB
Goodmusic GM444'|'For choir and orchestra or piano.
Here is a carol with words to fit an abridged version of the slow movement of Schubert''s fifth Symphony, which he wrote in 1816, when only nineteen years old. The fifth symphony is a great favourite with concert audiences around the world and much loved by conductors and performers alike?its immediate appeal always charms and entertains with its beguiling simplicity and straight-forwardness - it is like a dear old friend to concert-goers. The hymn-like quality of the music to the slow movement''s main theme is tempered with an almost Mozartian elegance - Schubert was a great admirer of his fellow Viennese maestro''s music and, of his nine symphonies, this is arguably Schubert at his most Mozartian.
In this arrangement, I have given the middle section to soloists, who tell of the journey of Mary and Joseph to a crowded Bethlehem, finding nowhere to stay except a humble stable, sharing with animals. In the original symphonic movement, there are two such similar sections with the main theme occurring between them as well as at the beginning and end, but, given the limitations on time with a carol, I have used a shortened version of only the second section. The recapitulation of the main theme thus follows, with words describing the three wise men following a star, which guided them to the stable, while heavenly voices sing from above. Peter Lawson
Orchestral material is available (GMCH020)
Duration 4? minutes'|9790222326606|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Fair'|Choir - Mixed voices (SATB)|2.75|38 GM445|'Peter Lawson
OUR SAVIOUR BORN IN BETHL''EM FAIR for SA+Men
Goodmusic GM445'|'For choir and orchestra or piano.
Here is a carol with words to fit an abridged version of the slow movement of Schubert''s fifth Symphony, which he wrote in 1816, when only nineteen years old. The fifth symphony is a great favourite with concert audiences around the world and much loved by conductors and performers alike?its immediate appeal always charms and entertains with its beguiling simplicity and straight-forwardness - it is like a dear old friend to concert-goers. The hymn-like quality of the music to the slow movement''s main theme is tempered with an almost Mozartian elegance - Schubert was a great admirer of his fellow Viennese maestro''s music and, of his nine symphonies, this is arguably Schubert at his most Mozartian.
In this arrangement, I have given the middle section to soloists, who tell of the journey of Mary and Joseph to a crowded Bethlehem, finding nowhere to stay except a humble stable, sharing with animals. In the original symphonic movement, there are two such similar sections with the main theme occurring between them as well as at the beginning and end, but, given the limitations on time with a carol, I have used a shortened version of only the second section. The recapitulation of the main theme thus follows, with words describing the three wise men following a star, which guided them to the stable, while heavenly voices sing from above. Peter Lawson
Orchestral material is available (GMCH020)
Duration 4? minutes'|9790222326613|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Fair'|Choir - Mixed voices (SAMen)|2.75|38 GM446|'Peter Lawson
OUR SAVIOUR BORN IN BETHL''EM FAIR for SSA
Goodmusic GM446'|'For choir and orchestra or piano.
Here is a carol with words to fit an abridged version of the slow movement of Schubert''s fifth Symphony, which he wrote in 1816, when only nineteen years old. The fifth symphony is a great favourite with concert audiences around the world and much loved by conductors and performers alike?its immediate appeal always charms and entertains with its beguiling simplicity and straight-forwardness - it is like a dear old friend to concert-goers. The hymn-like quality of the music to the slow movement''s main theme is tempered with an almost Mozartian elegance - Schubert was a great admirer of his fellow Viennese maestro''s music and, of his nine symphonies, this is arguably Schubert at his most Mozartian.
In this arrangement, I have given the middle section to soloists, who tell of the journey of Mary and Joseph to a crowded Bethlehem, finding nowhere to stay except a humble stable, sharing with animals. In the original symphonic movement, there are two such similar sections with the main theme occurring between them as well as at the beginning and end, but, given the limitations on time with a carol, I have used a shortened version of only the second section. The recapitulation of the main theme thus follows, with words describing the three wise men following a star, which guided them to the stable, while heavenly voices sing from above. Peter Lawson
Orchestral material is available (GMCH020)
Duration 4? minutes'|9790222326620|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Fair'|Choir - 3 part upper voices|2.75|38 GM447|'Peter Lawson
OUR SAVIOUR BORN IN BETHL''EM FAIR for TTBB
Goodmusic GM447'|'For choir and orchestra or piano.
Here is a carol with words to fit an abridged version of the slow movement of Schubert''s fifth Symphony, which he wrote in 1816, when only nineteen years old. The fifth symphony is a great favourite with concert audiences around the world and much loved by conductors and performers alike?its immediate appeal always charms and entertains with its beguiling simplicity and straight-forwardness - it is like a dear old friend to concert-goers. The hymn-like quality of the music to the slow movement''s main theme is tempered with an almost Mozartian elegance - Schubert was a great admirer of his fellow Viennese maestro''s music and, of his nine symphonies, this is arguably Schubert at his most Mozartian.
In this arrangement, I have given the middle section to soloists, who tell of the journey of Mary and Joseph to a crowded Bethlehem, finding nowhere to stay except a humble stable, sharing with animals. In the original symphonic movement, there are two such similar sections with the main theme occurring between them as well as at the beginning and end, but, given the limitations on time with a carol, I have used a shortened version of only the second section. The recapitulation of the main theme thus follows, with words describing the three wise men following a star, which guided them to the stable, while heavenly voices sing from above. Peter Lawson
Orchestral material is available (GMCH020)
Duration 4? minutes'|9790222326637|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Fair'|Choir - Male voices|2.75|38 GM448|Caroline Leighton
THREE DRINKWATER SONGS for voice and piano
Goodmusic GM448|Three songs for Medium or High Voice & Piano which are settings by Caroline Leighton of poems by John Drinkwater (1882-1937).
1. The Guest - Medium range:Bb-F High C-G
2. Late Summer - Medium Bb-Eb High C-F
3. Blackbird - Medium Db-F High Eb-G
Both keys are in the same copy.
Durations: 4 minutes, 2? minutes and 1? minutes

Performances by Allan Smith (baritone) and Caroline Leighton (piano) of all three songs can be found on YouTube.|9790222326972|LEIGHTON C|Caroline Leighton|Three Drinkwater Songs|Voice solo (with accompaniment)|6.50|124 GM449|Paul Lewis
RUE DE LA HARPE for harp
Goodmusic GM449|'In late November 2022 I happened upon a film of the remarkable eleven-year-old Polish harpist Zarina Zaradna and was overwhelmed by the depth of emotion in her playing.
Having introduced myself to Zarina and her mother I was astonished a few days later to receive a photo from them in Paris. They were in Rue de la Harpe and Zarina was standing beneath a street sign in exactly the same attitude as I am in a photo they had seen on my website. So touched was I by this gesture of friendship that I could respond in no other way than by composing this little Parisian-style valse for Zarina, which I completed a month later on New Year''s Day, 2023. Paul Lewis
Duration 4 minutes'|9790222326965|LEWIS P|Paul Lewis|Rue de la Harpe|Harp|4.00|63 GM450|Franz Schubert
DEUX MARCHES CHARACTERISTIQUES for piano duet
Goodmusic GM450|'Schubert''s Deux Marches Characteristiques for piano duet are thought to date from the spring of 1826, the year that his earlier Trois Marches Militaires were published. Schubert''s marches were popular in and outside of Vienna. He often adopted French titles for his music and longed for recognition in France, but, sadly, this would only come after his death at the tragically young age of 31, in 1828, from typhoid. On this occasion, it is thought that the title was suggested posthumously by fellow composer, Joseph Lanz, for publication in December 1829.
Franz Schubert was too short in stature to qualify for military conscription. However, he seemingly made up for it by creating ''marches of the soul'', mainly for piano duet, which was a popular medium at the time. He frequently invited musicians to play his music at his house in evening sessions called Schubertiades and might well have ''tried them out'' with fellow musicians on such occasions. Although Schubert wrote many marches, these two are the only ones in 6/8 time. Each has outer sections full of dramatic contrast, with unexpected changes of key. The central Trio sections are typically delightful. Both are in the relative minor key, that of the first march ending sadly, but that of the second ending more wistfully. The design of the outer sections of the second march are more ambitious and colourful, with a second subject and elements of development of the first subject. Unlike the first march, there is a dramatic and exciting coda added, which is cleverly constructed to just about guarantee applause from an audience. Thus, the second march, beguilingly attractive at its start, concludes in triumph and joy?a mini masterpiece! Note and editing by Peter Lawson
Duration 15 minutes'|9790222327054|SCHUBERT|Franz Schubert|Deux Marches Characteristiques|Piano - 2 players on 1 piano|7.50|136 GM451|Franz Schubert
FANTASIA in F minor for piano duet
Goodmusic GM451|New edition edited by Peter Lawson.
Schubert wrote more piano duets than any other major composer - the Fantasia in F minor was the last and, unquestionably, the greatest of them. It was dedicated to his pupil, Countess Caroline Esterh?zy. Schubert had been in unrequited love with the young noblewoman and she had previously joked with him about why he had never dedicated a work to her, to which he had said that everything he wrote was dedicated to her. He clearly relented on this occasion - definitely a pointer to the astonishing emotional content of this work of great originality and tragic grandeur. It was composed in the first three months of 1828 and performed by Schubert and Franz Lachner on May 9th. Later that year, Schubert would go on to complete his ninth symphony, write the great C major string quintet and the last three piano sonatas before typhoid would sadly claim the life of this musical genius in November, aged only 31.
The Fantasia is in four inter-connected movements. The sad, haunting opening melody with its jerky nervousness, reappears tellingly in the final movement, where it gives way to a fugue, loosely based upon a contrasting thematic idea from the first movement. The fugue builds gradually, with almost terrifying harmonies appearing at its climax and suddenly stops on a monumental imperfect cadence. This leads to the final appearance of the opening theme, which, after a dramatic plagal cadence, ends poignantly, as if in resignation. The middle two movements are, unusually, written up a semitone, in F sharp minor?first a powerful slow movement with double-dotted baroque-like rhythms and dramatic harmonic twists, almost gothic in character. There is a contrasting middle section full of grace and charm. The third movement is a light-hearted scherzo with a characteristically delightful Trio section. Peter Lawson
Duration 19? minutes|9790222327061|SCHUBERT|Franz Schubert|Fantasia in F minor (ed.Lawson)|Piano - 2 players on 1 piano|8.50|160 GM452|Paul Lewis
JUMEAUX FOR TWO HARPS
Goodmusic GM452|'"JUMEAUX" (Twins) for two harps.
Portraits of my four year old twin grandchildren, composed after a happy weekend together at my home on the Sussex coast in January 2023.
CLEO DANCING: Cleo dances gracefully, a beatific look on her smiling face.
REMI READING: Remi reads intently, oblivious of all around him, immersed in an underwater world of magic and mystery, and emerges from his reverie in a burst of happiness.
Paul Lewis

Harp 1 plays from the score, a separate part is included for Harp 2
Duration 6 minutes

Jumeaux was premiered by nineteen year-old Ukrainian harpist twins Katya and Liza Rajhans (The Catherine-Elizabeth Harp Duo) at the Chapel of the Old Royal Naval College, Greenwich on June 30th 2023 in a Trinity Laban Conservatoire Harp Department concert in honour of the composer''s 80th birthday.'|9790222327344|LEWIS P|Paul Lewis|Jumeaux for two harps|Harp Duo|5.50|100 GM453|Bela Hartmann
BIG PIECES FOR SMALL HANDS for piano
Goodmusic GM453|'Six piano pieces for intermediate to advanced players with small hands.
1. Introduction (Grade 6/7) - 2. Etude (Grade 8) - 3. Scherzo (Grade 5) - 4. Little Prelude (Grade 5) - 5. Lied ohne Worte (Grade 5/6) - 6. Etude No.2 (Grade 8) (Grades shown are an approximate guide only.)

While accompanying my daughter Eliska''s journey on the piano from a young beginner to a still young advanced player it became increasingly apparent that her fairly small hands were limiting the repertoire she could learn - not only the specific pieces but also the type of piano writing accessible to her. If an octave is not comfortably in reach there is a fairly small range of pieces that do not require too many notes to be left out, i.e. too many compromises that would make the piece less effective. There are certainly a fair number of baroque or earlier classical pieces that are feasible, although polyphonic writing can be very stretchy even without exceeding an octave. However the romantic, virtuoso type of piece that can utilize the huge tonal range of the modern piano is largely out of bounds.
The pieces in this volume were written specifically to help younger players with small hands enjoy those exciting pianistic effects that would otherwise elude them - the big crashing chords, the huge bass sonorities, the virtuoso style that normally comes with larger hand sizes. When a young player has spent years improving technique, speeding up those scales and getting a good grasp of the keyboard they deserve to be rewarded with pieces that are hard to learn but exciting, pieces that make the most of the instrument. The pieces in this book aim to help bridge that gap until Chopin and Liszt, or Rachmaninov and Ravel become achievable. Bela Hartmann
Total duration c.10 minutes

The YouTube video is a performance by the composer.'|9790222327351|HARTMANN|Bela Hartmann|Big Pieces for Small Hands|Piano - Solo|5.50|100 GM454|Tim Ravalde
TU ES PETRUS for organ
Goodmusic GM454|'The late David Sanger speculated that Buxtehude''s Toccata in F (BuxWV 157) was a piece for St Peter. Regardless of whether this is true, I have taken that piece as a starting point for this one. A toccata forms a substantial introduction to a fugue with a Buxtehude-inspired subject (short, rhythmic and with a hole in the middle). The fugue, as often in the hands of the Great Dane, dissolves gradually back into the toccata texture.
In the case of this piece, I have aimed to avoid doubt of its ecclesiological inspiration by referring to the plainsong melody Tu es Petrus in the toccata figuration, in melodies, and in the subject and countersubject of the fugue. The French Toccata style is a nod to Mulet''s well known setting of Tu es Petra and, while aiming for a different character, I have attempted to capture something of its rhythmic energy. Tim Ravalde

The first performance was given by the composer on Monday 5th July 2021 in Chichester Cathedral.

Duration 5 minutes

The YouTube video is of a performance by Tim Ravalde.'|9790222327368|RAVALDE|Tim Ravalde|Tu es Petrus|Organ Solo|4.50|76 GM455|Paul Carr
UBI CARITAS for upper voices
Goodmusic GM455|'A setting of Ubi Caritas for upper voice choir (SA) with Cor Anglais, Trumpet, Harp and String Orchestra, reworked for Sydney Catholic Schools from Paul''s original SATB version.

Ubi caritas et amor, Deus ibi est.
Congregavit nos in unum Christi amor.
Exsultemus et in ipso jucundemur.
Timeamus et amemus Deum vivum.
Et ex corde diligamus nos sincero.
Amen.

Where charity and love are, God is there.
Christ''s love has gathered us into one.
Let us rejoice and be pleased in Him.
Let us fear, and let us love the living God.
And may we love each other with a sincere heart.
Amen.
Duration 9 minutes'|9790222327719|CARR P|Paul Carr|Ubi Caritas for upper voices|Choir - Vocal score|4.00|76 GM455-00|||9790222327726|CARR P|Paul Carr|Ubi Caritas for upper voices F/Sc|Orchestral Score|7.50|136 GM455-01|||9790222327733|CARR P|Paul Carr|Ubi Caritas for upper voices Vln 1|Orchestral Part|1.50|13 GM455-02|||9790222327740|CARR P|Paul Carr|Ubi Caritas for upper voices Vln 2|Orchestral Part|1.50|13 GM455-03|||9790222327757|CARR P|Paul Carr|Ubi Caritas for upper voices Viola|Orchestral Part|1.50|13 GM455-04|||9790222327764|CARR P|Paul Carr|Ubi Caritas for upper voices Cello|Orchestral Part|1.50|13 GM455-05|||9790222327771|CARR P|Paul Carr|Ubi Caritas for upper voices Bass|Orchestral Part|1.50|13 GM455-06|||9790222327788|CARR P|Paul Carr|Ubi Caritas for upper voices CorAng|Orchestral Part|1.50|13 GM455-07|||9790222327795|CARR P|Paul Carr|Ubi Caritas for upper voices Trpt|Orchestral Part|1.50|13 GM455-08|||9790222327801|CARR P|Paul Carr|Ubi Caritas for upper voices Harp|Orchestral Part|1.50|13 GM456|Paul Carr
AWAKENING for choir & orchestra
Goodmusic GM456|'Scored for Tenor Solo, Mixed Voice Choir, Youth Choir and Orchestra. Text by Stephen Feltham.

Awakening is a spiritual choral work, whose setting is based at Stonehenge near Salisbury. Based upon a set of 16 spiritual poems by Stephen Feltham, Awakening portrays the cycle of hope experienced by humanity as it progresses through the celestial cycle exhibited by the equinoxes and solstices.

The work is in four main sections: Spring Equinox; Summer Solstice; Autumn Equinox; Winter Solstice.

Paul Carr writes:
I have always been drawn to the four seasons, and was delighted to see that in writing his celestial cycle, Awakening the seasons are ever-present as a kind of spiritual guide for humankind in Stephen''s powerful setting. I felt very drawn to this spiritual journey; a journey that is true to all of us as human beings on this earth - a necessity to be in touch with our world, with nature, and above all with humanity; a journey of acceptance, love, and a common embracement which is as necessary now as it has always been, perhaps even more so in these disturbingly dark times we presently inhabit. This is a Cycle of Hope.

The first performances are scheduled for June 2024 to be given in Poole on the 9th and Salisbury Cathedral on the 22nd with the Bournemouth Symphony Chorus and the Salisbury Musical Society, accompanied by the Bournemouth Symphony Orchestra

The 88 page vocal score is on sale or available to hire. Orchestral material is available from Goodmusic.
Orchestration: 2 Flutes, 2 Oboes, Cor Anglais, 2 Basoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, Percussion, Harp and Strings, with Tenor Solo, Youth Choir and Mixed Voice Choir.
Duration 45 minutes
The audio file is a computer-generated performance of the first section "Spring Equinox".'|9790222328891|CARR P|Paul Carr|Awakening|Choir - Vocal score|17.00|305 GM457|Tom Cunningham
CANTATA FOR PEACE
Goodmusic GM457|Scored for solo soprano, mixed voice choir, oboe, trumpet and strings, this work was composed for the Brussels Choral Society. It uses verses from the King James version of the bible plus a metrical psalm and a Scottish paraphrase. It is not a difficult work and is suitable for choral groups with average ability.
The vocal score, full score and orchestral material is available to buy or can be hired from Goodmusic.
Duration c.18 minutes|9790222328525|CUNNINGHAM|Tom Cunningham|Cantata for Peace|Choir - Vocal score|9.50|173 GM457-00|||9790222328532|CUNNINGHAM|Tom Cunningham|Cantata for Peace Full Score|Orchestral Score|20.00|250 GM457-01|||9790222328549|CUNNINGHAM|Tom Cunningham|Cantata for Peace Violin 1|Orchestral Part|2.50|38 GM457-02|||9790222328556|CUNNINGHAM|Tom Cunningham|Cantata for Peace Violin 2|Orchestral Part|2.50|38 GM457-03|||9790222328563|CUNNINGHAM|Tom Cunningham|Cantata for Peace Viola|Orchestral Part|2.50|38 GM457-04|||9790222328570|CUNNINGHAM|Tom Cunningham|Cantata for Peace Violoncello|Orchestral Part|2.50|38 GM457-05|||9790222328587|CUNNINGHAM|Tom Cunningham|Cantata for Peace Contrabass|Orchestral Part|2.50|38 GM457-06|||9790222328594|CUNNINGHAM|Tom Cunningham|Cantata for Peace Oboe|Orchestral Part|2.00|25 GM457-07|||9790222328600|CUNNINGHAM|Tom Cunningham|Cantata for Peace Trumpet|Orchestral Part|1.50|13 GM458|Bela Hartmann
TWO PARAPHRASES ON SONGS BY BRAHMS for piano
Goodmusic GM458|"Wenn so lind dein Auge mir..." from Liebeslieder Walzer Op.52 No.8 and "Nein, Geliebter, setze dich..." from Neue Liebeslieder Walzer Op.65 No.13.
There are many transcriptions and paraphrases available to pianists, and one might legitimately question whether there is a need for more. However, it is always good to explore new things and there are many wonderful musical gems that remain inaccessible - perhaps these free arrangements can provide both new material to discover and new melodies for our instrument.
The Paraphrases came about from a deep love for the songs of Brahms, specifically his folk songs and waltzes. There are few examples in music of such beautiful intimacy of feeling expressed with such lightness and originality. Here was truly a composer who never abandoned his desire to express his feelings, no matter how doomed they were. As a pianist one is fairly ill equipped to perform these songs alone, and in any case they are often vanishingly brief. To a degree they pose a similar challenge as the Dances of Schubert, where small gems can either be assembled in long chains or left as minute moments of beauty - unless one remembers the solution provided by Liszt in his Soirees de Vienne, - that of concentrating on one or two of them but expanding and developing them into a longer piece. It was this example that I embraced, feeling free to add and enlarge, whilst hopefully not straying too far from the spirit of Brahms and the sense of longing so inherent in much of his music. It was not my intent to make as faithful a piano arrangement as possible but to find a setting that will make these miraculous songs feel like piano pieces, and, once removed from their original context of a song cycle, to explore whither they might lead. Bela Hartmann

For more advanced pianists. Duration 6? minutes
Performances by Bela Hartmann available on YouTube.|9790222328518|HARTMANN|Bela Hartmann|Two Paraphrases on Songs by Brahms|Piano - Solo|4.00|76 GM459|Polo Piatti
DUTY SUBLIME for organ
Goodmusic GM459|'Duty Sublime was privately commissioned to celebrate HM Queen Elizabeth''s 90th Birthday in 2016. The piece endeavoured to capture Queen Elizabeth''s personality, dignity and above anything else, her admirable sense of duty. In 2023 Polo Piatti made this arrangement for organ

Duration 5 minutes'|9790222328617|PIATTI|Polo Piatti|Duty Sublime|Organ Solo|4.00|63 GM460|Peter Warlock
SONGS Critical Edition Set of 8 Volumes
Goodmusic GM460|'All eight volumes of Peter Warlock''s Songs in the revised critical edition at a price around 20% less than buying the volumes individually.
For details of the individual volumes see GM461, GM462, GM463, GM464, GM465, GM466, GM467 AND GM468.'||WARLOCK|Peter Warlock|Songs Critical Ed. Set of 8 Volumes|Voice solo (with accompaniment)|79.50|1820 GM461|Peter Warlock
SONGS 1911-1919 High Voice
Warlock Critical Edition Vol.1
Goodmusic GM461|'Nearly twenty years on, Michael Pilkington has undertaken a comprehensive revision of the original Critical Edition of 2004 taking advantage of newly-discovered evidence of Warlock''s intentions. With revised scores and expanded notes on the songs, the eight volumes of the 2022 Peter Warlock Critical Edition will long survive as definitive.
Contents: A lake and a fairy boat; Music when soft voices die (two versions); The Everlasting Voices; The Water Lily; Bright is the ring of words; To the Memory of a Great Singer; As ever I saw; The Cloths of Heaven; Dedication; Love for Love; Sweet Content; My little sweet darling
(44 pages)'|9790222328433|WARLOCK|Peter Warlock|Songs 1911-1919 High Voice CE Vol.1|Voice solo (with accompaniment)|9.50|173 GM462|Peter Warlock
SONGS 1911-1919 Medium Voice
Warlock Critical Edition Vol.2
Goodmusic GM462|'Nearly twenty years on, Michael Pilkington has undertaken a comprehensive revision of the original Critical Edition of 2004 taking advantage of newly-discovered evidence of Warlock''s intentions. With revised scores and expanded notes on the songs, the eight volumes of the 2022 Peter Warlock Critical Edition will long survive as definitive.
Contents:The Wind from the West; The Lover Mourns for the Loss of Love; Take, O take those lips away (two versions); Heraclitus; Along the Stream; I asked a thief to steal me a peach (two versions); Saudades (Along the Stream, Take, O take those lips away, Hereclitus); My gostly fader; The bayly berith the bell away; Lullaby; Whenas the rye reach to the chin; There is a lady sweet and kind; A love-song; Balulalow; Mourn no moe; Romance
(60 pages)'|9790222328440|WARLOCK|Peter Warlock|Songs 1911-1919 Med Voice CE Vol.2|Voice solo (with accompaniment)|12.00|221 GM463|Peter Warlock
SONGS 1921-1922 High Voice
Warlock Critical Edition Vol.3
Goodmusic GM463|'Nearly twenty years on, Michael Pilkington has undertaken a comprehensive revision of the original Critical Edition of 2004 taking advantage of newly-discovered evidence of Warlock''s intentions. With revised scores and expanded notes on the songs, the eight volumes of the 2022 Peter Warlock Critical Edition will long survive as definitive.
Contents: Mr Belloc''s Fancy (two versions); The Singer; Good Ale; Piggesnie; The Bachelor; A Sad Song; Rutterkin; Spring; Lusty Juventus; Lillygay (The Distracted Maid, Johnnie wi'' the tye, The Shoemaker, Burd Ellen and Young Tamlane, Rantum Tantum); In an arbour green
(60 pages)'|9790222328457|WARLOCK|Peter Warlock|Songs 1921-1922 High Voice CE Vol.3|Voice solo (with accompaniment)|12.00|221 GM464|Peter Warlock
SONGS 1920-1923 Medium Voice
Warlock Critical Edition Vol.4
Goodmusic GM464|'Nearly twenty years on, Michael Pilkington has undertaken a comprehensive revision of the original Critical Edition of 2004 taking advantage of newly-discovered evidence of Warlock''s intentions. With revised scores and expanded notes on the songs, the eight volumes of the 2022 Peter Warlock Critical Edition will long survive as definitive.
Contents: Play-acting; Late Summer; Captain Stratton''s Fancy; Little trotty wagtail; Hey, troly loly lo; Adam lay y-bounden; Rest, sweet nymphs; Sleep; Chopcherry; Autumn Twilight; Tyrley Tyrlow; Roister Doister; Candlelight: A cycle of nursery jingles; Jenny Gray
(76 pages)'|9790222328464|WARLOCK|Peter Warlock|Songs 1920-1923 Med Voice CE Vol.4|Voice solo (with accompaniment)|15.00|269 GM465|Peter Warlock
SONGS 1923-1928 High Voice
Warlock Critical Edition Vol.5
Goodmusic GM465|'Nearly twenty years on, Michael Pilkington has undertaken a comprehensive revision of the original Critical Edition of 2004 taking advantage of newly-discovered evidence of Warlock''s intentions. With revised scores and expanded notes on the songs, the eight volumes of the 2022 Peter Warlock Critical Edition will long survive as definitive.
Contents: Milkmaids; Consider; Yarmouth Fair; Mockery; Chanson du Jour de No?l / Song for Christmas Day; Pretty Ring Time; Two Songs of Arthur Symons - A Prayer to St Anthony of Padua, The Sick Heart; The Countryman; Passing By; The Passionate Shepherd; Tom Tyler; The Contented Lover; Celestina; The Magpie
(72 pages)'|9790222328471|WARLOCK|Peter Warlock|Songs 1923-1928 High Voice CE Vol.5|Voice solo (with accompaniment)|14.25|257 GM466|Peter Warlock
SONGS 1923-1926 Medium Voice
Warlock Critical Edition Vol.6
Goodmusic GM466|'Nearly twenty years on, Michael Pilkington has undertaken a comprehensive revision of the original Critical Edition of 2004 taking advantage of newly-discovered evidence of Warlock''s intentions. With revised scores and expanded notes on the songs, the eight volumes of the 2022 Peter Warlock Critical Edition will long survive as definitive.
Contents: I held love''s head; Thou gav''st me leave to kiss; The Toper''s Song; Sweet-and-twenty; I have a garden; Peter Warlock''s Fancy; One More River; Twelve Oxen; Away to Twiver; The Birds; Jillian of Berry; Robin Goodfellow; Maltworms; Fair and True
(64 pages)'|9790222328488|WARLOCK|Peter Warlock|Songs 1923-1926 Med Voice CE Vol.6|Voice solo (with accompaniment)|12.75|233 GM467|Peter Warlock
SONGS 1927-1928 Medium Voice
Warlock Critical Edition Vol.7
Goodmusic GM467|'Nearly twenty years on, Michael Pilkington has undertaken a comprehensive revision of the original Critical Edition of 2004 taking advantage of newly-discovered evidence of Warlock''s intentions. With revised scores and expanded notes on the songs, the eight volumes of the 2022 Peter Warlock Critical Edition will long survive as definitive.
Contents: Three Belloc Songs - Ha''nacker Mill, The Night, My Own Country; The Lover''s Maze; Cradle Song; Sigh no more, ladies; The First Mercy; The Jolly Shepherd; Walking the Woods; What Cheer? Good Cheer!; Where Riches is Everlastingly; Queen Anne
(56 pages)'|9790222328495|WARLOCK|Peter Warlock|Songs 1927-1928 Med Voice CE Vol.7|Voice solo (with accompaniment)|11.25|209 GM468|Peter Warlock
SONGS 1928-1930 Medium Voice
Warlock Critical Edition Vol.8
Goodmusic GM468|'Nearly twenty years on, Michael Pilkington has undertaken a comprehensive revision of the original Critical Edition of 2004 taking advantage of newly-discovered evidence of Warlock''s intentions. With revised scores and expanded notes on the songs, the eight volumes of the 2022 Peter Warlock Critical Edition will long survive as definitive.
Contents: Youth; Elor? Lo; The Sweet o'' the Year; The Droll Lover; And wilt thou leave me thus?; The Cricketers of Hambledon; Fill the cup, Philip; The Frostbound Wood; Carillon, Carilla; The Five Lesser Joys of Mary; After Two Years; The Fox; Bethlehem Down
(64 pages)'|9790222328501|WARLOCK|Peter Warlock|Songs 1928-1930 Med Voice CE Vol.8|Voice solo (with accompaniment)|12.75|233 GM469|Paul Lewis
OAST HOUSE SERENADE for harp
Goodmusic GM469|'Graham and Jenny Pay are the parents of harpist Camilla Pay and live in a romantically situated oast house in the Kent countryside.
Having previously commissioned harp solos for the birth of Camilla''s two daughters, Graham touchingly commissioned a further piece in celebration of his wife Jenny''s eightieth birthday in July 2023. Oast House Serenade is the result - a gently romantic piece for Camilla to serenade Jenny with on Graham''s behalf.
It is written with love as all three are very dear friends of mine. Paul Lewis
Duration 4 minutes'|9790222329188|LEWIS P|Paul Lewis|Oast House Serenade|Harp|4.00|63 GM470|Clive Jenkins
ON DARTMOOR for organ
Goodmusic GM470|'A suite for organ in three movements: 1. A Hike to Red Lake 2. A Stroll through Meavy Woods 3. A Canter over Hameldown

On Dartmoor was composed to help Plymouth & District Organists'' Association publicise the ongoing restoration of a wonderful organ. The instrument at St Simon''s church, Mount Gould, Plymouth, is one of the oldest and most musical organs in the south-west peninsula. It was set up in Plymouth in 1910 by the famous local organ builder, Hele, who transplanted it from St Peter Mancroft, Norwich. Original 1707 pipework by Renatus Harris survives, and further ranks are by later 18th-Century organ builders. The instrument as it now stands is largely the work of the London organ builder William Hedgeland who rebuilt the organ in 1866. Its new home at St Simon''s Church provides an ideal acoustic.
After being closed since 2015, the church re-opened in 2021 - a ''church-plant'' spearheaded by neighbouring St Matthias, North Hill, Plymouth, and backed by enthusiastic support from the diocese. Refurbishment is still a work in progress but regular services are now held there.
Suggested registrations for On Dartmoor are by Richard Line, curator of the organ at St Andrew''s Minster in Plymouth, and are intended as guidelines; simpler registrations on a two-manual organ work equally well. I am most grateful for his expertise and helpful comments during the writing of this work. Clive Jenkins
Duration 12? minutes

Note that the audio recording here is a computer-generated performance which does not make registration changes and consequentially lacks the colour variation that would occur in a real performance!'|9790222329461|JENKINS C|Clive Jenkins|On Dartmoor|Organ Solo|6.50|124 GM471|Bela Hartmann & Mel Williams
EMPEROR RADETZKY OF SHEBA & THE SAILORS OF BRANDENBURG
for 6 hands at 1 piano
Goodmusic GM471|'A musical mish-mash for six hands on one piano.
This concisely named musical entertainment has its origins on the high seas, in classical concerts aboard various cruise ships. My wife Julia and I had worked for many years as pianists touring the world through its harbours and had needed some light hearted medley for the last concert of each cruise. Julia''s father Mel had a long career as a music teacher behind him which had inspired his expertise in arranging music for the random instrument combinations his pupils could offer. His wonderful inventiveness as well as his great love of musical humour had produced a large number of such arrangements in the past and he kindly offered to supply a medley for us, something that would please everyone, elicit some chuckles and at the same time serve as a quiz for the more knowledgeable amongst the passengers. The resulting piece became a favourite item on our travels, always concluding our concerts with merriment and good cheer.
Our cruises continued after our daughter Eli?ka was born, and she became an exceptionally well-travelled child, always attending our concerts and eager to join in. After a while I adapted some of our duets to include a simple third part at the top so she could make a guest appearance, easily becoming the most admired member of the trio. As Eli?ka grew in ability her parts became harder, and eventually it seemed necessary to make Mel''s duet medley into a trio medley, with the opportunity to add some new interplay between the parts and some greater sonority. This version is presented here, to enable others to enjoy playing in a group of three, and to participate in the infectious sense of fun that runs through it. Bela Hartmann, September 2023

As the title might suggest, this mish-mash makes use of Johann Strauss II''s Emperor Waltz, Johann Strauss I''s Radetzky March, Handel''s Arrival of the Queen of Sheba, The Sailor''s Hornpipe and Bach''s Brandenburg Concerto No.3.
Duration 3? minutes'|9790222329614|HARTMANN|Bela Hartmann|Emperor Radetzky of Sheba & the...|Piano - 3 players on 1 piano|5.00|88 GM472|Johann Strauss II arr Bela Hartmann
PIZZICATO POLKA for 6 hands at 1 piano
Goodmusic GM472|The Pizzicato Polka was originally a piece of orchestral music by Johann Strauss II who composed it with his brother Josef in 1869 for a trip to Imperial Russia. It was published in 1870. The polka was written for string orchestra and glockenspiel. It was hugely popular, especially in Italy, where it was included on every programme Strauss played there. ThIs arrangement by Bela Hartmann is for three players at one piano.
Duration 2? minutes|9790222329591|STRAUSS J II|Johann Strauss II|Pizzicato Polka Arr.Hartmann|Piano - 3 players on 1 piano|4.50|76 GM473|Ruth Sellar
A MUSICAL YEAR for piano
Goodmusic GM473|'Piano miniatures for every month, at intermediate level.

Come on a journey through the year''s seasons, month-by-month, with this collection of 12 piano miniatures. Each contrasting piece is designed to portray the character, British weather and feel of the individual month, with titles to trigger your own mental images. It is written to be accessible for players at intermediate level; I wrote these pieces with my piano pupils in mind! The collection was composed during the Covid-19 pandemic lockdown, which provided an unexpected block of time to create. In the midst of such global uncertainty and distress at that time, the Earth''s beauty remained constant, and an appreciation of the seasons and their colours through music seemed appropriate. It is my hope that players will really enjoy the collection and that learners will also find them useful pieces in a range of styles to further their piano skills. The collection can be played either from beginning to end or performed just one or two months at a time. Ruth Sellar

January Waltz: Welcoming the year with a waltz, as per the Viennese custom
February Frenzy: A whirlwind of gales, storms and snow
March Mystery: The world awaits the arrival of spring
April Showers: Rain or sun - who knows?
May Morning: Rejoicing under a clear blue sky
June Sunbeams: Lazy June - hammock time!
July Tango: With an Argentinian flair
August Lullaby: Rocking to sleep on a hot summer''s day
September Dance: With lively Autumnal colour
October Dreams: A misty reverie as nights draw in
November Fireworks: Rockets, Catherine wheels and sparklers galore
December Bells: Ring out the Christmas joy.

Total duration about 25 minutes
This collection is a companion to ''A Musical Journey'' (miniatures based on the 12 forms of transport) also published by Goodmusic (GM480).'|9790222329584|SELLAR|Ruth Sellar|A Musical Year|Piano - Solo|8.00|149 GM474|Ruth Sellar
THE SNOW LIES THICK for choir
Goodmusic GM474|A Carol for Christmas for unaccompanied mixed voice choir with solos. Words by Selwyn Image (1849-1930).
This carol was the winning entry in the Sir David Willcocks Carol Competition in 2018.
Duration 3? minutes|9790222329607|SELLAR|Ruth Sellar|The Snow Lies Thick|Choir - Mixed voices (SATB)|2.75|38 GM476|Paul Lewis
TOCCATA FOR TWO HARPS
Goodmusic GM476|Toccata for Two Harps, a lively and optimistic Allegro in neo-classical style, is an adaptation of the final movement of Norfolk Concerto for flute, harp and strings. This version was inspired by the Ukrainian harpist twins Liza and Katya Rajhans, AKA the Catherine-Elizabeth Harp Duo [pictured on the cover], and was written in celebration of their twentieth birthday on October 11th 2023. Paul Lewis
A score and separate harp parts are included.
Duration 3? minutes|9790222329621|LEWIS P|Paul Lewis|Toccata for Two Harps|Harp Duo|7.50|136 GM477|Paul Lewis
PARIS PARASOL for harp
Goodmusic GM477|So beautifully does Maia Darme perform my Paris Parapluie (GM253), a piece inspired by a photo of her sitting beneath her umbrella smiling in the Paris rain, that the urge to compose a companion piece has proved irresistible to a composer enamoured of France and everything French! The inevitable result is Paris Parasol, a bright and sunny Parisian style waltz.
Vive la France and vive Paris! Paul Lewis
Duration 4? minutes|9790222329638|LEWIS P|Paul Lewis|Paris Parasol|Harp|4.00|63 GM478|Paul Lewis
HARPING ANGEL for voices and harp
Goodmusic GM478|Harping Angel was inspired by a charmingly kitsch antique French postcard, as depicted on the cover, and is dedicated to harpist Cecily Beer and the Choir of Royal Holloway, director Rupert Gough. Originally for high voices and harp, it is also available transcribed for oboe or viollin and harp (GM479) and for solo harp (GM485).Paul Lewis
Duration 4 minutes|9790222331587|LEWIS P|Paul Lewis|Harping Angel Voices & Harp|Voice and Harp|4.00|63 GM479|Paul Lewis
HARPING ANGEL for oboe or violin and harp
Goodmusic GM479|Harping Angel was inspired by a charmingly kitsch antique French postcard, as depicted on the cover Originally for high voices and harp (GM478), it is here transcribed for oboe or viollin and harp and also available for solo harp (GM485). Paul Lewis
Duration 4 minutes|9790222331594|LEWIS P|Paul Lewis|Harping Angel Violin/Oboe & Harp|Violin and Harp|4.50|76 GM480|Ruth Sellar
A MUSICAL JOURNEY for piano
Goodmusic GM480|'Piano miniatures at intermediate level for various means of transport.
Which form of transport will you take? These 12 piano miniatures are written in contrasting styles to depict different means of travelling - perhaps your listeners can guess the form of transport without knowing the title first! I hope the pieces will be fun and descriptive for both the performer and audience, and also offer practice in different styles and techniques for the intermediate pianist. Ruth Sellar
The Steam Train; The Bicycle; The Sailing Boat; The Tractor; The Police Car; The Hot Air Balloon; The Sleigh; Walking; The Camel Train; The Glider; The Ice Cream Van; The Royal Carriage.

Total duration about 30 minutes
This collection forms a sequel to ''A Musical Year'' (miniatures based on the 12 months of the year) also published by Goodmusic (GM473).'|9790222331143|SELLAR|Ruth Sellar|A Musical Journey|Piano - Solo|9.50|173 GM481|Paul Lewis
THREE-PIECE SUITE for 3 bassoons
Goodmusic GM481|Though published here primarily for bassoon trio, Three-Piece Suite was composed for the London Serpent Trio who premiered the work at the Marlborough Arts Festival in June 1986. The obsolete serpent is a rare creature and serpent trios are even rarer, so subsequent performances have been on bassoon, for which it is a perfect fit.
Tucket: A Shakespearian term for a short processional fanfare.
Serenade to a French Girl: A slow waltz marked con amore. The French girl in question was the one I was married to at the time.
Folk Dance: No cosy dance on an English village green but a strenuous romp with Slavic overtones. My maternal grandfather, whom I never met, was Russian, and I sometimes hear his voice speaking to me through my music.
Paul Lewis

Score and parts included.
Duration 8 minutes|9790222331600|LEWIS P|Paul Lewis|Three-Piece Suite|Bassoon ensemble|8.50|160 GM482|Robert Peate
THE BLACKSMITH for upper voice choir
Goodmusic GM482|An arrangement of the traditional English folk song for upper voices (SSAA) and piano.
Duration 4 minutes|9790222331617|PEATE|Robert Peate|The Blacksmith|Choir - Upper voices|2.00|25 GM483|Robert Peate
THE DRUNKEN SAILOR for upper voice choir
Goodmusic GM483|Splendid arrangement of this traditional sea shanty for upper voice choir (SSA) and piano.
YouTube video available of a performance by Le Voci Ladies Choir with Jo Williamson (Director) and Robert Peate at the Piano in the Hoddinott Hall, Cardiff. Part of the 2022 International Choral Festival Wales
Duration 4 minutes|9790222331624|PEATE|Robert Peate|Drunken Sailor|Choir - Upper voices|3.50|50 GM485|Paul Lewis
HARPING ANGEL for solo harp
Goodmusic GM485|Harping Angel was inspired by a charmingly kitsch antique French postcard, as depicted on the cover Originally for high voices and harp (GM478), it is here transcribed for solo harp but is also available for oboe or viollin and harp (GM479). Paul Lewis
Duration 4 minutes|9790222331631|LEWIS P|Paul Lewis|Harping Angel|Harp|4.00|63 GMCA001|PUCCINI, Giacomo (1858-1924)
ONE FINE DAY from Madame Butterfly
Concert Cameos Series GMCA001|'Orchestration
Soloist (parts provided for treble clef instruments in C, Bb, F or Eb) or voice (middle C up to top A).
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This famous aria from Madame Butterfly has been adapted so that it can be performed by a variety of solo instruments or a solo voice. The orchestration has been reduced slightly (piccolo, bass clarinet, cor anglais and harp have been omitted) and it has been transposed from the original key of Gb down a semitone into F, but otherwise this version is fairly faithful to Puccini''s original score. Various solo instrumental parts are provided. A separate voice part is not provided; singers should use whatever edition of the opera vocal score or the aria that they have.
Duration: 4? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222210905|PUCCINI G|Giacomo Puccini|One Fine Day Pack|Orchestra|26.00|332 GMCA001-00|||9790222210912|PUCCINI G|Giacomo Puccini|One Fine Day Score|Orchestral Score|5.00|38 GMCA001-01|||9790222210929|PUCCINI G|Giacomo Puccini|One Fine Day Violin 1|Orchestral Part|1.50|7 GMCA001-02|||9790222210936|PUCCINI G|Giacomo Puccini|One Fine Day Violin 2|Orchestral Part|1.50|7 GMCA001-03|||9790222210943|PUCCINI G|Giacomo Puccini|One Fine Day Viola|Orchestral Part|1.50|7 GMCA001-04|||9790222210950|PUCCINI G|Giacomo Puccini|One Fine Day Cello|Orchestral Part|1.50|7 GMCA001-05|||9790222210967|PUCCINI G|Giacomo Puccini|One Fine Day Bass|Orchestral Part|1.50|7 GMCA001-06|||9790222210974|PUCCINI G|Giacomo Puccini|One Fine Day Flute 1 & 2|Orchestral Part|1.50|7 GMCA001-07|||9790222210981|PUCCINI G|Giacomo Puccini|One Fine Day Oboe 1 & 2|Orchestral Part|1.50|7 GMCA001-08|||9790222210998|PUCCINI G|Giacomo Puccini|One Fine Day Clarinet 1 & 2 in Bb|Orchestral Part|1.50|7 GMCA001-09|||9790222211001|PUCCINI G|Giacomo Puccini|One Fine Day Bassoon 1 & 2|Orchestral Part|1.50|7 GMCA001-10|||9790222211018|PUCCINI G|Giacomo Puccini|One Fine Day Horns 1-4 in F|Orchestral Part|1.50|7 GMCA001-11|||9790222211025|PUCCINI G|Giacomo Puccini|One Fine Day Trumpet 1 & 2|Orchestral Part|1.50|7 GMCA001-12|||9790222211032|PUCCINI G|Giacomo Puccini|One Fine Day Trombones 1-3 & Tuba|Orchestral Part|1.50|7 GMCA001-13|||9790222211049|PUCCINI G|Giacomo Puccini|One Fine Day Timpani|Orchestral Part|1.50|7 GMCA001-14|||9790222211056|PUCCINI G|Giacomo Puccini|One Fine Day Solo Instrument in C|Orchestral Part|1.50|13 GMCA001-15|||9790222211063|PUCCINI G|Giacomo Puccini|One Fine Day Solo Instrument in Bb|Orchestral Part|1.50|13 GMCA001-16|||9790222211070|PUCCINI G|Giacomo Puccini|One Fine Day Solo Instrument in Eb|Orchestral Part|1.50|13 GMCA001-17|||9790222211087|PUCCINI G|Giacomo Puccini|One Fine Day Solo Instrument in F|Orchestral Part|1.50|13 GMCA002|PUCCINI, Giacomo (1858-1924)
NESSUN DORMA from Turandot
Concert Cameos Series GMCA002|'Orchestration
Soloist (parts included for treble clef instrument in C, Bb, F or Eb, and bass clef instrument)
2 Flutes, 2 Oboes, Cor Anglais (optional), 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This famous aria can be performed by orchestra with almost any solo instrument or voice. The orchestral parts are only mildly altered from Puccini''s original. In the original there were one or two additional instruments which have been omitted in this version (piccolo [last 4 bars], bass clarinet, contrabassoon, celeste, chinese gong [1 note], bass drum [2 notes]). A brief entry by the chorus is given to Oboe 1 and Horn 3 in this version [bars 22-25]. The HARP is preferable but not essential. A separate voice part is not provided; singers should use whatever edition of the opera vocal score or the aria that they have.
Duration: 2? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222203167|PUCCINI G|Giacomo Puccini|Nessun Dorma Pack|Orchestra|26.00|320 GMCA002-00|||9790222203174|PUCCINI G|Giacomo Puccini|Nessun Dorma Score|Orchestral Score|5.00|25 GMCA002-01|||9790222203181|PUCCINI G|Giacomo Puccini|Nessun Dorma Violin 1|Orchestral Part|1.50|7 GMCA002-02|||9790222203198|PUCCINI G|Giacomo Puccini|Nessun Dorma Violin 2|Orchestral Part|1.50|7 GMCA002-03|||9790222203204|PUCCINI G|Giacomo Puccini|Nessun Dorma Viola|Orchestral Part|1.50|7 GMCA002-04|||9790222203211|PUCCINI G|Giacomo Puccini|Nessun Dorma Cello|Orchestral Part|1.50|7 GMCA002-05|||9790222203228|PUCCINI G|Giacomo Puccini|Nessun Dorma Bass|Orchestral Part|1.50|7 GMCA002-06|||9790222203235|PUCCINI G|Giacomo Puccini|Nessun Dorma Flute 1 & 2|Orchestral Part|1.50|7 GMCA002-07|||9790222203242|PUCCINI G|Giacomo Puccini|Nessun Dorma Oboe 1 & 2|Orchestral Part|1.50|7 GMCA002-08|||9790222203259|PUCCINI G|Giacomo Puccini|Nessun Dorma Cor Anglais|Orchestral Part|1.50|7 GMCA002-09|||9790222203266|PUCCINI G|Giacomo Puccini|Nessun Dorma Clarinet 1 & 2 in Bb|Orchestral Part|1.50|7 GMCA002-10|||9790222203273|PUCCINI G|Giacomo Puccini|Nessun Dorma Bassoon 1 & 2|Orchestral Part|1.50|7 GMCA002-11|||9790222203280|PUCCINI G|Giacomo Puccini|Nessun Dorma Horns 1-4 in F|Orchestral Part|1.50|7 GMCA002-12|||9790222203297|PUCCINI G|Giacomo Puccini|Nessun Dorma Trumpet 1 & 2 in Bb|Orchestral Part|1.50|7 GMCA002-13|||9790222203303|PUCCINI G|Giacomo Puccini|Nessun Dorma Trombones 1-3 & Tuba|Orchestral Part|1.50|7 GMCA002-14|||9790222203310|PUCCINI G|Giacomo Puccini|Nessun Dorma Timpani|Orchestral Part|1.50|7 GMCA002-15|||9790222203327|PUCCINI G|Giacomo Puccini|Nessun Dorma Harp|Orchestral Part|1.50|7 GMCA002-17|||9790222203341|PUCCINI G|Giacomo Puccini|Nessun Dorma Solo Instrument in C|Orchestral Part|1.50|7 GMCA002-18|||9790222203358|PUCCINI G|Giacomo Puccini|Nessun Dorma Solo Instrument in Bb|Orchestral Part|1.50|7 GMCA002-19|||9790222203365|PUCCINI G|Giacomo Puccini|Nessun Dorma Solo Instrument in Eb|Orchestral Part|1.50|7 GMCA002-20|||9790222203372|PUCCINI G|Giacomo Puccini|Nessun Dorma Solo Instrument in F|Orchestral Part|1.50|7 GMCA002-21|||9790222203389|PUCCINI G|Giacomo Puccini|Nessun Dorma Solo Instrument B Clef|Orchestral Part|1.50|7 GMCA003|DELIBES, Leo (1836-1891)
FLOWER DUET from Lakme
Concert Cameos Series GMCA003|'Orchestration
Solo voices or instruments (parts included for voices/instruments in C, instruments in Bb, A or Eb)
2 Flutes, 2 Oboes, 2 Clarinets in A or Bb (alternative part included), 2 Bassoons
2 Horns in F
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This lovely duet has been made even more popular in recent years by its use in a number of TV commercials. The orchestral parts are reasonably faithful to Delibes'' original scoring. The two soloists (or perhaps duettists?) can be vocal or instrumental. No words are shown in the score or "concert pitch" solo part but it is suggested that singers use their own copy. This arrangement leaves the piece in its original key (B major). This means that transposed parts for certain instruments end up in less friendly keys but we decided that it would just not sound the same in Bb or C!
Duration: 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222211094|DELIBES L|Leo Delibes|Flower Duet (Lakme) Pack|Orchestra|30.00|406 GMCA003-00|||9790222211100|DELIBES L|Leo Delibes|Flower Duet (Lakme) Score|Orchestral Score|6.00|75 GMCA003-01|||9790222211117|DELIBES L|Leo Delibes|Flower Duet (Lakme) Violin 1|Orchestral Part|1.50|13 GMCA003-02|||9790222211124|DELIBES L|Leo Delibes|Flower Duet (Lakme) Violin 2|Orchestral Part|1.50|13 GMCA003-03|||9790222211131|DELIBES L|Leo Delibes|Flower Duet (Lakme) Viola|Orchestral Part|1.50|13 GMCA003-04|||9790222211148|DELIBES L|Leo Delibes|Flower Duet (Lakme) Cello|Orchestral Part|1.50|13 GMCA003-05|||9790222211155|DELIBES L|Leo Delibes|Flower Duet (Lakme) Bass|Orchestral Part|1.50|7 GMCA003-06|||9790222211162|DELIBES L|Leo Delibes|Flower Duet (Lakme) Flute 1 & 2|Orchestral Part|1.50|7 GMCA003-07|||9790222211179|DELIBES L|Leo Delibes|Flower Duet (Lakme) Oboe 1 & 2|Orchestral Part|1.50|7 GMCA003-08|||9790222211186|DELIBES L|Leo Delibes|Flower Duet (Lakme) Clar 1+2 Bb/A|Orchestral Part|1.50|7 GMCA003-09|||9790222211193|DELIBES L|Leo Delibes|Flower Duet (Lakme) Bassoon 1 & 2|Orchestral Part|1.50|7 GMCA003-10|||9790222211209|DELIBES L|Leo Delibes|Flower Duet (Lakme) Horn 1 & 2 in F|Orchestral Part|1.50|7 GMCA003-11|||9790222211216|DELIBES L|Leo Delibes|Flower Duet (Lakme) Soloists in C|Orchestral Part|1.50|13 GMCA003-12|||9790222211223|DELIBES L|Leo Delibes|Flower Duet (Lakme) Soloists in Bb|Orchestral Part|1.50|13 GMCA003-13|||9790222211230|DELIBES L|Leo Delibes|Flower Duet (Lakme) Soloists in A|Orchestral Part|1.50|13 GMCA003-14|||9790222211247|DELIBES L|Leo Delibes|Flower Duet (Lakme) Soloists in Eb|Orchestral Part|1.50|13 GMCA004|BACH, J.S. (1685-1750)
TOCCATA & FUGUE in D minor (arr.Herbert Horrocks)
Concert Cameos Series GMCA004|'Orchestration
Solo Piano
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An arrangement for piano solo and strings of Bach''s ever popular organ piece.
Duration: 9 minutes
A PACK comprises an A4 sized full score, a piano part plus strings 4/4/3/4/2.'|9790222211254|BACH JS|Johann Sebastian Bach|Toccata & Fugue in Dm Pack|String Orchestra|40.00|362 GMCA004-00|||9790222211261|BACH JS|Johann Sebastian Bach|Toccata & Fugue in Dm Score|Orchestral Score|8.00|88 GMCA004-01|||9790222211278|BACH JS|Johann Sebastian Bach|Toccata & Fugue in Dm Violin 1|Orchestral Part|1.50|13 GMCA004-02|||9790222211285|BACH JS|Johann Sebastian Bach|Toccata & Fugue in Dm Violin 2|Orchestral Part|1.50|13 GMCA004-03|||9790222211292|BACH JS|Johann Sebastian Bach|Toccata & Fugue in Dm Viola|Orchestral Part|1.50|13 GMCA004-04|||9790222211308|BACH JS|Johann Sebastian Bach|Toccata & Fugue in Dm Cello|Orchestral Part|1.50|13 GMCA004-05|||9790222211315|BACH JS|Johann Sebastian Bach|Toccata & Fugue in Dm Bass|Orchestral Part|1.50|13 GMCA004-06|||9790222211322|BACH JS|Johann Sebastian Bach|Toccata & Fugue in Dm Piano|Orchestral Part|3.00|50 GMCA005|DUSSEK, Jan Ladislav (1760-1812)
RONDO: THE PLOUGHBOY (arr.John Parkinson)
Concert Cameos Series GMCA005|Orchestration
Solo piano
Flute, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, Trombone, Timpani
Strings (Violin 1, Violin 2, Viola, Cello/Bass)

Jan Ladislav Dussek was born in Bohemia in 1760 and died in Paris in 1812. His works include 18 piano concertos of which the third, in its rondo-finale, follows musical fashion by taking its theme from a popular song The Ploughboy, by William Shield (1748 - 1829), which had at that time attained the popularity of a folk-song. This arrangement is a slightly abbreviated version of the original, and the orchestral accompaniment has been amplified for modern orchestra.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2 and a solo piano part.|9790222211339|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Pack|Orchestra|40.00|486 GMCA005-00|||9790222211346|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Score|Orchestral Score|8.00|100 GMCA005-01|||9790222211353|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Violin 1|Orchestral Part|1.50|13 GMCA005-02|||9790222211360|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Violin 2|Orchestral Part|1.50|13 GMCA005-03|||9790222211377|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Viola|Orchestral Part|1.50|13 GMCA005-04|||9790222211384|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) CelloBass|Orchestral Part|1.50|13 GMCA005-05|||9790222211391|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Flute|Orchestral Part|1.50|13 GMCA005-06|||9790222211407|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Oboe|Orchestral Part|1.50|13 GMCA005-07|||9790222211414|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Clar 1|Orchestral Part|1.50|13 GMCA005-08|||9790222211421|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Clar 2|Orchestral Part|1.50|13 GMCA005-09|||9790222211438|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Bassoon|Orchestral Part|1.50|13 GMCA005-10|||9790222211445|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Horn 1|Orchestral Part|1.50|7 GMCA005-11|||9790222211452|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Horn 2|Orchestral Part|1.50|7 GMCA005-12|||9790222211469|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Trumpet 1|Orchestral Part|1.50|7 GMCA005-13|||9790222211476|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Trumpet 2|Orchestral Part|1.50|7 GMCA005-14|||9790222211483|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Trombone|Orchestral Part|1.50|7 GMCA005-15|||9790222211490|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Timpani|Orchestral Part|1.50|7 GMCA005-16|||9790222211506|DUSSEK L|Jan Ladislav Dussek|Rondo the Ploughboy (arr) Piano|Orchestral Part|2.00|25 GMCA006|HUMPERDINCK, Engelbert (1854-1921)
EVENING PRAYER from Hansel & Gretel
Concert Cameos Series GMCA006|Orchestration
2 Flutes, Oboe(s), 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
2 Solo voices or instruments (parts included for voice*, treble clef instrument in C, Bb, F or Eb, and bass clef instrument).

This well-known piece can be performed by orchestra with almost any suitable solo instruments or voices (not necessarily the same; it could be performed by, say, a trumpet and a french horn or many other combinations).
*A vocal copy of the ROBERTON edition (catalogue no. 75075) is included within the set of parts but the orchestral version will be compatible with many other versions should your singers already have a different one. There are various different translations available so no lyrics are shown in the full score.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222211513|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Pack|Orchestra|26.00|272 GMCA006-00|||9790222211520|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Score|Orchestral Score|5.00|25 GMCA006-01|||9790222211537|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Violin 1|Orchestral Part|1.50|7 GMCA006-02|||9790222211544|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Violin 2|Orchestral Part|1.50|7 GMCA006-03|||9790222211551|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Viola|Orchestral Part|1.50|7 GMCA006-04|||9790222211568|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Cello|Orchestral Part|1.50|7 GMCA006-05|||9790222211575|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Bass|Orchestral Part|1.50|7 GMCA006-06|||9790222211582|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Flute 1 & 2|Orchestral Part|1.50|7 GMCA006-07|||9790222211599|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Oboe|Orchestral Part|1.50|7 GMCA006-08|||9790222211605|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Clarinet 1 & 2|Orchestral Part|1.50|7 GMCA006-09|||9790222211612|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Bassoon 1 & 2|Orchestral Part|1.50|7 GMCA006-10|||9790222211629|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Horns 1-4 in F|Orchestral Part|1.50|7 GMCA006-11|||9790222211636|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Soloists in C|Orchestral Part|1.50|7 GMCA006-12|||9790222211643|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Soloists in Bb|Orchestral Part|1.50|7 GMCA006-13|||9790222211650|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Soloists in Eb|Orchestral Part|1.50|7 GMCA006-14|||9790222211667|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Soloists in F|Orchestral Part|1.50|7 GMCA006-15|||9790222211674|HUMPERDINCK|Engelbert Humperdinck|Evening Prayer Soloists Bass Clef|Orchestral Part|1.50|7 GMCA007|HANDEL, George Frideric (1685-1759)
HANDEL SUITE (arr.Herbert Horrocks)
Concert Cameos Series GMCA007|Orchestration
Solo piano (or organ), Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Double Bass)

The string texture is complete with first and second violins and cellos. The third violins play the same notes as the violas. Certain passages in the third violin, viola and cello parts have been given simplified alternatives which are marked in the score and parts. The solo piano part can be played by organ.
MOVEMENTS: Prelude (from Suite No.3), Sarabande (from Suite No.4), Fugue (from Six Little Fugues)
Duration: 9 minutes
A PACK comprises an A4 sized full score, solo piano plus strings 4/4/3(3)/4/2.|9790222211681|HANDEL GF|George Frideric Handel|Handel Suite (Horrocks) Pack|String Orchestra|45.00|502 GMCA007-00|||9790222211698|HANDEL GF|George Frideric Handel|Handel Suite (Horrocks) Score|Orchestral Score|6.00|75 GMCA007-01|||9790222211704|HANDEL GF|George Frideric Handel|Handel Suite (Horrocks) Violin 1|Orchestral Part|2.00|25 GMCA007-02|||9790222211711|HANDEL GF|George Frideric Handel|Handel Suite (Horrocks) Violin 2|Orchestral Part|2.00|25 GMCA007-03|||9790222211728|HANDEL GF|George Frideric Handel|Handel Suite (Horrocks) Violin 3|Orchestral Part|1.50|13 GMCA007-04|||9790222211735|HANDEL GF|George Frideric Handel|Handel Suite (Horrocks) Viola|Orchestral Part|1.50|13 GMCA007-05|||9790222211742|HANDEL GF|George Frideric Handel|Handel Suite (Horrocks) Cello|Orchestral Part|1.50|13 GMCA007-06|||9790222211759|HANDEL GF|George Frideric Handel|Handel Suite (Horrocks) Bass|Orchestral Part|1.50|13 GMCA007-07|||9790222211766|HANDEL GF|George Frideric Handel|Handel Suite (Horrocks) Piano|Orchestral Part|2.00|25 GMCA008|MOZART, Wolfgang Amadeus (1756-1791)
SONATA CONCERTANTE (arr.Frederic Westcott)
Concert Cameos Series GMCA008|'Orchestration
Solo piano
Strings (Violin 1, Violin 2, Viola, Cello/Double Bass)

This three movement work is an arrangement of Mozart''s Sonata in Bb for piano duet K.358.
Duration: 12? minutes
A PACK comprises an A4 sized full score, solo piano plus strings 4/4/3/4/2.'|9790222203396|MOZART|Wolfgang Amadeus Mozart|Sonata Concertante (Westcott) Pack|String Orchestra|60.00|634 GMCA008-00|||9790222203402|MOZART|Wolfgang Amadeus Mozart|Sonata Concertante (Westcott) Sc|Orchestral Score|10.00|125 GMCA008-01|||9790222203419|MOZART|Wolfgang Amadeus Mozart|Sonata Concertante (Westcott) Vln 1|Orchestral Part|2.00|25 GMCA008-02|||9790222203426|MOZART|Wolfgang Amadeus Mozart|Sonata Concertante (Westcott) Vln 2|Orchestral Part|2.00|25 GMCA008-03|||9790222203433|MOZART|Wolfgang Amadeus Mozart|Sonata Concertante (Westcott) Viola|Orchestral Part|2.00|25 GMCA008-04|||9790222203440|MOZART|Wolfgang Amadeus Mozart|Sonata Concertante (Westcott) Vc/cb|Orchestral Part|2.00|25 GMCA008-05|||9790222203457|MOZART|Wolfgang Amadeus Mozart|Sonata Concertante (Westcott) Piano|Orchestral Part|3.00|50 GMCA009|SCHUMANN, Robert (1810-1856)
INTERMEZZO from the Piano Concerto (arr.A.W.Benoy)
Concert Cameos Series GMCA009|'Orchestration
Solo piano
Flute, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

The solo piano part is exactly the same as Schumann''s original up to the last six bars when an ending devised from Schumann''s own material has been introduced. This work may be played by strings and piano only.
Duration: 4? minutes
A PACK comprises an A4 sized full score, solo piano plus a complete set of parts including strings 4/4/3/4/2.'|9790222208414|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Pack|Orchestra|40.00|406 GMCA009-00|||9790222208421|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Score|Orchestral Score|6.00|75 GMCA009-01|||9790222208438|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Vln 1|Orchestral Part|1.50|13 GMCA009-02|||9790222208445|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Vln 2|Orchestral Part|1.50|13 GMCA009-03|||9790222208452|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Vln 3|Orchestral Part|1.50|13 GMCA009-04|||9790222208469|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Viola|Orchestral Part|1.50|13 GMCA009-05|||9790222208476|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Cello|Orchestral Part|1.50|13 GMCA009-06|||9790222208483|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Bass|Orchestral Part|1.50|7 GMCA009-07|||9790222208490|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Flute|Orchestral Part|1.50|7 GMCA009-08|||9790222208506|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Oboe 1|Orchestral Part|1.50|7 GMCA009-09|||9790222208513|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Oboe 2|Orchestral Part|1.50|7 GMCA009-10|||9790222208520|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Clar 1|Orchestral Part|1.50|7 GMCA009-11|||9790222208537|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Clar 2|Orchestral Part|1.50|7 GMCA009-12|||9790222208544|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Bsn 1|Orchestral Part|1.50|7 GMCA009-13|||9790222208551|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Bsn 2|Orchestral Part|1.50|7 GMCA009-14|||9790222208568|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Horn 1|Orchestral Part|1.50|7 GMCA009-15|||9790222208575|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Horn 2|Orchestral Part|1.50|7 GMCA009-16|||9790222208582|SCHUMANN|Robert Schumann|Intermezzo (Piano Concerto) Piano|Orchestral Part|1.50|13 GMCA010|HANDEL, George Frideric (1685-1759)
CONCERTINO for trumpet (arr.A.W.Benoy)
Concert Cameos Series GMCA010|Orchestration
Solo Trumpet in Bb or C
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello/Bass)
Piano (optional - plays from score)

This work may be performed by trumpet and strings with optional piano. The piano plays from the score of which two copies are included in a set of parts. There is a trumpet and piano reduction of this work available (formerly published by Oxford University Press) now available from Goodmusic No.GM032.
Duration: 11? minutes
A PACK comprises two copies of the full score (one for the piano), trumpet part (in Bb and in C) plus string parts 4/4/3/4/2.|9790222209121|HANDEL GF|George Frideric Handel|Concertino for Trumpet Pack|String Orchestra|40.00|426 GMCA010-00|||9790222209138|HANDEL GF|George Frideric Handel|Concertino for Trumpet Score/piano|Orchestral Score|6.00|63 GMCA010-01|||9790222209145|HANDEL GF|George Frideric Handel|Concertino for Trumpet Violin 1|Orchestral Part|1.50|13 GMCA010-02|||9790222209152|HANDEL GF|George Frideric Handel|Concertino for Trumpet Violin 2|Orchestral Part|1.50|13 GMCA010-03|||9790222209169|HANDEL GF|George Frideric Handel|Concertino for Trumpet Violin 3|Orchestral Part|1.50|13 GMCA010-04|||9790222209176|HANDEL GF|George Frideric Handel|Concertino for Trumpet Viola|Orchestral Part|1.50|13 GMCA010-05|||9790222209183|HANDEL GF|George Frideric Handel|Concertino for Trumpet Cello/bass|Orchestral Part|1.50|13 GMCA010-06|||9790222209190|HANDEL GF|George Frideric Handel|Concertino for Trumpet Solo Trumpet|Orchestral Part|1.50|13 GMCA011|'BIZET, Georges (1838-1875)
TOREADOR''S SONG from Carmen (arr.Nigel Wicken)
Concert Cameos Series GMCA011'|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola , Cello, Bass)
Soloist (parts provided in bass clef, treble clef, Bb, F, Eb)

One of the best known arias from Bizet''s famous opera "Carmen", this arrangement can feature a variety of different soloists, either vocal or instrumental. Parts are included at concert pitch in bass clef and treble clef as well as transposed parts in Bb, Eb and F. No lyrics are shown and any vocal soloist should use their own copy of the aria or opera vocal score.
Duration: 5? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222207967|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Pack'|Orchestra|35.00|516 GMCA011-00|||9790222207974|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Score'|Orchestral Score|6.00|75 GMCA011-01|||9790222207981|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Vln 1'|Orchestral Part|1.50|13 GMCA011-02|||9790222207998|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Vln 2'|Orchestral Part|1.50|13 GMCA011-03|||9790222208001|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Viola'|Orchestral Part|1.50|13 GMCA011-04|||9790222208018|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Cello'|Orchestral Part|1.50|13 GMCA011-05|||9790222208025|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) D.bass'|Orchestral Part|1.50|13 GMCA011-06|||9790222208032|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Fl 1+2'|Orchestral Part|1.50|13 GMCA011-07|||9790222208049|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Ob 1+2'|Orchestral Part|1.50|7 GMCA011-08|||9790222208056|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Cl 1+2'|Orchestral Part|1.50|7 GMCA011-09|||9790222208063|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Bsn1+2'|Orchestral Part|1.50|7 GMCA011-10|||9790222208070|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Hn 1+2'|Orchestral Part|1.50|7 GMCA011-11|||9790222208087|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Trp1+2'|Orchestral Part|1.50|7 GMCA011-12|||9790222208094|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Trb1+2'|Orchestral Part|1.50|7 GMCA011-13|||9790222208100|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Trb3tb'|Orchestral Part|1.50|7 GMCA011-14|||9790222208117|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Timp'|Orchestral Part|1.50|7 GMCA011-15|||9790222208124|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) SoloBC'|Orchestral Part|1.50|13 GMCA011-16|||9790222208131|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) SoloTC'|Orchestral Part|1.50|13 GMCA011-17|||9790222208148|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) SoloBb'|Orchestral Part|1.50|13 GMCA011-18|||9790222208155|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) Solo F'|Orchestral Part|1.50|13 GMCA011-19|||9790222208162|BIZET G|Georges Bizet|'Toreador''s Song (arr.Wicken) SoloEb'|Orchestral Part|1.50|13 GMCA012|BIZET, Georges (1838-1875)
HABANERA from Carmen (arr.Nigel Wicken)
Concert Cameos Series GMCA012|Orchestration
Soloist (parts provided in C, Bb & Eb)
Flute, Oboe (or Flute 2), 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Percussion (Triangle, Tambourine, Timpani [1 player])
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

A well-known aria from Carmen. Parts in C, Bb and Eb are provided for the soloist which could be a flute, oboe, violin, clarinet, trumpet, saxophone or, indeed, a singer! (No lyrics are shown in this edition so a singer should use their own copy).
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222221550|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Pack|Orchestra|26.00|290 GMCA012-00|||9790222221567|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Sc.|Orchestral Score|5.00|50 GMCA012-01|||9790222221574|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Vln 1|Orchestral Part|1.50|7 GMCA012-02|||9790222221581|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Vln 2|Orchestral Part|1.50|7 GMCA012-03|||9790222221598|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Vln 3|Orchestral Part|1.50|7 GMCA012-04|||9790222221604|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Viola|Orchestral Part|1.50|7 GMCA012-05|||9790222221611|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Cello|Orchestral Part|1.50|7 GMCA012-06|||9790222221628|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Bass|Orchestral Part|1.50|7 GMCA012-07|||9790222221635|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Flute|Orchestral Part|1.50|7 GMCA012-08|||9790222221642|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Oboe|Orchestral Part|1.50|7 GMCA012-09|||9790222221659|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Cl1+2|Orchestral Part|1.50|7 GMCA012-10|||9790222221666|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Bsn|Orchestral Part|1.50|7 GMCA012-11|||9790222221673|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Hn1+2|Orchestral Part|1.50|7 GMCA012-12|||9790222221680|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Tr1+2|Orchestral Part|1.50|7 GMCA012-13|||9790222221697|BIZET G|Georges Bizet|Habanera from Carmen (Wicken)Trb1+2|Orchestral Part|1.50|7 GMCA012-14|||9790222221703|BIZET G|Georges Bizet|Habanera from Carmen (Wicken) Perc|Orchestral Part|1.50|7 GMCA012-15|||9790222221710|BIZET G|Georges Bizet|Habanera from Carmen (Wicken)Solo C|Orchestral Part|1.50|7 GMCA012-16|||9790222221727|BIZET G|Georges Bizet|Habanera from Carmen (Wicken)SoloBb|Orchestral Part|1.50|7 GMCA012-17|||9790222221734|BIZET G|Georges Bizet|Habanera from Carmen (Wicken)SoloEb|Orchestral Part|1.50|7 GMCA013|PURCELL, Henry (1659-1695)
WHEN I AM LAID IN EARTH from Dido & Aeneas
Concert Cameos Series GMCA013|'Orchestration
Solo voice or instrument (Parts provided for voice, instrument in treble clef in C, Bb, Eb, F and bass clef)
Strings (Violin 1, Violin 2, Viola, Cello & Bass)
Harpsichord

Dido''s lament from Purcell''s opera "Dido & Aeneas" can here be performed by voice or virtually any solo instrument as parts are provided in various transpositions.
Duration: 3 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222223530|PURCELL H|Henry Purcell|When I Am Laid in Earth Pack|String Orchestra|26.00|224 GMCA013-00|||9790222223547|PURCELL H|Henry Purcell|When I Am Laid in Earth Score|Orchestral Score|5.00|25 GMCA013-01|||9790222223554|PURCELL H|Henry Purcell|When I Am Laid in Earth Violin 1|Orchestral Part|1.50|7 GMCA013-02|||9790222223561|PURCELL H|Henry Purcell|When I Am Laid in Earth Violin 2|Orchestral Part|1.50|7 GMCA013-03|||9790222223578|PURCELL H|Henry Purcell|When I Am Laid in Earth Viola|Orchestral Part|1.50|7 GMCA013-04|||9790222223585|PURCELL H|Henry Purcell|When I Am Laid in Earth Cello/Bass|Orchestral Part|1.50|7 GMCA013-05|||9790222223592|PURCELL H|Henry Purcell|When I Am Laid in Earth Solo in C|Orchestral Part|1.50|7 GMCA013-06|||9790222223608|PURCELL H|Henry Purcell|When I Am Laid in Earth Solo in Bb|Orchestral Part|1.50|7 GMCA013-07|||9790222223615|PURCELL H|Henry Purcell|When I Am Laid in Earth Solo in Eb|Orchestral Part|1.50|7 GMCA013-08|||9790222223622|PURCELL H|Henry Purcell|When I Am Laid in Earth Solo in F|Orchestral Part|1.50|7 GMCA013-09|||9790222223639|PURCELL H|Henry Purcell|When I Am Laid in Earth Solo in BC|Orchestral Part|1.50|7 GMCA013-10|||9790222223646|PURCELL H|Henry Purcell|When I Am Laid in Earth Voice/Hpscd|Orchestral Part|1.50|13 GMCA014|GLUCK, Christoph Willibald (1714-1787)
CHE FARO SENZA EURIDICE from Orfeo & Euridice
Concert Cameos Series GMCA014|'Orchestration
Solo voice or instrument (Parts provided for voice, instrument in treble clef in C, Bb, Eb and bass clef)
Strings (Violin 1, Violin 2, Viola, Cello & Bass)
Harpsichord

Orpheus'' aria "What is life without Euridice?" can be performed with voice or virtually any solo instrument as parts are provided in various transpositions.
Duration: 3 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222225725|GLUCK|Christoph Willibald Gluck|Che Faro Senza Euridice Pack|String Orchestra|26.00|304 GMCA014-00|||9790222225732|GLUCK|Christoph Willibald Gluck|Che Faro Senza Euridice Score|Orchestral Score|5.00|38 GMCA014-01|||9790222225749|GLUCK|Christoph Willibald Gluck|Che Faro Senza Euridice Violin 1|Orchestral Part|1.50|13 GMCA014-02|||9790222225756|GLUCK|Christoph Willibald Gluck|Che Faro Senza Euridice Violin 2|Orchestral Part|1.50|13 GMCA014-03|||9790222225763|GLUCK|Christoph Willibald Gluck|Che Faro Senza Euridice Viola|Orchestral Part|1.50|13 GMCA014-04|||9790222225770|GLUCK|Christoph Willibald Gluck|Che Faro Senza Euridice Cello/Bass|Orchestral Part|1.50|7 GMCA014-05|||9790222225787|GLUCK|Christoph Willibald Gluck|Che Faro Senza Euridice Solo in C|Orchestral Part|1.50|7 GMCA014-06|||9790222225794|GLUCK|Christoph Willibald Gluck|Che Faro Senza Euridice Solo in Bb|Orchestral Part|1.50|7 GMCA014-07|||9790222225800|GLUCK|Christoph Willibald Gluck|Che Faro Senza Euridice Solo in Eb|Orchestral Part|1.50|7 GMCA014-08|||9790222225817|GLUCK|Christoph Willibald Gluck|Che Faro Senza Euridice Solo BC|Orchestral Part|1.50|7 GMCA014-09|||9790222225824|GLUCK|Christoph Willibald Gluck|Che Faro Senza Euridice Voice/Cemb.|Orchestral Part|1.50|13 GMCA015|FAUR?, Gabriel (1845-1924)
SICILIENNE from Pell?as & M?lisande Op.78
Concert Cameos Series GMCA015|Orchestration
Solo instrument (Part provided in C and Bb)
Flute, Oboe, Clarinet in Bb, Bassoon
Horn in F, Timpani, Harp (or Piano)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The solo line was originally intended for the flute but could be performed equally well by a violin or clarinet.
Duration: 2 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222223844|FAURE G|Gabriel Faure|Sicilienne Pack|Orchestra|26.00|306 GMCA015-00|||9790222223851|FAURE G|Gabriel Faure|Sicilienne Score|Orchestral Score|6.00|63 GMCA015-01|||9790222223868|FAURE G|Gabriel Faure|Sicilienne Violin 1|Orchestral Part|1.50|13 GMCA015-02|||9790222223875|FAURE G|Gabriel Faure|Sicilienne Violin 2|Orchestral Part|1.50|7 GMCA015-03|||9790222223882|FAURE G|Gabriel Faure|Sicilienne Viola|Orchestral Part|1.50|7 GMCA015-04|||9790222223899|FAURE G|Gabriel Faure|Sicilienne Cello|Orchestral Part|1.50|13 GMCA015-05|||9790222223905|FAURE G|Gabriel Faure|Sicilienne Bass|Orchestral Part|1.50|7 GMCA015-06|||9790222223912|FAURE G|Gabriel Faure|Sicilienne Flute|Orchestral Part|1.50|7 GMCA015-07|||9790222223929|FAURE G|Gabriel Faure|Sicilienne Oboe|Orchestral Part|1.50|7 GMCA015-08|||9790222223936|FAURE G|Gabriel Faure|Sicilienne Clarinet|Orchestral Part|1.50|7 GMCA015-09|||9790222223943|FAURE G|Gabriel Faure|Sicilienne Bassoon|Orchestral Part|1.50|7 GMCA015-10|||9790222223950|FAURE G|Gabriel Faure|Sicilienne Horn|Orchestral Part|1.50|7 GMCA015-11|||9790222223967|FAURE G|Gabriel Faure|Sicilienne Timpani|Orchestral Part|1.50|7 GMCA015-12|||9790222223974|FAURE G|Gabriel Faure|Sicilienne Harp/Piano|Orchestral Part|1.50|13 GMCA015-13|||9790222223981|FAURE G|Gabriel Faure|Sicilienne Solo Flute or Violin|Orchestral Part|1.50|7 GMCA015-14|||9790222223998|FAURE G|Gabriel Faure|Sicilienne Solo Clarinet|Orchestral Part|1.50|7 GMCA016|MASSENET, Jules (1842-1912)
MEDITATION from Thais
Concert Cameos Series GMCA016|'Orchestration
Solo Violin or Flute
2 Oboes, 2 Clarinets in Bb, 2 Bassoons , 2 Horns in F, Timpani, Harp (or Piano)
Strings (Violin 1, Violin 2, Viola , Cello, Bass)

Massenet''s opera "Thais" was first performed in 1894 at the Paris opera. The opera itself was not particularly well received but the "Meditation" found instant success particularly with violinists. The solo part is only really suitable for a violin or perhaps a flute.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including the solo parts and strings 4/4/3/4/2.'|9790222224650|MASSENET|Jules Massenet|Meditation from Thais Pack|Orchestra|26.00|300 GMCA016-00|||9790222224667|MASSENET|Jules Massenet|Meditation from Thais Score|Orchestral Score|6.00|63 GMCA016-01|||9790222224674|MASSENET|Jules Massenet|Meditation from Thais Violin 1|Orchestral Part|1.50|7 GMCA016-02|||9790222224681|MASSENET|Jules Massenet|Meditation from Thais Violin 2|Orchestral Part|1.50|7 GMCA016-03|||9790222224698|MASSENET|Jules Massenet|Meditation from Thais Viola|Orchestral Part|1.50|7 GMCA016-04|||9790222224704|MASSENET|Jules Massenet|Meditation from Thais Cello|Orchestral Part|1.50|7 GMCA016-05|||9790222224711|MASSENET|Jules Massenet|Meditation from Thais Bass|Orchestral Part|1.50|7 GMCA016-06|||9790222224728|MASSENET|Jules Massenet|Meditation from Thais Oboe 1+2|Orchestral Part|1.50|7 GMCA016-07|||9790222224735|MASSENET|Jules Massenet|Meditation from Thais Clarinet 1+2|Orchestral Part|1.50|7 GMCA016-08|||9790222224742|MASSENET|Jules Massenet|Meditation from Thais Bassoon 1+2|Orchestral Part|1.50|7 GMCA016-09|||9790222224759|MASSENET|Jules Massenet|Meditation from Thais Horn 1+2|Orchestral Part|1.50|7 GMCA016-10|||9790222224766|MASSENET|Jules Massenet|Meditation from Thais Timpani|Orchestral Part|1.50|7 GMCA016-11|||9790222224773|MASSENET|Jules Massenet|Meditation from Thais Harp|Orchestral Part|1.50|13 GMCA016-12|||9790222224780|MASSENET|Jules Massenet|Meditation from Thais Solo Violin|Orchestral Part|1.50|13 GMCA016-13|||9790222224797|MASSENET|Jules Massenet|Meditation from Thais Solo Flute|Orchestral Part|1.50|13 GMCA017|FIELD, John (1782-1837)
RONDO in Ab (ed.Philip Lane)
Concert Cameos Series GMCA017|Orchestration
Solo piano
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An original work by John Field for solo piano and string quartet. Philip Lane has added a bass part, edited and corrected numerous errors and inaccuracies to end up with this pleasing piece for piano and strings. It can, of course, be performed in the original version with string quartet by omitting the bass part.
Duration: 7 minutes
A PACK comprises an A4 sized full score, solo piano plus strings 4/4/3/4/2.|9790222268555|FIELD J|John Field|Rondo in Ab (Lane) Pack|String Orchestra|40.00|562 GMCA017-00|||9790222268562|FIELD J|John Field|Rondo in Ab (Lane) Score|Orchestral Score|8.00|88 GMCA017-01|||9790222268579|FIELD J|John Field|Rondo in Ab (Lane) Violin 1|Orchestral Part|2.00|25 GMCA017-02|||9790222268586|FIELD J|John Field|Rondo in Ab (Lane) Violin 2|Orchestral Part|2.00|25 GMCA017-03|||9790222268593|FIELD J|John Field|Rondo in Ab (Lane) Viola|Orchestral Part|2.00|25 GMCA017-04|||9790222268609|FIELD J|John Field|Rondo in Ab (Lane) Cello|Orchestral Part|2.00|25 GMCA017-05|||9790222268616|FIELD J|John Field|Rondo in Ab (Lane) Bass|Orchestral Part|1.50|13 GMCA017-06|||9790222268623|FIELD J|John Field|Rondo in Ab (Lane) Solo Piano|Orchestral Part|3.00|50 GMCA018|FIELD, John (1782-1837)
RONDO in D (arr.A.W.Benoy)
Concert Cameos Series GMCA018|'Orchestration
Solo piano
2 Flutes (or Flute and oboe), 2 Clarinets in Bb
Horn in F, 2 Trumpets in Bb, 2 Trombones
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

Derived from Field''s Sonata for Piano Op.1 No.1, this short work does not require a particularly advanced pianist. The orchestral accompaniment can be played by strings only (all the wind and brass parts are cued) but the wind will, obviously, add colour.
Duration: 3? minutes
A PACK comprises an A4 sized full score, solo piano plus a complete set of parts including strings 4/4/3/4/2.'|9790222261525|FIELD J|John Field|Rondo in D (arr.Benoy) Pack|Orchestra|50.00|532 GMCA018-00|||9790222261532|FIELD J|John Field|Rondo in D (arr.Benoy) Score|Orchestral Score|8.00|100 GMCA018-01|||9790222261549|FIELD J|John Field|Rondo in D (arr.Benoy) Violin 1|Orchestral Part|1.50|13 GMCA018-02|||9790222261556|FIELD J|John Field|Rondo in D (arr.Benoy) Violin 2|Orchestral Part|1.50|13 GMCA018-03|||9790222261563|FIELD J|John Field|Rondo in D (arr.Benoy) Violin 3|Orchestral Part|1.50|13 GMCA018-04|||9790222261570|FIELD J|John Field|Rondo in D (arr.Benoy) Viola|Orchestral Part|1.50|13 GMCA018-05|||9790222261587|FIELD J|John Field|Rondo in D (arr.Benoy) Cello|Orchestral Part|1.50|13 GMCA018-06|||9790222261594|FIELD J|John Field|Rondo in D (arr.Benoy) Bass|Orchestral Part|1.50|13 GMCA018-07|||9790222261600|FIELD J|John Field|Rondo in D (arr.Benoy) Flute 1+2/Ob|Orchestral Part|1.50|13 GMCA018-08|||9790222261617|FIELD J|John Field|Rondo in D (arr.Benoy) Clarinet 1+2|Orchestral Part|1.50|13 GMCA018-09|||9790222261624|FIELD J|John Field|Rondo in D (arr.Benoy) Horn|Orchestral Part|1.50|13 GMCA018-10|||9790222261631|FIELD J|John Field|Rondo in D (arr.Benoy) Trumpet 1+2|Orchestral Part|1.50|13 GMCA018-11|||9790222261648|FIELD J|John Field|Rondo in D (arr.Benoy) Trombone 1+2|Orchestral Part|1.50|13 GMCA018-12|||9790222261655|FIELD J|John Field|Rondo in D (arr.Benoy) Solo Piano|Orchestral Part|2.00|25 GMCA019|||9790222280175|FIELD J|John Field|Concertino for Flute (arr.Lane) Pk|Orchestra|60.00|1015 GMCA019-00|||9790222280182|FIELD J|John Field|Concertino for Flute (arr.Lane) Sc|Orchestral Score|20.00|253 GMCA019-01|||9790222280199|FIELD J|John Field|Concertino for Flute (arr.Lane) Vn1|Orchestral Part|2.50|38 GMCA019-02|||9790222280205|FIELD J|John Field|Concertino for Flute (arr.Lane) Vn2|Orchestral Part|2.50|38 GMCA019-03|||9790222280212|FIELD J|John Field|Concertino for Flute (arr.Lane) Vla|Orchestral Part|2.50|38 GMCA019-04|||9790222280229|FIELD J|John Field|Concertino for Flute (arr.Lane) Vc|Orchestral Part|2.00|25 GMCA019-05|||9790222280236|FIELD J|John Field|Concertino for Flute (arr.Lane) Cb|Orchestral Part|2.00|25 GMCA019-06|||9790222280243|FIELD J|John Field|Concertino for Flute (arr.Lane) Fl|Orchestral Part|2.50|38 GMCA019-07|||9790222280250|FIELD J|John Field|Concertino for Flute (arr.Lane) Obs|Orchestral Part|1.50|25 GMCA019-08|||9790222280267|FIELD J|John Field|Concertino for Flute (arr.Lane) Cls|Orchestral Part|1.50|25 GMCA019-09|||9790222280274|FIELD J|John Field|Concertino for Flute (arr.Lane) Hns|Orchestral Part|1.50|25 GMCA019-10|||9790222280281|FIELD J|John Field|Concertino for Flute (arr.Lane) Hp|Orchestral Part|2.50|38 GMCA020|Giovanni Battista PERGOLESI (1710-1736)
CONCERTO FOR OBOE (transcribed by John Barbirolli)
Goodmusic Concert Cameos Series GMCA020|'Orchestration
Oboe [or flute]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This transcription was originally made and intended for oboe, but is also playable by flute in which case the 8va markings and the ossia at the end of the last movement should be used.
The sources of the themes used in the Concerto are: Movement 1) Stabat Mater, 2) & 4) Twelve Sonatas for two violins and bass, and 3) Song "Se tu m''ami".*
This edition was originally published in 1937 by Oxford University Press; this new edition has been re-typeset but is otherwise unchanged.
A reduction for oboe [or flute] and piano is also available (see catalogue number GM076).
Pergolesi was born in Iesi, Italy and studied there under a local musician before going to Naples in 1725 where he studied under Gaetano Greco and Francesco Feo. He was an important early composer of opera as well as writing sacred choral works and secular instrumental works. He died of tuberculosis at the age of 26.
A PACK comprises an A4 sized full score plus strings 4/4/3/4/2 and one oboe(flute) part.
Duration 12 minutes

*There is now some doubt as to whether the song "Se tu m''ami" was actually written by Pergolesi and it is now more often attributed to Alessandro Parisotti (1853-1913).'|9790222283558|PERGOLESI|Giovanni Baptista Pergolesi|Concerto for Oboe (Barbirolli) Pk|String Orchestra|30.00|322 GMCA020-00|||9790222283565|PERGOLESI|Giovanni Baptista Pergolesi|Concerto for Oboe (Barbirolli) Sc|Orchestral Score|5.00|50 GMCA020-01|||9790222283572|PERGOLESI|Giovanni Baptista Pergolesi|Concerto for Oboe (Barbirolli) Vln1|Orchestral Part|1.50|13 GMCA020-02|||9790222283589|PERGOLESI|Giovanni Baptista Pergolesi|Concerto for Oboe (Barbirolli) Vln2|Orchestral Part|1.50|13 GMCA020-03|||9790222283596|PERGOLESI|Giovanni Baptista Pergolesi|Concerto for Oboe (Barbirolli) Vla|Orchestral Part|1.50|13 GMCA020-04|||9790222283602|PERGOLESI|Giovanni Baptista Pergolesi|Concerto for Oboe (Barbirolli) Vc|Orchestral Part|1.50|13 GMCA020-05|||9790222283619|PERGOLESI|Giovanni Baptista Pergolesi|Concerto for Oboe (Barbirolli) Cb|Orchestral Part|1.50|13 GMCA020-06|||9790222283626|PERGOLESI|Giovanni Baptista Pergolesi|Concerto for Oboe (Barbirolli) Oboe|Orchestral Part|1.50|13 GMCA021|John STANLEY (1712-1786)
TRUMPET TUNE arranged by Henry Coleman
Goodmusic Concert Cameos Series GMCA021|'ORCHESTRATION
Trumpet in C
Strings (Violin 1, Violin 2, Viola or Violin 3*, Cello, Bass)

John Stanley was a contemporary and friend of Handel. He was completely blind from the age of two, but in spite of this, he was greatly admired both as a composer and as a performer. Handel himself was often to be seen, with other famous musicians of the day, listening to Stanley''s performances on the organ of the Temple Church, London where he was organist for more than fifty years.
This "Trumpet Tune" has been arranged for trumpet and strings and is taken from one of Stanley''s collections of Voluntaries for the Organ.
This edition was originally published in 1946 by Oxford University Press; this new edition has been re-typeset but is otherwise unchanged.
A PACK comprises one full score and string parts 4/4/3/3/4/2 plus one solo trumpet part.
Duration 4 minutes

* When there is an insufficient number of Violas to make the divisi effective, the optional 3rd Violin part should be played by a small body of 2nd Violins, all Violas playing the 2nd Viola part.'|9790222283640|STANLEY|John Stanley|Trumpet Tune (Coleman) Pack|String Orchestra|30.00|347 GMCA021-00|||9790222283657|STANLEY|John Stanley|Trumpet Tune (Coleman) Score|Orchestral Score|5.00|38 GMCA021-01|||9790222283664|STANLEY|John Stanley|Trumpet Tune (Coleman) Violin 1|Orchestral Part|1.50|13 GMCA021-02|||9790222283671|STANLEY|John Stanley|Trumpet Tune (Coleman) Violin 2|Orchestral Part|1.50|13 GMCA021-03|||9790222283688|STANLEY|John Stanley|Trumpet Tune (Coleman) Violin 3|Orchestral Part|1.50|13 GMCA021-04|||9790222283695|STANLEY|John Stanley|Trumpet Tune (Coleman) Viola|Orchestral Part|1.50|13 GMCA021-05|||9790222283701|STANLEY|John Stanley|Trumpet Tune (Coleman) Cello|Orchestral Part|1.50|13 GMCA021-06|||9790222283718|STANLEY|John Stanley|Trumpet Tune (Coleman) Bass|Orchestral Part|1.50|13 GMCA021-07|||9790222283725|STANLEY|John Stanley|Trumpet Tune (Coleman) Trumpet|Orchestral Part|1.50|13 GMCA022|G. F. HANDEL (1685-1759)
CONCERTO FOR VIOLA (transcribed by John Barbirolli)
Goodmusic Concert Cameos Series GMCA022|'ORCHESTRATION
Solo Viola
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This work was dedicated by John Barbirolli (1899-1970) to the Scottish born virtuoso violist and teacher William Primrose (1904-1982) who provided the fingering and bowing in the viola part. This transcription uses the following sources for the five movements:-
1. "Herakles" Act 1, Iole''s aria
2. "Rinaldo" Act 3, Almira''s last aria
3. "Alcina", Musette from the Overture
4. Introduction to "Delmiro amoroso", no.12 of Cantate con strumente Vol.1
5. Second movement of Sonata VI from Nine Sonatas or Trios for two violins, flutes or hautboys.
This edition was originally published in 1950 by Oxford University Press. This new edition has been re-typeset but is otherwise unchanged.
This orchestral score and parts are on sale and there is also a reduction for viola and piano available (see GM077). There are several passages in the solo viola part which are to be played only when accompanied by piano, but not when there is an orchestra present. These passages are cued in the orchestral full score and the solo viola part.
A PACK comprises one full score and string parts 4/4/3/4/2 plus one solo viola part.
Duration 15 minutes'|9790222283732|HANDEL GF|George Frideric Handel|Concerto for Viola Pack|String Orchestra|55.00|603 GMCA022-00|||9790222283749|HANDEL GF|George Frideric Handel|Concerto for Viola Score|Orchestral Score|8.00|100 GMCA022-01|||9790222283756|HANDEL GF|George Frideric Handel|Concerto for Viola Violin 1|Orchestral Part|2.00|25 GMCA022-02|||9790222283763|HANDEL GF|George Frideric Handel|Concerto for Viola Violin 2|Orchestral Part|2.00|25 GMCA022-03|||9790222283770|HANDEL GF|George Frideric Handel|Concerto for Viola Viola|Orchestral Part|2.00|25 GMCA022-04|||9790222283787|HANDEL GF|George Frideric Handel|Concerto for Viola Cello|Orchestral Part|2.00|25 GMCA022-05|||9790222283794|HANDEL GF|George Frideric Handel|Concerto for Viola Bass|Orchestral Part|2.00|25 GMCA022-06|||9790222283800|HANDEL GF|George Frideric Handel|Concerto for Viola Solo Viola|Orchestral Part|2.00|25 GMCA023|SERGEI RACHMANINOV (1873-1943)
VOCALISE Op.34 No.14 arranged for soloist and orchestra
Goodmusic Concert Cameos Series GMCA023|'ORCHESTRATION
2 Flutes, 2 Oboes, 2 Clarinets in A & Bb, 2 Bassoons, 2 Horns in F
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Solo voice or Solo instrument (Flute, Oboe, Clarinet, Bassoon, Sop/Ten Sax, Alto/Bar Sax, Horn, Trumpet, Trombone, Violin, Viola or Cello)

Rachmaninov''s Vocalise is the last in his set of Fourteen Songs Op.34 published in 1912. It is wordless and was written for soprano and piano but there have been numerous arrangements made by the composer and others. Rachmaninov''s own arrangements were for orchestra alone and, the one in this Goodmusic edition, for voice and orchestra.
The soloist''s part has a two octave range and the original version is in a high key, which results in a top C# so a medium key version, a third lower, is also printed here - a top A being a little more achievable for many!
Instead of a vocal soloist, many different instruments can be used as listed above and parts are included for all of these options. A piano accompaniment is also available separately for the soloist to be able to practice without the orchestra (see GM101)
A PACK comprises one full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts plus all solo parts
Duration 4 minutes'|9790222289833|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Pack|Orchestra|30.00|332 GMCA023-00|||9790222289840|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Score|Orchestral Score|6.00|75 GMCA023-01|||9790222289857|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Violin 1|Orchestral Part|1.50|7 GMCA023-02|||9790222289864|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Violin 2|Orchestral Part|1.50|7 GMCA023-03|||9790222289871|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Viola|Orchestral Part|1.50|7 GMCA023-04|||9790222289888|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Cello|Orchestral Part|1.50|7 GMCA023-05|||9790222289895|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Bass|Orchestral Part|1.50|7 GMCA023-06|||9790222289901|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Flute 1|Orchestral Part|1.50|7 GMCA023-07|||9790222289918|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Flute 2|Orchestral Part|1.50|7 GMCA023-08|||9790222289925|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Oboe 1|Orchestral Part|1.50|7 GMCA023-09|||9790222289932|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Oboe 2|Orchestral Part|1.50|7 GMCA023-10|||9790222289949|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Clarinet 1|Orchestral Part|1.50|7 GMCA023-11|||9790222289956|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Clarinet 2|Orchestral Part|1.50|7 GMCA023-12|||9790222289963|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Bassoon 1|Orchestral Part|1.50|7 GMCA023-13|||9790222289970|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Bassoon 2|Orchestral Part|1.50|7 GMCA023-14|||9790222289987|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Horn 1|Orchestral Part|1.50|7 GMCA023-15|||9790222289994|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Horn 2|Orchestral Part|1.50|7 GMCA023-16|||9790222290006|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Solo Voice|Orchestral Part|1.50|7 GMCA023-17|||9790222290013|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Solo Violin|Orchestral Part|1.50|7 GMCA023-18|||9790222290020|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Solo Viola|Orchestral Part|1.50|7 GMCA023-19|||9790222290037|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Solo Cello|Orchestral Part|1.50|7 GMCA023-20|||9790222290044|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Solo Flute|Orchestral Part|1.50|7 GMCA023-21|||9790222290051|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Solo Oboe|Orchestral Part|1.50|7 GMCA023-22|||9790222290068|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Solo Cl/BbSax/Tr|Orchestral Part|1.50|7 GMCA023-23|||9790222290075|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Solo EbSax|Orchestral Part|1.50|7 GMCA023-24|||9790222290082|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Horn in F|Orchestral Part|1.50|7 GMCA023-25|||9790222290099|RACHMANINOV|Sergei Rachmaninov|Vocalise solo+orch Solo Bsn/Tromb|Orchestral Part|1.50|7 GMCA024|Edward Elgar
THE SERIOUS DOLL for soloist and orchestra
Goodmusic Concert Cameos Series GMCA024|'ORCHESTRATION: Oboe [opt.], Clarinet in Bb [opt.], Bassoon [opt.], 2 Horns in F [opt.], Triangle [opt.], Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Solo instrument (Flute, Oboe, Clarinet in Bb, Bassoon, Sop/Ten Sax in Bb, Alto/Bar Sax in Eb, Horn in F, Trumpet in Bb, Trombone, Violin, Viola or Cello)

"The Serious Doll", here adapted for various soloists and orchestra by Peter Lawson, is the second movement taken from Elgar''s Nursery Suite (also published by Goodmusic - GMCL201).
Elgar had been appointed "Master of the King''s Musick" in 1924 and the Nursery Suite, written in 1931, was prompted by the birth in August 1930 of Princess Margaret. The work is dedicated to "The Duchess of York and the Princesses Elizabeth and Margaret Rose". In the original "The Serious Doll" features a flute solo. The orchestral wind parts have been cued so that this may be performed with just strings accompanying the soloist.
The solo part can be played by: Flute, Oboe, Clarinet in Bb, Saxophone in Eb, Saxophone in Bb, Bassoon, Horn in F, Trumpet in Bb, Trombone, Tuba, Violin, Viola or Cello. Parts are included in the pack for all solo instruments.

A PACK comprises one full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts plus all solo parts
Duration 2? minutes

A version with piano reduction is also on sale - Goodmusic GM166.'|9790222297357|ELGAR|Edward Elgar|Serious Doll Pack|Orchestra|26.00|290 GMCA024-00|||9790222297364|ELGAR|Edward Elgar|Serious Doll Score|Orchestral Score|5.00|38 GMCA024-01|||9790222297371|ELGAR|Edward Elgar|Serious Doll Violin 1|Orchestral Part|1.50|7 GMCA024-02|||9790222297388|ELGAR|Edward Elgar|Serious Doll Violin 2|Orchestral Part|1.50|7 GMCA024-03|||9790222297395|ELGAR|Edward Elgar|Serious Doll Viola|Orchestral Part|1.50|7 GMCA024-04|||9790222297401|ELGAR|Edward Elgar|Serious Doll Cello|Orchestral Part|1.50|7 GMCA024-05|||9790222297418|ELGAR|Edward Elgar|Serious Doll Bass|Orchestral Part|1.50|7 GMCA024-06|||9790222297425|ELGAR|Edward Elgar|Serious Doll Oboe|Orchestral Part|1.50|7 GMCA024-07|||9790222297432|ELGAR|Edward Elgar|Serious Doll Clarinet|Orchestral Part|1.50|7 GMCA024-08|||9790222297449|ELGAR|Edward Elgar|Serious Doll Basoon|Orchestral Part|1.50|7 GMCA024-09|||9790222297456|ELGAR|Edward Elgar|Serious Doll Horn 1|Orchestral Part|1.50|7 GMCA024-10|||9790222297463|ELGAR|Edward Elgar|Serious Doll Horn 2|Orchestral Part|1.50|7 GMCA024-11|||9790222297470|ELGAR|Edward Elgar|Serious Doll Triangle|Orchestral Part|1.50|7 GMCA024-12|||9790222297487|ELGAR|Edward Elgar|Serious Doll Solo Violin or Viola|Orchestral Part|1.50|13 GMCA024-13|||9790222297494|ELGAR|Edward Elgar|Serious Doll Solo Cello|Orchestral Part|1.50|13 GMCA024-14|||9790222297500|ELGAR|Edward Elgar|Serious Doll Solo Flute or Oboe|Orchestral Part|1.50|13 GMCA024-15|||9790222297517|ELGAR|Edward Elgar|Serious Doll Solo Clarinet or Bsn|Orchestral Part|1.50|13 GMCA024-16|||9790222297524|ELGAR|Edward Elgar|Serious Doll Solo Saxophone Eb/Bb|Orchestral Part|1.50|13 GMCA024-17|||9790222297531|ELGAR|Edward Elgar|Serious Doll Solo Horn or Trumpet|Orchestral Part|1.50|13 GMCA024-18|||9790222297548|ELGAR|Edward Elgar|Serious Doll Solo Trombone or Tuba|Orchestral Part|1.50|13 GMCA025|'Hugh Roberton
LEWIS BRIDAL SONG (Mairi''s Wedding)
Goodmusic Concert Cameos Series GMCA025'|'Arranged for solo voice or unison chorus and orchestra by Trevor Widdicombe.
Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, Timpani, Triangle
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Solo voice or Unison chorus

The "Lewis Bridal Song", also known as "Mairi''s Wedding" is based on a traditional Scottish tune arranged by Hugh Roberton, who also wrote the words ("Step we gaily, on we go") by which it also known! (Rather confusingly, it is not the same as "Marie''s Wedding" - a Strathspey and Reels - which was also arranged by Hugh Roberton.) This orchestral accompaniment matches the unison choir copy (Roberton 72507) which is included in the set of parts.

A PACK comprises one full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts plus a unison choir copy.
Duration 2 minutes'|9790222301382|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Pack|Orchestra|26.00|270 GMCA025-00|||9790222301399|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Score|Orchestral Score|5.00|38 GMCA025-01|||9790222301405|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Violin 1|Orchestral Part|1.50|7 GMCA025-02|||9790222301412|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Violin 2|Orchestral Part|1.50|7 GMCA025-03|||9790222301429|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Viola|Orchestral Part|1.50|7 GMCA025-04|||9790222301436|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Cello|Orchestral Part|1.50|7 GMCA025-05|||9790222301443|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Bass|Orchestral Part|1.50|7 GMCA025-06|||9790222301450|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Flute 1|Orchestral Part|1.50|7 GMCA025-07|||9790222301467|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Flute 2|Orchestral Part|1.50|7 GMCA025-08|||9790222301474|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Oboe 1|Orchestral Part|1.50|7 GMCA025-09|||9790222301481|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Oboe 2|Orchestral Part|1.50|7 GMCA025-10|||9790222301498|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Clarinet 1|Orchestral Part|1.50|7 GMCA025-11|||9790222301504|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Clarinet 2|Orchestral Part|1.50|7 GMCA025-12|||9790222301511|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Bassoon 1|Orchestral Part|1.50|7 GMCA025-13|||9790222301528|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Bassoon 2|Orchestral Part|1.50|7 GMCA025-14|||9790222301535|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Horn 1|Orchestral Part|1.50|7 GMCA025-15|||9790222301542|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Horn 2|Orchestral Part|1.50|7 GMCA025-16|||9790222301559|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Trumpet 1|Orchestral Part|1.50|7 GMCA025-17|||9790222301566|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Trumpet 2|Orchestral Part|1.50|7 GMCA025-18|||9790222301573|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Timpani|Orchestral Part|1.50|7 GMCA025-19|||9790222301580|ROBERTON|Hugh S. Roberton|Lewis Bridal Song Triangle|Orchestral Part|1.50|7 GMCA026|Hugh Roberton
TWO SONGS OF THE ISLES
Westering Home & Uist Tramping Song
Goodmusic Concert Cameos Series GMCA026|Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Solo voice(s) or chorus
Piano (optional)

"Westering Home" was written by Hugh S. Roberton in the 1920s, the chorus having been noted from the singing of Donald McIsaac. It is one of the "Songs of the Isles", a collection of Scottish Highland and Island tunes compiled by Hugh Roberton. "Westering Home" may be sung as a solo song (or by a chorus in unison) or with the optional second part. The unison and two-part vocal copies are those available in the Roberton Publications catalogue (Unison No.72378, Two-part No.72384) and one of each copy is included in the orchestral pack. The piano part printed in the vocal copies may be used with this string orchestra accompaniment.
The "Uist Tramping Song" is better known as "Come along, come along" and became very popular in the 1960s sung by the Scottish tenor Kenneth McKellar (and others). The tune was written by John Bannerman and arranged by Hugh Roberton who also wrote the English words. This may be sung by a solo voice or a unison chorus. The matching vocal copy from the Roberton Publications catalogue (No.72379) is included in the orchestral pack. The piano part printed in the vocal copy may be used with this string orchestra accompaniment.

A PACK comprises one full score, string parts 4/4/3/4/2 and the vocal copies described above.
Westering Home: Duration 2 minutes
Uist Tramping Song: Duration 2 minutes|9790222301603|ROBERTON|Hugh S. Roberton|Two Songs of the Isles Pack|String Orchestra|26.00|212 GMCA026-00|||9790222301610|ROBERTON|Hugh S. Roberton|Two Songs of the Isles Score|Orchestral Score|5.00|50 GMCA026-01|||9790222301627|ROBERTON|Hugh S. Roberton|Two Songs of the Isles Violin 1|Orchestral Part|1.50|7 GMCA026-02|||9790222301634|ROBERTON|Hugh S. Roberton|Two Songs of the Isles Violin 2|Orchestral Part|1.50|7 GMCA026-03|||9790222301641|ROBERTON|Hugh S. Roberton|Two Songs of the Isles Viola|Orchestral Part|1.50|7 GMCA026-04|||9790222301658|ROBERTON|Hugh S. Roberton|Two Songs of the Isles Cello|Orchestral Part|1.50|7 GMCA026-05|||9790222301665|ROBERTON|Hugh S. Roberton|Two Songs of the Isles Bass|Orchestral Part|1.50|7 GMCA027|Hermann Koenig
POST HORN GALOP for orchestra
Goodmusic Concert Cameos No.27|'Arranged by David Good for solo Post Horn (or Trumpet or Cornet) in Bb and orchestra.
Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba. Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Solo Post Horn or Trumpet or Cornet in Bb

Hermann Louis Koenig was born in Germany in 1815. He moved to London and became famous as a cornet soloist. He was also a successful composer, publisher, music educator and heavily involved in designing cornets, specifically the Koenig Cornet. He was part of Louis Jullien''s famous Drury Lane Orchestra in the early 1840s. In 1853 Louis Jullien handpicked twenty-seven musicians including Koenig to form an orchestra to tour the United States. This was the first major tour of a European Orchestra in the New World. They incorporated a further one hundred American musicians during their travels. In 1855 he was involved in designing, developing, and marketing the Koenig Cornet in F for the French instrument-maker Antoine Courtois. Over the next couple of years, he was busy developing two further cornets for Courtois.
Only a few of his compositions exist today, his most famous being the Post Horn Galop. He was the soloist when the piece was first performed at a winter concert in Covent Garden in 1844.
A PACK includes a full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 3 minutes'|9790222323117|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Pack|Orchestra|40.00|502 GMCA027-00|||9790222323124|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Score|Orchestral Score|5.00|50 GMCA027-01|||9790222323131|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Violin 1|Orchestral Part|1.50|13 GMCA027-02|||9790222323148|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Violin 2|Orchestral Part|1.50|13 GMCA027-03|||9790222323155|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Viola|Orchestral Part|1.50|13 GMCA027-04|||9790222323162|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Cello|Orchestral Part|1.50|13 GMCA027-05|||9790222323179|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Bass|Orchestral Part|1.50|13 GMCA027-06|||9790222323186|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Fl 1+2|Orchestral Part|1.50|13 GMCA027-07|||9790222323193|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Ob 1+2|Orchestral Part|1.50|13 GMCA027-08|||9790222323209|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Cl 1+2|Orchestral Part|1.50|13 GMCA027-09|||9790222323216|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Bsn 1+2|Orchestral Part|1.50|13 GMCA027-10|||9790222323223|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Hn 1+2|Orchestral Part|1.50|13 GMCA027-11|||9790222323230|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Trp 1+2|Orchestral Part|1.50|13 GMCA027-12|||9790222323247|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Trb 1+2|Orchestral Part|1.50|13 GMCA027-13|||9790222323254|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Trb3+Tba|Orchestral Part|1.50|13 GMCA027-14|||9790222323261|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) Timpani|Orchestral Part|1.50|13 GMCA027-15|||9790222323278|KOENIG|Hermann Koenig|Post Horn Galop (arr.Good) PostHorn|Orchestral Part|1.50|13 GMCC001|'FREWER, Graham
BUOYANT BOBBY''S ALL AT SEA
Concert Capers Series for junior orchestra GMCC001'|Orchestration
2 Flutes, 2 Oboes (Descant Recorder), 2 Clarinets in Bb (Treble Recorder),
Bassoon (Tenor Recorder), 2 Horns in F or Eb, 2 Trumpets in Bb, 2 Trombones (Bass & Treble clef parts), Percussion (Triangle, Cymbal, Side Drum, Bass Drum, Glockenspiel, Xylophone)
Strings (Violin 1, Violin 2 or Viola, Violin 3 or Viola (easy), Cello 1, Cello 2 / Bass)

Based on the tune "Bobby Shaftoe".
Duration: 5 minutes
A PACK comprises one full score, 3 copies of each string part and any wind, brass and percussion parts.|9790222217188|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Pack'|Orchestra|40.00|674 GMCC001-00|||9790222217195|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Score'|Orchestral Score|6.00|75 GMCC001-01|||9790222217201|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Violin 1'|Orchestral Part|1.50|13 GMCC001-02|||9790222217218|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Violin 2'|Orchestral Part|1.50|13 GMCC001-03|||9790222217225|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Violin 3'|Orchestral Part|1.50|13 GMCC001-04|||9790222217232|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Viola'|Orchestral Part|1.50|13 GMCC001-05|||9790222217249|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Easy Vla'|Orchestral Part|1.50|13 GMCC001-06|||9790222217256|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Cello 1'|Orchestral Part|1.50|13 GMCC001-07|||9790222217263|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Vc2/Bass'|Orchestral Part|1.50|13 GMCC001-08|||9790222217270|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Flutes'|Orchestral Part|1.50|13 GMCC001-09|||9790222217287|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Ob/D.rec'|Orchestral Part|1.50|13 GMCC001-10|||9790222217294|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Clars'|Orchestral Part|1.50|13 GMCC001-11|||9790222217300|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Tr.Recs'|Orchestral Part|1.50|13 GMCC001-12|||9790222217317|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Bassoon'|Orchestral Part|1.50|7 GMCC001-13|||9790222217324|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Ten.Rec'|Orchestral Part|1.50|7 GMCC001-14|||9790222217331|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Horns F'|Orchestral Part|1.50|7 GMCC001-15|||9790222217348|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Horns Eb'|Orchestral Part|1.50|7 GMCC001-16|||9790222217355|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Trumpets'|Orchestral Part|1.50|7 GMCC001-17|||9790222217362|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Trbs(BC)'|Orchestral Part|1.50|7 GMCC001-18|||9790222217379|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Trbs(TC)'|Orchestral Part|1.50|7 GMCC001-19|||9790222217386|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Triangle'|Orchestral Part|1.50|13 GMCC001-20|||9790222217393|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Cymbal'|Orchestral Part|1.50|13 GMCC001-21|||9790222217409|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea S.Drum'|Orchestral Part|1.50|13 GMCC001-22|||9790222217416|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea B.Drum'|Orchestral Part|1.50|13 GMCC001-23|||9790222217423|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Glock.'|Orchestral Part|1.50|13 GMCC001-24|||9790222217430|FREWER G|Graham Frewer|'Buoyant Bobby''s All At Sea Xylo.'|Orchestral Part|1.50|13 GMCC002|FREWER, Graham
CZECHOSLOVAKIAN LULLABY
Concert Capers Series for junior orchestra GMCC002|Orchestration
2 Flutes, 2 Oboes (Descant or Treble Recorder), 2 Clarinets in Bb,
Bassoon (Tenor Recorder), Horn in F or Eb, Trumpet in Bb, Trombone (Bass & Treble clef parts)
Percussion (Small & Large Triangles, Indian Cymbals, Cymbal, Glockenspiels)
Strings (Violin 1a, Violin 1b, Violin 1c, Violin 1d or Viola, Violin 2 or Viola (easy), Cello)

Based on the tune of the "Rocking Carol".
Duration: 4? minutes
A PACK comprises one full score, 3 copies of each string part and any wind, brass and percussion parts.|9790222217447|FREWER G|Graham Frewer|Czechoslovakian Lullaby Pack|Orchestra|30.00|442 GMCC002-00|||9790222217454|FREWER G|Graham Frewer|Czechoslovakian Lullaby Score|Orchestral Score|6.00|63 GMCC002-01|||9790222217461|FREWER G|Graham Frewer|Czechoslovakian Lullaby Violin 1a|Orchestral Part|1.50|13 GMCC002-02|||9790222217478|FREWER G|Graham Frewer|Czechoslovakian Lullaby Violin 1b|Orchestral Part|1.50|13 GMCC002-03|||9790222217485|FREWER G|Graham Frewer|Czechoslovakian Lullaby Violin 1c|Orchestral Part|1.50|13 GMCC002-04|||9790222217492|FREWER G|Graham Frewer|Czechoslovakian Lullaby Violin 1d|Orchestral Part|1.50|13 GMCC002-05|||9790222217508|FREWER G|Graham Frewer|Czechoslovakian Lullaby Violin 2|Orchestral Part|1.50|7 GMCC002-06|||9790222217515|FREWER G|Graham Frewer|Czechoslovakian Lullaby Viola|Orchestral Part|1.50|13 GMCC002-07|||9790222217522|FREWER G|Graham Frewer|Czechoslovakian Lullaby Easy Viola|Orchestral Part|1.50|7 GMCC002-08|||9790222217539|FREWER G|Graham Frewer|Czechoslovakian Lullaby Cello|Orchestral Part|1.50|7 GMCC002-09|||9790222217546|FREWER G|Graham Frewer|Czechoslovakian Lullaby Flutes|Orchestral Part|1.50|7 GMCC002-10|||9790222217553|FREWER G|Graham Frewer|Czechoslovakian Lullaby Oboes/Recs|Orchestral Part|1.50|7 GMCC002-11|||9790222217560|FREWER G|Graham Frewer|Czechoslovakian Lullaby Clarinets|Orchestral Part|1.50|7 GMCC002-12|||9790222217577|FREWER G|Graham Frewer|Czechoslovakian Lullaby Bassoon|Orchestral Part|1.50|7 GMCC002-13|||9790222217584|FREWER G|Graham Frewer|Czechoslovakian Lullaby Tenor Rec.|Orchestral Part|1.50|7 GMCC002-14|||9790222217591|FREWER G|Graham Frewer|Czechoslovakian Lullaby Horns in F|Orchestral Part|1.50|7 GMCC002-15|||9790222217607|FREWER G|Graham Frewer|Czechoslovakian Lullaby Horns in Eb|Orchestral Part|1.50|7 GMCC002-16|||9790222217614|FREWER G|Graham Frewer|Czechoslovakian Lullaby Trumpet|Orchestral Part|1.50|7 GMCC002-17|||9790222217621|FREWER G|Graham Frewer|Czechoslovakian Lullaby Trombone BC|Orchestral Part|1.50|7 GMCC002-18|||9790222217638|FREWER G|Graham Frewer|Czechoslovakian Lullaby Trombone TC|Orchestral Part|1.50|7 GMCC002-19|||9790222217645|FREWER G|Graham Frewer|Czechoslovakian Lullaby Sm Triangle|Orchestral Part|1.50|7 GMCC002-20|||9790222217652|FREWER G|Graham Frewer|Czechoslovakian Lullaby Lg Triangle|Orchestral Part|1.50|7 GMCC002-21|||9790222217669|FREWER G|Graham Frewer|Czechoslovakian Lullaby Indian Cym.|Orchestral Part|1.50|7 GMCC002-22|||9790222217676|FREWER G|Graham Frewer|Czechoslovakian Lullaby Cymbal|Orchestral Part|1.50|7 GMCC002-23|||9790222217683|FREWER G|Graham Frewer|Czechoslovakian Lullaby Glock 1|Orchestral Part|1.50|7 GMCC002-24|||9790222217690|FREWER G|Graham Frewer|Czechoslovakian Lullaby Glock 2|Orchestral Part|1.50|7 GMCC003|FREWER, Graham
MEDIEVAL DANCE
Concert Capers Series for junior orchestra GMCC003|Orchestration
2 Flutes (Descant Recorder), 2 Oboes or 2 Clarinets in Bb,
Bassoon (Treble or Tenor Recorder), 2 Horns in F or Eb, Trumpet in Bb, 2 Trombones (Bass & Treble clef parts), Percussion (Triangle, Cymbal, Bass Drum, Glockenspiel, Xylophone)
Strings (Violin 1, Violin 2 or Viola, Violin 3 or Viola (easy), Cello / Bass)

Based on a Medieval Dance Tune by Susato.
Duration: 1? minutes
A PACK comprises one full score, 3 copies of each string part and any wind, brass and percussion parts.|9790222217706|FREWER G|Graham Frewer|Medieval Dance Pack|Orchestra|26.00|272 GMCC003-00|||9790222217713|FREWER G|Graham Frewer|Medieval Dance Score|Orchestral Score|5.00|25 GMCC003-01|||9790222217720|FREWER G|Graham Frewer|Medieval Dance Violin 1|Orchestral Part|1.50|7 GMCC003-02|||9790222217737|FREWER G|Graham Frewer|Medieval Dance Violin 2 / Viola|Orchestral Part|1.50|7 GMCC003-03|||9790222217744|FREWER G|Graham Frewer|Medieval Dance Violin 3 / Easy Vla|Orchestral Part|1.50|7 GMCC003-04|||9790222217751|FREWER G|Graham Frewer|Medieval Dance Cello / Bass|Orchestral Part|1.50|7 GMCC003-05|||9790222217768|FREWER G|Graham Frewer|Medieval Dance Flutes / Desc.recs.|Orchestral Part|1.50|7 GMCC003-06|||9790222217775|FREWER G|Graham Frewer|Medieval Dance Oboes|Orchestral Part|1.50|7 GMCC003-07|||9790222217782|FREWER G|Graham Frewer|Medieval Dance Clarinets|Orchestral Part|1.50|7 GMCC003-08|||9790222217799|FREWER G|Graham Frewer|Medieval Dance Bassoon|Orchestral Part|1.50|7 GMCC003-09|||9790222217805|FREWER G|Graham Frewer|Medieval Dance Treble & Tenor Recs.|Orchestral Part|1.50|7 GMCC003-10|||9790222217812|FREWER G|Graham Frewer|Medieval Dance Horns in F & Eb|Orchestral Part|1.50|7 GMCC003-11|||9790222217829|FREWER G|Graham Frewer|Medieval Dance Trumpets|Orchestral Part|1.50|7 GMCC003-12|||9790222217836|FREWER G|Graham Frewer|Medieval Dance Trombones (BC & TC)|Orchestral Part|1.50|7 GMCC003-13|||9790222217843|FREWER G|Graham Frewer|Medieval Dance Glock & Xylophone|Orchestral Part|1.50|7 GMCC003-14|||9790222217850|FREWER G|Graham Frewer|Medieval Dance Percussion|Orchestral Part|1.50|7 GMCC004|FREWER, Graham
VIVACIOUS VARIATIONS
Concert Capers Series for junior orchestra GMCC004|Orchestration
2 Flutes, 2 Oboes (Descant Recorder), 2 Clarinets in Bb (Treble Recorder),
2 Bassoons (Tenor Recorder), Horn in F or Eb, 2 Trumpets in Bb, Trombone (Bass & Treble clef parts),
Percussion (Triangle, Cymbal, Side Drum, Bass Drum, Glockenspiels, Xylophone)
Strings (Violin 1, Violin 2 or Viola (easy), Viola, Cello)

Variations based on the tune "There is a Happy Land".
Duration: 2 minutes
A PACK comprises one full score, 3 copies of each string part and any wind, brass and percussion parts.|9790222217867|FREWER G|Graham Frewer|Vivacious Variations Pack|Orchestra|26.00|332 GMCC004-00|||9790222217874|FREWER G|Graham Frewer|Vivacious Variations Score|Orchestral Score|5.00|38 GMCC004-01|||9790222217881|FREWER G|Graham Frewer|Vivacious Variations Violin 1|Orchestral Part|1.50|7 GMCC004-02|||9790222217898|FREWER G|Graham Frewer|Vivacious Variations Violin 2|Orchestral Part|1.50|7 GMCC004-03|||9790222217904|FREWER G|Graham Frewer|Vivacious Variations Easy Viola|Orchestral Part|1.50|7 GMCC004-04|||9790222217911|FREWER G|Graham Frewer|Vivacious Variations Viola|Orchestral Part|1.50|7 GMCC004-05|||9790222217928|FREWER G|Graham Frewer|Vivacious Variations Cello|Orchestral Part|1.50|7 GMCC004-06|||9790222217935|FREWER G|Graham Frewer|Vivacious Variations Flutes|Orchestral Part|1.50|7 GMCC004-07|||9790222217942|FREWER G|Graham Frewer|Vivacious Variations Oboes/Desc.rec|Orchestral Part|1.50|7 GMCC004-08|||9790222217959|FREWER G|Graham Frewer|Vivacious Variations Clarinets|Orchestral Part|1.50|7 GMCC004-09|||9790222217966|FREWER G|Graham Frewer|Vivacious Variations Treble Recs.|Orchestral Part|1.50|7 GMCC004-10|||9790222217973|FREWER G|Graham Frewer|Vivacious Variations Bassoons|Orchestral Part|1.50|7 GMCC004-11|||9790222217980|FREWER G|Graham Frewer|Vivacious Variations Tenor Recs.|Orchestral Part|1.50|7 GMCC004-12|||9790222217997|FREWER G|Graham Frewer|Vivacious Variations Horn in F|Orchestral Part|1.50|7 GMCC004-13|||9790222218000|FREWER G|Graham Frewer|Vivacious Variations Horn in Eb|Orchestral Part|1.50|7 GMCC004-14|||9790222218017|FREWER G|Graham Frewer|Vivacious Variations Trumpets|Orchestral Part|1.50|7 GMCC004-15|||9790222218024|FREWER G|Graham Frewer|Vivacious Variations Trombone BC|Orchestral Part|1.50|7 GMCC004-16|||9790222218031|FREWER G|Graham Frewer|Vivacious Variations Trombone TC|Orchestral Part|1.50|7 GMCC004-17|||9790222218048|FREWER G|Graham Frewer|Vivacious Variations Triangle|Orchestral Part|1.50|7 GMCC004-18|||9790222218055|FREWER G|Graham Frewer|Vivacious Variations Cymbal|Orchestral Part|1.50|7 GMCC004-19|||9790222218062|FREWER G|Graham Frewer|Vivacious Variations Side Drum|Orchestral Part|1.50|7 GMCC004-20|||9790222218079|FREWER G|Graham Frewer|Vivacious Variations Bass Drum|Orchestral Part|1.50|7 GMCC004-21|||9790222218086|FREWER G|Graham Frewer|Vivacious Variations Glock 1|Orchestral Part|1.50|7 GMCC004-22|||9790222218093|FREWER G|Graham Frewer|Vivacious Variations Glock 2|Orchestral Part|1.50|7 GMCC004-23|||9790222218109|FREWER G|Graham Frewer|Vivacious Variations Xylophone|Orchestral Part|1.50|7 GMCC005|FREWER, Graham
FUGUEY FRUITIES
Concert Capers Series for junior orchestra GMCC005|Orchestration
2 Flutes, 2 Oboes (Descant Recorder), 2 Clarinets in Bb (Treble Recorder),
Bassoon (Tenor Recorder), 2 Horns in F or Eb, 2 Trumpets in Bb, 2 Trombones (Bass & Treble clef parts provided), Percussion (Triangle, Cymbal, Side Drum, Bass Drum, Glockenspiel, Xylophone)
Strings (Violin 1a, Violin 1b, Violin 2, Viola, Cello / Bass)

"Oranges and Lemons" in a sort of fugue!
Duration: 2? minutes
A PACK comprises one full score, 3 copies of each string part and any wind, brass and percussion parts.|9790222218116|FREWER G|Graham Frewer|Fuguey Fruities Pack|Orchestra|26.00|374 GMCC005-00|||9790222218123|FREWER G|Graham Frewer|Fuguey Fruities Score|Orchestral Score|5.00|50 GMCC005-01|||9790222218130|FREWER G|Graham Frewer|Fuguey Fruities Violin 1a|Orchestral Part|1.50|7 GMCC005-02|||9790222218147|FREWER G|Graham Frewer|Fuguey Fruities Violin 1b|Orchestral Part|1.50|7 GMCC005-03|||9790222218154|FREWER G|Graham Frewer|Fuguey Fruities Violin 2|Orchestral Part|1.50|7 GMCC005-04|||9790222218161|FREWER G|Graham Frewer|Fuguey Fruities Viola|Orchestral Part|1.50|7 GMCC005-05|||9790222218178|FREWER G|Graham Frewer|Fuguey Fruities Cello / Bass|Orchestral Part|1.50|7 GMCC005-06|||9790222218185|FREWER G|Graham Frewer|Fuguey Fruities Flutes|Orchestral Part|1.50|7 GMCC005-07|||9790222218192|FREWER G|Graham Frewer|Fuguey Fruities Oboes|Orchestral Part|1.50|7 GMCC005-08|||9790222218208|FREWER G|Graham Frewer|Fuguey Fruities Descant Recorders|Orchestral Part|1.50|7 GMCC005-09|||9790222218215|FREWER G|Graham Frewer|Fuguey Fruities Clarinets|Orchestral Part|1.50|7 GMCC005-10|||9790222218222|FREWER G|Graham Frewer|Fuguey Fruities Treble Recorders|Orchestral Part|1.50|7 GMCC005-11|||9790222218239|FREWER G|Graham Frewer|Fuguey Fruities Bassoon|Orchestral Part|1.50|7 GMCC005-12|||9790222218246|FREWER G|Graham Frewer|Fuguey Fruities Tenor Recorder|Orchestral Part|1.50|7 GMCC005-13|||9790222218253|FREWER G|Graham Frewer|Fuguey Fruities Horns in F|Orchestral Part|1.50|7 GMCC005-14|||9790222218260|FREWER G|Graham Frewer|Fuguey Fruities Horns in Eb|Orchestral Part|1.50|7 GMCC005-15|||9790222218277|FREWER G|Graham Frewer|Fuguey Fruities Trumpets|Orchestral Part|1.50|7 GMCC005-16|||9790222218284|FREWER G|Graham Frewer|Fuguey Fruities Trombones BC|Orchestral Part|1.50|7 GMCC005-17|||9790222218291|FREWER G|Graham Frewer|Fuguey Fruities Trombones TC|Orchestral Part|1.50|7 GMCC005-18|||9790222218307|FREWER G|Graham Frewer|Fuguey Fruities Triangle|Orchestral Part|1.50|7 GMCC005-19|||9790222218314|FREWER G|Graham Frewer|Fuguey Fruities Cymbal|Orchestral Part|1.50|7 GMCC005-20|||9790222218321|FREWER G|Graham Frewer|Fuguey Fruities Side Drum|Orchestral Part|1.50|7 GMCC005-21|||9790222218338|FREWER G|Graham Frewer|Fuguey Fruities Bass Drum|Orchestral Part|1.50|7 GMCC005-22|||9790222218345|FREWER G|Graham Frewer|Fuguey Fruities Glockenspiel|Orchestral Part|1.50|7 GMCC005-23|||9790222218352|FREWER G|Graham Frewer|Fuguey Fruities Xylophone|Orchestral Part|1.50|7 GMCC006|FREWER, Graham
MEXICAN MEDLEY
Concert Capers Series for junior orchestra GMCC006|Orchestration
Flute, 2 Oboes (Descant Recorder), 2 Clarinets in Bb (Treble Recorder),
2 Bassoons (Tenor Recorder), 2 Horns in F or Eb, 2 Trumpets in Bb, Trombone (Bass & Treble clef parts provided), Percussion (Claves, Woodblock, Maracas, Guiro, Vibraslap, Rattle, Whistle, Tambourine, Bass Drum, Glockenspiel, Xylophone), Guitar
Strings (Violin 1, Violin 2 or Viola (easy), Viola, Cello / Bass)

Medley includes the "Mexican Hat Dance".
Duration: 6 minutes
A PACK comprises one full score, 3 copies of each string part and any wind, brass and percussion parts.|9790222218369|FREWER G|Graham Frewer|Mexican Medley Pack|Orchestra|35.00|566 GMCC006-00|||9790222218376|FREWER G|Graham Frewer|Mexican Medley Score|Orchestral Score|6.00|63 GMCC006-01|||9790222218383|FREWER G|Graham Frewer|Mexican Medley Violin 1|Orchestral Part|1.50|13 GMCC006-02|||9790222218390|FREWER G|Graham Frewer|Mexican Medley Violin 2|Orchestral Part|1.50|13 GMCC006-03|||9790222218406|FREWER G|Graham Frewer|Mexican Medley Easy Viola|Orchestral Part|1.50|13 GMCC006-04|||9790222218413|FREWER G|Graham Frewer|Mexican Medley Viola|Orchestral Part|1.50|13 GMCC006-05|||9790222218420|FREWER G|Graham Frewer|Mexican Medley Cello/Bass|Orchestral Part|1.50|13 GMCC006-06|||9790222218437|FREWER G|Graham Frewer|Mexican Medley Flute|Orchestral Part|1.50|13 GMCC006-07|||9790222218444|FREWER G|Graham Frewer|Mexican Medley Oboes/Descant Recs.|Orchestral Part|1.50|13 GMCC006-08|||9790222218451|FREWER G|Graham Frewer|Mexican Medley Clarinet 1|Orchestral Part|1.50|13 GMCC006-09|||9790222218468|FREWER G|Graham Frewer|Mexican Medley Clarinet 2|Orchestral Part|1.50|7 GMCC006-10|||9790222218475|FREWER G|Graham Frewer|Mexican Medley Treble Rec.1|Orchestral Part|1.50|13 GMCC006-11|||9790222218482|FREWER G|Graham Frewer|Mexican Medley Treble Rec.2|Orchestral Part|1.50|7 GMCC006-12|||9790222218499|FREWER G|Graham Frewer|Mexican Medley Bassoons|Orchestral Part|1.50|13 GMCC006-13|||9790222218505|FREWER G|Graham Frewer|Mexican Medley Tenor Recorders|Orchestral Part|1.50|13 GMCC006-14|||9790222218512|FREWER G|Graham Frewer|Mexican Medley Horns in F|Orchestral Part|1.50|7 GMCC006-15|||9790222218529|FREWER G|Graham Frewer|Mexican Medley Horns in Eb|Orchestral Part|1.50|7 GMCC006-16|||9790222218536|FREWER G|Graham Frewer|Mexican Medley Trumpets|Orchestral Part|1.50|7 GMCC006-17|||9790222218543|FREWER G|Graham Frewer|Mexican Medley Trombone BC|Orchestral Part|1.50|7 GMCC006-18|||9790222218550|FREWER G|Graham Frewer|Mexican Medley Trombone TC|Orchestral Part|1.50|7 GMCC006-19|||9790222218567|FREWER G|Graham Frewer|Mexican Medley Perc 1 Claves/Wdblk|Orchestral Part|1.50|13 GMCC006-20|||9790222218574|FREWER G|Graham Frewer|Mexican Medley Perc 2 Maracas/Guiro|Orchestral Part|1.50|13 GMCC006-21|||9790222218581|FREWER G|Graham Frewer|Mexican Medley Perc 3 Vbslp/Rat/Whi|Orchestral Part|1.50|7 GMCC006-22|||9790222218598|FREWER G|Graham Frewer|Mexican Medley Perc 4 Tamb/B.drum|Orchestral Part|1.50|7 GMCC006-23|||9790222218604|FREWER G|Graham Frewer|Mexican Medley Glockenspiel|Orchestral Part|1.50|7 GMCC006-24|||9790222218611|FREWER G|Graham Frewer|Mexican Medley Xylophone|Orchestral Part|1.50|7 GMCC006-25|||9790222218628|FREWER G|Graham Frewer|Mexican Medley Guitar|Orchestral Part|1.50|13 GMCC007|FREWER, Graham
SPACE CREATURES
Concert Capers Series for junior orchestra GMCC007|Orchestration
2 Flutes, 2 Oboes (Descant Recorder), 2 Clarinets in Bb (Treble Recorder),
2 Bassoons (Tenor Recorder), 2 Horns in F or Eb, 2 Trumpets in Bb, Trombone (Bass & Treble clef parts provided), Percussion (Triangle, Cymbals, Side Drum, Bass Drum, Glockenspiel, Xylophone)
Strings (Violin 1, Violin 2, Viola, Cello / Bass)

Based on the tune "Twinkle Twinkle Little Star".
Duration: 3? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222218635|FREWER G|Graham Frewer|Space Creatures Pack|Orchestra|30.00|468 GMCC007-00|||9790222218642|FREWER G|Graham Frewer|Space Creatures Score|Orchestral Score|5.00|50 GMCC007-01|||9790222218659|FREWER G|Graham Frewer|Space Creatures Violin 1|Orchestral Part|1.50|13 GMCC007-02|||9790222218666|FREWER G|Graham Frewer|Space Creatures Violin 2|Orchestral Part|1.50|13 GMCC007-03|||9790222218673|FREWER G|Graham Frewer|Space Creatures Viola|Orchestral Part|1.50|13 GMCC007-04|||9790222218680|FREWER G|Graham Frewer|Space Creatures Cello/Bass|Orchestral Part|1.50|13 GMCC007-05|||9790222218697|FREWER G|Graham Frewer|Space Creatures Flutes|Orchestral Part|1.50|7 GMCC007-06|||9790222218703|FREWER G|Graham Frewer|Space Creatures Oboes/Descant Recs.|Orchestral Part|1.50|7 GMCC007-07|||9790222218710|FREWER G|Graham Frewer|Space Creatures Clarinets|Orchestral Part|1.50|7 GMCC007-08|||9790222218727|FREWER G|Graham Frewer|Space Creatures Treble Recorders|Orchestral Part|1.50|7 GMCC007-09|||9790222218734|FREWER G|Graham Frewer|Space Creatures Bassoons|Orchestral Part|1.50|7 GMCC007-10|||9790222218741|FREWER G|Graham Frewer|Space Creatures Tenor Recorders|Orchestral Part|1.50|7 GMCC007-11|||9790222218758|FREWER G|Graham Frewer|Space Creatures Horn 1 in F|Orchestral Part|1.50|7 GMCC007-12|||9790222218765|FREWER G|Graham Frewer|Space Creatures Horn 1 in Eb|Orchestral Part|1.50|7 GMCC007-13|||9790222218772|FREWER G|Graham Frewer|Space Creatures Horn 2 in F|Orchestral Part|1.50|7 GMCC007-14|||9790222218789|FREWER G|Graham Frewer|Space Creatures Horn 2 in Eb|Orchestral Part|1.50|7 GMCC007-15|||9790222218796|FREWER G|Graham Frewer|Space Creatures Trumpets|Orchestral Part|1.50|7 GMCC007-16|||9790222218802|FREWER G|Graham Frewer|Space Creatures Trombone BC|Orchestral Part|1.50|7 GMCC007-17|||9790222218819|FREWER G|Graham Frewer|Space Creatures Trombone TC|Orchestral Part|1.50|7 GMCC007-18|||9790222218826|FREWER G|Graham Frewer|Space Creatures Triangle|Orchestral Part|1.50|7 GMCC007-19|||9790222218833|FREWER G|Graham Frewer|Space Creatures Cymbals|Orchestral Part|1.50|7 GMCC007-20|||9790222218840|FREWER G|Graham Frewer|Space Creatures Side Drum|Orchestral Part|1.50|7 GMCC007-21|||9790222218857|FREWER G|Graham Frewer|Space Creatures Bass Drum|Orchestral Part|1.50|7 GMCC007-22|||9790222218864|FREWER G|Graham Frewer|Space Creatures Glockenspiel|Orchestral Part|1.50|7 GMCC007-23|||9790222218871|FREWER G|Graham Frewer|Space Creatures Xylophone|Orchestral Part|1.50|7 GMCC008|'FREWER, Graham
WHO''S THAT, SAILOR?
Concert Capers Series for junior orchestra GMCC008'|'Orchestration
Flute, 2 Oboes (Descant Recorder), 2 Clarinets in Bb (Treble Recorder),
2 Bassoons (Tenor Recorder), Horn in F or Eb, 2 Trumpets in Bb, 2 Trombones (Bass & Treble clef parts),
Percussion (Triangle, Cymbals, Cymbal on a stand, Side Drum, Bass Drum, Glockenspiels, Xylophones)
Strings (Violin 1, Violin 2 or Viola (easy), Viola, Cello / Bass)

Based on the "Sailors'' Hornpipe".
Duration: 3 minutes
A PACK comprises one full score, 3 copies of each string part and any wind, brass and percussion parts.'|9790222206106|FREWER G|Graham Frewer|'Who''s That Sailor? Pack'|Orchestra|26.00|392 GMCC008-00|||9790222206113|FREWER G|Graham Frewer|'Who''s That Sailor? Score'|Orchestral Score|6.00|63 GMCC008-01|||9790222206120|FREWER G|Graham Frewer|'Who''s That Sailor? Violin 1'|Orchestral Part|1.50|7 GMCC008-02|||9790222206137|FREWER G|Graham Frewer|'Who''s That Sailor? Violin 2'|Orchestral Part|1.50|7 GMCC008-03|||9790222206144|FREWER G|Graham Frewer|'Who''s That Sailor? Easy Viola'|Orchestral Part|1.50|7 GMCC008-04|||9790222206151|FREWER G|Graham Frewer|'Who''s That Sailor? Viola'|Orchestral Part|1.50|7 GMCC008-05|||9790222206168|FREWER G|Graham Frewer|'Who''s That Sailor? Cello/Bass'|Orchestral Part|1.50|7 GMCC008-06|||9790222206175|FREWER G|Graham Frewer|'Who''s That Sailor? Flute'|Orchestral Part|1.50|7 GMCC008-07|||9790222206182|FREWER G|Graham Frewer|'Who''s That Sailor? Oboes/Desc.recs'|Orchestral Part|1.50|7 GMCC008-08|||9790222206199|FREWER G|Graham Frewer|'Who''s That Sailor? Clarinets'|Orchestral Part|1.50|7 GMCC008-09|||9790222206205|FREWER G|Graham Frewer|'Who''s That Sailor? Treble Recorder'|Orchestral Part|1.50|7 GMCC008-10|||9790222206212|FREWER G|Graham Frewer|'Who''s That Sailor? Bassoons'|Orchestral Part|1.50|7 GMCC008-11|||9790222206229|FREWER G|Graham Frewer|'Who''s That Sailor? Tenor Recorder'|Orchestral Part|1.50|7 GMCC008-12|||9790222206236|FREWER G|Graham Frewer|'Who''s That Sailor? Horn in F'|Orchestral Part|1.50|7 GMCC008-13|||9790222206243|FREWER G|Graham Frewer|'Who''s That Sailor? Horn in Eb'|Orchestral Part|1.50|7 GMCC008-14|||9790222206250|FREWER G|Graham Frewer|'Who''s That Sailor? Trumpets'|Orchestral Part|1.50|7 GMCC008-15|||9790222206267|FREWER G|Graham Frewer|'Who''s That Sailor? Trombones BC'|Orchestral Part|1.50|7 GMCC008-16|||9790222206274|FREWER G|Graham Frewer|'Who''s That Sailor? Trombones TC'|Orchestral Part|1.50|7 GMCC008-17|||9790222206281|FREWER G|Graham Frewer|'Who''s That Sailor? Triangle'|Orchestral Part|1.50|7 GMCC008-18|||9790222206298|FREWER G|Graham Frewer|'Who''s That Sailor? Clash Cymbals'|Orchestral Part|1.50|7 GMCC008-19|||9790222206304|FREWER G|Graham Frewer|'Who''s That Sailor? Cymbal on Stand'|Orchestral Part|1.50|7 GMCC008-20|||9790222206311|FREWER G|Graham Frewer|'Who''s That Sailor? Side Drum'|Orchestral Part|1.50|7 GMCC008-21|||9790222206328|FREWER G|Graham Frewer|'Who''s That Sailor? Bass Drum'|Orchestral Part|1.50|7 GMCC008-22|||9790222206335|FREWER G|Graham Frewer|'Who''s That Sailor? Glockenspiel 1+2'|Orchestral Part|1.50|7 GMCC008-23|||9790222206342|FREWER G|Graham Frewer|'Who''s That Sailor? Glockenspiel 3+4'|Orchestral Part|1.50|7 GMCC008-24|||9790222206359|FREWER G|Graham Frewer|'Who''s That Sailor? Xylophones'|Orchestral Part|1.50|7 GMCC009|FREWER, Graham
HEY LITTLE BULL
Concert Capers Series for junior orchestra GMCC009|Orchestration
Flute, Oboe (descant recorder), 2 Clarinets in Bb (treble recorder),
2 Bassoons (tenor recorder), 2 Horns in F, 2 Trumpets in Bb, Trombone (bass or treble clef),
Percussion (Triangle, Cymbal, Maracas, Wood blocks, Bongos, Bass drum, Glockenspiel, Xylophone)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello & Bass)

Duration: 3 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222226654|FREWER G|Graham Frewer|Hey Little Bull Pack|Orchestra|26.00|346 GMCC009-00|||9790222226661|FREWER G|Graham Frewer|Hey Little Bull Score|Orchestral Score|5.00|50 GMCC009-01|||9790222226678|FREWER G|Graham Frewer|Hey Little Bull Violin 1|Orchestral Part|1.50|7 GMCC009-02|||9790222226685|FREWER G|Graham Frewer|Hey Little Bull Violin 2|Orchestral Part|1.50|7 GMCC009-03|||9790222226692|FREWER G|Graham Frewer|Hey Little Bull Violin 3 (Viola)|Orchestral Part|1.50|7 GMCC009-04|||9790222226708|FREWER G|Graham Frewer|Hey Little Bull Viola|Orchestral Part|1.50|7 GMCC009-05|||9790222226715|FREWER G|Graham Frewer|Hey Little Bull Cello (& Bass)|Orchestral Part|1.50|7 GMCC009-06|||9790222226722|FREWER G|Graham Frewer|Hey Little Bull Flute|Orchestral Part|1.50|7 GMCC009-07|||9790222226739|FREWER G|Graham Frewer|Hey Little Bull Oboe/Desc.recorder|Orchestral Part|1.50|7 GMCC009-08|||9790222226746|FREWER G|Graham Frewer|Hey Little Bull Clarinets|Orchestral Part|1.50|7 GMCC009-09|||9790222226753|FREWER G|Graham Frewer|Hey Little Bull Treble Recorder|Orchestral Part|1.50|7 GMCC009-10|||9790222226760|FREWER G|Graham Frewer|Hey Little Bull Bassoons|Orchestral Part|1.50|7 GMCC009-11|||9790222226777|FREWER G|Graham Frewer|Hey Little Bull Tenor Recorder|Orchestral Part|1.50|7 GMCC009-12|||9790222226784|FREWER G|Graham Frewer|Hey Little Bull Horns in F|Orchestral Part|1.50|7 GMCC009-13|||9790222226791|FREWER G|Graham Frewer|Hey Little Bull Trumpets|Orchestral Part|1.50|7 GMCC009-14|||9790222226807|FREWER G|Graham Frewer|Hey Little Bull Trombone Bass Clef|Orchestral Part|1.50|7 GMCC009-15|||9790222226814|FREWER G|Graham Frewer|Hey Little Bull Trombone Treb.clef|Orchestral Part|1.50|7 GMCC009-16|||9790222226821|FREWER G|Graham Frewer|Hey Little Bull Triangle|Orchestral Part|1.50|7 GMCC009-17|||9790222226838|FREWER G|Graham Frewer|Hey Little Bull Suspended Cymbals|Orchestral Part|1.50|7 GMCC009-18|||9790222226845|FREWER G|Graham Frewer|Hey Little Bull Maracas|Orchestral Part|1.50|7 GMCC009-19|||9790222226852|FREWER G|Graham Frewer|Hey Little Bull Wood Blocks|Orchestral Part|1.50|7 GMCC009-20|||9790222226869|FREWER G|Graham Frewer|Hey Little Bull Bongos|Orchestral Part|1.50|7 GMCC009-21|||9790222226876|FREWER G|Graham Frewer|Hey Little Bull Bass Drum|Orchestral Part|1.50|7 GMCC009-22|||9790222226883|FREWER G|Graham Frewer|Hey Little Bull Glockenspiel|Orchestral Part|1.50|7 GMCC009-23|||9790222226890|FREWER G|Graham Frewer|Hey Little Bull Xylophone|Orchestral Part|1.50|7 GMCC010|FREWER, Graham
BEETHOVEN RULES OK!
Concert Capers Series for junior orchestra GMCC010|'Orchestration
2 Flutes, 2 Oboes (descant recorder), 2 Clarinets in Bb (treble recorder),
2 Bassoons (tenor recorder), 2 Horns in F, 2 Trumpets in Bb, 2 Trombones (bass clef & treble clef parts included), Percussion (Triangle/Castanets/Woodblock, Cymbals/Tambourine, Side drum, Bass drum, Glockenspiels, Xylophone)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello & Bass)

Beethoven''s "Ode to Joy" is the main theme here but many other tunes from various countries pop in from time to time - Alouette, The Irish Washerwoman, English Country Garden and others - but in the end . . .
BEETHOVEN RULES! O.K.?
Duration: 4? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222227569|FREWER G|Graham Frewer|Beethoven Rules OK Pack|Orchestra|30.00|594 GMCC010-00|||9790222227576|FREWER G|Graham Frewer|Beethoven Rules OK Score|Orchestral Score|6.00|75 GMCC010-01|||9790222227583|FREWER G|Graham Frewer|Beethoven Rules OK Violin 1|Orchestral Part|1.50|13 GMCC010-02|||9790222227590|FREWER G|Graham Frewer|Beethoven Rules OK Violin 2|Orchestral Part|1.50|7 GMCC010-03|||9790222227606|FREWER G|Graham Frewer|Beethoven Rules OK Violin 3 (Viola)|Orchestral Part|1.50|13 GMCC010-04|||9790222227613|FREWER G|Graham Frewer|Beethoven Rules OK Viola|Orchestral Part|1.50|13 GMCC010-05|||9790222227620|FREWER G|Graham Frewer|Beethoven Rules OK Cello/Bass|Orchestral Part|1.50|13 GMCC010-06|||9790222227637|FREWER G|Graham Frewer|Beethoven Rules OK Flutes|Orchestral Part|1.50|13 GMCC010-07|||9790222227644|FREWER G|Graham Frewer|Beethoven Rules OK Oboes/Desc.rec|Orchestral Part|1.50|13 GMCC010-08|||9790222227651|FREWER G|Graham Frewer|Beethoven Rules OK Treble Recorder|Orchestral Part|1.50|13 GMCC010-09|||9790222227668|FREWER G|Graham Frewer|Beethoven Rules OK Clarinets in Bb|Orchestral Part|1.50|13 GMCC010-10|||9790222227675|FREWER G|Graham Frewer|Beethoven Rules OK Tenor Recorder|Orchestral Part|1.50|13 GMCC010-11|||9790222227682|FREWER G|Graham Frewer|Beethoven Rules OK Bassoons|Orchestral Part|1.50|13 GMCC010-12|||9790222227699|FREWER G|Graham Frewer|Beethoven Rules OK Horns in F|Orchestral Part|1.50|7 GMCC010-13|||9790222227705|FREWER G|Graham Frewer|Beethoven Rules OK Trumpets in Bb|Orchestral Part|1.50|13 GMCC010-14|||9790222227712|FREWER G|Graham Frewer|Beethoven Rules OK Trombones BC|Orchestral Part|1.50|7 GMCC010-15|||9790222227729|FREWER G|Graham Frewer|Beethoven Rules OK Trombones TC|Orchestral Part|1.50|7 GMCC010-16|||9790222227736|FREWER G|Graham Frewer|Beethoven Rules OK Triangle etc|Orchestral Part|1.50|13 GMCC010-17|||9790222227743|FREWER G|Graham Frewer|Beethoven Rules OK Cymbals/Tamb|Orchestral Part|1.50|13 GMCC010-18|||9790222227750|FREWER G|Graham Frewer|Beethoven Rules OK Side Drum|Orchestral Part|1.50|7 GMCC010-19|||9790222227767|FREWER G|Graham Frewer|Beethoven Rules OK Bass Drum|Orchestral Part|1.50|7 GMCC010-20|||9790222227774|FREWER G|Graham Frewer|Beethoven Rules OK Glockenspiel|Orchestral Part|1.50|7 GMCC010-21|||9790222227781|FREWER G|Graham Frewer|Beethoven Rules OK Xylophone|Orchestral Part|1.50|7 GMCC011|LING, Richard (1952- )
16th CENTURY SUITE
Concert Capers Series for junior orchestra GMCC011|Orchestration
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass)

This suite is made up of four pieces from the sixteenth century:
1. Royal March
2. Carefree
3. Reflecting
4. Battle Stations
Duration: 5 minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222230941|LING R|Richard Ling|Sixteenth Century Suite Pack|String Orchestra|15.00|188 GMCC011-00|||9790222230958|LING R|Richard Ling|Sixteenth Century Suite Score|Orchestral Score|5.00|25 GMCC011-01|||9790222230965|LING R|Richard Ling|Sixteenth Century Suite Violin 1|Orchestral Part|1.50|7 GMCC011-02|||9790222230972|LING R|Richard Ling|Sixteenth Century Suite Violin 2|Orchestral Part|1.50|7 GMCC011-03|||9790222230989|LING R|Richard Ling|Sixteenth Century Suite Violin 3|Orchestral Part|1.50|7 GMCC011-04|||9790222230996|LING R|Richard Ling|Sixteenth Century Suite Viola|Orchestral Part|1.50|7 GMCC011-05|||9790222231009|LING R|Richard Ling|Sixteenth Century Suite Cello|Orchestral Part|1.50|7 GMCC011-06|||9790222231016|LING R|Richard Ling|Sixteenth Century Suite Bass|Orchestral Part|1.50|7 GMCC012|GRIEG, Edvard (1843-1907)
GAVOTTE from the HOLBERG SUITE (arr.Richard Ling)
Concert Capers Series for junior orchestra GMCC012|'Orchestration
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass)

This Gavotte, taken from Grieg''s Holberg Suite which is well known in its original string orchestra version, is here arranged for junior string orchestra.
Duration: 3? minutes
A PACK comprises one full score and strings 4/4/3/4/2'|9790222231023|GRIEG E|Edvard Grieg|Gavotte Holberg Suite (Ling) Pack|String Orchestra|15.00|176 GMCC012-00|||9790222231030|GRIEG E|Edvard Grieg|Gavotte Holberg Suite (Ling) Score|Orchestral Score|5.00|25 GMCC012-01|||9790222231047|GRIEG E|Edvard Grieg|Gavotte Holberg Suite (Ling) Vln 1|Orchestral Part|1.50|7 GMCC012-02|||9790222231054|GRIEG E|Edvard Grieg|Gavotte Holberg Suite (Ling) Vln 2|Orchestral Part|1.50|7 GMCC012-03|||9790222231061|GRIEG E|Edvard Grieg|Gavotte Holberg Suite (Ling) Vln 3|Orchestral Part|1.50|7 GMCC012-04|||9790222231078|GRIEG E|Edvard Grieg|Gavotte Holberg Suite (Ling) Viola|Orchestral Part|1.50|7 GMCC012-05|||9790222231085|GRIEG E|Edvard Grieg|Gavotte Holberg Suite (Ling) Cello|Orchestral Part|1.50|7 GMCC012-06|||9790222231092|GRIEG E|Edvard Grieg|Gavotte Holberg Suite (Ling) Bass|Orchestral Part|1.50|7 GMCC013|HANDEL, George Frideric (1685-1759)
WATER MUSIC - TWO PIECES (arr.Richard Ling)
Concert Capers Series for junior orchestra GMCC013|Orchestration
Violin 1, Violin 2, Violin 3, Viola, Cello, Bass

The two pieces from the Water Music, an Air and Hornpipe, are here arranged for junior string orchestra.
Duration: 3 minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222233737|HANDEL GF|George Frideric Handel|Two Pieces from Water Music Pack|String Orchestra|15.00|192 GMCC013-00|||9790222233744|HANDEL GF|George Frideric Handel|Two Pieces from Water Music Score|Orchestral Score|5.00|25 GMCC013-01|||9790222233751|HANDEL GF|George Frideric Handel|Two Pieces from Water Music Vln 1|Orchestral Part|1.50|7 GMCC013-02|||9790222233768|HANDEL GF|George Frideric Handel|Two Pieces from Water Music Vln 2|Orchestral Part|1.50|7 GMCC013-03|||9790222233775|HANDEL GF|George Frideric Handel|Two Pieces from Water Music Vln 3|Orchestral Part|1.50|7 GMCC013-04|||9790222233782|HANDEL GF|George Frideric Handel|Two Pieces from Water Music Viola|Orchestral Part|1.50|7 GMCC013-05|||9790222233799|HANDEL GF|George Frideric Handel|Two Pieces from Water Music Vc/Bass|Orchestral Part|1.50|7 GMCC014|SCHUMANN, Robert (1810-1856)
SCENES FROM CHILDHOOD (arr.Richard Ling)
Concert Capers Series for junior orchestra GMCC014|'Orchestration
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass)

Three pieces taken from Schumann''s collection of pieces originally for piano entitled "Kinderscenen" or "Scenes from Childhood" arranged for junior string orchestra.
Duration: 3? minutes
A PACK comprises one full score and strings 4/4/3/4/2'|9790222233805|SCHUMANN|Robert Schumann|Scenes from Childhood (Ling) Pack|String Orchestra|15.00|205 GMCC014-00|||9790222233812|SCHUMANN|Robert Schumann|Scenes from Childhood (Ling) Score|Orchestral Score|5.00|38 GMCC014-01|||9790222233829|SCHUMANN|Robert Schumann|Scenes from Childhood (Ling) Vln 1|Orchestral Part|1.50|7 GMCC014-02|||9790222233836|SCHUMANN|Robert Schumann|Scenes from Childhood (Ling) Vln 2|Orchestral Part|1.50|7 GMCC014-03|||9790222233843|SCHUMANN|Robert Schumann|Scenes from Childhood (Ling) Vln 3|Orchestral Part|1.50|7 GMCC014-04|||9790222233850|SCHUMANN|Robert Schumann|Scenes from Childhood (Ling) Viola|Orchestral Part|1.50|7 GMCC014-05|||9790222233867|SCHUMANN|Robert Schumann|Scenes from Childhood (Ling) Cello|Orchestral Part|1.50|7 GMCC014-06|||9790222233874|SCHUMANN|Robert Schumann|Scenes from Childhood (Ling) Bass|Orchestral Part|1.50|7 GMCC015|LING, Richard (1952- )
MORRIS FOR MINORS
Concert Capers Series for junior orchestra GMCC015|Orchestration
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass)

These three tunes of a Morris-Dance style, "Now is the Month of Maying", "Maypole Dance" and "Shepherds Hey", are arranged for junior string orchestra.
Duration: 3 minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222233881|LING R|Richard Ling|Morris for Minors Pack|String Orchestra|15.00|172 GMCC015-00|||9790222233898|LING R|Richard Ling|Morris for Minors Score|Orchestral Score|5.00|25 GMCC015-01|||9790222233904|LING R|Richard Ling|Morris for Minors Violin 1|Orchestral Part|1.50|7 GMCC015-02|||9790222233911|LING R|Richard Ling|Morris for Minors Violin 2|Orchestral Part|1.50|7 GMCC015-03|||9790222233928|LING R|Richard Ling|Morris for Minors Violin 3|Orchestral Part|1.50|7 GMCC015-04|||9790222233935|LING R|Richard Ling|Morris for Minors Viola|Orchestral Part|1.50|7 GMCC015-05|||9790222233942|LING R|Richard Ling|Morris for Minors Cello|Orchestral Part|1.50|7 GMCC015-06|||9790222233959|LING R|Richard Ling|Morris for Minors Bass|Orchestral Part|1.50|7 GMCC016|HAYDN, (Franz) Joseph (1732-1809)
CHORALE & PRESTO (arr.Richard Ling)
Concert Capers Series for junior orchestra GMCC016|Orchestration
Violin 1, Violin 2, Violin 3, Viola, Cello, Bass

The St.Anthony Chorale and a well-known Presto arranged for junior string orchestra.
Duration: 3 minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222233966|HAYDN J|Joseph Haydn|Chorale & Presto (arr.Ling) Pack|String Orchestra|15.00|192 GMCC016-00|||9790222233973|HAYDN J|Joseph Haydn|Chorale & Presto (arr.Ling) Score|Orchestral Score|5.00|25 GMCC016-01|||9790222233980|HAYDN J|Joseph Haydn|Chorale & Presto (arr.Ling) Violin1|Orchestral Part|1.50|7 GMCC016-02|||9790222233997|HAYDN J|Joseph Haydn|Chorale & Presto (arr.Ling) Violin2|Orchestral Part|1.50|7 GMCC016-03|||9790222234000|HAYDN J|Joseph Haydn|Chorale & Presto (arr.Ling) Violin3|Orchestral Part|1.50|7 GMCC016-04|||9790222234017|HAYDN J|Joseph Haydn|Chorale & Presto (arr.Ling) Viola|Orchestral Part|1.50|7 GMCC016-05|||9790222234024|HAYDN J|Joseph Haydn|Chorale & Presto (arr.Ling) Cello|Orchestral Part|1.50|7 GMCC016-06|||9790222234031|HAYDN J|Joseph Haydn|Chorale & Presto (arr.Ling) Bass|Orchestral Part|1.50|7 GMCC017|GERVAISE, Claude (composing 1540-1560)
THREE DANCES (arr.Richard & Lynda Ling)
Concert Capers Series for junior orchestra GMCC017|Orchestration
2 Flutes, 2 Oboes, 3 Clarinets in Bb, Alto Saxophone in Eb, Bassoon
2 Horns in F or Eb, 2 Trumpets in Bb, Trombone or Baritone, Percussion (Tabor, Tambourine)
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello 1, Bass/Cello 2)

These three dances arranged here for full junior orchestra, give a good flavour of the music of the mid sixteenth century.
Duration: 5? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222231559|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Pack|Orchestra|35.00|582 GMCC017-00|||9790222231566|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Score|Orchestral Score|8.00|88 GMCC017-01|||9790222231573|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Violin 1|Orchestral Part|1.50|13 GMCC017-02|||9790222231580|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Violin 2|Orchestral Part|1.50|13 GMCC017-03|||9790222231597|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Violin 3|Orchestral Part|1.50|13 GMCC017-04|||9790222231603|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Viola|Orchestral Part|1.50|13 GMCC017-05|||9790222231610|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Cello|Orchestral Part|1.50|13 GMCC017-06|||9790222231627|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Bass/Cello2|Orchestral Part|1.50|13 GMCC017-07|||9790222231634|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Flute 1+2|Orchestral Part|1.50|13 GMCC017-08|||9790222231641|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Oboe 1+2|Orchestral Part|1.50|13 GMCC017-09|||9790222231658|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Clarinet1+2|Orchestral Part|1.50|13 GMCC017-10|||9790222231665|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Clarinet 3|Orchestral Part|1.50|13 GMCC017-11|||9790222231672|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Alto Sax|Orchestral Part|1.50|13 GMCC017-12|||9790222231689|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Bassoon|Orchestral Part|1.50|13 GMCC017-13|||9790222231696|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Horns in F|Orchestral Part|1.50|13 GMCC017-14|||9790222231702|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Horns in Eb|Orchestral Part|1.50|13 GMCC017-15|||9790222231719|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Trumpets1+2|Orchestral Part|1.50|13 GMCC017-16|||9790222231726|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Tromb/Bar|Orchestral Part|1.50|13 GMCC017-17|||9790222231733|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Tabor|Orchestral Part|1.50|13 GMCC017-18|||9790222231740|GERVAISE|Claude Gervaise|Three Dances (arr.Ling) Tambourine|Orchestral Part|1.50|7 GMCC018|BACH, J.S. (1685-1750)
TWO GAVOTTES (arr.Richard & Lynda Ling)
Concert Capers Series for junior orchestra GMCC018|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto Saxophone in Eb, Bassoon
2 Horns in F, 3 Trumpets in Bb, Trombone or Baritone, Timpani
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello 1, Bass/Cello 2)

These Gavottes, from one of the movements of Bach''s famous Orchestral Suite No.3, are here arranged by Richard & Lynda Ling for full junior orchestra, although a satisfactory performance can be achieved without all of the instruments shown.
Duration: 4 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222231108|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Pack|Orchestra|30.00|490 GMCC018-00|||9790222231115|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Score|Orchestral Score|8.00|88 GMCC018-01|||9790222231122|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Vln 1|Orchestral Part|1.50|13 GMCC018-02|||9790222231139|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Vln 2|Orchestral Part|1.50|13 GMCC018-03|||9790222231146|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Vln 3|Orchestral Part|1.50|13 GMCC018-04|||9790222231153|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Viola|Orchestral Part|1.50|13 GMCC018-05|||9790222231160|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Cello 1|Orchestral Part|1.50|13 GMCC018-06|||9790222231177|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling)Bass/Vc2|Orchestral Part|1.50|13 GMCC018-07|||9790222231184|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Fl 1+2|Orchestral Part|1.50|13 GMCC018-08|||9790222231191|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Ob 1+2|Orchestral Part|1.50|13 GMCC018-09|||9790222231207|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Cl 1+2|Orchestral Part|1.50|13 GMCC018-10|||9790222231214|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) A.Sax|Orchestral Part|1.50|7 GMCC018-11|||9790222231221|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Bsn|Orchestral Part|1.50|7 GMCC018-12|||9790222231238|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Hn 1+2|Orchestral Part|1.50|7 GMCC018-13|||9790222231245|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Trp 1|Orchestral Part|1.50|7 GMCC018-14|||9790222231252|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Trp 2+3|Orchestral Part|1.50|7 GMCC018-15|||9790222231269|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Trb/Bar|Orchestral Part|1.50|7 GMCC018-16|||9790222231276|BACH JS|Johann Sebastian Bach|Two Gavottes Suite 3 (Ling) Timpani|Orchestral Part|1.50|7 GMCC019|DVORAK, Antonin (1841-1904)
LARGO from SYMPHONY No.9 (arr.Richard Ling)
Concert Capers Series for junior orchestra GMCC019|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto Saxophone in Eb, Bassoon
Horn in F, 2 Trumpets in Bb, Trombone or Baritone, Timpani
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello 1, Cello 2, Bass)

The famous Largo in an easy arrangement by Richard Ling for full junior orchestra.
Duration: 3 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222232433|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Pack|Orchestra|26.00|290 GMCC019-00|||9790222232440|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Score|Orchestral Score|5.00|38 GMCC019-01|||9790222232457|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Violin 1|Orchestral Part|1.50|7 GMCC019-02|||9790222232464|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Violin 2|Orchestral Part|1.50|7 GMCC019-03|||9790222232471|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Violin 3|Orchestral Part|1.50|7 GMCC019-04|||9790222232488|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Viola|Orchestral Part|1.50|7 GMCC019-05|||9790222232495|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Cello 1|Orchestral Part|1.50|7 GMCC019-06|||9790222232501|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Cello 2|Orchestral Part|1.50|7 GMCC019-07|||9790222232518|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Bass|Orchestral Part|1.50|7 GMCC019-08|||9790222232525|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Flutes 1+2|Orchestral Part|1.50|7 GMCC019-09|||9790222232532|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Oboes 1+2|Orchestral Part|1.50|7 GMCC019-10|||9790222232549|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Clarinets 1+2|Orchestral Part|1.50|7 GMCC019-11|||9790222232556|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Alto Saxophone|Orchestral Part|1.50|7 GMCC019-12|||9790222232563|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Bassoon|Orchestral Part|1.50|7 GMCC019-13|||9790222232570|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Horn in F|Orchestral Part|1.50|7 GMCC019-14|||9790222232587|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Trumpet 1+2|Orchestral Part|1.50|7 GMCC019-15|||9790222232594|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Trombone|Orchestral Part|1.50|7 GMCC019-16|||9790222232600|DVORAK A|Antonin Dvorak|Largo (arr. Ling) Timpani|Orchestral Part|1.50|7 GMCC020|PONCHIELLI, Amilcare (1834-1886)
DANCE OF THE HOURS (arr.Richard & Lynda Ling)
Concert Capers Series for junior orchestra GMCC020|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto Saxophone in Eb, Bassoon
2 Horns in F, 2 Trumpets in Bb, Trombone or Baritone, Timpani, Percussion (Snare drum, Bass drum, Triangle)
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass)

The Dance of the Hours (also known by the name "Hello Muddah, Hello Faddah" - the music was used in a humorous song first performed back in the 1960s!) from Ponchielli''s opera "La Gioconda" is offered here in an arrangement for junior orchestra.
Duration: 4 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222232617|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Pack|Orchestra|30.00|500 GMCC020-00|||9790222232624|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Sc|Orchestral Score|8.00|88 GMCC020-01|||9790222232631|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Vln 1|Orchestral Part|1.50|13 GMCC020-02|||9790222232648|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Vln 2|Orchestral Part|1.50|13 GMCC020-03|||9790222232655|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Vln 3|Orchestral Part|1.50|13 GMCC020-04|||9790222232662|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Viola|Orchestral Part|1.50|13 GMCC020-05|||9790222232679|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Cello|Orchestral Part|1.50|13 GMCC020-06|||9790222232686|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Bass|Orchestral Part|1.50|13 GMCC020-07|||9790222232693|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Fl1+2|Orchestral Part|1.50|13 GMCC020-08|||9790222232709|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Ob1+2|Orchestral Part|1.50|13 GMCC020-09|||9790222232716|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Cl1+2|Orchestral Part|1.50|13 GMCC020-10|||9790222232723|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) A.Sax|Orchestral Part|1.50|7 GMCC020-11|||9790222232730|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Bsn|Orchestral Part|1.50|7 GMCC020-12|||9790222232747|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Hn1+2|Orchestral Part|1.50|7 GMCC020-13|||9790222232754|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Tr1+2|Orchestral Part|1.50|7 GMCC020-14|||9790222232761|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Trb|Orchestral Part|1.50|7 GMCC020-15|||9790222232778|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Timp|Orchestral Part|1.50|7 GMCC020-16|||9790222232785|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Trngl|Orchestral Part|1.50|7 GMCC020-17|||9790222232792|PONCHIELLI|Amilcare Ponchielli|Dance of the Hours (arr Ling) Sd/Bd|Orchestral Part|1.50|7 GMCC021|WEDDERBURN, Robin
BY THE RIVER
Concert Capers Series for junior string orchestra GMCC021|'Orchestration
Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello)

The melody (in the first violin to begin with) should sing expressively; practise and shape this on its own. The accompaniment should flow calmly but the detail should be clear; practise this on its own, too.
There are three alternative parts, not shown in the score. Either or both of Violin 3 and Cello alternative to Viola (in tenor clef, for one or more advanced players) may support or replace the Viola part. The Cello alternative to Double Bass may, in the same way, support or replace the Double Bass part. In one way or another the Double Bass part should be played if possible, although in this piece it may be omitted altogether. (These alternative parts are as nearly as possible the same as the parts they support, although there are some small differences where necessary.)
The music will, of course, sound its very best in the instrumentation given in the score, but a good result is also quite possible with the modifications described above. (This piece will, incidentally, also work well as a string-quartet piece, even with third violin or substitute-cello instead of viola.)
By the River could become the second item in a short, three-movement suite of this composer''s pieces, all in the Goodmusic Concert Capers series, as follows:
Intrada - GMCC027 (G major; bold); By the River - GMCC021 (E minor; peaceful); Onward and Upward - GMCC023 (C major; with a cheerful tread)

BY THE RIVER
" . . . we went out of the city by a river side, where prayer was wont to be made . . . " (Acts 16 ,v.13)
"Sometimes I sits and thinks, and then again I just sits." (Punch, 1906)

Duration: 2 minutes
A PACK comprises one full score and strings 4/4/3/4/2 (plus similar numbers of any alternative parts) totalling 25 parts.'|9790222261662|WEDDERBURN|Robin Wedderburn|By the River Pack|String Orchestra|15.00|220 GMCC021-00|||9790222261679|WEDDERBURN|Robin Wedderburn|By the River Score|Orchestral Score|5.00|25 GMCC021-01|||9790222261686|WEDDERBURN|Robin Wedderburn|By the River Violin 1|Orchestral Part|1.50|7 GMCC021-02|||9790222261693|WEDDERBURN|Robin Wedderburn|By the River Violin 2|Orchestral Part|1.50|7 GMCC021-03|||9790222261709|WEDDERBURN|Robin Wedderburn|By the River Violin 3|Orchestral Part|1.50|7 GMCC021-04|||9790222261716|WEDDERBURN|Robin Wedderburn|By the River Viola|Orchestral Part|1.50|7 GMCC021-05|||9790222261723|WEDDERBURN|Robin Wedderburn|By the River Cello alt.to Viola|Orchestral Part|1.50|7 GMCC021-06|||9790222261730|WEDDERBURN|Robin Wedderburn|By the River Cello|Orchestral Part|1.50|7 GMCC021-07|||9790222261747|WEDDERBURN|Robin Wedderburn|By the River Cello alt.to D.Bass|Orchestral Part|1.50|7 GMCC021-08|||9790222261754|WEDDERBURN|Robin Wedderburn|By the River D.Bass|Orchestral Part|1.50|7 GMCC022|WEDDERBURN, Robin
ON THE MOVE
Concert Capers Series for junior string orchestra GMCC022|'Orchestration
Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello)

ON THE MOVE . . . probably out of doors, on foot, with an objective and with joy in the going. Make sure that we feel two minims in a bar, not four crotchets.
There are three alternative parts, not shown in the score. Either or both of Violin 3 and Cello alternative to Viola (in tenor clef, for one or more advanced players) may support or replace the Viola part. The Cello alternative to Double Bass may, in the same way, support or replace the Double Bass part. In one way or another this lowest part should be played and not simply omitted. (These alternative parts are as nearly as possible the same as the parts they support, although there are some small differences where necessary.)
The music will, of course, sound its very best in the instrumentation given in the score, but a good result is also quite possible with the modifications described above.
On the Move could become the final item in a short, three-movement suite of this composer''s pieces, all in the Goodmusic Concert Capers series, as follows:
The Steep and Rugged Pathway - GMCC025 (A minor; sturdy, determined); Short Passacaglia - GMCC024 (D major; calm, thoughtful); On the Move - GMCC022 (G major; bright, energetic)

Duration: 2 minutes
A PACK comprises one full score and strings 4/4/3/4/2 (plus similar numbers of any alternative parts) totalling 25 parts.'|9790222261761|WEDDERBURN|Robin Wedderburn|On the Move Pack|String Orchestra|15.00|220 GMCC022-00|||9790222261778|WEDDERBURN|Robin Wedderburn|On the Move Score|Orchestral Score|5.00|25 GMCC022-01|||9790222261785|WEDDERBURN|Robin Wedderburn|On the Move Violin 1|Orchestral Part|1.50|7 GMCC022-02|||9790222261792|WEDDERBURN|Robin Wedderburn|On the Move Violin 2|Orchestral Part|1.50|7 GMCC022-03|||9790222261808|WEDDERBURN|Robin Wedderburn|On the Move Violin 3|Orchestral Part|1.50|7 GMCC022-04|||9790222261815|WEDDERBURN|Robin Wedderburn|On the Move Viola|Orchestral Part|1.50|7 GMCC022-05|||9790222261822|WEDDERBURN|Robin Wedderburn|On the Move Cello alt.to Viola|Orchestral Part|1.50|7 GMCC022-06|||9790222261839|WEDDERBURN|Robin Wedderburn|On the Move Cello|Orchestral Part|1.50|7 GMCC022-07|||9790222261846|WEDDERBURN|Robin Wedderburn|On the Move Cello alt.to D.Bass|Orchestral Part|1.50|7 GMCC022-08|||9790222261853|WEDDERBURN|Robin Wedderburn|On the Move D.Bass|Orchestral Part|1.50|7 GMCC023|WEDDERBURN, Robin
ONWARD AND UPWARD
Concert Capers Series for junior string orchestra GMCC023|'Orchestration
Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello)

ONWARD AND UPWARD Not said, we hope, with a cheesy grin in mild adversity on a wet Monday morning (inviting a scowl in return), but perhaps thought and felt as some good challenge is being met. There should be a spring in the step and a sense of two minims to the bar not far away. A lot of this should be played in the middle or lower half of the bow - no dribbling off down to the point for those staccato crotchets!
There are three alternative parts, not shown in the score. Either or both of Violin 3 and Cello alternative to Viola (in tenor clef, for one or more advanced players) may support or replace the Viola part. The Cello alternative to Double Bass may, in the same way, support or replace the Double Bass part. In one way or another this lowest part should be played and not simply omitted. (These alternative parts are as nearly as possible the same as the parts they support, although there are some small differences where necessary.)
The music will, of course, sound its very best in the instrumentation given in the score, but a good result is also quite possible with the modifications described above.
Onward and Upward could become the final item in a short, three-movement suite of this composer''s pieces, all in the Goodmusic Concert Capers series, as follows: Intrada - GMCC027 (G major; bold); By the River - GMCC021 (E minor; peaceful); Onward and Upward - GMCC023 (C major; with a cheerful tread)

Duration: 2 minutes
A PACK comprises one full score and strings 4/4/3/4/2 (plus similar numbers of any alternative parts) totalling 25 parts.'|9790222261860|WEDDERBURN|Robin Wedderburn|Onward and Upward Pack|String Orchestra|15.00|206 GMCC023-00|||9790222261877|WEDDERBURN|Robin Wedderburn|Onward and Upward Score|Orchestral Score|5.00|25 GMCC023-01|||9790222261884|WEDDERBURN|Robin Wedderburn|Onward and Upward Violin 1|Orchestral Part|1.50|7 GMCC023-02|||9790222261891|WEDDERBURN|Robin Wedderburn|Onward and Upward Violin 2|Orchestral Part|1.50|7 GMCC023-03|||9790222261907|WEDDERBURN|Robin Wedderburn|Onward and Upward Violin 3|Orchestral Part|1.50|7 GMCC023-04|||9790222261914|WEDDERBURN|Robin Wedderburn|Onward and Upward Viola|Orchestral Part|1.50|7 GMCC023-05|||9790222261921|WEDDERBURN|Robin Wedderburn|Onward and Upward Cello alt.to Vla|Orchestral Part|1.50|7 GMCC023-06|||9790222261938|WEDDERBURN|Robin Wedderburn|Onward and Upward Cello|Orchestral Part|1.50|7 GMCC023-07|||9790222261945|WEDDERBURN|Robin Wedderburn|Onward and Upward Cello alt.to D.B.|Orchestral Part|1.50|7 GMCC023-08|||9790222261952|WEDDERBURN|Robin Wedderburn|Onward and Upward Double Bass|Orchestral Part|1.50|7 GMCC024|WEDDERBURN, Robin
SHORT PASSACAGLIA
Concert Capers Series for junior string orchestra GMCC024|'Orchestration
Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello)

Although the Passacaglia was originally a dance, composers have for centuries taken the style and form of this dance and based concert pieces on it. Passacaglias are in three-time, are usually quite slow and are built around a short theme which repeats many times, mainly or even entirely in the bass. This one calmly collects its thoughts about a six-bar theme (heard at the start on cellos and basses alone) which comes seven times (not always in the bass) before a coda in which the main theme seems to dissolve quietly.
There are three extra parts, not shown in the score. Either or both of Violin 3 and Cello alternative to Viola (in tenor clef, for one or more advanced players) may support or replace the Viola part. The Cello alternative to Double Bass may, in the same way, support or replace the Double Bass part. In one way or another this lowest part should be played and not simply omitted. (These extra parts are as nearly as possible the same as the parts they support, although there are some small differences where necessary.) The music will, of course, sound its very best in the instrumentation given in the score, but a good result is also quite possible with the modifications described above.
Short Passacaglia could become the second item in a short, three-movement suite of this composer''s pieces, all in the Goodmusic Concert Capers series, as follows: The Steep and Rugged Pathway - GMCC025 (A minor; sturdy, determined), Short Passacaglia - GMCC024 (D major; calm, thoughtful), On the Move - GMCC022 (G major; bright, energetic)
Duration: 2? minutes
A PACK comprises one full score and strings 4/4/3/4/2 (plus similar numbers of any alternative parts) totalling 25 parts.'|9790222263383|WEDDERBURN|Robin Wedderburn|Short Passacaglia Pack|String Orchestra|15.00|220 GMCC024-00|||9790222263390|WEDDERBURN|Robin Wedderburn|Short Passacaglia Score|Orchestral Score|5.00|25 GMCC024-01|||9790222263406|WEDDERBURN|Robin Wedderburn|Short Passacaglia Violin 1|Orchestral Part|1.50|7 GMCC024-02|||9790222263413|WEDDERBURN|Robin Wedderburn|Short Passacaglia Violin 2|Orchestral Part|1.50|7 GMCC024-03|||9790222263420|WEDDERBURN|Robin Wedderburn|Short Passacaglia Violin 3|Orchestral Part|1.50|7 GMCC024-04|||9790222263437|WEDDERBURN|Robin Wedderburn|Short Passacaglia Viola|Orchestral Part|1.50|7 GMCC024-05|||9790222263444|WEDDERBURN|Robin Wedderburn|Short Passacaglia Cello alt.to Vla|Orchestral Part|1.50|7 GMCC024-06|||9790222263451|WEDDERBURN|Robin Wedderburn|Short Passacaglia Cello|Orchestral Part|1.50|7 GMCC024-07|||9790222263468|WEDDERBURN|Robin Wedderburn|Short Passacaglia Cello alt To D.B.|Orchestral Part|1.50|7 GMCC024-08|||9790222263475|WEDDERBURN|Robin Wedderburn|Short Passacaglia Double Bass|Orchestral Part|1.50|7 GMCC025|WEDDERBURN, Robin
THE STEEP AND RUGGED PATHWAY
Concert Capers Series for junior string orchestra GMCC025|'Orchestration
Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello)

Not for ever in green pastures
Do we ask our way to be;
But the steep and rugged pathway
May we tread rejoicingly.
(L.M.Willis, c.1860)

There are three extra parts, not shown in the score. Either or both of Violin 3 and Cello alternative to Viola (in tenor clef, for one or more advanced players) may support or replace the Viola part. The Cello alternative to Double Bass may, in the same way, support or replace the Double Bass part. In one way or another the Double Bass part should be played and not simply omitted. The music will, of course, sound its very best in the instrumentation given in the score, but a good result is also quite possible with the modifications described above.
THE STEEP AND RUGGED PATHWAY could become the first item in a short, three-movement suite of this composer''s pieces, all in the Goodmusic Concert Capers series, as follows: The Steep and Rugged Pathway - GMCC025 (A minor; sturdy, determined), Short Passacaglia - GMCC024 (D major; calm, thoughtful), On the Move - GMCC022 (G major; bright, energetic)
Duration: 2? minutes
A PACK comprises one full score and strings 4/4/3/4/2 (plus similar numbers of any alternative parts) totalling 25 parts.'|9790222263482|WEDDERBURN|Robin Wedderburn|Steep and Rugged Pathway Pack|String Orchestra|26.00|380 GMCC025-00|||9790222263499|WEDDERBURN|Robin Wedderburn|Steep and Rugged Pathway Score|Orchestral Score|5.00|25 GMCC025-01|||9790222263505|WEDDERBURN|Robin Wedderburn|Steep and Rugged Pathway Violin 1|Orchestral Part|1.50|13 GMCC025-02|||9790222263512|WEDDERBURN|Robin Wedderburn|Steep and Rugged Pathway Violin 2|Orchestral Part|1.50|13 GMCC025-03|||9790222263529|WEDDERBURN|Robin Wedderburn|Steep and Rugged Pathway Violin 3|Orchestral Part|1.50|13 GMCC025-04|||9790222263536|WEDDERBURN|Robin Wedderburn|Steep and Rugged Pathway Viola|Orchestral Part|1.50|13 GMCC025-05|||9790222263543|WEDDERBURN|Robin Wedderburn|Steep and Rugged Pathway Vc alt.vla|Orchestral Part|1.50|13 GMCC025-06|||9790222263550|WEDDERBURN|Robin Wedderburn|Steep and Rugged Pathway Cello|Orchestral Part|1.50|13 GMCC025-07|||9790222263567|WEDDERBURN|Robin Wedderburn|Steep and Rugged Pathway Vc alt.db|Orchestral Part|1.50|13 GMCC025-08|||9790222263574|WEDDERBURN|Robin Wedderburn|Steep and Rugged Pathway D.Bass|Orchestral Part|1.50|13 GMCC026|'WEDDERBURN, Robin
WARRIORS'' SONG
Concert Capers Series for junior string orchestra GMCC026'|Orchestration
Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello)

This should be aggressive, but not brutal. Try to phrase musically and to catch a moment of something more sympathetic at letters A and F.
There are three extra parts, not shown in the score. Either or both of Violin 3 and Cello alternative to Viola (in tenor clef, for one or more advanced players) may support or replace the Viola part. The Cello alternative to Double Bass may, in the same way, support or replace the Double Bass part. In one way or another this lowest part should be played and not simply omitted. (These extra parts are as nearly as possible the same as the parts they support, although there are some small differences where necessary.) The music will, of course, sound its very best in the instrumentation given in the score, but a good result is also quite possible with the modifications described above.
Duration: 2 minutes
A PACK comprises one full score and strings 4/4/3/4/2 (plus similar numbers of any alternative parts) totalling 25 parts.|9790222263581|WEDDERBURN|Robin Wedderburn|'Warriors'' Song Pack'|String Orchestra|15.00|222 GMCC026-00|||9790222263598|WEDDERBURN|Robin Wedderburn|'Warriors'' Song Score'|Orchestral Score|5.00|25 GMCC026-01|||9790222263604|WEDDERBURN|Robin Wedderburn|'Warriors'' Song Violin 1'|Orchestral Part|1.50|7 GMCC026-02|||9790222263611|WEDDERBURN|Robin Wedderburn|'Warriors'' Song Violin 2'|Orchestral Part|1.50|7 GMCC026-03|||9790222263628|WEDDERBURN|Robin Wedderburn|'Warriors'' Song Violin 3'|Orchestral Part|1.50|7 GMCC026-04|||9790222263635|WEDDERBURN|Robin Wedderburn|'Warriors'' Song Viola'|Orchestral Part|1.50|7 GMCC026-05|||9790222263642|WEDDERBURN|Robin Wedderburn|'Warriors'' Song Cello alt.to Viola'|Orchestral Part|1.50|7 GMCC026-06|||9790222263659|WEDDERBURN|Robin Wedderburn|'Warriors'' Song Cello'|Orchestral Part|1.50|7 GMCC026-07|||9790222263666|WEDDERBURN|Robin Wedderburn|'Warriors'' Song Cello alt.to D.Bass'|Orchestral Part|1.50|7 GMCC026-08|||9790222263673|WEDDERBURN|Robin Wedderburn|'Warriors'' Song Double Bass'|Orchestral Part|1.50|7 GMCC027|WEDDERBURN, Robin
INTRADA
Concert Capers Series for junior string orchestra GMCC027|'Orchestration
Violin 1, Violin 2, Viola (or Violin 3 or Cello), Cello , Bass (or Cello)

INTRADA: Some kind of rather grand entry-procession is the idea here. Two minim beats to a bar should be felt (almost like a slow march), but it may be more helpful to beat in four. The opening should sound as massive as possible, setting the tone for the whole piece.
There are three alternative parts, not shown in the score. Either or both of Violin 3 and Cello alternative to Viola (in tenor clef, for one or more advanced players) may support or replace the Viola part. The Cello alternative to Double Bass may, in the same way, support or replace the Double Bass part. In one way or another this lowest part should be played and not simply omitted. (These alternative parts are as nearly as possible the same as the parts they support, although there are some small differences where necessary.) The music will, of course, sound its very best in the instrumentation given in the score, but a good result is also quite possible with the modifications described above.
Intrada could become the first item in a short, three-movement suite of this composer''s pieces, all in the Goodmusic Concert Capers series, as follows:
Intrada - GMCC027 (G major; bold); By the River - GMCC021 (E minor; peaceful); Onward and Upward - GMCC023 (C major; with a cheerful tread)

Duration: 3? minutes
A PACK comprises one full score and strings 4/4/3/4/2 (plus similar numbers of any alternative parts) totalling 25 parts.'|9790222262904|WEDDERBURN|Robin Wedderburn|Intrada Pack|String Orchestra|15.00|224 GMCC027-00|||9790222262911|WEDDERBURN|Robin Wedderburn|Intrada Score|Orchestral Score|5.00|25 GMCC027-01|||9790222262928|WEDDERBURN|Robin Wedderburn|Intrada Violin 1|Orchestral Part|1.50|7 GMCC027-02|||9790222262935|WEDDERBURN|Robin Wedderburn|Intrada Violin 2|Orchestral Part|1.50|7 GMCC027-03|||9790222262942|WEDDERBURN|Robin Wedderburn|Intrada Violin 3 alt.to Viola|Orchestral Part|1.50|7 GMCC027-04|||9790222262959|WEDDERBURN|Robin Wedderburn|Intrada Viola|Orchestral Part|1.50|7 GMCC027-05|||9790222262966|WEDDERBURN|Robin Wedderburn|Intrada Cello alt.to Viola|Orchestral Part|1.50|7 GMCC027-06|||9790222262973|WEDDERBURN|Robin Wedderburn|Intrada Cello|Orchestral Part|1.50|7 GMCC027-07|||9790222262980|WEDDERBURN|Robin Wedderburn|Intrada Cello alt.to D.Bass|Orchestral Part|1.50|7 GMCC027-08|||9790222262997|WEDDERBURN|Robin Wedderburn|Intrada Double Bass|Orchestral Part|1.50|7 GMCC028|Robin Wedderburn
ALONE IN THE HILLS for string orchestra (or quintet)
Goodmusic Concert Capers Series GMCC028|'Orchestration
Violin 1, Violin 2, Viola (or Violin 3)
Cello 1, Cello 2, Double Bass [optional]

This piece, along with its two companion pieces ("Waltz for Gentle Giants" and "Winter Jig"), is scored for strings with two cello parts. It may either be played as a string-orchestra item or as a chamber item for string quintet. When played with string orchestra the ideal state of affairs is the presence of double bass(es), enough cellos to allow both cello parts to balance the higher parts well, and a satisfactory viola section. The double bass part, however, may be left out and the violin 3 part (inevitably a bit of a makeshift but perfectly acceptable) may either double or even replace the viola. For chamber use, with one player to a part, violin 3 could replace viola and the double bass part might even be added to good effect if played with tact.
It is hoped that these pieces may be especially suitable for string orchestras where the cello section is quite well-stocked and for double-cello quintets for whom Boccherini''s Grampians are daunting and Schubert''s Everest still only a dream . . . . . .
Duration 3? minutes
A PACK comprises one full score, string parts 4/4/3/3/4/4/2'|9790222273160|WEDDERBURN|Robin Wedderburn|Alone in the Hills Pack|String Orchestra|26.00|360 GMCC028-00|||9790222273177|WEDDERBURN|Robin Wedderburn|Alone in the Hills Score|Orchestral Score|5.00|25 GMCC028-01|||9790222273184|WEDDERBURN|Robin Wedderburn|Alone in the Hills Violin 1|Orchestral Part|1.50|13 GMCC028-02|||9790222273191|WEDDERBURN|Robin Wedderburn|Alone in the Hills Violin 2|Orchestral Part|1.50|13 GMCC028-03|||9790222273207|WEDDERBURN|Robin Wedderburn|Alone in the Hills Violin 3|Orchestral Part|1.50|13 GMCC028-04|||9790222273214|WEDDERBURN|Robin Wedderburn|Alone in the Hills Viola|Orchestral Part|1.50|13 GMCC028-05|||9790222273221|WEDDERBURN|Robin Wedderburn|Alone in the Hills Cello 1|Orchestral Part|1.50|13 GMCC028-06|||9790222273238|WEDDERBURN|Robin Wedderburn|Alone in the Hills Cello 2|Orchestral Part|1.50|13 GMCC028-07|||9790222273245|WEDDERBURN|Robin Wedderburn|Alone in the Hills Bass|Orchestral Part|1.50|13 GMCC029|Robin Wedderburn
WALTZ FOR GENTLE GIANTS for string orchestra (or quintet)
Goodmusic Concert Capers Series GMCC029|'Orchestration
Violin 1, Violin 2, Viola (or Violin 3)
Cello 1, Cello 2, Double Bass [optional]

This piece, along with its two companion pieces ("Alone in the Hills" and "Winter Jig"), is scored for strings with two cello parts. It may either be played as a string-orchestra item or as a chamber item for string quintet. When played with string orchestra the ideal state of affairs is the presence of double bass(es), enough cellos to allow both cello parts to balance the higher parts well, and a satisfactory viola section. The double bass part, however, may be left out and the violin 3 part (inevitably a bit of a makeshift but perfectly acceptable) may either double or even replace the viola. For chamber use, with one player to a part, violin 3 could replace viola and the double bass part might even be added to good effect if played with tact.
It is hoped that these pieces may be especially suitable for string orchestras where the cello section is quite well-stocked and for double-cello quintets for whom Boccherini''s Grampians are daunting and Schubert''s Everest still only a dream . . . . . .
Duration 3? minutes
A PACK comprises one full score, string parts 4/4/3/3/4/4/2'|9790222273252|WEDDERBURN|Robin Wedderburn|Waltz for Gentle Giants Pack|String Orchestra|26.00|384 GMCC029-00|||9790222273269|WEDDERBURN|Robin Wedderburn|Waltz for Gentle Giants Score|Orchestral Score|5.00|25 GMCC029-01|||9790222273276|WEDDERBURN|Robin Wedderburn|Waltz for Gentle Giants Violin 1|Orchestral Part|1.50|13 GMCC029-02|||9790222273283|WEDDERBURN|Robin Wedderburn|Waltz for Gentle Giants Violin 2|Orchestral Part|1.50|13 GMCC029-03|||9790222273290|WEDDERBURN|Robin Wedderburn|Waltz for Gentle Giants Violin 3|Orchestral Part|1.50|13 GMCC029-04|||9790222273306|WEDDERBURN|Robin Wedderburn|Waltz for Gentle Giants Viola|Orchestral Part|1.50|13 GMCC029-05|||9790222273313|WEDDERBURN|Robin Wedderburn|Waltz for Gentle Giants Cello 1|Orchestral Part|1.50|13 GMCC029-06|||9790222273320|WEDDERBURN|Robin Wedderburn|Waltz for Gentle Giants Cello 2|Orchestral Part|1.50|13 GMCC029-07|||9790222273337|WEDDERBURN|Robin Wedderburn|Waltz for Gentle Giants Bass|Orchestral Part|1.50|13 GMCC030|Robin Wedderburn
WILD MOUNTAIN THYME for string orchestra
Goodmusic Concert Capers Series GMCC030|'Orchestration
Violin 1, Violin 2, Viola (or Violin 3)
Cello 1, Cello 2, Double Bass

It seems uncertain whether this beautiful song first sprang from Scotland or Ulster. The words are about love and going out on the hills - and therefore, behind all that, the heart''s longing for loveliness, deep fulfilment and the non-humdrum.
The very best result will be had with the forces specified in the conductor''s score; that is to say, string orchestra with two independent cello sections (with enough players for satisfactory balance with other parts) plus double bass. The double bass part may, however, be left out, and violin 3 may, as an acceptable makeshift, either double or even replace the viola. The leader should play her or his solo with sweetness but refinement; cello 1''s harmonics, which are not hard but need practice, should be made audible by observing (but not overdoing) the accents.
Duration 2? minutes
A PACK comprises one full score, string parts 4/4/3/3/4/4/2'|9790222273344|WEDDERBURN|Robin Wedderburn|Wild Mountain Thyme Pack|String Orchestra|26.00|356 GMCC030-00|||9790222273351|WEDDERBURN|Robin Wedderburn|Wild Mountain Thyme Score|Orchestral Score|5.00|25 GMCC030-01|||9790222273368|WEDDERBURN|Robin Wedderburn|Wild Mountain Thyme Violin 1|Orchestral Part|1.50|13 GMCC030-02|||9790222273375|WEDDERBURN|Robin Wedderburn|Wild Mountain Thyme Violin 2|Orchestral Part|1.50|13 GMCC030-03|||9790222273382|WEDDERBURN|Robin Wedderburn|Wild Mountain Thyme Violin 3|Orchestral Part|1.50|13 GMCC030-04|||9790222273399|WEDDERBURN|Robin Wedderburn|Wild Mountain Thyme Viola|Orchestral Part|1.50|13 GMCC030-05|||9790222273405|WEDDERBURN|Robin Wedderburn|Wild Mountain Thyme Cello 1|Orchestral Part|1.50|13 GMCC030-06|||9790222273412|WEDDERBURN|Robin Wedderburn|Wild Mountain Thyme Cello 2|Orchestral Part|1.50|13 GMCC030-07|||9790222273429|WEDDERBURN|Robin Wedderburn|Wild Mountain Thyme Bass|Orchestral Part|1.50|7 GMCC031|Robin Wedderburn
WINTER JIG for string orchestra (or quintet)
Goodmusic Concert Capers Series GMCC031|'Orchestration
Violin 1, Violin 2, Viola (or Violin 3)
Cello 1, Cello 2, Double Bass [optional]

This piece, along with its two companion pieces ("Alone in the Hills" and "Waltz for Gentle Giants"), is scored for strings with two cello parts. It may either be played as a string-orchestra item or as a chamber item for string quintet. When played with string orchestra the ideal state of affairs is the presence of double bass(es), enough cellos to allow both cello parts to balance the higher parts well, and a satisfactory viola section. The double bass part, however, may be left out and the violin 3 part (inevitably a bit of a makeshift but perfectly acceptable) may either double or even replace the viola. For chamber use, with one player to a part, violin 3 could replace viola and the double bass part might even be added to good effect if played with tact.
It is hoped that these pieces may be especially suitable for string orchestras where the cello section is quite well-stocked and for double-cello quintets for whom Boccherini''s Grampians are daunting and Schubert''s Everest still only a dream . . . . . .
Duration 3 minutes
A PACK comprises one full score, string parts 4/4/3/3/4/4/2'|9790222273436|WEDDERBURN|Robin Wedderburn|Winter Jig Pack|String Orchestra|26.00|324 GMCC031-00|||9790222273443|WEDDERBURN|Robin Wedderburn|Winter Jig Score|Orchestral Score|5.00|25 GMCC031-01|||9790222273450|WEDDERBURN|Robin Wedderburn|Winter Jig Violin 1|Orchestral Part|1.50|13 GMCC031-02|||9790222273467|WEDDERBURN|Robin Wedderburn|Winter Jig Violin 2|Orchestral Part|1.50|13 GMCC031-03|||9790222273474|WEDDERBURN|Robin Wedderburn|Winter Jig Violin 3|Orchestral Part|1.50|13 GMCC031-04|||9790222273481|WEDDERBURN|Robin Wedderburn|Winter Jig Viola|Orchestral Part|1.50|13 GMCC031-05|||9790222273498|WEDDERBURN|Robin Wedderburn|Winter Jig Cello 1|Orchestral Part|1.50|13 GMCC031-06|||9790222273504|WEDDERBURN|Robin Wedderburn|Winter Jig Cello 2|Orchestral Part|1.50|13 GMCC031-07|||9790222273511|WEDDERBURN|Robin Wedderburn|Winter Jig Bass|Orchestral Part|1.50|13 GMCH001|VERDI, Giuseppe (1813-1901)
ANVIL CHORUS from Il Trovatore
Concert Chorals Series GMCH001|'Orchestration
Flute, Piccolo, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Anvil(s), Bass drum, Triangle)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Chorus [either S&A,T,B or just T,B] (optional)

This well-known excerpt from Verdi''s Il Trovatore has not been arranged or simplified save for transposing the horn parts into F and the trumpet and clarinet parts into Bb. This piece can be performed without the chorus in which case the horns, oboes and clarinets should play the small notes cued into their parts. The chorus can be made up of mixed voices or just male voices. Additional copies of the chorus part are available or if the choir already has copies this edition should be compatible with other standard editions of this chorus.
Duration: 2? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2 and one chorus part.'|9790222211773|VERDI G|Giuseppe Verdi|Anvil Chorus Pack|Orchestra|35.00|558 GMCH001-00|||9790222211780|VERDI G|Giuseppe Verdi|Anvil Chorus Score|Orchestral Score|5.00|38 GMCH001-01|||9790222211797|VERDI G|Giuseppe Verdi|Anvil Chorus Violin 1|Orchestral Part|1.50|13 GMCH001-02|||9790222211803|VERDI G|Giuseppe Verdi|Anvil Chorus Violin 2|Orchestral Part|1.50|13 GMCH001-03|||9790222211810|VERDI G|Giuseppe Verdi|Anvil Chorus Viola|Orchestral Part|1.50|13 GMCH001-04|||9790222211827|VERDI G|Giuseppe Verdi|Anvil Chorus Cello|Orchestral Part|1.50|13 GMCH001-05|||9790222211834|VERDI G|Giuseppe Verdi|Anvil Chorus Bass|Orchestral Part|1.50|13 GMCH001-06|||9790222211841|VERDI G|Giuseppe Verdi|Anvil Chorus Flute & Piccolo|Orchestral Part|1.50|13 GMCH001-07|||9790222211858|VERDI G|Giuseppe Verdi|Anvil Chorus Oboe 1 & 2|Orchestral Part|1.50|13 GMCH001-08|||9790222211865|VERDI G|Giuseppe Verdi|Anvil Chorus Clarinet 1 & 2|Orchestral Part|1.50|13 GMCH001-09|||9790222211872|VERDI G|Giuseppe Verdi|Anvil Chorus Bassoon 1 & 2|Orchestral Part|1.50|13 GMCH001-10|||9790222211889|VERDI G|Giuseppe Verdi|Anvil Chorus Horns 1-4|Orchestral Part|1.50|13 GMCH001-11|||9790222211896|VERDI G|Giuseppe Verdi|Anvil Chorus Trumpet 1 & 2|Orchestral Part|1.50|7 GMCH001-12|||9790222211902|VERDI G|Giuseppe Verdi|Anvil Chorus Trombones 1-3|Orchestral Part|1.50|7 GMCH001-13|||9790222211919|VERDI G|Giuseppe Verdi|Anvil Chorus Tuba|Orchestral Part|1.50|7 GMCH001-14|||9790222211926|VERDI G|Giuseppe Verdi|Anvil Chorus Timpani|Orchestral Part|1.50|7 GMCH001-15|||9790222211933|VERDI G|Giuseppe Verdi|Anvil Chorus Percussion|Orchestral Part|1.50|13 GMCH001-16|||9790222211940|VERDI G|Giuseppe Verdi|Anvil Chorus Chorus Part|Orchestral Part|1.50|13 GMCH002|'BACH, J.S. (1685-1750)
JESU JOY OF MAN''S DESIRING (arr.David Stone)
Concert Chorals Series GMCH002'|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, Trombone
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Piano (optional), Voices (optional)

Bach''s original score was for SATB voices and strings, with 2 oboes doubling the first violin part and a trumpet playing the chorale melody. In this version the work can be performed with SATB voices or unison voices (singing the chorale melody), or as a purely instrumental piece. In this last case the minimum requirements are 1 oboe, 2 clarinets and strings and in this instance the oboe should never double the first violins, but should play the 2nd oboe part plus cues. The dynamic markings and bowings are editorial, and the keyboard part incorporates the chorale vocal parts as an aid to rehearsal.
Duration: 6? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222211957|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Pack'|Orchestra|40.00|400 GMCH002-00|||9790222211964|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Score'|Orchestral Score|6.00|63 GMCH002-01|||9790222211971|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Violin 1'|Orchestral Part|1.50|13 GMCH002-02|||9790222211988|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Violin 2'|Orchestral Part|1.50|13 GMCH002-03|||9790222211995|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Viola'|Orchestral Part|1.50|13 GMCH002-04|||9790222212008|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Cello'|Orchestral Part|1.50|13 GMCH002-05|||9790222212015|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Bass'|Orchestral Part|1.50|13 GMCH002-06|||9790222212022|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Flute 1'|Orchestral Part|1.50|7 GMCH002-07|||9790222212039|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Flute 2'|Orchestral Part|1.50|7 GMCH002-08|||9790222212046|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Oboe 1'|Orchestral Part|1.50|13 GMCH002-09|||9790222212053|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Oboe 2'|Orchestral Part|1.50|13 GMCH002-10|||9790222212060|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Clar 1'|Orchestral Part|1.50|7 GMCH002-11|||9790222212077|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Clar 2'|Orchestral Part|1.50|7 GMCH002-12|||9790222212084|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Bassoon'|Orchestral Part|1.50|7 GMCH002-13|||9790222212091|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Horn 1'|Orchestral Part|1.50|7 GMCH002-14|||9790222212107|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Horn 2'|Orchestral Part|1.50|7 GMCH002-15|||9790222212114|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Trp 1'|Orchestral Part|1.50|7 GMCH002-16|||9790222212121|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Trp 2'|Orchestral Part|1.50|7 GMCH002-17|||9790222212138|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Trombone'|Orchestral Part|1.50|7 GMCH002-18|||9790222212145|BACH JS|Johann Sebastian Bach|'Jesu Joy of Man''s Desiring Piano'|Orchestral Part|1.50|13 GMCH003|HANDEL, George Frideric (1685-1759)
HALLELUJAH CHORUS from the Messiah
Concert Chorals Series GMCH003|Orchestration
Flute(s) (optional), (2) Oboes, Clarinet(s) (optional), Bassoon
Horn(s) (optional), 2 Trumpets, Trombone(s) (optional), Timpani
Strings (Violin 1, Violin2, Viola, Cello/Bass)
Chorus (SATB)

This edition gives the "original" orchestration of 2 Oboes (though both play together doubling the soprano chorus line), Bassoon (continuo), 2 Trumpets (parts are given in D and Bb and are shown in the score at concert pitch), Timpani, strings and SATB chorus. However, additional parts are included for Flutes, Clarinets in Bb, Horns and Trombones which double the chorus lines and can be used either to reinforce the choral line or to replace it completely to provide an orchestra-only concert version. One chorus part is included in the orchestral set and additional copies are available should they be required. Many choirs and singers already have copies of the "Messiah" and most should be compatible with this orchestral version.
Duration: 4? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222212152|HANDEL GF|George Frideric Handel|Hallelujah Chorus Pack|Orchestra|35.00|534 GMCH003-00|||9790222212169|HANDEL GF|George Frideric Handel|Hallelujah Chorus Score|Orchestral Score|6.00|75 GMCH003-01|||9790222212176|HANDEL GF|George Frideric Handel|Hallelujah Chorus Violin 1|Orchestral Part|1.50|13 GMCH003-02|||9790222212183|HANDEL GF|George Frideric Handel|Hallelujah Chorus Violin 2|Orchestral Part|1.50|13 GMCH003-03|||9790222212190|HANDEL GF|George Frideric Handel|Hallelujah Chorus Viola|Orchestral Part|1.50|13 GMCH003-04|||9790222212206|HANDEL GF|George Frideric Handel|Hallelujah Chorus Cello/Bass|Orchestral Part|1.50|13 GMCH003-05|||9790222212213|HANDEL GF|George Frideric Handel|Hallelujah Chorus Flutes|Orchestral Part|1.50|13 GMCH003-06|||9790222212220|HANDEL GF|George Frideric Handel|Hallelujah Chorus Oboes|Orchestral Part|1.50|13 GMCH003-07|||9790222212237|HANDEL GF|George Frideric Handel|Hallelujah Chorus Clarinets|Orchestral Part|1.50|13 GMCH003-08|||9790222212244|HANDEL GF|George Frideric Handel|Hallelujah Chorus Bassoon|Orchestral Part|1.50|13 GMCH003-09|||9790222212251|HANDEL GF|George Frideric Handel|Hallelujah Chorus Horns in F|Orchestral Part|1.50|13 GMCH003-10|||9790222212268|HANDEL GF|George Frideric Handel|Hallelujah Chorus Trumpet 1+2 in D|Orchestral Part|1.50|13 GMCH003-11|||9790222212275|HANDEL GF|George Frideric Handel|Hallelujah Chorus Trumpet 1+2 in Bb|Orchestral Part|1.50|13 GMCH003-12|||9790222212282|HANDEL GF|George Frideric Handel|Hallelujah Chorus Trombones|Orchestral Part|1.50|13 GMCH003-13|||9790222212299|HANDEL GF|George Frideric Handel|Hallelujah Chorus Timpani|Orchestral Part|1.50|7 GMCH003-14|||9790222212305|HANDEL GF|George Frideric Handel|Hallelujah Chorus Chorus Part|Orchestral Part|2.00|25 GMCH004|VERDI, Giuseppe (1813-1901)
CHORUS OF THE HEBREW SLAVES
Concert Chorals Series GMCH004|'Orchestration
Flute, Piccolo (optional), 2 Oboes, 2 Clarinets in A (Parts also provided for Bb clarinets), 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Chorus (optional)

This version is reasonably faithful to Verdi''s original orchestration and is not simplified other than providing modern transposing parts (horns in F, trumpets in Bb etc.). The piccolo part is a small one and may be dispensed with. The chorus can be omitted as all their notes are doubled in the orchestra. If a chorus is used it can be mixed, all male or all female. One chorus part is included in a set of parts, extras are available.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222212312|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Pack|Orchestra|30.00|502 GMCH004-00|||9790222212329|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Score|Orchestral Score|6.00|63 GMCH004-01|||9790222212336|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Vln 1|Orchestral Part|1.50|13 GMCH004-02|||9790222212343|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Vln 2|Orchestral Part|1.50|13 GMCH004-03|||9790222212350|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Viola|Orchestral Part|1.50|13 GMCH004-04|||9790222212367|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Cello|Orchestral Part|1.50|13 GMCH004-05|||9790222212374|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Bass|Orchestral Part|1.50|13 GMCH004-06|||9790222212381|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Fl+Picc|Orchestral Part|1.50|13 GMCH004-08|||9790222212404|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Ob 1+2|Orchestral Part|1.50|13 GMCH004-09|||9790222212411|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Cl 1+2|Orchestral Part|1.50|13 GMCH004-10|||9790222212428|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Bsn1+2|Orchestral Part|1.50|13 GMCH004-11|||9790222212435|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Hns1-4|Orchestral Part|1.50|13 GMCH004-12|||9790222212442|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Trp1+2|Orchestral Part|1.50|7 GMCH004-13|||9790222212459|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Trbs1-3|Orchestral Part|1.50|7 GMCH004-14|||9790222212466|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Tuba|Orchestral Part|1.50|7 GMCH004-15|||9790222212473|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Timpani|Orchestral Part|1.50|7 GMCH004-16|||9790222212480|VERDI G|Giuseppe Verdi|Chorus of the Hebrew Slaves Chorus|Orchestral Part|1.50|13 GMCH005|FAURE, Gabriel (1845-1924)
PAVANE Op.50
Concert Chorals Series GMCH005|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in A (parts also supplied in Bb), 2 Bassoons
2 Horns in F
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
S.A.T.B. chorus (optional)

This edition is faithful to the original orchestration and is not an arrangement. The work may be played by orchestra alone or with the choir. A separate chorus part is available (one copy is included with the orchestral set) although other editions may be used with these orchestral parts.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222212497|FAURE G|Gabriel Faure|Pavane Pack|Orchestra|30.00|426 GMCH005-00|||9790222212503|FAURE G|Gabriel Faure|Pavane Score|Orchestral Score|6.00|63 GMCH005-01|||9790222212510|FAURE G|Gabriel Faure|Pavane Violin 1|Orchestral Part|1.50|13 GMCH005-02|||9790222212527|FAURE G|Gabriel Faure|Pavane Violin 2|Orchestral Part|1.50|13 GMCH005-03|||9790222212534|FAURE G|Gabriel Faure|Pavane Viola|Orchestral Part|1.50|13 GMCH005-04|||9790222212541|FAURE G|Gabriel Faure|Pavane Cello|Orchestral Part|1.50|13 GMCH005-05|||9790222212558|FAURE G|Gabriel Faure|Pavane Bass|Orchestral Part|1.50|13 GMCH005-06|||9790222212565|FAURE G|Gabriel Faure|Pavane Flute 1 & 2|Orchestral Part|1.50|13 GMCH005-07|||9790222212572|FAURE G|Gabriel Faure|Pavane Oboe 1 & 2|Orchestral Part|1.50|13 GMCH005-08|||9790222212589|FAURE G|Gabriel Faure|Pavane Clarinet 1 & 2 (in Bb & A)|Orchestral Part|1.50|13 GMCH005-09|||9790222212596|FAURE G|Gabriel Faure|Pavane Bassoon 1 & 2|Orchestral Part|1.50|13 GMCH005-10|||9790222212602|FAURE G|Gabriel Faure|Pavane Horn 1 & 2 in F|Orchestral Part|1.50|13 GMCH005-11|||9790222212619|FAURE G|Gabriel Faure|Pavane Chorus Part|Orchestral Part|1.50|13 GMCH006|PARRY, C Hubert H (1848-1918)
JERUSALEM
Concert Chorals Series GMCH006|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Voice or chorus (optional)

This edition is faithful to Parry''s original orchestration with the exception that the Clarinets were in A and the Trumpet parts were originally written in F. Here, Bb copies have been provided for both. The work may be played by orchestra alone or with the addition of a solo voice or a choir.
Vocal or choral copies of this work are not included in the pack but this orchestral edition is fully compatible with the original vocal and unison choral editions published by us under Roberton Publications (Catalogue numbers 902009 [Vocal] and 40009 [Unison choral]).
Newly available (2020) are versions arranged by Peter Lawson for SATB choir (GM321), SA+Men choir (GM322), SSA choir (GM323) and TTBB choir (GM324) which are compatible with this orchestral accompaniment.

Duration: 2? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222212626|PARRY|C. Hubert H. Parry|Jerusalem Pack|Orchestra|26.00|319 GMCH006-00|||9790222212633|PARRY|C. Hubert H. Parry|Jerusalem Score|Orchestral Score|5.00|38 GMCH006-01|||9790222212640|PARRY|C. Hubert H. Parry|Jerusalem Violin 1|Orchestral Part|1.50|7 GMCH006-02|||9790222212657|PARRY|C. Hubert H. Parry|Jerusalem Violin 2|Orchestral Part|1.50|7 GMCH006-03|||9790222212664|PARRY|C. Hubert H. Parry|Jerusalem Viola|Orchestral Part|1.50|7 GMCH006-04|||9790222212671|PARRY|C. Hubert H. Parry|Jerusalem Cello|Orchestral Part|1.50|7 GMCH006-05|||9790222212688|PARRY|C. Hubert H. Parry|Jerusalem Bass|Orchestral Part|1.50|7 GMCH006-06|||9790222212695|PARRY|C. Hubert H. Parry|Jerusalem Flute 1 & 2|Orchestral Part|1.50|7 GMCH006-07|||9790222212701|PARRY|C. Hubert H. Parry|Jerusalem Oboe 1 & 2|Orchestral Part|1.50|7 GMCH006-08|||9790222212718|PARRY|C. Hubert H. Parry|Jerusalem Clarinet 1 & 2|Orchestral Part|1.50|13 GMCH006-09|||9790222212725|PARRY|C. Hubert H. Parry|Jerusalem Bassoon 1 & 2|Orchestral Part|1.50|13 GMCH006-10|||9790222212732|PARRY|C. Hubert H. Parry|Jerusalem Horn 1 & 2|Orchestral Part|1.50|13 GMCH006-11|||9790222212749|PARRY|C. Hubert H. Parry|Jerusalem Horn 3 & 4|Orchestral Part|1.50|7 GMCH006-12|||9790222212756|PARRY|C. Hubert H. Parry|Jerusalem Trumpet 1 & 2|Orchestral Part|1.50|7 GMCH006-13|||9790222212763|PARRY|C. Hubert H. Parry|Jerusalem Trombone 1 & 2|Orchestral Part|1.50|7 GMCH006-14|||9790222212770|PARRY|C. Hubert H. Parry|Jerusalem Trombone 3|Orchestral Part|1.50|7 GMCH006-15|||9790222212787|PARRY|C. Hubert H. Parry|Jerusalem Timpani|Orchestral Part|1.50|7 GMCH007|VAUGHAN WILLIAMS, Ralph (1872-1958)
OLD HUNDREDTH PSALM TUNE (arr.David Stone)
Concert Chorals Series GMCH007|Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, Trombone, Timpani, Percussion (Bass drum, Side drum, Cymbals)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)
Mixed or Unison Voices (optional)
Piano (optional)

This version can be played by strings only, but the effect conceived by Vaughan Williams will be more nearly met by the inclusion of wind, brass and percussion, particularly trumpets and timpani. Should only two timpani be available alternative notes have been added to make this possible. Vocal resources can be SATB and unison, SATB, or unison voices only. The choral parts are published by Oxford University Press: UNISON - ISBN 0193535092, SATB - ISBN 0193535084. No choral copies are included in the set of parts.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222212794|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Pack|Orchestra|50.00|510 GMCH007-00|||9790222212800|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Score|Orchestral Score|6.00|63 GMCH007-01|||9790222212817|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Vln 1|Orchestral Part|1.50|13 GMCH007-02|||9790222212824|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Vln 2|Orchestral Part|1.50|13 GMCH007-03|||9790222212831|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Vln 3|Orchestral Part|1.50|13 GMCH007-04|||9790222212848|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Viola|Orchestral Part|1.50|13 GMCH007-05|||9790222212855|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Cello|Orchestral Part|1.50|13 GMCH007-06|||9790222212862|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Bass|Orchestral Part|1.50|13 GMCH007-07|||9790222212879|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Flute 1|Orchestral Part|1.50|13 GMCH007-08|||9790222212886|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Flute 2|Orchestral Part|1.50|13 GMCH007-09|||9790222212893|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Oboe|Orchestral Part|1.50|13 GMCH007-10|||9790222212909|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Clar 1|Orchestral Part|1.50|13 GMCH007-11|||9790222212916|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Clar 2|Orchestral Part|1.50|13 GMCH007-12|||9790222212923|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Bassoon|Orchestral Part|1.50|13 GMCH007-13|||9790222212930|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Horn 1|Orchestral Part|1.50|13 GMCH007-14|||9790222212947|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Horn 2|Orchestral Part|1.50|13 GMCH007-15|||9790222212954|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Trp 1|Orchestral Part|1.50|13 GMCH007-16|||9790222212961|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Trp 2|Orchestral Part|1.50|13 GMCH007-17|||9790222212978|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Tromb.|Orchestral Part|1.50|13 GMCH007-18|||9790222212985|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Timpani|Orchestral Part|1.50|13 GMCH007-19|||9790222212992|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Perc|Orchestral Part|1.50|13 GMCH007-20|||9790222213005|VAUGHAN WILL|Ralph Vaughan Williams|Old Hundredth Psalm (Stone) Piano|Orchestral Part|1.50|13 GMCH008|HANDEL, George Frideric (1685-1759)
ZADOK THE PRIEST (arr.Nigel Wicken)
Concert Chorals Series GMCH008|Orchestration
2 Flutes (optional), 2 Oboes, 2 Clarinets in Bb (optional), 2 Bassoons
2 Horns in F or Eb (optional), 3 Trumpets (parts supplied in D and Bb), 3 Trombones (optional),
Tuba (optional), Timpani
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello/Bass)
SATB Chorus (optional)

By omitting the "optional" instruments above but including the chorus you may have an "original" performance as the "optional" instruments only double the chorus. The "optional" instruments can be included to support the chorus or indeed can completely replace the chorus to produce an orchestra only version.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2 and one chorus part.|9790222219533|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Pack|Orchestra|45.00|676 GMCH008-00|||9790222219540|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Score|Orchestral Score|10.00|125 GMCH008-01|||9790222219557|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Violin 1|Orchestral Part|1.50|13 GMCH008-02|||9790222219564|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Violin 2|Orchestral Part|1.50|13 GMCH008-03|||9790222219571|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Violin 3|Orchestral Part|1.50|13 GMCH008-04|||9790222219588|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Viola|Orchestral Part|1.50|13 GMCH008-05|||9790222219595|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Vc/Bass|Orchestral Part|1.50|13 GMCH008-06|||9790222219601|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Flute1+2|Orchestral Part|1.50|13 GMCH008-07|||9790222219618|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Oboe 1+2|Orchestral Part|1.50|13 GMCH008-08|||9790222219625|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Clar.1+2|Orchestral Part|1.50|13 GMCH008-09|||9790222219632|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Bsn.1+2|Orchestral Part|1.50|13 GMCH008-10|||9790222219649|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) HornF 1+2|Orchestral Part|1.50|13 GMCH008-11|||9790222219656|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) HornEb1+2|Orchestral Part|1.50|13 GMCH008-12|||9790222219663|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) TrpD 1-3|Orchestral Part|1.50|13 GMCH008-13|||9790222219670|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) TrpBb1-3|Orchestral Part|1.50|13 GMCH008-14|||9790222219687|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Tromb1+2|Orchestral Part|1.50|7 GMCH008-15|||9790222219694|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Trb3+Tuba|Orchestral Part|1.50|7 GMCH008-16|||9790222219700|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Timpani|Orchestral Part|1.50|13 GMCH008-17|||9790222219717|HANDEL GF|George Frideric Handel|Zadok the Priest (Wicken) Chorus|Orchestral Part|2.00|25 GMCH009|PARRY, C Hubert H (1848-1918)
I WAS GLAD (orch.Peter Lawson)
Concert Chorals Series GMCH009|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Organ (optional)
SATB Chorus

Parry wrote "I was glad" for chorus with an organ accompaniment. There have been various orchestral arrangements but here Peter Lawson has endeavoured to produce an orchestration in the style that Parry himself might have employed. The organ part is optional and serves to add depth at appropriate moments. Whilst a chorus part is published in this edition, this orchestration is compatible with the original choral copy as published by Novello.
Duration: 7 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2, an organ part and one copy of the chorus part.|9790222232808|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Pack|Orchestra|40.00|576 GMCH009-00|||9790222232815|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Score|Orchestral Score|6.00|75 GMCH009-01|||9790222232822|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Violin 1|Orchestral Part|1.50|13 GMCH009-02|||9790222232839|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Violin 2|Orchestral Part|1.50|13 GMCH009-03|||9790222232846|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Viola|Orchestral Part|1.50|13 GMCH009-04|||9790222232853|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Cello|Orchestral Part|1.50|13 GMCH009-05|||9790222232860|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Bass|Orchestral Part|1.50|13 GMCH009-07|||9790222232877|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Flutes 1+2|Orchestral Part|1.50|13 GMCH009-08|||9790222232884|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Oboes 1+2|Orchestral Part|1.50|13 GMCH009-09|||9790222232891|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Clars 1+2|Orchestral Part|1.50|13 GMCH009-10|||9790222232907|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Bsns 1+2|Orchestral Part|1.50|13 GMCH009-11|||9790222232914|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Horns 1+2|Orchestral Part|1.50|13 GMCH009-12|||9790222232921|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Horns 3+4|Orchestral Part|1.50|13 GMCH009-13|||9790222232938|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Trpts 1+2|Orchestral Part|1.50|13 GMCH009-14|||9790222232945|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Trombs 1+2|Orchestral Part|1.50|13 GMCH009-15|||9790222232952|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Trb3+Tuba|Orchestral Part|1.50|13 GMCH009-16|||9790222232969|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Timp+Cym|Orchestral Part|1.50|7 GMCH009-17|||9790222232976|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Organ|Orchestral Part|1.50|13 GMCH009-18|||9790222232983|PARRY|C. Hubert H. Parry|I Was Glad (orch.Lawson) Chorus Pt|Orchestral Part|2.00|25 GMCH010|WILLCOCKS, David
FIVE CHRISTMAS CAROLS
Concert Chorals Series GMCH010|Orchestration
2 Flutes (2nd doubling piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
SATB chorus [not included in set of parts]

God rest you merry, gentleman; O come, all ye faithful; Unto us is born a Son; The first Nowell; Hark! The herald angels sing. These five Christmas Carols have been arranged by David Willcocks for orchestra to accompany his SATB arrangement, the vocal score of which is sold by Oxford University Press (ISBN 0193535637). These same arrangements also appear in the Carols for Choirs books. This orchestral accompaniment may be played by strings only. The piano or organ part shown in the vocal score may be added if required. This orchestration was originally published by OUP (now out of print) and was republished by us in 2004. The new edition is entirely compatible with the OUP original edition.
These orchestrations are fully compatible with the choral versions contained in CAROLS FOR CHOIRS Book 1 and 100 CAROLS FOR CHOIRS.
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2 and all wind, brass and percussion parts.

NEW EDITION
This is a new 2022 edition which gives a proper full score rather than the "short score" previously available, together with clearer instrumental parts.|9790222252295|WILLCOCKS|David Willcocks|Five Christmas Carols Pack|Orchestra|65.00|765 GMCH010-00|||9790222252301|WILLCOCKS|David Willcocks|Five Christmas Carols Full Score|Orchestral Score|12.00|163 GMCH010-01|||9790222252318|WILLCOCKS|David Willcocks|Five Christmas Carols Violin 1|Orchestral Part|2.00|25 GMCH010-02|||9790222252325|WILLCOCKS|David Willcocks|Five Christmas Carols Violin 2|Orchestral Part|2.00|25 GMCH010-03|||9790222252332|WILLCOCKS|David Willcocks|Five Christmas Carols Viola|Orchestral Part|2.00|25 GMCH010-04|||9790222252349|WILLCOCKS|David Willcocks|Five Christmas Carols Cello|Orchestral Part|2.00|25 GMCH010-05|||9790222252356|WILLCOCKS|David Willcocks|Five Christmas Carols Bass|Orchestral Part|2.00|25 GMCH010-06|||9790222252363|WILLCOCKS|David Willcocks|Five Christmas Carols Flute 1|Orchestral Part|1.50|13 GMCH010-07|||9790222252370|WILLCOCKS|David Willcocks|Five Christmas Carols Flute 2|Orchestral Part|1.50|13 GMCH010-08|||9790222252387|WILLCOCKS|David Willcocks|Five Christmas Carols Oboe 1|Orchestral Part|1.50|13 GMCH010-09|||9790222252394|WILLCOCKS|David Willcocks|Five Christmas Carols Oboe 2|Orchestral Part|1.50|13 GMCH010-10|||9790222252400|WILLCOCKS|David Willcocks|Five Christmas Carols Clarinet 1|Orchestral Part|1.50|13 GMCH010-11|||9790222252417|WILLCOCKS|David Willcocks|Five Christmas Carols Clarinet 2|Orchestral Part|1.50|13 GMCH010-12|||9790222252424|WILLCOCKS|David Willcocks|Five Christmas Carols Bassoon 1|Orchestral Part|1.50|13 GMCH010-13|||9790222252431|WILLCOCKS|David Willcocks|Five Christmas Carols Bassoon 2|Orchestral Part|1.50|13 GMCH010-14|||9790222252448|WILLCOCKS|David Willcocks|Five Christmas Carols Horn 1|Orchestral Part|1.50|13 GMCH010-15|||9790222252455|WILLCOCKS|David Willcocks|Five Christmas Carols Horn 2|Orchestral Part|1.50|13 GMCH010-16|||9790222252462|WILLCOCKS|David Willcocks|Five Christmas Carols Trumpet 1|Orchestral Part|1.50|13 GMCH010-17|||9790222252479|WILLCOCKS|David Willcocks|Five Christmas Carols Trumpet 2|Orchestral Part|1.50|13 GMCH010-18|||9790222252486|WILLCOCKS|David Willcocks|Five Christmas Carols Timpani|Orchestral Part|1.50|13 GMCH011|PARRY, C Hubert H (1848-1918)
JERUSALEM orchestrated by Edward Elgar
Concert Chorals Series GMCH011|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets in Bb, Bass Clarinet, 2 Bassoons, Contra Bassoon
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Snare drum and Bass drum)
2 Harps, Organ
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Chorus

Parry''s Jerusalem was well known in his original orchestration when Elgar came along with this more florid arrangement scored for a larger orchestra. This is a newly typeset edition of this work which has not been previously published for sale. The standard Parry orchestration is also available from us (GMCH006). Vocal or choral copies of this work are not included in the pack but both orchestral editions are fully compatible with the original vocal and unison choral editions published by us under Roberton Publications (Catalogue numbers 902009 [Vocal] and 40009 [Unison choral]).
Newly available (2020) are versions arranged by Peter Lawson for SATB choir (GM321), SA+Men choir (GM322), SSA choir (GM323) and TTBB choir (GM324) which are compatible with this orchestral accompaniment.

Duration: 2? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222262379|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Pack|Orchestra|30.00|458 GMCH011-00|||9790222262386|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Score|Orchestral Score|5.00|38 GMCH011-01|||9790222262393|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Violin 1|Orchestral Part|1.50|7 GMCH011-02|||9790222262409|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Violin 2|Orchestral Part|1.50|7 GMCH011-03|||9790222262416|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Viola|Orchestral Part|1.50|7 GMCH011-04|||9790222262423|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Cello|Orchestral Part|1.50|7 GMCH011-05|||9790222262430|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Bass|Orchestral Part|1.50|7 GMCH011-06|||9790222262447|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Piccolo|Orchestral Part|1.50|7 GMCH011-07|||9790222262454|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Flute 1+2|Orchestral Part|1.50|13 GMCH011-08|||9790222262461|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Oboe 1+2|Orchestral Part|1.50|13 GMCH011-09|||9790222262478|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Cor Anglais|Orchestral Part|1.50|7 GMCH011-10|||9790222262485|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Clarinet 1+2|Orchestral Part|1.50|13 GMCH011-11|||9790222262492|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) BassClarinet|Orchestral Part|1.50|7 GMCH011-12|||9790222262508|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Bassoon 1+2|Orchestral Part|1.50|13 GMCH011-13|||9790222262515|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) ContraBsn|Orchestral Part|1.50|7 GMCH011-14|||9790222262522|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Horn 1+2|Orchestral Part|1.50|13 GMCH011-15|||9790222262539|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Horn 3+4|Orchestral Part|1.50|13 GMCH011-16|||9790222262546|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Trumpet 1|Orchestral Part|1.50|7 GMCH011-17|||9790222262553|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Trumpet 2+3|Orchestral Part|1.50|13 GMCH011-18|||9790222262560|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Trombone 1+2|Orchestral Part|1.50|13 GMCH011-19|||9790222262577|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Tromb 3+Tuba|Orchestral Part|1.50|13 GMCH011-20|||9790222262584|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Timpani|Orchestral Part|1.50|7 GMCH011-21|||9790222262591|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Percussion|Orchestral Part|1.50|7 GMCH011-22|||9790222262607|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Harps 1+2|Orchestral Part|1.50|7 GMCH011-23|||9790222262614|PARRY|C. Hubert H. Parry|Jerusalem (orch.Elgar) Organ|Orchestral Part|1.50|13 GMCH012|HOLST, Gustav (arranged by Peter Lawson)
FOUR HOLST CAROLS
Goodmusic Concert Chorals Series GMCH012|Orchestration
2 Flutes (2nd db. piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Clash Cymbals, Suspended Cymbals, Glockenspiel, Xylophone, Snare Drum, Tam-tam, Tambourine, Tubular bells, Bass Drum)
Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir - either SATB, SSA, TTBB or SA/Men

IN THE BLEAK MIDWINTER [5 minutes], PERSONENT HODIE [3 minutes], LULLAY MY LIKING [3 minutes], MASTERS IN THIS HALL [3? minutes].
These four carols, written or originally arranged by Gustav Holst, have all become well-known as congregational carols. Peter Lawson has arranged them so that they are more of a choir concert item with optional orchestral accompaniment. Rather than keeping each verse and chorus the same, the carols have been "through arranged", often with key changes which also enables the melody to be passed to other voices, adding more interest to some wonderful old favourites. In Personent hodie there is a new singable English translation by Peter Lawson. The Four Holst Carols can be performed as a set or individually.
There are four different choral versions of this work available separately, all fit this orchestral accompaniment though the orchestral score shows the SATB version. No choral copies are included with the orchestral pack. These carols can be performed without orchestra with either piano or organ accompaniment using the vocal scores listed below.
Mixed Voice Choir (SATB) see Catalogue number GM081
Upper Voice Choir (SSA) see Catalogue number GM082
Male Voice Choir (TTBB) see Catalogue number GM083
Mixed Voice Choir (SA+Men) see Catalogue number GM084

Duration 15 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222285675|LAWSON|Peter Lawson|Four Holst Carols Pack|Orchestra|65.00|1035 GMCH012-00|||9790222285682|LAWSON|Peter Lawson|Four Holst Carols Score|Orchestral Score|14.00|188 GMCH012-01|||9790222285699|LAWSON|Peter Lawson|Four Holst Carols Violin 1|Orchestral Part|2.00|25 GMCH012-02|||9790222285705|LAWSON|Peter Lawson|Four Holst Carols Violin 2|Orchestral Part|2.00|25 GMCH012-03|||9790222285712|LAWSON|Peter Lawson|Four Holst Carols Viola|Orchestral Part|2.00|25 GMCH012-04|||9790222285729|LAWSON|Peter Lawson|Four Holst Carols Cello|Orchestral Part|2.00|25 GMCH012-05|||9790222285736|LAWSON|Peter Lawson|Four Holst Carols Bass|Orchestral Part|2.00|25 GMCH012-06|||9790222285743|LAWSON|Peter Lawson|Four Holst Carols Flute 1|Orchestral Part|2.00|25 GMCH012-07|||9790222285750|LAWSON|Peter Lawson|Four Holst Carols Flute 2/Picc|Orchestral Part|2.00|25 GMCH012-08|||9790222285767|LAWSON|Peter Lawson|Four Holst Carols Oboe 1|Orchestral Part|1.50|13 GMCH012-09|||9790222285774|LAWSON|Peter Lawson|Four Holst Carols Oboe 2|Orchestral Part|1.50|13 GMCH012-10|||9790222285781|LAWSON|Peter Lawson|Four Holst Carols Clarinet 1|Orchestral Part|1.50|13 GMCH012-11|||9790222285798|LAWSON|Peter Lawson|Four Holst Carols Clarinet 2|Orchestral Part|1.50|13 GMCH012-12|||9790222285804|LAWSON|Peter Lawson|Four Holst Carols Bassoon 1|Orchestral Part|2.00|25 GMCH012-13|||9790222285811|LAWSON|Peter Lawson|Four Holst Carols Bassoon 2|Orchestral Part|2.00|25 GMCH012-14|||9790222285828|LAWSON|Peter Lawson|Four Holst Carols Horn 1|Orchestral Part|1.50|13 GMCH012-15|||9790222285835|LAWSON|Peter Lawson|Four Holst Carols Horn 2|Orchestral Part|1.50|13 GMCH012-16|||9790222285842|LAWSON|Peter Lawson|Four Holst Carols Trumpet 1|Orchestral Part|1.50|13 GMCH012-17|||9790222285859|LAWSON|Peter Lawson|Four Holst Carols Trumpet 2|Orchestral Part|1.50|13 GMCH012-18|||9790222285866|LAWSON|Peter Lawson|Four Holst Carols Trombone 1|Orchestral Part|1.50|13 GMCH012-19|||9790222285873|LAWSON|Peter Lawson|Four Holst Carols Trombone 2|Orchestral Part|1.50|13 GMCH012-20|||9790222285880|LAWSON|Peter Lawson|Four Holst Carols Trombone 3|Orchestral Part|1.50|13 GMCH012-21|||9790222285897|LAWSON|Peter Lawson|Four Holst Carols Tuba|Orchestral Part|1.50|13 GMCH012-22|||9790222285903|LAWSON|Peter Lawson|Four Holst Carols Timpani|Orchestral Part|1.50|13 GMCH012-23|||9790222285910|LAWSON|Peter Lawson|Four Holst Carols Percussion|Orchestral Part|2.00|25 GMCH012-24|||9790222285927|LAWSON|Peter Lawson|Four Holst Carols Harp|Orchestral Part|2.00|25 GMCH013|Peter Lawson
BRING BACK CHRISTMAS CHEER for choir and orchestra
Goodmusic Concert Chorals GMCH013|'A merry original song for the Christmas season for choir and orchestra or orchestra alone or choir and piano, with words by Anthony Pritchard set to music by Peter Lawson.
This song is available in four different choral versions:
Mixed Voice Choir (SATB) - GM110
Upper Voice Choir (SSA) - GM111
Male Voice Choir (TTBB) - GM112
or if you have a mixed voice choir but a shortage of men . . . .
Mixed Voice Choir (SA+Men) - Roberton 62008
The orchestral score and parts (GMCH013) are the same for all versions.
A PACK includes an A4 score, all wind, brass and percussion parts plus 4/4/3/4/2 strings but no choral copies.
(A3 score available separately)
ORCHESTRATION
2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani,
Percussion: (4 players: Sleigh Bells, Temple Blocks, Bass Drum, Cymbals, Snare Drum, Bongos, Maracas, Glockenspiel, Tubular Bells, Xylophone)
Harp or Keyboard, Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir [optional]

The computer-generated audio sample is the version for SATB choir and orchestra as is the score shown here.
You can hear the choral versions with piano and see their associated scores by looking on the "details" page under the respective catalogue numbers.
Duration c.5 minutes
To give you a flavour, the first (of four) verses and choruses is:-

We think we had better
Write Santa a letter
And tell him that Christmas
Is cancelled this year,
The shops barely close
And as it hardly ever snows,
Rudolph''s cold is better
So there''s no more red nose.
And Prancer and Dancer
Have taken up ballet,
They live by the coast
In a very nice chalet;
They''re really quite neat
And they have very light feet
And watching them plie
Is really a treat!

Oh bring back, Oh bring back,
Oh bring back the spirit of Christmases past!
We hadn''t much money, But the jokes are still funny,
Oh how we so wanted those good times to last!

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222287969|LAWSON|Peter Lawson|Bring Back Christmas Cheer Pack|Orchestra|40.00|672 GMCH013-00|||9790222287976|LAWSON|Peter Lawson|Bring Back Christmas Cheer ScoreA4|Orchestral Score|8.00|88 GMCH013-01|||9790222287983|LAWSON|Peter Lawson|Bring Back Christmas Cheer Violin 1|Orchestral Part|1.50|13 GMCH013-02|||9790222287990|LAWSON|Peter Lawson|Bring Back Christmas Cheer Violin 2|Orchestral Part|1.50|13 GMCH013-03|||9790222288003|LAWSON|Peter Lawson|Bring Back Christmas Cheer Viola|Orchestral Part|1.50|13 GMCH013-04|||9790222288010|LAWSON|Peter Lawson|Bring Back Christmas Cheer Cello|Orchestral Part|1.50|13 GMCH013-05|||9790222288027|LAWSON|Peter Lawson|Bring Back Christmas Cheer Bass|Orchestral Part|1.50|13 GMCH013-06|||9790222288034|LAWSON|Peter Lawson|Bring Back Christmas Cheer Flute 1|Orchestral Part|1.50|13 GMCH013-07|||9790222288041|LAWSON|Peter Lawson|Bring Back Christmas Cheer Flute 2|Orchestral Part|1.50|13 GMCH013-08|||9790222288058|LAWSON|Peter Lawson|Bring Back Christmas Cheer Oboe 1|Orchestral Part|1.50|13 GMCH013-09|||9790222288065|LAWSON|Peter Lawson|Bring Back Christmas Cheer Oboe 2|Orchestral Part|1.50|13 GMCH013-10|||9790222288072|LAWSON|Peter Lawson|Bring Back Christmas Cheer Clar.1|Orchestral Part|1.50|13 GMCH013-11|||9790222288089|LAWSON|Peter Lawson|Bring Back Christmas Cheer Clar.2|Orchestral Part|1.50|13 GMCH013-12|||9790222288096|LAWSON|Peter Lawson|Bring Back Christmas Cheer Bsn.1|Orchestral Part|1.50|13 GMCH013-13|||9790222288102|LAWSON|Peter Lawson|Bring Back Christmas Cheer Bsn.2|Orchestral Part|1.50|13 GMCH013-14|||9790222288119|LAWSON|Peter Lawson|Bring Back Christmas Cheer Horn 1|Orchestral Part|1.50|13 GMCH013-15|||9790222288126|LAWSON|Peter Lawson|Bring Back Christmas Cheer Horn 2|Orchestral Part|1.50|13 GMCH013-16|||9790222288133|LAWSON|Peter Lawson|Bring Back Christmas Cheer Trpt.1|Orchestral Part|1.50|13 GMCH013-17|||9790222288140|LAWSON|Peter Lawson|Bring Back Christmas Cheer Trpt.2|Orchestral Part|1.50|13 GMCH013-18|||9790222288157|LAWSON|Peter Lawson|Bring Back Christmas Cheer Tromb.1|Orchestral Part|1.50|13 GMCH013-19|||9790222288164|LAWSON|Peter Lawson|Bring Back Christmas Cheer Tromb.2|Orchestral Part|1.50|13 GMCH013-20|||9790222288171|LAWSON|Peter Lawson|Bring Back Christmas Cheer Tromb.3|Orchestral Part|1.50|13 GMCH013-21|||9790222288188|LAWSON|Peter Lawson|Bring Back Christmas Cheer Tuba|Orchestral Part|1.50|13 GMCH013-22|||9790222288195|LAWSON|Peter Lawson|Bring Back Christmas Cheer Timpani|Orchestral Part|1.50|7 GMCH013-23|||9790222288201|LAWSON|Peter Lawson|Bring Back Christmas Cheer Perc.|Orchestral Part|2.00|25 GMCH013-24|||9790222288218|LAWSON|Peter Lawson|Bring Back Christmas Cheer Harp/Kb|Orchestral Part|1.50|13 GMCH013-25|||9790222288225|LAWSON|Peter Lawson|Bring Back Christmas Cheer ScoreA3|Orchestral Score|25.00|240 GMCH014|PARRY, C Hubert H (1848-1918)
BLEST PAIR OF SIRENS
Concert Chorals Series GMCH014|'ORCHESTRATION: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, Contrabassoon, 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Organ, Strings (Violin 1, Violin 2, Viola, Cello, Bass), Choir - 2xSATB

In 1886 Parry was commissioned by Charles Villiers Stanford to compose a piece for the Bach Choir of London, of which Parry was a member. Stanford, one of the first British musicians to recognise Parry''s talent, called him the greatest English composer since Purcell. Asked to write a new piece, Parry turned, at the suggestion of his colleague George Grove, to Milton''s ode "At a solemn musick" which he had been considering setting for many years.
Reviewing the concert, The Times said of Blest Pair of Sirens: The choral writing is in eight parts and abounds in contrapuntal devices. At the same time the spirit and the accent of the words are carefully attended to, as befits a work in which "sphere-born harmonious sisters, voice and verse" are invoked to "wed their divine sounds, and mix''d power employ". An excellent rendering contributed to the brilliant success of the ode.
The work was an immediate success, and was quickly taken up by other choirs. The following year it was included in the Three Choirs Festival. Recognised as "one of the outstanding English choral works", it has remained a standard in the choral repertory.
This new edition has been prepared from the first published score. Besides being much clearer than the original, certain mistakes and anomalies have also been corrected.
A PACK contains 1 x A4 sized full score, a complete set of parts including strings 4/4/3/4/2 and one copy of the vocal score. A larger A3 sized score is also available. Additional vocal scores are on sale - see catalogue number GM158.
Duration 9? minutes'|9790222293311|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Pack|Orchestra|45.00|838 GMCH014-00|||9790222293328|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Score (A4)|Orchestral Score|8.00|100 GMCH014-01|||9790222293335|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Violin 1|Orchestral Part|2.00|25 GMCH014-02|||9790222293342|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Violin 2|Orchestral Part|1.50|13 GMCH014-03|||9790222293359|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Viola|Orchestral Part|1.50|13 GMCH014-04|||9790222293366|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Cello|Orchestral Part|2.00|25 GMCH014-05|||9790222293373|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Bass|Orchestral Part|2.00|25 GMCH014-06|||9790222293380|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Flute 1|Orchestral Part|1.50|13 GMCH014-07|||9790222293397|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Flute 2|Orchestral Part|1.50|13 GMCH014-08|||9790222293403|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Oboe 1|Orchestral Part|1.50|13 GMCH014-09|||9790222293410|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Oboe 2|Orchestral Part|1.50|13 GMCH014-10|||9790222293427|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Clarinet 1|Orchestral Part|1.50|13 GMCH014-11|||9790222293434|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Clarinet 2|Orchestral Part|1.50|13 GMCH014-12|||9790222293441|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Bassoon 1|Orchestral Part|1.50|13 GMCH014-13|||9790222293458|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Bassoon 2|Orchestral Part|1.50|13 GMCH014-14|||9790222293465|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Contrabassoon|Orchestral Part|1.50|13 GMCH014-15|||9790222293472|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Horn 1|Orchestral Part|1.50|13 GMCH014-16|||9790222293489|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Horn 2|Orchestral Part|1.50|13 GMCH014-17|||9790222293496|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Horn 3|Orchestral Part|1.50|13 GMCH014-18|||9790222293502|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Horn 4|Orchestral Part|1.50|13 GMCH014-19|||9790222293519|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Trumpet 1|Orchestral Part|1.50|13 GMCH014-20|||9790222293526|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Trumpet 2|Orchestral Part|1.50|13 GMCH014-21|||9790222293533|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Trumpet 3|Orchestral Part|1.50|13 GMCH014-22|||9790222293540|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Trombone 1|Orchestral Part|1.50|13 GMCH014-23|||9790222293557|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Trombone 2|Orchestral Part|1.50|13 GMCH014-24|||9790222293564|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Trombone 3|Orchestral Part|1.50|13 GMCH014-25|||9790222293571|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Tuba|Orchestral Part|1.50|13 GMCH014-26|||9790222293588|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Timpani|Orchestral Part|1.50|13 GMCH014-27|||9790222293595|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Organ|Orchestral Part|1.50|13 GMCH014-28|||9790222293601|PARRY|C. Hubert H. Parry|Blest Pair of Sirens Score (A3)|Orchestral Score|25.00|270 GMCH015|HOLST, Gustav (arranged by Peter Lawson)
I VOW TO THEE MY COUNTRY
Goodmusic Concert Chorals Series GMCH015|Orchestration: 2 Flutes (2nd db Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba,
Timpani, Percussion (2 players: Cymbals, Tubular Bells, Bass Drum), Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Unison Voices

The origin of the text is a poem by diplomat Sir Cecil Spring-Rice, which he wrote in 1908 or 1912, entitled Urbs Dei ("The City of God"). The poem described how a Christian owes his loyalties to both his homeland and the heavenly kingdom. In 1912 Spring-Rice was Ambassador to the United States of America, where he influenced the administration of Woodrow Wilson to abandon neutrality and join Britain in the war against Germany. After the United States entered the war, he was recalled to Britain. Shortly before his departure from the US in January 1918, he re-wrote and renamed Urbs Dei, significantly altering the first verse to concentrate on the themes of love and sacrifice rather than "the noise of battle" and "the thunder of her guns", creating a more sombre tone in view of the dreadful loss of life suffered in the Great War. The poem circulated privately for a few years, until it was set to music by Holst, to a tune he adapted from his Jupiter (from The Planets) to fit the words of the poem. It was performed as a unison song with orchestra in the early 1920s.

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2 and one copy of the "voices" part.
Duration 3 minutes|9790222302068|HOLST|Gustav Holst|I Vow to Thee My Country Pack|Orchestra|30.00|387 GMCH015-00|||9790222302082|HOLST|Gustav Holst|I Vow to Thee My Country Score|Orchestral Score|5.00|38 GMCH015-01|||9790222302099|HOLST|Gustav Holst|I Vow to Thee My Country Violin 1|Orchestral Part|1.50|13 GMCH015-02|||9790222302105|HOLST|Gustav Holst|I Vow to Thee My Country Violin 2|Orchestral Part|1.50|13 GMCH015-03|||9790222302112|HOLST|Gustav Holst|I Vow to Thee My Country Viola|Orchestral Part|1.50|13 GMCH015-04|||9790222302129|HOLST|Gustav Holst|I Vow to Thee My Country Cello|Orchestral Part|1.50|7 GMCH015-05|||9790222302136|HOLST|Gustav Holst|I Vow to Thee My Country Bass|Orchestral Part|1.50|7 GMCH015-06|||9790222302143|HOLST|Gustav Holst|I Vow to Thee My Country Flute 1|Orchestral Part|1.50|7 GMCH015-07|||9790222302150|HOLST|Gustav Holst|I Vow to Thee My Country Flute 2|Orchestral Part|1.50|7 GMCH015-08|||9790222302167|HOLST|Gustav Holst|I Vow to Thee My Country Oboe 1|Orchestral Part|1.50|7 GMCH015-09|||9790222302174|HOLST|Gustav Holst|I Vow to Thee My Country Oboe 2|Orchestral Part|1.50|7 GMCH015-10|||9790222302181|HOLST|Gustav Holst|I Vow to Thee My Country Clarinet 1|Orchestral Part|1.50|7 GMCH015-11|||9790222302198|HOLST|Gustav Holst|I Vow to Thee My Country Clarinet 2|Orchestral Part|1.50|7 GMCH015-12|||9790222302204|HOLST|Gustav Holst|I Vow to Thee My Country Bassoon 1|Orchestral Part|1.50|7 GMCH015-13|||9790222302211|HOLST|Gustav Holst|I Vow to Thee My Country Bassoon 2|Orchestral Part|1.50|7 GMCH015-14|||9790222302228|HOLST|Gustav Holst|I Vow to Thee My Country Horn 1|Orchestral Part|1.50|7 GMCH015-15|||9790222302235|HOLST|Gustav Holst|I Vow to Thee My Country Horn 2|Orchestral Part|1.50|7 GMCH015-16|||9790222302242|HOLST|Gustav Holst|I Vow to Thee My Country Horn 3|Orchestral Part|1.50|7 GMCH015-17|||9790222302259|HOLST|Gustav Holst|I Vow to Thee My Country Horn 4|Orchestral Part|1.50|7 GMCH015-18|||9790222302266|HOLST|Gustav Holst|I Vow to Thee My Country Trumpet 1|Orchestral Part|1.50|7 GMCH015-19|||9790222302273|HOLST|Gustav Holst|I Vow to Thee My Country Trumpet 2|Orchestral Part|1.50|7 GMCH015-20|||9790222302280|HOLST|Gustav Holst|I Vow to Thee My Country Trombone 1|Orchestral Part|1.50|7 GMCH015-21|||9790222302297|HOLST|Gustav Holst|I Vow to Thee My Country Trombone 2|Orchestral Part|1.50|7 GMCH015-22|||9790222302303|HOLST|Gustav Holst|I Vow to Thee My Country Trombone 3|Orchestral Part|1.50|7 GMCH015-23|||9790222302310|HOLST|Gustav Holst|I Vow to Thee My Country Tuba|Orchestral Part|1.50|7 GMCH015-24|||9790222302327|HOLST|Gustav Holst|I Vow to Thee My Country Timpani|Orchestral Part|1.50|7 GMCH015-25|||9790222302334|HOLST|Gustav Holst|I Vow to Thee My Country Percussion|Orchestral Part|1.50|7 GMCH015-26|||9790222302341|HOLST|Gustav Holst|I Vow to Thee My Country Harp/Kb|Orchestral Part|1.50|13 GMCH015-27|||9790222302358|HOLST|Gustav Holst|I Vow to Thee My Country Voices|Orchestral Part|1.50|13 GMCH016|Peter Lawson
FANTASIA ON TWELVE DAYS OF CHRISTMAS
for choir and orchestra
Goodmusic GMCH016|Orchestration: 2 Flutes (2nd db Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (2 players: Swanee whistle, Snare Drum, Claves, Cymbals (suspended & clashed), Castanets, Tambourine, Glockenspiel, Xylophone), Harp (or Keyboard) [optional]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Mixed Voice Choir or Upper Voice Choir

Have you ever wondered what happened to all those gifts or what the recipient thought about them?
Well, now you can hear the full story of how they were all put to use by the Mistress of the Manor whose true-love went a bit over the top with his generosity!
The traditional verses of The Twelve Days of Christmas are sung with subsidiary verses between. The recipient of the gifts from her true-love is the mistress of a manor house with extensive grounds, a resourceful and feisty lady who remains undaunted by the gifts which build up alarmingly during the twelve days of Christmas. The Mistress is a Soprano and her somewhat less enthusiastic Sister an Alto. The subsidiary verses are often sung by the Mistress and Sister.
This Fantasia is available for Mixed Voice Choir (SATB) [GM287], a Mixed Voice Choir with a shortage of male voices with just one male line in the baritone range (SA+Men)[GM288], or for Upper Voice Choir (SSA)[GM289]. The work can be performed either with orchestra or just piano accompaniment.
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2. The choir parts are available separately.
Duration 16 minutes|9790222323308|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Pack|Orchestra|80.00|1225 GMCH016-00|||9790222323315|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Score|Orchestral Score|12.00|163 GMCH016-01|||9790222323322|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Vln 1|Orchestral Part|2.50|38 GMCH016-02|||9790222323339|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Vln 2|Orchestral Part|2.00|25 GMCH016-03|||9790222323346|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Viola|Orchestral Part|2.00|25 GMCH016-04|||9790222323353|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Cello|Orchestral Part|2.50|38 GMCH016-05|||9790222323360|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Bass|Orchestral Part|2.00|25 GMCH016-06|||9790222323377|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Flute 1|Orchestral Part|2.00|25 GMCH016-07|||9790222323384|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Flute 2|Orchestral Part|2.00|25 GMCH016-08|||9790222323391|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Oboe 1|Orchestral Part|2.00|25 GMCH016-09|||9790222323407|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Oboe 2|Orchestral Part|2.00|25 GMCH016-10|||9790222323414|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Clar 1|Orchestral Part|2.00|25 GMCH016-11|||9790222323421|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Clar 2|Orchestral Part|2.00|25 GMCH016-12|||9790222323438|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Bsn 1|Orchestral Part|2.00|25 GMCH016-13|||9790222323445|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Bsn 2|Orchestral Part|2.00|25 GMCH016-14|||9790222323452|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Horn 1|Orchestral Part|2.00|25 GMCH016-15|||9790222323469|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Horn 2|Orchestral Part|2.00|25 GMCH016-16|||9790222323476|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Trpt 1|Orchestral Part|2.00|25 GMCH016-17|||9790222323483|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Trpt 2|Orchestral Part|2.00|25 GMCH016-18|||9790222323490|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Tromb 1|Orchestral Part|2.00|25 GMCH016-19|||9790222323506|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Tromb 2|Orchestral Part|2.00|25 GMCH016-20|||9790222323513|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Tromb 3|Orchestral Part|2.00|25 GMCH016-21|||9790222323520|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Tuba|Orchestral Part|2.00|25 GMCH016-22|||9790222323537|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Timpani|Orchestral Part|2.00|25 GMCH016-23|||9790222323544|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Percuss|Orchestral Part|2.00|25 GMCH016-24|||9790222323551|LAWSON|Peter Lawson|Fantasia on 12 Days of Xmas Harp/Kb|Orchestral Part|2.50|38 GMCH017|ARNE, Thomas (arranged by Peter Lawson)
RULE BRITANNIA!
Goodmusic Concert Chorals Series GMCH017|Orchestration: 2 Flutes (2nd db Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (3 players: Side Drum, Cymbals, Bass Drum), Harp (or Keyboard) [optional]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Mixed Voice Choir

This arrangement is for a "traditional" performance of this popular favourite which is always sung at the Last Night of the Proms. Choral copies are on sale for SATB mixed voice choir (GM299) or, for choirs with a shortage of men, for SA+Men (GM298) with a single line for the males in the baritone range. No choral copies are included with the orchestral pack. The verses could be taken by a vocal soloist with the choir joining in for the choruses.

A PACK comprises a full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 3 minutes|9790222312425|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Pack|Orchestra|45.00|425 GMCH017-00|||9790222312432|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Score|Orchestral Score|5.00|50 GMCH017-01|||9790222312449|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Vln 1|Orchestral Part|1.50|13 GMCH017-02|||9790222312456|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Vln 2|Orchestral Part|1.50|13 GMCH017-03|||9790222312463|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Viola|Orchestral Part|1.50|7 GMCH017-04|||9790222312470|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Cello|Orchestral Part|1.50|13 GMCH017-05|||9790222312487|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Bass|Orchestral Part|1.50|13 GMCH017-06|||9790222312494|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Flute 1|Orchestral Part|1.50|7 GMCH017-07|||9790222312500|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Flute 2|Orchestral Part|1.50|7 GMCH017-08|||9790222312517|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Oboe 1|Orchestral Part|1.50|7 GMCH017-09|||9790222312524|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Oboe 2|Orchestral Part|1.50|7 GMCH017-10|||9790222312531|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Clar 1|Orchestral Part|1.50|7 GMCH017-11|||9790222312548|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Clar 2|Orchestral Part|1.50|7 GMCH017-12|||9790222312555|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Bsn 1|Orchestral Part|1.50|13 GMCH017-13|||9790222312562|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Bsn 2|Orchestral Part|1.50|7 GMCH017-14|||9790222312579|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Horn 1|Orchestral Part|1.50|13 GMCH017-15|||9790222312586|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Horn 2|Orchestral Part|1.50|7 GMCH017-16|||9790222312593|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Trp 1|Orchestral Part|1.50|13 GMCH017-17|||9790222312609|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Trp 2|Orchestral Part|1.50|7 GMCH017-18|||9790222312616|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Trb 1|Orchestral Part|1.50|7 GMCH017-19|||9790222312623|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Trb 2|Orchestral Part|1.50|7 GMCH017-20|||9790222312630|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Trb 3|Orchestral Part|1.50|7 GMCH017-21|||9790222312647|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Tuba|Orchestral Part|1.50|7 GMCH017-22|||9790222312654|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Timpani|Orchestral Part|1.50|7 GMCH017-23|||9790222312661|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Perc|Orchestral Part|1.50|13 GMCH017-24|||9790222312678|ARNE|Thomas Arne|Rule Britannia (arr.Lawson) Harp|Orchestral Part|1.50|7 GMCH018|Peter Lawson
HOLY THE NIGHT for choir and orchestra
Goodmusic Concert Chorals GMCH018|'A carol for Christmas adapted from the 2nd movement of Beethoven''s Piano Sonata in C minor Op.13 (Pathetique) with words by Peter Lawson arranged by Peter Lawson for choir with orchestra or piano
Orchestration:2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F (3 & 4 optional), 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (1 player: Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir (SATB or SA+Men or SSA or TTBB)

Holy, the Night is written to the well-known second movement of Beethoven''s Sonata Pathetique, No.8 in C minor, Op.13. The appellation ''Pathetique'' derives from the original publisher''s title Grande Sonate Pathetique - with Beethoven''s approval, though it refers, principally, to the dramatic, Grave opening of the first movement and the rather stormy Allegro di molto e con brio which follows it, rather than to the nature of the second and third movements.
The second movement, marked Adagio cantabile, has been employed in various different contexts by others since and, with this in mind, I thought that it''s hymn-like theme could become a suitable melody for a Christmas carol. I wrote words to it, describing the nativity scene in the lowly stable in Bethlehem. There are two contrasting episodic sections in which the words refer back to the Angel Gabriel appearing to Mary, telling her that she would be visited by the Holy Spirit and would bear God''s son, who would be known as Jesus. With the final return of the hymn-like theme, the Three Wise Men come to worship baby Jesus, bearing their gifts of gold, frankincense and myrrh. Mary and Joseph are greatly comforted and honoured by the kindness of the distinguished visitors from afar. Peter Lawson
A PACK includes a full score and a full set of parts including strings 4/4/3/4/2.
The four different chorus parts are available separately [GM424/GM425/GM426/GM427]
Duration 4? minutes'|9790222324220|LAWSON|Peter Lawson|Holy the Night Pack|Orchestra|45.00|425 GMCH018-00|||9790222324237|LAWSON|Peter Lawson|Holy the Night Score|Orchestral Score|5.00|50 GMCH018-01|||9790222324244|LAWSON|Peter Lawson|Holy the Night Violin 1|Orchestral Part|1.50|13 GMCH018-02|||9790222324251|LAWSON|Peter Lawson|Holy the Night Violin 2|Orchestral Part|1.50|13 GMCH018-03|||9790222324268|LAWSON|Peter Lawson|Holy the Night Viola|Orchestral Part|1.50|13 GMCH018-04|||9790222324275|LAWSON|Peter Lawson|Holy the Night Cello|Orchestral Part|1.50|13 GMCH018-05|||9790222324282|LAWSON|Peter Lawson|Holy the Night Bass|Orchestral Part|1.50|13 GMCH018-06|||9790222324299|LAWSON|Peter Lawson|Holy the Night Flute 1|Orchestral Part|1.50|13 GMCH018-07|||9790222324305|LAWSON|Peter Lawson|Holy the Night Flute 2|Orchestral Part|1.50|7 GMCH018-08|||9790222324312|LAWSON|Peter Lawson|Holy the Night Oboe 1|Orchestral Part|1.50|13 GMCH018-09|||9790222324329|LAWSON|Peter Lawson|Holy the Night Oboe 2|Orchestral Part|1.50|7 GMCH018-10|||9790222324336|LAWSON|Peter Lawson|Holy the Night Clarinet 1|Orchestral Part|1.50|7 GMCH018-11|||9790222324343|LAWSON|Peter Lawson|Holy the Night Clarinet 2|Orchestral Part|1.50|7 GMCH018-12|||9790222324350|LAWSON|Peter Lawson|Holy the Night Bassoon 1|Orchestral Part|1.50|7 GMCH018-13|||9790222324367|LAWSON|Peter Lawson|Holy the Night Bassoon 2|Orchestral Part|1.50|7 GMCH018-14|||9790222324374|LAWSON|Peter Lawson|Holy the Night Horn 1|Orchestral Part|1.50|7 GMCH018-15|||9790222324381|LAWSON|Peter Lawson|Holy the Night Horn 2|Orchestral Part|1.50|7 GMCH018-16|||9790222324398|LAWSON|Peter Lawson|Holy the Night Horn 3|Orchestral Part|1.50|7 GMCH018-17|||9790222324404|LAWSON|Peter Lawson|Holy the Night Horn 4|Orchestral Part|1.50|7 GMCH018-18|||9790222324411|LAWSON|Peter Lawson|Holy the Night Trumpet 1|Orchestral Part|1.50|7 GMCH018-19|||9790222324428|LAWSON|Peter Lawson|Holy the Night Trumpet 2|Orchestral Part|1.50|7 GMCH018-20|||9790222324435|LAWSON|Peter Lawson|Holy the Night Trombone 1|Orchestral Part|1.50|7 GMCH018-21|||9790222324442|LAWSON|Peter Lawson|Holy the Night Trombone 2|Orchestral Part|1.50|7 GMCH018-22|||9790222324459|LAWSON|Peter Lawson|Holy the Night Trombone 3|Orchestral Part|1.50|7 GMCH018-23|||9790222324466|LAWSON|Peter Lawson|Holy the Night Tuba|Orchestral Part|1.50|7 GMCH018-24|||9790222324473|LAWSON|Peter Lawson|Holy the Night Timpani|Orchestral Part|1.50|7 GMCH018-25|||9790222324480|LAWSON|Peter Lawson|Holy the Night Percussion|Orchestral Part|1.50|7 GMCH019|'Peter Lawson
SHEPHERDS WATCH''D PEACEFULLY for choir and orchestra
Goodmusic Concert Chorals GMCH019'|'A carol for Christmas adapted from Schubert''s Impromptu No.3, Op.90 with words by Peter Lawson arranged by Peter Lawson for choir with orchestra or piano. Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir (SATB or SA+Men or SSA or TTBB)
Shepherds Watch''d Peacefully is set to the well-loved Impromptu No.3, Op.90, by Franz Schubert, originally written for piano and in the intriguing key of G flat major, but here transposed up a semitone into the more accessible G major, with the Impromptu being abridged by about a third in length. Above a rippling accompaniment in the right hand, the pianist brings out a song-like melody of great beauty, mainly with the righthand little-finger. It is to this melody which I wrote words, describing the shepherds in the fields and the Nativity scene in the humble stable in nearby Bethlehem. A more troubled middle section reflects the duress Mary and Joseph had incurred, whilst trying to find somewhere to spend the night in a crowded Bethlehem. After much searching, a kindly landlord, seeing that Mary was about to give birth, lets the anxious couple share a humble stable with cattle - at this point, the music becomes more tender in nature. The troubled motif returns, depicting the enduring journey made by the three Wise men to find their holy saviour. The music then becomes more intimate as they end their journey and kneel before the baby Jesus. The opening melody returns as the chorus of angels from heaven above can be heard serenading the tranquil scene below: Mary and Joseph and the Wise men, giving praise to God''s son, who was born in such humble circumstances, in the lowly stable. Peter Lawson
A PACK includes a full score and a full set of parts including strings 4/4/3/4/2.
The four different chorus parts are available separately. [GM428/GM429/GM430/GM431]
Duration 4? minutes'|9790222324534|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Pack'|Orchestra|45.00|469 GMCH019-00|||9790222324541|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Score'|Orchestral Score|6.00|75 GMCH019-01|||9790222324558|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Vln 1'|Orchestral Part|1.50|13 GMCH019-02|||9790222324565|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Vln 2'|Orchestral Part|1.50|13 GMCH019-03|||9790222324572|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Viola'|Orchestral Part|1.50|13 GMCH019-04|||9790222324589|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Cello'|Orchestral Part|1.50|13 GMCH019-05|||9790222324596|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Bass'|Orchestral Part|1.50|13 GMCH019-06|||9790222324602|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Fl 1'|Orchestral Part|1.50|13 GMCH019-07|||9790222324619|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Fl 2'|Orchestral Part|1.50|7 GMCH019-08|||9790222324626|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Oboe 1'|Orchestral Part|1.50|13 GMCH019-09|||9790222324633|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Oboe 2'|Orchestral Part|1.50|13 GMCH019-10|||9790222324640|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Clar 1'|Orchestral Part|1.50|13 GMCH019-11|||9790222324657|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Clar 2'|Orchestral Part|1.50|13 GMCH019-12|||9790222324664|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Bsn 1'|Orchestral Part|1.50|13 GMCH019-13|||9790222324671|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Bsn 2'|Orchestral Part|1.50|13 GMCH019-14|||9790222324688|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Horn 1'|Orchestral Part|1.50|7 GMCH019-15|||9790222324695|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Horn 2'|Orchestral Part|1.50|7 GMCH019-16|||9790222324701|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Trp 1'|Orchestral Part|1.50|7 GMCH019-17|||9790222324718|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Trp 2'|Orchestral Part|1.50|7 GMCH019-18|||9790222324725|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Trb 1'|Orchestral Part|1.50|7 GMCH019-19|||9790222324732|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Trb 2'|Orchestral Part|1.50|7 GMCH019-20|||9790222324749|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Trb 3'|Orchestral Part|1.50|7 GMCH019-21|||9790222324756|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Tuba'|Orchestral Part|1.50|13 GMCH019-22|||9790222324763|LAWSON|Peter Lawson|'Shepherds Watch''d Peacefully Timp'|Orchestral Part|1.50|7 GMCH020|'Peter Lawson
OUR SAVIOUR BORN IN BETHL''EM FAIR for choir & orchestra
Goodmusic Concert Chorals GMCH020'|'Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir (SATB or SA+Men or SSA or TTBB)
Here is a carol with words to fit an abridged version of the slow movement of Schubert''s fifth Symphony, which he wrote in 1816, when only nineteen years old. The fifth symphony is a great favourite with concert audiences around the world and much loved by conductors and performers alike?its immediate appeal always charms and entertains with its beguiling simplicity and straight-forwardness - it is like a dear old friend to concert-goers. The hymn-like quality of the music to the slow movement''s main theme is tempered with an almost Mozartian elegance - Schubert was a great admirer of his fellow Viennese maestro''s music and, of his nine symphonies, this is arguably Schubert at his most Mozartian.
In this arrangement, I have given the middle section to soloists, who tell of the journey of Mary and Joseph to a crowded Bethlehem, finding nowhere to stay except a humble stable, sharing with animals. In the original symphonic movement, there are two such similar sections with the main theme occurring between them as well as at the beginning and end, but, given the limitations on time with a carol, I have used a shortened version of only the second section. The recapitulation of the main theme thus follows, with words describing the three wise men following a star, which guided them to the stable, while heavenly voices sing from above. Peter Lawson
A PACK includes a full score plus a complete set of orchestral parts including strings 4/4/3/4/2.
Chorus scores are available separately (GM444/GM445/GM446/GM447)
Duration 4? minutes'|9790222326712|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Pack'|Orchestra|30.00|400 GMCH020-00|||9790222326729|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Score'|Orchestral Score|5.00|50 GMCH020-01|||9790222326736|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Vln 1'|Orchestral Part|0.00|13 GMCH020-02|||9790222326743|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Vln 2'|Orchestral Part|0.00|13 GMCH020-03|||9790222326750|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Viola'|Orchestral Part|0.00|13 GMCH020-04|||9790222326767|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Cello'|Orchestral Part|0.00|13 GMCH020-05|||9790222326774|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Bass'|Orchestral Part|0.00|13 GMCH020-06|||9790222326781|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Flute1'|Orchestral Part|0.00|7 GMCH020-07|||9790222326798|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Flute2'|Orchestral Part|0.00|7 GMCH020-08|||9790222326804|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Oboe 1'|Orchestral Part|0.00|7 GMCH020-09|||9790222326811|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Oboe 2'|Orchestral Part|0.00|7 GMCH020-10|||9790222326828|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Clar 1'|Orchestral Part|0.00|7 GMCH020-11|||9790222326835|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Clar 2'|Orchestral Part|0.00|7 GMCH020-12|||9790222326842|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Bsn 1'|Orchestral Part|0.00|7 GMCH020-13|||9790222326859|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Bsn 2'|Orchestral Part|0.00|7 GMCH020-14|||9790222326866|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Horn 1'|Orchestral Part|0.00|7 GMCH020-15|||9790222326873|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Horn 2'|Orchestral Part|0.00|7 GMCH020-16|||9790222326880|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Trp 1'|Orchestral Part|0.00|7 GMCH020-17|||9790222326897|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Trp 2'|Orchestral Part|0.00|7 GMCH020-18|||9790222326903|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Tromb1'|Orchestral Part|0.00|7 GMCH020-19|||9790222326910|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Tromb2'|Orchestral Part|0.00|7 GMCH020-20|||9790222326927|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Tromb3'|Orchestral Part|0.00|7 GMCH020-21|||9790222326934|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Tuba'|Orchestral Part|0.00|7 GMCH020-22|||9790222326941|LAWSON|Peter Lawson|'Our Saviour Born in Bethl''em Timp'|Orchestral Part|0.00|7 GMCL001|BEETHOVEN, Ludwig van (1770-1827)
HYMN TO JOY (arr.A.W.Benoy)
Concert Classics Series GMCL001|'Orchestration
2 Descant recorders, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bassoon
Horn in F, 2 Trumpets in Bb, Trombone, Timpani
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello / Bass)
Piano (optional)

This work is freely adapted from the Finale of Beethoven''s Ninth Symphony, and all the material used is either suggested by, or has its counterpart in, Beethoven''s score. It is hoped that, as well as providing a pleasant item for players of modest technique, it will also afford a practical introduction to Beethoven''s masterpiece. The work can be performed by strings only, with or without piano, but will sound more effective with the addition of the wind parts, which may be used according to availability.
Duration: 2? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222200005|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Pack|Orchestra|40.00|482 GMCL001-00|||9790222200012|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Score|Orchestral Score|5.00|50 GMCL001-01|||9790222200029|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Violin 1|Orchestral Part|1.50|13 GMCL001-02|||9790222200036|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Violin 2|Orchestral Part|1.50|13 GMCL001-03|||9790222200043|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Violin 3|Orchestral Part|1.50|13 GMCL001-04|||9790222200050|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Viola|Orchestral Part|1.50|13 GMCL001-05|||9790222200067|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Cello/Bass|Orchestral Part|1.50|13 GMCL001-06|||9790222200074|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Desc Recorder|Orchestral Part|1.50|13 GMCL001-07|||9790222200081|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Flute 1|Orchestral Part|1.50|13 GMCL001-08|||9790222200098|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Flute 2|Orchestral Part|1.50|7 GMCL001-09|||9790222200104|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Oboe 1 & 2|Orchestral Part|1.50|13 GMCL001-10|||9790222200111|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Clarinet 1 & 2|Orchestral Part|1.50|13 GMCL001-11|||9790222200128|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Bassoon|Orchestral Part|1.50|13 GMCL001-12|||9790222200135|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Horn|Orchestral Part|1.50|7 GMCL001-13|||9790222200142|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Trumpet 1 & 2|Orchestral Part|1.50|13 GMCL001-14|||9790222200159|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Trombone|Orchestral Part|1.50|7 GMCL001-15|||9790222200166|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Timpani|Orchestral Part|1.50|7 GMCL001-16|||9790222200173|BEETHOVEN|Ludwig van Beethoven|Hymn To Joy (Benoy) Piano|Orchestral Part|1.50|13 GMCL002|BERLIOZ, Hector (1803-1869)
MARCH TO THE SCAFFOLD (arr.Anthony Carter)
Concert Classics Series GMCL002|Orchestration
2 Flutes & Piccolo, 2 Oboes, 3 Clarinets in Bb (3rd below the break), 2 Bassoons
4 Horns in F, 3 Trumpets in Bb (3rd easy), 3 Trombones, Tuba, Timpani (up to 5 drums with 2 players)
Percussion (Side drum, Cymbals, Bass drum & Glockenspiel plus ad lib Tambourines, Cymbals & Drums)
Strings (Violin 1, Violin 2, Violin 3 [easy], Viola, Cello, Bass)
Piano or Organ (optional)

The piano part is in places just a piano-conductor score, with the result that the music would be more or less complete on strings and piano. However this would not be effective enough for a performance, though it might prove useful at sectional rehearsals. The minimum number of instruments envisaged is: strings, flute 1, clarinet 1 & 2, clarinet 3 or bassoon, trumpets 1 & 2 and timpani (1 player, 2 drums). The clarinet 3 part partly covers the lack of bassoon, and similarly violin 3 for viola, although this can be used as an elementary part even if the violas are strong. Trumpet 3 is not essential and stays low throughout.
Duration: 6 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222200180|BERLIOZ H|Hector Berlioz|March To the Scaffold (Carter) Pk|Orchestra|70.00|782 GMCL002-00|||9790222200197|BERLIOZ H|Hector Berlioz|March To the Scaffold Score|Orchestral Score|10.00|125 GMCL002-01|||9790222200203|BERLIOZ H|Hector Berlioz|March To the Scaffold Violin 1|Orchestral Part|1.50|13 GMCL002-02|||9790222200210|BERLIOZ H|Hector Berlioz|March To the Scaffold Violin 2|Orchestral Part|1.50|13 GMCL002-03|||9790222200227|BERLIOZ H|Hector Berlioz|March To the Scaffold Violin 3|Orchestral Part|1.50|13 GMCL002-04|||9790222200234|BERLIOZ H|Hector Berlioz|March To the Scaffold Viola|Orchestral Part|1.50|13 GMCL002-05|||9790222200241|BERLIOZ H|Hector Berlioz|March To the Scaffold Cello|Orchestral Part|1.50|13 GMCL002-06|||9790222200258|BERLIOZ H|Hector Berlioz|March To the Scaffold Bass|Orchestral Part|1.50|13 GMCL002-07|||9790222200265|BERLIOZ H|Hector Berlioz|March To the Scaffold Piccolo|Orchestral Part|1.50|13 GMCL002-08|||9790222200272|BERLIOZ H|Hector Berlioz|March To the Scaffold Flute 1|Orchestral Part|1.50|13 GMCL002-09|||9790222200289|BERLIOZ H|Hector Berlioz|March To the Scaffold Flute 2|Orchestral Part|1.50|13 GMCL002-10|||9790222200296|BERLIOZ H|Hector Berlioz|March To the Scaffold Oboe 1|Orchestral Part|1.50|13 GMCL002-11|||9790222200302|BERLIOZ H|Hector Berlioz|March To the Scaffold Oboe 2|Orchestral Part|1.50|13 GMCL002-12|||9790222200319|BERLIOZ H|Hector Berlioz|March To the Scaffold Clarinet 1|Orchestral Part|1.50|13 GMCL002-13|||9790222200326|BERLIOZ H|Hector Berlioz|March To the Scaffold Clarinet 2|Orchestral Part|1.50|13 GMCL002-14|||9790222200333|BERLIOZ H|Hector Berlioz|March To the Scaffold Clarinet 3|Orchestral Part|1.50|13 GMCL002-15|||9790222200340|BERLIOZ H|Hector Berlioz|March To the Scaffold Bassoon 1|Orchestral Part|1.50|13 GMCL002-16|||9790222200357|BERLIOZ H|Hector Berlioz|March To the Scaffold Bassoon 2|Orchestral Part|1.50|13 GMCL002-17|||9790222200364|BERLIOZ H|Hector Berlioz|March To the Scaffold Horn 1|Orchestral Part|1.50|13 GMCL002-18|||9790222200371|BERLIOZ H|Hector Berlioz|March To the Scaffold Horn 2|Orchestral Part|1.50|13 GMCL002-19|||9790222200388|BERLIOZ H|Hector Berlioz|March To the Scaffold Horn 3|Orchestral Part|1.50|13 GMCL002-20|||9790222200395|BERLIOZ H|Hector Berlioz|March To the Scaffold Horn 4|Orchestral Part|1.50|13 GMCL002-21|||9790222200401|BERLIOZ H|Hector Berlioz|March To the Scaffold Trumpet 1|Orchestral Part|1.50|13 GMCL002-22|||9790222200418|BERLIOZ H|Hector Berlioz|March To the Scaffold Trumpet 2|Orchestral Part|1.50|13 GMCL002-23|||9790222200425|BERLIOZ H|Hector Berlioz|March To the Scaffold Trumpet 3|Orchestral Part|1.50|13 GMCL002-24|||9790222200432|BERLIOZ H|Hector Berlioz|March To the Scaffold Trombone 1|Orchestral Part|1.50|13 GMCL002-25|||9790222200449|BERLIOZ H|Hector Berlioz|March To the Scaffold Trombone 2|Orchestral Part|1.50|13 GMCL002-26|||9790222200456|BERLIOZ H|Hector Berlioz|March To the Scaffold Trombone 3|Orchestral Part|1.50|13 GMCL002-27|||9790222200463|BERLIOZ H|Hector Berlioz|March To the Scaffold Tuba|Orchestral Part|1.50|13 GMCL002-28|||9790222200470|BERLIOZ H|Hector Berlioz|March To the Scaffold Timpani|Orchestral Part|2.00|25 GMCL002-29|||9790222200487|BERLIOZ H|Hector Berlioz|March To the Scaffold Percussion|Orchestral Part|2.00|25 GMCL002-30|||9790222200494|BERLIOZ H|Hector Berlioz|March To the Scaffold Piano|Orchestral Part|2.00|25 GMCL003|GRIEG, Edvard (1843-1907)
HOMAGE MARCH (arr.Anthony Carter)
Concert Classics Series GMCL003|Orchestration
2 Flutes & Piccolo, 2 Oboes, 3 Clarinets in Bb (3rd below the break) 2 Bassoons
2 Horns in F, 3 Trumpets in Bb (3rd easy), 3 Trombones, Tuba, Timpani (2 drums, 1 player),
Percussion (Bass drum, Cymbals, Side drum, Glockenspiel, Triangle)
Strings (Violin 1, Violin 2, Violin 3 [easy], Viola, Cello, Bass)
Piano (optional - no separate part, only shown in score).

The minimum number of instruments envisaged is strings, flute 1, clarinets 1 & 2 and trumpets 1 & 2. The piano part in the score is primarily to assist at rehearsals but it can also be used in performances if there is a shortage of the lower instruments. Where the word "harp" appears in the piano part these chords should be played arpeggiando. This March has been arranged from the Suite "Sigurd Jorsalfar Op.56".
Duration: 10 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222200500|GRIEG E|Edvard Grieg|Homage March (Carter) Pack|Orchestra|55.00|600 GMCL003-00|||9790222200517|GRIEG E|Edvard Grieg|Homage March (Carter) Score|Orchestral Score|6.00|63 GMCL003-01|||9790222200524|GRIEG E|Edvard Grieg|Homage March (Carter) Violin 1|Orchestral Part|1.50|13 GMCL003-02|||9790222200531|GRIEG E|Edvard Grieg|Homage March (Carter) Violin 2|Orchestral Part|1.50|13 GMCL003-03|||9790222200548|GRIEG E|Edvard Grieg|Homage March (Carter) Violin 3|Orchestral Part|1.50|13 GMCL003-04|||9790222200555|GRIEG E|Edvard Grieg|Homage March (Carter) Viola|Orchestral Part|1.50|13 GMCL003-05|||9790222200562|GRIEG E|Edvard Grieg|Homage March (Carter) Cello|Orchestral Part|1.50|13 GMCL003-06|||9790222200579|GRIEG E|Edvard Grieg|Homage March (Carter) Bass|Orchestral Part|1.50|13 GMCL003-07|||9790222200586|GRIEG E|Edvard Grieg|Homage March (Carter) Piccolo|Orchestral Part|1.50|7 GMCL003-08|||9790222200593|GRIEG E|Edvard Grieg|Homage March (Carter) Flute 1|Orchestral Part|1.50|13 GMCL003-09|||9790222200609|GRIEG E|Edvard Grieg|Homage March (Carter) Flute 2|Orchestral Part|1.50|13 GMCL003-10|||9790222200616|GRIEG E|Edvard Grieg|Homage March (Carter) Oboe 1|Orchestral Part|1.50|13 GMCL003-11|||9790222200623|GRIEG E|Edvard Grieg|Homage March (Carter) Oboe 2|Orchestral Part|1.50|13 GMCL003-12|||9790222200630|GRIEG E|Edvard Grieg|Homage March (Carter) Clarinet 1|Orchestral Part|1.50|13 GMCL003-13|||9790222200647|GRIEG E|Edvard Grieg|Homage March (Carter) Clarinet 2|Orchestral Part|1.50|13 GMCL003-14|||9790222200654|GRIEG E|Edvard Grieg|Homage March (Carter) Clarinet 3|Orchestral Part|1.50|13 GMCL003-15|||9790222200661|GRIEG E|Edvard Grieg|Homage March (Carter) Bassoon 1|Orchestral Part|1.50|13 GMCL003-16|||9790222200678|GRIEG E|Edvard Grieg|Homage March (Carter) Bassoon 2|Orchestral Part|1.50|13 GMCL003-17|||9790222200685|GRIEG E|Edvard Grieg|Homage March (Carter) Horn 1|Orchestral Part|1.50|13 GMCL003-18|||9790222200692|GRIEG E|Edvard Grieg|Homage March (Carter) Horn 2|Orchestral Part|1.50|13 GMCL003-19|||9790222200708|GRIEG E|Edvard Grieg|Homage March (Carter) Trumpet 1|Orchestral Part|1.50|13 GMCL003-20|||9790222200715|GRIEG E|Edvard Grieg|Homage March (Carter) Trumpet 2|Orchestral Part|1.50|13 GMCL003-21|||9790222200722|GRIEG E|Edvard Grieg|Homage March (Carter) Trumpet 3|Orchestral Part|1.50|13 GMCL003-22|||9790222200739|GRIEG E|Edvard Grieg|Homage March (Carter) Trombone 1|Orchestral Part|1.50|13 GMCL003-23|||9790222200746|GRIEG E|Edvard Grieg|Homage March (Carter) Trombone 2|Orchestral Part|1.50|13 GMCL003-24|||9790222200753|GRIEG E|Edvard Grieg|Homage March (Carter) Trombone 3|Orchestral Part|1.50|13 GMCL003-25|||9790222200760|GRIEG E|Edvard Grieg|Homage March (Carter) Tuba|Orchestral Part|1.50|13 GMCL003-26|||9790222200777|GRIEG E|Edvard Grieg|Homage March (Carter) Timpani|Orchestral Part|1.50|7 GMCL003-27|||9790222200784|GRIEG E|Edvard Grieg|Homage March (Carter) Percussion|Orchestral Part|1.50|13 GMCL004|HEROLD, Ferdinand (1791-1833)
CLOG DANCE (arr.John Lanchbery adapted David Stone)
Concert Classics Series GMCL004|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F,2 Trumpets in Bb, 3 Trombones, Wood block
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Piano (optional)

This piece is taken from the ballet "La Fille mal Gardee" which tells the story of a farmer''s daughter and her two suitors - a young farmer and the son of a rich vineyard proprietor. The minimum forces required for performance are 1 flute, 1 oboe, 1 clarinet, wood-block and strings. The piano part may be used to strengthen the lower strings and also as an aid to rehearsal. If only one flautist is available the 1st flute part should be played. If only one bassoonist is available the 1st bassoon should be played where the 2nd is silent, but 2nd where both are playing.
Duration: 3 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222200791|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Pack|Orchestra|45.00|520 GMCL004-00|||9790222200807|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Score|Orchestral Score|6.00|63 GMCL004-01|||9790222200814|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Violin 1|Orchestral Part|1.50|13 GMCL004-02|||9790222200821|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Violin 2|Orchestral Part|1.50|13 GMCL004-03|||9790222200838|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Viola|Orchestral Part|1.50|13 GMCL004-04|||9790222200845|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Cello|Orchestral Part|1.50|13 GMCL004-05|||9790222200852|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Bass|Orchestral Part|1.50|13 GMCL004-06|||9790222200869|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Flute 1|Orchestral Part|1.50|13 GMCL004-07|||9790222200876|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Flute 2|Orchestral Part|1.50|13 GMCL004-08|||9790222200883|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Oboe 1|Orchestral Part|1.50|13 GMCL004-09|||9790222200890|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Oboe 2|Orchestral Part|1.50|13 GMCL004-10|||9790222200906|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Clarinet 1|Orchestral Part|1.50|13 GMCL004-11|||9790222200913|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Clarinet 2|Orchestral Part|1.50|13 GMCL004-12|||9790222200920|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Bassoons 1 & 2|Orchestral Part|1.50|13 GMCL004-13|||9790222200937|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Horn 1|Orchestral Part|1.50|13 GMCL004-14|||9790222200944|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Horn 2|Orchestral Part|1.50|13 GMCL004-15|||9790222200951|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Trumpet 1|Orchestral Part|1.50|13 GMCL004-16|||9790222200968|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Trumpet 2|Orchestral Part|1.50|13 GMCL004-17|||9790222200975|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Trombone 1|Orchestral Part|1.50|13 GMCL004-18|||9790222200982|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Trombone 2|Orchestral Part|1.50|13 GMCL004-19|||9790222200999|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Trombone 3|Orchestral Part|1.50|7 GMCL004-20|||9790222201002|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Wood Block|Orchestral Part|1.50|7 GMCL004-21|||9790222201019|HEROLD F|Ferdinand Herold|Clog Dance (Stone) Piano|Orchestral Part|2.00|25 GMCL005|MUSSORGSKY, Modest (1839-1881)
PICTURES AT AN EXHIBITION
GREAT GATE OF KIEV (arr.David Stone)
Concert Classics Series GMCL005|Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon (or Clarinet 3 in Bb)
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Cymbals and Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass), Piano (optional)

The parts are cued so that this arrangement can be played by strings only or strings and piano with any available wind and percussion. If there are comparatively few lower strings the piano part will be useful in strengthening these. It may also provide a contrasting colour when the orchestra consists mainly of strings. When two oboe players are present the oboe part may well be split so that the principal player performs the more exposed passages.
Duration: 4? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.

Within the Goodmusic Concert Classics series there are five packs which contain various movements from this suite. By combining these together it is possible to create a substantial suite of pieces lasting over 20 minutes in total. A suggested sequence of pieces is:-
1. Promenade 1 (from GMCL011)
2. The Gnome (from GMCL011)
3. Promenade 2 (from GMCL018)
4. The Old Castle (GMCL017)
5. Promenade 3 (from GMCL018)
6. Bydlo (from GMCL018)
7. Catacombs (from GMCL062)
8. Promenade 4 (from GMCL062)
9. The Great Gate of Kiev (GMCL005)|9790222201026|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Pack|Orchestra|45.00|480 GMCL005-00|||9790222201033|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Score|Orchestral Score|6.00|75 GMCL005-01|||9790222201040|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Violin 1|Orchestral Part|1.50|13 GMCL005-02|||9790222201057|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Violin 2|Orchestral Part|1.50|13 GMCL005-03|||9790222201064|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Viola|Orchestral Part|1.50|13 GMCL005-04|||9790222201071|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Cello|Orchestral Part|1.50|13 GMCL005-05|||9790222201088|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Bass|Orchestral Part|1.50|13 GMCL005-06|||9790222201095|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Flute 1|Orchestral Part|1.50|13 GMCL005-07|||9790222201101|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Flute 2|Orchestral Part|1.50|13 GMCL005-08|||9790222201118|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Oboe|Orchestral Part|1.50|13 GMCL005-09|||9790222201125|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Clar.1|Orchestral Part|1.50|13 GMCL005-10|||9790222201132|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Clar.2|Orchestral Part|1.50|13 GMCL005-11|||9790222201149|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Clar.3|Orchestral Part|1.50|13 GMCL005-12|||9790222201156|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Bassoon|Orchestral Part|1.50|13 GMCL005-13|||9790222201163|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Horn 1|Orchestral Part|1.50|13 GMCL005-14|||9790222201170|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Horn 2|Orchestral Part|1.50|13 GMCL005-15|||9790222201187|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Trumpet1|Orchestral Part|1.50|7 GMCL005-16|||9790222201194|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Trumpet2|Orchestral Part|1.50|7 GMCL005-17|||9790222201200|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Tromb.1|Orchestral Part|1.50|7 GMCL005-18|||9790222201217|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Tromb.2|Orchestral Part|1.50|7 GMCL005-19|||9790222201224|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Tromb.3|Orchestral Part|1.50|7 GMCL005-20|||9790222201231|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Timpani|Orchestral Part|1.50|7 GMCL005-21|||9790222201248|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Percuss.|Orchestral Part|1.50|7 GMCL005-22|||9790222201255|MUSSORGSKY M|Modest Mussorgsky|Great Gate of Kiev (Stone) Piano|Orchestral Part|1.50|13 GMCL006|TCHAIKOVSKY, Pyotr Ilych (1840-1893)
MARCHE SLAVE (arr.Geoffrey Tomlinson)
Concert Classics Series GMCL006|Orchestration
Piccolo (optional), 2 Flutes, 2 Oboes , 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 2 Tenor trombones, Bass trombone (optional), Tuba (optional), Timpani,
Percussion (Cymbal, snare drum and bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An amateur orchestra arrangement of this fine Slavonic March by Tchaikovsky.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222201262|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Pack|Orchestra|60.00|750 GMCL006-00|||9790222201279|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Score|Orchestral Score|10.00|125 GMCL006-01|||9790222201286|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Violin 1|Orchestral Part|1.50|13 GMCL006-02|||9790222201293|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Violin 2|Orchestral Part|1.50|13 GMCL006-03|||9790222201309|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Viola|Orchestral Part|1.50|13 GMCL006-04|||9790222201316|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Cello|Orchestral Part|1.50|13 GMCL006-05|||9790222201323|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Bass|Orchestral Part|1.50|13 GMCL006-06|||9790222201330|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Piccolo|Orchestral Part|1.50|13 GMCL006-07|||9790222201347|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Flute 1&2|Orchestral Part|1.50|13 GMCL006-08|||9790222201354|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Oboe 1 & 2|Orchestral Part|1.50|13 GMCL006-09|||9790222201361|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Clar 1 & 2|Orchestral Part|2.00|25 GMCL006-10|||9790222201378|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Bsn 1 & 2|Orchestral Part|1.50|13 GMCL006-11|||9790222201385|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Horn 1 & 2|Orchestral Part|2.00|25 GMCL006-12|||9790222201392|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Trp 1 & 2|Orchestral Part|2.00|25 GMCL006-13|||9790222201408|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Trb 1 & 2|Orchestral Part|2.00|25 GMCL006-14|||9790222201415|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Trb3 & Tba|Orchestral Part|1.50|13 GMCL006-15|||9790222201422|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Timpani|Orchestral Part|1.50|13 GMCL006-16|||9790222201439|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Marche Slave (Tomlinson) Percussion|Orchestral Part|2.00|25 GMCL007|VAUGHAN WILLIAMS, Ralph (1872-1958)
FANTASIA ON GREENSLEEVES (arr.David Stone)
Concert Classics Series GMCL007|'Orchestration
Flute 1 (or Descant recorder), Flute 2 (or Treble recorder), Oboe, 2 Clarinets in Bb, Bassoon (or Clarinet 3), 2 Horns in F, Guitar or Harp or Piano
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

This arrangement of what is probably the best known piece taken from Vaughan Williams'' opera "Sir John in Love", may be played just by strings with piano (or harp). The original version of this work for strings, 2 flutes and harp (as performed in the concert hall and recorded commercially) is also available in the Concert Classics series no.GMCL128.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222201446|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (Stone)Pk|Orchestra|40.00|376 GMCL007-00|||9790222201453|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (Stone)Sc|Orchestral Score|5.00|50 GMCL007-01|||9790222201460|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Vn 1|Orchestral Part|1.50|13 GMCL007-02|||9790222201477|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Vn 2|Orchestral Part|1.50|13 GMCL007-03|||9790222201484|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Vn 3|Orchestral Part|1.50|13 GMCL007-04|||9790222201491|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Vla|Orchestral Part|1.50|13 GMCL007-05|||9790222201507|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Vc|Orchestral Part|1.50|7 GMCL007-06|||9790222201514|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Bass|Orchestral Part|1.50|7 GMCL007-07|||9790222201521|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) DRec|Orchestral Part|1.50|7 GMCL007-08|||9790222201538|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) TRec|Orchestral Part|1.50|7 GMCL007-09|||9790222201545|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Fl 1|Orchestral Part|1.50|7 GMCL007-10|||9790222201552|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Fl 2|Orchestral Part|1.50|7 GMCL007-11|||9790222201569|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Oboe|Orchestral Part|1.50|7 GMCL007-12|||9790222201576|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Cl 1|Orchestral Part|1.50|13 GMCL007-13|||9790222201583|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Cl 2|Orchestral Part|1.50|7 GMCL007-14|||9790222201590|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Cl 3|Orchestral Part|1.50|7 GMCL007-15|||9790222201606|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Bsn|Orchestral Part|1.50|7 GMCL007-16|||9790222201613|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Hn 1|Orchestral Part|1.50|7 GMCL007-17|||9790222201620|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Hn 2|Orchestral Part|1.50|7 GMCL007-18|||9790222201637|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) Gtr|Orchestral Part|1.50|7 GMCL007-19|||9790222201644|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (arr) P/Hp|Orchestral Part|1.50|13 GMCL008|CHABRIER, Emmanuel (1841-1894)
JOYEUSE MARCHE (arr.David Stone)
Concert Classics Series GMCL008|Orchestration
Flute 1, Piccolo (or Flute 2), Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Side drum, Triangle, Bass drum & Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Piano (optional)

The parts are fully cued so that the arrangement may be played by strings only, or strings and piano with any available wind and percussion.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222201651|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Pack|Orchestra|50.00|558 GMCL008-00|||9790222201668|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Score|Orchestral Score|10.00|125 GMCL008-01|||9790222201675|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Violin 1|Orchestral Part|1.50|13 GMCL008-02|||9790222201682|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Violin 2|Orchestral Part|1.50|13 GMCL008-03|||9790222201699|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Viola|Orchestral Part|1.50|13 GMCL008-04|||9790222201705|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Cello|Orchestral Part|1.50|13 GMCL008-05|||9790222201712|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Bass|Orchestral Part|1.50|13 GMCL008-06|||9790222201729|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Flute 1|Orchestral Part|1.50|13 GMCL008-07|||9790222201736|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Flute 2/Picc|Orchestral Part|1.50|13 GMCL008-08|||9790222201743|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Oboe|Orchestral Part|1.50|13 GMCL008-09|||9790222201750|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Clarinet 1|Orchestral Part|1.50|13 GMCL008-10|||9790222201767|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Clarinet 2|Orchestral Part|1.50|13 GMCL008-11|||9790222201774|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Bassoon|Orchestral Part|1.50|13 GMCL008-12|||9790222201781|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Horn 1|Orchestral Part|1.50|13 GMCL008-13|||9790222201798|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Horn 2|Orchestral Part|1.50|13 GMCL008-14|||9790222201804|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Trumpet 1|Orchestral Part|1.50|13 GMCL008-15|||9790222201811|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Trumpet 2|Orchestral Part|1.50|13 GMCL008-16|||9790222201828|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Trombone 1|Orchestral Part|1.50|13 GMCL008-17|||9790222201835|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Trombone 2|Orchestral Part|1.50|7 GMCL008-18|||9790222201842|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Trombone 3|Orchestral Part|1.50|7 GMCL008-19|||9790222201859|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Timpani|Orchestral Part|1.50|7 GMCL008-20|||9790222201866|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Side Drum|Orchestral Part|1.50|7 GMCL008-21|||9790222201873|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Triangle|Orchestral Part|1.50|7 GMCL008-22|||9790222201880|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Bass Dr/Cymb|Orchestral Part|1.50|7 GMCL008-23|||9790222201897|CHABRIER E|Emmanuel Chabrier|Joyeuse Marche (Stone) Piano|Orchestral Part|2.00|25 GMCL009|HEROLD, Ferdinand (1791-1833)
FLUTE DANCE (arr.John Lanchbery adapted David Stone)
Concert Classics Series GMCL009|Orchestration
2 Flutes (2nd doubling piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Perc. (Side drum, Triangle, Bass drum, Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Piano (optional)

Another piece from "La Fille mal Gardee" (also see GMCL004 The Clog Dance). Minimum forces required for performance are 1 flute, 1 oboe, 1 clarinet and strings. The piano part may be used to strengthen the lower strings and also as an aid to rehearsal. The piccolo should be played by the 2nd flute if possible. If no piccolo is available then the part may be played as it stands by a flute. If only one flautist is available it would be best to play the 1st flute part. If only 1 bassoon is available the 1st bassoon part should be played where the 2nd is silent, but 2nd where both are playing.
Duration: 2 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222201903|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Pack|Orchestra|50.00|618 GMCL009-00|||9790222201910|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Score|Orchestral Score|8.00|100 GMCL009-01|||9790222201927|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Violin 1|Orchestral Part|1.50|13 GMCL009-02|||9790222201934|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Violin 2|Orchestral Part|1.50|13 GMCL009-03|||9790222201941|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Viola|Orchestral Part|1.50|13 GMCL009-04|||9790222201958|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Cello|Orchestral Part|1.50|13 GMCL009-05|||9790222201965|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Bass|Orchestral Part|1.50|13 GMCL009-06|||9790222201972|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Flute 1|Orchestral Part|1.50|13 GMCL009-07|||9790222201989|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Flute 2/Piccolo|Orchestral Part|1.50|13 GMCL009-08|||9790222201996|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Oboe 1|Orchestral Part|1.50|13 GMCL009-09|||9790222202009|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Oboe 2|Orchestral Part|1.50|13 GMCL009-10|||9790222202016|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Clarinet 1|Orchestral Part|1.50|13 GMCL009-11|||9790222202023|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Clarinet 2|Orchestral Part|1.50|13 GMCL009-12|||9790222202030|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Bassoon 1 & 2|Orchestral Part|2.00|25 GMCL009-13|||9790222202047|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Horn 1|Orchestral Part|1.50|13 GMCL009-14|||9790222202054|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Horn 2|Orchestral Part|1.50|13 GMCL009-15|||9790222202061|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Trumpet 1|Orchestral Part|1.50|13 GMCL009-16|||9790222202078|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Trumpet 2|Orchestral Part|1.50|13 GMCL009-17|||9790222202085|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Trombone 1|Orchestral Part|1.50|13 GMCL009-18|||9790222202092|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Trombone 2|Orchestral Part|1.50|13 GMCL009-19|||9790222202108|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Trombone 3|Orchestral Part|1.50|13 GMCL009-20|||9790222202115|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Timpani|Orchestral Part|1.50|13 GMCL009-21|||9790222202122|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Percussion|Orchestral Part|1.50|13 GMCL009-22|||9790222202139|HEROLD F|Ferdinand Herold|Flute Dance (Stone) Piano|Orchestral Part|2.00|25 GMCL010|'MENDELSSOHN, Felix (1809-1847)
WEDDING MARCH from A Midsummer Night''s Dream
Concert Classics Series GMCL010'|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Cymbals
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This edition of, perhaps, the most popular piece from Mendelssohn''s incidental music for "A Midsummer Night''s Dream" is more or less exactly as the composer wrote it save for the horn parts being put into F, the trumpet parts into Bb and the ophicleide part being given to the tuba.
Duration: 5? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222202146|MENDELSSOHN|Felix Mendelssohn|Wedding March Pack|Orchestra|35.00|550 GMCL010-00|||9790222202153|MENDELSSOHN|Felix Mendelssohn|Wedding March Score|Orchestral Score|6.00|75 GMCL010-01|||9790222202160|MENDELSSOHN|Felix Mendelssohn|Wedding March Violin 1|Orchestral Part|1.50|13 GMCL010-02|||9790222202177|MENDELSSOHN|Felix Mendelssohn|Wedding March Violin 2|Orchestral Part|1.50|13 GMCL010-03|||9790222202184|MENDELSSOHN|Felix Mendelssohn|Wedding March Viola|Orchestral Part|1.50|13 GMCL010-04|||9790222202191|MENDELSSOHN|Felix Mendelssohn|Wedding March Cello|Orchestral Part|1.50|13 GMCL010-05|||9790222202207|MENDELSSOHN|Felix Mendelssohn|Wedding March Bass|Orchestral Part|1.50|13 GMCL010-06|||9790222202214|MENDELSSOHN|Felix Mendelssohn|Wedding March Flute 1 & 2|Orchestral Part|1.50|13 GMCL010-07|||9790222202221|MENDELSSOHN|Felix Mendelssohn|Wedding March Oboe 1 & 2|Orchestral Part|1.50|13 GMCL010-08|||9790222202238|MENDELSSOHN|Felix Mendelssohn|Wedding March Clarinet 1 & 2|Orchestral Part|1.50|13 GMCL010-09|||9790222202245|MENDELSSOHN|Felix Mendelssohn|Wedding March Bassoon 1 & 2|Orchestral Part|1.50|13 GMCL010-10|||9790222202252|MENDELSSOHN|Felix Mendelssohn|Wedding March Horn 1 & 2|Orchestral Part|1.50|13 GMCL010-11|||9790222202269|MENDELSSOHN|Felix Mendelssohn|Wedding March Trumpet 1 2 & 3|Orchestral Part|1.50|7 GMCL010-12|||9790222202276|MENDELSSOHN|Felix Mendelssohn|Wedding March Trombone 1 & 2|Orchestral Part|1.50|7 GMCL010-13|||9790222202283|MENDELSSOHN|Felix Mendelssohn|Wedding March Trombone 3 & Tuba|Orchestral Part|1.50|7 GMCL010-14|||9790222202290|MENDELSSOHN|Felix Mendelssohn|Wedding March Timpani|Orchestral Part|1.50|7 GMCL010-15|||9790222202306|MENDELSSOHN|Felix Mendelssohn|Wedding March Cymbals|Orchestral Part|1.50|7 GMCL011|MUSSORGSKY, Modest (1839-1881)
PICTURES AT AN EXHIBITION
PROMENADE & THE GNOME (arr.Anthony Carter)
Concert Classics Series GMCL011|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Clarinet 3 or Bassoon
2 Horns in F, 2 Trumpets in Bb, 2 Tenor Trombones, Bass Trombone and/or Tuba, Timpani (2 drums, 1 player), Percussion (Cymbals, Bass drum, Triangle, Glockenspiel or Chime bars, Side drum - 3 or 4 players)
Strings (Violin 1, Violin 2, Violin 3 or Viola, Cello, Bass), Piano (optional)

The parts are cued so that this arrangement can be played by strings only or strings and piano with any available wind and percussion. The 2nd oboe part is completely dispensable. The 3rd clarinet helps to cover the lack of bassoon where the bassoon part is within the range of the clarinet and does not go above the "break". The bass trombone/tuba part can be played by any form of bass brass instrument that uses the bass clef.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.

Within the Goodmusic Concert Classics series there are five packs which contain various movements from this suite. By combining these together it is possible to create a substantial suite of pieces lasting over 20 minutes in total. A suggested sequence of pieces is:-
1. Promenade 1 (from GMCL011)
2. The Gnome (from GMCL011)
3. Promenade 2 (from GMCL018)
4. The Old Castle (GMCL017)
5. Promenade 3 (from GMCL018)
6. Bydlo (from GMCL018)
7. Catacombs (from GMCL062)
8. Promenade 4 (from GMCL062)
9. The Great Gate of Kiev (GMCL005)|9790222202313|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome (Carter) Pk|Orchestra|50.00|634 GMCL011-00|||9790222202320|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome (Carter) Sc|Orchestral Score|6.00|75 GMCL011-01|||9790222202337|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Violin 1|Orchestral Part|1.50|13 GMCL011-02|||9790222202344|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Violin 2|Orchestral Part|1.50|13 GMCL011-03|||9790222202351|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Violin 3|Orchestral Part|1.50|13 GMCL011-04|||9790222202368|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Viola|Orchestral Part|1.50|13 GMCL011-05|||9790222202375|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Cello|Orchestral Part|1.50|13 GMCL011-06|||9790222202382|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Bass|Orchestral Part|1.50|13 GMCL011-07|||9790222202399|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Flute 1+2|Orchestral Part|1.50|13 GMCL011-08|||9790222202405|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Oboe 1+2|Orchestral Part|1.50|13 GMCL011-09|||9790222202412|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Clar 1+2|Orchestral Part|1.50|13 GMCL011-10|||9790222202429|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Clar 3|Orchestral Part|1.50|13 GMCL011-11|||9790222202436|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Bassoon|Orchestral Part|1.50|13 GMCL011-12|||9790222202443|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Horn 1+2|Orchestral Part|1.50|13 GMCL011-13|||9790222202450|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Trpt 1+2|Orchestral Part|1.50|13 GMCL011-14|||9790222202467|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Tromb 1+2|Orchestral Part|1.50|13 GMCL011-15|||9790222202474|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Tromb3+Tuba|Orchestral Part|1.50|13 GMCL011-16|||9790222202481|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Timpani|Orchestral Part|1.50|13 GMCL011-17|||9790222202498|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Percussion|Orchestral Part|1.50|13 GMCL011-18|||9790222202504|MUSSORGSKY M|Modest Mussorgsky|Promenade & the Gnome Piano|Orchestral Part|2.00|25 GMCL012|TCHAIKOVSKY, Pyotr Ilych (1840-1893)
MAZURKA from Swan Lake (arr.A.W.Benoy)
Concert Classics Series GMCL012|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (tambourine, cymbals, bass drum)
Strings (Violin 1, Violin 2, Violin 3 or Viola, Cello, Bass), Piano (optional)

This arrangement is complete with strings and piano but a better minimum orchestra would be flute, clarinet and strings.
Duration: 4? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222202511|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake (Benoy) Pk|Orchestra|50.00|588 GMCL012-00|||9790222202528|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake (Benoy) Sc|Orchestral Score|6.00|63 GMCL012-01|||9790222202535|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Violin 1|Orchestral Part|1.50|13 GMCL012-02|||9790222202542|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Violin 2|Orchestral Part|1.50|13 GMCL012-03|||9790222202559|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Violin 3|Orchestral Part|1.50|13 GMCL012-04|||9790222202566|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Viola|Orchestral Part|1.50|13 GMCL012-05|||9790222202573|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Cello|Orchestral Part|1.50|13 GMCL012-06|||9790222202580|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Bass|Orchestral Part|1.50|13 GMCL012-07|||9790222202597|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Flute 1|Orchestral Part|1.50|13 GMCL012-08|||9790222202603|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Flute 2|Orchestral Part|1.50|13 GMCL012-09|||9790222202610|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Oboe 1|Orchestral Part|1.50|13 GMCL012-10|||9790222202627|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Oboe 2|Orchestral Part|1.50|13 GMCL012-11|||9790222202634|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Clarinet 1|Orchestral Part|1.50|13 GMCL012-12|||9790222202641|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Clarinet 2|Orchestral Part|1.50|13 GMCL012-13|||9790222202658|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Bassoon|Orchestral Part|1.50|13 GMCL012-14|||9790222202665|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Horn 1|Orchestral Part|1.50|13 GMCL012-15|||9790222202672|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Horn 2|Orchestral Part|1.50|13 GMCL012-16|||9790222202689|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Trumpet 1|Orchestral Part|1.50|13 GMCL012-17|||9790222202696|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Trumpet 2|Orchestral Part|1.50|13 GMCL012-18|||9790222202702|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Trombone 1+2|Orchestral Part|1.50|13 GMCL012-19|||9790222202719|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Trombone 3|Orchestral Part|1.50|13 GMCL012-20|||9790222202726|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Timpani|Orchestral Part|1.50|13 GMCL012-21|||9790222202733|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Percussion|Orchestral Part|1.50|13 GMCL012-22|||9790222202740|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Mazurka from Swan Lake Piano|Orchestral Part|2.00|25 GMCL013|WALTON, William (1902-1983)
CROWN IMPERIAL (arr.David Stone)
Concert Classics Series GMCL013|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (3 players - Cymbals, Triangle, Bass drum, Tenor drum, Glockenspiel, Tubular bell in C, Side drum, Large gong)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Piano duet (optional) (Part included in Pack)

This arrangement has been made from the original orchestration for full orchestra and incorporates the cuts authorized by the composer in 1963. The piano duet part is optional unless no wind is available. The brass parts are fully cued in both string and woodwind parts. The minimum wind required is 1 flute, 1 oboe and 2 clarinets. This has recently been re-typeset by Goodmusic so is clearer than the original OUP printing, but no musical changes have been made and the new edition is fully compaible with the old one.
Duration: 7 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222202757|WALTON W|William Walton|Crown Imperial (Stone) Pack|Orchestra|60.00|624 GMCL013-00|||9790222202764|WALTON W|William Walton|Crown Imperial (Stone) Score|Orchestral Score|8.00|100 GMCL013-01|||9790222202771|WALTON W|William Walton|Crown Imperial (Stone) Violin 1|Orchestral Part|1.50|13 GMCL013-02|||9790222202788|WALTON W|William Walton|Crown Imperial (Stone) Violin 2|Orchestral Part|1.50|13 GMCL013-03|||9790222202795|WALTON W|William Walton|Crown Imperial (Stone) Viola|Orchestral Part|1.50|13 GMCL013-04|||9790222202801|WALTON W|William Walton|Crown Imperial (Stone) Cello|Orchestral Part|1.50|13 GMCL013-05|||9790222202818|WALTON W|William Walton|Crown Imperial (Stone) Bass|Orchestral Part|1.50|13 GMCL013-06|||9790222202825|WALTON W|William Walton|Crown Imperial (Stone) Flute 1|Orchestral Part|1.50|13 GMCL013-07|||9790222202832|WALTON W|William Walton|Crown Imperial (Stone) Flute 2|Orchestral Part|1.50|13 GMCL013-08|||9790222202849|WALTON W|William Walton|Crown Imperial (Stone) Oboe 1|Orchestral Part|1.50|13 GMCL013-09|||9790222202856|WALTON W|William Walton|Crown Imperial (Stone) Oboe 2|Orchestral Part|1.50|13 GMCL013-10|||9790222202863|WALTON W|William Walton|Crown Imperial (Stone) Clarinet 1|Orchestral Part|1.50|13 GMCL013-11|||9790222202870|WALTON W|William Walton|Crown Imperial (Stone) Clarinet 2|Orchestral Part|1.50|13 GMCL013-12|||9790222202887|WALTON W|William Walton|Crown Imperial (Stone) Bassoon|Orchestral Part|1.50|13 GMCL013-13|||9790222202894|WALTON W|William Walton|Crown Imperial (Stone) Horn 1|Orchestral Part|1.50|13 GMCL013-14|||9790222202900|WALTON W|William Walton|Crown Imperial (Stone) Horn 2|Orchestral Part|1.50|13 GMCL013-15|||9790222202917|WALTON W|William Walton|Crown Imperial (Stone) Trumpet 1|Orchestral Part|1.50|13 GMCL013-16|||9790222202924|WALTON W|William Walton|Crown Imperial (Stone) Trumpet 2|Orchestral Part|1.50|13 GMCL013-17|||9790222202931|WALTON W|William Walton|Crown Imperial (Stone) Trombone 1|Orchestral Part|1.50|13 GMCL013-18|||9790222202948|WALTON W|William Walton|Crown Imperial (Stone) Trombone 2|Orchestral Part|1.50|13 GMCL013-19|||9790222202955|WALTON W|William Walton|Crown Imperial (Stone) Trombone 3|Orchestral Part|1.50|13 GMCL013-20|||9790222202962|WALTON W|William Walton|Crown Imperial (Stone) Timpani|Orchestral Part|1.50|13 GMCL013-21|||9790222202979|WALTON W|William Walton|Crown Imperial (Stone) Percussion|Orchestral Part|2.00|25 GMCL013-22|||9790222271180|WALTON W|William Walton|Crown Imperial (Stone) Piano Duet|Orchestral Part|2.50|38 GMCL014|BACH, J.S. (1685-1750)
MENUET, TRIOS & POLONAISE (arr.David Stone)
Concert Classics Series GMCL014|'Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon (or Clarinet 3)
2 Horns in F, 2 Trumpets in Bb, Trombone
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Piano (optional)

This arrangement of movements from Bach''s Brandenburg Concerto No.1, can be played by fairly small forces (violins with cello and/or piano if necessary), but of course wind instruments will provide the contrast which the composer intended with the Trios. When a sufficient variety of instruments is available the several repetitions of the Menuet may well be varied to some extent by omitting the flute or other woodwind parts.
In Trio II the original upper parts were for 2 horns as cued in the horn parts; if reliable trumpets are present they may be preferred to clarinets in this section.
Duration: 8 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222205529|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Pack|Orchestra|35.00|414 GMCL014-00|||9790222205536|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Score|Orchestral Score|6.00|63 GMCL014-01|||9790222205543|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Violin 1|Orchestral Part|1.50|13 GMCL014-02|||9790222205550|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Violin 2|Orchestral Part|1.50|13 GMCL014-03|||9790222205567|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Viola|Orchestral Part|1.50|13 GMCL014-04|||9790222205574|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Cello|Orchestral Part|1.50|13 GMCL014-05|||9790222205581|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Bass|Orchestral Part|1.50|7 GMCL014-06|||9790222205598|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Flute 1|Orchestral Part|1.50|13 GMCL014-07|||9790222205604|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Flute 2|Orchestral Part|1.50|13 GMCL014-08|||9790222205611|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Oboe|Orchestral Part|1.50|13 GMCL014-09|||9790222205628|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Clarinet 1|Orchestral Part|1.50|13 GMCL014-10|||9790222205635|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Clarinet 2|Orchestral Part|1.50|13 GMCL014-11|||9790222205642|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Clarinet 3|Orchestral Part|1.50|13 GMCL014-12|||9790222205659|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Bassoon|Orchestral Part|1.50|7 GMCL014-13|||9790222205666|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Horn 1|Orchestral Part|1.50|7 GMCL014-14|||9790222205673|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Horn 2|Orchestral Part|1.50|7 GMCL014-15|||9790222205680|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Trumpet 1|Orchestral Part|1.50|7 GMCL014-16|||9790222205697|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Trumpet 2|Orchestral Part|1.50|7 GMCL014-17|||9790222205703|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Trombone|Orchestral Part|1.50|7 GMCL014-18|||9790222205710|BACH JS|Johann Sebastian Bach|Menuet,Trios & Polonaise Piano|Orchestral Part|1.50|13 GMCL015|BOYCE, William (1711-1779)
A WILLIAM BOYCE SUITE (arr.A.W.Benoy)
Concert Classics Series GMCL015|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Percussion (triangle, bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This music has been taken from three of Boyce''s "Royal Birthday" Odes. Movement 1 from Ode for His Majesty''s Birthday 1755, movement 2 from the 1768 ode, and movements 3 and 4 from the 1772 ode.
The score has been designed so that it may be played by strings only.
Duration: 10 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222213012|BOYCE|William Boyce|William Boyce Suite (Benoy) Pack|Orchestra|50.00|540 GMCL015-00|||9790222213029|BOYCE|William Boyce|William Boyce Suite (Benoy) Score|Orchestral Score|10.00|125 GMCL015-01|||9790222213036|BOYCE|William Boyce|William Boyce Suite (Benoy) Vln 1|Orchestral Part|1.50|13 GMCL015-02|||9790222213043|BOYCE|William Boyce|William Boyce Suite (Benoy) Vln 2|Orchestral Part|1.50|13 GMCL015-03|||9790222213050|BOYCE|William Boyce|William Boyce Suite (Benoy) Viola|Orchestral Part|1.50|13 GMCL015-04|||9790222213067|BOYCE|William Boyce|William Boyce Suite (Benoy) Cello|Orchestral Part|1.50|13 GMCL015-05|||9790222213074|BOYCE|William Boyce|William Boyce Suite (Benoy) Bass|Orchestral Part|1.50|13 GMCL015-06|||9790222213081|BOYCE|William Boyce|William Boyce Suite (Benoy) Flute 1|Orchestral Part|1.50|13 GMCL015-07|||9790222213098|BOYCE|William Boyce|William Boyce Suite (Benoy) Flute 2|Orchestral Part|1.50|13 GMCL015-08|||9790222213104|BOYCE|William Boyce|William Boyce Suite (Benoy) Oboe 1|Orchestral Part|1.50|13 GMCL015-09|||9790222213111|BOYCE|William Boyce|William Boyce Suite (Benoy) Oboe 2|Orchestral Part|1.50|13 GMCL015-10|||9790222213128|BOYCE|William Boyce|William Boyce Suite (Benoy) Clar 1|Orchestral Part|1.50|13 GMCL015-11|||9790222213135|BOYCE|William Boyce|William Boyce Suite (Benoy) Clar 2|Orchestral Part|1.50|13 GMCL015-12|||9790222213142|BOYCE|William Boyce|William Boyce Suite (Benoy) Bassoon|Orchestral Part|1.50|13 GMCL015-13|||9790222213159|BOYCE|William Boyce|William Boyce Suite (Benoy) Horn 1|Orchestral Part|1.50|13 GMCL015-14|||9790222213166|BOYCE|William Boyce|William Boyce Suite (Benoy) Horn 2|Orchestral Part|1.50|13 GMCL015-15|||9790222213173|BOYCE|William Boyce|William Boyce Suite (Benoy) Trpt 1|Orchestral Part|1.50|13 GMCL015-16|||9790222213180|BOYCE|William Boyce|William Boyce Suite (Benoy) Trpt 2|Orchestral Part|1.50|13 GMCL015-17|||9790222213197|BOYCE|William Boyce|William Boyce Suite (Benoy) Trb 1|Orchestral Part|1.50|13 GMCL015-18|||9790222213203|BOYCE|William Boyce|William Boyce Suite (Benoy) Trb 2|Orchestral Part|1.50|13 GMCL015-19|||9790222213210|BOYCE|William Boyce|William Boyce Suite (Benoy) Timpani|Orchestral Part|1.50|13 GMCL015-20|||9790222213227|BOYCE|William Boyce|William Boyce Suite (Benoy) Perc|Orchestral Part|1.50|7 GMCL016|'DELIBES, Leo (1836-1891)
SUITE: LE ROI S''AMUSE (arr.A.W.Benoy)
Concert Classics Series GMCL016'|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani, Percussion (Triangle, Tambourine)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)
Piano (optional)

Delibes composed the incidental music for the revival of Victor Hugo''s play Le Roi s''amuse at the Comedie Francaise in 1882. There were originally "6 airs de danse dans le style ancien pour la scene du bal", and the present Suite consists of arrangements of five of these dances: Gaillarde, Pavane, Scene du bouquet, Lesquerade, Passepied, Finale (repeat of Gaillarde). The parts are cued so that the Suite may be performed by strings and piano with any available wind.
Duration: 11 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222213234|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Pack'|Orchestra|60.00|620 GMCL016-00|||9790222213241|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Score'|Orchestral Score|12.00|138 GMCL016-01|||9790222213258|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Vln 1'|Orchestral Part|1.50|13 GMCL016-02|||9790222213265|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Vln 2'|Orchestral Part|1.50|13 GMCL016-03|||9790222213272|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Vln 3'|Orchestral Part|1.50|13 GMCL016-04|||9790222213289|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Viola'|Orchestral Part|1.50|13 GMCL016-05|||9790222213296|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Cello'|Orchestral Part|1.50|13 GMCL016-06|||9790222213302|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Bass'|Orchestral Part|1.50|13 GMCL016-07|||9790222213319|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Flute1'|Orchestral Part|1.50|13 GMCL016-08|||9790222213326|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Flute2'|Orchestral Part|1.50|13 GMCL016-09|||9790222213333|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Oboe 1'|Orchestral Part|1.50|13 GMCL016-10|||9790222213340|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Oboe 2'|Orchestral Part|1.50|13 GMCL016-11|||9790222213357|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Clar 1'|Orchestral Part|1.50|13 GMCL016-12|||9790222213364|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Clar 2'|Orchestral Part|1.50|13 GMCL016-13|||9790222213371|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Bsn 1'|Orchestral Part|1.50|13 GMCL016-14|||9790222213388|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Bsn 2'|Orchestral Part|1.50|13 GMCL016-15|||9790222213395|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Horn 1'|Orchestral Part|1.50|13 GMCL016-16|||9790222213401|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Horn 2'|Orchestral Part|1.50|13 GMCL016-17|||9790222213418|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Trp 1'|Orchestral Part|1.50|13 GMCL016-18|||9790222213425|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Trp 2'|Orchestral Part|1.50|13 GMCL016-19|||9790222213432|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Trb 1'|Orchestral Part|1.50|13 GMCL016-20|||9790222213449|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Trb 2'|Orchestral Part|1.50|13 GMCL016-21|||9790222213463|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy)Timp/pc'|Orchestral Part|1.50|13 GMCL016-22|||9790222213470|DELIBES L|Leo Delibes|'Suite Le Roi S''amuse (Benoy) Piano'|Orchestral Part|2.00|25 GMCL017|MUSSORGSKY, Modest (1839-1881)
PICTURES AT AN EXHIBITION
THE OLD CASTLE (arr.Anthony Carter)
Concert Classics Series GMCL017|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bassoon (or Clarinet 3)
2 Horns in F, 3 Trumpets in Bb, 2 Tenor Trombones, Bass Trombone and/or Tuba, Timpani,
Percussion (Glockenspiel or Ghime bars, Gong or Soft cymbal)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass), Piano (optional)

The parts are cued so that this arrangement can be played by strings only or strings and piano, with any available wind and percussion. If there are comparatively few lower strings, or no violas and 3rd violins, the piano will be useful in strengthening the tutti passages. It may also provide contrast when the orchestra consists mainly of strings. The 2nd oboe part is completely dispensable. The 3rd clarinet covers the lack of bassoon, when missing, and does not go above "the break".
Duration: 4? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.

Within the Goodmusic Concert Classics series there are five packs which contain various movements from this suite. By combining these together it is possible to create a substantial suite of pieces lasting over 20 minutes in total. A suggested sequence of pieces is:-
1. Promenade 1 (from GMCL011)
2. The Gnome (from GMCL011)
3. Promenade 2 (from GMCL018)
4. The Old Castle (GMCL017)
5. Promenade 3 (from GMCL018)
6. Bydlo (from GMCL018)
7. Catacombs (from GMCL062)
8. Promenade 4 (from GMCL062)
9. The Great Gate of Kiev (GMCL005)|9790222213487|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Pack|Orchestra|35.00|338 GMCL017-00|||9790222213494|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Score|Orchestral Score|5.00|50 GMCL017-01|||9790222213500|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Violin 1|Orchestral Part|1.50|7 GMCL017-02|||9790222213517|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Violin 2|Orchestral Part|1.50|7 GMCL017-03|||9790222213524|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Violin 3|Orchestral Part|1.50|7 GMCL017-04|||9790222213531|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Viola|Orchestral Part|1.50|7 GMCL017-05|||9790222213548|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Cello|Orchestral Part|1.50|7 GMCL017-06|||9790222213555|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Bass|Orchestral Part|1.50|7 GMCL017-07|||9790222213562|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Flute 1+2|Orchestral Part|1.50|7 GMCL017-08|||9790222213579|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Oboe 1+2|Orchestral Part|1.50|7 GMCL017-09|||9790222213586|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Clarinet 1+2|Orchestral Part|1.50|7 GMCL017-10|||9790222213593|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Clarinet 3|Orchestral Part|1.50|7 GMCL017-11|||9790222213609|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Bassoon|Orchestral Part|1.50|7 GMCL017-12|||9790222213616|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Horn 1+2|Orchestral Part|1.50|7 GMCL017-13|||9790222213623|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Trumpet 1+2|Orchestral Part|1.50|7 GMCL017-14|||9790222213630|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Trombone 1|Orchestral Part|1.50|7 GMCL017-15|||9790222213647|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Trombone 2|Orchestral Part|1.50|7 GMCL017-16|||9790222213654|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Trombone 3|Orchestral Part|1.50|7 GMCL017-17|||9790222213661|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Tuba|Orchestral Part|1.50|7 GMCL017-18|||9790222213678|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Timpani|Orchestral Part|1.50|7 GMCL017-19|||9790222213685|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Percussion|Orchestral Part|1.50|7 GMCL017-20|||9790222213692|MUSSORGSKY M|Modest Mussorgsky|Old Castle (Carter) Piano|Orchestral Part|1.50|13 GMCL018|MUSSORGSKY, Modest (1839-1881)
PICTURES AT AN EXHIBITION
BYDLO & TWO PROMENADES (arr.Denis Bloodworth)
Concert Classics Series GMCL018|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 3 Trumpets in Bb, 2 Tenor Trombones, Tuba, Timpani, Percussion (Side drum, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Piano (optional)

Duration: 8? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.

Within the Goodmusic Concert Classics series there are five packs which contain various movements from this suite. By combining these together it is possible to create a substantial suite of pieces lasting over 20 minutes in total. A suggested sequence of pieces is:-
1. Promenade 1 (from GMCL011)
2. The Gnome (from GMCL011)
3. Promenade 2 (from GMCL018)
4. The Old Castle (GMCL017)
5. Promenade 3 (from GMCL018)
6. Bydlo (from GMCL018)
7. Catacombs (from GMCL062)
8. Promenade 4 (from GMCL062)
9. The Great Gate of Kiev (GMCL005)|9790222213708|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Pack|Orchestra|35.00|388 GMCL018-00|||9790222213715|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Score|Orchestral Score|5.00|50 GMCL018-01|||9790222213722|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Violin 1|Orchestral Part|1.50|7 GMCL018-02|||9790222213739|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Violin 2|Orchestral Part|1.50|7 GMCL018-03|||9790222213746|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Viola|Orchestral Part|1.50|7 GMCL018-04|||9790222213753|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Cello|Orchestral Part|1.50|13 GMCL018-05|||9790222213760|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Bass|Orchestral Part|1.50|13 GMCL018-06|||9790222213777|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Flute 1|Orchestral Part|1.50|7 GMCL018-07|||9790222213784|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Flute 2|Orchestral Part|1.50|7 GMCL018-08|||9790222213791|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Oboe 1|Orchestral Part|1.50|7 GMCL018-09|||9790222213807|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Oboe 2|Orchestral Part|1.50|7 GMCL018-10|||9790222213814|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Clarinet 1|Orchestral Part|1.50|13 GMCL018-11|||9790222213821|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Clarinet 2|Orchestral Part|1.50|13 GMCL018-12|||9790222213838|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Bassoon 1|Orchestral Part|1.50|13 GMCL018-13|||9790222213845|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Bassoon 2|Orchestral Part|1.50|13 GMCL018-14|||9790222213852|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Horn 1|Orchestral Part|1.50|7 GMCL018-15|||9790222213869|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Horn 2|Orchestral Part|1.50|7 GMCL018-16|||9790222213876|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Trumpet 1|Orchestral Part|1.50|7 GMCL018-17|||9790222213883|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Trumpet 2|Orchestral Part|1.50|7 GMCL018-18|||9790222213890|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Trumpet 3|Orchestral Part|1.50|7 GMCL018-19|||9790222213906|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Trombone 1|Orchestral Part|1.50|7 GMCL018-20|||9790222213913|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Trombone 2|Orchestral Part|1.50|7 GMCL018-21|||9790222213920|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Tuba|Orchestral Part|1.50|7 GMCL018-22|||9790222213937|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Timp+Perc|Orchestral Part|1.50|13 GMCL018-23|||9790222213944|MUSSORGSKY M|Modest Mussorgsky|Bydlo & Two Promenades Piano|Orchestral Part|1.50|13 GMCL019|'PEPUSCH, Johann Christoph (1667-1752)
BEGGAR''S OPERA OVERTURE (arr.John Horton)
Concert Classics Series GMCL019'|Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, Trumpet, Tenor Trombone, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The original score was for oboe and strings. In this version the bassoon, horns, tenor trombone and double bass parts are optional and may be omitted.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222213951|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Pack|Orchestra|26.00|264 GMCL019-00|||9790222213968|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Score|Orchestral Score|6.00|63 GMCL019-01|||9790222213975|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Violin 1|Orchestral Part|1.50|7 GMCL019-02|||9790222213982|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Violin 2|Orchestral Part|1.50|7 GMCL019-03|||9790222213999|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Viola|Orchestral Part|1.50|7 GMCL019-04|||9790222214002|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Cello|Orchestral Part|1.50|7 GMCL019-05|||9790222214019|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Bass|Orchestral Part|1.50|7 GMCL019-06|||9790222214026|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Flute 1|Orchestral Part|1.50|7 GMCL019-07|||9790222214033|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Flute 2|Orchestral Part|1.50|7 GMCL019-08|||9790222214040|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Oboe|Orchestral Part|1.50|7 GMCL019-09|||9790222214057|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Clarinet 1|Orchestral Part|1.50|7 GMCL019-10|||9790222214064|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Clarinet 2|Orchestral Part|1.50|7 GMCL019-11|||9790222214071|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Bassoon|Orchestral Part|1.50|7 GMCL019-12|||9790222214088|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Horn 1|Orchestral Part|1.50|7 GMCL019-13|||9790222214095|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Horn 2|Orchestral Part|1.50|7 GMCL019-14|||9790222214101|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Trumpet|Orchestral Part|1.50|7 GMCL019-15|||9790222214118|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Trombone|Orchestral Part|1.50|7 GMCL019-16|||9790222214125|PEPUSCH J|Johann Christoph Pepusch|Beggars Opera Overture Timpani|Orchestral Part|1.50|7 GMCL020|TCHAIKOVSKY, Pyotr Ilych (1840-1893)
SCHERZO (arr.A.W.Benoy)
Concert Classics Series GMCL020|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (cymbal, bass drum, triangle)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass), Piano (optional)

This piece (Op.40 No.11), originally written for piano, has been arranged for an orchestra with a minimum of 2 flutes, 2 clarinets and 2 trumpets and strings. The piano part is primarily for rehearsal purposes and is not included in the score.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222214132|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Pack|Orchestra|55.00|630 GMCL020-00|||9790222214149|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Score|Orchestral Score|8.00|88 GMCL020-01|||9790222214156|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Violin 1|Orchestral Part|1.50|13 GMCL020-02|||9790222214163|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Violin 2|Orchestral Part|1.50|13 GMCL020-03|||9790222214170|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Violin 3|Orchestral Part|1.50|13 GMCL020-04|||9790222214187|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Viola|Orchestral Part|1.50|13 GMCL020-05|||9790222214194|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Cello|Orchestral Part|1.50|13 GMCL020-06|||9790222214200|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Bass|Orchestral Part|1.50|13 GMCL020-07|||9790222214217|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Flute 1|Orchestral Part|1.50|13 GMCL020-08|||9790222214224|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Flute 2|Orchestral Part|1.50|13 GMCL020-09|||9790222214231|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Oboe 1|Orchestral Part|1.50|13 GMCL020-10|||9790222214248|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Oboe 2|Orchestral Part|1.50|13 GMCL020-11|||9790222214255|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Clarinet 1|Orchestral Part|1.50|13 GMCL020-12|||9790222214262|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Clarinet 2|Orchestral Part|1.50|13 GMCL020-13|||9790222214279|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Bassoon 1|Orchestral Part|1.50|13 GMCL020-14|||9790222214286|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Bassoon 2|Orchestral Part|1.50|13 GMCL020-15|||9790222214293|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Horn 1|Orchestral Part|1.50|13 GMCL020-16|||9790222214309|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Horn 2|Orchestral Part|1.50|13 GMCL020-17|||9790222214316|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Trumpet 1|Orchestral Part|1.50|13 GMCL020-18|||9790222214323|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Trumpet 2|Orchestral Part|1.50|13 GMCL020-19|||9790222214330|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Trombone 1|Orchestral Part|1.50|13 GMCL020-20|||9790222214347|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Trombone 2|Orchestral Part|1.50|13 GMCL020-21|||9790222214354|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Trombone 3|Orchestral Part|1.50|13 GMCL020-22|||9790222214361|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Timpani|Orchestral Part|1.50|13 GMCL020-23|||9790222214378|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Percussion|Orchestral Part|1.50|13 GMCL020-24|||9790222214385|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scherzo (Benoy) Piano|Orchestral Part|2.00|25 GMCL021|GRIEG, Edvard (1843-1907)
PEER GYNT: MORNING
Concert Classics Series GMCL021|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in A (parts also included in Bb), 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This famous piece from Grieg''s incidental music for Peer Gynt has not been arranged or simplified. The horn and trumpet parts (which were originally in E) have been transposed for F horns and Bb trumpets and a transposed part for Bb clarinets (the original is in A) has been provided.
This can be combined with GMCL065 (Death of Ase & Anitra''s Dance) and GMCL040 (In the Hall of the Mountain King) to make up the entire Peer Gynt Suite No.1.
Duration: 3 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222214392|GRIEG E|Edvard Grieg|Morning from Peer Gynt Pack|Orchestra|26.00|386 GMCL021-00|||9790222214408|GRIEG E|Edvard Grieg|Morning from Peer Gynt Score|Orchestral Score|6.00|63 GMCL021-01|||9790222214415|GRIEG E|Edvard Grieg|Morning from Peer Gynt Violin 1|Orchestral Part|1.50|13 GMCL021-02|||9790222214422|GRIEG E|Edvard Grieg|Morning from Peer Gynt Violin 2|Orchestral Part|1.50|13 GMCL021-03|||9790222214439|GRIEG E|Edvard Grieg|Morning from Peer Gynt Viola|Orchestral Part|1.50|13 GMCL021-04|||9790222214446|GRIEG E|Edvard Grieg|Morning from Peer Gynt Cello|Orchestral Part|1.50|13 GMCL021-05|||9790222214453|GRIEG E|Edvard Grieg|Morning from Peer Gynt Bass|Orchestral Part|1.50|7 GMCL021-06|||9790222214460|GRIEG E|Edvard Grieg|Morning from Peer Gynt Flute 1+2|Orchestral Part|1.50|13 GMCL021-07|||9790222214477|GRIEG E|Edvard Grieg|Morning from Peer Gynt Oboe 1+2|Orchestral Part|1.50|7 GMCL021-08|||9790222214484|GRIEG E|Edvard Grieg|Morning from Peer Gynt Cl 1+2(Bb+A)|Orchestral Part|1.50|13 GMCL021-09|||9790222214491|GRIEG E|Edvard Grieg|Morning from Peer Gynt Bassoon 1+2|Orchestral Part|1.50|7 GMCL021-10|||9790222214507|GRIEG E|Edvard Grieg|Morning from Peer Gynt Horn 1+2|Orchestral Part|1.50|7 GMCL021-11|||9790222214514|GRIEG E|Edvard Grieg|Morning from Peer Gynt Horn 3+4|Orchestral Part|1.50|7 GMCL021-12|||9790222214521|GRIEG E|Edvard Grieg|Morning from Peer Gynt Trumpet 1+2|Orchestral Part|1.50|7 GMCL021-13|||9790222214538|GRIEG E|Edvard Grieg|Morning from Peer Gynt Timpani|Orchestral Part|1.50|7 GMCL022|MENDELSSOHN, Felix (1809-1847)
DANCE OF THE CLOWNS (arr.Rodney Mayes)
Concert Classics Series GMCL022|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, Tenor Trombone, Bass Trombone, Timpani
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

This is piece is taken from Mendelssohn''s incidental music for "A Midsummer Night''s Dream". The minimum forces for using this arrangement are strings and oboe (preferably) or clarinet. If neither violas nor bassoons are available the bassoon part in this section may be played on a cello. The third violin plays practically the same notes as the viola and a separate part in treble clef is provided.
Duration: 2 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222214545|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Pack|Orchestra|26.00|280 GMCL022-00|||9790222214552|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Score|Orchestral Score|5.00|38 GMCL022-01|||9790222214569|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Vln 1|Orchestral Part|1.50|7 GMCL022-02|||9790222214576|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Vln 2|Orchestral Part|1.50|7 GMCL022-03|||9790222214583|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Vln 3|Orchestral Part|1.50|7 GMCL022-04|||9790222214590|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Viola|Orchestral Part|1.50|7 GMCL022-05|||9790222214606|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Cello|Orchestral Part|1.50|7 GMCL022-06|||9790222214613|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Bass|Orchestral Part|1.50|7 GMCL022-07|||9790222214620|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Fl 1+2|Orchestral Part|1.50|7 GMCL022-08|||9790222214637|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Ob 1+2|Orchestral Part|1.50|7 GMCL022-09|||9790222214644|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Cl 1+2|Orchestral Part|1.50|7 GMCL022-10|||9790222214651|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Bsn1+2|Orchestral Part|1.50|7 GMCL022-11|||9790222214668|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Hn 1+2|Orchestral Part|1.50|7 GMCL022-12|||9790222214675|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Trp1+2|Orchestral Part|1.50|7 GMCL022-13|||9790222214682|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Tentrb|Orchestral Part|1.50|7 GMCL022-14|||9790222214699|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) BassTrb|Orchestral Part|1.50|7 GMCL022-15|||9790222214705|MENDELSSOHN|Felix Mendelssohn|Dance of the Clowns (Mayes) Timpani|Orchestral Part|1.50|7 GMCL023|SAINT-SAENS, Camille (1835-1921)
CARNIVAL OF THE ANIMALS (arr.Denis Bloodworth)
Concert Classics Series GMCL023|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani (3 or 2 drums), Percussion (Side drum, Bass drum, Tenor drum, Tambourine, Triangle, Xylophone, Glockenspiel), Piano Duet
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An arrangement of 10 of the pieces from this well-loved work:
Introduction: Royal March of the Lion, Tortoises, The Elephant, The Aquarium, People with Long Ears, The Cuckoo in the Wood, Pianists, Fossils, The Swan and The Finale.
Duration: 18 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2 and a piano duet part.|9790222214712|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals (arr) Pack|Orchestra|90.00|1030 GMCL023-00|||9790222214729|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Score|Orchestral Score|15.00|213 GMCL023-01|||9790222214736|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Violin 1|Orchestral Part|2.00|25 GMCL023-02|||9790222214743|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Violin 2|Orchestral Part|2.00|25 GMCL023-03|||9790222214750|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Viola|Orchestral Part|2.00|25 GMCL023-04|||9790222214767|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Cello|Orchestral Part|2.00|25 GMCL023-05|||9790222214774|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Bass|Orchestral Part|2.00|25 GMCL023-06|||9790222214781|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Flute 1|Orchestral Part|2.00|25 GMCL023-07|||9790222214798|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Flute 2|Orchestral Part|1.50|13 GMCL023-08|||9790222214804|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Oboe 1|Orchestral Part|1.50|13 GMCL023-09|||9790222214811|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Oboe 2|Orchestral Part|1.50|13 GMCL023-10|||9790222214828|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Clarinet 1|Orchestral Part|2.00|25 GMCL023-11|||9790222214835|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Clarinet 2|Orchestral Part|1.50|13 GMCL023-12|||9790222214842|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Bassoon 1|Orchestral Part|2.00|25 GMCL023-13|||9790222214859|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Bassoon 2|Orchestral Part|1.50|13 GMCL023-14|||9790222214866|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Horn 1|Orchestral Part|2.00|25 GMCL023-15|||9790222214873|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Horn 2|Orchestral Part|1.50|13 GMCL023-16|||9790222214880|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Trumpet 1|Orchestral Part|1.50|13 GMCL023-17|||9790222214897|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Trumpet 2|Orchestral Part|1.50|13 GMCL023-18|||9790222214903|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Trombone 1|Orchestral Part|1.50|13 GMCL023-19|||9790222214910|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Trombone 2|Orchestral Part|1.50|13 GMCL023-20|||9790222214927|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Timpani|Orchestral Part|1.50|13 GMCL023-21|||9790222214934|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Percussion|Orchestral Part|1.50|13 GMCL023-22|||9790222214941|SAINT-SAENS|Camille Saint-Saens|Carnival of the Animals Piano Duet|Orchestral Part|6.50|113 GMCL024|BACH, J.S. (1685-1750)
PASTORAL SYMPHONY & CHORALE (arr.John Parkinson)
Concert Classics Series GMCL024|Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon (or 3rd clarinet)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)
Keyboard Continuo
for Chorale only:- Choir (SATB) [optional]

The Pastoral Symphony from the Christmas Oratorio is here presented in an abbreviated version. The wind parts are optional being cued in the keyboard continuo throughout. The viola part may be played by violin 3, the bassoon part may be played by clarinet 3. The flute and bassoon parts are also cued in the strings. The SATB chorus is optional in the chorale. The symphony can be performed without the chorale.
Duration: 3 minutes
A A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222214958|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Pack|Orchestra|40.00|406 GMCL024-00|||9790222214965|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Score|Orchestral Score|6.00|63 GMCL024-01|||9790222214972|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Violin 1|Orchestral Part|1.50|13 GMCL024-02|||9790222214989|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Violin 2|Orchestral Part|1.50|13 GMCL024-03|||9790222214996|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Violin 3|Orchestral Part|1.50|13 GMCL024-04|||9790222215009|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Viola|Orchestral Part|1.50|13 GMCL024-05|||9790222215016|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Cello|Orchestral Part|1.50|13 GMCL024-06|||9790222215023|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Bass|Orchestral Part|1.50|13 GMCL024-07|||9790222215030|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Flute 1|Orchestral Part|1.50|13 GMCL024-08|||9790222215047|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Flute 2|Orchestral Part|1.50|13 GMCL024-09|||9790222215054|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Oboe|Orchestral Part|1.50|7 GMCL024-10|||9790222215061|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Clarinet 1|Orchestral Part|1.50|7 GMCL024-11|||9790222215078|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Clarinet 2|Orchestral Part|1.50|7 GMCL024-12|||9790222215085|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Clarinet 3|Orchestral Part|1.50|7 GMCL024-13|||9790222215092|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Bassoon|Orchestral Part|1.50|7 GMCL024-14|||9790222215108|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Keyboard|Orchestral Part|1.50|13 GMCL024-15|||9790222215115|BACH JS|Johann Sebastian Bach|Pastoral Sym & Chorale Choir|Orchestral Part|1.50|7 GMCL025|BIZET, Georges (1838-1875)
OVERTURE TO DR.MIRACLE (arr.David Stone)
Concert Classics Series GMCL025|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons (or 3rd Clarinet in lieu of Bassoon 1)
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Triangle & Cymbals)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)
Piano [optional]

The minimum forces required for performance are 1 flute, 1 oboe, 1 clarinet and strings. The piano part can be used for rehearsal or for strengthening the texture where minimum forces are used. If only one bassoon is available it would be best for the player to take the 2nd part.
Duration: 5? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222215122|BIZET G|Georges Bizet|Overture To Dr.Miracle Pack|Orchestra|60.00|1125 GMCL025-00|||9790222215139|BIZET G|Georges Bizet|Overture To Dr.Miracle Score|Orchestral Score|12.00|163 GMCL025-01|||9790222215146|BIZET G|Georges Bizet|Overture To Dr.Miracle Violin 1|Orchestral Part|2.00|25 GMCL025-02|||9790222215153|BIZET G|Georges Bizet|Overture To Dr.Miracle Violin 2|Orchestral Part|2.00|25 GMCL025-03|||9790222215160|BIZET G|Georges Bizet|Overture To Dr.Miracle Violin 3|Orchestral Part|2.00|25 GMCL025-04|||9790222215177|BIZET G|Georges Bizet|Overture To Dr.Miracle Viola|Orchestral Part|2.00|25 GMCL025-05|||9790222215184|BIZET G|Georges Bizet|Overture To Dr.Miracle Cello|Orchestral Part|2.00|25 GMCL025-06|||9790222215191|BIZET G|Georges Bizet|Overture To Dr.Miracle Bass|Orchestral Part|2.00|25 GMCL025-07|||9790222215207|BIZET G|Georges Bizet|Overture To Dr.Miracle Flute 1+2|Orchestral Part|2.50|38 GMCL025-08|||9790222215214|BIZET G|Georges Bizet|Overture To Dr.Miracle Oboe 1+2|Orchestral Part|2.50|38 GMCL025-09|||9790222215221|BIZET G|Georges Bizet|Overture To Dr.Miracle Clarinet 1+2|Orchestral Part|2.50|38 GMCL025-10|||9790222215238|BIZET G|Georges Bizet|Overture To Dr.Miracle Bassoon 1+2|Orchestral Part|2.00|25 GMCL025-11|||9790222215245|BIZET G|Georges Bizet|Overture To Dr.Miracle Horn 1|Orchestral Part|1.50|13 GMCL025-12|||9790222215252|BIZET G|Georges Bizet|Overture To Dr.Miracle Horn 2|Orchestral Part|1.50|13 GMCL025-13|||9790222215269|BIZET G|Georges Bizet|Overture To Dr.Miracle Trumpet 1|Orchestral Part|1.50|13 GMCL025-14|||9790222215276|BIZET G|Georges Bizet|Overture To Dr.Miracle Trumpet 2|Orchestral Part|1.50|13 GMCL025-15|||9790222215283|BIZET G|Georges Bizet|Overture To Dr.Miracle Trombone 1|Orchestral Part|1.50|13 GMCL025-16|||9790222215290|BIZET G|Georges Bizet|Overture To Dr.Miracle Trombone 2|Orchestral Part|1.50|13 GMCL025-17|||9790222215306|BIZET G|Georges Bizet|Overture To Dr.Miracle Trombone 3|Orchestral Part|1.50|13 GMCL025-18|||9790222215313|BIZET G|Georges Bizet|Overture To Dr.Miracle Timpani|Orchestral Part|1.50|13 GMCL025-19|||9790222215320|BIZET G|Georges Bizet|Overture To Dr.Miracle Percussion|Orchestral Part|1.50|13 GMCL025-20|||9790222215337|BIZET G|Georges Bizet|Overture To Dr.Miracle Piano|Orchestral Part|2.50|38 GMCL026|HANDEL, George Frideric (1685-1759)
ANDANTE (from Chandos Anthem)(arr.Frederic Westcott)
Concert Classics Series GMCL026|Orchestration
Treble Recorder
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello/Bass)
Keyboard continuo

This andante from the Sinfonia to the First Chandos Anthem was originally in the key of A major and was scored for oboe, two violins, bass and continuo. This adaptation has been transposed into Bb and scored for Treble recorder (although an oboe could be used), strings and continuo. The final two bars, which modulated to the dominant in the original, have been replaced with a cadence in the tonic.
This arrangement can be played by recorder, two violins and continuo, with or without cello, or by recorder and string quartet without continuo. The violin 3 part is a treble clef version of the viola part.
Duration: 2 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222206878|HANDEL GF|George Frideric Handel|Andante(Chandos Anthem) Pack|String Orchestra|26.00|192 GMCL026-00|||9790222206885|HANDEL GF|George Frideric Handel|Andante(Chandos Anthem) Score|Orchestral Score|5.00|25 GMCL026-01|||9790222206892|HANDEL GF|George Frideric Handel|Andante(Chandos Anthem) Violin 1|Orchestral Part|1.50|7 GMCL026-02|||9790222206908|HANDEL GF|George Frideric Handel|Andante(Chandos Anthem) Violin 2|Orchestral Part|1.50|7 GMCL026-03|||9790222206915|HANDEL GF|George Frideric Handel|Andante(Chandos Anthem) Violin 3|Orchestral Part|1.50|7 GMCL026-04|||9790222206922|HANDEL GF|George Frideric Handel|Andante(Chandos Anthem) Viola|Orchestral Part|1.50|7 GMCL026-05|||9790222206939|HANDEL GF|George Frideric Handel|Andante(Chandos Anthem) Cello/Bass|Orchestral Part|1.50|7 GMCL026-06|||9790222206946|HANDEL GF|George Frideric Handel|Andante(Chandos Anthem) Treb.Rec.|Orchestral Part|1.50|7 GMCL026-07|||9790222206953|HANDEL GF|George Frideric Handel|Andante(Chandos Anthem) Keyboard|Orchestral Part|1.50|13 GMCL027|HANDEL, George Frideric (1685-1759)
SUITE in Bb (arr.Frederic Westcott)
Concert Classics Series GMCL027|Orchestration
Treble recorder or Flute or Oboe, Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)
Piano [optional]

These movements are effective played by a minimum of solo treble recorder, two violins and piano, up to the full complement. Several players may well perform the recorder part to obtain a good balance, according to the size of the string band.
The piano plays from the score, of which two copies are included in a standard pack of parts.
Duration: 8 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222209039|HANDEL GF|George Frideric Handel|Suite in Bb (Westcott) Pack|String Orchestra|40.00|418 GMCL027-00|||9790222209046|HANDEL GF|George Frideric Handel|Suite in Bb (Westcott) Score/Piano|Orchestral Score|6.00|63 GMCL027-01|||9790222209053|HANDEL GF|George Frideric Handel|Suite in Bb (Westcott) Violin 1|Orchestral Part|1.50|13 GMCL027-02|||9790222209060|HANDEL GF|George Frideric Handel|Suite in Bb (Westcott) Violin 2|Orchestral Part|1.50|13 GMCL027-03|||9790222209077|HANDEL GF|George Frideric Handel|Suite in Bb (Westcott) Violin 3|Orchestral Part|1.50|13 GMCL027-04|||9790222209084|HANDEL GF|George Frideric Handel|Suite in Bb (Westcott) Viola|Orchestral Part|1.50|13 GMCL027-05|||9790222209091|HANDEL GF|George Frideric Handel|Suite in Bb (Westcott) Cello|Orchestral Part|1.50|13 GMCL027-06|||9790222209107|HANDEL GF|George Frideric Handel|Suite in Bb (Westcott) Bass|Orchestral Part|1.50|13 GMCL027-07|||9790222209114|HANDEL GF|George Frideric Handel|Suite in Bb (Westcott) Rec/Fl/Ob|Orchestral Part|1.50|13 GMCL028|HANDEL, George Frideric (1685-1759)
WATER MUSIC Suite 1 (arr.David Stone)
Concert Classics Series GMCL028|Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)
Piano (optional)

This arrangement can be played in various ways, and most passages for woodwind and brass have been cued in the string parts. The Suite can be played by strings and any available wind, but if performed by strings only bars 1-8 of the Minuet should be repeated and bars 9-16 omitted, and some repetitions in the Bourree and Hornpipe may be cut if desired. The wind cues are incorporated in the piano part which may be used either in lieu of woodwind and brass or when insufficient string players are available to produce complete harmony.
The four movements in this suite are Bourree, Minuet, Air, Hornpipe.
Duration: 7? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222215344|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Pack|Orchestra|50.00|576 GMCL028-00|||9790222215351|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Score|Orchestral Score|10.00|125 GMCL028-01|||9790222215368|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Vln 1|Orchestral Part|1.50|13 GMCL028-02|||9790222215375|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Vln 2|Orchestral Part|1.50|13 GMCL028-03|||9790222215382|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Vln 3|Orchestral Part|1.50|13 GMCL028-04|||9790222215399|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Viola|Orchestral Part|1.50|13 GMCL028-05|||9790222215405|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Cello|Orchestral Part|1.50|13 GMCL028-06|||9790222215412|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Bass|Orchestral Part|1.50|13 GMCL028-07|||9790222215429|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Flute 1|Orchestral Part|1.50|13 GMCL028-08|||9790222215436|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Flute 2|Orchestral Part|1.50|13 GMCL028-09|||9790222215443|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Oboe|Orchestral Part|1.50|13 GMCL028-10|||9790222215450|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Clar 1|Orchestral Part|1.50|13 GMCL028-11|||9790222215467|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Clar 2|Orchestral Part|1.50|13 GMCL028-12|||9790222215474|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Bassoon|Orchestral Part|1.50|13 GMCL028-13|||9790222215481|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Horn 1|Orchestral Part|1.50|13 GMCL028-14|||9790222215498|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Horn 2|Orchestral Part|1.50|13 GMCL028-15|||9790222215504|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Trp 1|Orchestral Part|1.50|13 GMCL028-16|||9790222215511|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Trp 2|Orchestral Part|1.50|13 GMCL028-17|||9790222215528|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Trb 1|Orchestral Part|1.50|13 GMCL028-18|||9790222215535|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Trb 2|Orchestral Part|1.50|13 GMCL028-19|||9790222215542|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Trb 3|Orchestral Part|1.50|13 GMCL028-20|||9790222215559|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Timpani|Orchestral Part|1.50|7 GMCL028-21|||9790222215566|HANDEL GF|George Frideric Handel|Water Music Suite 1 (Stone) Piano|Orchestral Part|2.00|25 GMCL029|HANDEL, George Frideric (1685-1759)
WATER MUSIC Suite 2 (arr.David Stone)
Concert Classics Series GMCL029|Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)
Piano (optional)

This arrangement can be played in various ways, and most passages for woodwind and brass have been cued in the string parts. The Suite can be played by strings and any available wind, but if performed by strings only bars 13 - 24 of the Air should be cut, and in the Moderato bars 1 - 4 and 9 -12 should be cut and bars 5 - 8 and 13 - 16 repeated. The wind cues are incorporated in the piano part which may be used either in lieu of woodwind and brass or when insufficient string players are available to produce complete harmony. The four movements in this suite are: Pomposo, Air, Moderato, Hornpipe.
Duration: 9? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222215573|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Pack|Orchestra|50.00|580 GMCL029-00|||9790222215580|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Score|Orchestral Score|10.00|125 GMCL029-01|||9790222215597|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Vln 1|Orchestral Part|1.50|13 GMCL029-02|||9790222215603|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Vln 2|Orchestral Part|1.50|13 GMCL029-03|||9790222215610|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Vln 3|Orchestral Part|1.50|13 GMCL029-04|||9790222215627|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Viola|Orchestral Part|1.50|13 GMCL029-05|||9790222215634|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Cello|Orchestral Part|1.50|13 GMCL029-06|||9790222215641|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Bass|Orchestral Part|1.50|13 GMCL029-07|||9790222215658|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Flute 1|Orchestral Part|1.50|13 GMCL029-08|||9790222215665|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Flute 2|Orchestral Part|1.50|13 GMCL029-09|||9790222215672|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Oboe|Orchestral Part|1.50|13 GMCL029-10|||9790222215689|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Clar 1|Orchestral Part|1.50|13 GMCL029-11|||9790222215696|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Clar 2|Orchestral Part|1.50|13 GMCL029-12|||9790222215702|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Bassoon|Orchestral Part|1.50|13 GMCL029-13|||9790222215719|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Horn 1|Orchestral Part|1.50|13 GMCL029-14|||9790222215726|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Horn 2|Orchestral Part|1.50|13 GMCL029-15|||9790222215733|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Trp 1|Orchestral Part|1.50|13 GMCL029-16|||9790222215740|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Trp 2|Orchestral Part|1.50|13 GMCL029-17|||9790222215757|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Trb 1|Orchestral Part|1.50|13 GMCL029-18|||9790222215764|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Trb 2|Orchestral Part|1.50|13 GMCL029-19|||9790222215771|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Trb 3|Orchestral Part|1.50|13 GMCL029-20|||9790222215788|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Timpani|Orchestral Part|1.50|7 GMCL029-21|||9790222215795|HANDEL GF|George Frideric Handel|Water Music Suite 2 (Stone) Piano|Orchestral Part|2.00|25 GMCL030|HERTEL, Johann Wilhelm (1727-1789)
LARGHETTO & PRESTO (arr.A.W.Benoy)
Concert Classics Series GMCL030|Orchestration
2 Descant recorders, 2 Flutes, 2 Clarinets in Bb, Horn in F, 2 Trumpets in Bb, Trombone
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)
Piano [optional] - plays from full score

Johann Wilhelm Hertel was born in Eisenach in 1727 and lived in Schwerin, North Germany, as court musician and composer of both church and secular music, and these two movements display a gift for elegant and attractive melody. In the original version they are scored for strings, horns and continuo with flutes and bassoons in the Larghetto and flutes and oboes in the Presto. In the present arrangement the movements have been rescored to suit the resources of school and amateur orchestras. This arrangement is complete for strings only. The piano and wind parts are optional. The solo violin and viola parts may be played by a small group or even tutti. The solo sections are slightly more difficult than the tutti sections. The piano, if used, plays from the score. No separate part is published.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222203464|HERTEL J|Johann Wilhelm Hertel|Larghetto & Presto (Benoy) Pack|Orchestra|35.00|428 GMCL030-00|||9790222203471|HERTEL J|Johann Wilhelm Hertel|Larghetto & Presto (Benoy) Score|Orchestral Score|6.00|63 GMCL030-01|||9790222203488|HERTEL J|Johann Wilhelm Hertel|Larghetto & Presto (Benoy) Violin 1|Orchestral Part|1.50|13 GMCL030-02|||9790222203495|HERTEL J|Johann Wilhelm Hertel|Larghetto & Presto (Benoy) Violin 2|Orchestral Part|1.50|13 GMCL030-03|||9790222203501|HERTEL J|Johann Wilhelm Hertel|Larghetto & Presto (Benoy) Violin 3|Orchestral Part|1.50|13 GMCL030-04|||9790222203518|HERTEL J|Johann Wilhelm Hertel|Larghetto & Presto (Benoy) Viola|Orchestral Part|1.50|13 GMCL030-05|||9790222203525|HERTEL J|Johann Wilhelm Hertel|Larghetto & Presto (Benoy) Vc/Bass|Orchestral Part|1.50|13 GMCL030-06|||9790222203532|HERTEL J|Johann Wilhelm Hertel|Larghetto & Presto (Benoy) D.Rec1+2|Orchestral Part|1.50|13 GMCL030-07|||9790222203549|HERTEL J|Johann Wilhelm Hertel|Larghetto & Presto (Benoy) Flute1+2|Orchestral Part|1.50|13 GMCL030-08|||9790222203556|HERTEL J|Johann Wilhelm Hertel|Larghetto & Presto (Benoy) Clar 1+2|Orchestral Part|1.50|13 GMCL030-09|||9790222203563|HERTEL J|Johann Wilhelm Hertel|Larghetto & Presto (Benoy) Horn|Orchestral Part|1.50|7 GMCL030-10|||9790222203570|HERTEL J|Johann Wilhelm Hertel|Larghetto & Presto (Benoy) Trpt 1+2|Orchestral Part|1.50|7 GMCL030-11|||9790222203587|HERTEL J|Johann Wilhelm Hertel|Larghetto & Presto (Benoy) Trombone|Orchestral Part|1.50|7 GMCL031|HUMMEL, Johann Nepomuk (1778-1837)
SLOW AIR & RONDO (arr.A.W.Benoy)
Concert Classics Series GMCL031|Orchestration
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Double Bass)
Piano

Arranged from trios for violin, cello and piano by Hummel
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222215801|HUMMEL J|Johann Nepomuk Hummel|Slow Air and Rondo (Benoy) Pack|String Orchestra|35.00|360 GMCL031-00|||9790222215818|HUMMEL J|Johann Nepomuk Hummel|Slow Air and Rondo (Benoy) Score|Orchestral Score|6.00|63 GMCL031-01|||9790222215825|HUMMEL J|Johann Nepomuk Hummel|Slow Air and Rondo (Benoy) Violin 1|Orchestral Part|1.50|13 GMCL031-02|||9790222215832|HUMMEL J|Johann Nepomuk Hummel|Slow Air and Rondo (Benoy) Violin 2|Orchestral Part|1.50|13 GMCL031-03|||9790222215849|HUMMEL J|Johann Nepomuk Hummel|Slow Air and Rondo (Benoy) Violin 3|Orchestral Part|1.50|13 GMCL031-04|||9790222215856|HUMMEL J|Johann Nepomuk Hummel|Slow Air and Rondo (Benoy) Viola|Orchestral Part|1.50|13 GMCL031-05|||9790222215863|HUMMEL J|Johann Nepomuk Hummel|Slow Air and Rondo (Benoy) Cello|Orchestral Part|1.50|13 GMCL031-06|||9790222215870|HUMMEL J|Johann Nepomuk Hummel|Slow Air and Rondo (Benoy) Bass|Orchestral Part|1.50|13 GMCL031-07|||9790222286498|HUMMEL J|Johann Nepomuk Hummel|Slow Air and Rondo (Benoy) Piano|Orchestral Part|2.00|25 GMCL032|MENDELSSOHN, Felix (1809-1847)
INTRODUCTION & FUGUE (arr.A.W.Benoy)
Concert Classics Series GMCL032|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Cymbals, Triangle, Bass Drum)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)
Piano (for rehearsal only)

This arrangement (from Sonata for Organ Op.65 no.2 and Three Preludes and Fugues Op.37 no.3) is reasonably complete with strings, flutes, clarinets and trumpets, and a number of cues have been supplied in case of a shortage or absence of oboes, bassoon and horns. The more complete, however, the orchestral forces are, the better the result will be.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222215887|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Pack|Orchestra|50.00|590 GMCL032-00|||9790222215894|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Score|Orchestral Score|6.00|75 GMCL032-01|||9790222215900|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Vln 1|Orchestral Part|1.50|13 GMCL032-02|||9790222215917|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Vln 2|Orchestral Part|1.50|13 GMCL032-03|||9790222215924|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Vln 3|Orchestral Part|1.50|13 GMCL032-04|||9790222215931|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Viola|Orchestral Part|1.50|13 GMCL032-05|||9790222215948|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Cello|Orchestral Part|1.50|13 GMCL032-06|||9790222215955|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Bass|Orchestral Part|1.50|13 GMCL032-07|||9790222215962|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Flute1|Orchestral Part|1.50|13 GMCL032-08|||9790222215979|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Flute2|Orchestral Part|1.50|13 GMCL032-09|||9790222215986|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Oboe 1|Orchestral Part|1.50|13 GMCL032-10|||9790222215993|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Oboe 2|Orchestral Part|1.50|13 GMCL032-11|||9790222216006|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Clar 1|Orchestral Part|1.50|13 GMCL032-12|||9790222216013|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Clar 2|Orchestral Part|1.50|13 GMCL032-13|||9790222216020|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Bsn|Orchestral Part|1.50|13 GMCL032-14|||9790222216037|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Horn 1|Orchestral Part|1.50|13 GMCL032-15|||9790222216044|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Horn 2|Orchestral Part|1.50|13 GMCL032-16|||9790222216051|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Trpt 1|Orchestral Part|1.50|13 GMCL032-17|||9790222216068|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Trpt 2|Orchestral Part|1.50|13 GMCL032-18|||9790222216075|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Tromb1|Orchestral Part|1.50|13 GMCL032-19|||9790222216082|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Tromb2|Orchestral Part|1.50|13 GMCL032-20|||9790222216099|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Tromb3|Orchestral Part|1.50|13 GMCL032-21|||9790222216105|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Timp|Orchestral Part|1.50|13 GMCL032-22|||9790222216112|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Perc|Orchestral Part|1.50|13 GMCL032-23|||9790222216129|MENDELSSOHN|Felix Mendelssohn|Introduction & Fugue (Benoy) Piano|Orchestral Part|2.00|25 GMCL033|MOZART, Wolfgang Amadeus (1756-1791)
ANDANTE & PRESTO (arr.A.W.Benoy)
Concert Classics Series GMCL033|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bassoon, Horn in F (or trombone), 2 Trumpets in Bb,
Trombone (plus optional additional trombone in lieu of horn), Timpani
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)
Piano [optional]

No great modifications of Mozart''s original work have been made in this arrangement. Changes mainly concern the Violin 2 and Viola parts in order to provide an alternative Violin 3 part for the Viola. The wind parts are optional, as is the piano, and the work is complete in its original strings only form. If there is no horn available, the part may be played by an additional trombone which should play the small notes cued in the main trombone part.
Duration: 10 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222203594|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Pack|Orchestra|50.00|558 GMCL033-00|||9790222203600|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Score|Orchestral Score|10.00|125 GMCL033-01|||9790222203617|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Violin 1|Orchestral Part|1.50|13 GMCL033-02|||9790222203624|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Violin 2|Orchestral Part|1.50|13 GMCL033-03|||9790222203631|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Violin 3|Orchestral Part|1.50|13 GMCL033-04|||9790222203648|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Viola|Orchestral Part|1.50|13 GMCL033-05|||9790222203655|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Cello|Orchestral Part|1.50|13 GMCL033-06|||9790222203662|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Bass|Orchestral Part|1.50|13 GMCL033-07|||9790222203679|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Flute 1|Orchestral Part|1.50|13 GMCL033-08|||9790222203686|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Flute 2|Orchestral Part|1.50|13 GMCL033-09|||9790222203693|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Oboe 1|Orchestral Part|1.50|13 GMCL033-10|||9790222203709|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Oboe 2|Orchestral Part|1.50|13 GMCL033-11|||9790222203716|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Clarinet 1|Orchestral Part|1.50|13 GMCL033-12|||9790222203723|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Clarinet 2|Orchestral Part|1.50|13 GMCL033-13|||9790222203730|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Bassoon|Orchestral Part|1.50|13 GMCL033-14|||9790222203747|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Horn|Orchestral Part|1.50|13 GMCL033-15|||9790222203754|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Trumpet 1|Orchestral Part|1.50|13 GMCL033-16|||9790222203761|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Trumpet 2|Orchestral Part|1.50|13 GMCL033-17|||9790222203778|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Trombone|Orchestral Part|1.50|13 GMCL033-18|||9790222203785|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Timpani|Orchestral Part|1.50|13 GMCL033-19|||9790222203792|MOZART|Wolfgang Amadeus Mozart|Andante & Presto (Benoy) Piano|Orchestral Part|2.00|25 GMCL034|PURCELL, Henry (1659-1695)
THREE PIECES from the Fairy Queen(arr.Frederic Westcott)
Concert Classics Series GMCL034|Orchestration
2 Descant/Treble Recorders
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello/Double Bass)
Piano [continuo]

The continuo part is not essential providing the string parts are complete and well-balanced, but it should be retained, if possible, in accordance with 17th century practice. The continuo plays from the score, two copies of which are included in a standard pack of parts. A 3rd violin part is provided as an alternative to viola. The arrangements are satisfactory for a minimum combination of recorders, 2 violins and piano. The three pieces are "Rondo", "Bird Prelude" and "Echo Dance".
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222216136|PURCELL H|Henry Purcell|Fairy Queen (3 Pieces) Pack|Orchestra|30.00|296 GMCL034-00|||9790222216143|PURCELL H|Henry Purcell|Fairy Queen (3 Pieces) Score/Piano|Orchestral Score|5.00|38 GMCL034-01|||9790222216150|PURCELL H|Henry Purcell|Fairy Queen (3 Pieces) Violin 1|Orchestral Part|1.50|13 GMCL034-02|||9790222216167|PURCELL H|Henry Purcell|Fairy Queen (3 Pieces) Violin 2|Orchestral Part|1.50|13 GMCL034-03|||9790222216174|PURCELL H|Henry Purcell|Fairy Queen (3 Pieces) Violin 3|Orchestral Part|1.50|7 GMCL034-04|||9790222216181|PURCELL H|Henry Purcell|Fairy Queen (3 Pieces) Viola|Orchestral Part|1.50|7 GMCL034-05|||9790222216198|PURCELL H|Henry Purcell|Fairy Queen (3 Pieces) Cello/Bass|Orchestral Part|1.50|13 GMCL034-06|||9790222216204|PURCELL H|Henry Purcell|Fairy Queen (3 Pieces) Desc/Tr.Rec1|Orchestral Part|1.50|13 GMCL034-07|||9790222216211|PURCELL H|Henry Purcell|Fairy Queen (3 Pieces) Desc/Tr.Rec2|Orchestral Part|1.50|13 GMCL035|SCHUBERT, Franz (1797-1828)
MARCH IN G minor (arr.Philip Wilkinson)
Concert Classics Series GMCL035|Orchestration
2 Flutes [2nd optional], Oboe [optional], 3 Clarinets in Bb [3rd optional], Bassoon [optional]
2 Horns in F [2nd optional], 2 Trumpets in Bb, 2 Trombones [1st optional], Percussion (cymbals & triangle) [optional]
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass [optional])

The original work was written for piano duet. In this arrangement all of the parts so indicated above are optional although ideally the full complement is desirable.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222203808|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Pack|Orchestra|40.00|484 GMCL035-00|||9790222203815|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Score|Orchestral Score|6.00|75 GMCL035-01|||9790222203822|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Vln 1|Orchestral Part|1.50|13 GMCL035-02|||9790222203839|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Vln 2|Orchestral Part|1.50|13 GMCL035-03|||9790222203846|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Vln 3|Orchestral Part|1.50|13 GMCL035-04|||9790222203853|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Viola|Orchestral Part|1.50|13 GMCL035-05|||9790222203860|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Cello|Orchestral Part|1.50|13 GMCL035-06|||9790222203877|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Bass|Orchestral Part|1.50|13 GMCL035-07|||9790222203884|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Flute1|Orchestral Part|1.50|13 GMCL035-08|||9790222203891|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Flute2|Orchestral Part|1.50|7 GMCL035-09|||9790222203907|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Oboe|Orchestral Part|1.50|13 GMCL035-10|||9790222203914|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Clar 1|Orchestral Part|1.50|13 GMCL035-11|||9790222203921|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Clar 2|Orchestral Part|1.50|13 GMCL035-12|||9790222203938|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Clar 3|Orchestral Part|1.50|13 GMCL035-13|||9790222203945|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Bsn|Orchestral Part|1.50|13 GMCL035-14|||9790222203952|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Horn 1|Orchestral Part|1.50|7 GMCL035-15|||9790222203969|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Horn 2|Orchestral Part|1.50|7 GMCL035-16|||9790222203976|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Trpt 1|Orchestral Part|1.50|13 GMCL035-17|||9790222203983|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Trpt 2|Orchestral Part|1.50|7 GMCL035-18|||9790222203990|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Trb 1|Orchestral Part|1.50|7 GMCL035-19|||9790222204003|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Trb 2|Orchestral Part|1.50|7 GMCL035-20|||9790222204010|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Timp|Orchestral Part|1.50|7 GMCL035-21|||9790222204027|SCHUBERT|Franz Schubert|March in G Minor (Wilkinson) Perc|Orchestral Part|1.50|7 GMCL036|TCHAIKOVSKY, Pyotr Ilych (1840-1893)
SONG WITHOUT WORDS (arr.A.W.Benoy)
Concert Classics Series GMCL036|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (triangle)
Strings (Violin 1, Violin 2, Viola or Violin 3, cello, Bass)

This piece (Op.40 No.6), originally for piano, has been arranged for a minimum orchestra of 2 flutes, 2 clarinets, 2 trumpets and strings, but the fuller the orchestra the better.
Duration: 2? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222204034|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Pack|Orchestra|40.00|438 GMCL036-00|||9790222204041|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Score|Orchestral Score|5.00|50 GMCL036-01|||9790222204058|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Violin 1|Orchestral Part|1.50|13 GMCL036-02|||9790222204065|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Violin 2|Orchestral Part|1.50|13 GMCL036-03|||9790222204072|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Violin 3|Orchestral Part|1.50|13 GMCL036-04|||9790222204089|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Viola|Orchestral Part|1.50|13 GMCL036-05|||9790222204096|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Cello|Orchestral Part|1.50|13 GMCL036-06|||9790222204102|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Bass|Orchestral Part|1.50|13 GMCL036-07|||9790222204119|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Flute 1|Orchestral Part|1.50|7 GMCL036-08|||9790222204126|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Flute 2|Orchestral Part|1.50|7 GMCL036-09|||9790222204133|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Oboe 1|Orchestral Part|1.50|7 GMCL036-10|||9790222204140|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Oboe 2|Orchestral Part|1.50|7 GMCL036-11|||9790222204157|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Clar 1|Orchestral Part|1.50|13 GMCL036-12|||9790222204164|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Clar 2|Orchestral Part|1.50|13 GMCL036-13|||9790222204171|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Bsn 1|Orchestral Part|1.50|7 GMCL036-14|||9790222204188|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Bsn 2|Orchestral Part|1.50|7 GMCL036-15|||9790222204195|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Horn 1|Orchestral Part|1.50|7 GMCL036-16|||9790222204201|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Horn 2|Orchestral Part|1.50|7 GMCL036-17|||9790222204218|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Trpt 1|Orchestral Part|1.50|7 GMCL036-18|||9790222204225|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Trpt 2|Orchestral Part|1.50|7 GMCL036-19|||9790222204232|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Tromb 1|Orchestral Part|1.50|7 GMCL036-20|||9790222204249|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Tromb 2|Orchestral Part|1.50|7 GMCL036-21|||9790222204256|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Tromb 3|Orchestral Part|1.50|7 GMCL036-22|||9790222204263|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Timpani|Orchestral Part|1.50|7 GMCL036-23|||9790222204270|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Song Without Words (Benoy) Perc|Orchestral Part|1.50|7 GMCL037|COATES, Eric (1886-1957)
THE DAMBUSTERS MARCH (arr.David Andrew)
Concert Classics Series GMCL037|'Orchestration
2 Flutes, 2 Oboes, 3 Clarinets in Bb, 2 Bassoons
2 Horns in F (or Alto saxes in Eb or Tenor saxes in Bb), 3 Trumpets in Bb, 2 Trombones, Tuba, Timpani, Percussion (Triangle, Cymbals, Side Drum, Bass drum)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

This popular march was written for the film "The Dam Busters" about the wartime exploits of the R.A.F.''s 617 squadron and their attempts to destroy the dams in Germany''s industrial heartland using the "bouncing bomb", a secret weapon invented by Barnes-Wallis. No secret weapons are required to perform this arrangement, just a reasonably able orchestra! Saxophone parts are provided as alternatives (or additions) to the horn parts. The 3rd violin doubles the viola (where necessary at the octave) and either may be omitted.
Duration: 4 minutes
Not for sale in USA or Canada
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222205901|COATES E|Eric Coates|Dambusters March (Andrew) Pack|Orchestra|80.00|695 GMCL037-00|||9790222205918|COATES E|Eric Coates|Dambusters March (Andrew) Score|Orchestral Score|6.00|75 GMCL037-01|||9790222205925|COATES E|Eric Coates|Dambusters March (Andrew) Violin 1|Orchestral Part|1.50|13 GMCL037-02|||9790222205932|COATES E|Eric Coates|Dambusters March (Andrew) Violin 2|Orchestral Part|1.50|13 GMCL037-03|||9790222205949|COATES E|Eric Coates|Dambusters March (Andrew) Violin 3|Orchestral Part|1.50|13 GMCL037-04|||9790222205956|COATES E|Eric Coates|Dambusters March (Andrew) Viola|Orchestral Part|1.50|13 GMCL037-05|||9790222205963|COATES E|Eric Coates|Dambusters March (Andrew) Cello|Orchestral Part|1.50|13 GMCL037-06|||9790222205970|COATES E|Eric Coates|Dambusters March (Andrew) Bass|Orchestral Part|1.50|13 GMCL037-07|||9790222205987|COATES E|Eric Coates|Dambusters March (Andrew) Flute1+2|Orchestral Part|1.50|13 GMCL037-08|||9790222205994|COATES E|Eric Coates|Dambusters March (Andrew) Oboe 1+2|Orchestral Part|1.50|13 GMCL037-09|||9790222206007|COATES E|Eric Coates|Dambusters March (Andrew) Clar1+2+3|Orchestral Part|2.00|25 GMCL037-10|||9790222206014|COATES E|Eric Coates|Dambusters March (Andrew) Bsn 1+2|Orchestral Part|1.50|13 GMCL037-11|||9790222206021|COATES E|Eric Coates|Dambusters March (Andrew) Hns1+2(F)|Orchestral Part|1.50|13 GMCL037-12|||9790222206038|COATES E|Eric Coates|Dambusters March (Andrew) A.sax1+2|Orchestral Part|1.50|13 GMCL037-13|||9790222206045|COATES E|Eric Coates|Dambusters March (Andrew) T.sax1+2|Orchestral Part|1.50|13 GMCL037-14|||9790222206052|COATES E|Eric Coates|Dambusters March (Andrew) Trps1+2+3|Orchestral Part|1.50|13 GMCL037-15|||9790222206069|COATES E|Eric Coates|Dambusters March (Andrew) Trb 1+2|Orchestral Part|1.50|13 GMCL037-16|||9790222206076|COATES E|Eric Coates|Dambusters March (Andrew) Tuba|Orchestral Part|1.50|13 GMCL037-17|||9790222206083|COATES E|Eric Coates|Dambusters March (Andrew) Timpani|Orchestral Part|1.50|13 GMCL037-18|||9790222206090|COATES E|Eric Coates|Dambusters March (Andrew) Perc|Orchestral Part|1.50|13 GMCL038|ROSSINI, Gioachino (1792-1868)
WILLIAM TELL OVERTURE (arr.David Andrew)
Concert Classics Series GMCL038|Orchestration
2 Flutes, 2 Oboes, 3 Clarinets in Bb (3rd doubles 1st Bassoon), 2 Bassoons
2 Horns in F (or Alto sax & Alto or Tenor sax), 2 Trumpets in Bb, 2 Trombones, Tuba, Timpani, Percussion (Triangle, Cymbals, Bass drum)
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass)

The opening to this famous overture requires a good cello section! If your cellos are not up to dividing into 5 successfully then start at the Allegro Vivace. Rossini had two viola parts in the original; the upper viola part has been given to Violin 3 in this arrangement and the lower part becomes the main Viola part, although it will still work perfectly well without any violas at all.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/3/5/2.|9790222205147|ROSSINI G|Gioachino Rossini|William Tell Overture (Andrew) Pk|Orchestra|45.00|720 GMCL038-00|||9790222205154|ROSSINI G|Gioachino Rossini|William Tell Overture (Andrew) Sc|Orchestral Score|6.00|75 GMCL038-01|||9790222205161|ROSSINI G|Gioachino Rossini|William Tell Overture Violin 1|Orchestral Part|1.50|13 GMCL038-02|||9790222205178|ROSSINI G|Gioachino Rossini|William Tell Overture Violin 2|Orchestral Part|1.50|13 GMCL038-03|||9790222205185|ROSSINI G|Gioachino Rossini|William Tell Overture Violin 3|Orchestral Part|1.50|13 GMCL038-04|||9790222205192|ROSSINI G|Gioachino Rossini|William Tell Overture Viola|Orchestral Part|1.50|13 GMCL038-05|||9790222205208|ROSSINI G|Gioachino Rossini|William Tell Overture Cello|Orchestral Part|2.00|25 GMCL038-06|||9790222205215|ROSSINI G|Gioachino Rossini|William Tell Overture Bass|Orchestral Part|1.50|13 GMCL038-07|||9790222205222|ROSSINI G|Gioachino Rossini|William Tell Overture Flute 1+2|Orchestral Part|1.50|13 GMCL038-08|||9790222205239|ROSSINI G|Gioachino Rossini|William Tell Overture Oboe 1+2|Orchestral Part|1.50|13 GMCL038-09|||9790222205246|ROSSINI G|Gioachino Rossini|William Tell Overture Clarinet 1+2|Orchestral Part|1.50|25 GMCL038-10|||9790222205253|ROSSINI G|Gioachino Rossini|William Tell Overture Clarinet 3|Orchestral Part|1.50|13 GMCL038-11|||9790222205260|ROSSINI G|Gioachino Rossini|William Tell Overture Bassoon 1+2|Orchestral Part|1.50|13 GMCL038-12|||9790222205291|ROSSINI G|Gioachino Rossini|William Tell Overture Horn 1+2|Orchestral Part|1.50|13 GMCL038-13|||9790222205277|ROSSINI G|Gioachino Rossini|William Tell Overture A.sax 1+2|Orchestral Part|1.50|13 GMCL038-14|||9790222205284|ROSSINI G|Gioachino Rossini|William Tell Overture T.sax 1+2|Orchestral Part|1.50|13 GMCL038-15|||9790222205307|ROSSINI G|Gioachino Rossini|William Tell Overture Trumpets 1+2|Orchestral Part|1.50|13 GMCL038-16|||9790222205314|ROSSINI G|Gioachino Rossini|William Tell Overture Trombones 1+2|Orchestral Part|1.50|13 GMCL038-17|||9790222205321|ROSSINI G|Gioachino Rossini|William Tell Overture Tuba|Orchestral Part|1.50|13 GMCL038-18|||9790222205338|ROSSINI G|Gioachino Rossini|William Tell Overture Timpani|Orchestral Part|1.50|13 GMCL038-19|||9790222205345|ROSSINI G|Gioachino Rossini|William Tell Overture Percussion|Orchestral Part|1.50|13 GMCL039|SUSATO, Tielman (c1500-c1564)
SEVEN DANCES from DANSERYE (arr.Philip Lane)
Concert Classics Series GMCL039|Orchestration
2 Flutes db.piccolos [optional], 2 Oboes db.cor anglais [optional], 2 Clarinets in Bb, 1 db.bass clarinet [optional], 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Percussion (Bass drum, Claves, Cymbals, Glockenspiel, Side drum [2 if available], Tambourine, Tenor drum [2 if available], Timpani [2 drums], Triangle)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

These dances were featured in the film and BBC-TV series "Henry VIII and his Six Wives". Cues exist to cover instruments likely to be lacking (such as cor anglais) and the larger movements are more thickly scored which will enable a performance by a considerably reduced orchestra. The seven movements are La Morisque, Ronde and Saltarelle, Bergerette, Les Quatres Bransles, Ronde Mon Amy, Ronde IX and Pavane - La Battaille.
Duration: 13 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222202986|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Pack|Orchestra|40.00|620 GMCL039-00|||9790222202993|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Score|Orchestral Score|10.00|125 GMCL039-01|||9790222203006|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Vln 1|Orchestral Part|1.50|13 GMCL039-02|||9790222203013|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Vln 2|Orchestral Part|1.50|13 GMCL039-03|||9790222203020|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Viola|Orchestral Part|1.50|13 GMCL039-04|||9790222203037|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Cello|Orchestral Part|1.50|13 GMCL039-05|||9790222203044|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Bass|Orchestral Part|1.50|13 GMCL039-06|||9790222203051|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Flute1+2|Orchestral Part|1.50|13 GMCL039-07|||9790222203068|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Oboe 1|Orchestral Part|1.50|13 GMCL039-08|||9790222203075|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Oboe 2|Orchestral Part|1.50|13 GMCL039-09|||9790222203082|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Clar 1|Orchestral Part|1.50|13 GMCL039-10|||9790222203099|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Clar 2|Orchestral Part|1.50|13 GMCL039-11|||9790222203105|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Bsn1+2|Orchestral Part|1.50|13 GMCL039-12|||9790222203112|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Horn1+2|Orchestral Part|1.50|13 GMCL039-13|||9790222203129|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Trp1+2|Orchestral Part|1.50|13 GMCL039-14|||9790222203136|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Trb1+2|Orchestral Part|1.50|13 GMCL039-15|||9790222203143|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Trb3+Tba|Orchestral Part|1.50|13 GMCL039-16|||9790222203150|SUSATO(LANE)|Tielman Susato|Seven Dances from Danserye Perc|Orchestral Part|2.00|25 GMCL040|GRIEG, Edvard (1843-1907)
PEER GYNT: IN THE HALL OF THE MOUNTAIN KING
Concert Classics Series GMCL040|'Orchestration
Piccolo (optional), 2 Flutes, 2 Oboes, 2 Clarinets in Bb or A, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Bass drum, Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

This edition is faithful to the original score, except that the horns are transposed into F and the trumpets in Bb. The piccolo part can be omitted but it does add to the excitement at the end!
This can be combined with GMCL065 (Death of Ase & Anitra''s Dance) and GMCL021 (Morning) to make up the entire Peer Gynt Suite No.1.
Duration: 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222207660|GRIEG E|Edvard Grieg|In the Hall of the Mountain K Pack|Orchestra|30.00|571 GMCL040-00|||9790222207677|GRIEG E|Edvard Grieg|In the Hall of the Mountain K Sc.|Orchestral Score|6.00|75 GMCL040-01|||9790222207684|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Vln 1|Orchestral Part|1.50|13 GMCL040-02|||9790222207691|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Vln 2|Orchestral Part|1.50|13 GMCL040-03|||9790222207707|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Viola|Orchestral Part|1.50|13 GMCL040-04|||9790222207714|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Cello|Orchestral Part|1.50|13 GMCL040-05|||9790222207721|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.DBass|Orchestral Part|1.50|13 GMCL040-06|||9790222207738|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Picc|Orchestral Part|1.50|7 GMCL040-07|||9790222207745|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Fl1+2|Orchestral Part|1.50|13 GMCL040-08|||9790222207752|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Ob1+2|Orchestral Part|1.50|13 GMCL040-09|||9790222207769|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Cl1+2|Orchestral Part|1.50|13 GMCL040-10|||9790222207776|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Bn1+2|Orchestral Part|1.50|13 GMCL040-11|||9790222207783|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Hn1-4|Orchestral Part|1.50|13 GMCL040-12|||9790222207790|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Tr1+2|Orchestral Part|1.50|13 GMCL040-13|||9790222207806|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Tb1+2|Orchestral Part|1.50|13 GMCL040-14|||9790222207813|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Tb3Ta|Orchestral Part|1.50|13 GMCL040-15|||9790222207820|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Timp|Orchestral Part|1.50|7 GMCL040-16|||9790222207837|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.BDrum|Orchestral Part|1.50|7 GMCL040-17|||9790222207844|GRIEG E|Edvard Grieg|In the Hall of the Mountain K.Cym|Orchestral Part|1.50|7 GMCL041|MOZART, Leopold (1719-1787)
TOY SYMPHONY
Concert Classics Series GMCL041|Orchestration
Strings (Violin 1, Violin 2, Violoncello & Bass)
TOY INSTRUMENTS (6 players):-
Trumpet (toy in G or actual trumpet or clarinet), Cuckoo (or flute or recorder), Drum (toy or tenor drum or side drum [no snares]), Triangle & Quail (or descant recorder), Nightingale, Rattle

Originally attributed to Haydn this short amusing symphony is scored only for violins, bass and toy instruments. It is in three movements. The third movement is to be played three times at ever-increasing speeds. There are alternatives for the toy instruments as shown above. Although 6 players are, on the face of it, required for these instruments more or less can be used depending on how humorous you wish your performance to be. (You could use two players for the CUCKOO, one playing the "CUCK" and the other the "OO" on different instruments). Other substitutions for the toy instruments could also be made.
Duration: 11 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/4/2.|9790222207851|MOZART L|Leopold Mozart|Toy Symphony Pack|String Orchestra|26.00|320 GMCL041-00|||9790222207868|MOZART L|Leopold Mozart|Toy Symphony Score|Orchestral Score|5.00|50 GMCL041-01|||9790222207875|MOZART L|Leopold Mozart|Toy Symphony Violin 1|Orchestral Part|1.50|13 GMCL041-02|||9790222207882|MOZART L|Leopold Mozart|Toy Symphony Violin 2|Orchestral Part|1.50|13 GMCL041-03|||9790222207899|MOZART L|Leopold Mozart|Toy Symphony Cello & Bass|Orchestral Part|1.50|13 GMCL041-04|||9790222207905|MOZART L|Leopold Mozart|Toy Symphony Trumpet|Orchestral Part|1.50|13 GMCL041-05|||9790222207912|MOZART L|Leopold Mozart|Toy Symphony Cuckoo|Orchestral Part|1.50|13 GMCL041-06|||9790222207929|MOZART L|Leopold Mozart|Toy Symphony Drum|Orchestral Part|1.50|13 GMCL041-07|||9790222207936|MOZART L|Leopold Mozart|Toy Symphony Triangle & Quail|Orchestral Part|1.50|13 GMCL041-08|||9790222207943|MOZART L|Leopold Mozart|Toy Symphony Nightingale|Orchestral Part|1.50|13 GMCL041-09|||9790222207950|MOZART L|Leopold Mozart|Toy Symphony Rattle|Orchestral Part|1.50|13 GMCL042|CLARKE, Jeremiah (c1674-1707)
TWO ROYAL MARCHES (arr.Nigel Wicken)
Concert Classics Series GMCL042|'Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F (or Eb), 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Side drum)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

These two marches by Jeremiah Clarke are entitled "King William''s March" and "The Prince of Denmark''s March"; the latter had wrongly been attributed to Henry Purcell and is still often referred to as his "Trumpet Voluntary". "King William''s March" is short and is more in the nature of an extended fanfare. The Eb Horns part can be played by alto saxophones.
Duration: 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222205352|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Pack|Orchestra|30.00|492 GMCL042-00|||9790222205369|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Score|Orchestral Score|6.00|75 GMCL042-01|||9790222205376|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Violin 1|Orchestral Part|1.50|13 GMCL042-02|||9790222205383|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Violin 2|Orchestral Part|1.50|13 GMCL042-03|||9790222205390|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Violin 3|Orchestral Part|1.50|7 GMCL042-04|||9790222205406|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Viola|Orchestral Part|1.50|7 GMCL042-05|||9790222205413|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Vc/Bass|Orchestral Part|1.50|13 GMCL042-06|||9790222205420|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Flute1+2|Orchestral Part|1.50|13 GMCL042-07|||9790222205437|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Oboe|Orchestral Part|1.50|7 GMCL042-08|||9790222205444|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Clar 1+2|Orchestral Part|1.50|13 GMCL042-09|||9790222205451|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Bassoon|Orchestral Part|1.50|7 GMCL042-10|||9790222205468|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Horns F|Orchestral Part|1.50|13 GMCL042-11|||9790222205475|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Hn/SaxEb|Orchestral Part|1.50|13 GMCL042-12|||9790222205482|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Trpt 1+2|Orchestral Part|1.50|13 GMCL042-13|||9790222205499|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Tromb1+2|Orchestral Part|1.50|7 GMCL042-14|||9790222205505|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Trb3/Tba|Orchestral Part|1.50|7 GMCL042-15|||9790222205512|CLARKE J|Jeremiah Clarke|Two Royal Marches (Wicken) Timp/SDr|Orchestral Part|1.50|13 GMCL043|HANDEL, George Frideric (1685-1759)
TWO MARCHES (arr.Nigel Wicken)
March from the Occasional Oratorio & See the Conquering Hero Comes
Concert Classics Series GMCL043|Orchestration
2 Flutes (3 in March No.2), Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F (alternatively 2 Horns / Saxophones in Eb), 2 Trumpets in Bb, 2 Trombones (only 1 part in March No.2), Trombone 3 / Tuba, Timpani, Percussion (Side drum - only in March No.1)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello/Bass)

Two well-known marches by Handel both taken from oratorios; the first from his "Occasional Oratorio", the second from "Judas Maccabeus". A Violin 3 part is included as an alternative to Viola and the Horn parts are given in F and Eb enabling their use by alto saxes. The Flute part divides into 3 in the first section of "See the Conquering..." but the third part is cued in the oboe if you have only two flutes.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222206366|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Pack|Orchestra|35.00|556 GMCL043-00|||9790222206373|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Score|Orchestral Score|6.00|63 GMCL043-01|||9790222206380|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Violin 1|Orchestral Part|1.50|13 GMCL043-02|||9790222206397|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Violin 2|Orchestral Part|1.50|13 GMCL043-03|||9790222206403|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Violin 3|Orchestral Part|1.50|13 GMCL043-04|||9790222206410|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Viola|Orchestral Part|1.50|13 GMCL043-05|||9790222206427|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Cello/Bass|Orchestral Part|1.50|13 GMCL043-06|||9790222206434|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Flutes|Orchestral Part|1.50|13 GMCL043-07|||9790222206441|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Oboe|Orchestral Part|1.50|13 GMCL043-08|||9790222206458|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Clar 1+2|Orchestral Part|1.50|13 GMCL043-09|||9790222206465|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Bassoon|Orchestral Part|1.50|13 GMCL043-10|||9790222206472|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Hns1+2(F)|Orchestral Part|1.50|13 GMCL043-11|||9790222206489|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Hns1+2(Eb)|Orchestral Part|1.50|13 GMCL043-12|||9790222206496|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Trps 1+2|Orchestral Part|1.50|13 GMCL043-13|||9790222206502|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Trbs 1+2|Orchestral Part|1.50|13 GMCL043-14|||9790222206519|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Trb3/Tuba|Orchestral Part|1.50|13 GMCL043-15|||9790222206526|HANDEL GF|George Frideric Handel|Two Marches (arr.Wicken) Timp/SDrum|Orchestral Part|1.50|13 GMCL044|OFFENBACH, Jacques (1819-1880)
THE CAN-CAN (arr.Nigel Wicken)
Concert Classics Series GMCL044|'Orchestration
Flute (doubling piccolo), Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F (alternatively 2 Horns / Saxophones in Eb), 2 Trumpets in Bb, 2 Trombones, Timpani,
Percussion (Side drum, Bass drum, Cymbals, Triangle [2 players])
Strings (Violin 1,2, Viola or Violin 3, Cello/Bass)

The famous Can-Can is well-known even away from Offenbach''s operetta "Orpheus in the Underworld". In this arrangement there is a Violin 3 part as an alternative to Viola and an alternative Eb part for horns which can be used for alto saxes. Although two trombones are listed the part is actually "a 2" throughout so you could get away with only one, though you would then lose the unmistakable sound of trombones playing loudly in unison which adds to the subtle flavour of this piece!
Duration: 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222206700|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Pack|Orchestra|30.00|502 GMCL044-00|||9790222206717|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Score|Orchestral Score|6.00|63 GMCL044-01|||9790222206724|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Violin 1|Orchestral Part|1.50|13 GMCL044-02|||9790222206731|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Violin 2|Orchestral Part|1.50|13 GMCL044-03|||9790222206748|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Violin 3|Orchestral Part|1.50|13 GMCL044-04|||9790222206755|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Viola|Orchestral Part|1.50|13 GMCL044-05|||9790222206762|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Cello/Bass|Orchestral Part|1.50|13 GMCL044-06|||9790222206779|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Flute/Piccolo|Orchestral Part|1.50|13 GMCL044-07|||9790222206786|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Oboe|Orchestral Part|1.50|13 GMCL044-08|||9790222206793|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Clarinet 1+2|Orchestral Part|1.50|13 GMCL044-09|||9790222206809|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Bassoon|Orchestral Part|1.50|13 GMCL044-10|||9790222206816|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Horn 1+2 in F|Orchestral Part|1.50|13 GMCL044-11|||9790222206823|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Hn/sax1+2 inEb|Orchestral Part|1.50|13 GMCL044-12|||9790222206830|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Trumpet 1+2|Orchestral Part|1.50|7 GMCL044-13|||9790222206847|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Trombone 1+2|Orchestral Part|1.50|7 GMCL044-14|||9790222206854|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Timpani|Orchestral Part|1.50|7 GMCL044-15|||9790222206861|OFFENBACH J|Jacques Offenbach|Can-Can (arr.Wicken) Percussion|Orchestral Part|1.50|13 GMCL045|WAGNER, Richard (1813-1883)
ENTRY OF THE MASTERS (arr.Nigel Wicken)
Concert Classics Series GMCL045|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F (alternatively 2 Horns / Saxophones in Eb), 2 Trumpets in Bb , 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

The "Entry of the Masters" from Wagner''s opera "The Mastersingers" is probably the best known tune in the work, if only because it also comes at the beginning of the ever-popular overture. Wagner''s music is notoriously difficult for amateur orchestras (especially the strings) and this arrangement enables such orchestras and those blessed with less than a symphony-orchestra-sized string section to include some in their repertoire. A 3rd violin part is included as an alternative to the viola and an Eb part (for horns or saxophones) as an alternative to the F horn part.
Duration: 3 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222205727|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Pack|Orchestra|30.00|470 GMCL045-00|||9790222205734|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Sc|Orchestral Score|6.00|63 GMCL045-01|||9790222205741|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Vln 1|Orchestral Part|1.50|13 GMCL045-02|||9790222205758|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Vln 2|Orchestral Part|1.50|13 GMCL045-03|||9790222205765|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Vln 3|Orchestral Part|1.50|13 GMCL045-04|||9790222205772|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Viola|Orchestral Part|1.50|13 GMCL045-05|||9790222205789|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Cello|Orchestral Part|1.50|13 GMCL045-06|||9790222205796|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Bass|Orchestral Part|1.50|7 GMCL045-07|||9790222205802|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Fl1+2|Orchestral Part|1.50|13 GMCL045-08|||9790222205819|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Ob1+2|Orchestral Part|1.50|7 GMCL045-09|||9790222205826|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Cl1+2|Orchestral Part|1.50|13 GMCL045-10|||9790222205833|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Bn1+2|Orchestral Part|1.50|7 GMCL045-11|||9790222205840|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Hn1+2|Orchestral Part|1.50|7 GMCL045-12|||9790222205857|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) EbHns|Orchestral Part|1.50|7 GMCL045-13|||9790222205864|WAGNER R|Richard Wagner|Entry of the Masters (Wicken)Trp1+2|Orchestral Part|1.50|7 GMCL045-14|||9790222205871|WAGNER R|Richard Wagner|Entry of the Masters (Wicken)Trb1+2|Orchestral Part|1.50|7 GMCL045-15|||9790222205888|WAGNER R|Richard Wagner|Entry of the Masters (Wicken)Tb3Tba|Orchestral Part|1.50|7 GMCL045-16|||9790222205895|WAGNER R|Richard Wagner|Entry of the Masters (Wicken) Timp|Orchestral Part|1.50|7 GMCL046|CHARPENTIER, Marc-Antoine (1643-1704)
PRELUDE from the TE DEUM (arr.Nigel Wicken)
Concert Classics Series GMCL046|'Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F (alternatively 2 Horns / Saxophones in Eb), 2 Trumpets in Bb, 2 Trombones, Tuba, Timpani
Strings (Violin 1,2, Viola or Violin 3, Cello, Double Bass)

The opening of Charpentier''s Te Deum was made known largely by its use as the signature tune of "Eurovision" but more recently has been very popular at weddings or indeed just as an excellent stately march. The piece features the 1st trumpet player. Alternative parts to the F horn parts are provided for Eb horns which can also be used for alto saxophones.
Duration: 2? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222207486|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Pack|Orchestra|26.00|304 GMCL046-00|||9790222207493|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Sc|Orchestral Score|5.00|50 GMCL046-01|||9790222207509|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Vln 1|Orchestral Part|1.50|7 GMCL046-02|||9790222207516|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Vln 2|Orchestral Part|1.50|7 GMCL046-03|||9790222207523|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Vln 3|Orchestral Part|1.50|7 GMCL046-04|||9790222207530|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Viola|Orchestral Part|1.50|7 GMCL046-05|||9790222207547|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Cello|Orchestral Part|1.50|7 GMCL046-06|||9790222207554|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Bass|Orchestral Part|1.50|7 GMCL046-07|||9790222207561|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Fl1+2|Orchestral Part|1.50|7 GMCL046-08|||9790222207578|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Oboe|Orchestral Part|1.50|7 GMCL046-09|||9790222207585|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Cl1+2|Orchestral Part|1.50|7 GMCL046-10|||9790222207592|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Bn1+2|Orchestral Part|1.50|7 GMCL046-11|||9790222207608|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Hn1+2|Orchestral Part|1.50|7 GMCL046-12|||9790222207615|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) EbHns|Orchestral Part|1.50|7 GMCL046-13|||9790222207622|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Tr1+2|Orchestral Part|1.50|7 GMCL046-14|||9790222207639|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Tb1+2|Orchestral Part|1.50|7 GMCL046-15|||9790222207646|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Tuba|Orchestral Part|1.50|7 GMCL046-16|||9790222207653|CHARPENTIER|Marc-Antoine Charpentier|Prelude from Te Deum (Wicken) Timp|Orchestral Part|1.50|7 GMCL047|DVORAK, Antonin (1841-1904)
LARGO from SYMPHONY No.9
Concert Classics Series GMCL047|'Orchestration
2 Flutes, 2 Oboes, Cor Anglais (alternatively Alto Saxophone), 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Probably the best known movement of all from any of Dvorak''s symphonies, this beautiful Largo is still popular despite being used repeatedly in TV advertisements, film soundtracks and many other ways. This edition is reasonably faithful to the original score, except that the clarinets here are in Bb throughout (they change between Bb and A in the original), the horns in F (rather than E and C) and the trumpets in Bb (rather than E). The cor anglais part is cued into the oboe part and you could probably get away without a cor anglais although several sections are uncomfortably low for the oboe. As an alternative, a part is provided in Eb so that an alto saxophone could replace the cor anglais.
Duration: 10 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222206960|DVORAK A|Antonin Dvorak|Largo from New World Symphony Pack|Orchestra|30.00|498 GMCL047-00|||9790222206977|DVORAK A|Antonin Dvorak|Largo from New World Symphony Sc|Orchestral Score|8.00|100 GMCL047-01|||9790222206984|DVORAK A|Antonin Dvorak|Largo from New World Symphony Vln 1|Orchestral Part|1.50|13 GMCL047-02|||9790222206991|DVORAK A|Antonin Dvorak|Largo from New World Symphony Vln 2|Orchestral Part|1.50|13 GMCL047-03|||9790222207004|DVORAK A|Antonin Dvorak|Largo from New World Symphony Viola|Orchestral Part|1.50|13 GMCL047-04|||9790222207011|DVORAK A|Antonin Dvorak|Largo from New World Symphony Cello|Orchestral Part|1.50|13 GMCL047-05|||9790222207028|DVORAK A|Antonin Dvorak|Largo from New World Symphony Bass|Orchestral Part|1.50|13 GMCL047-06|||9790222207035|DVORAK A|Antonin Dvorak|Largo from New World Symphony Fl1+2|Orchestral Part|1.50|13 GMCL047-07|||9790222207042|DVORAK A|Antonin Dvorak|Largo from New World Symphony Ob1+2|Orchestral Part|1.50|13 GMCL047-08|||9790222207059|DVORAK A|Antonin Dvorak|Largo from New World Symphony CorAn|Orchestral Part|1.50|7 GMCL047-09|||9790222207066|DVORAK A|Antonin Dvorak|Largo from New World Symphony A.Sax|Orchestral Part|1.50|7 GMCL047-10|||9790222207073|DVORAK A|Antonin Dvorak|Largo from New World Symphony Cl1+2|Orchestral Part|1.50|13 GMCL047-11|||9790222207080|DVORAK A|Antonin Dvorak|Largo from New World Symphony Bn1+2|Orchestral Part|1.50|7 GMCL047-12|||9790222207097|DVORAK A|Antonin Dvorak|Largo from New World Symphony Hn1+2|Orchestral Part|1.50|7 GMCL047-13|||9790222207103|DVORAK A|Antonin Dvorak|Largo from New World Symphony Hn3+4|Orchestral Part|1.50|7 GMCL047-14|||9790222207110|DVORAK A|Antonin Dvorak|Largo from New World Symphony Tr1+2|Orchestral Part|1.50|7 GMCL047-15|||9790222207127|DVORAK A|Antonin Dvorak|Largo from New World Symphony Tb1+2|Orchestral Part|1.50|7 GMCL047-16|||9790222207134|DVORAK A|Antonin Dvorak|Largo from New World SymphonyTb3Tba|Orchestral Part|1.50|7 GMCL047-17|||9790222207141|DVORAK A|Antonin Dvorak|Largo from New World Symphony Timp|Orchestral Part|1.50|7 GMCL048|BACH, J.S. (1685-1750)
SLEEPERS WAKE (arr.Nigel Wicken)
Concert Classics Series GMCL048|'Orchestration
Flute (or Clarinet in Bb), 2 Clarinets in Bb
Horn in F or Eb, 3 Trombones, Tuba
Strings (Violins & Violas, Cello/Bass)

This famous piece from Bach''s Cantata No.140 is fundamentally quite a simple piece with violins and violas in unison above a bass line, with the chorale melody joining in from time to time! This arrangement can be performed with a minimum of Horn or Trombone, Violins and Cello/Bass.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222209206|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Pack|Orchestra|26.00|338 GMCL048-00|||9790222209213|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Score|Orchestral Score|5.00|38 GMCL048-01|||9790222209220|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Violins|Orchestral Part|1.50|13 GMCL048-02|||9790222209237|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Viola|Orchestral Part|1.50|13 GMCL048-03|||9790222209244|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Vc/Bass|Orchestral Part|1.50|13 GMCL048-04|||9790222209251|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Flute|Orchestral Part|1.50|7 GMCL048-05|||9790222209268|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Clar 1|Orchestral Part|1.50|7 GMCL048-06|||9790222209275|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Clar 2|Orchestral Part|1.50|7 GMCL048-07|||9790222209282|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Clar 3|Orchestral Part|1.50|7 GMCL048-08|||9790222209299|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Horn F|Orchestral Part|1.50|7 GMCL048-09|||9790222209305|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Horn Eb|Orchestral Part|1.50|7 GMCL048-10|||9790222209312|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Tromb 1|Orchestral Part|1.50|7 GMCL048-11|||9790222209329|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Tromb 2|Orchestral Part|1.50|7 GMCL048-12|||9790222209336|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Tromb 3|Orchestral Part|1.50|7 GMCL048-13|||9790222209343|BACH JS|Johann Sebastian Bach|Sleepers Wake (arr Wicken) Tuba|Orchestral Part|1.50|7 GMCL049|'WAGNER, Richard (1813-1883)
PILGRIMS'' CHORUS from Tannhauser (arr.Nigel Wicken)
Concert Classics Series GMCL049'|'Orchestration
Flute(s), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F (or Eb), 2 Trumpets in Bb, Trombone(s), Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This magnificent melody from Wagner''s Tannhauser is notoriously difficult to play (as is much of Wagner''s music!) but here the parts are simplified (especially the strings) to make it more accessible, although it is still not easy! Although there is a single trombone part scored here, it would be preferable to have 2 or even 3 trombones playing it.
Duration: 4? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222209350|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Pack'|Orchestra|26.00|414 GMCL049-00|||9790222209367|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Score'|Orchestral Score|8.00|88 GMCL049-01|||9790222209374|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Violin 1'|Orchestral Part|1.50|13 GMCL049-02|||9790222209381|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Violin 2'|Orchestral Part|1.50|7 GMCL049-03|||9790222209398|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Viola'|Orchestral Part|1.50|13 GMCL049-04|||9790222209404|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Cello'|Orchestral Part|1.50|7 GMCL049-05|||9790222209411|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Bass'|Orchestral Part|1.50|7 GMCL049-06|||9790222209428|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Flute 1+2'|Orchestral Part|1.50|13 GMCL049-07|||9790222209435|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Oboe 1+2'|Orchestral Part|1.50|7 GMCL049-08|||9790222209442|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Clar.1+2'|Orchestral Part|1.50|13 GMCL049-09|||9790222209459|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Bsn.1+2'|Orchestral Part|1.50|13 GMCL049-10|||9790222209466|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Hn(F)1+2'|Orchestral Part|1.50|7 GMCL049-11|||9790222209473|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Hn(Eb)1+2'|Orchestral Part|1.50|7 GMCL049-12|||9790222209480|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Trp.1+2'|Orchestral Part|1.50|7 GMCL049-13|||9790222209497|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Trb.1+2'|Orchestral Part|1.50|7 GMCL049-14|||9790222209503|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Tuba'|Orchestral Part|1.50|7 GMCL049-15|||9790222209510|WAGNER R|Richard Wagner|'Pilgrims'' Chorus (Wicken) Timpani'|Orchestral Part|1.50|7 GMCL050|DVORAK, Antonin (1841-1904)
WALTZ IN Bb (arr.A.W.Benoy)
Concert Classics Series GMCL050|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Triangle, Tambourine & Bass drum)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

This waltz can be played with the Waltz in F (GMCL051) as a set of "Two Dvorak Waltzes".
Duration: 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222210226|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Pack|Orchestra|45.00|510 GMCL050-00|||9790222210233|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Score|Orchestral Score|6.00|63 GMCL050-01|||9790222210240|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Violin 1|Orchestral Part|1.50|13 GMCL050-02|||9790222210257|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Violin 2|Orchestral Part|1.50|13 GMCL050-03|||9790222210264|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Violin 3|Orchestral Part|1.50|13 GMCL050-04|||9790222210271|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Viola|Orchestral Part|1.50|13 GMCL050-05|||9790222210288|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Cello|Orchestral Part|1.50|13 GMCL050-06|||9790222210295|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Bass|Orchestral Part|1.50|13 GMCL050-07|||9790222210301|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Flute 1|Orchestral Part|1.50|13 GMCL050-08|||9790222210318|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Flute 2|Orchestral Part|1.50|13 GMCL050-09|||9790222210325|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Oboe 1|Orchestral Part|1.50|13 GMCL050-10|||9790222210332|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Oboe 2|Orchestral Part|1.50|13 GMCL050-11|||9790222210349|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Clarinet 1|Orchestral Part|1.50|13 GMCL050-12|||9790222210356|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Clarinet 2|Orchestral Part|1.50|13 GMCL050-13|||9790222210363|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Bassoon|Orchestral Part|1.50|13 GMCL050-14|||9790222210370|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Horn 1|Orchestral Part|1.50|7 GMCL050-15|||9790222210387|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Horn 2|Orchestral Part|1.50|7 GMCL050-16|||9790222210394|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Trumpet 1|Orchestral Part|1.50|7 GMCL050-17|||9790222210400|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Trumpet 2|Orchestral Part|1.50|7 GMCL050-18|||9790222210417|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Trombone 1|Orchestral Part|1.50|7 GMCL050-19|||9790222210424|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Trombone 2|Orchestral Part|1.50|7 GMCL050-20|||9790222210431|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Trombone 3|Orchestral Part|1.50|7 GMCL050-21|||9790222210448|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Timpani|Orchestral Part|1.50|7 GMCL050-22|||9790222210455|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Percussion|Orchestral Part|1.50|7 GMCL050-23|||9790222210462|DVORAK A|Antonin Dvorak|Waltz in Bb (arr.Benoy) Piano|Orchestral Part|2.00|25 GMCL051|DVORAK, Antonin (1841-1904)
WALTZ IN F (arr.A.W.Benoy)
Concert Classics Series GMCL051|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, ,Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Triangle, Cymbal, Bass Drum)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass

This waltz can be played with the Waltz in Bb (GMCL050) as a set of "Two Dvorak Waltzes". The parts are fully cued so that the minimum forces required for performance are flutes, clarinets, trumpets and strings.
Duration: 3 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222210479|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Pack|Orchestra|45.00|474 GMCL051-00|||9790222210486|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Score|Orchestral Score|5.00|50 GMCL051-01|||9790222210493|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Violin 1|Orchestral Part|1.50|13 GMCL051-02|||9790222210509|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Violin 2|Orchestral Part|1.50|13 GMCL051-03|||9790222210516|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Violin 3|Orchestral Part|1.50|13 GMCL051-04|||9790222210523|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Viola|Orchestral Part|1.50|13 GMCL051-05|||9790222210530|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Cello|Orchestral Part|1.50|13 GMCL051-06|||9790222210547|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Bass|Orchestral Part|1.50|7 GMCL051-07|||9790222210554|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Flute 1|Orchestral Part|1.50|13 GMCL051-08|||9790222210561|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Flute 2|Orchestral Part|1.50|13 GMCL051-09|||9790222210578|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Oboe 1|Orchestral Part|1.50|13 GMCL051-10|||9790222210585|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Oboe 2|Orchestral Part|1.50|13 GMCL051-11|||9790222210592|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Clarinet 1|Orchestral Part|1.50|13 GMCL051-12|||9790222210608|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Clarinet 2|Orchestral Part|1.50|13 GMCL051-13|||9790222210615|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Bassoon|Orchestral Part|1.50|7 GMCL051-14|||9790222210622|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Horn 1|Orchestral Part|1.50|7 GMCL051-15|||9790222210639|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Horn 2|Orchestral Part|1.50|7 GMCL051-16|||9790222210646|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Trumpet 1|Orchestral Part|1.50|7 GMCL051-17|||9790222210653|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Trumpet 2|Orchestral Part|1.50|7 GMCL051-18|||9790222210660|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Trombone 1|Orchestral Part|1.50|7 GMCL051-19|||9790222210677|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Trombone 2|Orchestral Part|1.50|7 GMCL051-20|||9790222210684|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Trombone 3|Orchestral Part|1.50|7 GMCL051-21|||9790222210691|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Timpani|Orchestral Part|1.50|7 GMCL051-22|||9790222210707|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Percussion|Orchestral Part|1.50|7 GMCL051-23|||9790222210714|DVORAK A|Antonin Dvorak|Waltz in F (arr.Benoy) Piano|Orchestral Part|1.50|13 GMCL052|GLUCK, Christoph Willibald (1714-1787)
CAVATINE from SEMIRAMIS (arr.Ivan C.Phillips)
Concert Classics Series GMCL052|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, Timpani
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)
Piano (optional - no separate part, only shown in score)

This work may be played by strings only with piano and any available wind.
Duration: 3 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222219007|GLUCK|Christoph Willibald Gluck|Cavatine from Semiramis Pack|Orchestra|26.00|260 GMCL052-00|||9790222219014|GLUCK|Christoph Willibald Gluck|Cavatine from Semiramis Score|Orchestral Score|5.00|38 GMCL052-01|||9790222219021|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Violin 1|Orchestral Part|1.50|7 GMCL052-02|||9790222219038|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Violin 2|Orchestral Part|1.50|7 GMCL052-03|||9790222219045|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Violin 3|Orchestral Part|1.50|7 GMCL052-04|||9790222219052|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Viola|Orchestral Part|1.50|7 GMCL052-05|||9790222219069|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Cello|Orchestral Part|1.50|7 GMCL052-06|||9790222219076|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Bass|Orchestral Part|1.50|7 GMCL052-07|||9790222219083|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Flute 1|Orchestral Part|1.50|7 GMCL052-08|||9790222219090|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Flute 2|Orchestral Part|1.50|7 GMCL052-09|||9790222219106|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Oboe 1|Orchestral Part|1.50|7 GMCL052-10|||9790222219113|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Oboe 2|Orchestral Part|1.50|7 GMCL052-11|||9790222219120|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Clarinet 1|Orchestral Part|1.50|7 GMCL052-12|||9790222219137|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Clarinet 2|Orchestral Part|1.50|7 GMCL052-13|||9790222219144|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Bassoon|Orchestral Part|1.50|7 GMCL052-14|||9790222219151|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Horn 1|Orchestral Part|1.50|7 GMCL052-15|||9790222219168|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Horn 2|Orchestral Part|1.50|7 GMCL052-16|||9790222219175|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Trumpet 1|Orchestral Part|1.50|7 GMCL052-17|||9790222219182|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Trumpet 2|Orchestral Part|1.50|7 GMCL052-18|||9790222219199|GLUCK|Christoph Willibald Gluck|Cavatina from Semiramis Timpani|Orchestral Part|1.50|7 GMCL053|GRIEG, Edvard (1843-1907)
SYMPHONIC DANCE Op.64 (arr.A.W.Benoy)
Concert Classics Series GMCL053|Orchestration
Descant, Treble and Tenor Recorders (optional), 2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani, Percussion (Tambourine, Triangle, Bass Drum)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)
Piano (optional)

An arrangement of the Symphonic Dance Op.64 No.2. The minimum forces required to perform this work are strings with or without piano. Many of the wind and brass parts are cross-cued to allow for differing ensembles. The recorder parts tend to double the flutes and are not at all essential.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222209961|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Pack|Orchestra|55.00|624 GMCL053-00|||9790222209978|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Score|Orchestral Score|8.00|88 GMCL053-01|||9790222209985|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Violin 1|Orchestral Part|1.50|13 GMCL053-02|||9790222209992|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Violin 2|Orchestral Part|1.50|13 GMCL053-03|||9790222210004|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Violin 3|Orchestral Part|1.50|13 GMCL053-04|||9790222210011|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Viola|Orchestral Part|1.50|13 GMCL053-05|||9790222210028|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Cello|Orchestral Part|1.50|13 GMCL053-06|||9790222210035|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Bass|Orchestral Part|1.50|13 GMCL053-07|||9790222210042|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Desc.Rec.|Orchestral Part|1.50|13 GMCL053-08|||9790222210059|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Treb.Rec.|Orchestral Part|1.50|13 GMCL053-09|||9790222210066|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Tenor Rec.|Orchestral Part|1.50|13 GMCL053-10|||9790222210073|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Flute 1|Orchestral Part|1.50|13 GMCL053-11|||9790222210080|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Flute 2|Orchestral Part|1.50|13 GMCL053-12|||9790222210097|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Oboe 1+2|Orchestral Part|1.50|13 GMCL053-13|||9790222210103|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Clarinet 1|Orchestral Part|1.50|13 GMCL053-14|||9790222210110|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Clarinet 2|Orchestral Part|1.50|13 GMCL053-15|||9790222210127|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Bassoon|Orchestral Part|1.50|13 GMCL053-16|||9790222210134|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Horn 1|Orchestral Part|1.50|13 GMCL053-17|||9790222210141|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Horn 2|Orchestral Part|1.50|13 GMCL053-18|||9790222210158|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Trumpet 1|Orchestral Part|1.50|7 GMCL053-19|||9790222210165|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Trumpet 2|Orchestral Part|1.50|7 GMCL053-20|||9790222210172|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Trombone 1|Orchestral Part|1.50|13 GMCL053-21|||9790222210189|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Trombone 2|Orchestral Part|1.50|13 GMCL053-22|||9790222210196|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Timpani|Orchestral Part|1.50|13 GMCL053-23|||9790222210202|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Percussion|Orchestral Part|1.50|13 GMCL053-24|||9790222210219|GRIEG E|Edvard Grieg|Symphonic Dance (Benoy) Piano|Orchestral Part|1.50|13 GMCL054|HAYDN, (Franz) Joseph (1732-1809)
AUTUMN from The Seasons (arr.Frederic Westcott)
Concert Classics Series GMCL054|Orchestration
Descant Recorder, 2 Treble Recorders (optional)
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello 1 (optional), Cello 2/Bass
Piano (optional - plays from the score)

Minimum requirements are 2 violins and piano. The piano may be omitted when all the other instruments are present.
Duration: 1? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222219205|HAYDN J|Joseph Haydn|Autumn from the Seasons Pack|Orchestra|26.00|206 GMCL054-00|||9790222219212|HAYDN J|Joseph Haydn|Autumn from the Seasons Score|Orchestral Score|5.00|25 GMCL054-01|||9790222219229|HAYDN J|Joseph Haydn|Autumn from the Seasons Violin 1|Orchestral Part|1.50|7 GMCL054-02|||9790222219236|HAYDN J|Joseph Haydn|Autumn from the Seasons Violin 2|Orchestral Part|1.50|7 GMCL054-03|||9790222219243|HAYDN J|Joseph Haydn|Autumn from the Seasons Violin 3|Orchestral Part|1.50|7 GMCL054-04|||9790222219250|HAYDN J|Joseph Haydn|Autumn from the Seasons Viola|Orchestral Part|1.50|7 GMCL054-05|||9790222219267|HAYDN J|Joseph Haydn|Autumn from the Seasons Cello2/Bass|Orchestral Part|1.50|7 GMCL054-06|||9790222219274|HAYDN J|Joseph Haydn|Autumn from the Seasons Desc.Rec/Fl|Orchestral Part|1.50|7 GMCL054-07|||9790222219281|HAYDN J|Joseph Haydn|Autumn from the Seasons Tr.Recs/Obs|Orchestral Part|1.50|7 GMCL054-08|||9790222219298|HAYDN J|Joseph Haydn|Autumn from the Seasons Bsn/Cello1|Orchestral Part|1.50|7 GMCL055|VAUGHAN WILLIAMS, Ralph (1872-1958)
TWO SHAKESPEARE SKETCHES (arr.Muir Mathieson)
Concert Classics Series GMCL055|'Orchestration
Flute, Piccolo (or Flute 2), Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Triangle, Side drum & Tabor)
Strings (Violin 1, Violin 2, Viola, Cello, Bass), Harp, Piano

These Sketches make use of two well-known tunes of Shakespeare''s time: "When that I was and a little tiny boy" and Thomas Morley''s "It was a lover and his lass". The music has been taken from that composed in 1955 for the documentary film, "The England of Elizabeth", and has been arranged so that it may be played as follows:-
a) Strings only (minimum 3/2/2/2/1)
b) Strings (all parts but no minimum number) and piano
c) Strings, flute and oboe (plus any other available instruments)
Duration: 2? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222207240|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Pack|Orchestra|40.00|432 GMCL055-00|||9790222207257|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Score|Orchestral Score|6.00|63 GMCL055-01|||9790222207264|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Violin 1|Orchestral Part|1.50|13 GMCL055-02|||9790222207271|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Violin 2|Orchestral Part|1.50|13 GMCL055-03|||9790222207288|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Viola|Orchestral Part|1.50|13 GMCL055-04|||9790222207295|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Cello|Orchestral Part|1.50|13 GMCL055-05|||9790222207301|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches D.Bass|Orchestral Part|1.50|13 GMCL055-06|||9790222207318|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Flute|Orchestral Part|1.50|13 GMCL055-07|||9790222207325|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Picc/Fl.2|Orchestral Part|1.50|7 GMCL055-08|||9790222207332|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Oboe|Orchestral Part|1.50|13 GMCL055-09|||9790222207349|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Clarinet 1|Orchestral Part|1.50|7 GMCL055-10|||9790222207356|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Clarinet 2|Orchestral Part|1.50|7 GMCL055-11|||9790222207363|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Bassoon|Orchestral Part|1.50|7 GMCL055-12|||9790222207370|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Horn 1|Orchestral Part|1.50|7 GMCL055-13|||9790222207387|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Horn 2|Orchestral Part|1.50|7 GMCL055-14|||9790222207394|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Trumpet 1|Orchestral Part|1.50|7 GMCL055-15|||9790222207400|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Trumpet 2|Orchestral Part|1.50|7 GMCL055-16|||9790222207417|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Trombone 1|Orchestral Part|1.50|7 GMCL055-17|||9790222207424|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Trombone 2|Orchestral Part|1.50|7 GMCL055-18|||9790222207431|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Trombone 3|Orchestral Part|1.50|7 GMCL055-19|||9790222207448|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Timpani|Orchestral Part|1.50|7 GMCL055-20|||9790222207455|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Percussion|Orchestral Part|1.50|7 GMCL055-21|||9790222207462|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Harp|Orchestral Part|1.50|7 GMCL055-22|||9790222207479|VAUGHAN WILL|Ralph Vaughan Williams|Two Shakespeare Sketches Piano|Orchestral Part|1.50|13 GMCL056|'WAGNER, Richard (1813-1883)
WALTER''S PRIZE SONG (arr.Nigel Wicken)
Concert Classics Series GMCL056'|'Orchestration
Flute, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns in F or Eb
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An arrangement for orchestra (i.e. without voice) of the Prize Song from Wagner''s Mastersingers.
Duration: 4 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222219304|WAGNER R|Richard Wagner|'Walter''s Prize Song (Wicken) Pack'|Orchestra|26.00|368 GMCL056-00|||9790222219311|WAGNER R|Richard Wagner|'Walter''s Prize Song (Wicken) Score'|Orchestral Score|6.00|75 GMCL056-01|||9790222219328|WAGNER R|Richard Wagner|'Walter''s Prize Song (Wicken) Vln 1'|Orchestral Part|1.50|13 GMCL056-02|||9790222219335|WAGNER R|Richard Wagner|'Walter''s Prize Song (Wicken) Vln 2'|Orchestral Part|1.50|13 GMCL056-03|||9790222219342|WAGNER R|Richard Wagner|'Walter''s Prize Song (Wicken) Viola'|Orchestral Part|1.50|13 GMCL056-04|||9790222219359|WAGNER R|Richard Wagner|'Walter''s Prize Song (Wicken) Cello'|Orchestral Part|1.50|13 GMCL056-05|||9790222219366|WAGNER R|Richard Wagner|'Walter''s Prize Song (Wicken) Bass'|Orchestral Part|1.50|13 GMCL056-06|||9790222219373|WAGNER R|Richard Wagner|'Walter''s Prize Song (Wicken) Flute'|Orchestral Part|1.50|7 GMCL056-07|||9790222219380|WAGNER R|Richard Wagner|'Walter''s Prize Song (Wicken) Oboe'|Orchestral Part|1.50|7 GMCL056-08|||9790222219397|WAGNER R|Richard Wagner|'Walter''s Prize Song (Wicken) Cl.1+2'|Orchestral Part|1.50|7 GMCL056-09|||9790222219403|WAGNER R|Richard Wagner|'Walter''s Prize Song (Wicken) Bsn'|Orchestral Part|1.50|7 GMCL056-10|||9790222219410|WAGNER R|Richard Wagner|'Walter''s Prize Song (Wicken) FHn1+2'|Orchestral Part|1.50|7 GMCL056-11|||9790222219427|WAGNER R|Richard Wagner|'Walter''s Prize Song (Wicken)EbHn1+2'|Orchestral Part|1.50|7 GMCL057|HANDEL, George Frideric (1685-1759)
ARRIVAL OF THE QUEEN OF SHEBA (arr.Nigel Wicken)
Concert Classics Series GMCL057|Orchestration
2 Flutes (optional), 2 Oboes (or Flutes or Clarinets or Alto saxophones), 2 Clarinets in Bb (optional), Bassoon (doubles the cello), 2 Horns in F (optional)
Strings (Violin 1, Violin 2, Viola, Cello/Bass)

This work, originally for two oboes and strings, can be performed in the original fashion or with flutes, clarinets or saxophones replacing the oboes. The other instruments may be included to thicken the texture!
Duration: 4? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222220836|HANDEL GF|George Frideric Handel|Arrival of Queen of Sheba Pack|Orchestra|30.00|456 GMCL057-00|||9790222220843|HANDEL GF|George Frideric Handel|Arrival of Queen of Sheba Score|Orchestral Score|5.00|50 GMCL057-01|||9790222220850|HANDEL GF|George Frideric Handel|Arrival of Queen of Sheba Violin 1|Orchestral Part|1.50|13 GMCL057-02|||9790222220867|HANDEL GF|George Frideric Handel|Arrival of Queen of Sheba Violin 2|Orchestral Part|1.50|13 GMCL057-03|||9790222220874|HANDEL GF|George Frideric Handel|Arrival of Queen of Sheba Viola|Orchestral Part|1.50|13 GMCL057-04|||9790222220881|HANDEL GF|George Frideric Handel|Arrival of Queen of Sheba CelloBass|Orchestral Part|1.50|13 GMCL057-05|||9790222220898|HANDEL GF|George Frideric Handel|Arrival of Queen of Sheba Flute 1+2|Orchestral Part|1.50|13 GMCL057-06|||9790222220904|HANDEL GF|George Frideric Handel|Arrival of Queen of Sheba Oboe 1+2|Orchestral Part|1.50|13 GMCL057-07|||9790222220911|HANDEL GF|George Frideric Handel|Arrival of Queen of Sheba Oboes[Bb]|Orchestral Part|1.50|13 GMCL057-08|||9790222220928|HANDEL GF|George Frideric Handel|Arrival of Queen of Sheba Oboes[Eb]|Orchestral Part|1.50|13 GMCL057-09|||9790222220935|HANDEL GF|George Frideric Handel|Arrival of Queen of Sheba Clar 1+2|Orchestral Part|1.50|13 GMCL057-10|||9790222220942|HANDEL GF|George Frideric Handel|Arrival of Queen of Sheba Bassoon|Orchestral Part|1.50|13 GMCL057-11|||9790222220959|HANDEL GF|George Frideric Handel|Arrival of Queen of Sheba Horn 1+2|Orchestral Part|1.50|13 GMCL058|ROBERTON, Hugh S (1874-1952)
ALL IN THE APRIL EVENING (arr.Philip Lane)
Concert Classics Series GMCL058|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Composed in 1911, this piece became widely known and performed throughout the English speaking world in its vocal and choral versions. The composer, Hugh Roberton, was the founder and conductor of the famous Glasgow Orpheus Choir in whose repertoire this song constantly featured. The song is a setting of words by Katharine Tynan. The wonderful melody is here presented in a new arrangement for string orchestra by Philip Lane. A recording of this arrangement is included on a compact disc of various music from Scotland issued on the ASV label.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222222281|ROBERTON|Hugh S. Roberton|All in the April Evening (Lane) Pk|String Orchestra|20.00|156 GMCL058-00|||9790222222298|ROBERTON|Hugh S. Roberton|All in the April Evening (Lane) Sc|Orchestral Score|5.00|25 GMCL058-01|||9790222222304|ROBERTON|Hugh S. Roberton|All in the April Evening (Lane) Vn1|Orchestral Part|1.50|7 GMCL058-02|||9790222222311|ROBERTON|Hugh S. Roberton|All in the April Evening (Lane) Vn2|Orchestral Part|1.50|7 GMCL058-03|||9790222222328|ROBERTON|Hugh S. Roberton|All in the April Evening (Lane) Vla|Orchestral Part|1.50|7 GMCL058-04|||9790222222335|ROBERTON|Hugh S. Roberton|All in the April Evening (Lane) Vc|Orchestral Part|1.50|7 GMCL058-05|||9790222222342|ROBERTON|Hugh S. Roberton|All in the April Evening (Lane) DB|Orchestral Part|1.50|7 GMCL059|BACH, J.S. (1685-1750)
SHEEP MAY SAFELY GRAZE (arr.Nigel Wicken)
Concert Classics Series GMCL059|Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello/Bass)

Absolute minimum forces required for the performance of this arrangement are 2 flutes, oboe or Violin 1 and Cello but it sounds much better with full strings!
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222220560|BACH JS|Johann Sebastian Bach|Sheep May Safely Graze Pack|Orchestra|26.00|270 GMCL059-00|||9790222220577|BACH JS|Johann Sebastian Bach|Sheep May Safely Graze Score|Orchestral Score|5.00|38 GMCL059-01|||9790222220584|BACH JS|Johann Sebastian Bach|Sheep May Safely Graze Violin 1|Orchestral Part|1.50|7 GMCL059-02|||9790222220591|BACH JS|Johann Sebastian Bach|Sheep May Safely Graze Violin 2|Orchestral Part|1.50|7 GMCL059-03|||9790222220607|BACH JS|Johann Sebastian Bach|Sheep May Safely Graze Violin 3|Orchestral Part|1.50|7 GMCL059-04|||9790222220614|BACH JS|Johann Sebastian Bach|Sheep May Safely Graze Viola|Orchestral Part|1.50|7 GMCL059-05|||9790222220621|BACH JS|Johann Sebastian Bach|Sheep May Safely Graze Cello/Bass|Orchestral Part|1.50|13 GMCL059-06|||9790222220638|BACH JS|Johann Sebastian Bach|Sheep May Safely Graze Flute 1+2|Orchestral Part|1.50|13 GMCL059-07|||9790222220645|BACH JS|Johann Sebastian Bach|Sheep May Safely Graze Oboe|Orchestral Part|1.50|7 GMCL059-08|||9790222220652|BACH JS|Johann Sebastian Bach|Sheep May Safely Graze Clarinet 1+2|Orchestral Part|1.50|7 GMCL060|WAGNER, Richard (1813-1883)
RIDE OF THE VALKYRIES (arr.Nigel Wicken)
Concert Classics Series GMCL060|Orchestration
2 Piccolos or Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani (4), Percussion (Cymbals, Side Drum or Tenor Drum, Triangle, [3 players]))
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Very difficult Wagner made a bit more playable, not least by the reduction to a relatively standard-sized orchestra and its transposition down a tone. The flute parts should be played on piccolos, or an octave higher if flutes are used, for that "ear-piercing" effect. The timpani part could be easier if played by 2 players. There are an awful lot of notes for everyone in this - be warned!
Good luck, God speed and everybody meet up again at the double bar!!!
Duration: 6 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222221376|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Pack|Orchestra|55.00|908 GMCL060-00|||9790222221383|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Score|Orchestral Score|12.00|163 GMCL060-01|||9790222221390|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Vln 1|Orchestral Part|2.00|25 GMCL060-02|||9790222221406|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Vln 2|Orchestral Part|2.00|25 GMCL060-03|||9790222221413|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Viola|Orchestral Part|2.00|25 GMCL060-04|||9790222221420|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Cello|Orchestral Part|1.50|13 GMCL060-05|||9790222221437|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Bass|Orchestral Part|1.50|13 GMCL060-06|||9790222221444|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Picc1+2|Orchestral Part|2.00|25 GMCL060-07|||9790222221451|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Oboe1+2|Orchestral Part|2.00|25 GMCL060-08|||9790222221468|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Clar1+2|Orchestral Part|2.00|25 GMCL060-09|||9790222221475|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Bsn 1+2|Orchestral Part|1.50|13 GMCL060-10|||9790222221482|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Horn1+2|Orchestral Part|1.50|13 GMCL060-11|||9790222221499|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Horn3+4|Orchestral Part|1.50|13 GMCL060-12|||9790222221505|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Trp 1-3|Orchestral Part|1.50|13 GMCL060-13|||9790222221512|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Trb 1+2|Orchestral Part|1.50|13 GMCL060-14|||9790222221529|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Trb3Tba|Orchestral Part|1.50|13 GMCL060-15|||9790222221536|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Timpani|Orchestral Part|1.50|13 GMCL060-16|||9790222221543|WAGNER R|Richard Wagner|Ride of the Valkyries (arr) Perc|Orchestral Part|1.50|13 GMCL061|SULLIVAN, Arthur (1842-1900)
GONDOLIERS SUITE (arr.Nigel Wicken)
Concert Classics Series GMCL061|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Cymbals, Side Drum, Triangle, Tambourine [1 player])
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Gilbert & Sullivan operas, whilst always maintaining a following, tend to go in and out of fashion from time to time. Much of Sullivan''s music is beautifully lyrical and is packed with good tunes and deserves to be heard more often. This suite for orchestra puts together a selection of the best bits from "The Gondoliers".
Duration: 12 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222221949|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Pack|Orchestra|40.00|666 GMCL061-00|||9790222221956|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Score|Orchestral Score|14.00|200 GMCL061-01|||9790222221963|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Violin 1|Orchestral Part|1.50|13 GMCL061-02|||9790222221970|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Violin 2|Orchestral Part|1.50|13 GMCL061-03|||9790222221987|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Viola|Orchestral Part|1.50|13 GMCL061-04|||9790222221994|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Cello|Orchestral Part|1.50|13 GMCL061-05|||9790222222007|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Bass|Orchestral Part|1.50|13 GMCL061-06|||9790222222014|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Flute 1+2|Orchestral Part|1.50|13 GMCL061-07|||9790222222021|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Oboe 1+2|Orchestral Part|1.50|13 GMCL061-08|||9790222222038|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Clar 1+2|Orchestral Part|1.50|13 GMCL061-09|||9790222222045|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Bsn 1+2|Orchestral Part|1.50|13 GMCL061-10|||9790222222052|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Horn 1+2|Orchestral Part|1.50|13 GMCL061-11|||9790222222069|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Trp 1+2|Orchestral Part|1.50|13 GMCL061-12|||9790222222076|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Trb 1+2|Orchestral Part|1.50|13 GMCL061-13|||9790222222083|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Trb3+Tba|Orchestral Part|1.50|13 GMCL061-14|||9790222222090|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Timpani|Orchestral Part|1.50|13 GMCL061-15|||9790222222106|SULLIVAN|Arthur Sullivan|Gondoliers Suite (Wicken) Perc|Orchestral Part|1.50|13 GMCL062|MUSSORGSKY, Modest (1839-1881)
PICTURES AT AN EXHIBITION
CATACOMBS & PROMENADE 4 (arr.Denis Bloodworth)
Concert Classics Series GMCL062|Orchestration
2(or 3) Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Bass drum, Gong, Triangle)
Strings (Violin 1, Violin 2, Viola, Cello, Bass), Piano (optional)

The opening part of the Promenade has 3 flute parts but the 3rd is cued into the Oboe and so 2 flutes will do. The Piano can and should be omitted if all the other instruments are present.
Duration: 3 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.

Within the Goodmusic Concert Classics series there are five packs which contain various movements from this suite. By combining these together it is possible to create a substantial suite of pieces lasting over 20 minutes in total. A suggested sequence of pieces is:-
1. Promenade 1 (from GMCL011)
2. The Gnome (from GMCL011)
3. Promenade 2 (from GMCL018)
4. The Old Castle (GMCL017)
5. Promenade 3 (from GMCL018)
6. Bydlo (from GMCL018)
7. Catacombs (from GMCL062)
8. Promenade 4 (from GMCL062)
9. The Great Gate of Kiev (GMCL005)|9790222220669|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Pack|Orchestra|26.00|346 GMCL062-00|||9790222220676|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Score|Orchestral Score|5.00|50 GMCL062-01|||9790222220683|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Violin 1|Orchestral Part|1.50|7 GMCL062-02|||9790222220690|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Violin 2|Orchestral Part|1.50|7 GMCL062-03|||9790222220706|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Viola|Orchestral Part|1.50|7 GMCL062-04|||9790222220713|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Cello|Orchestral Part|1.50|7 GMCL062-05|||9790222220720|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Bass|Orchestral Part|1.50|7 GMCL062-06|||9790222220737|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Flute 1+2+3|Orchestral Part|1.50|7 GMCL062-07|||9790222220744|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Oboe 1+2|Orchestral Part|1.50|7 GMCL062-08|||9790222220751|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Clar 1+2|Orchestral Part|1.50|7 GMCL062-09|||9790222220768|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Bassoon 1+2|Orchestral Part|1.50|7 GMCL062-10|||9790222220775|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Horn 1+2|Orchestral Part|1.50|7 GMCL062-11|||9790222220782|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Trpt 1+2+3|Orchestral Part|1.50|13 GMCL062-12|||9790222220799|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Tromb 1+2|Orchestral Part|1.50|7 GMCL062-13|||9790222220805|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Trb 3+Tuba|Orchestral Part|1.50|7 GMCL062-14|||9790222220812|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Timp+Perc|Orchestral Part|1.50|13 GMCL062-15|||9790222220829|MUSSORGSKY M|Modest Mussorgsky|Catacombs & Promenade 4 Keyboard|Orchestral Part|1.50|13 GMCL064|MENDELSSOHN, Felix (1809-1847)
NOCTURNE (arr.David Good)
Concert Classics Series GMCL064|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F (or Eb), 1 Trumpet in Bb (alternative to Horn 1), 1 Trombone (alternative to Horn 2)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The main theme of this lovely Nocturne from "A Midsummer Night''s Dream" is announced right at the beginning by the Horns. In this version either or both of the horns may be replaced by (or supported by) a trumpet and a trombone. Originally in the key of E, the Nocturne has here been transposed into F to simplify the key for the wind and brass.
Duration: 6 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222222991|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Pack|Orchestra|30.00|484 GMCL064-00|||9790222223004|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Score|Orchestral Score|8.00|100 GMCL064-01|||9790222223011|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Violin 1|Orchestral Part|1.50|13 GMCL064-02|||9790222223028|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Violin 2|Orchestral Part|1.50|13 GMCL064-03|||9790222223035|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Viola|Orchestral Part|1.50|13 GMCL064-04|||9790222223042|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Cello|Orchestral Part|1.50|13 GMCL064-05|||9790222223059|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Bass|Orchestral Part|1.50|13 GMCL064-06|||9790222223066|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Flute 1+2|Orchestral Part|1.50|13 GMCL064-07|||9790222223073|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Oboe 1+2|Orchestral Part|1.50|13 GMCL064-08|||9790222223080|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Clarinet 1+2|Orchestral Part|1.50|13 GMCL064-09|||9790222223097|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Bassoon 1+2|Orchestral Part|1.50|13 GMCL064-10|||9790222223103|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Horn 1 in F|Orchestral Part|1.50|13 GMCL064-11|||9790222223110|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Horn 1 in Eb|Orchestral Part|1.50|13 GMCL064-12|||9790222223127|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Trumpet (Hn1)|Orchestral Part|1.50|13 GMCL064-13|||9790222223134|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Horn 2 in F|Orchestral Part|1.50|7 GMCL064-14|||9790222223141|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Horn 2 in Eb|Orchestral Part|1.50|7 GMCL064-15|||9790222223158|MENDELSSOHN|Felix Mendelssohn|Nocturne (arr.Good) Trombone (Hn2)|Orchestral Part|1.50|7 GMCL065|'GRIEG, Edvard (1843-1907)
PEER GYNT: DEATH OF ASE & ANITRA''S DANCE
Concert Classics Series GMCL065'|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Triangle

The two middle movements are for strings only (with a triangle in Anitra''s Dance) and may be performed alone or as part of the whole Suite.
This can be combined with GMCL021 (Morning) and GMCL040 (In the Hall of the Mountain King) to make up the entire Peer Gynt Suite No.1.
Duration: 7 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222221208|GRIEG E|Edvard Grieg|'Death of Ase & Anitra''s Dance Pack'|String Orchestra|26.00|292 GMCL065-00|||9790222221215|GRIEG E|Edvard Grieg|'Death of Ase & Anitra''s Dance Sc'|Orchestral Score|5.00|50 GMCL065-01|||9790222221222|GRIEG E|Edvard Grieg|'Death of Ase & Anitra''s Dance Vln 1'|Orchestral Part|1.50|13 GMCL065-02|||9790222221239|GRIEG E|Edvard Grieg|'Death of Ase & Anitra''s Dance Vln 2'|Orchestral Part|1.50|13 GMCL065-03|||9790222221246|GRIEG E|Edvard Grieg|'Death of Ase & Anitra''s Dance Viola'|Orchestral Part|1.50|13 GMCL065-04|||9790222221253|GRIEG E|Edvard Grieg|'Death of Ase & Anitra''s Dance Cello'|Orchestral Part|1.50|13 GMCL065-05|||9790222221260|GRIEG E|Edvard Grieg|'Death of Ase & Anitra''s Dance Bass'|Orchestral Part|1.50|13 GMCL065-06|||9790222221277|GRIEG E|Edvard Grieg|'Death of Ase & Anitra''s Dance Trngl'|Orchestral Part|1.50|7 GMCL066|STRAUSS, Johann II (1825-1899)
THE BLUE DANUBE
Concert Classics Series GMCL066|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 1 Trombone, Tuba, Timpani, Percussion (Triangle, Side Drum, Bass Drum [2 players]), Harp or Piano
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Possibly the best known of all of the Strauss Waltzes, the Blue Danube (which is also called "The Beautiful Blue Danube" or even "On the Beautiful Blue Danube" - choose whichever title you like best!) is here presented in an edition faithful to the original except that the brass parts have been transposed into "modern" keys. The work is actually a "suite" of five different waltzes and a coda (a rather long coda considering it takes up about a quarter of the whole work!). Each waltz has repeated sections, usually a middle section, and then a "da capo". This normally leads to a good deal of confusion with many repeats and "dal segno" or "da capo" marks scattered through the parts. This edition includes the repeat marks but does away with all of the "dal segnos" which are written out in full, saving the conductor and the players much searching and page turning!
Duration: 10? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222221741|STRAUSS J II|Johann Strauss II|Blue Danube Pack|Orchestra|70.00|1225 GMCL066-00|||9790222221758|STRAUSS J II|Johann Strauss II|Blue Danube Score|Orchestral Score|15.00|240 GMCL066-01|||9790222221765|STRAUSS J II|Johann Strauss II|Blue Danube Violin 1|Orchestral Part|2.00|25 GMCL066-02|||9790222221772|STRAUSS J II|Johann Strauss II|Blue Danube Violin 2|Orchestral Part|2.00|25 GMCL066-03|||9790222221789|STRAUSS J II|Johann Strauss II|Blue Danube Viola|Orchestral Part|2.00|25 GMCL066-04|||9790222221796|STRAUSS J II|Johann Strauss II|Blue Danube Cello|Orchestral Part|2.00|25 GMCL066-05|||9790222221802|STRAUSS J II|Johann Strauss II|Blue Danube Bass|Orchestral Part|2.00|25 GMCL066-06|||9790222221819|STRAUSS J II|Johann Strauss II|Blue Danube Flute 1|Orchestral Part|2.00|25 GMCL066-07|||9790222221826|STRAUSS J II|Johann Strauss II|Blue Danube Flute 2/Picc|Orchestral Part|2.00|25 GMCL066-08|||9790222221833|STRAUSS J II|Johann Strauss II|Blue Danube Oboe 1+2|Orchestral Part|2.00|25 GMCL066-09|||9790222221840|STRAUSS J II|Johann Strauss II|Blue Danube Clarinet 1|Orchestral Part|3.00|50 GMCL066-10|||9790222221857|STRAUSS J II|Johann Strauss II|Blue Danube Clarinet 2|Orchestral Part|3.00|50 GMCL066-11|||9790222221864|STRAUSS J II|Johann Strauss II|Blue Danube Bassoon 1+2|Orchestral Part|2.00|25 GMCL066-12|||9790222221871|STRAUSS J II|Johann Strauss II|Blue Danube Horn 1+2|Orchestral Part|2.00|25 GMCL066-13|||9790222221888|STRAUSS J II|Johann Strauss II|Blue Danube Horn 3+4|Orchestral Part|2.00|25 GMCL066-14|||9790222221895|STRAUSS J II|Johann Strauss II|Blue Danube Trumpet 1+2|Orchestral Part|2.00|25 GMCL066-15|||9790222221901|STRAUSS J II|Johann Strauss II|Blue Danube Trombone+Tuba|Orchestral Part|2.00|25 GMCL066-16|||9790222221918|STRAUSS J II|Johann Strauss II|Blue Danube Timpani|Orchestral Part|1.50|13 GMCL066-17|||9790222221925|STRAUSS J II|Johann Strauss II|Blue Danube Percussion|Orchestral Part|2.00|25 GMCL066-18|||9790222221932|STRAUSS J II|Johann Strauss II|Blue Danube Harp|Orchestral Part|1.50|13 GMCL067|WAGNER, Richard (1813-1883)
LOHENGRIN PRELUDE to Act 3 (arr.)
Concert Classics Series GMCL067|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion(Triangle, Cymbals, Tambourine)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Another of Wagner''s "greatest hits" (?!), this orchestral piece from Lohengrin has, in this version, had its orchestral requirements reduced from Wagnerian proportions to more standard symphony orchestra.
Duration: 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222222441|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Pack|Orchestra|35.00|566 GMCL067-00|||9790222222458|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Score|Orchestral Score|8.00|100 GMCL067-01|||9790222222465|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Violin 1|Orchestral Part|1.50|13 GMCL067-02|||9790222222472|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Violin 2|Orchestral Part|1.50|13 GMCL067-03|||9790222222489|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Viola|Orchestral Part|1.50|13 GMCL067-04|||9790222222496|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Cello|Orchestral Part|1.50|13 GMCL067-05|||9790222222502|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Bass|Orchestral Part|1.50|7 GMCL067-06|||9790222222519|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Flute 1+2|Orchestral Part|1.50|13 GMCL067-07|||9790222222526|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Oboe 1+2|Orchestral Part|1.50|13 GMCL067-08|||9790222222533|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Clar 1+2|Orchestral Part|1.50|13 GMCL067-09|||9790222222540|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Bassoon 1+2|Orchestral Part|1.50|13 GMCL067-10|||9790222222557|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Horn 1+2|Orchestral Part|1.50|13 GMCL067-11|||9790222222564|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Horn 3+4|Orchestral Part|1.50|13 GMCL067-12|||9790222222571|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Trp 1,2+3|Orchestral Part|1.50|13 GMCL067-13|||9790222222588|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Trb 1+2|Orchestral Part|1.50|7 GMCL067-14|||9790222222595|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Trb 3+Tuba|Orchestral Part|1.50|7 GMCL067-15|||9790222222601|WAGNER R|Richard Wagner|Lohengrin Prelude Act 3 Timp+Perc|Orchestral Part|1.50|7 GMCL068|MacCUNN, Hamish (1868-1916)
LAND OF THE MOUNTAIN AND THE FLOOD
Concert Classics Series GMCL068|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb or A, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Hamish MacCunn (1868-1916) was the son of a shipowner. He was born in Greenock, Scotland but moved to London at the age of 15 when he gained a scholarship to the Royal College of Music. After college he became a conductor and also taught harmony and composition privately and at the Royal Academy of Music and the Guildhall School of Music. He wrote operas, vocal, choral and instrumental music as well as orchestral music, but this concert overture depicting the land of his birth is his only work that is still heard regularly.

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration: 9 minutes

NEW EDITION. The first Goodmusic edition of this work was published in 1999 and was taken from the original 1887 published edition. This new 2017 edition has been re-edited and a number of inherited mistakes, inconsistencies and anomalies have been corrected, and the layout of the score and parts improved.|9790222220966|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Pack|Orchestra|60.00|970 GMCL068-00|||9790222220973|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Score|Orchestral Score|12.00|163 GMCL068-01|||9790222220980|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Vln 1|Orchestral Part|2.00|25 GMCL068-02|||9790222220997|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Vln 2|Orchestral Part|2.00|25 GMCL068-03|||9790222221000|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Viola|Orchestral Part|2.00|25 GMCL068-04|||9790222221017|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Cello|Orchestral Part|2.00|25 GMCL068-05|||9790222221024|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Bass|Orchestral Part|2.00|25 GMCL068-06|||9790222221031|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Fl 1+2|Orchestral Part|1.50|13 GMCL068-07|||9790222221048|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Ob 1+2|Orchestral Part|2.00|25 GMCL068-08|||9790222221055|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Cl 1+2|Orchestral Part|2.50|38 GMCL068-09|||9790222221062|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Bn 1+2|Orchestral Part|2.00|25 GMCL068-10|||9790222221079|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Hn 1+2|Orchestral Part|2.00|25 GMCL068-11|||9790222221086|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Trp1+2|Orchestral Part|1.50|13 GMCL068-12|||9790222221093|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Trb1+2|Orchestral Part|1.50|13 GMCL068-13|||9790222221109|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Tb3Tba|Orchestral Part|1.50|13 GMCL068-14|||9790222221116|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Timp|Orchestral Part|1.50|13 GMCL068-15|||9790222221123|MACCUNN|Hamish MacCunn|Land of the Mountain & Flood Cym|Orchestral Part|1.50|13 GMCL069|TCHAIKOVSKY, Pyotr Ilych (1840-1893)
ROMEO and JULIET OVERTURE (arr.David Andrew)
Concert Classics Series GMCL069|Orchestration
2 Flutes, 2 Oboes, 3 Clarinets in Bb, Bassoon
3 Horns in F (or Horns in Eb or Alto & Tenor Saxes), 2 Trumpets in Bb, 3 Trombones, Timpani,
Percussion ( Cymbals, Bass drum [2 players]), Harp or Piano
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

An arrangement of this popular but tricky Tchaikovsky overture which makes it playable by less able orchestras! The Horn parts are given in F and Eb along with alternative sax parts. The Violin 3 part is a treble clef version of the Viola with out-of-range notes moved up an octave.
Duration: 11 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222223165|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Pack|Orchestra|45.00|716 GMCL069-00|||9790222223172|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Score|Orchestral Score|12.00|150 GMCL069-01|||9790222223189|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Vln 1|Orchestral Part|1.50|13 GMCL069-02|||9790222223196|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Vln 2|Orchestral Part|1.50|13 GMCL069-03|||9790222223202|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Vln 3|Orchestral Part|1.50|13 GMCL069-04|||9790222223219|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Viola|Orchestral Part|1.50|13 GMCL069-05|||9790222223226|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Cello|Orchestral Part|1.50|13 GMCL069-06|||9790222223233|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Bass|Orchestral Part|1.50|13 GMCL069-07|||9790222223240|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Fl1+2|Orchestral Part|1.50|13 GMCL069-08|||9790222223257|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Ob1+2|Orchestral Part|1.50|13 GMCL069-09|||9790222223264|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Cl1+2|Orchestral Part|1.50|13 GMCL069-10|||9790222223271|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Cl 3|Orchestral Part|1.50|13 GMCL069-11|||9790222223288|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Bsn|Orchestral Part|1.50|13 GMCL069-12|||9790222223295|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew HnsF|Orchestral Part|1.50|13 GMCL069-13|||9790222223301|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew HnsEb|Orchestral Part|1.50|13 GMCL069-14|||9790222223318|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew T Sax|Orchestral Part|1.50|13 GMCL069-15|||9790222223325|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Trp1+2|Orchestral Part|1.50|13 GMCL069-16|||9790222223332|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Trb1-3|Orchestral Part|1.50|13 GMCL069-17|||9790222223349|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Timp|Orchestral Part|1.50|13 GMCL069-18|||9790222223356|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Perc|Orchestral Part|1.50|13 GMCL069-19|||9790222223363|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Romeo & Juliet Ov.arr.Andrew Hp/Pno|Orchestral Part|1.50|13 GMCL070|ARNE, Thomas (1710-1778)
RULE BRITANNIA (arr.Nigel Wicken)
Concert Classics Series GMCL070|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F (or Horns/Saxophones in Eb), 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani,
Percussion (Side drum, Glockenspiel [1 player])
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Double Bass)

The famous "Rule Britannia" in a new arrangement by Nigel Wicken. Each "verse" features different sections of the orchestra. The final part has the benefit of some interesting harmonies, more "Wicken" than "Arne". Although no voice part is scored, it is quite possible for an over-excited audience to join in at the traditional moments! The Violin 3 part is a treble clef version of the Viola part except for a few out-of-range notes.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222222809|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Pack|Orchestra|40.00|644 GMCL070-00|||9790222222816|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Score|Orchestral Score|10.00|125 GMCL070-01|||9790222222823|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Violin1|Orchestral Part|1.50|13 GMCL070-02|||9790222222830|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Violin2|Orchestral Part|1.50|13 GMCL070-03|||9790222222847|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Violin3|Orchestral Part|1.50|13 GMCL070-04|||9790222222854|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Viola|Orchestral Part|1.50|13 GMCL070-05|||9790222222861|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Cello|Orchestral Part|1.50|13 GMCL070-06|||9790222222878|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Bass|Orchestral Part|1.50|13 GMCL070-07|||9790222222885|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Fl.1+2|Orchestral Part|1.50|13 GMCL070-08|||9790222222892|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Ob.1+2|Orchestral Part|1.50|13 GMCL070-09|||9790222222908|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Cl.1+2|Orchestral Part|1.50|13 GMCL070-10|||9790222222915|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Bsn1+2|Orchestral Part|1.50|13 GMCL070-11|||9790222222922|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Hn1+2 F|Orchestral Part|1.50|13 GMCL070-12|||9790222222939|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Hn1+2Eb|Orchestral Part|1.50|13 GMCL070-13|||9790222222946|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Trp1+2|Orchestral Part|1.50|13 GMCL070-14|||9790222222953|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Trb1+2|Orchestral Part|1.50|13 GMCL070-15|||9790222222960|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Trb3Tba|Orchestral Part|1.50|13 GMCL070-16|||9790222222977|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Timpani|Orchestral Part|1.50|7 GMCL070-17|||9790222222984|ARNE|Thomas Arne|Rule Britannia (arr.Wicken) Perc|Orchestral Part|1.50|13 GMCL071|PURCELL, Henry (1659-1695)
FANTAZIA UPON ONE NOTE (arr.Michael Short)
Concert Classics Series GMCL071|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Tuba (optional), Timpani (optional), Percussion (optional)
Strings (Vioilin 1, Violin 2, Viola, Cello, Bass)

During the summer of 1680, the 21 year old Henry Purcell wrote a number of fantasias for viols in 3, 4 and 5 parts. This "Fantazia Upon One Note" is one of those. It is not known why Purcell wrote these fantasias or why he chose to write one based around only one note, though it has been suggested that it could have been to enable a beginner viol player to join in - and probably get rather bored! In this arrangement the "one note" is passed to various instruments and no one player needs to be bored!
Duration: 2? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222223370|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Pk|Orchestra|26.00|280 GMCL071-00|||9790222223387|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Sc|Orchestral Score|5.00|50 GMCL071-01|||9790222223394|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Vln1|Orchestral Part|1.50|7 GMCL071-02|||9790222223400|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Vln2|Orchestral Part|1.50|7 GMCL071-03|||9790222223417|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Vla|Orchestral Part|1.50|7 GMCL071-04|||9790222223424|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Vc|Orchestral Part|1.50|7 GMCL071-05|||9790222223431|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Bass|Orchestral Part|1.50|7 GMCL071-06|||9790222223448|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Fls|Orchestral Part|1.50|7 GMCL071-07|||9790222223455|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Obs|Orchestral Part|1.50|7 GMCL071-08|||9790222223462|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Cls|Orchestral Part|1.50|7 GMCL071-09|||9790222223479|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Bns|Orchestral Part|1.50|7 GMCL071-10|||9790222223486|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Hns|Orchestral Part|1.50|7 GMCL071-11|||9790222223493|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Trps|Orchestral Part|1.50|7 GMCL071-12|||9790222223509|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Trbs|Orchestral Part|1.50|7 GMCL071-13|||9790222223516|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Tuba|Orchestral Part|1.50|7 GMCL071-14|||9790222223523|PURCELL H|Henry Purcell|Fantazia Upon One Note (Short) Perc|Orchestral Part|1.50|7 GMCL072|RIMSKY-KORSAKOV, Nikolay Andreyevich (1844-1908)
DANCE OF THE TUMBLERS
Concert Classics Series GMCL072|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Tambourine, Cymbals, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Sometimes also known as the Dance of the Buffoons, or Dance of the Clowns (it depends how you translate it!), this exciting work is taken from Rimsky-Korsakov''s opera "The Snow Maiden" which was written between 1877 and 1882. This edition is presented in the original scoring and has not been arranged or simplified.
Duration: 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222223653|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Pack|Orchestra|35.00|610 GMCL072-00|||9790222223660|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Score|Orchestral Score|10.00|125 GMCL072-01|||9790222223677|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Violin 1|Orchestral Part|1.50|13 GMCL072-02|||9790222223684|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Violin 2|Orchestral Part|1.50|13 GMCL072-03|||9790222223691|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Viola|Orchestral Part|1.50|13 GMCL072-04|||9790222223707|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Cello|Orchestral Part|1.50|13 GMCL072-05|||9790222223714|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Bass|Orchestral Part|1.50|13 GMCL072-06|||9790222223721|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Flute 1+2|Orchestral Part|1.50|13 GMCL072-07|||9790222223738|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Piccolo|Orchestral Part|1.50|7 GMCL072-08|||9790222223745|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Oboe 1+2|Orchestral Part|1.50|13 GMCL072-09|||9790222223752|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Clarinet 1+2|Orchestral Part|1.50|13 GMCL072-10|||9790222223769|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Bassoon 1+2|Orchestral Part|1.50|13 GMCL072-11|||9790222223776|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Horn 1+2|Orchestral Part|1.50|13 GMCL072-12|||9790222223783|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Horn 3+4|Orchestral Part|1.50|13 GMCL072-13|||9790222223790|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Trumpet 1+2|Orchestral Part|1.50|7 GMCL072-14|||9790222223806|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Trombone 1+2|Orchestral Part|1.50|7 GMCL072-15|||9790222223813|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Tromb.3+Tuba|Orchestral Part|1.50|7 GMCL072-16|||9790222223820|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Timpani|Orchestral Part|1.50|7 GMCL072-17|||9790222223837|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Dance of the Tumblers Percussion|Orchestral Part|1.50|13 GMCL073|TCHAIKOVSKY, Pyotr Ilych (1840-1893)
ADAGIO from Sleeping Beauty
Concert Classics Series GMCL073|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Side drum, Cymbals, Bass drum), Harp (or piano)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The main theme of this adagio is surely one of Tchaikovsky''s most beautiful tunes and the richness of the orchestration is a delight. In this edition the 4 trumpet parts (actually 2 cornets and 2 trumpets) have been reduced to 2 and the cor anglais has been omitted. Other parts have not been simplified. This can be played with the "Waltz" (GMCL074) to make a more substantial "excerpt" from Sleeping Beauty.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222225169|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Pack|Orchestra|35.00|588 GMCL073-00|||9790222225176|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Score|Orchestral Score|8.00|88 GMCL073-01|||9790222225183|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Vln 1|Orchestral Part|1.50|13 GMCL073-02|||9790222225190|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Vln 2|Orchestral Part|1.50|13 GMCL073-03|||9790222225206|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Viola|Orchestral Part|1.50|13 GMCL073-04|||9790222225213|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Cello|Orchestral Part|1.50|13 GMCL073-05|||9790222225220|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Bass|Orchestral Part|1.50|13 GMCL073-06|||9790222225237|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Piccolo|Orchestral Part|1.50|7 GMCL073-07|||9790222225244|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Fl 1+2|Orchestral Part|1.50|13 GMCL073-08|||9790222225251|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Ob 1+2|Orchestral Part|1.50|13 GMCL073-09|||9790222225268|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Cl 1+2|Orchestral Part|1.50|13 GMCL073-10|||9790222225275|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Bsn1+2|Orchestral Part|1.50|13 GMCL073-11|||9790222225282|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Hn 1+2|Orchestral Part|1.50|13 GMCL073-12|||9790222225299|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Hn 3+4|Orchestral Part|1.50|13 GMCL073-13|||9790222225305|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Trp1+2|Orchestral Part|1.50|13 GMCL073-14|||9790222225312|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Trb1+2|Orchestral Part|1.50|13 GMCL073-15|||9790222225329|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Trb3Tba|Orchestral Part|1.50|13 GMCL073-16|||9790222225336|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Timpani|Orchestral Part|1.50|7 GMCL073-17|||9790222225343|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Perc|Orchestral Part|1.50|7 GMCL073-18|||9790222225350|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Adagio from Sleeping Beauty Harp|Orchestral Part|1.50|7 GMCL074|TCHAIKOVSKY, Pyotr Ilych (1840-1893)
WALTZ from Sleeping Beauty
Concert Classics Series GMCL074|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Tchaikovsky''s famous waltz will have your audience dancing in the aisles! As in the "Adagio" above, in this edition the 4 trumpet parts (actually 2 cornets and 2 trumpets) have been reduced to 2 and the cor anglais has been omitted. Other parts have not been simplified. This can be played after the "Adagio" (GMCL073 above) to make a more substantial "excerpt" from Sleeping Beauty.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222225831|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Pack|Orchestra|40.00|612 GMCL074-00|||9790222225848|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Score|Orchestral Score|12.00|138 GMCL074-01|||9790222225855|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Violin 1|Orchestral Part|1.50|13 GMCL074-02|||9790222225862|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Violin 2|Orchestral Part|1.50|13 GMCL074-03|||9790222225879|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Viola|Orchestral Part|1.50|13 GMCL074-04|||9790222225886|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Cello|Orchestral Part|1.50|13 GMCL074-05|||9790222225893|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Bass|Orchestral Part|1.50|13 GMCL074-06|||9790222225909|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Piccolo|Orchestral Part|1.50|7 GMCL074-07|||9790222225916|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Fl 1+2|Orchestral Part|1.50|13 GMCL074-08|||9790222225923|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Ob 1+2|Orchestral Part|1.50|13 GMCL074-09|||9790222225930|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Cl 1+2|Orchestral Part|1.50|13 GMCL074-10|||9790222225947|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Bsn1+2|Orchestral Part|1.50|13 GMCL074-11|||9790222225954|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Hn 1+2|Orchestral Part|1.50|13 GMCL074-12|||9790222225961|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Hn 3+4|Orchestral Part|1.50|13 GMCL074-13|||9790222225978|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Trp1+2|Orchestral Part|1.50|13 GMCL074-14|||9790222225985|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Trb1+2|Orchestral Part|1.50|13 GMCL074-15|||9790222225992|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Trb3+Tba|Orchestral Part|1.50|13 GMCL074-16|||9790222226005|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Timpani|Orchestral Part|1.50|7 GMCL074-17|||9790222226012|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Waltz from Sleeping Beauty Perc|Orchestral Part|1.50|7 GMCL075|TCHAIKOVSKY, Pyotr Ilych (1840-1893)
SCENE from Swan Lake
Concert Classics Series GMCL075|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Harp (or piano)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The well-known opening to the "Swan Lake" ballet suite which features a solo oboe right at the start. The orchestration is as the original except that the clarinet parts are here given in Bb (they were in A) and the trumpet parts in Bb (originally in F).
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222224001|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Pack|Orchestra|26.00|332 GMCL075-00|||9790222224018|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Score|Orchestral Score|6.00|63 GMCL075-01|||9790222224025|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Violin 1|Orchestral Part|1.50|7 GMCL075-02|||9790222224032|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Violin 2|Orchestral Part|1.50|7 GMCL075-03|||9790222224049|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Viola|Orchestral Part|1.50|7 GMCL075-04|||9790222224056|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Cello|Orchestral Part|1.50|7 GMCL075-05|||9790222224063|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Bass|Orchestral Part|1.50|7 GMCL075-06|||9790222224070|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Flute 1+2|Orchestral Part|1.50|7 GMCL075-07|||9790222224087|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Oboe 1+2|Orchestral Part|1.50|7 GMCL075-08|||9790222224094|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Clarinet 1+2|Orchestral Part|1.50|7 GMCL075-09|||9790222224100|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Bassoon 1+2|Orchestral Part|1.50|7 GMCL075-10|||9790222224117|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Horn 1+2|Orchestral Part|1.50|7 GMCL075-11|||9790222224124|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Horn 3+4|Orchestral Part|1.50|7 GMCL075-12|||9790222224131|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Trumpet 1+2|Orchestral Part|1.50|7 GMCL075-13|||9790222224148|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Trombone 1+2|Orchestral Part|1.50|7 GMCL075-14|||9790222224155|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Tromb.3+Tuba|Orchestral Part|1.50|7 GMCL075-15|||9790222224162|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Timpani|Orchestral Part|1.50|7 GMCL075-16|||9790222224179|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Scene from Swan Lake Harp|Orchestral Part|1.50|13 GMCL076|TCHAIKOVSKY, Pyotr Ilych (1840-1893)
DANCE OF THE SWANS from Swan Lake
Concert Classics Series GMCL076|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani (all brass & timpani optional)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The short "Dance of the Swans" has been used many times in humorous(?) sketches and dance routines but just try to imagine a row of beautiful swans! The brass and timpani only each play two notes at the final cadence and can be omitted. However, if they are sitting there they may as well join in! This could be followed by the "Scene" (GMCL075) to make a more substantial "Swan Lake" excerpt.
Duration: 1? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222224360|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Dance of the Swans Pack|Orchestra|26.00|292 GMCL076-00|||9790222224377|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Dance of the Swans Score|Orchestral Score|5.00|38 GMCL076-01|||9790222224384|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Dance of the Swans Violin 1|Orchestral Part|1.50|7 GMCL076-02|||9790222224391|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Dance of the Swans Violin 2|Orchestral Part|1.50|7 GMCL076-03|||9790222224407|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Dance of the Swans Viola|Orchestral Part|1.50|7 GMCL076-04|||9790222224414|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Dance of the Swans Cello|Orchestral Part|1.50|7 GMCL076-05|||9790222224421|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Dance of the Swans Bass|Orchestral Part|1.50|7 GMCL076-06|||9790222224438|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Dance of the Swans Flute 1+2|Orchestral Part|1.50|7 GMCL076-07|||9790222224445|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Dance of the Swans Oboe 1+2|Orchestral Part|1.50|7 GMCL076-08|||9790222224452|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Dance of the Swans Clarinet 1+2|Orchestral Part|1.50|7 GMCL076-09|||9790222224469|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Dance of the Swans Bassoon 1+2|Orchestral Part|1.50|7 GMCL076-10|||9790222224476|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Dance of the Swans Brass+Timpani|Orchestral Part|1.50|7 GMCL077|'BIZET, Georges (1838-1875)
FARANDOLE from L''Arlesienne Suite
Concert Classics Series GMCL077'|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Tambourin, Bass drum, Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Tambourin is a distinctive feature of this piece. It is often played on the Tambourine but the French Tambourin refers to the Tambourin Provencale which is a drum, hung on the left hand side of the player, as in a marching side drum, and played with a curved stick, held in the right hand (hence the very simple four quaver rhythm), while, originally, the left hand played a sort of penny whistle (i.e. the flute in the Farandole). This is one of the pieces that Bizet originally wrote as incidental music to Alphonse Daudet''s play "L''Arlesienne" (The woman of Arles). Two suites each of four movements were formed from the original 27 episodes composed for the play. The "Farandole" is the last movement of the second suite. An exciting romp to the finish for everyone!
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222226296|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Pack'|Orchestra|35.00|590 GMCL077-00|||9790222226302|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Score'|Orchestral Score|8.00|100 GMCL077-01|||9790222226319|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Vln 1'|Orchestral Part|1.50|13 GMCL077-02|||9790222226326|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Vln 2'|Orchestral Part|1.50|13 GMCL077-03|||9790222226333|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Viola'|Orchestral Part|1.50|13 GMCL077-04|||9790222226340|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Cello'|Orchestral Part|1.50|13 GMCL077-05|||9790222226357|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Bass'|Orchestral Part|1.50|13 GMCL077-06|||9790222226364|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Fl 1+2'|Orchestral Part|1.50|13 GMCL077-07|||9790222226371|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Ob 1+2'|Orchestral Part|1.50|13 GMCL077-08|||9790222226388|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Cl 1+2'|Orchestral Part|1.50|13 GMCL077-09|||9790222226395|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Bsn1+2'|Orchestral Part|1.50|13 GMCL077-10|||9790222226401|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Hn 1+2'|Orchestral Part|1.50|13 GMCL077-11|||9790222226418|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Hn 3+4'|Orchestral Part|1.50|13 GMCL077-12|||9790222226425|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Trp1+2'|Orchestral Part|1.50|13 GMCL077-13|||9790222226432|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Trb1+2'|Orchestral Part|1.50|13 GMCL077-14|||9790222226449|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Trb 3'|Orchestral Part|1.50|13 GMCL077-15|||9790222226456|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Timpani'|Orchestral Part|1.50|13 GMCL077-16|||9790222226463|BIZET G|Georges Bizet|'Farandole from L''Arlesienne Perc'|Orchestral Part|1.50|13 GMCL078|HANDEL, George Frideric (1685-1759)
ROYAL FIREWORKS MUSIC
Concert Classics Series GMCL078|'Orchestration
(* = optional)
2 Flutes*, 3 Oboes, 2 Clarinets in Bb*, 2 Bassoons (& contra bassoon*)
3 Horns in F, 3 Trumpets in D or Bb, 2 Trombones*, Timpani, Side drum
Strings (Violin 1, Violin 2, Viola, Cello / Bass)

The scoring for this "open-air" work was 3 trumpet parts (with 3 players on each part), timpani (3 players), 3 horns (3 per part), 3 oboes (12 players on Oboe 1, 8 on 2, 4 on 3), 2 bassoons (8 players on 1, 4 on 2 plus a contra) and strings. No dynamic markings were given (would they have made any difference anyway?!). You can use this edition for an "authentic" performance or you can include the optional instruments to enable everyone in the modern orchestra to join in. All of the movements have repeats or "da capo''s" marked or instructions such as "played twice". If you are providing background music for a firework display this may be good; if you are playing this in the concert hall, judicious deletion of some repeats may go down well with your audience!
Duration: 20 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222227415|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks Pack|Orchestra|70.00|1160 GMCL078-00|||9790222227422|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks Sc|Orchestral Score|14.00|175 GMCL078-01|||9790222227439|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks Vln1|Orchestral Part|2.00|25 GMCL078-02|||9790222227446|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks Vln2|Orchestral Part|2.00|25 GMCL078-03|||9790222227453|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks Viola|Orchestral Part|2.00|25 GMCL078-04|||9790222227460|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks Vc/Cb|Orchestral Part|2.00|25 GMCL078-05|||9790222227477|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks Fl1+2|Orchestral Part|2.00|25 GMCL078-06|||9790222227484|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks Ob1-3|Orchestral Part|2.50|38 GMCL078-07|||9790222227491|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks Cl1+2|Orchestral Part|2.00|25 GMCL078-08|||9790222227507|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks Bn1+2|Orchestral Part|2.00|25 GMCL078-09|||9790222227514|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks Hn1-3|Orchestral Part|2.00|25 GMCL078-10|||9790222227521|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks Trp D|Orchestral Part|2.00|25 GMCL078-11|||9790222227538|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks TrpBb|Orchestral Part|2.00|25 GMCL078-12|||9790222227545|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks Trbs|Orchestral Part|1.50|13 GMCL078-13|||9790222227552|HANDEL GF|George Frideric Handel|Music for the Royal Fireworks TmpSD|Orchestral Part|1.50|13 GMCL079|ELGAR, Edward (1857-1934)
NIMROD from the ENIGMA VARIATIONS
Concert Classics Series GMCL079|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

What can you say about this piece? It is probably Elgar''s best known work. Not a simplified arrangement, just 2 Trumpet parts transposed into Bb (originally 3 in F) and the contra bassoon omitted.
Duration: 2? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222224483|ELGAR|Edward Elgar|Nimrod Pack|Orchestra|26.00|286 GMCL079-00|||9790222224490|ELGAR|Edward Elgar|Nimrod Score|Orchestral Score|5.00|38 GMCL079-01|||9790222224506|ELGAR|Edward Elgar|Nimrod Violin 1|Orchestral Part|1.50|7 GMCL079-02|||9790222224513|ELGAR|Edward Elgar|Nimrod Violin 2|Orchestral Part|1.50|7 GMCL079-03|||9790222224520|ELGAR|Edward Elgar|Nimrod Viola|Orchestral Part|1.50|7 GMCL079-04|||9790222224537|ELGAR|Edward Elgar|Nimrod Cello|Orchestral Part|1.50|7 GMCL079-05|||9790222224544|ELGAR|Edward Elgar|Nimrod Bass|Orchestral Part|1.50|7 GMCL079-06|||9790222224551|ELGAR|Edward Elgar|Nimrod Flute 1+2|Orchestral Part|1.50|7 GMCL079-07|||9790222224568|ELGAR|Edward Elgar|Nimrod Oboe 1+2|Orchestral Part|1.50|7 GMCL079-08|||9790222224575|ELGAR|Edward Elgar|Nimrod Clarinet 1+2|Orchestral Part|1.50|7 GMCL079-09|||9790222224582|ELGAR|Edward Elgar|Nimrod Bassoon 1+2|Orchestral Part|1.50|7 GMCL079-10|||9790222224599|ELGAR|Edward Elgar|Nimrod Horn 1+2|Orchestral Part|1.50|7 GMCL079-11|||9790222224605|ELGAR|Edward Elgar|Nimrod Horn 3+4|Orchestral Part|1.50|7 GMCL079-12|||9790222224612|ELGAR|Edward Elgar|Nimrod Trumpet 1+2|Orchestral Part|1.50|7 GMCL079-13|||9790222224629|ELGAR|Edward Elgar|Nimrod Trombone 1+2|Orchestral Part|1.50|7 GMCL079-14|||9790222224636|ELGAR|Edward Elgar|Nimrod Trombone 3+Tuba|Orchestral Part|1.50|7 GMCL079-15|||9790222224643|ELGAR|Edward Elgar|Nimrod Timpani|Orchestral Part|1.50|7 GMCL080|FUCIK, Julius (1872-1916)
ENTRY OF THE GLADIATORS (arr.Nigel Wicken)
Concert Classics Series GMCL080|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F or Eb, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Side drum, Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This rousing march by Julius Fucik is the "signature tune" of any visit to the circus. You can hear the excited roar of the crowd, see the spectacular costumes, smell the elephants . . . . . ! ! !
In this arrangement horn parts are also provided in Eb and these can be played by alto saxophones.
Duration: 3 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222226470|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken) Pk|Orchestra|35.00|546 GMCL080-00|||9790222226487|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken) Sc|Orchestral Score|6.00|75 GMCL080-01|||9790222226494|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken)Vln1|Orchestral Part|1.50|13 GMCL080-02|||9790222226500|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken)Vln2|Orchestral Part|1.50|13 GMCL080-03|||9790222226517|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken) Vla|Orchestral Part|1.50|13 GMCL080-04|||9790222226524|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken) Vc|Orchestral Part|1.50|13 GMCL080-05|||9790222226531|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken) Db|Orchestral Part|1.50|13 GMCL080-06|||9790222226548|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken) Fls|Orchestral Part|1.50|13 GMCL080-07|||9790222226555|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken) Obs|Orchestral Part|1.50|13 GMCL080-08|||9790222226562|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken) Cls|Orchestral Part|1.50|13 GMCL080-09|||9790222226579|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken) Bns|Orchestral Part|1.50|13 GMCL080-10|||9790222226586|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken)HnsF|Orchestral Part|1.50|13 GMCL080-11|||9790222226593|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken)HnEb|Orchestral Part|1.50|13 GMCL080-12|||9790222226609|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken)Trps|Orchestral Part|1.50|13 GMCL080-13|||9790222226616|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken)Tb12|Orchestral Part|1.50|13 GMCL080-14|||9790222226623|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken)Tb3a|Orchestral Part|1.50|13 GMCL080-15|||9790222226630|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken)Timp|Orchestral Part|1.50|7 GMCL080-16|||9790222226647|FUCIK J|Julius Fucik|Entry of the Gladiators(Wicken)Perc|Orchestral Part|1.50|13 GMCL081|MENDELSSOHN, Felix (1809-1847)
SIX SONGS WITHOUT WORDS (arr.Kevin Hill)
Concert Classics Series GMCL081|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb and A, 2 Bassoons, 2 Horns in F
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Mendelssohn wrote a set of 48 "Lieder ohne Worte" or "Songs without Words" for piano. Here are six of them arranged for orchestra by Kevin Hill in a style which sounds just like Mendelssohn''s own orchestral writing. Most of the pieces do not have titles but many have become popular, well-known tunes. The six pieces can be played as a set or individually. They are: Op.53 No.2; Op.19 No.6 (Venetian Gondola Song); Op.19 No.1; Op.67 No.6; Op.62 No.3; Op.19 No.3.
Duration: 15 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222228726|MENDELSSOHN|Felix Mendelssohn|Six Songs Without Words Pack|Orchestra|60.00|926 GMCL081-00|||9790222228733|MENDELSSOHN|Felix Mendelssohn|Six Songs Without Words Score|Orchestral Score|15.00|226 GMCL081-01|||9790222228740|MENDELSSOHN|Felix Mendelssohn|Six Songs Without Words Violin 1|Orchestral Part|2.00|25 GMCL081-02|||9790222228757|MENDELSSOHN|Felix Mendelssohn|Six Songs Without Words Violin 2|Orchestral Part|2.00|25 GMCL081-03|||9790222228764|MENDELSSOHN|Felix Mendelssohn|Six Songs Without Words Viola|Orchestral Part|2.00|25 GMCL081-04|||9790222228771|MENDELSSOHN|Felix Mendelssohn|Six Songs Without Words Cello|Orchestral Part|2.00|25 GMCL081-05|||9790222228788|MENDELSSOHN|Felix Mendelssohn|Six Songs Without Words Bass|Orchestral Part|2.00|25 GMCL081-06|||9790222228795|MENDELSSOHN|Felix Mendelssohn|Six Songs Without Words Flute 1+2|Orchestral Part|2.00|25 GMCL081-07|||9790222228801|MENDELSSOHN|Felix Mendelssohn|Six Songs Without Words Oboe 1+2|Orchestral Part|2.00|25 GMCL081-08|||9790222228818|MENDELSSOHN|Felix Mendelssohn|Six Songs Without Words Clarinet1+2|Orchestral Part|2.00|25 GMCL081-09|||9790222228825|MENDELSSOHN|Felix Mendelssohn|Six Songs Without Words Bassoon 1+2|Orchestral Part|2.00|25 GMCL081-10|||9790222228832|MENDELSSOHN|Felix Mendelssohn|Six Songs Without Words Horn 1+2|Orchestral Part|2.00|25 GMCL082|PURCELL, Henry (1659-1695)
RONDEAU from Abdelazer (arr.Nigel Wicken)
Concert Classics Series GMCL082|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F (or Eb), 2 Trumpets in Bb, 2 Trombones, Timpani
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

This Rondeau, taken from Purcell''s incidental music written for the play "Abdelazer" or "The Moor''s Revenge", was used by Benjamin Britten as the main theme in his "Young Person''s Guide to the Orchestra". He recognised a good tune when he saw one!
Duration: 1? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222227798|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken) Pk|Orchestra|26.00|296 GMCL082-00|||9790222227804|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken) Sc|Orchestral Score|5.00|38 GMCL082-01|||9790222227811|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)Vln 1|Orchestral Part|1.50|7 GMCL082-02|||9790222227828|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)Vln 2|Orchestral Part|1.50|7 GMCL082-03|||9790222227835|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)Vln 3|Orchestral Part|1.50|7 GMCL082-04|||9790222227842|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)Viola|Orchestral Part|1.50|7 GMCL082-05|||9790222227859|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)Cello|Orchestral Part|1.50|7 GMCL082-06|||9790222227866|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken) Bass|Orchestral Part|1.50|7 GMCL082-07|||9790222227873|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)Fl1+2|Orchestral Part|1.50|7 GMCL082-08|||9790222227880|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)Ob1+2|Orchestral Part|1.50|7 GMCL082-09|||9790222227897|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)Cl1+2|Orchestral Part|1.50|7 GMCL082-10|||9790222227903|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)Bn1+2|Orchestral Part|1.50|7 GMCL082-11|||9790222227910|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)Hns F|Orchestral Part|1.50|7 GMCL082-12|||9790222227927|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)HnsEb|Orchestral Part|1.50|7 GMCL082-13|||9790222227934|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)Tr1+2|Orchestral Part|1.50|7 GMCL082-14|||9790222227941|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)Trbs|Orchestral Part|1.50|7 GMCL082-15|||9790222227958|PURCELL H|Henry Purcell|Rondeau from Abdelazer(Wicken)Timp|Orchestral Part|1.50|7 GMCL083|PRAETORIUS, Michael (1571-1621)
DANCES FROM TERPSICHORE (arr.Philip Lane)
Concert Classics Series GMCL083|Orchestration
2 Flutes (2nd doubling piccolo), 1 Piccolo, 2 Oboes (or Clarinets), 2 Clarinets in Bb (in lieu of Oboes),
2 Bassoons (or 1 if horn present), Horn in F (in lieu of Bassoon 1), 2 Trumpets in Bb, 3 Trombones,
Percussion (Side drum, Tenor drum, Bass drum, Tambourine, Claves, Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This set of six dances taken from "Terpsichore" by Michael Praetorius includes music used in the BBC dramatisation of the "Six Wives of Henry VIII". This suite was first performed by the North Gloucestershire Youth Orchestra in 1975; it received its first broadcast the following year on Radio 3 when it was performed by the BBC Concert Orchestra conducted by Ashley Lawrence; this demonstrates that it is suitable for various types and standards of orchestra! The Clarinet parts double the oboe parts and may be omitted. The Horn part doubles the Bassoon 1 part. If there is only one bassoon present and a horn, the bassoon should therefore play the 2nd part. A CD recording is available on the ASV CD "British by Arrangement".
Duration: 15 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222228559|PRAETORIUS|Michael Praetorius|Dances from Terpsichore(Lane) Pack|Orchestra|35.00|560 GMCL083-00|||9790222228566|PRAETORIUS|Michael Praetorius|Dances from Terpsichore(Lane) Sc|Orchestral Score|10.00|125 GMCL083-01|||9790222228573|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Violin 1|Orchestral Part|1.50|13 GMCL083-02|||9790222228580|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Violin 2|Orchestral Part|1.50|13 GMCL083-03|||9790222228597|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Viola|Orchestral Part|1.50|13 GMCL083-04|||9790222228603|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Cello|Orchestral Part|1.50|13 GMCL083-05|||9790222228610|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Bass|Orchestral Part|1.50|13 GMCL083-06|||9790222228627|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Flute 1+2|Orchestral Part|1.50|13 GMCL083-07|||9790222228634|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Piccolo|Orchestral Part|1.50|13 GMCL083-08|||9790222228641|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Oboe 1+2|Orchestral Part|1.50|13 GMCL083-09|||9790222228658|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Clar 1+2|Orchestral Part|1.50|13 GMCL083-10|||9790222228665|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Bassoon 1+2|Orchestral Part|1.50|13 GMCL083-11|||9790222228672|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Horn in F|Orchestral Part|1.50|13 GMCL083-12|||9790222228689|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Trumpet 1+2|Orchestral Part|1.50|13 GMCL083-13|||9790222228696|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Tromb 1+2|Orchestral Part|1.50|13 GMCL083-14|||9790222228702|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Trombone 3|Orchestral Part|1.50|13 GMCL083-15|||9790222228719|PRAETORIUS|Michael Praetorius|Dances from Terpsichore Percussion|Orchestral Part|1.50|13 GMCL084|CLARKE, Jeremiah (c1674-1707)
A JEREMIAH CLARKE SUITE (arr.Nigel Wicken)
Concert Classics Series GMCL084|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F (or Horns in Eb), 2 Trumpets in Bb, 2 Trombones, Timpani, Snare Drum
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

A collection of five pieces composed by Jeremiah Clarke arranged for orchestra. The five movements are: The Duke of Gloucester''s March, Minuet, Cebell, Serenade, Trumpet Minuet. These make up a delightful baroque suite, not beyond the capabilities of a modestly talented orchestra.
Duration: 6 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222227965|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken) Pk|Orchestra|35.00|584 GMCL084-00|||9790222227972|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken) Sc|Orchestral Score|8.00|88 GMCL084-01|||9790222227989|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Vln 1|Orchestral Part|1.50|13 GMCL084-02|||9790222227996|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Vln 2|Orchestral Part|1.50|13 GMCL084-03|||9790222228009|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Vln 3|Orchestral Part|1.50|13 GMCL084-04|||9790222228016|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Viola|Orchestral Part|1.50|13 GMCL084-05|||9790222228023|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Cello|Orchestral Part|1.50|13 GMCL084-06|||9790222228030|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Bass|Orchestral Part|1.50|13 GMCL084-07|||9790222228047|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Fl1+2|Orchestral Part|1.50|13 GMCL084-08|||9790222228054|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Ob1+2|Orchestral Part|1.50|13 GMCL084-09|||9790222228061|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Cl1+2|Orchestral Part|1.50|13 GMCL084-10|||9790222228078|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Bn1+2|Orchestral Part|1.50|13 GMCL084-11|||9790222228085|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Hns F|Orchestral Part|1.50|13 GMCL084-12|||9790222228092|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)HnsEb|Orchestral Part|1.50|13 GMCL084-13|||9790222228108|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Tr1+2|Orchestral Part|1.50|13 GMCL084-14|||9790222228115|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Trbs|Orchestral Part|1.50|13 GMCL084-15|||9790222228122|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)Timp|Orchestral Part|1.50|13 GMCL084-16|||9790222228139|CLARKE J|Jeremiah Clarke|Jeremiah Clarke Suite (Wicken)SDrum|Orchestral Part|1.50|13 GMCL085|SAINT-SAENS, Camille (1835-1921)
ORGAN SYMPHONY: Maestoso & Finale
Concert Classics Series GMCL085|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Bass Drum, Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass), Piano, Organ

Use of music from this Organ Symphony in the film "Babe" and on other occasions in film and tv have recently led to an increase in its popularity. The majestic theme is often requested as a bridal march at weddings. This excerpt starts at the "big tune" and runs, unabridged, to the end of the symphony. The parts have not been simplified but the orchestration has been reduced to a "standard" symphony orchestra by omitting the 3rd flute, cor anglais, bass clarinet & contra bassoon. The piano duet part (only 8 bars but how can you leave it out?) is arranged for one player.
Duration: 8 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222228849|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Pack|Orchestra|60.00|912 GMCL085-00|||9790222228856|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Score|Orchestral Score|14.00|200 GMCL085-01|||9790222228863|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Vln 1|Orchestral Part|2.00|25 GMCL085-02|||9790222228870|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Vln 2|Orchestral Part|2.00|25 GMCL085-03|||9790222228887|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Viola|Orchestral Part|2.00|25 GMCL085-04|||9790222228894|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Cello|Orchestral Part|2.00|25 GMCL085-05|||9790222228900|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Bass|Orchestral Part|1.50|13 GMCL085-06|||9790222228917|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Fl 1+2|Orchestral Part|1.50|13 GMCL085-07|||9790222228924|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Ob 1+2|Orchestral Part|1.50|13 GMCL085-08|||9790222228931|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Cl 1+2|Orchestral Part|1.50|13 GMCL085-09|||9790222228948|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Bsn1+2|Orchestral Part|1.50|13 GMCL085-10|||9790222228955|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Hn 1+2|Orchestral Part|1.50|13 GMCL085-11|||9790222228962|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Hn 3+4|Orchestral Part|1.50|13 GMCL085-12|||9790222228979|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Trp1-3|Orchestral Part|1.50|13 GMCL085-13|||9790222228986|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Trb1+2|Orchestral Part|1.50|13 GMCL085-14|||9790222228993|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Tb3tba|Orchestral Part|1.50|13 GMCL085-15|||9790222229006|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Timp|Orchestral Part|1.50|13 GMCL085-16|||9790222229013|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Perc|Orchestral Part|1.50|13 GMCL085-17|||9790222229020|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Piano|Orchestral Part|1.50|13 GMCL085-18|||9790222229037|SAINT-SAENS|Camille Saint-Saens|Organ Symphony Maestoso etc. Organ|Orchestral Part|1.50|13 GMCL086|24 CHRISTMAS CAROLS - Set 1 (arr.David Good)
Concert Classics Series GMCL086|'Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani and Percussion
Strings (Violin 1, Violin 2, Viola, Cello/Bass)

Straightforward orchestral arrangements to accompany 24 standard carols divided alphabetically by title into three sets. For each carol there is an introduction, several different arrangements of verses labelled A, B, C etc., and, where it exists, one or two versions of the chorus. This should enable a conductor and the orchestra to cope with varying numbers of verses in any performance. The 24 Carols are:-

Set 1
Angels, from the realms of glory
As with gladness men of old
Away in a manger
Ding dong merrily on high
The First Nowell
God rest you merry, gentlemen
Gabriel''s message
Good Christian men, rejoice


Set 2
Good King Wenceslas
Hark! the herald angels sing
Here we come a-wassailing
The holly and the ivy
In dulci jubilo
I saw three ships
It came upon a midnight clear
O come, all ye faithful


Set 3
O little town of Bethlehem
Once in royal David''s city
On Christmas night all Christians sing
See amid the winter''s snow
Silent night
Unto us is born a son
While shepherds watched their flocks
We three kings of Orient are

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222229044|GOOD|David Good|24 Christmas Carols Set 1 Pack|Orchestra|30.00|482 GMCL086-00|||9790222229051|GOOD|David Good|24 Christmas Carols Set 1 Score|Orchestral Score|6.00|75 GMCL086-01|||9790222229068|GOOD|David Good|24 Christmas Carols Set 1 Violin 1|Orchestral Part|1.50|13 GMCL086-02|||9790222229075|GOOD|David Good|24 Christmas Carols Set 1 Violin 2|Orchestral Part|1.50|13 GMCL086-03|||9790222229082|GOOD|David Good|24 Christmas Carols Set 1 Viola|Orchestral Part|1.50|13 GMCL086-04|||9790222229099|GOOD|David Good|24 Christmas Carols Set 1 Vc/Bass|Orchestral Part|1.50|13 GMCL086-05|||9790222229105|GOOD|David Good|24 Christmas Carols Set 1 Flute 1+2|Orchestral Part|1.50|13 GMCL086-06|||9790222229112|GOOD|David Good|24 Christmas Carols Set 1 Oboe|Orchestral Part|1.50|13 GMCL086-07|||9790222229129|GOOD|David Good|24 Christmas Carols Set 1 Clar 1+2|Orchestral Part|1.50|13 GMCL086-08|||9790222229136|GOOD|David Good|24 Christmas Carols Set 1 Bassoon|Orchestral Part|1.50|13 GMCL086-09|||9790222229143|GOOD|David Good|24 Christmas Carols Set 1 Horns 1+2|Orchestral Part|1.50|13 GMCL086-10|||9790222229150|GOOD|David Good|24 Christmas Carols Set 1 Trps 1+2|Orchestral Part|1.50|13 GMCL086-11|||9790222229167|GOOD|David Good|24 Christmas Carols Set 1 Trbs 1+2|Orchestral Part|1.50|13 GMCL086-12|||9790222229174|GOOD|David Good|24 Christmas Carols Set 1 Timp/Perc|Orchestral Part|1.50|13 GMCL087|24 CHRISTMAS CAROLS - Set 2 (arr.David Good)
Concert Classics Series GMCL087|'Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani and Percussion
Strings (Violin 1, Violin 2, Viola, Cello/Bass)

Straightforward orchestral arrangements to accompany 24 standard carols divided alphabetically by title into three sets. For each carol there is an introduction, several different arrangements of verses labelled A, B, C etc., and, where it exists, one or two versions of the chorus. This should enable a conductor and the orchestra to cope with varying numbers of verses in any performance. The 24 Carols are:-

Set 1
Angels, from the realms of glory
As with gladness men of old
Away in a manger
Ding dong merrily on high
The First Nowell
God rest you merry, gentlemen
Gabriel''s message
Good Christian men, rejoice


Set 2
Good King Wenceslas
Hark! the herald angels sing
Here we come a-wassailing
The holly and the ivy
In dulci jubilo
I saw three ships
It came upon a midnight clear
O come, all ye faithful


Set 3
O little town of Bethlehem
Once in royal David''s city
On Christmas night all Christians sing
See amid the winter''s snow
Silent night
Unto us is born a son
While shepherds watched their flocks
We three kings of Orient are

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222229181|GOOD|David Good|24 Christmas Carols Set 2 Pack|Orchestra|30.00|484 GMCL087-00|||9790222229198|GOOD|David Good|24 Christmas Carols Set 2 Score|Orchestral Score|6.00|75 GMCL087-01|||9790222229204|GOOD|David Good|24 Christmas Carols Set 2 Violin 1|Orchestral Part|1.50|13 GMCL087-02|||9790222229211|GOOD|David Good|24 Christmas Carols Set 2 Violin 2|Orchestral Part|1.50|13 GMCL087-03|||9790222229228|GOOD|David Good|24 Christmas Carols Set 2 Viola|Orchestral Part|1.50|13 GMCL087-04|||9790222229235|GOOD|David Good|24 Christmas Carols Set 2 Vc/Bass|Orchestral Part|1.50|13 GMCL087-05|||9790222229242|GOOD|David Good|24 Christmas Carols Set 2 Flute 1+2|Orchestral Part|1.50|13 GMCL087-06|||9790222229259|GOOD|David Good|24 Christmas Carols Set 2 Oboe|Orchestral Part|1.50|13 GMCL087-07|||9790222229266|GOOD|David Good|24 Christmas Carols Set 2 Clar 1+2|Orchestral Part|1.50|13 GMCL087-08|||9790222229273|GOOD|David Good|24 Christmas Carols Set 2 Bassoon|Orchestral Part|1.50|13 GMCL087-09|||9790222229280|GOOD|David Good|24 Christmas Carols Set 2 Horn 1+2|Orchestral Part|1.50|13 GMCL087-10|||9790222229297|GOOD|David Good|24 Christmas Carols Set 2 Trps 1+2|Orchestral Part|1.50|13 GMCL087-11|||9790222229303|GOOD|David Good|24 Christmas Carols Set 2 Trbs 1+2|Orchestral Part|1.50|13 GMCL087-12|||9790222229310|GOOD|David Good|24 Christmas Carols Set 2 Timp/Perc|Orchestral Part|1.50|13 GMCL088|24 CHRISTMAS CAROLS - Set 3 (arr.David Good)
Concert Classics Series GMCL088|'Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani and Percussion
Strings (Violin 1, Violin 2, Viola, Cello/Bass)

Straightforward orchestral arrangements to accompany 24 standard carols divided alphabetically by title into three sets. For each carol there is an introduction, several different arrangements of verses labelled A, B, C etc., and, where it exists, one or two versions of the chorus. This should enable a conductor and the orchestra to cope with varying numbers of verses in any performance. The 24 Carols are:-

Set 1
Angels, from the realms of glory
As with gladness men of old
Away in a manger
Ding dong merrily on high
The First Nowell
God rest you merry, gentlemen
Gabriel''s message
Good Christian men, rejoice


Set 2
Good King Wenceslas
Hark! the herald angels sing
Here we come a-wassailing
The holly and the ivy
In dulci jubilo
I saw three ships
It came upon a midnight clear
O come, all ye faithful


Set 3
O little town of Bethlehem
Once in royal David''s city
On Christmas night all Christians sing
See amid the winter''s snow
Silent night
Unto us is born a son
While shepherds watched their flocks
We three kings of Orient are

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222229327|GOOD|David Good|24 Christmas Carols Set 3 Pack|Orchestra|30.00|468 GMCL088-00|||9790222229334|GOOD|David Good|24 Christmas Carols Set 3 Score|Orchestral Score|6.00|63 GMCL088-01|||9790222229341|GOOD|David Good|24 Christmas Carols Set 3 Violin 1|Orchestral Part|1.50|13 GMCL088-02|||9790222229358|GOOD|David Good|24 Christmas Carols Set 3 Violin 2|Orchestral Part|1.50|13 GMCL088-03|||9790222229365|GOOD|David Good|24 Christmas Carols Set 3 Viola|Orchestral Part|1.50|13 GMCL088-04|||9790222229372|GOOD|David Good|24 Christmas Carols Set 3 Vc/Bass|Orchestral Part|1.50|13 GMCL088-05|||9790222229389|GOOD|David Good|24 Christmas Carols Set 3 Flute 1+2|Orchestral Part|1.50|13 GMCL088-06|||9790222229396|GOOD|David Good|24 Christmas Carols Set 3 Oboe|Orchestral Part|1.50|13 GMCL088-07|||9790222229402|GOOD|David Good|24 Christmas Carols Set 3 Clar 1+2|Orchestral Part|1.50|13 GMCL088-08|||9790222229419|GOOD|David Good|24 Christmas Carols Set 3 Bassoon|Orchestral Part|1.50|13 GMCL088-09|||9790222229426|GOOD|David Good|24 Christmas Carols Set 3 Horn 1+2|Orchestral Part|1.50|13 GMCL088-10|||9790222229433|GOOD|David Good|24 Christmas Carols Set 3 Trps 1+2|Orchestral Part|1.50|13 GMCL088-11|||9790222229440|GOOD|David Good|24 Christmas Carols Set 3 Trbs 1+2|Orchestral Part|1.50|13 GMCL088-12|||9790222229457|GOOD|David Good|24 Christmas Carols Set 3 Timp/Perc|Orchestral Part|1.50|13 GMCL089|WICKEN, Nigel
FANTASEA: a fantasia on traditional sea songs
Concert Classics Series GMCL089|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani, Percussion (Snare Drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A fantasia using sea-shanties and other songs of the sea plus one or two other brief nautical references! The tunes used include "Hearts of Oak", "The Golden Vanity", "Shenandoah", "The Leaving of Liverpool", "Blow the man down", "Donkey Riding", "The Rio Grande", "The Sailors'' Hornpipe" and "The Mermaid".
Duration: 7 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222230620|WICKEN|Nigel Wicken|Fantasea Pack|Orchestra|30.00|508 GMCL089-00|||9790222230637|WICKEN|Nigel Wicken|Fantasea Score|Orchestral Score|8.00|100 GMCL089-01|||9790222230644|WICKEN|Nigel Wicken|Fantasea Violin 1|Orchestral Part|1.50|13 GMCL089-02|||9790222230651|WICKEN|Nigel Wicken|Fantasea Violin 2|Orchestral Part|1.50|13 GMCL089-03|||9790222230668|WICKEN|Nigel Wicken|Fantasea Viola|Orchestral Part|1.50|13 GMCL089-04|||9790222230675|WICKEN|Nigel Wicken|Fantasea Cello|Orchestral Part|1.50|13 GMCL089-05|||9790222230682|WICKEN|Nigel Wicken|Fantasea Bass|Orchestral Part|1.50|13 GMCL089-06|||9790222230699|WICKEN|Nigel Wicken|Fantasea Flute 1+2|Orchestral Part|1.50|13 GMCL089-07|||9790222230705|WICKEN|Nigel Wicken|Fantasea Oboe 1+2|Orchestral Part|1.50|13 GMCL089-08|||9790222230712|WICKEN|Nigel Wicken|Fantasea Clarinet 1+2|Orchestral Part|1.50|13 GMCL089-09|||9790222230729|WICKEN|Nigel Wicken|Fantasea Bassoon 1+2|Orchestral Part|1.50|13 GMCL089-10|||9790222230736|WICKEN|Nigel Wicken|Fantasea Horn 1+2 in F|Orchestral Part|1.50|13 GMCL089-11|||9790222230743|WICKEN|Nigel Wicken|Fantasea Trumpet 1+2|Orchestral Part|1.50|7 GMCL089-12|||9790222230750|WICKEN|Nigel Wicken|Fantasea Trombone 1+2|Orchestral Part|1.50|7 GMCL089-13|||9790222230767|WICKEN|Nigel Wicken|Fantasea Timpani|Orchestral Part|1.50|7 GMCL089-14|||9790222230774|WICKEN|Nigel Wicken|Fantasea Snare Drum|Orchestral Part|1.50|7 GMCL090|WARLOCK, Peter (1894-1930)
CAPRIOL Suite for full orchestra
Concert Classics Series GMCL090|'Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Snare drum
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Peter Warlock wrote CAPRIOL a suite for piano duet and also produced a version for string orchestra, both of which were published in 1927. In 1928, he made this arrangement for full orchestra.
In 1588 a book on dance was published under the title Orchesographie et traite en forme de dialogue par lequel toutes personnes peuvent facilement apprendre et pratiquer l''honnete exercice des danses (or Orchesographie for short!) written by Thoinot Arbeau (an anagram of his real name, Jehan Tabourot, a canon of the cathedral at Langres). The material is presented in the form of a dialogue between Arbeau and Capriol, a lawyer. This explains Warlock''s choice of name for his Suite ''based on dance tunes from Arbeau''s Orchesographie''. An English translatIon was published 1925 of Arbeau''s book, in which the musical illustrations were transcribed by Warlock who then produced his Suite based on a selection of these tunes.
The six movements based on these sixteenth century dance tunes are:-
Basse-Danse, Pavane, Tordion, Bransles, Pieds-en-l''air, Mattachins.

This Goodmusic edition was originally published in 2001 and corrected errors that were present in the original 1928 edition published by Curwen. It was revised in 2019 to improve the layout of parts.

Duration: 9 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222230781|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Pack|Orchestra|55.00|925 GMCL090-00|||9790222230798|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Score|Orchestral Score|14.00|175 GMCL090-01|||9790222230804|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Vln 1|Orchestral Part|2.00|25 GMCL090-02|||9790222230811|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Vln 2|Orchestral Part|2.00|25 GMCL090-03|||9790222230828|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Viola|Orchestral Part|2.00|25 GMCL090-04|||9790222230835|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Cello|Orchestral Part|2.00|25 GMCL090-05|||9790222230842|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Bass|Orchestral Part|1.50|13 GMCL090-06|||9790222230859|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Fl1+2|Orchestral Part|2.00|25 GMCL090-07|||9790222230866|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Ob1+2|Orchestral Part|2.00|25 GMCL090-08|||9790222230873|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Cl1+2|Orchestral Part|2.00|25 GMCL090-09|||9790222230880|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Bn1+2|Orchestral Part|2.00|25 GMCL090-10|||9790222230897|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Hn1+2|Orchestral Part|2.00|25 GMCL090-11|||9790222230903|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Trp1+2|Orchestral Part|1.50|13 GMCL090-12|||9790222230910|WARLOCK|Peter Warlock|Capriol Suite for Full Orch. Trb1+2|Orchestral Part|1.50|13 GMCL090-13|||9790222230927|WARLOCK|Peter Warlock|Capriol Suite for Full Orch.Tb3+Tba|Orchestral Part|1.50|13 GMCL090-14|||9790222230934|WARLOCK|Peter Warlock|Capriol Suite for Full Orch.SnareDr|Orchestral Part|1.50|13 GMCL091|BRAHMS, Johannes (1833-1897)
SYMPHONY No.4 - 3rd movement (arr.Richard Ling)
Concert Classics Series GMCL091|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An arrangement of the lively movement from Brahms'' fourth symphony. Some of the difficulties of the original have here been simplified to make it more accessible for players in a school or amateur orchestra.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222231757|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Pk|Orchestra|35.00|526 GMCL091-00|||9790222231764|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Sc|Orchestral Score|8.00|88 GMCL091-01|||9790222231771|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Vln1|Orchestral Part|1.50|13 GMCL091-02|||9790222231788|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Vln2|Orchestral Part|1.50|13 GMCL091-03|||9790222231795|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Vla|Orchestral Part|1.50|13 GMCL091-04|||9790222231801|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Vc|Orchestral Part|1.50|13 GMCL091-05|||9790222231818|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Bass|Orchestral Part|1.50|13 GMCL091-06|||9790222231825|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Picc|Orchestral Part|1.50|13 GMCL091-07|||9790222231832|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Fls|Orchestral Part|1.50|13 GMCL091-08|||9790222231849|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Obs|Orchestral Part|1.50|13 GMCL091-09|||9790222231856|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Cls|Orchestral Part|1.50|13 GMCL091-10|||9790222231863|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Bsns|Orchestral Part|1.50|13 GMCL091-11|||9790222231870|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Hns|Orchestral Part|1.50|13 GMCL091-12|||9790222231887|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Trps|Orchestral Part|1.50|13 GMCL091-13|||9790222231894|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling)Trb12|Orchestral Part|1.50|7 GMCL091-14|||9790222231900|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling)T3Tba|Orchestral Part|1.50|7 GMCL091-15|||9790222231917|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Timp|Orchestral Part|1.50|13 GMCL091-16|||9790222231924|BRAHMS|Johannes Brahms|Symphony 4 3rd Movt (arr.Ling) Perc|Orchestral Part|1.50|7 GMCL092|DVORAK, Antonin (1841-1904)
SYMPHONY No.8 - 1st movement (arr.Richard Ling)
Concert Classics Series GMCL092|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is an arrangement of the first movement of Dvorak''s exciting eighth symphony. Some of the difficulties of the original have here been simplified to make it more accessible for the school or amateur orchestra. Parts are provided for clarinets in A and Bb.
Duration: 11 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222232051|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) Pk|Orchestra|55.00|840 GMCL092-00|||9790222232068|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) Sc|Orchestral Score|14.00|200 GMCL092-01|||9790222232075|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) Vln1|Orchestral Part|2.00|25 GMCL092-02|||9790222232082|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) Vln2|Orchestral Part|2.00|25 GMCL092-03|||9790222232099|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) Vla|Orchestral Part|2.00|25 GMCL092-04|||9790222232105|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) Vc|Orchestral Part|1.50|13 GMCL092-05|||9790222232112|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) Bass|Orchestral Part|1.50|13 GMCL092-06|||9790222232129|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) Picc|Orchestral Part|1.50|13 GMCL092-07|||9790222232136|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) Fls|Orchestral Part|1.50|13 GMCL092-08|||9790222232143|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) Obs|Orchestral Part|1.50|13 GMCL092-09|||9790222232150|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) A Cl|Orchestral Part|1.50|13 GMCL092-10|||9790222232167|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) BbCl|Orchestral Part|1.50|13 GMCL092-11|||9790222232174|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) Bsns|Orchestral Part|1.50|13 GMCL092-12|||9790222232181|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling)Hn1+2|Orchestral Part|1.50|13 GMCL092-13|||9790222232198|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling)Hn3+4|Orchestral Part|1.50|13 GMCL092-14|||9790222232204|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) Trps|Orchestral Part|1.50|13 GMCL092-15|||9790222232211|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling)Tb1+2|Orchestral Part|1.50|13 GMCL092-16|||9790222232228|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling)Tb3+a|Orchestral Part|1.50|13 GMCL092-17|||9790222232235|DVORAK A|Antonin Dvorak|Symphony 8 1st Movt (arr.Ling) Timp|Orchestral Part|1.50|13 GMCL093|ROSSINI, Gioachino (1792-1868)
BARBER OF SEVILLE OVERTURE (arr.Richard Ling)
Concert Classics Series GMCL093|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba (optional), Timpani, Percussion (Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

One of Rossini''s finest overtures. The clarinet parts lie better in A but Bb parts are also provided.
Duration: 6 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222232990|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Pack|Orchestra|45.00|666 GMCL093-00|||9790222233003|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Score|Orchestral Score|14.00|175 GMCL093-01|||9790222233010|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Vln 1|Orchestral Part|1.50|13 GMCL093-02|||9790222233027|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Vln 2|Orchestral Part|1.50|13 GMCL093-03|||9790222233034|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Viola|Orchestral Part|1.50|13 GMCL093-04|||9790222233041|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Cello|Orchestral Part|1.50|13 GMCL093-05|||9790222233058|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Bass|Orchestral Part|1.50|13 GMCL093-06|||9790222233065|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Picc|Orchestral Part|1.50|13 GMCL093-07|||9790222233072|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Fl1+2|Orchestral Part|1.50|13 GMCL093-08|||9790222233089|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Ob1+2|Orchestral Part|1.50|13 GMCL093-09|||9790222233096|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Cl(A)|Orchestral Part|1.50|13 GMCL093-10|||9790222233102|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Cl(Bb)|Orchestral Part|1.50|13 GMCL093-11|||9790222233119|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Bsn1+2|Orchestral Part|1.50|13 GMCL093-12|||9790222233126|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Hn1+2|Orchestral Part|1.50|13 GMCL093-13|||9790222233133|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Trp1+2|Orchestral Part|1.50|13 GMCL093-14|||9790222233140|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Trb1+2|Orchestral Part|1.50|13 GMCL093-15|||9790222233157|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Tb3Tba|Orchestral Part|1.50|13 GMCL093-16|||9790222233164|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) Timp|Orchestral Part|1.50|7 GMCL093-17|||9790222233171|ROSSINI G|Gioachino Rossini|Barber of Seville (arr Ling) B.Drum|Orchestral Part|1.50|7 GMCL094|SMETANA, Bedric (1824-1884)
DIE MOLDAU (arr.Richard Ling)
Concert Classics Series GMCL094|'Orchestration
3 Flutes (3rd doubles piccolo), 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba (optional), Timpani, Percussion [2] (Triangle, Bass drum, Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Moldau, otherwise known as Vltava, is the second movement from Smetana''s set of six symphonic poems entitled "Ma Vlast" (My Country). It portrays the River Moldau from its trickling source right through its journey to the sea. The clarinet parts lie better for clarinets in A but Bb parts are provided as well.
Duration: 11 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222233515|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Pack|Orchestra|50.00|765 GMCL094-00|||9790222233522|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Score|Orchestral Score|14.00|200 GMCL094-01|||9790222233539|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Violin 1|Orchestral Part|1.50|13 GMCL094-02|||9790222233546|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Violin 2|Orchestral Part|1.50|13 GMCL094-03|||9790222233553|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Viola|Orchestral Part|1.50|13 GMCL094-04|||9790222233560|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Cello|Orchestral Part|2.00|25 GMCL094-05|||9790222233577|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Bass|Orchestral Part|1.50|13 GMCL094-06|||9790222233584|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Piccolo (Flute 3)|Orchestral Part|1.50|13 GMCL094-07|||9790222233591|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Flute 1|Orchestral Part|1.50|13 GMCL094-08|||9790222233607|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Flute 2|Orchestral Part|1.50|13 GMCL094-09|||9790222233614|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Oboes 1+2|Orchestral Part|1.50|13 GMCL094-10|||9790222233621|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Clarinet 1 in A|Orchestral Part|1.50|13 GMCL094-11|||9790222233638|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Clarinet 1 in Bb|Orchestral Part|1.50|13 GMCL094-12|||9790222233645|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Clarinet 2 in A|Orchestral Part|1.50|13 GMCL094-13|||9790222233652|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Clarinet 2 in Bb|Orchestral Part|1.50|13 GMCL094-14|||9790222233669|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Bassoons 1+2|Orchestral Part|1.50|13 GMCL094-15|||9790222233676|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Horns 1+2|Orchestral Part|1.50|13 GMCL094-16|||9790222233683|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Trumpets 1+2|Orchestral Part|1.50|13 GMCL094-17|||9790222233690|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Trombones 1+2|Orchestral Part|1.50|13 GMCL094-18|||9790222233706|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Trombone 3+Tuba|Orchestral Part|1.50|13 GMCL094-19|||9790222233713|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Timpani|Orchestral Part|1.50|13 GMCL094-20|||9790222233720|SMETANA|Bedrich Smetana|Moldau (arr.Ling) Percussion|Orchestral Part|1.50|13 GMCL095|VERDI, Giuseppe (1813-1901)
GRAND MARCH from Aida (arr.Richard Ling)
Concert Classics Series GMCL095|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba (optional), Timpani, Percussion (Bass drum, Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The majestic Grand March from Verdi''s opera "Aida" is probably the best known tune of the whole work. Here it is arranged for a less-experienced orchestra.
Duration: 6 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222233188|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Pack|Orchestra|35.00|578 GMCL095-00|||9790222233195|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Score|Orchestral Score|8.00|100 GMCL095-01|||9790222233201|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Violin 1|Orchestral Part|1.50|13 GMCL095-02|||9790222233218|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Violin 2|Orchestral Part|1.50|13 GMCL095-03|||9790222233225|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Viola|Orchestral Part|1.50|13 GMCL095-04|||9790222233232|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Cello|Orchestral Part|1.50|13 GMCL095-05|||9790222233249|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Bass|Orchestral Part|1.50|13 GMCL095-06|||9790222233256|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Piccolo|Orchestral Part|1.50|13 GMCL095-07|||9790222233263|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Flute 1+2|Orchestral Part|1.50|13 GMCL095-08|||9790222233270|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Oboe 1+2|Orchestral Part|1.50|13 GMCL095-09|||9790222233287|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Clarinet1+2|Orchestral Part|1.50|13 GMCL095-10|||9790222233294|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Bassoon 1+2|Orchestral Part|1.50|13 GMCL095-11|||9790222233300|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Horn 1+2|Orchestral Part|1.50|13 GMCL095-12|||9790222233317|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Trumpet 1+2|Orchestral Part|1.50|13 GMCL095-13|||9790222233324|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Trombone 1+2|Orchestral Part|1.50|13 GMCL095-14|||9790222233331|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Tromb3+Tuba|Orchestral Part|1.50|13 GMCL095-15|||9790222233348|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Timpani|Orchestral Part|1.50|13 GMCL095-16|||9790222233355|VERDI G|Giuseppe Verdi|Grand March (arr.Ling) Percussion|Orchestral Part|1.50|13 GMCL096|MENDELSSOHN, Felix (1809-1847)
MENDELSSOHNIANA for string orchestra (arr.Philip Lane)
Concert Classics Series GMCL096|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

In 1842 Mendelssohn visited London with his wife. They stayed with a family in South London and he wrote eight short piano pieces as Christmas presents for the younger members of the family. He later revised six of them and they were published as Six Christmas Pieces Op.72. Philip Lane has arranged them to form this delightful suite for string orchestra. A recording of this suite is available on an ASV CD entitled "British by Arrangement".
Duration: 11 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222234253|MENDELSSOHN|Felix Mendelssohn|Mendelssohniana (arr.Lane) Pack|String Orchestra|35.00|506 GMCL096-00|||9790222234260|MENDELSSOHN|Felix Mendelssohn|Mendelssohniana (arr.Lane) Score|Orchestral Score|6.00|75 GMCL096-01|||9790222234277|MENDELSSOHN|Felix Mendelssohn|Mendelssohniana (arr.Lane) Violin 1|Orchestral Part|2.00|25 GMCL096-02|||9790222234284|MENDELSSOHN|Felix Mendelssohn|Mendelssohniana (arr.Lane) Violin 2|Orchestral Part|2.00|25 GMCL096-03|||9790222234291|MENDELSSOHN|Felix Mendelssohn|Mendelssohniana (arr.Lane) Viola|Orchestral Part|2.00|25 GMCL096-04|||9790222234307|MENDELSSOHN|Felix Mendelssohn|Mendelssohniana (arr.Lane) Cello|Orchestral Part|2.00|25 GMCL096-05|||9790222234314|MENDELSSOHN|Felix Mendelssohn|Mendelssohniana (arr.Lane) Bass|Orchestral Part|1.50|13 GMCL097|DVORAK, Antonin (1841-1904)
SLAVONIC DANCE Op.72 No.2 (arr.David Stone)
Concert Classics Series GMCL097|'Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, Timpani, Percussion (Triangle)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A number of Dvorak''s Slavonic Dances have been arranged for amateur orchestra (many of them by David Stone) but this is a new arrangement of this, one of the slower, more lyrical of the Dances. Minimum requirements are 2 flutes, 2 clarinets and strings.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222233362|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Pk|Orchestra|30.00|430 GMCL097-00|||9790222233379|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Sc|Orchestral Score|6.00|75 GMCL097-01|||9790222233386|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Vln1|Orchestral Part|1.50|13 GMCL097-02|||9790222233393|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Vln2|Orchestral Part|1.50|13 GMCL097-03|||9790222233409|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Vla|Orchestral Part|1.50|13 GMCL097-04|||9790222233416|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Vc|Orchestral Part|1.50|13 GMCL097-05|||9790222233423|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Bass|Orchestral Part|1.50|13 GMCL097-06|||9790222233430|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Fls|Orchestral Part|1.50|13 GMCL097-07|||9790222233447|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Oboe|Orchestral Part|1.50|13 GMCL097-08|||9790222233454|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Cls|Orchestral Part|1.50|13 GMCL097-09|||9790222233461|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Bsn|Orchestral Part|1.50|13 GMCL097-10|||9790222233478|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Hns|Orchestral Part|1.50|13 GMCL097-11|||9790222233485|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Trps|Orchestral Part|1.50|7 GMCL097-12|||9790222233492|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Timp|Orchestral Part|1.50|7 GMCL097-13|||9790222233508|DVORAK A|Antonin Dvorak|Slavonic Dance Op.72/2 (Stone) Perc|Orchestral Part|1.50|7 GMCL098|WAGNER, Richard (1813-1883)
PRELUDE & LIEBESTOD (arr.Peter Lawson)
Concert Classics Series GMCL098|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Wagner''s hugely-influential music-drama, Tristan und Isolde, dates from 1859 and was first performed in Munich in 1865. Subsequently, the Prelude to Act I and the concluding from Act III were joined together to bring the music to the concert hall. This arrangement attempts to carry the music one stage further from the domain of the larger professional orchestra with triple woodwind and horns and trumpets crooked in various keys, to the standard orchestra of double woodwind (minus the cor anglais and bass clarinet in A!), Horns in F and trumpets in Bb - and thereby making the work accessible to all. The essential orchestral flavours and colours have been preserved as far as possible, despite considerable and inevitable reorchestration. Tempi markings have been converted into Italian.
Duration: 12 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222234581|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Pack|Orchestra|40.00|626 GMCL098-00|||9790222234598|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Score|Orchestral Score|12.00|138 GMCL098-01|||9790222234604|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Vln 1|Orchestral Part|1.50|13 GMCL098-02|||9790222234611|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Vln 2|Orchestral Part|1.50|13 GMCL098-03|||9790222234628|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Viola|Orchestral Part|1.50|13 GMCL098-04|||9790222234635|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Cello|Orchestral Part|1.50|13 GMCL098-05|||9790222234642|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Bass|Orchestral Part|1.50|13 GMCL098-06|||9790222234659|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Fl1+2|Orchestral Part|1.50|13 GMCL098-07|||9790222234666|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Ob1+2|Orchestral Part|1.50|13 GMCL098-08|||9790222234673|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Cl1+2|Orchestral Part|1.50|13 GMCL098-09|||9790222234680|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Bsn1+2|Orchestral Part|1.50|13 GMCL098-10|||9790222234697|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Hn1+2|Orchestral Part|1.50|13 GMCL098-11|||9790222234703|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Hn3+4|Orchestral Part|1.50|13 GMCL098-12|||9790222234710|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Trp1+2|Orchestral Part|1.50|13 GMCL098-13|||9790222234727|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Trb1+2|Orchestral Part|1.50|13 GMCL098-14|||9790222234734|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Tb3Tba|Orchestral Part|1.50|13 GMCL098-15|||9790222234741|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Timp|Orchestral Part|1.50|7 GMCL098-16|||9790222234758|WAGNER R|Richard Wagner|Prelude & Liebestod (Lawson) Harp|Orchestral Part|1.50|13 GMCL099|WAGNER, Richard (1813-1883)
SIEGFRIED IDYLL (arr.Peter Lawson)
Concert Classics Series GMCL099|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb (and A optional), 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani (optional), Triangle (optional)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Siegfried Idyll, written in 1870, was first performed at Wagner''s home in Triebschen for the birthday of his wife, Cosima, who had just over a year earlier given birth to their eponymous son. It reworks material from Act II of Siegfried, the third of the four music-drama known as Der Ring des Nibelungen. Wagner''s normally rich orchestral palette was undoubtedly cramped due to the impracticality of having too many musicians in his house and this arrangement attempts to scale up the fuller passages to standard orchestral textures stylistically consistent with the composer, whilst preserving the intimate nature of chamber-music in the more serene passages. Standard orchestral instruments are used rather than the crooked horns of the day and Wagner''s beloved cor anglais and bass clarinet, so as to bring the work more into the domain of amateur orchestras. Tempi markings have been converted into Italian.
Duration: 14 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222234765|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Pack|Orchestra|55.00|856 GMCL099-00|||9790222234772|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Score|Orchestral Score|14.00|188 GMCL099-01|||9790222234789|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Vln 1|Orchestral Part|2.00|25 GMCL099-02|||9790222234796|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Vln 2|Orchestral Part|2.00|25 GMCL099-03|||9790222234802|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Viola|Orchestral Part|2.00|25 GMCL099-04|||9790222234819|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Cello|Orchestral Part|2.00|25 GMCL099-05|||9790222234826|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Bass|Orchestral Part|1.50|13 GMCL099-06|||9790222234833|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Fl1+2|Orchestral Part|1.50|13 GMCL099-07|||9790222234840|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Ob1+2|Orchestral Part|1.50|13 GMCL099-08|||9790222234857|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Cl1+2|Orchestral Part|2.00|25 GMCL099-09|||9790222234864|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Bsn1+2|Orchestral Part|1.50|13 GMCL099-10|||9790222234871|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Hn1+2|Orchestral Part|1.50|13 GMCL099-11|||9790222234888|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Trp1+2|Orchestral Part|1.50|13 GMCL099-12|||9790222234895|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Trb1+2|Orchestral Part|1.50|13 GMCL099-13|||9790222234901|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Trb3|Orchestral Part|1.50|13 GMCL099-14|||9790222234918|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Timp|Orchestral Part|1.50|13 GMCL099-15|||9790222234925|WAGNER R|Richard Wagner|Siegfried Idyll (arr Lawson) Triang|Orchestral Part|1.50|7 GMCL100|The NATIONAL ANTHEM
GOD SAVE THE KING (arr.David Good)
Concert Classics Series GMCL100|'Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
Horn in F, 2 Trumpets in Bb, 3 Trombones, Tuba [doubles Trb 3], Timpani, Percussion (Snare Drum, Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

What better way to start your concert than with the National Anthem. So often when the National Anthem is required at the start or end of a concert, the conductor just says "The National Anthem in G", cues the timpanist and off we go with the orchestra ''busking it'' with varying degrees of success! (On one occasion, just to see if we were awake [and some were not] the conductor called out "National Anthem - in Ab"; what followed was not the orchestra''s finest performance!!)
Here then, is the solution if you want to play the National Anthem without leaving it to chance. This version will work with strings only if that is all you have.

Duration: less than 1 minute
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222231931|GOOD|David Good|God Save the King Pack|Orchestra|20.00|256 GMCL100-00|||9790222231948|GOOD|David Good|God Save the King Score|Orchestral Score|2.50|13 GMCL100-01|||9790222231955|GOOD|David Good|God Save the King Violin 1|Orchestral Part|1.50|7 GMCL100-02|||9790222231962|GOOD|David Good|God Save the King Violin 2|Orchestral Part|1.50|7 GMCL100-03|||9790222231979|GOOD|David Good|God Save the King Viola|Orchestral Part|1.50|7 GMCL100-04|||9790222231986|GOOD|David Good|God Save the King Cello|Orchestral Part|1.50|7 GMCL100-05|||9790222231993|GOOD|David Good|God Save the King Bass|Orchestral Part|1.50|7 GMCL100-06|||9790222232006|GOOD|David Good|God Save the King Flutes & Oboes|Orchestral Part|1.50|7 GMCL100-07|||9790222232013|GOOD|David Good|God Save the King Clars & Bassoons|Orchestral Part|1.50|7 GMCL100-08|||9790222232020|GOOD|David Good|God Save the King Horns & Trumpets|Orchestral Part|1.50|7 GMCL100-09|||9790222232037|GOOD|David Good|God Save the King Trombones & Tuba|Orchestral Part|1.50|7 GMCL100-10|||9790222232044|GOOD|David Good|God Save the King Timp & Perc|Orchestral Part|1.50|7 GMCL101|WARLOCK, Peter (1894-1930)
BETHLEHEM DOWN (arr.Philip Lane)
Concert Classics Series GMCL101|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

There are few orchestral pieces amongst the works of Peter Warlock who wrote chiefly vocal items. Several of his carols have become firmly established in the seasonal repertoire of singers and choirs; none more so than Bethlehem Down. The idea for the piece was conceived by the writer of the words, Bruce Blunt, on a pub crawl with Warlock between The Plough at Bishop''s Sutton and The Anchor at Ropley in Hampshire in 1927. Warlock set the words to music in a couple of days and the finished carol was first published by The Daily Telegraph newspaper in their Christmas Eve edition. Warlock and Blunt consumed the proceeds from this venture over the subsequent holiday! This version for strings stretches the original four verses to five and seeks to make the the piece as effective for strings as it is for choirs. No harmonic changes have been made although the voicing has naturally been varied for textural reasons.
Duration: 4 minutes
A PACK comprises one full score and strings 4/4/3/4/2'|9790222235106|WARLOCK|Peter Warlock|Bethlehem Down (arr.Lane) Pack|String Orchestra|26.00|188 GMCL101-00|||9790222235113|WARLOCK|Peter Warlock|Bethlehem Down (arr.Lane) Score|Orchestral Score|5.00|38 GMCL101-01|||9790222235120|WARLOCK|Peter Warlock|Bethlehem Down (arr.Lane) Violin 1|Orchestral Part|1.50|13 GMCL101-02|||9790222235137|WARLOCK|Peter Warlock|Bethlehem Down (arr.Lane) Violin 2|Orchestral Part|1.50|7 GMCL101-03|||9790222235144|WARLOCK|Peter Warlock|Bethlehem Down (arr.Lane) Viola|Orchestral Part|1.50|7 GMCL101-04|||9790222235151|WARLOCK|Peter Warlock|Bethlehem Down (arr.Lane) Cello|Orchestral Part|1.50|7 GMCL101-05|||9790222235168|WARLOCK|Peter Warlock|Bethlehem Down (arr.Lane) Bass|Orchestral Part|1.50|7 GMCL102|RIMSKY-KORSAKOV, Nikolay Andreyevich (1844-1908)
SCHEHERAZADE - 3rd movement (arr.Richard Ling)
Concert Classics Series GMCL102|Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Cymbals, Side drum, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A performance of the whole of Scheherazade lasts around 45 minutes and has many awkward passages for many of the instruments. You can get a flavour of this beautiful piece with this approachable arrangement of the third movement.
Duration: 6? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222235786|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Pack|Orchestra|35.00|544 GMCL102-00|||9790222235793|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Score|Orchestral Score|8.00|100 GMCL102-01|||9790222235809|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Violin 1|Orchestral Part|1.50|13 GMCL102-02|||9790222235816|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Violin 2|Orchestral Part|1.50|13 GMCL102-03|||9790222235823|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Viola|Orchestral Part|1.50|13 GMCL102-04|||9790222235830|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Cello|Orchestral Part|1.50|13 GMCL102-05|||9790222235847|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Bass|Orchestral Part|1.50|13 GMCL102-06|||9790222235854|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Piccolo|Orchestral Part|1.50|7 GMCL102-07|||9790222235861|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Flute1+2|Orchestral Part|1.50|13 GMCL102-08|||9790222235878|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Oboe1+2|Orchestral Part|1.50|13 GMCL102-09|||9790222235885|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Clar1+2|Orchestral Part|1.50|13 GMCL102-10|||9790222235892|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Bsn1+2|Orchestral Part|1.50|13 GMCL102-11|||9790222235908|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Horn1+2|Orchestral Part|1.50|7 GMCL102-12|||9790222235915|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Trp1+2|Orchestral Part|1.50|7 GMCL102-13|||9790222235922|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Trb1+2|Orchestral Part|1.50|7 GMCL102-14|||9790222235939|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Trb3+Tuba|Orchestral Part|1.50|7 GMCL102-15|||9790222235946|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Timpani|Orchestral Part|1.50|7 GMCL102-16|||9790222235953|RIMSKY-KORSA|Nikolai Rimsky-Korsakov|Scheherazade 3rd Movt. Percussion|Orchestral Part|1.50|13 GMCL103|SAINT-SAENS, Camille (1835-1921)
DANSE MACABRE (arr.Richard Ling)
Concert Classics Series GMCL103|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Xylophone, Triangle, Cymbals, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Lately made more famous by its use as the theme tune to the BBCtv series "Jonathan Creek", Saint-Saens'' Danse Macabre has always been a favourite in the concert hall.
Duration: 7 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222235595|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Pack|Orchestra|45.00|706 GMCL103-00|||9790222235601|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Score|Orchestral Score|14.00|200 GMCL103-01|||9790222235618|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Violin 1|Orchestral Part|1.50|13 GMCL103-02|||9790222235625|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Violin 2|Orchestral Part|1.50|13 GMCL103-03|||9790222235632|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Viola|Orchestral Part|1.50|13 GMCL103-04|||9790222235649|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Cello|Orchestral Part|1.50|13 GMCL103-05|||9790222235656|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Bass|Orchestral Part|1.50|13 GMCL103-06|||9790222235663|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Piccolo|Orchestral Part|1.50|13 GMCL103-07|||9790222235670|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Flute1+2|Orchestral Part|1.50|13 GMCL103-08|||9790222235687|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Oboe 1+2|Orchestral Part|1.50|13 GMCL103-09|||9790222235694|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Clar 1+2|Orchestral Part|1.50|13 GMCL103-10|||9790222235700|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Bsn 1+2|Orchestral Part|1.50|13 GMCL103-11|||9790222235717|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Horn 1+2|Orchestral Part|1.50|13 GMCL103-12|||9790222235724|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Trp 1+2|Orchestral Part|1.50|13 GMCL103-13|||9790222235731|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Trb 1+2|Orchestral Part|1.50|13 GMCL103-14|||9790222235748|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Trb3+Tuba|Orchestral Part|1.50|13 GMCL103-15|||9790222235755|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Timpani|Orchestral Part|1.50|13 GMCL103-16|||9790222235762|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Perc 1|Orchestral Part|1.50|13 GMCL103-17|||9790222235779|SAINT-SAENS|Camille Saint-Saens|Danse Macabre (arr.Ling) Perc 2|Orchestral Part|1.50|13 GMCL104|WAGNER, Richard (1813-1883)
RIENZI OVERTURE (arr.Richard Ling)
Concert Classics Series GMCL104|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Side drum, Bass drum, Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Rienzi was Wagner''s earliest proper opera, the first performance taking place in 1842. The overture contains many of the themes used throughout the opera.
Duration: 8 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222236189|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Pack|Orchestra|45.00|688 GMCL104-00|||9790222236196|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Score|Orchestral Score|10.00|125 GMCL104-01|||9790222236202|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Violin 1|Orchestral Part|1.50|13 GMCL104-02|||9790222236219|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Violin 2|Orchestral Part|1.50|13 GMCL104-03|||9790222236226|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Viola|Orchestral Part|1.50|13 GMCL104-04|||9790222236233|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Cello|Orchestral Part|1.50|13 GMCL104-05|||9790222236240|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Bass|Orchestral Part|1.50|13 GMCL104-06|||9790222236257|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Piccolo|Orchestral Part|1.50|13 GMCL104-07|||9790222236264|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Flute1+2|Orchestral Part|1.50|13 GMCL104-08|||9790222236271|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Oboe1+2|Orchestral Part|1.50|13 GMCL104-09|||9790222236288|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Cl(A)1+2|Orchestral Part|1.50|13 GMCL104-10|||9790222236295|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling)Cl(Bb)1+2|Orchestral Part|1.50|13 GMCL104-11|||9790222236301|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Bsn1+2|Orchestral Part|1.50|13 GMCL104-12|||9790222236318|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Horn1+2|Orchestral Part|1.50|13 GMCL104-13|||9790222236325|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Trp1+2+3|Orchestral Part|1.50|13 GMCL104-14|||9790222236332|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Trb1+2|Orchestral Part|1.50|13 GMCL104-15|||9790222236349|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Trb3+Tba|Orchestral Part|1.50|13 GMCL104-16|||9790222236356|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Timpani|Orchestral Part|1.50|13 GMCL104-17|||9790222236363|WAGNER R|Richard Wagner|Rienzi Overture (arr.Ling) Perc|Orchestral Part|1.50|13 GMCL105|BEETHOVEN, Ludwig van (1770-1827)
LEONORE OVERTURE No.3 (arr.Richard Ling)
Concert Classics Series GMCL105|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Beethoven''s famous overture in an amateur orchestra arrangement. Not content with his first overture for his opera, Leonora, Beethoven wrote a second one; and then a third which is the one heard most often in the concert hall today.
Duration: 10? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222236370|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Pack|Orchestra|50.00|850 GMCL105-00|||9790222236387|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Sc|Orchestral Score|14.00|188 GMCL105-01|||9790222236394|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Vln 1|Orchestral Part|2.00|25 GMCL105-02|||9790222236400|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Vln 2|Orchestral Part|2.00|25 GMCL105-03|||9790222236417|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Viola|Orchestral Part|2.00|25 GMCL105-04|||9790222236424|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Cello|Orchestral Part|2.00|25 GMCL105-05|||9790222236431|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Bass|Orchestral Part|2.00|25 GMCL105-06|||9790222236448|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Fl1+2|Orchestral Part|1.50|13 GMCL105-07|||9790222236455|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Ob1+2|Orchestral Part|1.50|13 GMCL105-08|||9790222236462|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Cl1+2|Orchestral Part|1.50|13 GMCL105-09|||9790222236479|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Bn1+2|Orchestral Part|1.50|13 GMCL105-10|||9790222236486|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Hn1+2|Orchestral Part|1.50|13 GMCL105-11|||9790222236493|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Tr1+2|Orchestral Part|1.50|13 GMCL105-12|||9790222236509|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Tb1+2|Orchestral Part|1.50|13 GMCL105-13|||9790222236516|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Trb3|Orchestral Part|1.50|13 GMCL105-14|||9790222236523|BEETHOVEN|Ludwig van Beethoven|Leonore Overture 3 (arr.Ling) Timp|Orchestral Part|1.50|13 GMCL106|SCHUBERT, Franz (1797-1828)
UNFINISHED SYMPHONY: 1st movt. (arr.Richard Ling)
Concert Classics Series GMCL106|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An arrangement of the first movement of Schubert''s popular Unfinished Symphony. The clarinet parts lie better for Clarinets in A but alternative parts in Bb are provided.
Duration: 13 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222236530|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Pack|Orchestra|40.00|620 GMCL106-00|||9790222236547|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Sc|Orchestral Score|12.00|150 GMCL106-01|||9790222236554|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Vln 1|Orchestral Part|1.50|13 GMCL106-02|||9790222236561|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Vln 2|Orchestral Part|1.50|13 GMCL106-03|||9790222236578|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Viola|Orchestral Part|1.50|13 GMCL106-04|||9790222236585|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Cello|Orchestral Part|1.50|13 GMCL106-05|||9790222236592|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Bass|Orchestral Part|1.50|13 GMCL106-06|||9790222236608|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Fl1+2|Orchestral Part|1.50|13 GMCL106-07|||9790222236615|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Ob1+2|Orchestral Part|1.50|13 GMCL106-08|||9790222236622|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Cl A|Orchestral Part|1.50|13 GMCL106-09|||9790222236639|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Cl Bb|Orchestral Part|1.50|13 GMCL106-10|||9790222236646|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Bn1+2|Orchestral Part|1.50|13 GMCL106-11|||9790222236653|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Hn1+2|Orchestral Part|1.50|13 GMCL106-12|||9790222236660|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Tr1+2|Orchestral Part|1.50|13 GMCL106-13|||9790222236677|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Tb1+2|Orchestral Part|1.50|13 GMCL106-14|||9790222236684|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling)Tb3Tba|Orchestral Part|1.50|13 GMCL106-15|||9790222236691|SCHUBERT|Franz Schubert|Symphony 8 1st Movt(arr.Ling) Timp|Orchestral Part|1.50|13 GMCL107|DVORAK, Antonin (1841-1904)
SYMPHONY No.9 - 1st movement (arr.Richard Ling)
Concert Classics Series GMCL107|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The first movement of the popular New World Symphony (of which the famous Largo is the second movement) in an accessible arrangement for the school or amateur orchestra.
Duration: 12 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222236981|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Pk|Orchestra|40.00|612 GMCL107-00|||9790222236998|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Sc|Orchestral Score|12.00|150 GMCL107-01|||9790222237001|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Vln1|Orchestral Part|1.50|13 GMCL107-02|||9790222237018|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Vln2|Orchestral Part|1.50|13 GMCL107-03|||9790222237025|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Vla|Orchestral Part|1.50|13 GMCL107-04|||9790222237032|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Vc|Orchestral Part|1.50|13 GMCL107-05|||9790222237049|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Bass|Orchestral Part|1.50|13 GMCL107-06|||9790222237056|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Fls|Orchestral Part|1.50|13 GMCL107-07|||9790222237063|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Obs|Orchestral Part|1.50|13 GMCL107-08|||9790222237070|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Cl A|Orchestral Part|1.50|13 GMCL107-09|||9790222237087|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) ClBb|Orchestral Part|1.50|13 GMCL107-10|||9790222237094|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Bsns|Orchestral Part|1.50|13 GMCL107-11|||9790222237100|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Hns|Orchestral Part|1.50|13 GMCL107-12|||9790222237117|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Trps|Orchestral Part|1.50|13 GMCL107-13|||9790222237124|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling)Tb1+2|Orchestral Part|1.50|13 GMCL107-14|||9790222237131|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling)Tb3Ta|Orchestral Part|1.50|13 GMCL107-15|||9790222237148|DVORAK A|Antonin Dvorak|Symphony 9 1st Movt (arr.Ling) Timp|Orchestral Part|1.50|7 GMCL108|MOZART, Wolfgang Amadeus (1756-1791)
FANTASIA & FUGUE (arr.Richard Ling)
Concert Classics Series GMCL108|Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An orchestral arrangement of the Fantasia & Fugue more usually played on the organ.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222237537|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Pack|Orchestra|35.00|562 GMCL108-00|||9790222237544|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Score|Orchestral Score|8.00|100 GMCL108-01|||9790222237551|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Vln 1|Orchestral Part|1.50|13 GMCL108-02|||9790222237568|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Vln 2|Orchestral Part|1.50|13 GMCL108-03|||9790222237575|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Viola|Orchestral Part|1.50|13 GMCL108-04|||9790222237582|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Cello|Orchestral Part|1.50|13 GMCL108-05|||9790222237599|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Bass|Orchestral Part|1.50|13 GMCL108-06|||9790222237605|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Piccolo|Orchestral Part|1.50|13 GMCL108-07|||9790222237612|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Fl 1+2|Orchestral Part|1.50|13 GMCL108-08|||9790222237629|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Ob 1+2|Orchestral Part|1.50|13 GMCL108-09|||9790222237636|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Cl 1+2|Orchestral Part|1.50|13 GMCL108-10|||9790222237643|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Bsn 1+2|Orchestral Part|1.50|13 GMCL108-11|||9790222237650|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Hn 1+2|Orchestral Part|1.50|13 GMCL108-12|||9790222237667|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Trp 1+2|Orchestral Part|1.50|13 GMCL108-13|||9790222237674|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Trb 1+2|Orchestral Part|1.50|13 GMCL108-14|||9790222237681|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Trb3Tba|Orchestral Part|1.50|13 GMCL108-15|||9790222237698|MOZART|Wolfgang Amadeus Mozart|Fantasia & Fugue (arr.Ling) Timp|Orchestral Part|1.50|7 GMCL109|LING, Richard (1952- )
OPERATIC COCKTAIL No.1
Concert Classics Series GMCL109|Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Tambourine, Cymbals, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A medley of some great operatic melodies including Song of India, the Humming Chorus, Polovtsian Dances and music from Manon Lescaut. An ideal way of hearing the best bits of operas without sitting through the boring bits!!!!!
Duration: 9? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222237896|LING R|Richard Ling|Operatic Cocktail No.1 Pack|Orchestra|55.00|876 GMCL109-00|||9790222237902|LING R|Richard Ling|Operatic Cocktail No.1 Score|Orchestral Score|12.00|138 GMCL109-01|||9790222237919|LING R|Richard Ling|Operatic Cocktail No.1 Violin 1|Orchestral Part|2.00|25 GMCL109-02|||9790222237926|LING R|Richard Ling|Operatic Cocktail No.1 Violin 2|Orchestral Part|2.00|25 GMCL109-03|||9790222237933|LING R|Richard Ling|Operatic Cocktail No.1 Viola|Orchestral Part|1.50|13 GMCL109-04|||9790222237940|LING R|Richard Ling|Operatic Cocktail No.1 Cello|Orchestral Part|2.00|25 GMCL109-05|||9790222237957|LING R|Richard Ling|Operatic Cocktail No.1 Bass|Orchestral Part|1.50|13 GMCL109-06|||9790222237964|LING R|Richard Ling|Operatic Cocktail No.1 Picc/Fl.3|Orchestral Part|1.50|13 GMCL109-07|||9790222237971|LING R|Richard Ling|Operatic Cocktail No.1 Fl 1+2|Orchestral Part|1.50|13 GMCL109-08|||9790222237988|LING R|Richard Ling|Operatic Cocktail No.1 Ob 1+2|Orchestral Part|1.50|13 GMCL109-09|||9790222237995|LING R|Richard Ling|Operatic Cocktail No.1 CorAng|Orchestral Part|1.50|13 GMCL109-10|||9790222238008|LING R|Richard Ling|Operatic Cocktail No.1 Cl 1+2|Orchestral Part|2.50|38 GMCL109-11|||9790222238015|LING R|Richard Ling|Operatic Cocktail No.1 Bsn 1+2|Orchestral Part|1.50|13 GMCL109-12|||9790222238022|LING R|Richard Ling|Operatic Cocktail No.1 Hn 1+2|Orchestral Part|1.50|13 GMCL109-13|||9790222238039|LING R|Richard Ling|Operatic Cocktail No.1 Trp 1+2|Orchestral Part|1.50|13 GMCL109-14|||9790222238046|LING R|Richard Ling|Operatic Cocktail No.1 Trb 1+2|Orchestral Part|1.50|13 GMCL109-15|||9790222238053|LING R|Richard Ling|Operatic Cocktail No.1 Trb3+Tba|Orchestral Part|1.50|13 GMCL109-16|||9790222238060|LING R|Richard Ling|Operatic Cocktail No.1 Timpani|Orchestral Part|1.50|13 GMCL109-17|||9790222238077|LING R|Richard Ling|Operatic Cocktail No.1 Perc|Orchestral Part|1.50|13 GMCL110|LING, Richard (1952- )
OPERATIC COCKTAIL No.2
Concert Classics Series GMCL110|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Cymbals, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A second medley of great operatic melodies including the Flower Duet from Delibes Lakme and excerpts from Verdi''s Force of Destiny, Puccini''s La Boheme and Smetana''s Bartered Bride.
Duration: 10 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222238084|LING R|Richard Ling|Operatic Cocktail No.2 Pack|Orchestra|55.00|850 GMCL110-00|||9790222238091|LING R|Richard Ling|Operatic Cocktail No.2 Score|Orchestral Score|12.00|150 GMCL110-01|||9790222238107|LING R|Richard Ling|Operatic Cocktail No.2 Violin 1|Orchestral Part|2.00|25 GMCL110-02|||9790222238114|LING R|Richard Ling|Operatic Cocktail No.2 Violin 2|Orchestral Part|2.00|25 GMCL110-03|||9790222238121|LING R|Richard Ling|Operatic Cocktail No.2 Viola|Orchestral Part|1.50|13 GMCL110-04|||9790222238138|LING R|Richard Ling|Operatic Cocktail No.2 Cello|Orchestral Part|2.00|25 GMCL110-05|||9790222238145|LING R|Richard Ling|Operatic Cocktail No.2 Bass|Orchestral Part|1.50|13 GMCL110-06|||9790222238152|LING R|Richard Ling|Operatic Cocktail No.2 Piccolo|Orchestral Part|1.50|13 GMCL110-07|||9790222238169|LING R|Richard Ling|Operatic Cocktail No.2 Fl 1+2|Orchestral Part|1.50|13 GMCL110-08|||9790222238176|LING R|Richard Ling|Operatic Cocktail No.2 Ob 1+2|Orchestral Part|1.50|13 GMCL110-09|||9790222238183|LING R|Richard Ling|Operatic Cocktail No.2 Cl 1+2|Orchestral Part|2.00|25 GMCL110-10|||9790222238190|LING R|Richard Ling|Operatic Cocktail No.2 Bsn 1+2|Orchestral Part|1.50|13 GMCL110-11|||9790222238206|LING R|Richard Ling|Operatic Cocktail No.2 Hn 1+2|Orchestral Part|1.50|13 GMCL110-12|||9790222238213|LING R|Richard Ling|Operatic Cocktail No.2 Trp 1+2|Orchestral Part|1.50|13 GMCL110-13|||9790222238220|LING R|Richard Ling|Operatic Cocktail No.2 Trb 1+2|Orchestral Part|1.50|13 GMCL110-14|||9790222238237|LING R|Richard Ling|Operatic Cocktail No.2 Trb3+Tba|Orchestral Part|1.50|13 GMCL110-15|||9790222238244|LING R|Richard Ling|Operatic Cocktail No.2 Timpani|Orchestral Part|1.50|13 GMCL110-16|||9790222238251|LING R|Richard Ling|Operatic Cocktail No.2 Percussion|Orchestral Part|1.50|13 GMCL111|SATIE, Erik (1866-1925)
TROIS MORCEAUX EN FORME DE POIRE (arr.Lawson)
Concert Classics Series GMCL111|Orchestration
2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb (2nd db.Alto Sax [optional]), 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani. Percussion (Glockenspiel, Vibraphone, Xylophone, Cymbals, Side drum, Tam-Tam, Triangle, Tambourine, Tubular Bell), Celeste, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Peter Lawson has arranged these piano duet pieces for orchestra but in doing so has managed to preserve the eccentric nature of the composer which permeates the music!
Duration: 15 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222236790|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Pack|Orchestra|65.00|1055 GMCL111-00|||9790222236806|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Score|Orchestral Score|12.00|163 GMCL111-01|||9790222236813|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Vln 1|Orchestral Part|2.00|25 GMCL111-02|||9790222236820|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Vln 2|Orchestral Part|2.00|25 GMCL111-03|||9790222236837|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Vla|Orchestral Part|2.00|25 GMCL111-04|||9790222236844|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Cello|Orchestral Part|2.00|25 GMCL111-05|||9790222236851|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Bass|Orchestral Part|2.00|25 GMCL111-06|||9790222236868|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Flute 1|Orchestral Part|1.50|13 GMCL111-07|||9790222236875|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Flute 2|Orchestral Part|1.50|13 GMCL111-08|||9790222236882|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Ob 1+2|Orchestral Part|1.50|13 GMCL111-09|||9790222236899|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Cl 1+2|Orchestral Part|2.00|25 GMCL111-10|||9790222236905|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Bsn 1+2|Orchestral Part|1.50|13 GMCL111-11|||9790222236912|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Hn 1+2|Orchestral Part|1.50|13 GMCL111-12|||9790222236929|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Hn 3+4|Orchestral Part|1.50|13 GMCL111-13|||9790222236936|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Trp 1+2|Orchestral Part|1.50|13 GMCL111-14|||9790222236943|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Trb 1+2|Orchestral Part|1.50|13 GMCL111-15|||9790222236950|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Tb3/Tba|Orchestral Part|1.50|13 GMCL111-16|||9790222236967|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Perc|Orchestral Part|2.50|38 GMCL111-17|||9790222236974|SATIE|Erik Satie|Trois Morceaux (arr.Lawson) Harp|Orchestral Part|2.00|25 GMCL112|DEBUSSY, Claude (1862-1918)
PETITE SUITE (arr.Peter Lawson)
Concert Classics Series GMCL112|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Cymbals, Bass Drum, Tambourine, Glockenspiel), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An excellent orchestration by Peter Lawson of Debussy''s popular piano duet work.
Duration: 13 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222237704|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Pack|Orchestra|70.00|1130 GMCL112-00|||9790222237711|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Score|Orchestral Score|15.00|226 GMCL112-01|||9790222237728|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Vln 1|Orchestral Part|2.00|25 GMCL112-02|||9790222237735|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Vln 2|Orchestral Part|2.00|25 GMCL112-03|||9790222237742|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Viola|Orchestral Part|2.00|25 GMCL112-04|||9790222237759|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Cello|Orchestral Part|2.00|25 GMCL112-05|||9790222237766|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Bass|Orchestral Part|1.50|13 GMCL112-06|||9790222237773|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Fl 1+2|Orchestral Part|2.00|25 GMCL112-07|||9790222237780|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Ob 1+2|Orchestral Part|2.00|25 GMCL112-08|||9790222237797|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Cl 1+2|Orchestral Part|3.00|50 GMCL112-09|||9790222237803|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Bsn 1+2|Orchestral Part|1.50|13 GMCL112-10|||9790222237810|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Hn 1+2|Orchestral Part|1.50|13 GMCL112-11|||9790222237827|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Hn 3+4|Orchestral Part|1.50|13 GMCL112-12|||9790222237834|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Trp 1+2|Orchestral Part|1.50|13 GMCL112-13|||9790222237841|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Trb 1+2|Orchestral Part|1.50|13 GMCL112-14|||9790222237858|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Trb3+Tba|Orchestral Part|1.50|13 GMCL112-15|||9790222237865|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Timp|Orchestral Part|1.50|13 GMCL112-16|||9790222237872|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Perc|Orchestral Part|2.50|38 GMCL112-17|||9790222237889|DEBUSSY|Claude Debussy|Petite Suite (arr.Lawson) Harp|Orchestral Part|2.50|38 GMCL113|FAURE, Gabriel (1845-1924)
DOLLY SUITE (arr.Peter Lawson)
Concert Classics Series GMCL113|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Cymbals, Bass Drum, Tambourine, Glockenspiel), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An excellent orchestration by Peter Lawson of the famous Dolly Suite. The first movement, the Berceuse, was the signature tune for Listen with Mother on the radio many years ago (oops! - showing my age!).
Duration: 15 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222237346|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Pack|Orchestra|80.00|1290 GMCL113-00|||9790222237353|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Score|Orchestral Score|15.00|240 GMCL113-01|||9790222237360|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Vln 1|Orchestral Part|2.50|38 GMCL113-02|||9790222237377|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Vln 2|Orchestral Part|2.50|38 GMCL113-03|||9790222237384|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Vla|Orchestral Part|2.50|38 GMCL113-04|||9790222237391|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Cello|Orchestral Part|2.50|38 GMCL113-05|||9790222237407|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Bass|Orchestral Part|2.00|25 GMCL113-06|||9790222237414|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Fl 1+2|Orchestral Part|2.00|25 GMCL113-07|||9790222237421|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Ob 1+2|Orchestral Part|2.00|25 GMCL113-08|||9790222237438|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Cl 1+2|Orchestral Part|2.50|38 GMCL113-09|||9790222237445|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Bsn 1+2|Orchestral Part|1.50|13 GMCL113-10|||9790222237452|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Hn 1+2|Orchestral Part|1.50|13 GMCL113-11|||9790222237469|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Hn 3+4|Orchestral Part|1.50|13 GMCL113-12|||9790222237476|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Trp 1+2|Orchestral Part|1.50|13 GMCL113-13|||9790222237483|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Trb 1+2|Orchestral Part|1.50|13 GMCL113-14|||9790222237490|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Trb3+Tba|Orchestral Part|1.50|13 GMCL113-15|||9790222237506|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Timp|Orchestral Part|1.50|13 GMCL113-16|||9790222237513|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Perc|Orchestral Part|2.00|25 GMCL113-17|||9790222237520|FAURE G|Gabriel Faure|Dolly Suite (arr.Lawson) Harp|Orchestral Part|3.00|50 GMCL114|WALTON, William (1902-1983)
TWO PIECES FROM HENRY V
Concert Classics Series GMCL114|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

William Walton was asked to write the music to accompany the 1944 Olivier film of Shakespeare''s Henry V. These two pieces, which are scored for strings only, were included in both the Concert Suites put together by Sir Malcom Sargent and Muir Mathieson, but have achieved a position of their own as a pair of delicate string works. The first is a Passacaglia and represents Falstaff''s death - ingeniously it is entitled "Passacaglia - The Death of Falstaff" - and the second entitled "Touch her soft lips and part" accompanies the scene where the soldiers are departing for France and bidding farewell to their lady-loves. This edition has been re-typeset but otherwise is not changed from the original edition published by Oxford University Press (now out of print). It has not been simplified and is not an arrangement.
Duration: 3? minutes
A PACK comprises one A4 sized full score and strings 4/4/3/4/2.'|9790222235175|WALTON W|William Walton|Two Pieces from Henry V Pack|String Orchestra|26.00|254 GMCL114-00|||9790222235182|WALTON W|William Walton|Two Pieces from Henry V Score|Orchestral Score|5.00|25 GMCL114-01|||9790222235199|WALTON W|William Walton|Two Pieces from Henry V Violin 1|Orchestral Part|1.50|13 GMCL114-02|||9790222235205|WALTON W|William Walton|Two Pieces from Henry V Violin 2|Orchestral Part|1.50|13 GMCL114-03|||9790222235212|WALTON W|William Walton|Two Pieces from Henry V Viola|Orchestral Part|1.50|13 GMCL114-04|||9790222235229|WALTON W|William Walton|Two Pieces from Henry V Cello|Orchestral Part|1.50|13 GMCL114-05|||9790222235236|WALTON W|William Walton|Two Pieces from Henry V Bass|Orchestral Part|1.50|13 GMCL115|SATIE, Erik (1866-1925)
GYMNOPEDIE No.1 (arr.David Stone)
Concert Classics Series GMCL115|'Orchestration
Flute, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns in F (or Eb) or Alto Saxophones, 2 Trumpets in Bb
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

The first of Erik Satie''s hauntingly beautiful Gymnopedies, originally a set of three piano pieces, is here arranged for orchestra. Minimum requirements are strings only (without bass).
Duration: 2? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222235441|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Pack|Orchestra|26.00|260 GMCL115-00|||9790222235458|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Score|Orchestral Score|5.00|38 GMCL115-01|||9790222235465|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Vln 1|Orchestral Part|1.50|7 GMCL115-02|||9790222235472|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Vln 2|Orchestral Part|1.50|7 GMCL115-03|||9790222235489|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Vln 3|Orchestral Part|1.50|7 GMCL115-04|||9790222235496|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Vla|Orchestral Part|1.50|7 GMCL115-05|||9790222235502|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Cello|Orchestral Part|1.50|7 GMCL115-06|||9790222235519|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Bass|Orchestral Part|1.50|7 GMCL115-07|||9790222235526|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Flute|Orchestral Part|1.50|7 GMCL115-08|||9790222235533|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Oboe|Orchestral Part|1.50|7 GMCL115-09|||9790222235540|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Cl1+2|Orchestral Part|1.50|7 GMCL115-10|||9790222235557|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Bassoon|Orchestral Part|1.50|7 GMCL115-11|||9790222235564|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Horns F|Orchestral Part|1.50|7 GMCL115-12|||9790222235571|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) HornsEb|Orchestral Part|1.50|7 GMCL115-13|||9790222235588|SATIE|Erik Satie|Gymnopedie No.1 (arr.Stone) Trp1+2|Orchestral Part|1.50|7 GMCL116|ALBENIZ, Isaac (1860-1909)
TANGO in D Op.165 No.2 (orch. Sir Malcolm Arnold)
Concert Classics Series GMCL116|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons (2nd optional)
4 Horns in F (3 & 4 optional), 2 Trumpets in Bb, 3 Trombones
Timpani, Percussion (Glockenspiel, Cymbals)
Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This Tango is probably the best known movement from Albeniz''s Espana, originally a collection of pieces for piano. This orchestration was done by Sir Malcolm Arnold in 1953 but this is the first time it has been published. It has been played regularly on the radio in the intervening years (from manuscript copies) and is included on a Sanctuary Classics/ASV CD entitled British by Arrangement Vol.2.
Duration: 2? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222237155|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Pack|Orchestra|26.00|304 GMCL116-00|||9790222237162|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Score|Orchestral Score|5.00|38 GMCL116-01|||9790222237179|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Violin 1|Orchestral Part|1.50|7 GMCL116-02|||9790222237186|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Violin 2|Orchestral Part|1.50|7 GMCL116-03|||9790222237193|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Viola|Orchestral Part|1.50|7 GMCL116-04|||9790222237209|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Cello|Orchestral Part|1.50|7 GMCL116-05|||9790222237216|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Bass|Orchestral Part|1.50|7 GMCL116-06|||9790222237223|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Flute 1+2|Orchestral Part|1.50|7 GMCL116-07|||9790222237230|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Oboe 1+2|Orchestral Part|1.50|7 GMCL116-08|||9790222237247|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Clarinet 1+2|Orchestral Part|1.50|7 GMCL116-09|||9790222237254|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Bassoon 1+2|Orchestral Part|1.50|7 GMCL116-10|||9790222237261|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Horn 1+2|Orchestral Part|1.50|7 GMCL116-11|||9790222237278|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Horn 3+4|Orchestral Part|1.50|7 GMCL116-12|||9790222237285|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Trumpet 1+2|Orchestral Part|1.50|7 GMCL116-13|||9790222237292|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Trombone 1+2|Orchestral Part|1.50|7 GMCL116-14|||9790222237308|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Trombone 3|Orchestral Part|1.50|7 GMCL116-15|||9790222237315|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Timpani|Orchestral Part|1.50|7 GMCL116-16|||9790222237322|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Percussion|Orchestral Part|1.50|7 GMCL116-17|||9790222237339|ALBENIZ|Isaac Albeniz|Tango (arr.Arnold) Harp|Orchestral Part|1.50|13 GMCL117|SOUSA, John Philip (1854-1932)
THE STARS AND STRIPES FOREVER (arr.David Andrew)
Concert Classics Series GMCL117|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F or Eb, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Glockenspiel, Triangle, Snare drum, Cymbals, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

One of John Philip Sousa''s most famous marches arranged here by David Andrew. The counter-melody in the flute part can be played on (or doubled by) a piccolo if one is available.
Duration: 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222252585|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Pack|Orchestra|45.00|678 GMCL117-00|||9790222252592|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Score|Orchestral Score|8.00|88 GMCL117-01|||9790222252608|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Vln 1|Orchestral Part|1.50|13 GMCL117-02|||9790222252615|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Vln 2|Orchestral Part|1.50|13 GMCL117-03|||9790222252622|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Vla|Orchestral Part|1.50|13 GMCL117-04|||9790222252639|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Vc|Orchestral Part|1.50|13 GMCL117-05|||9790222252646|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Cb|Orchestral Part|1.50|13 GMCL117-06|||9790222252653|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Fl1+2|Orchestral Part|1.50|13 GMCL117-07|||9790222252660|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Ob1+2|Orchestral Part|1.50|13 GMCL117-08|||9790222252677|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Cl1+2|Orchestral Part|1.50|13 GMCL117-09|||9790222252684|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Bn1+2|Orchestral Part|1.50|13 GMCL117-10|||9790222252691|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Hns(F)|Orchestral Part|1.50|13 GMCL117-11|||9790222252707|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Hns Eb|Orchestral Part|1.50|13 GMCL117-12|||9790222252714|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Trp1+2|Orchestral Part|1.50|13 GMCL117-13|||9790222252721|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Trb1+2|Orchestral Part|1.50|13 GMCL117-14|||9790222252738|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Tb3Tba|Orchestral Part|1.50|13 GMCL117-15|||9790222252745|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Timp|Orchestral Part|1.50|13 GMCL117-16|||9790222252752|SOUSA|John Philip Sousa|Stars & Stripes (arr Andrew) Perc|Orchestral Part|2.00|25 GMCL118|'DEBUSSY, Claude (1862-1918)
CHILDREN''S CORNER SUITE Part 1 (arr.Peter Lawson)
Concert Classics Series GMCL118'|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Tambourine, Tubular bells, Tam-tam, Glockenspiel, Xylophone, Celeste), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

1. Doctor Gradus ad Parnassum, 2. Jimbo''s Lullaby, 3. Serenade for the Doll
One of Debussy''s best-known suites originally for piano solo is orchestrated here by Peter Lawson in a French style. The six movements are divided here into two separate packs. See GMCL127 for part 2.
Duration: 9 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222261082|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Pk'|Orchestra|50.00|824 GMCL118-00|||9790222261099|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Sc'|Orchestral Score|12.00|163 GMCL118-01|||9790222261105|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Vln1'|Orchestral Part|1.50|13 GMCL118-02|||9790222261112|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Vln2'|Orchestral Part|1.50|13 GMCL118-03|||9790222261129|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Vla'|Orchestral Part|1.50|13 GMCL118-04|||9790222261136|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Vc'|Orchestral Part|1.50|13 GMCL118-05|||9790222261143|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Cb'|Orchestral Part|1.50|13 GMCL118-06|||9790222261150|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Fls'|Orchestral Part|1.50|13 GMCL118-07|||9790222261167|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Obs'|Orchestral Part|1.50|13 GMCL118-08|||9790222261174|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Cls'|Orchestral Part|2.00|25 GMCL118-09|||9790222261181|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Bsns'|Orchestral Part|1.50|13 GMCL118-10|||9790222261198|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Hn12'|Orchestral Part|1.50|13 GMCL118-11|||9790222261204|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Hn34'|Orchestral Part|1.50|13 GMCL118-12|||9790222261211|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Trps'|Orchestral Part|1.50|13 GMCL118-13|||9790222261228|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Tb12'|Orchestral Part|1.50|13 GMCL118-14|||9790222261235|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Tb3a'|Orchestral Part|1.50|13 GMCL118-15|||9790222261242|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Timp'|Orchestral Part|1.50|13 GMCL118-16|||9790222261259|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Perc'|Orchestral Part|2.00|25 GMCL118-17|||9790222261266|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Cele'|Orchestral Part|2.00|25 GMCL118-18|||9790222261273|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt1 Harp'|Orchestral Part|3.00|50 GMCL119|DEBUSSY, Claude (1862-1918)
SUITE BERGAMASQUE Nos.1,2 & 4 (arr.Peter Lawson)
Concert Classics Series GMCL119|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Tambourine, Tubular bells, Tam-tam, Glockenspiel, Xylophone, Celeste), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Debussy''s Suite Bergamasque was written for piano. The four movements are 1. Prelude, 2. Menuet, 3. Clair de Lune & 4, Passepied. This orchestration by Peter Lawson aims to provide an orchestral version of this well-loved work in a style that the composer himself might have written. As "Clair de Lune" is by far the best known piece in the Suite and often played on its own, this has been published separately as GMCL120 whilst this pack includes the other three movements.
Duration: 14 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222258648|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Pack|Orchestra|70.00|1150 GMCL119-00|||9790222258655|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Score|Orchestral Score|14.00|200 GMCL119-01|||9790222258662|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Vln 1|Orchestral Part|2.00|25 GMCL119-02|||9790222258679|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Vln 2|Orchestral Part|2.00|25 GMCL119-03|||9790222258686|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Viola|Orchestral Part|2.00|25 GMCL119-04|||9790222258693|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Cello|Orchestral Part|2.00|25 GMCL119-05|||9790222258709|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Bass|Orchestral Part|1.50|13 GMCL119-06|||9790222258716|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Fl1+2|Orchestral Part|2.00|25 GMCL119-07|||9790222258723|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Ob1+2|Orchestral Part|2.00|25 GMCL119-08|||9790222258730|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Cl1+2|Orchestral Part|2.00|25 GMCL119-09|||9790222258747|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Bsn1+2|Orchestral Part|2.00|25 GMCL119-10|||9790222258754|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Hn1+2|Orchestral Part|1.50|13 GMCL119-11|||9790222258761|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Hn3+4|Orchestral Part|1.50|13 GMCL119-12|||9790222258778|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Trp1+2|Orchestral Part|1.50|13 GMCL119-13|||9790222258785|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Trb1+2|Orchestral Part|1.50|13 GMCL119-14|||9790222258792|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Trb3Tba|Orchestral Part|1.50|13 GMCL119-15|||9790222258808|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Timpani|Orchestral Part|1.50|13 GMCL119-16|||9790222258815|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Perc|Orchestral Part|2.50|38 GMCL119-17|||9790222258822|DEBUSSY|Claude Debussy|Suite Bergamasque (1 2 & 4) Harp|Orchestral Part|3.00|50 GMCL120|DEBUSSY, Claude (1862-1918)
CLAIR DE LUNE No.3 of Suite Bergamasque (arr.Peter Lawson)
Concert Classics Series GMCL120|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons*
4 Horns in F, Trumpet in Bb*, 3 Trombones*, Tuba*, Timpani, Percussion (Triangle, Glockenspiel), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass) [* = optional]

Debussy''s Suite Bergamasque was written for piano. The four movements are 1. Prelude, 2. Menuet, 3. Clair de Lune + 4, Passepied. This orchestration by Peter Lawson aims to provide an orchestral version of this well-loved work in a style that the composer himself might have written. As "Clair de Lune" is by far the best known piece in the Suite and often played on its own, this has been published separately and GMCL119 includes the other three movements.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222258389|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Pack|Orchestra|30.00|438 GMCL120-00|||9790222258396|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Score|Orchestral Score|6.00|63 GMCL120-01|||9790222258402|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Violin 1|Orchestral Part|1.50|13 GMCL120-02|||9790222258419|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Violin 2|Orchestral Part|1.50|13 GMCL120-03|||9790222258426|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Viola|Orchestral Part|1.50|13 GMCL120-04|||9790222258433|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Cello|Orchestral Part|1.50|13 GMCL120-05|||9790222258440|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Bass|Orchestral Part|1.50|7 GMCL120-06|||9790222258457|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Fl1+2|Orchestral Part|1.50|7 GMCL120-07|||9790222258464|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Ob1+2|Orchestral Part|1.50|7 GMCL120-08|||9790222258471|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Cl1+2|Orchestral Part|1.50|7 GMCL120-09|||9790222258488|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Bsn1+2|Orchestral Part|1.50|7 GMCL120-10|||9790222258495|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Hn1+2|Orchestral Part|1.50|7 GMCL120-11|||9790222258501|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Hn3+4|Orchestral Part|1.50|7 GMCL120-12|||9790222258518|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Trp1+2|Orchestral Part|1.50|7 GMCL120-13|||9790222258525|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Trb1+2|Orchestral Part|1.50|7 GMCL120-14|||9790222258532|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Trb3/Tba|Orchestral Part|1.50|7 GMCL120-15|||9790222258549|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Timpani|Orchestral Part|1.50|7 GMCL120-16|||9790222258556|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Perc|Orchestral Part|1.50|7 GMCL120-17|||9790222258563|DEBUSSY|Claude Debussy|Clair De Lune (arr.Lawson) Harp|Orchestral Part|2.00|25 GMCL121|WARLOCK, Peter (1894-1930)
FOUR FOLKSONG PRELUDES (arr.Philip Lane)
Concert Classics Series GMCL121|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Four of the Five of Peter Warlock''s Five Folksong Preludes written for piano have been arranged here for string orchestra by Philip Lane. These make excellent string pieces (The fifth one did not!!).
Duration: 4? minutes
A PACK comprises one full score and strings 4/4/3/4/2'|9790222260658|WARLOCK|Peter Warlock|Four Folksong Preludes(Lane) Pack|String Orchestra|26.00|296 GMCL121-00|||9790222260665|WARLOCK|Peter Warlock|Four Folksong Preludes(Lane) Score|Orchestral Score|5.00|38 GMCL121-01|||9790222260672|WARLOCK|Peter Warlock|Four Folksong Preludes(Lane) Vln 1|Orchestral Part|1.50|13 GMCL121-02|||9790222260689|WARLOCK|Peter Warlock|Four Folksong Preludes(Lane) Vln 2|Orchestral Part|1.50|13 GMCL121-03|||9790222260696|WARLOCK|Peter Warlock|Four Folksong Preludes(Lane) Viola|Orchestral Part|1.50|13 GMCL121-04|||9790222260702|WARLOCK|Peter Warlock|Four Folksong Preludes(Lane) Cello|Orchestral Part|1.50|13 GMCL121-05|||9790222260719|WARLOCK|Peter Warlock|Four Folksong Preludes(Lane) Bass|Orchestral Part|1.50|13 GMCL122|MUSSORGSKY, Modest (1839-1881)
NIGHT ON A BARE MOUNTAIN (arr.Richard Ling)
Concert Classics Series GMCL122|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F (or Eb), 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Cymbals, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Night on a Bare Mountain or, to give its proper title, Saint John''s Night on the Bare Mountain, was written in 1867 and was inspired by a scene of a witches'' sabbath in Gogol''s story of St. John''s Eve, and depicts ghosts, ghouls and demons. This arrangement has been simplified to a certain degree to make what is otherwise a difficult piece, more accessible.
Duration: 6? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222259157|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Pk|Orchestra|65.00|1040 GMCL122-00|||9790222259164|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Sc|Orchestral Score|15.00|213 GMCL122-01|||9790222259171|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Vln1|Orchestral Part|2.00|25 GMCL122-02|||9790222259188|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Vln2|Orchestral Part|2.00|25 GMCL122-03|||9790222259195|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Vla|Orchestral Part|2.00|25 GMCL122-04|||9790222259201|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Vc|Orchestral Part|2.00|25 GMCL122-05|||9790222259218|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Bass|Orchestral Part|2.00|25 GMCL122-06|||9790222259225|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Picc|Orchestral Part|1.50|13 GMCL122-07|||9790222259232|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Fls|Orchestral Part|2.00|25 GMCL122-08|||9790222259249|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Obs|Orchestral Part|2.00|25 GMCL122-09|||9790222259256|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Cls|Orchestral Part|2.00|25 GMCL122-10|||9790222259263|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Bns|Orchestral Part|2.00|25 GMCL122-11|||9790222259270|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) HnsF|Orchestral Part|1.50|13 GMCL122-12|||9790222259287|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) HnEb|Orchestral Part|1.50|13 GMCL122-13|||9790222259294|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Trps|Orchestral Part|1.50|13 GMCL122-14|||9790222259300|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling)Tb1+2|Orchestral Part|1.50|13 GMCL122-15|||9790222259317|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling)T3Tba|Orchestral Part|1.50|13 GMCL122-16|||9790222259324|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Timp|Orchestral Part|1.50|13 GMCL122-17|||9790222259331|MUSSORGSKY M|Modest Mussorgsky|Night On A Bare Mountain(Ling) Perc|Orchestral Part|1.50|13 GMCL123|OFFENBACH, Jacques (1819-1880)
LA VIE PARISIENNE (arr.Richard Ling)
Concert Classics Series GMCL123|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F (or Eb), 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Cymbals, Snare drum, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Offenbach''s operetta "La Vie Parisienne" opened in 1866. This arrangement includes the main tunes used in the operetta and provides a colourful illustration, in musical terms, of Parisian life at the time.
Though not in an ideal key, Eb versions of the Horn in F parts are provided.
Duration: 6 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222259454|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Pack|Orchestra|60.00|964 GMCL123-00|||9790222259461|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Score|Orchestral Score|10.00|125 GMCL123-01|||9790222259478|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Violin 1|Orchestral Part|2.00|25 GMCL123-02|||9790222259485|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Violin 2|Orchestral Part|2.00|25 GMCL123-03|||9790222259492|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Viola|Orchestral Part|2.00|25 GMCL123-04|||9790222259508|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Cello|Orchestral Part|2.00|25 GMCL123-05|||9790222259515|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Bass|Orchestral Part|2.00|25 GMCL123-06|||9790222259522|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Piccolo|Orchestral Part|2.00|25 GMCL123-07|||9790222259539|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Flute 1+2|Orchestral Part|2.00|25 GMCL123-08|||9790222259546|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Oboe 1+2|Orchestral Part|1.50|13 GMCL123-09|||9790222259553|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Clar 1+2|Orchestral Part|2.00|25 GMCL123-10|||9790222259560|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Bsn 1+2|Orchestral Part|2.00|25 GMCL123-11|||9790222259577|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Hn(F) 1+2|Orchestral Part|1.50|13 GMCL123-12|||9790222259584|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Hn(Eb) 1+2|Orchestral Part|1.50|13 GMCL123-13|||9790222259591|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Trp 1+2|Orchestral Part|1.50|13 GMCL123-14|||9790222259607|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Trb 1+2|Orchestral Part|1.50|13 GMCL123-15|||9790222259614|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Trb3+Tuba|Orchestral Part|1.50|13 GMCL123-16|||9790222259621|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Timpani|Orchestral Part|1.50|13 GMCL123-17|||9790222259638|OFFENBACH J|Jacques Offenbach|La Vie Parisienne (Ling) Percussion|Orchestral Part|1.50|13 GMCL124|ROSSINI, Gioachino (1792-1868)
THIEVING MAGPIE OVERTURE (arr.Richard Ling)
Concert Classics Series GMCL124|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in A and Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Side drum, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

One of Rossini''s many popular overtures. Some of the difficulties of the original have here been simplified to make it more accessible for the school or amateur orchestra. The clarinet parts lie better for clarinets in A but parts are provided in both A and Bb.
Duration: 7 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222259737|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Pk|Orchestra|50.00|758 GMCL124-00|||9790222259744|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Sc|Orchestral Score|12.00|150 GMCL124-01|||9790222259751|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Vln1|Orchestral Part|2.00|25 GMCL124-02|||9790222259768|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Vln2|Orchestral Part|1.50|13 GMCL124-03|||9790222259775|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Vla|Orchestral Part|1.50|13 GMCL124-04|||9790222259782|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Vc|Orchestral Part|1.50|13 GMCL124-05|||9790222259799|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Bass|Orchestral Part|1.50|13 GMCL124-06|||9790222259805|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Picc|Orchestral Part|1.50|13 GMCL124-07|||9790222259812|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Fls|Orchestral Part|1.50|13 GMCL124-08|||9790222259829|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Obs|Orchestral Part|1.50|13 GMCL124-09|||9790222259836|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Cls|Orchestral Part|2.00|25 GMCL124-10|||9790222259843|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Bns|Orchestral Part|1.50|13 GMCL124-11|||9790222259850|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Hns|Orchestral Part|1.50|13 GMCL124-12|||9790222259867|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling)Tr1+2|Orchestral Part|1.50|13 GMCL124-13|||9790222259874|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling)Tb1+2|Orchestral Part|1.50|13 GMCL124-14|||9790222259881|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling)Tb3/a|Orchestral Part|1.50|13 GMCL124-15|||9790222259898|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Timp|Orchestral Part|1.50|13 GMCL124-16|||9790222259904|ROSSINI G|Gioachino Rossini|Thieving Magpie Overture(Ling) Perc|Orchestral Part|2.00|25 GMCL125|STRAUSS, Johann II (1825-1899)
TALES OF THE VIENNA WOODS
Concert Classics Series GMCL125|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Side drum, Triangle, Cymbals, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

"G''schichten aus dem Wienerwald" Op.325 is the original title of this, one of many, famous waltzes by Johann Strauss II. It is a fine example of Viennese music of the period, here in an approachable arrangement.
Duration: 7 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222259911|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods(Ling) Pk|Orchestra|40.00|598 GMCL125-00|||9790222259928|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Score|Orchestral Score|8.00|100 GMCL125-01|||9790222259935|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Violin 1|Orchestral Part|1.50|13 GMCL125-02|||9790222259942|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Violin 2|Orchestral Part|1.50|13 GMCL125-03|||9790222259959|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Viola|Orchestral Part|1.50|13 GMCL125-04|||9790222259966|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Cello|Orchestral Part|1.50|13 GMCL125-05|||9790222259973|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Bass|Orchestral Part|1.50|13 GMCL125-06|||9790222259980|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Piccolo|Orchestral Part|1.50|13 GMCL125-07|||9790222259997|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Fl1+2|Orchestral Part|1.50|13 GMCL125-08|||9790222260009|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Ob1+2|Orchestral Part|1.50|13 GMCL125-09|||9790222260016|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Cl1+2|Orchestral Part|1.50|13 GMCL125-10|||9790222260023|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Bn1+2|Orchestral Part|1.50|13 GMCL125-11|||9790222260030|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Hn1+2|Orchestral Part|1.50|13 GMCL125-12|||9790222260047|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Tr1+2|Orchestral Part|1.50|13 GMCL125-13|||9790222260054|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Trb1+2|Orchestral Part|1.50|13 GMCL125-14|||9790222260061|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Trb3+Tuba|Orchestral Part|1.50|13 GMCL125-15|||9790222260078|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Timpani|Orchestral Part|1.50|13 GMCL125-16|||9790222260085|STRAUSS J II|Johann Strauss II|Tales of the Vienna Woods Perc|Orchestral Part|1.50|13 GMCL126|TCHAIKOVSKY, Pyotr Ilych (1840-1893)
SYMPHONY No.6 Second movement (arr.Richard Ling)
Concert Classics Series GMCL126|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani
Strings (Violin 1, Violin 2, Viola, cello, Bass)

The second movement of Tchaikovksy''s Pathetique Symphony is a jolly waltz in 5/4 time! Here it is arranged to be more approachable for a less able orchestra.
Duration: 7 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222260290|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Pack|Orchestra|30.00|498 GMCL126-00|||9790222260306|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Score|Orchestral Score|8.00|88 GMCL126-01|||9790222260313|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Vln 1|Orchestral Part|1.50|13 GMCL126-02|||9790222260320|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Vln 2|Orchestral Part|1.50|13 GMCL126-03|||9790222260337|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Viola|Orchestral Part|1.50|13 GMCL126-04|||9790222260344|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Cello|Orchestral Part|1.50|13 GMCL126-05|||9790222260351|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Bass|Orchestral Part|1.50|13 GMCL126-06|||9790222260368|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Fl 1+2|Orchestral Part|1.50|13 GMCL126-07|||9790222260375|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Ob 1+2|Orchestral Part|1.50|13 GMCL126-08|||9790222260382|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Cl 1+2|Orchestral Part|1.50|13 GMCL126-09|||9790222260399|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Bsn 1+2|Orchestral Part|1.50|13 GMCL126-10|||9790222260405|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Hn 1+2|Orchestral Part|1.50|13 GMCL126-11|||9790222260412|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Trp 1+2|Orchestral Part|1.50|7 GMCL126-12|||9790222260429|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Trb 1+2|Orchestral Part|1.50|7 GMCL126-13|||9790222260436|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Trb3+Tba|Orchestral Part|1.50|7 GMCL126-14|||9790222260443|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|Symphony 6 2nd Movt (Ling) Timpani|Orchestral Part|1.50|7 GMCL127|'DEBUSSY, Claude (1862-1918)
CHILDREN''S CORNER SUITE Part 2 (arr.Peter Lawson)
Concert Classics Series GMCL127'|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Tambourine, Tubular bells, Sleigh bells, Glockenspiel, Xylophone, Celeste), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

4. The Snow is Dancing, 5. The Little Shepherd 6. Golliwog''s Cake-Walk
One of Debussy''s best-known suites originally for piano solo is orchestrated here by Peter Lawson in a French style. The six movements are divided here into two separate packs. See GMCL118 for part 1.
Duration: 8 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222261969|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Pk'|Orchestra|50.00|756 GMCL127-00|||9790222261976|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Sc'|Orchestral Score|12.00|138 GMCL127-01|||9790222261983|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Vln1'|Orchestral Part|1.50|13 GMCL127-02|||9790222261990|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Vln2'|Orchestral Part|1.50|13 GMCL127-03|||9790222262003|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Vla'|Orchestral Part|1.50|13 GMCL127-04|||9790222262010|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Vc'|Orchestral Part|1.50|13 GMCL127-05|||9790222262027|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Cb'|Orchestral Part|1.50|13 GMCL127-06|||9790222262034|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Fls'|Orchestral Part|1.50|13 GMCL127-07|||9790222262041|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Obs'|Orchestral Part|1.50|13 GMCL127-08|||9790222262058|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Cls'|Orchestral Part|1.50|13 GMCL127-09|||9790222262065|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Bsns'|Orchestral Part|1.50|13 GMCL127-10|||9790222262072|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Hn12'|Orchestral Part|1.50|13 GMCL127-11|||9790222262089|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Hn34'|Orchestral Part|1.50|13 GMCL127-12|||9790222262096|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Trps'|Orchestral Part|1.50|13 GMCL127-13|||9790222262102|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Tb12'|Orchestral Part|1.50|13 GMCL127-14|||9790222262119|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Tb3a'|Orchestral Part|1.50|13 GMCL127-15|||9790222262126|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Timp'|Orchestral Part|1.50|7 GMCL127-16|||9790222262133|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Perc'|Orchestral Part|2.00|25 GMCL127-17|||9790222262140|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Cel'|Orchestral Part|2.00|25 GMCL127-18|||9790222262157|DEBUSSY|Claude Debussy|'Children''s Corner (Lawson) Pt2 Harp'|Orchestral Part|2.00|25 GMCL128|VAUGHAN WILLIAMS, Ralph (1872-1958)
FANTASIA ON GREENSLEEVES (arr.Ralph Greaves)
Concert Classics Series GMCL128|'Orchestration
2 Flutes (or solo violins), Harp (or Piano)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the original orchestral version of Vaughan Williams'' famous fantasia which first appeared in his opera "Sir John in Love". Apart from the main folk-tune "Greensleeves", the centre section uses another folk-tune entitled "Lovely Joan". This version, adapted and arranged by Ralph Greaves, has been popular in the concert hall and in recordings since it first appeared.
Now out of print in the Oxford University Press catalogue, this work has been newly engraved and reissued in this Goodmusic edition but otherwise unaltered.
This orchestration can be used to accompany a choral setting of "Greensleeves" which has been arranged by Philip Lane (and approved by the Vaughan Williams Trust) and is published by us in the Roberton Publications catalogue. There is a version for mixed voice choir (SATB, No.63270) or for female voice choir (SSA, No.75479). Each version has two different sets of lyrics - the traditional Greensleeves lyrics and also a setting of "The King of Love my shepherd is" - either can be used.
There is also an amateur orchestra version of the Fantasia on Greensleeves arranged by David Stone available in the Goodmusic Concert Classics series No.GMCL007.
Duration: 4 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222260993|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (orig) Pk|Orchestra|30.00|306 GMCL128-00|||9790222261006|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (orig) Sc|Orchestral Score|5.00|38 GMCL128-01|||9790222261013|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (orig) Vn1|Orchestral Part|1.50|13 GMCL128-02|||9790222261020|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (orig) Vn2|Orchestral Part|1.50|13 GMCL128-03|||9790222261037|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (orig) Vla|Orchestral Part|1.50|13 GMCL128-04|||9790222261044|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (orig) Vc|Orchestral Part|1.50|13 GMCL128-05|||9790222261051|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (orig) Cb|Orchestral Part|1.50|13 GMCL128-06|||9790222261068|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (orig) Fls|Orchestral Part|1.50|13 GMCL128-07|||9790222261075|VAUGHAN WILL|Ralph Vaughan Williams|Fantasia On Greensleeves (orig) Hp|Orchestral Part|1.50|13 GMCL129|ELGAR, Edward (1857-1934)
CHANSON DE NUIT Op.15 No.1
Concert Classics Series GMCL129|Orchestration
Flute, Oboe, 2 Clarinets in A or Bb, Bassoons, 2 Horns in F
Harp or Piano (ad lib)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

In 1897 Elgar wrote a short piece for violin and piano which he called "Evensong" though when it was published it was decided to call it "Chanson de Nuit". In 1899 he wrote a second companion piece which was published as "Chanson de Matin". In 1901 he made orchestral versions of both pieces and it is in this fashion that they are best known today. "Chanson de Matin" is also available in the Goodmusic Concert Classics series - GMCL130.
Duration: 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222262621|ELGAR|Edward Elgar|Chanson De Nuit Pack|Orchestra|26.00|248 GMCL129-00|||9790222262638|ELGAR|Edward Elgar|Chanson De Nuit Score|Orchestral Score|5.00|50 GMCL129-01|||9790222262645|ELGAR|Edward Elgar|Chanson De Nuit Violin 1|Orchestral Part|1.50|7 GMCL129-02|||9790222262652|ELGAR|Edward Elgar|Chanson De Nuit Violin 2|Orchestral Part|1.50|7 GMCL129-03|||9790222262669|ELGAR|Edward Elgar|Chanson De Nuit Viola|Orchestral Part|1.50|7 GMCL129-04|||9790222262676|ELGAR|Edward Elgar|Chanson De Nuit Cello|Orchestral Part|1.50|7 GMCL129-05|||9790222262683|ELGAR|Edward Elgar|Chanson De Nuit Bass|Orchestral Part|1.50|7 GMCL129-06|||9790222262690|ELGAR|Edward Elgar|Chanson De Nuit Flute|Orchestral Part|1.50|7 GMCL129-07|||9790222262706|ELGAR|Edward Elgar|Chanson De Nuit Oboe|Orchestral Part|1.50|7 GMCL129-08|||9790222262713|ELGAR|Edward Elgar|Chanson De Nuit Clarinets in A|Orchestral Part|1.50|7 GMCL129-09|||9790222262720|ELGAR|Edward Elgar|Chanson De Nuit Clarinets in Bb|Orchestral Part|1.50|7 GMCL129-10|||9790222262737|ELGAR|Edward Elgar|Chanson De Nuit Bassoon|Orchestral Part|1.50|7 GMCL129-11|||9790222262744|ELGAR|Edward Elgar|Chanson De Nuit Horns 1+2|Orchestral Part|1.50|7 GMCL129-12|||9790222262751|ELGAR|Edward Elgar|Chanson De Nuit Harp (Piano)|Orchestral Part|1.50|7 GMCL130|ELGAR, Edward (1857-1934)
CHANSON DE MATIN Op.15 No.2
Concert Classics Series GMCL130|Orchestration
Flute, Oboe, 2 Clarinets in A or Bb, Bassoons, 2 Horns in F
Harp or Piano (ad lib)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

In 1897 Elgar wrote a short piece for violin and piano which he called "Evensong" though when it was published it was decided to call it "Chanson de Nuit". In 1899 he wrote a second companion piece which was published as "Chanson de Matin". In 1901 he made orchestral versions of both pieces and it is in this fashion that they are best known today. "Chanson de Nuit" is also available in the Goodmusic Concert Classics series - GMCL129.
Duration: 3 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222262768|ELGAR|Edward Elgar|Chanson De Matin Pack|Orchestra|26.00|348 GMCL130-00|||9790222262775|ELGAR|Edward Elgar|Chanson De Matin Score|Orchestral Score|6.00|63 GMCL130-01|||9790222262782|ELGAR|Edward Elgar|Chanson De Matin Violin 1|Orchestral Part|1.50|13 GMCL130-02|||9790222262799|ELGAR|Edward Elgar|Chanson De Matin Violin 2|Orchestral Part|1.50|13 GMCL130-03|||9790222262805|ELGAR|Edward Elgar|Chanson De Matin Viola|Orchestral Part|1.50|13 GMCL130-04|||9790222262812|ELGAR|Edward Elgar|Chanson De Matin Cello|Orchestral Part|1.50|7 GMCL130-05|||9790222262829|ELGAR|Edward Elgar|Chanson De Matin Bass|Orchestral Part|1.50|7 GMCL130-06|||9790222262836|ELGAR|Edward Elgar|Chanson De Matin Flute|Orchestral Part|1.50|7 GMCL130-07|||9790222262843|ELGAR|Edward Elgar|Chanson De Matin Oboe|Orchestral Part|1.50|7 GMCL130-08|||9790222262850|ELGAR|Edward Elgar|Chanson De Matin Clarinets in A|Orchestral Part|1.50|13 GMCL130-09|||9790222262867|ELGAR|Edward Elgar|Chanson De Matin Clarinets in Bb|Orchestral Part|1.50|13 GMCL130-10|||9790222262874|ELGAR|Edward Elgar|Chanson De Matin Bassoon|Orchestral Part|1.50|7 GMCL130-11|||9790222262881|ELGAR|Edward Elgar|Chanson De Matin Horns 1+2|Orchestral Part|1.50|7 GMCL130-12|||9790222262898|ELGAR|Edward Elgar|Chanson De Matin Harp (Piano)|Orchestral Part|1.50|13 GMCL131|ELGAR, Edward (1857-1934)
SERENADE FOR STRINGS Op.20
Concert Classics Series GMCL131|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

First published in 1892, the Serenade for Strings in E minor is thought to be a reworked version of three pieces that Elgar had written around 1888 that had originally been rejected by a music publisher as being "unsaleable". Now perhaps his best-known work for string orchestra, the Serenade is in three movements: Allegro piacevole, Larghetto & Allegretto.

Duration: 10 minutes
A PACK comprises one full score and string parts 4/4/3/4/2.|9790222263246|ELGAR|Edward Elgar|Serenade for Strings Pack|String Orchestra|30.00|468 GMCL131-00|||9790222263253|ELGAR|Edward Elgar|Serenade for Strings Score|Orchestral Score|5.00|50 GMCL131-01|||9790222263260|ELGAR|Edward Elgar|Serenade for Strings Violin 1|Orchestral Part|2.00|25 GMCL131-02|||9790222263277|ELGAR|Edward Elgar|Serenade for Strings Violin 2|Orchestral Part|2.00|25 GMCL131-03|||9790222263284|ELGAR|Edward Elgar|Serenade for Strings Viola|Orchestral Part|2.00|25 GMCL131-04|||9790222263291|ELGAR|Edward Elgar|Serenade for Strings Cello|Orchestral Part|2.00|25 GMCL131-05|||9790222263307|ELGAR|Edward Elgar|Serenade for Strings Bass|Orchestral Part|1.50|13 GMCL132|HOLST, Gustav (1874-1934)
EGDON HEATH
Concert Classics Series GMCL132|'Orchestration
2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets in Bb, 2 Bassoons, Contra Bassoon, 4 Horns in F, 3 Trumpets in C or Bb, 3 Trombones, Tuba,
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An extremely atmospheric tone poem depicting the heath portrayed in Thomas Hardy''s novel "The Return of the Native". "A place perfectly accordant with man''s nature - neither ghastly, hateful, nor ugly; neither common-place, unmeaning nor tame; but, like man, slighted and enduring; and withal singularly colossal and mysterious in its swarthy monotony!" (Thomas Hardy - The Return of the Native).
Holst regarded this work as his masterpiece, although the public preferred "The Planets"! This edition is faithful to Holst''s original; he indicated that the following instruments were optional - 2nd oboe, Contra bassoon, Horns 3 and 4, Trumpet 3 and Tuba.
Duration: 12 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222265325|HOLST|Gustav Holst|Egdon Heath Pack|Orchestra|40.00|654 GMCL132-00|||9790222265332|HOLST|Gustav Holst|Egdon Heath Score|Orchestral Score|10.00|125 GMCL132-01|||9790222265349|HOLST|Gustav Holst|Egdon Heath Violin 1|Orchestral Part|1.50|13 GMCL132-02|||9790222265356|HOLST|Gustav Holst|Egdon Heath Violin 2|Orchestral Part|1.50|13 GMCL132-03|||9790222265363|HOLST|Gustav Holst|Egdon Heath Viola|Orchestral Part|1.50|13 GMCL132-04|||9790222265370|HOLST|Gustav Holst|Egdon Heath Cello|Orchestral Part|1.50|13 GMCL132-05|||9790222265387|HOLST|Gustav Holst|Egdon Heath Bass|Orchestral Part|1.50|13 GMCL132-06|||9790222265394|HOLST|Gustav Holst|Egdon Heath Flute 1+2|Orchestral Part|1.50|13 GMCL132-07|||9790222265400|HOLST|Gustav Holst|Egdon Heath Oboe 1+2|Orchestral Part|1.50|13 GMCL132-08|||9790222265417|HOLST|Gustav Holst|Egdon Heath Cor Anglais|Orchestral Part|1.50|13 GMCL132-09|||9790222265424|HOLST|Gustav Holst|Egdon Heath Clarinet 1+2|Orchestral Part|1.50|13 GMCL132-10|||9790222265431|HOLST|Gustav Holst|Egdon Heath Bassoon 1+2|Orchestral Part|1.50|13 GMCL132-11|||9790222265448|HOLST|Gustav Holst|Egdon Heath Contra Bassoon|Orchestral Part|1.50|7 GMCL132-12|||9790222265455|HOLST|Gustav Holst|Egdon Heath Horn 1+2|Orchestral Part|1.50|13 GMCL132-13|||9790222265462|HOLST|Gustav Holst|Egdon Heath Horn 3+4|Orchestral Part|1.50|13 GMCL132-14|||9790222265479|HOLST|Gustav Holst|Egdon Heath Trumpet 1+2 in C|Orchestral Part|1.50|13 GMCL132-15|||9790222265486|HOLST|Gustav Holst|Egdon Heath Trumpet 1+2 in Bb|Orchestral Part|1.50|13 GMCL132-16|||9790222265493|HOLST|Gustav Holst|Egdon Heath Trumpet 3 in C|Orchestral Part|1.50|7 GMCL132-17|||9790222265509|HOLST|Gustav Holst|Egdon Heath Trumpet 3 in Bb|Orchestral Part|1.50|7 GMCL132-18|||9790222265516|HOLST|Gustav Holst|Egdon Heath Trombone 1+2|Orchestral Part|1.50|13 GMCL132-19|||9790222265523|HOLST|Gustav Holst|Egdon Heath Trombone 3+Tuba|Orchestral Part|1.50|13 GMCL133|HOLST, Gustav (1874-1934)
Ballet Music from THE PERFECT FOOL
Concert Classics Series GMCL133|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets in A or Bb, Bass Clarinet, 2 Bassoons, Contra Bassoon, 4 Horns in F, 4 Trumpets in C or Bb, 3 Trombones, Tuba, Timpani, Percussion [2 or 3 players] (Bass drum, Cymbals, Tam-tam, Tambourine, Jingles [sleigh bells], Xylophone, Celeste), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Holst wrote a comic opera "The Perfect Fool" in 1918-22. It begins with a ballet which is danced by Spirits of Earth, Water and Fire. It starts with a wizard (who sounds like Uranus the Magician from Holst''s Planets) who summons the Spirits of the Earth with a trombone. Later, a solo viola calls up the calmer Spirits of the Water. The third section is the dance of the Spirits of Fire.
This edition is faithful to Holst''s original; he indicated that the following instruments were optional - 2nd Flute, 2nd oboe, Bass clarinet, Contra bassoon, Trumpets 3 and 4, Xylophone and Celeste. Additional cues have been provided to cover the absence of a Cor Anglais - but it just wouldn''t sound as good would it?
Duration: 10? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222264984|HOLST|Gustav Holst|Perfect Fool Pack|Orchestra|70.00|1035 GMCL133-00|||9790222264991|HOLST|Gustav Holst|Perfect Fool Score|Orchestral Score|12.00|150 GMCL133-01|||9790222265004|HOLST|Gustav Holst|Perfect Fool Violin 1|Orchestral Part|1.50|13 GMCL133-02|||9790222265011|HOLST|Gustav Holst|Perfect Fool Violin 2|Orchestral Part|1.50|13 GMCL133-03|||9790222265028|HOLST|Gustav Holst|Perfect Fool Viola|Orchestral Part|1.50|13 GMCL133-04|||9790222265035|HOLST|Gustav Holst|Perfect Fool Cello|Orchestral Part|1.50|13 GMCL133-05|||9790222265042|HOLST|Gustav Holst|Perfect Fool Bass|Orchestral Part|1.50|13 GMCL133-06|||9790222265059|HOLST|Gustav Holst|Perfect Fool Piccolo|Orchestral Part|1.50|13 GMCL133-07|||9790222265066|HOLST|Gustav Holst|Perfect Fool Flute 1+2|Orchestral Part|2.00|25 GMCL133-08|||9790222265073|HOLST|Gustav Holst|Perfect Fool Oboe 1+2|Orchestral Part|2.00|25 GMCL133-09|||9790222265080|HOLST|Gustav Holst|Perfect Fool Cor Anglais|Orchestral Part|1.50|13 GMCL133-10|||9790222265097|HOLST|Gustav Holst|Perfect Fool Clarinet 1+2 in A|Orchestral Part|2.00|25 GMCL133-11|||9790222265103|HOLST|Gustav Holst|Perfect Fool Clarinet 1+2 in Bb|Orchestral Part|2.00|25 GMCL133-12|||9790222265110|HOLST|Gustav Holst|Perfect Fool Bass Clarinet|Orchestral Part|1.50|13 GMCL133-13|||9790222265127|HOLST|Gustav Holst|Perfect Fool Bassoon 1+2|Orchestral Part|2.00|25 GMCL133-14|||9790222265134|HOLST|Gustav Holst|Perfect Fool Contra Bassoon|Orchestral Part|1.50|13 GMCL133-15|||9790222265141|HOLST|Gustav Holst|Perfect Fool Horn 1+2 in F|Orchestral Part|2.00|25 GMCL133-16|||9790222265158|HOLST|Gustav Holst|Perfect Fool Horn 3+4 in F|Orchestral Part|1.50|13 GMCL133-17|||9790222265165|HOLST|Gustav Holst|Perfect Fool Trumpet 1+2 in C|Orchestral Part|2.00|25 GMCL133-18|||9790222265172|HOLST|Gustav Holst|Perfect Fool Trumpet 3+4 in C|Orchestral Part|1.50|13 GMCL133-19|||9790222265189|HOLST|Gustav Holst|Perfect Fool Trumpet 1+2 in Bb|Orchestral Part|2.00|25 GMCL133-20|||9790222265196|HOLST|Gustav Holst|Perfect Fool Trumpet 3+4 in Bb|Orchestral Part|1.50|13 GMCL133-21|||9790222265202|HOLST|Gustav Holst|Perfect Fool Trombone 1+2|Orchestral Part|1.50|13 GMCL133-22|||9790222265219|HOLST|Gustav Holst|Perfect Fool Trombone 3+Tuba|Orchestral Part|1.50|13 GMCL133-23|||9790222265226|HOLST|Gustav Holst|Perfect Fool Timpani|Orchestral Part|1.50|13 GMCL133-24|||9790222265233|HOLST|Gustav Holst|Perfect Fool Percussion|Orchestral Part|2.00|25 GMCL133-25|||9790222265240|HOLST|Gustav Holst|Perfect Fool Harp|Orchestral Part|1.50|13 GMCL134|'HOLST, Gustav (1874-1934)
ST.PAUL''S SUITE
Concert Classics Series GMCL134'|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This suite was composed during 1912-1913 for the string orchestra at St.Paul''s Girls'' School in London, where Holst was teaching music, partially to thank the school for having built a soundproof studio for him. There are four movements: a Jig, alternating between 6/8 and 9/8 time, a presto Ostinato, an Intermezzo and a Finale, arranged from the Fantasy on the Dargason from his second suite for military band.
Duration: 12 minutes
A PACK comprises one full score and string parts 4/4/3/4/2.'|9790222265257|HOLST|Gustav Holst|'St.Paul''s Suite Pack'|String Orchestra|45.00|746 GMCL134-00|||9790222265264|HOLST|Gustav Holst|St.Pauls Suite Score|Orchestral Score|10.00|125 GMCL134-01|||9790222265271|HOLST|Gustav Holst|'St.Paul''s Suite Violin 1'|Orchestral Part|2.50|38 GMCL134-02|||9790222265288|HOLST|Gustav Holst|'St.Paul''s Suite Violin 2'|Orchestral Part|2.50|38 GMCL134-03|||9790222265295|HOLST|Gustav Holst|'St.Paul''s Suite Viola'|Orchestral Part|2.50|38 GMCL134-04|||9790222265301|HOLST|Gustav Holst|'St.Paul''s Suite Cello'|Orchestral Part|2.50|38 GMCL134-05|||9790222265318|HOLST|Gustav Holst|'St.Paul''s Suite Bass'|Orchestral Part|2.00|25 GMCL135|HOLST, Gustav (1839-1934)
MARS: The Bringer of War from "The Planets" (arr.Richard Ling)
Concert Classics Series GMCL135|Orchestration
Piccolo*, 2 Flutes, 2 Oboes, Cor anglais*, 3 Clarinets in Bb, Bass clarinet*, 2 Bassoons
2 Horns in F, 4 Trumpets in Bb (4th*), 3 Trombones, Tenor tuba*, Tuba, Timpani, Percussion (2 players: Snare drum, Bass drum, Suspended Cymbal, Gong)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Mars is the first of seven movements in The Planets Suite which Holst begun composing in 1914. He completed the suite in 1916 but the first complete public performance did not take place until 1920. It was an immediate success and has remained so ever since. The original was for a large orchestra. This arrangement has been made to make it more accessible to the average orchestra; the instruments marked with an asterisk in the orchestration list above may be omitted if necessary as any essential notes they have are cued in other parts.
Duration: 6? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222263703|HOLST|Gustav Holst|Mars (arr.Ling) Pack|Orchestra|50.00|780 GMCL135-00|||9790222263710|HOLST|Gustav Holst|Mars (arr.Ling) Score|Orchestral Score|12.00|138 GMCL135-01|||9790222263727|HOLST|Gustav Holst|Mars (arr.Ling) Violin 1|Orchestral Part|1.50|13 GMCL135-02|||9790222263734|HOLST|Gustav Holst|Mars (arr.Ling) Violin 2|Orchestral Part|1.50|13 GMCL135-03|||9790222263741|HOLST|Gustav Holst|Mars (arr.Ling) Viola|Orchestral Part|1.50|13 GMCL135-04|||9790222263758|HOLST|Gustav Holst|Mars (arr.Ling) Cello|Orchestral Part|1.50|13 GMCL135-05|||9790222263765|HOLST|Gustav Holst|Mars (arr.Ling) Bass|Orchestral Part|1.50|13 GMCL135-06|||9790222263772|HOLST|Gustav Holst|Mars (arr.Ling) Piccolo|Orchestral Part|1.50|13 GMCL135-07|||9790222263789|HOLST|Gustav Holst|Mars (arr.Ling) Flute 1+2|Orchestral Part|1.50|13 GMCL135-08|||9790222263796|HOLST|Gustav Holst|Mars (arr.Ling) Oboe 1+2|Orchestral Part|2.00|25 GMCL135-09|||9790222263802|HOLST|Gustav Holst|Mars (arr.Ling) Cor Anglais|Orchestral Part|1.50|13 GMCL135-10|||9790222263819|HOLST|Gustav Holst|Mars (arr.Ling) Clarinet 1+2+3|Orchestral Part|2.00|25 GMCL135-11|||9790222263826|HOLST|Gustav Holst|Mars (arr.Ling) Bass Clarinet|Orchestral Part|1.50|13 GMCL135-12|||9790222263833|HOLST|Gustav Holst|Mars (arr.Ling) Bassoon 1+2|Orchestral Part|1.50|13 GMCL135-13|||9790222263840|HOLST|Gustav Holst|Mars (arr.Ling) Horn 1+2|Orchestral Part|1.50|13 GMCL135-14|||9790222263857|HOLST|Gustav Holst|Mars (arr.Ling) Trumpet 1+2|Orchestral Part|2.00|25 GMCL135-15|||9790222263864|HOLST|Gustav Holst|Mars (arr.Ling) Trumpet 3+4|Orchestral Part|1.50|13 GMCL135-16|||9790222263871|HOLST|Gustav Holst|Mars (arr.Ling) Trombone 1+2|Orchestral Part|1.50|13 GMCL135-17|||9790222263888|HOLST|Gustav Holst|Mars (arr.Ling) Tenor Tuba|Orchestral Part|1.50|13 GMCL135-18|||9790222263895|HOLST|Gustav Holst|Mars (arr.Ling) Trombone 3+Tuba|Orchestral Part|1.50|13 GMCL135-19|||9790222263901|HOLST|Gustav Holst|Mars (arr.Ling) Timpani|Orchestral Part|1.50|13 GMCL135-20|||9790222263918|HOLST|Gustav Holst|Mars (arr.Ling) Percussion|Orchestral Part|1.50|13 GMCL136|HOLST, Gustav (1839-1934)
JUPITER: The Bringer of Jollity from "The Planets" (arr.Richard Ling)
Concert Classics Series GMCL136|Orchestration
Piccolo, 2 Flutes, 2 Oboes, Cor anglais*, 3 Clarinets in Bb, Bass clarinet*, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Glockenspiel, Tambourine, Triangle, Cymbals, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Jupiter is the fourth of seven movements in The Planets Suite which Holst begun composing in 1914. He completed the suite in 1916 but the first complete public performance did not take place until 1920. It was an immediate success and has remained so ever since. He later used the lovely centre section for the hymn "I vow to thee my country". The original was for a large orchestra. This arrangement has been made to make it more accessible to the average orchestra; the instruments marked with an asterisk in the orchestration list above may be omitted if necessary as any essential notes they have are cued in other parts.
Duration: 6? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222264359|HOLST|Gustav Holst|Jupiter (arr.Ling) Pack|Orchestra|50.00|778 GMCL136-00|||9790222264366|HOLST|Gustav Holst|Jupiter (arr.Ling) Score|Orchestral Score|10.00|125 GMCL136-01|||9790222264373|HOLST|Gustav Holst|Jupiter (arr.Ling) Violin 1|Orchestral Part|2.00|25 GMCL136-02|||9790222264380|HOLST|Gustav Holst|Jupiter (arr.Ling) Violin 2|Orchestral Part|1.50|13 GMCL136-03|||9790222264397|HOLST|Gustav Holst|Jupiter (arr.Ling) Viola|Orchestral Part|1.50|13 GMCL136-04|||9790222264403|HOLST|Gustav Holst|Jupiter (arr.Ling) Cello|Orchestral Part|1.50|13 GMCL136-05|||9790222264410|HOLST|Gustav Holst|Jupiter (arr.Ling) Bass|Orchestral Part|1.50|13 GMCL136-06|||9790222264427|HOLST|Gustav Holst|Jupiter (arr.Ling) Piccolo 1+2|Orchestral Part|2.00|25 GMCL136-07|||9790222264434|HOLST|Gustav Holst|Jupiter (arr.Ling) Flute 1+2|Orchestral Part|2.00|25 GMCL136-08|||9790222264441|HOLST|Gustav Holst|Jupiter (arr.Ling) Oboe 1+2|Orchestral Part|1.50|13 GMCL136-09|||9790222264458|HOLST|Gustav Holst|Jupiter (arr.Ling) Cor Anglais|Orchestral Part|1.50|13 GMCL136-10|||9790222264465|HOLST|Gustav Holst|Jupiter (arr.Ling) Clarinet 1+2|Orchestral Part|1.50|13 GMCL136-11|||9790222264472|HOLST|Gustav Holst|Jupiter (arr.Ling) Bass Clarinet|Orchestral Part|1.50|13 GMCL136-12|||9790222264489|HOLST|Gustav Holst|Jupiter (arr.Ling) Bassoon 1+2|Orchestral Part|1.50|13 GMCL136-13|||9790222264496|HOLST|Gustav Holst|Jupiter (arr.Ling) Horn 1+2|Orchestral Part|1.50|13 GMCL136-14|||9790222264502|HOLST|Gustav Holst|Jupiter (arr.Ling) Trumpet 1+2|Orchestral Part|1.50|13 GMCL136-15|||9790222264519|HOLST|Gustav Holst|Jupiter (arr.Ling) Trombone 1+2|Orchestral Part|1.50|13 GMCL136-16|||9790222264526|HOLST|Gustav Holst|Jupiter (arr.Ling) Trombone 3+Tuba|Orchestral Part|1.50|13 GMCL136-17|||9790222264533|HOLST|Gustav Holst|Jupiter (arr.Ling) Timpani|Orchestral Part|1.50|13 GMCL136-18|||9790222264540|HOLST|Gustav Holst|Jupiter (arr.Ling) Percussion|Orchestral Part|1.50|13 GMCL136-19|||9790222264977|HOLST|Gustav Holst|Jupiter (arr.Ling) Clarinet 3|Orchestral Part|1.50|13 GMCL137|ELGAR, Edward (1857-1934)
POMP and CIRCUMSTANCE MARCH No.1 in D (arranged by Richard Ling)
Concert Classics Series GMCL137|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in A or Bb, Bass clarinet*, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Snare drum, Triangle, Bass drum, Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
(* = instruments optional)

Of Elgar''s five Pomp and Circumstance Marches, the first in D is the best known as it includes Land of Hope and Glory. The origin of the title of these marches is a speech in Shakespeare''s "Othello":
O now, for ever/ Farewell the tranquil mind! farewell content!/ Farewell the plumed troops and the big wars/
That makes ambition virtue!/ O farewell!/ Farewell the neighing steed and the shrill trump,/
The spirit-stirring drum, th'' ear-piercing fife,/ The royal banner, and all quality,/
Pride, pomp, and circumstance of glorious war!

This arrangement has been made to make it more accessible to the average orchestra; the instruments marked with an asterisk in the orchestration list above may be omitted if necessary.

Duration: 6 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222264557|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Pack|Orchestra|40.00|608 GMCL137-00|||9790222264564|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Score|Orchestral Score|8.00|88 GMCL137-01|||9790222264571|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Vln 1|Orchestral Part|1.50|13 GMCL137-02|||9790222264588|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Vln 2|Orchestral Part|1.50|13 GMCL137-03|||9790222264595|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Viola|Orchestral Part|1.50|13 GMCL137-04|||9790222264601|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Cello|Orchestral Part|1.50|13 GMCL137-05|||9790222264618|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Bass|Orchestral Part|1.50|13 GMCL137-06|||9790222264625|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Piccolo|Orchestral Part|1.50|13 GMCL137-07|||9790222264632|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Fl 1+2|Orchestral Part|1.50|13 GMCL137-08|||9790222264649|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Ob 1+2|Orchestral Part|1.50|13 GMCL137-09|||9790222264656|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Cl 1+2|Orchestral Part|2.00|25 GMCL137-10|||9790222264663|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) B.cl|Orchestral Part|1.50|13 GMCL137-11|||9790222264670|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Bsn 1+2|Orchestral Part|1.50|13 GMCL137-12|||9790222264687|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Hn1+Hn2|Orchestral Part|1.50|13 GMCL137-13|||9790222264694|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Trp 1+2|Orchestral Part|1.50|13 GMCL137-14|||9790222264700|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Trb 1+2|Orchestral Part|1.50|13 GMCL137-15|||9790222264717|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Tb3+Tba|Orchestral Part|1.50|13 GMCL137-16|||9790222264724|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Timpani|Orchestral Part|1.50|13 GMCL137-17|||9790222264731|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) S.drum|Orchestral Part|1.50|13 GMCL137-18|||9790222264748|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Triangl|Orchestral Part|1.50|7 GMCL137-19|||9790222264755|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) Cymbals|Orchestral Part|1.50|7 GMCL137-20|||9790222264762|ELGAR|Edward Elgar|Pomp & Circumstance 1 (arr) B.drum|Orchestral Part|1.50|7 GMCL138|ELGAR, Edward (1857-1934)
POMP and CIRCUMSTANCE MARCH No.4 in G (arranged by Richard Ling)
Concert Classics Series GMCL138|'Orchestration
Piccolo (doubling Flute 3)*, 2 Flutes, 2 Oboes, Cor anglais*, 2 Clarinets in Bb, Bass clarinet*, 2 Bassoons
2 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Snare drum, Bass drum, Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
(* = instruments optional)

Of Elgar''s five Pomp and Circumstance Marches, the first in D is the best known (as it includes Land of Hope and Glory) followed closely by this one, number 4 in G. The origin of the title of these marches is a speech in Shakespeare''s "Othello":
O now, for ever/ Farewell the tranquil mind! farewell content!/ Farewell the plumed troops and the big wars/
That makes ambition virtue!/ O farewell!/ Farewell the neighing steed and the shrill trump,/
The spirit-stirring drum, th'' ear-piercing fife,/ The royal banner, and all quality,/
Pride, pomp, and circumstance of glorious war!

This arrangement has been made to make it more accessible to the average orchestra; the instruments marked with an asterisk in the orchestration list above may be omitted if necessary.

Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222263932|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Pack|Orchestra|40.00|600 GMCL138-00|||9790222263949|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Score|Orchestral Score|6.00|75 GMCL138-01|||9790222263956|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Vln1|Orchestral Part|1.50|13 GMCL138-02|||9790222263963|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Vln2|Orchestral Part|1.50|13 GMCL138-03|||9790222263970|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Vla|Orchestral Part|1.50|13 GMCL138-04|||9790222263987|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Vc|Orchestral Part|1.50|13 GMCL138-05|||9790222263994|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Bass|Orchestral Part|1.50|13 GMCL138-06|||9790222264007|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Picc|Orchestral Part|1.50|13 GMCL138-07|||9790222264014|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Fl1+2|Orchestral Part|1.50|13 GMCL138-08|||9790222264021|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Ob1+2|Orchestral Part|1.50|13 GMCL138-09|||9790222264038|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Cor.A|Orchestral Part|1.50|13 GMCL138-10|||9790222264045|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Cl1+2|Orchestral Part|1.50|13 GMCL138-11|||9790222264052|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) BassCl|Orchestral Part|1.50|13 GMCL138-12|||9790222264069|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Bsn1+2|Orchestral Part|1.50|13 GMCL138-13|||9790222264076|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Hn1+2|Orchestral Part|1.50|13 GMCL138-14|||9790222264083|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Trp1+2|Orchestral Part|1.50|13 GMCL138-15|||9790222264090|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Trp3|Orchestral Part|1.50|13 GMCL138-16|||9790222264106|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Trb1+2|Orchestral Part|1.50|13 GMCL138-17|||9790222264113|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Tb3Tba|Orchestral Part|1.50|13 GMCL138-18|||9790222264120|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Timp|Orchestral Part|1.50|13 GMCL138-19|||9790222264137|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) S.Drum|Orchestral Part|1.50|13 GMCL138-20|||9790222264144|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) Cymb.|Orchestral Part|1.50|7 GMCL138-21|||9790222264151|ELGAR|Edward Elgar|Pomp & Circumstance 4 (Ling) B.Drum|Orchestral Part|1.50|7 GMCL139|HOLST, Gustav (1874-1934)
A MOORSIDE SUITE (arr.Philip Lane) for string orchestra
Concert Classics Series GMCL139|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The best known version of this work is for brass band but Holst had intended it originally for strings as something for the Junior Orchestra at St Paul''s Girls School to match the St Paul''s Suite written earlier for the Senior Orchestra. Even scaled down in difficulty from what appears in the brass band version it was beyond the capabilities of the ''juniors'' so the Brook Green Suite was written for them instead. Holst''s original string version was subsequently published but I felt it lacked the power and richness of the brass band version, (particularly in the outer moments), so I made this arrangement directly from the brass score without the limitations imposed on Holst by his young players. Philip Lane
A commercial recording of this version by the Royal Ballet Sinfonia conducted by Gavin Sutherland is on a Naxos CD: English String Miniatures Vol 6 (issued 2006).
Duration: 15? minutes
A PACK comprises one full score and string parts 4/4/3/4/2.'|9790222265622|HOLST|Gustav Holst|Moorside Suite (arr.Lane) Pack|String Orchestra|45.00|666 GMCL139-00|||9790222265639|HOLST|Gustav Holst|Moorside Suite (arr.Lane) Score|Orchestral Score|6.00|75 GMCL139-01|||9790222265646|HOLST|Gustav Holst|Moorside Suite (arr.Lane) Violin 1|Orchestral Part|2.50|38 GMCL139-02|||9790222265653|HOLST|Gustav Holst|Moorside Suite (arr.Lane) Violin 2|Orchestral Part|2.50|38 GMCL139-03|||9790222265660|HOLST|Gustav Holst|Moorside Suite (arr.Lane) Viola|Orchestral Part|2.00|25 GMCL139-04|||9790222265677|HOLST|Gustav Holst|Moorside Suite (arr.Lane) Cello|Orchestral Part|2.50|38 GMCL139-05|||9790222265684|HOLST|Gustav Holst|Moorside Suite (arr.Lane) Bass|Orchestral Part|2.00|25 GMCL140|MASSENET, Jules (1842-1912)
LAST SLEEP OF THE VIRGIN (arr.Philip Lane)
Concert Classics Series GMCL140|'Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, Percussion (Glockenspiel), Harp [optional]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is virtually the only part of Massenet''s oratorio, La Vierge (The Virgin), that is heard regularly today. Originally scored for strings alone, here it is ''opened out'' to make it a vehicle for larger forces (and perhaps larger venues too) and to spare less experienced string players having to scale the highest register of their instruments in places.
The solo cello part may be played by a violin, an oboe and a flute or a clarinet. It is cued into those parts.
Duration: 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222265691|MASSENET|Jules Massenet|Last Sleep of the Virgin Pack|Orchestra|26.00|290 GMCL140-00|||9790222265707|MASSENET|Jules Massenet|Last Sleep of the Virgin Score|Orchestral Score|5.00|38 GMCL140-01|||9790222265714|MASSENET|Jules Massenet|Last Sleep of the Virgin Violin 1|Orchestral Part|1.50|13 GMCL140-02|||9790222265721|MASSENET|Jules Massenet|Last Sleep of the Virgin Violin 2|Orchestral Part|1.50|7 GMCL140-03|||9790222265738|MASSENET|Jules Massenet|Last Sleep of the Virgin Viola|Orchestral Part|1.50|7 GMCL140-04|||9790222265745|MASSENET|Jules Massenet|Last Sleep of the Virgin Cello|Orchestral Part|1.50|13 GMCL140-05|||9790222265752|MASSENET|Jules Massenet|Last Sleep of the Virgin Bass|Orchestral Part|1.50|7 GMCL140-06|||9790222265769|MASSENET|Jules Massenet|Last Sleep of the Virgin Flute 1+2|Orchestral Part|1.50|7 GMCL140-07|||9790222265776|MASSENET|Jules Massenet|Last Sleep of the Virgin Oboe|Orchestral Part|1.50|7 GMCL140-08|||9790222265783|MASSENET|Jules Massenet|Last Sleep of the Virgin Clar.1+2|Orchestral Part|1.50|7 GMCL140-09|||9790222265790|MASSENET|Jules Massenet|Last Sleep of the Virgin Bsn.1+2|Orchestral Part|1.50|7 GMCL140-10|||9790222265806|MASSENET|Jules Massenet|Last Sleep of the Virgin Horn 1+2|Orchestral Part|1.50|7 GMCL140-11|||9790222265813|MASSENET|Jules Massenet|Last Sleep of the Virgin Glock|Orchestral Part|1.50|7 GMCL140-12|||9790222265820|MASSENET|Jules Massenet|Last Sleep of the Virgin Harp|Orchestral Part|1.50|7 GMCL141|DEBUSSY, Claude (1862-1918)
LA FILLE AUX CHEVEUX DE LIN (arr.Peter Lawson)
Concert Classics Series GMCL141|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons
4 Horns in F, Percussion - 1 player (Triangle, Glockenspiel), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Claude Debussy wrote two sets of twelve Preludes for solo piano between 1909 and 1913. This, "The girl with the flaxen hair" is from the first set and has become probably the most popular of them all. This version has been orchestrated by Peter Lawson very much in the style of Debussy. There are four other Preludes available in the Goodmusic Concert Classics series orchestrated by Peter Lawson. "La cathedrale engloutie" (GMCL146) is published separately and there is also "Three Preludes" (GMCL142) comprising "Danseuses de Delphes", "La terrasse des audiences du clair de lune" and "General Lavine - eccentric". One or more of these could be performed together to form a longer suite.
Duration: 2? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222266773|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Pack|Orchestra|26.00|250 GMCL141-00|||9790222266780|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Score|Orchestral Score|5.00|25 GMCL141-01|||9790222266797|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Vln 1|Orchestral Part|1.50|7 GMCL141-02|||9790222266803|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Vln 2|Orchestral Part|1.50|7 GMCL141-03|||9790222266810|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Viola|Orchestral Part|1.50|7 GMCL141-04|||9790222266827|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Cello|Orchestral Part|1.50|7 GMCL141-05|||9790222266834|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Bass|Orchestral Part|1.50|7 GMCL141-06|||9790222266841|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Fl 1+2|Orchestral Part|1.50|7 GMCL141-07|||9790222266858|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Ob 1+2|Orchestral Part|1.50|7 GMCL141-08|||9790222266865|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Cl 1+2|Orchestral Part|1.50|7 GMCL141-09|||9790222266872|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Bsn 1+2|Orchestral Part|1.50|7 GMCL141-10|||9790222266889|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Hn 1+2|Orchestral Part|1.50|7 GMCL141-11|||9790222266896|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Hn 3+4|Orchestral Part|1.50|7 GMCL141-12|||9790222266902|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Perc|Orchestral Part|1.50|7 GMCL141-13|||9790222266919|DEBUSSY|Claude Debussy|La Fille Aux Cheveux De Lin Harp|Orchestral Part|1.50|13 GMCL142|DEBUSSY, Claude (1862-1918)
THREE PRELUDES (arr.Peter Lawson)
Concert Classics Series GMCL142|Orchestration
2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Clarinets, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion - 4 players (Cymbals, Side drum, Tambourine, Tam-tam, Triangle, Tubular Bells, Glockenspiel, Vibraphone, Xylophone), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Debussy wrote two sets of twelve Preludes for solo piano between 1909 and 1913. The Danseuses de Delphes suggests the slow and stately movement of dancers from Delphi, at the foot of Mount Parnassus, as illustrated on ancient Greek vases and is the very first of the twenty-four preludes. The musical world which it inhabits - with its hauntingly-beautiful chromatically-rising augmented chords - is, nevertheless, much more straightforward than the mysteriously exotic language of La terrasse des audiences du clair de lune, taken from Book two. The inspiration for latter is said to have been an article in the magazine Le Temps in which the author describes the moonlit coronation of King George V as Emperor of India in 1912. Debussy always wistfully placed the titles of his individual preludes in brackets at the end of the pieces - as if to merely offer a clue as to the initial inspiration and as an indication that not too much weight should be attached to the them. The third prelude here General Lavine - eccentric, also from Book two, is a light-hearted portrait of a popular contemporary vaudeville juggler, Ed Lavine.
Two other Debussy Preludes orchestrated by Peter Lawson are also available in the Goodmusic Concert Classics series and either or both could be combined with the three here to form a longer suite. They are "La fille aux cheveux de lin" (GMCL141) and "La cathedrale engloutie" (GMCL146).
Duration: 9 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222267114|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Pack|Orchestra|45.00|710 GMCL142-00|||9790222267121|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Score|Orchestral Score|8.00|100 GMCL142-01|||9790222267138|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Vln 1|Orchestral Part|1.50|13 GMCL142-02|||9790222267145|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Vln 2|Orchestral Part|1.50|13 GMCL142-03|||9790222267152|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Viola|Orchestral Part|1.50|13 GMCL142-04|||9790222267169|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Cello|Orchestral Part|1.50|13 GMCL142-05|||9790222267176|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Bass|Orchestral Part|1.50|13 GMCL142-06|||9790222267183|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Fl1+2|Orchestral Part|1.50|13 GMCL142-07|||9790222267190|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Ob1+2|Orchestral Part|1.50|13 GMCL142-08|||9790222267206|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Cl1+2|Orchestral Part|1.50|13 GMCL142-09|||9790222267213|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Bsn1+2|Orchestral Part|1.50|13 GMCL142-10|||9790222267220|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Hn1+2|Orchestral Part|1.50|13 GMCL142-11|||9790222267237|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Hn3+4|Orchestral Part|1.50|13 GMCL142-12|||9790222267244|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Trp1+2|Orchestral Part|1.50|13 GMCL142-13|||9790222267251|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Trb1+2|Orchestral Part|1.50|13 GMCL142-14|||9790222267268|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Tb3+Tba|Orchestral Part|1.50|13 GMCL142-15|||9790222267275|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Timpani|Orchestral Part|1.50|13 GMCL142-16|||9790222267282|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Perc|Orchestral Part|2.00|25 GMCL142-17|||9790222267299|DEBUSSY|Claude Debussy|Three Preludes (arr.Lawson) Harp|Orchestral Part|2.50|38 GMCL143|BUTTERWORTH, George (1885-1916)
THE BANKS OF GREEN WILLOW
Concert Classics Series GMCL143|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons
2 Horns in F, Trumpet in Bb, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

George Butterworth was born in London on July 12th, 1885 to a well-to-do family. Eton School was followed by university at Trinity College, Oxford where he met Vaughan Williams and Cecil Sharp. He taught for a while at Radley, studied for a short time at the Royal College of Music, then concentrated more or less full time on collecting folk songs, sometimes with Vaughan Williams. When the First World War started in 1914, he joined the Durham Light Infantry as a Lieutenant. In the trenches, he was mentioned in dispatches for outstanding courage and won the Military Cross. He led a successful raid on August 15th 1916 in the Battle of the Somme, but during the raid Butterworth was killed by a sniper''s bullet.
Much of his music is influenced by folk-song. The idyll "Banks of Green Willow" is one of his best works and perfectly captures the nature of the English countryside. It is almost as if the music occurred naturally and Butterworth just discovered it!
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222268029|BUTTERWORTH|George Butterworth|Banks of Green Willow Pack|Orchestra|30.00|484 GMCL143-00|||9790222268036|BUTTERWORTH|George Butterworth|Banks of Green Willow Score|Orchestral Score|8.00|88 GMCL143-01|||9790222268043|BUTTERWORTH|George Butterworth|Banks of Green Willow Violin 1|Orchestral Part|1.50|13 GMCL143-02|||9790222268050|BUTTERWORTH|George Butterworth|Banks of Green Willow Violin 2|Orchestral Part|1.50|13 GMCL143-03|||9790222268067|BUTTERWORTH|George Butterworth|Banks of Green Willow Viola|Orchestral Part|1.50|13 GMCL143-04|||9790222268074|BUTTERWORTH|George Butterworth|Banks of Green Willow Cello|Orchestral Part|1.50|13 GMCL143-05|||9790222268081|BUTTERWORTH|George Butterworth|Banks of Green Willow Bass|Orchestral Part|1.50|13 GMCL143-06|||9790222268098|BUTTERWORTH|George Butterworth|Banks of Green Willow Flute 1+2|Orchestral Part|1.50|13 GMCL143-07|||9790222268104|BUTTERWORTH|George Butterworth|Banks of Green Willow Oboe 1+2|Orchestral Part|1.50|13 GMCL143-08|||9790222268111|BUTTERWORTH|George Butterworth|Banks of Green Willow Clar1+2 in A|Orchestral Part|1.50|13 GMCL143-09|||9790222268128|BUTTERWORTH|George Butterworth|Banks of Green Willow Clar1+2 in Bb|Orchestral Part|1.50|13 GMCL143-10|||9790222268135|BUTTERWORTH|George Butterworth|Banks of Green Willow Bassoon 1+2|Orchestral Part|1.50|13 GMCL143-11|||9790222268142|BUTTERWORTH|George Butterworth|Banks of Green Willow Horn 1+2|Orchestral Part|1.50|13 GMCL143-12|||9790222268159|BUTTERWORTH|George Butterworth|Banks of Green Willow Trumpet|Orchestral Part|1.50|7 GMCL143-13|||9790222268166|BUTTERWORTH|George Butterworth|Banks of Green Willow Harp|Orchestral Part|1.50|13 GMCL144|NICOLAI, Otto (1810-1849)
CHRISTMAS OVERTURE
Concert Classics Series GMCL144|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Optional SATB choir and organ
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Carl Otto Ehrenfried Nicolai was born in Konigsberg, Germany, on June 9th 1810 and died in Berlin on May 11th 1849. He was a composer and conductor. His best known work is his opera The Merry Wives of Windsor based on Shakespeare''s comedy. In addition to five operas, Nicolai composed works for orchestra, for choir and for solo voice.
This 10 minute overture is based on the Chorale "Vom Himmel hoch, da komm'' ich her". The choir and organ join in for the last 1? minutes and are doubled by the brass section so can safely be left out to make this a seasonal orchestral overture.
Duration: 10 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2 including one copy of the choir/organ part.'|9790222268630|NICOLAI|Otto Nicolai|Christmas Overture Pack|Orchestra|70.00|1130 GMCL144-00|||9790222268647|NICOLAI|Otto Nicolai|Christmas Overture Score|Orchestral Score|14.00|188 GMCL144-01|||9790222268654|NICOLAI|Otto Nicolai|Christmas Overture Violin 1|Orchestral Part|2.50|38 GMCL144-02|||9790222268661|NICOLAI|Otto Nicolai|Christmas Overture Violin 2|Orchestral Part|2.00|25 GMCL144-03|||9790222268678|NICOLAI|Otto Nicolai|Christmas Overture Viola|Orchestral Part|2.00|25 GMCL144-04|||9790222268685|NICOLAI|Otto Nicolai|Christmas Overture Cello|Orchestral Part|2.00|25 GMCL144-05|||9790222268692|NICOLAI|Otto Nicolai|Christmas Overture Bass|Orchestral Part|2.00|25 GMCL144-06|||9790222268708|NICOLAI|Otto Nicolai|Christmas Overture Flute 1+2|Orchestral Part|2.00|25 GMCL144-07|||9790222268715|NICOLAI|Otto Nicolai|Christmas Overture Oboe 1+2|Orchestral Part|2.00|25 GMCL144-08|||9790222268722|NICOLAI|Otto Nicolai|Christmas Overture Clarinet 1+2|Orchestral Part|2.00|25 GMCL144-09|||9790222268739|NICOLAI|Otto Nicolai|Christmas Overture Bassoon 1+2|Orchestral Part|2.00|25 GMCL144-10|||9790222268746|NICOLAI|Otto Nicolai|Christmas Overture Horn 1+2|Orchestral Part|2.00|25 GMCL144-11|||9790222268753|NICOLAI|Otto Nicolai|Christmas Overture Trumpet 1+2|Orchestral Part|2.00|25 GMCL144-12|||9790222268760|NICOLAI|Otto Nicolai|Christmas Overture Trombone 1+2|Orchestral Part|2.00|25 GMCL144-13|||9790222268777|NICOLAI|Otto Nicolai|Christmas Overture Trombone 3+Tuba|Orchestral Part|2.00|25 GMCL144-14|||9790222268784|NICOLAI|Otto Nicolai|Christmas Overture Timpani|Orchestral Part|2.00|25 GMCL144-15|||9790222268791|NICOLAI|Otto Nicolai|Christmas Overture Choir+Organ|Orchestral Part|1.50|13 GMCL145|Fritz Spiegl and Manfred Arlan
THE RADIO 4 UK THEME
Concert Classics Series GMCL145|Orchestration
Piccolo, Flute, 2 Oboes (2nd doubles Cor anglais), 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Snare drum, Cymbals), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This arrangement of National Airs from around the UK has been heard for many years at the start up of BBC Radio 4 first thing in the morning. It brings together traditional tunes from England, Wales, Scotland and Ireland including Early one morning, Rule Britannia, The Londonderry Air, Annie Laurie, What shall we do with the drunken sailor?, Greensleeves, Men of Harlech and Scotland the Brave. This work has never previously been published for sale.
Early in 2006 the BBC announced that the theme would cease to be used from April 2006. This caused consternation amongst the many devotees of the early morning musical fantasy. No need for a radio - now you can play it yourself!
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222266445|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Pack|Orchestra|40.00|566 GMCL145-00|||9790222266452|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Score|Orchestral Score|8.00|88 GMCL145-01|||9790222266469|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Violin 1|Orchestral Part|1.50|13 GMCL145-02|||9790222266476|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Violin 2|Orchestral Part|1.50|13 GMCL145-03|||9790222266483|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Viola|Orchestral Part|1.50|13 GMCL145-04|||9790222266490|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Cello|Orchestral Part|1.50|13 GMCL145-05|||9790222266506|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Bass|Orchestral Part|1.50|13 GMCL145-06|||9790222266513|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Piccolo|Orchestral Part|1.50|13 GMCL145-07|||9790222266520|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Flute|Orchestral Part|1.50|13 GMCL145-08|||9790222266537|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Oboe 1+2|Orchestral Part|1.50|13 GMCL145-09|||9790222266544|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Clarinet 1+2|Orchestral Part|1.50|13 GMCL145-10|||9790222266551|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Bassoon 1+2|Orchestral Part|1.50|13 GMCL145-11|||9790222266568|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Horn 1+2|Orchestral Part|1.50|13 GMCL145-12|||9790222266575|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Trumpet 1+2|Orchestral Part|1.50|13 GMCL145-13|||9790222266582|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Trombone 1+2|Orchestral Part|1.50|13 GMCL145-14|||9790222266599|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Trombone 3+Tuba|Orchestral Part|1.50|13 GMCL145-15|||9790222266605|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Timpani|Orchestral Part|1.50|13 GMCL145-16|||9790222266612|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Percussion|Orchestral Part|1.50|13 GMCL145-17|||9790222266629|SPIEGL/ARLAN|Fritz Spiegl|Radio 4 UK Theme Harp|Orchestral Part|1.50|13 GMCL146|DEBUSSY, Claude (1862-1918)
LA CATHEDRALE ENGLOUTIE (arr.Peter Lawson)
Concert Classics Series GMCL146|Orchestration
2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Clarinets, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion - 3 players (Cymbals, Tam-tam, Triangle, Tubular Bells, Glockenspiel), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Claude Debussy wrote two sets of twelve Preludes for solo piano between 1909 and 1913. This, "The sunken (or drowned) cathedral" is from the first set . This version has been orchestrated by Peter Lawson very much in the style of Debussy. There are four other Preludes available in the Goodmusic Concert Classics series orchestrated by Peter Lawson. "La fille aux cheveux de lin" (GMCL141) is published separately and there is also "Three Preludes" (GMCL142) comprising "Danseuses de Delphes", "La terrasse des audiences du clair de lune" and "General Lavine - eccentric". One or more of these could be performed together to form a longer suite.
Duration: 6 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222266926|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Pack|Orchestra|35.00|564 GMCL146-00|||9790222266933|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Sc|Orchestral Score|6.00|75 GMCL146-01|||9790222266940|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Vln 1|Orchestral Part|1.50|13 GMCL146-02|||9790222266957|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Vln 2|Orchestral Part|1.50|13 GMCL146-03|||9790222266964|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Viola|Orchestral Part|1.50|13 GMCL146-04|||9790222266971|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Cello|Orchestral Part|1.50|13 GMCL146-05|||9790222266988|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Bass|Orchestral Part|1.50|13 GMCL146-06|||9790222266995|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Fl1+2|Orchestral Part|1.50|13 GMCL146-07|||9790222267008|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Ob1+2|Orchestral Part|1.50|13 GMCL146-08|||9790222267015|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Cl1+2|Orchestral Part|1.50|13 GMCL146-09|||9790222267022|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Bn1+2|Orchestral Part|1.50|13 GMCL146-10|||9790222267039|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Hn1+2|Orchestral Part|1.50|13 GMCL146-11|||9790222267046|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Hn3+4|Orchestral Part|1.50|13 GMCL146-12|||9790222267053|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Tr1+2|Orchestral Part|1.50|7 GMCL146-13|||9790222267060|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Tb1+2|Orchestral Part|1.50|7 GMCL146-14|||9790222267077|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Tb3Ta|Orchestral Part|1.50|7 GMCL146-15|||9790222267084|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Timp|Orchestral Part|1.50|13 GMCL146-16|||9790222267091|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Perc|Orchestral Part|1.50|13 GMCL146-17|||9790222267107|DEBUSSY|Claude Debussy|Cathedrale Engloutie (Lawson) Harp|Orchestral Part|2.00|25 GMCL147|DELIUS, Frederick (1862-1934)
ON HEARING THE FIRST CUCKOO IN SPRING
Concert Classics Series GMCL147|Orchestration
Flute, Oboe, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

Frederick Delius was born in Bradford in Yorkshire, the fourth of fourteen children of Julius and Elise Pauline Delius who had moved to England from Bielefeld, Germany to set themselves up in the woollen business. His father wanted Frederick to work in the family business, but Frederick had other ideas and pursued a career in music living most of his life abroad in the United States and continental Europe especially France.
"On hearing the first cuckoo in spring" was written in 1912 and became one of the "Two Pieces for small orchestra", the other being "Summer night on the river" (which is also available in the Goodmusic Concert Classics Series (no. GMCL148).
Duration: 6 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222268173|DELIUS|Frederick Delius|On Hearing the First Cuckoo Pack|Orchestra|26.00|348 GMCL147-00|||9790222268180|DELIUS|Frederick Delius|On Hearing the First Cuckoo Score|Orchestral Score|6.00|63 GMCL147-01|||9790222268197|DELIUS|Frederick Delius|On Hearing the First Cuckoo Vln 1|Orchestral Part|1.50|13 GMCL147-02|||9790222268203|DELIUS|Frederick Delius|On Hearing the First Cuckoo Vln 2|Orchestral Part|1.50|13 GMCL147-03|||9790222268210|DELIUS|Frederick Delius|On Hearing the First Cuckoo Viola|Orchestral Part|1.50|13 GMCL147-04|||9790222268227|DELIUS|Frederick Delius|On Hearing the First Cuckoo Cello|Orchestral Part|1.50|13 GMCL147-05|||9790222268234|DELIUS|Frederick Delius|On Hearing the First Cuckoo Bass|Orchestral Part|1.50|13 GMCL147-06|||9790222268241|DELIUS|Frederick Delius|On Hearing the First Cuckoo Flute|Orchestral Part|1.50|7 GMCL147-07|||9790222268258|DELIUS|Frederick Delius|On Hearing the First Cuckoo Oboe|Orchestral Part|1.50|7 GMCL147-08|||9790222268265|DELIUS|Frederick Delius|On Hearing the First Cuckoo Clar1+2|Orchestral Part|1.50|7 GMCL147-09|||9790222268272|DELIUS|Frederick Delius|On Hearing the First Cuckoo Bsn 1+2|Orchestral Part|1.50|7 GMCL147-10|||9790222268289|DELIUS|Frederick Delius|On Hearing the First Cuckoo Horn1+2|Orchestral Part|1.50|7 GMCL148|DELIUS, Frederick (1862-1934)
SUMMER NIGHT ON THE RIVER
Concert Classics Series GMCL148|Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

Frederick Delius was born in Bradford in Yorkshire, the fourth of fourteen children of Julius and Elise Pauline Delius who had moved to England from Bielefeld, Germany to set themselves up in the woollen business. His father wanted Frederick to work in the family business, but Frederick had other ideas and pursued a career in music living most of his life abroad in the United States and continental Europe especially France.
"Summer night on the river" was written in 1911 and became one of the "Two Pieces for small orchestra", the other being "On hearing the first cuckoo in spring" (which is also available in the Goodmusic Concert Classics Series (number GMCL147).
This newly set edition is based on the original published edition and the only changes we have made is in clarifying one or two anomalies.
Duration: 6? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222268296|DELIUS|Frederick Delius|Summer Night On the River Pack|Orchestra|26.00|406 GMCL148-00|||9790222268302|DELIUS|Frederick Delius|Summer Night On the River Score|Orchestral Score|6.00|63 GMCL148-01|||9790222268319|DELIUS|Frederick Delius|Summer Night On the River Violin 1|Orchestral Part|1.50|13 GMCL148-02|||9790222268326|DELIUS|Frederick Delius|Summer Night On the River Violin 2|Orchestral Part|1.50|13 GMCL148-03|||9790222268333|DELIUS|Frederick Delius|Summer Night On the River Viola|Orchestral Part|1.50|13 GMCL148-04|||9790222268340|DELIUS|Frederick Delius|Summer Night On the River Cello|Orchestral Part|1.50|13 GMCL148-05|||9790222268357|DELIUS|Frederick Delius|Summer Night On the River Bass|Orchestral Part|1.50|13 GMCL148-06|||9790222268364|DELIUS|Frederick Delius|Summer Night On the River Flute 1+2|Orchestral Part|1.50|13 GMCL148-07|||9790222268371|DELIUS|Frederick Delius|Summer Night On the River Oboe|Orchestral Part|1.50|13 GMCL148-08|||9790222268388|DELIUS|Frederick Delius|Summer Night On the River Clar 1+2|Orchestral Part|1.50|13 GMCL148-09|||9790222268395|DELIUS|Frederick Delius|Summer Night On the River Bsn 1+2|Orchestral Part|1.50|13 GMCL148-10|||9790222268401|DELIUS|Frederick Delius|Summer Night On the River Horn 1+2|Orchestral Part|1.50|7 GMCL149|SOUSA, John Philip (1854-1932)
THE LIBERTY BELL (arranged by Peter Lawson)
Concert Classics Series GMCL149|'Orchestration
Piccolo, Flute, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Percussion (Triangle, Cymbals, Snare drum, Bass drum, Tubular bells), Harp (optional)
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

The Liberty Bell, some 12 feet in circumference and possessing a 44-pound clapper, was cast in London''s Whitechapel and was inscribed with words from Leviticus: "Proclaim Liberty throughout all the Land unto all the inhabitants thereof". It was shipped across the Atlantic to the Pennsylvania State House and became a symbol for freedom. To celebrate its appearance at the Chicago World Fair of 1893, John Philip Sousa composed what was to become one of his most popular marches, The Liberty Bell.
Sousa''s tuneful tribute has in recent decades been immortalised as the theme tune for the BBC comedy programme Monty Python''s Flying Circus. It is usually heard in various wind/brass band arrangements but the starting point of this fresh orchestration for standard symphony orchestra was the original piano version of 1893. The original binary form of the march might seem to unsatisfactory in the concert hall: the Monty Python theme would only be heard at the beginning, never to return. In this arrangement the initial theme is brought back at the end to create a ternary structure.
If you wish to play the Pythonesque ending, recalling Terry Gilliam''s animation of a large foot squashing all and sundry and bringing the music to an abrupt and somewhat comical end, use the penultimate bar and omit the final bar. For a non-comical ending omit the penultimate bar and play the final bar. If you are feeling really "off the wall" a third, quirky, alternative is to play both!
Duration: 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222267701|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Pack|Orchestra|45.00|754 GMCL149-00|||9790222267718|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Score|Orchestral Score|8.00|100 GMCL149-01|||9790222267725|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Violin 1|Orchestral Part|1.50|13 GMCL149-02|||9790222267732|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Violin 2|Orchestral Part|1.50|13 GMCL149-03|||9790222267749|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Viola|Orchestral Part|1.50|13 GMCL149-04|||9790222267756|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Cello|Orchestral Part|1.50|13 GMCL149-05|||9790222267763|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Bass|Orchestral Part|1.50|13 GMCL149-06|||9790222267770|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Piccolo|Orchestral Part|1.50|13 GMCL149-07|||9790222267787|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Flute|Orchestral Part|1.50|13 GMCL149-08|||9790222267794|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Oboe 1+2|Orchestral Part|1.50|13 GMCL149-09|||9790222267800|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Clar 1+2|Orchestral Part|1.50|13 GMCL149-10|||9790222267817|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Bsn 1+2|Orchestral Part|1.50|13 GMCL149-11|||9790222267824|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Horn 1+2|Orchestral Part|1.50|13 GMCL149-12|||9790222267831|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Horn 3+4|Orchestral Part|1.50|13 GMCL149-13|||9790222267848|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Trp 1+2|Orchestral Part|1.50|13 GMCL149-14|||9790222267855|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Trb 1+2|Orchestral Part|1.50|13 GMCL149-15|||9790222267862|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Trb3+Tba|Orchestral Part|1.50|13 GMCL149-16|||9790222267879|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Perc|Orchestral Part|2.50|38 GMCL149-17|||9790222267886|SOUSA|John Philip Sousa|Liberty Bell (arr.Lawson) Harp|Orchestral Part|1.50|13 GMCL150|ELGAR, Edward (1857-1934)
SOSPIRI Op.70 (arranged by Peter Lawson)
Concert Classics Series GMCL150|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)
Sospiri ("sighs") was originally scored for strings, harp (or piano) and, rather peculiarly, harmonium (or organ). The latter instrument only served to muddy, rather than complement, the texture of the strings and restrict the number of performances and popularity of this neglected masterpiece. It is with this in mind that this new orchestration, replacing the harmonium with woodwind and brass, seeks to bring the work to a wider audience. Elgar was by no means averse to making arrangements of his own works; Sospiri also appeared in chamber versions. Although the wind instruments mainly take the notes allotted to the harmonium, there is a little ''filling out'' as Elgar would almost certainly have made more use of the woodwind and brass than he has of the harmonium.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222267534|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Pack|Orchestra|26.00|266 GMCL150-00|||9790222267541|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Score|Orchestral Score|5.00|25 GMCL150-01|||9790222267558|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Violin 1|Orchestral Part|1.50|7 GMCL150-02|||9790222267565|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Violin 2|Orchestral Part|1.50|7 GMCL150-03|||9790222267572|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Viola|Orchestral Part|1.50|7 GMCL150-04|||9790222267589|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Cello|Orchestral Part|1.50|7 GMCL150-05|||9790222267596|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Bass|Orchestral Part|1.50|7 GMCL150-06|||9790222267602|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Flute1+2|Orchestral Part|1.50|7 GMCL150-07|||9790222267619|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Oboe 1+2|Orchestral Part|1.50|7 GMCL150-08|||9790222267626|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Clar 1+2|Orchestral Part|1.50|7 GMCL150-09|||9790222267633|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Bsn 1+2|Orchestral Part|1.50|7 GMCL150-10|||9790222267640|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Horn 1+2|Orchestral Part|1.50|7 GMCL150-11|||9790222267657|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Trp 1+2|Orchestral Part|1.50|7 GMCL150-12|||9790222267664|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Trb 1+2|Orchestral Part|1.50|7 GMCL150-13|||9790222267671|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Trb3/Tba|Orchestral Part|1.50|7 GMCL150-14|||9790222267688|ELGAR|Edward Elgar|Sospiri Op.70 (arr.Lawson) Harp|Orchestral Part|1.50|7 GMCL151|'ELGAR, Edward (1857-1934)
SALUT D''AMOUR
Concert Classics Series GMCL151'|'Orchestration
Flute, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons, 2 Horns in F
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

In the summer of 1888, Edward Elgar went for a holiday with a long-standing friend, Dr Charles Buck of Settle, Yorkshire. As he left, his fiancee, Alice, gave him a poem she had written entitled Love''s Grace. Whilst in Yorkshire, Edward wrote a short piece for her which he called Liebesgruss (Love''s Greeting). On his return from holiday, Elgar presented the work to his wife and proposed to her. They married at the Brompton Oratory in London in May 1889.
Elgar submitted three versions of the work (solo piano, violin and piano, and an orchestral arrangement) to the music publishers Schott who bought the work outright for two guineas. The work sold slowly at first but when Schott retitled the work (with Elgar''s approval) as "Salut d''Amour", the French title helped to improve international sales and it gradually achieved the popularity that it still enjoys today.
This edition is as Elgar composed it, save for some minor editorial tidying-up.
Duration: 3 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222267893|ELGAR|Edward Elgar|'Salut d''Amour Pack'|Orchestra|26.00|234 GMCL151-00|||9790222267909|ELGAR|Edward Elgar|'Salut d''Amour Score'|Orchestral Score|5.00|38 GMCL151-01|||9790222267916|ELGAR|Edward Elgar|'Salut d''Amour Violin 1'|Orchestral Part|1.50|7 GMCL151-02|||9790222267923|ELGAR|Edward Elgar|'Salut d''Amour Violin 2'|Orchestral Part|1.50|7 GMCL151-03|||9790222267930|ELGAR|Edward Elgar|'Salut d''Amour Viola'|Orchestral Part|1.50|7 GMCL151-04|||9790222267947|ELGAR|Edward Elgar|'Salut d''Amour Cello'|Orchestral Part|1.50|7 GMCL151-05|||9790222267954|ELGAR|Edward Elgar|'Salut d''Amour Bass'|Orchestral Part|1.50|7 GMCL151-06|||9790222267961|ELGAR|Edward Elgar|'Salut d''Amour Flute'|Orchestral Part|1.50|7 GMCL151-07|||9790222267978|ELGAR|Edward Elgar|'Salut d''Amour Oboe 1+2'|Orchestral Part|1.50|7 GMCL151-08|||9790222267985|ELGAR|Edward Elgar|'Salut d''Amour Clarinet 1+2 in A'|Orchestral Part|1.50|7 GMCL151-09|||9790222267992|ELGAR|Edward Elgar|'Salut d''Amour Clarinet 1+2 in Bb'|Orchestral Part|1.50|7 GMCL151-10|||9790222268005|ELGAR|Edward Elgar|'Salut d''Amour Bassoon 1+2'|Orchestral Part|1.50|7 GMCL151-11|||9790222268012|ELGAR|Edward Elgar|'Salut d''Amour Horn 1+2'|Orchestral Part|1.50|7 GMCL152|DELIUS, Frederick (1862-1934)
SLEIGH RIDE
Concert Classics Series GMCL152|'Orchestration
3 Flutes (3rd doubling piccolo), 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Sleigh Bells, Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

Frederick Delius was born in Bradford in Yorkshire, the fourth of fourteen children of Julius and Elise Pauline Delius who had moved to England from Bielefeld, Germany to set themselves up in the woollen business. His father wanted Frederick to work in the family business, but Frederick had other ideas and pursued a career in music living most of his life abroad in the United States and continental Europe especially France.
This edition of "Sleigh Ride", which was written in 1899 and originally titled "Winter Night", is fairly faithful to Delius'' original except that he had 2 trumpet plus 2 cornet parts in A and these have been rationalised into 2 trumpets in Bb. The clarinet parts were originally for clarinet in A but a Bb part is also provided.
Duration: 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222268821|DELIUS|Frederick Delius|Sleigh Ride Pack|Orchestra|40.00|576 GMCL152-00|||9790222268838|DELIUS|Frederick Delius|Sleigh Ride Score|Orchestral Score|6.00|75 GMCL152-01|||9790222268845|DELIUS|Frederick Delius|Sleigh Ride Violin 1|Orchestral Part|1.50|13 GMCL152-02|||9790222268852|DELIUS|Frederick Delius|Sleigh Ride Violin 2|Orchestral Part|1.50|13 GMCL152-03|||9790222268869|DELIUS|Frederick Delius|Sleigh Ride Viola|Orchestral Part|1.50|13 GMCL152-04|||9790222268876|DELIUS|Frederick Delius|Sleigh Ride Cello|Orchestral Part|1.50|13 GMCL152-05|||9790222268883|DELIUS|Frederick Delius|Sleigh Ride Bass|Orchestral Part|1.50|13 GMCL152-06|||9790222268890|DELIUS|Frederick Delius|Sleigh Ride Flute 1+2|Orchestral Part|1.50|13 GMCL152-07|||9790222268906|DELIUS|Frederick Delius|Sleigh Ride Flute 3/Piccolo|Orchestral Part|1.50|13 GMCL152-08|||9790222268913|DELIUS|Frederick Delius|Sleigh Ride Oboe 1+2|Orchestral Part|1.50|13 GMCL152-09|||9790222268920|DELIUS|Frederick Delius|Sleigh Ride Clarinet 1+2 in A|Orchestral Part|1.50|13 GMCL152-10|||9790222268937|DELIUS|Frederick Delius|Sleigh Ride Clarinet 1+2 in Bb|Orchestral Part|1.50|13 GMCL152-11|||9790222268944|DELIUS|Frederick Delius|Sleigh Ride Bassoon 1+2|Orchestral Part|1.50|13 GMCL152-12|||9790222268951|DELIUS|Frederick Delius|Sleigh Ride Horn 1+2|Orchestral Part|1.50|13 GMCL152-13|||9790222268968|DELIUS|Frederick Delius|Sleigh Ride Horn 3+4|Orchestral Part|1.50|13 GMCL152-14|||9790222268975|DELIUS|Frederick Delius|Sleigh Ride Trumpet 1+2|Orchestral Part|1.50|13 GMCL152-15|||9790222268982|DELIUS|Frederick Delius|Sleigh Ride Trombone 1+2|Orchestral Part|1.50|7 GMCL152-16|||9790222268999|DELIUS|Frederick Delius|Sleigh Ride Trombone 3+Tuba|Orchestral Part|1.50|7 GMCL152-17|||9790222269002|DELIUS|Frederick Delius|Sleigh Ride Timpani|Orchestral Part|1.50|7 GMCL152-18|||9790222269019|DELIUS|Frederick Delius|Sleigh Ride Percussion|Orchestral Part|1.50|13 GMCL153|ELGAR, Edward (1857-1934)
ELEGY Op.58
Concert Classics Series GMCL153|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

It seems that Elgar wrote this short, peaceful elegy as a personal tribute to his friend August Jaeger of the music publishers Novello, ("Nimrod" of the Enigma Variations) who died in 1909 at the age of 49, after a long illness. This edition is as Elgar composed it, save for some minor editorial tidying-up.
Duration: 3 minutes
A PACK comprises one full score, and a set of string parts 4/4/3/4/2.|9790222268487|ELGAR|Edward Elgar|Elegy Op.58 Pack|String Orchestra|26.00|158 GMCL153-00|||9790222268494|ELGAR|Edward Elgar|Elegy Op.58 Score|Orchestral Score|5.00|25 GMCL153-01|||9790222268500|ELGAR|Edward Elgar|Elegy Op.58 Violin 1|Orchestral Part|1.50|7 GMCL153-02|||9790222268517|ELGAR|Edward Elgar|Elegy Op.58 Violin 2|Orchestral Part|1.50|7 GMCL153-03|||9790222268524|ELGAR|Edward Elgar|Elegy Op.58 Viola|Orchestral Part|1.50|7 GMCL153-04|||9790222268531|ELGAR|Edward Elgar|Elegy Op.58 Cello|Orchestral Part|1.50|7 GMCL153-05|||9790222268548|ELGAR|Edward Elgar|Elegy Op.58 Bass|Orchestral Part|1.50|7 GMCL154|'DUKAS, Paul (1865-1935)
THE SORCERER''S APPRENTICE (arr.Richard Ling)
Concert Classics Series GMCL154'|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 3 Clarinets in Bb, Bass clarinet, 2 Bassoons
2 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Glockenspiel, Triangle, Cymbals, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Paul Dukas wrote his symphonic poem "The Sorcerer''s Apprentice" in 1897. The story tells of an old sorcerer who goes out leaving his apprentice with chores to perform in his workshop. The apprentice gets tired of fetching water and casts a spell on a broomstick to do the work for him, using magic he has not yet fully learned. Soon, however, the workshop is awash with water, as he realises that he cannot stop the broom because he does not know the magic word to make it stop. He tries to destroy the the broom with an axe, but each piece of the broom becomes a whole new one, and each continues fetching water, now faster than ever. When all is apparently doomed in a massive flood, the sorcerer returns, breaks the spell and saves the day.
Duration: 9? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222269996|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Pk'|Orchestra|70.00|1190 GMCL154-00|||9790222270008|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Sc'|Orchestral Score|14.00|188 GMCL154-01|||9790222270015|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Vln1'|Orchestral Part|2.00|25 GMCL154-02|||9790222270022|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Vln2'|Orchestral Part|2.00|25 GMCL154-03|||9790222270039|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Vla'|Orchestral Part|2.00|25 GMCL154-04|||9790222270046|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Vc'|Orchestral Part|2.00|25 GMCL154-05|||9790222270053|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Bass'|Orchestral Part|2.00|25 GMCL154-06|||9790222270060|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Picc'|Orchestral Part|2.00|25 GMCL154-07|||9790222270077|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Fl1'|Orchestral Part|2.00|25 GMCL154-08|||9790222270084|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Fl2'|Orchestral Part|2.00|25 GMCL154-09|||9790222270091|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Ob1'|Orchestral Part|2.00|25 GMCL154-10|||9790222270107|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Ob2'|Orchestral Part|2.00|25 GMCL154-11|||9790222270114|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Cl1'|Orchestral Part|2.00|25 GMCL154-12|||9790222270121|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Cl23'|Orchestral Part|2.00|25 GMCL154-13|||9790222270138|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling B.Cl'|Orchestral Part|2.00|25 GMCL154-14|||9790222270145|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Bn12'|Orchestral Part|2.00|25 GMCL154-15|||9790222270152|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Hn12'|Orchestral Part|2.00|25 GMCL154-16|||9790222270169|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Trps'|Orchestral Part|2.00|25 GMCL154-17|||9790222270176|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Tb12'|Orchestral Part|1.50|13 GMCL154-18|||9790222270183|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Trb3'|Orchestral Part|1.50|13 GMCL154-19|||9790222270190|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Tuba'|Orchestral Part|1.50|13 GMCL154-20|||9790222270206|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Timp'|Orchestral Part|1.50|13 GMCL154-21|||9790222270213|DUKAS|Paul Dukas|'Sorcerer''s Apprentice arr Ling Perc'|Orchestral Part|2.00|25 GMCL155|Gustav MAHLER
SCHERZO from Symphony No.1 (arr Peter Lawson)
Goodmusic Concert Classics Series GMCL155|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb or A, 1 Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Cymbals, Triangle)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Mahler''s symphonies tend to be scored for a large orchestra putting this wonderful music out of reach of many smaller orchestras. This arrangement whilst not simplifying the music attempts to remedy this by reducing the orchestral requirements. The original orchestration required 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 7 horns, 4 trumpets, 3 trombones, tuba, timpani, percussion and strings. Although in many of Mahler''s symphonies each movement seems to be an integral part of the larger work, we feel that this movement can stand alone quite happily and offers a good entry to the symphonic world of Gustav Mahler.
Duration: 8 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222271968|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Pack|Orchestra|50.00|774 GMCL155-00|||9790222271975|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Score|Orchestral Score|12.00|150 GMCL155-01|||9790222271982|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Vln 1|Orchestral Part|2.00|25 GMCL155-02|||9790222271999|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Vln 2|Orchestral Part|2.00|25 GMCL155-03|||9790222272002|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Viola|Orchestral Part|1.50|13 GMCL155-04|||9790222272019|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Cello|Orchestral Part|2.00|25 GMCL155-05|||9790222272026|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Bass|Orchestral Part|1.50|13 GMCL155-06|||9790222272033|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Flute 1|Orchestral Part|1.50|13 GMCL155-07|||9790222272040|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Flute 2|Orchestral Part|1.50|13 GMCL155-08|||9790222272057|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Oboe 1|Orchestral Part|1.50|13 GMCL155-09|||9790222272064|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Oboe 2|Orchestral Part|1.50|13 GMCL155-10|||9790222272071|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Clar 1|Orchestral Part|2.00|25 GMCL155-11|||9790222272088|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Clar 2|Orchestral Part|2.00|25 GMCL155-12|||9790222272095|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Bassoon|Orchestral Part|1.50|13 GMCL155-13|||9790222272101|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Horn 1|Orchestral Part|1.50|13 GMCL155-14|||9790222272118|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Horn 2|Orchestral Part|1.50|13 GMCL155-15|||9790222272125|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Trp 1|Orchestral Part|1.50|13 GMCL155-16|||9790222272132|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Trp 2|Orchestral Part|1.50|13 GMCL155-17|||9790222272149|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Trb 1+2|Orchestral Part|1.50|13 GMCL155-18|||9790222272156|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Trb 3|Orchestral Part|1.50|13 GMCL155-19|||9790222272163|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Timpani|Orchestral Part|1.50|13 GMCL155-20|||9790222272170|MAHLER|Gustav Mahler|Scherzo from Sym.1 (Lawson) Perc|Orchestral Part|1.50|13 GMCL156|Gustav MAHLER
ADAGIETTO from Symphony No.5
Goodmusic Concert Classics Series GMCL156|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)
Harp

The Adagietto from Gustav Mahler''s Fifth Symphony is arguably Mahler''s most famous single piece of music, and is the most frequently performed extract from Mahler''s works. It is best known for its use in the 1971 Luchino Visconti film Death in Venice. However it was frequently performed on its own before then, chiefly because in the early 20th century music programmers did not believe whole Mahler symphonies would be acceptable to audiences. Indeed, the British premiere of the entire Fifth Symphony came thirty-six years after the Adagietto itself had been introduced, by Henry Wood at a Promenade Concert in 1909.
This edition is not arranged or simplified in any way.
Duration 9 minutes
A PACK comprises one full score, harp and strings 4/4/3/4/2'|9790222271739|MAHLER|Gustav Mahler|Adagietto from Symphony 5 Pack|String Orchestra|26.00|286 GMCL156-00|||9790222271746|MAHLER|Gustav Mahler|Adagietto from Symphony 5 Score|Orchestral Score|5.00|38 GMCL156-01|||9790222271753|MAHLER|Gustav Mahler|Adagietto from Symphony 5 Violin 1|Orchestral Part|1.50|13 GMCL156-02|||9790222271760|MAHLER|Gustav Mahler|Adagietto from Symphony 5 Violin 2|Orchestral Part|1.50|13 GMCL156-03|||9790222271777|MAHLER|Gustav Mahler|Adagietto from Symphony 5 Viola|Orchestral Part|1.50|13 GMCL156-04|||9790222271784|MAHLER|Gustav Mahler|Adagietto from Symphony 5 Cello|Orchestral Part|1.50|13 GMCL156-05|||9790222271791|MAHLER|Gustav Mahler|Adagietto from Symphony 5 Bass|Orchestral Part|1.50|13 GMCL156-06|||9790222271807|MAHLER|Gustav Mahler|Adagietto from Symphony 5 Harp|Orchestral Part|1.50|13 GMCL157|Edward ELGAR
COCKAIGNE OVERTURE
Goodmusic Concert Classics Series GMCL157|Orchestration
2 Flutes (2nd doubling piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, Double Bassoon*
4 Horns in F, 2 Trumpets in Bb, 2 Cornets in Bb*, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Sleigh bells, Side drum, Bass drum, Cymbals, Tambourine)
Organ*
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

First performed in 1901, this concert overture gives a lively and colourful musical portrait of Edwardian London. "Cockaigne" was a term used by moralists at that time as a metaphor for gluttony and drunkenness, and Britons adopted the name humorously for London. Elgar did supply a detailed programme for the work which begins with a quiet but bustling theme which leads into an unbroken sequence of snapshots: cockneys, the church bells, the romantic couples, a slightly ragged brass band and a contrastingly grand military band.
This edition is not an arrangement but aims to correct many of the errors and inconsistencies present in the original Boosey and Hawkes edition (which, it is said, Elgar never proof-read).
*The cornets may be omitted as any essential passages are generally cued in the trumpet parts. The trumpet parts were originally scored in F but are here presented in Bb. The organ and double bassoon add weight but are not essential.
Duration: 14 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222273986|ELGAR|Edward Elgar|Cockaigne Overture Pack|Orchestra|80.00|1410 GMCL157-00|||9790222273993|ELGAR|Edward Elgar|Cockaigne Overture Score|Orchestral Score|20.00|270 GMCL157-01|||9790222274006|ELGAR|Edward Elgar|Cockaigne Overture Violin 1|Orchestral Part|2.50|38 GMCL157-02|||9790222274013|ELGAR|Edward Elgar|Cockaigne Overture Violin 2|Orchestral Part|2.50|38 GMCL157-03|||9790222274020|ELGAR|Edward Elgar|Cockaigne Overture Viola|Orchestral Part|2.50|38 GMCL157-04|||9790222274037|ELGAR|Edward Elgar|Cockaigne Overture Cello|Orchestral Part|2.50|38 GMCL157-05|||9790222274044|ELGAR|Edward Elgar|Cockaigne Overture Bass|Orchestral Part|2.00|25 GMCL157-06|||9790222274051|ELGAR|Edward Elgar|Cockaigne Overture Flute 1|Orchestral Part|2.00|25 GMCL157-07|||9790222274068|ELGAR|Edward Elgar|Cockaigne Overture Flute 2/Picc|Orchestral Part|2.00|25 GMCL157-08|||9790222274075|ELGAR|Edward Elgar|Cockaigne Overture Oboe 1|Orchestral Part|2.00|25 GMCL157-09|||9790222274082|ELGAR|Edward Elgar|Cockaigne Overture Oboe 2|Orchestral Part|2.00|25 GMCL157-10|||9790222274099|ELGAR|Edward Elgar|Cockaigne Overture Clarinet 1|Orchestral Part|2.50|38 GMCL157-11|||9790222274105|ELGAR|Edward Elgar|Cockaigne Overture Clarinet 2|Orchestral Part|2.00|25 GMCL157-12|||9790222274112|ELGAR|Edward Elgar|Cockaigne Overture Bassoon 1|Orchestral Part|2.00|25 GMCL157-13|||9790222274129|ELGAR|Edward Elgar|Cockaigne Overture Bassoon 2|Orchestral Part|2.00|25 GMCL157-14|||9790222274136|ELGAR|Edward Elgar|Cockaigne Overture Double Bassoon|Orchestral Part|1.50|13 GMCL157-15|||9790222274143|ELGAR|Edward Elgar|Cockaigne Overture Horn 1|Orchestral Part|2.00|25 GMCL157-16|||9790222274150|ELGAR|Edward Elgar|Cockaigne Overture Horn 2|Orchestral Part|2.00|25 GMCL157-17|||9790222274167|ELGAR|Edward Elgar|Cockaigne Overture Horn 3|Orchestral Part|2.00|25 GMCL157-18|||9790222274174|ELGAR|Edward Elgar|Cockaigne Overture Horn 4|Orchestral Part|2.00|25 GMCL157-19|||9790222274181|ELGAR|Edward Elgar|Cockaigne Overture Trumpet 1|Orchestral Part|1.50|13 GMCL157-20|||9790222274198|ELGAR|Edward Elgar|Cockaigne Overture Trumpet 2|Orchestral Part|1.50|13 GMCL157-21|||9790222274204|ELGAR|Edward Elgar|Cockaigne Overture Cornet 1|Orchestral Part|1.50|13 GMCL157-22|||9790222274211|ELGAR|Edward Elgar|Cockaigne Overture Cornet 2|Orchestral Part|1.50|13 GMCL157-23|||9790222274228|ELGAR|Edward Elgar|Cockaigne Overture Trombone 1|Orchestral Part|1.50|13 GMCL157-24|||9790222274235|ELGAR|Edward Elgar|Cockaigne Overture Trombone 2|Orchestral Part|1.50|13 GMCL157-25|||9790222274242|ELGAR|Edward Elgar|Cockaigne Overture Trombone 3|Orchestral Part|1.50|13 GMCL157-26|||9790222274259|ELGAR|Edward Elgar|Cockaigne Overture Tuba|Orchestral Part|1.50|13 GMCL157-27|||9790222274266|ELGAR|Edward Elgar|Cockaigne Overture Timpani|Orchestral Part|1.50|13 GMCL157-28|||9790222274273|ELGAR|Edward Elgar|Cockaigne Overture Percussion|Orchestral Part|1.50|13 GMCL157-29|||9790222274280|ELGAR|Edward Elgar|Cockaigne Overture Organ|Orchestral Part|1.50|13 GMCL158|Gustav MAHLER
LANDLER from Symphony No.2 (arr Peter Lawson)
Goodmusic Concert Classics Series GMCL158|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Mahler''s symphonies tend to be scored for a large orchestra, putting this wonderful music out of reach of many smaller orchestras. This arrangement whilst not simplifying the music attempts to remedy this by reducing the orchestral requirements. This movement is from the huge "Resurrection" Symphony which in the original scoring required 4 flutes and piccolos, 4 oboes, 5 clarinets, 4 bassoons, 6 horns, 6 trumpets, 4 trombones, tuba, timpani, percussion, 2 harps, organ, soprano and alto soloists, full choir and strings as well as an additional "band" of 2 horns, 4 trumpets and timpani; though this movement utilised only a part of the full force. This LANDLER stands alone quite happily and offers a good entry to the symphonic world of Gustav Mahler.
Duration: 9? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222272378|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Pack|Orchestra|50.00|906 GMCL158-00|||9790222272385|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Score|Orchestral Score|10.00|125 GMCL158-01|||9790222272392|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Violin 1|Orchestral Part|2.50|38 GMCL158-02|||9790222272408|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Violin 2|Orchestral Part|2.50|38 GMCL158-03|||9790222272415|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Viola|Orchestral Part|2.00|25 GMCL158-04|||9790222272422|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Cello|Orchestral Part|2.50|38 GMCL158-05|||9790222272439|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Bass|Orchestral Part|2.00|25 GMCL158-06|||9790222272446|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Flute1+2|Orchestral Part|1.50|13 GMCL158-07|||9790222272453|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Oboe 1+2|Orchestral Part|1.50|13 GMCL158-08|||9790222272460|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Clar.1+2|Orchestral Part|1.50|13 GMCL158-09|||9790222272477|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Bsn.1+2|Orchestral Part|1.50|13 GMCL158-10|||9790222272484|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Horn 1+2|Orchestral Part|1.50|13 GMCL158-11|||9790222272491|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Trp 1+2|Orchestral Part|1.50|13 GMCL158-12|||9790222272507|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Trb 1+2|Orchestral Part|1.50|13 GMCL158-13|||9790222272514|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Trb3+Tba|Orchestral Part|1.50|13 GMCL158-14|||9790222272521|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Timpani|Orchestral Part|1.50|13 GMCL158-15|||9790222272538|MAHLER|Gustav Mahler|Landler Sym.2 (arr Lawson) Harp|Orchestral Part|1.50|13 GMCL159|Alexander Borodin (orch.Rimsky-Korsakov)
POLOVTSIAN DANCES
Goodmusic Concert Classics Series GMCL159|Orchestration
Piccolo, 2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets in A/Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Glockenspiel, Triangle, Tambourine, Side Drum, Cymbals, Bass Drum), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Borodin composed his opera "Prince Igor" between 1869-70 and 1874-87 but it remained unfinished when he died in February 1887. The score was completed, revised and orchestrated by Alexander Glazunov and Nikolai Rimsky-Korsakov. This concert version of the Polovtsian Dances which comes from Act 2 of the opera was extracted and orchestrated by Rimsky-Korsakov.
Although the clarinet parts change from Bb to A at various times, this edition also includes a part completely transposed into Bb for clarinettists who do not have an A clarinet. It sometimes means some awkward keys . . . . . !
Duration 11? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2|9790222273528|BORODIN|Alexander Borodin|Polovtsian Dances Pack|Orchestra|100.00|1780 GMCL159-00|||9790222273535|BORODIN|Alexander Borodin|Polovtsian Dances Score|Orchestral Score|20.00|285 GMCL159-01|||9790222273542|BORODIN|Alexander Borodin|Polovtsian Dances Violin 1|Orchestral Part|2.50|38 GMCL159-02|||9790222273559|BORODIN|Alexander Borodin|Polovtsian Dances Violin 2|Orchestral Part|2.50|38 GMCL159-03|||9790222273566|BORODIN|Alexander Borodin|Polovtsian Dances Viola|Orchestral Part|2.50|38 GMCL159-04|||9790222273573|BORODIN|Alexander Borodin|Polovtsian Dances Cello|Orchestral Part|2.50|38 GMCL159-05|||9790222273580|BORODIN|Alexander Borodin|Polovtsian Dances Bass|Orchestral Part|2.00|25 GMCL159-06|||9790222273597|BORODIN|Alexander Borodin|Polovtsian Dances Piccolo|Orchestral Part|2.00|25 GMCL159-07|||9790222273603|BORODIN|Alexander Borodin|Polovtsian Dances Flute 1+2|Orchestral Part|2.50|38 GMCL159-08|||9790222273610|BORODIN|Alexander Borodin|Polovtsian Dances Oboe 1+2|Orchestral Part|2.50|38 GMCL159-09|||9790222273627|BORODIN|Alexander Borodin|Polovtsian Dances Cor Anglais|Orchestral Part|1.50|13 GMCL159-10|||9790222273634|BORODIN|Alexander Borodin|Polovtsian Dances Clar.1+2 A/Bb|Orchestral Part|3.00|50 GMCL159-11|||9790222273641|BORODIN|Alexander Borodin|Polovtsian Dances Clar.1+2 Trans.Bb|Orchestral Part|3.00|50 GMCL159-12|||9790222273658|BORODIN|Alexander Borodin|Polovtsian Dances Bassoon 1+2|Orchestral Part|2.50|38 GMCL159-13|||9790222273665|BORODIN|Alexander Borodin|Polovtsian Dances Horn 1+2|Orchestral Part|2.00|25 GMCL159-14|||9790222273672|BORODIN|Alexander Borodin|Polovtsian Dances Horn 3+4|Orchestral Part|2.00|25 GMCL159-15|||9790222273689|BORODIN|Alexander Borodin|Polovtsian Dances Trumpet 1+2|Orchestral Part|1.50|13 GMCL159-16|||9790222273696|BORODIN|Alexander Borodin|Polovtsian Dances Trombone 1+2|Orchestral Part|1.50|13 GMCL159-17|||9790222273702|BORODIN|Alexander Borodin|Polovtsian Dances Trombone 3+Tuba|Orchestral Part|1.50|13 GMCL159-18|||9790222273719|BORODIN|Alexander Borodin|Polovtsian Dances Timpani|Orchestral Part|2.00|25 GMCL159-19|||9790222273726|BORODIN|Alexander Borodin|Polovtsian Dances Percussion|Orchestral Part|3.00|50 GMCL159-20|||9790222273733|BORODIN|Alexander Borodin|Polovtsian Dances Harp|Orchestral Part|2.00|25 GMCL160|Charles-Marie Widor
TOCCATA from Symphony No.5 Op.42
Goodmusic Concert Classics Series GMCL160|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion ([6 players] Triangle, Tambourine, Side Drum, Cymbals, Glockenspiel, Xylohpone)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Widor''s best-known single piece for the organ is the final movement, Toccata, from his Symphony for Organ No. 5, which is often played as a recessional at wedding ceremonies. When an organist hears a reference to "the Widor", he instantly knows the speaker is referring to the Toccata from Symphony No.5. Widor was pleased with the world-wide renown this single piece afforded him, but he was unhappy with how fast many other organists played it. Widor himself always played the Toccata rather deliberately. This stunning orchestration by Peter Lawson brings this magnificent piece to the orchestral concert hall. Plenty of notes and finger exercises for upper woodwind and strings here!
Duration 5 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222273740|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Pack|Orchestra|60.00|946 GMCL160-00|||9790222273757|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Score|Orchestral Score|12.00|163 GMCL160-01|||9790222273764|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Violin 1|Orchestral Part|2.00|25 GMCL160-02|||9790222273771|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Violin 2|Orchestral Part|2.00|25 GMCL160-03|||9790222273788|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Viola|Orchestral Part|1.50|13 GMCL160-04|||9790222273795|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Cello|Orchestral Part|1.50|13 GMCL160-05|||9790222273801|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Bass|Orchestral Part|1.50|13 GMCL160-06|||9790222273818|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Flute 1+2|Orchestral Part|2.00|25 GMCL160-07|||9790222273825|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Oboe 1+2|Orchestral Part|2.00|25 GMCL160-08|||9790222273832|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Clarinet 1+2|Orchestral Part|2.00|25 GMCL160-09|||9790222273849|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Bassoon 1+2|Orchestral Part|1.50|13 GMCL160-10|||9790222273856|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Horn 1|Orchestral Part|1.50|13 GMCL160-11|||9790222273863|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Horn 2|Orchestral Part|1.50|13 GMCL160-12|||9790222273870|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Trumpet 1|Orchestral Part|1.50|13 GMCL160-13|||9790222273887|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Trumpet 2|Orchestral Part|1.50|13 GMCL160-14|||9790222273894|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Trombone 1|Orchestral Part|1.50|13 GMCL160-15|||9790222273900|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Trombone 2|Orchestral Part|1.50|13 GMCL160-16|||9790222273917|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Trombone 3|Orchestral Part|1.50|13 GMCL160-17|||9790222273924|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Tuba|Orchestral Part|1.50|13 GMCL160-18|||9790222273931|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Timpani|Orchestral Part|1.50|13 GMCL160-19|||9790222273948|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Percussion 1|Orchestral Part|2.00|25 GMCL160-20|||9790222273955|WIDOR|Charles-Marie Widor|Toccata (arr.Lawson) Percussion 2|Orchestral Part|1.50|13 GMCL161|Maurice RAVEL (1875-1937)
PAVANE POUR UNE INFANTE DEFUNTE
Goodmusic Concert Classics Series GMCL161|Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The "Pavane for a Dead Princess" was composed for solo piano by Maurice Ravel in 1899 when he was studying at the Conservatoirede Paris under Gabriel Faure. He also did an orchestral version which appeared in 1910. This edition is as the original Ravel orchestration, save for the fact that he wrote for horns in G which appear in F in this edition.
Duration: 6 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222272187|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Pack|Orchestra|30.00|410 GMCL161-00|||9790222272194|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Score|Orchestral Score|6.00|63 GMCL161-01|||9790222272200|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Vln 1|Orchestral Part|1.50|13 GMCL161-02|||9790222272217|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Vln 2|Orchestral Part|1.50|13 GMCL161-03|||9790222272224|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Viola|Orchestral Part|1.50|13 GMCL161-04|||9790222272231|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Cello|Orchestral Part|1.50|13 GMCL161-05|||9790222272248|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Bass|Orchestral Part|1.50|13 GMCL161-06|||9790222272255|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Fl.1|Orchestral Part|1.50|13 GMCL161-07|||9790222272262|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Fl.2|Orchestral Part|1.50|13 GMCL161-08|||9790222272279|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Oboe|Orchestral Part|1.50|13 GMCL161-09|||9790222272286|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Clar.1|Orchestral Part|1.50|13 GMCL161-10|||9790222272293|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Clar.2|Orchestral Part|1.50|13 GMCL161-11|||9790222272309|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Bsn.1|Orchestral Part|1.50|13 GMCL161-12|||9790222272316|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Bsn.2|Orchestral Part|1.50|7 GMCL161-13|||9790222272323|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Horn 1|Orchestral Part|1.50|13 GMCL161-14|||9790222272330|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Horn 2|Orchestral Part|1.50|7 GMCL161-15|||9790222272347|RAVEL|Maurice Ravel|Pavane Pour Une Infante Def. Harp|Orchestral Part|1.50|13 GMCL162|Edward Elgar (1857-1934)
CIVIC FANFARE (Hereford)
Goodmusic Concert Classics GMCL162|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, Cor Anglais*, 2 Clarinets in Bb, Bass Clarinet*, 2 Bassoons, Contra Bassoon*
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Side Drum, Cymbals, Bass Drum), Organ*
Strings (Viola, Cello, Bass)
* = Instruments marked with an asterisk may be omitted

Elgar''s Civic Fanfare was written in 1927 as an opening item for the Hereford Three Choirs Festival. It was designed to link with Elgar''s 1902 arrangement of the National Anthem. The Civic Fanfare received occasional performances up to 1949, but then disappeared from the repertoire, the manuscript full score being retained in private hands. The recording of Elgar''s 1930 performance of the Civic Fanfare was released on LP in the mid 1970s and has since been made available on CD. There are many overtures, but few fanfares, for full orchestra, and the Civic Fanfare provides a rousing opening item for any concert.
The orchestral material has not previously been published for sale.
A study score with detailed editorial commentary is also available from Acuta Music.
Duration 1? minutes
A PACK comprises one A4 sized full score, string parts -/-/3/4/2 and all wind and brass parts.
An A3 sized full score is also available separately.'|9790222274334|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Pack|Orchestra|26.00|282 GMCL162-00|||9790222274341|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Score A4|Orchestral Score|5.00|25 GMCL162-01|||9790222274358|ELGAR|Edward Elgar|Civic Fanfare (Hereford) A3 Score|Orchestral Score|10.00|120 GMCL162-02|||9790222274365|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Viola|Orchestral Part|1.50|7 GMCL162-03|||9790222274372|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Cello|Orchestral Part|1.50|7 GMCL162-04|||9790222274389|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Bass|Orchestral Part|1.50|7 GMCL162-05|||9790222274396|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Piccolo|Orchestral Part|1.50|7 GMCL162-06|||9790222274402|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Flute 1|Orchestral Part|1.50|7 GMCL162-07|||9790222274419|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Flute 2|Orchestral Part|1.50|7 GMCL162-08|||9790222274426|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Oboe 1+2|Orchestral Part|1.50|7 GMCL162-09|||9790222274433|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Cor Angl.|Orchestral Part|1.50|7 GMCL162-10|||9790222274440|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Clarinet 1|Orchestral Part|1.50|7 GMCL162-11|||9790222274457|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Clarinet 2|Orchestral Part|1.50|7 GMCL162-12|||9790222274464|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Bass Clar.|Orchestral Part|1.50|7 GMCL162-13|||9790222274471|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Bassoon 1|Orchestral Part|1.50|7 GMCL162-14|||9790222274488|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Bassoon 2|Orchestral Part|1.50|7 GMCL162-15|||9790222274495|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Contra Bsn|Orchestral Part|1.50|7 GMCL162-16|||9790222274501|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Horn 1|Orchestral Part|1.50|7 GMCL162-17|||9790222274518|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Horn 2|Orchestral Part|1.50|7 GMCL162-18|||9790222274525|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Horn 3|Orchestral Part|1.50|7 GMCL162-19|||9790222274532|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Horn 4|Orchestral Part|1.50|7 GMCL162-20|||9790222274549|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Trumpet 1|Orchestral Part|1.50|7 GMCL162-21|||9790222274556|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Trumpet 2|Orchestral Part|1.50|7 GMCL162-22|||9790222274563|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Trumpet 3|Orchestral Part|1.50|7 GMCL162-23|||9790222274570|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Trombone 1|Orchestral Part|1.50|7 GMCL162-24|||9790222274587|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Trombone 2|Orchestral Part|1.50|7 GMCL162-25|||9790222274594|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Trombone 3|Orchestral Part|1.50|7 GMCL162-26|||9790222274600|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Tuba|Orchestral Part|1.50|7 GMCL162-27|||9790222274617|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Timpani|Orchestral Part|1.50|7 GMCL162-28|||9790222274624|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Percussion|Orchestral Part|1.50|7 GMCL162-29|||9790222274631|ELGAR|Edward Elgar|Civic Fanfare (Hereford) Organ|Orchestral Part|1.50|7 GMCL163|Edward Elgar (1857-1934)
SEVERN SUITE for orchestra
Goodmusic Concert Classics GMCL163|'Orchestration:
Piccolo, 2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets in Bb, Bass Clarinet, 2 Bassoons, Contra Bassoon
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Side drum, Cymbals, Bass drums)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Elgar''s Severn Suite was originally written for brass band, and given its first performance in 1930. The arrangement for full symphony orchestra was made shortly afterwards, and Elgar himself conducted its first performance at a recording session for His Master''s Voice in 1932. Whereas the brass-band version quickly became a popular classic, the orchestral version languished in relative obscurity. The Elgar recording did not sell well and was quickly deleted from the catalogues, and the orchestral full score was never published in Elgar''s lifetime.
This was somewhat unjust, given that the music of the Severn Suite is of high quality, as the popularity of the brass-band version bears out. Elgar had effectively given up composition following his wife''s death in 1920, and of the few works subsequently completed by him, the Severn Suite is the only one to show glimpses of his former mastery of large-scale symphonic composition.
The five linked movements are all based to some extent on the two opening themes. The pageantry of the Introduction is followed by an exciting Toccata. The courtly aspects of mediaeval life are displayed in the Minuet, and this is preceded by the tragic Fugue (this movement, originally written for piano in 1923, is considered by many to be a deeply felt lament for Elgar''s departed wife). Finally the Coda returns to the music of the opening.
The Acuta Music orchestral score, issued in 1991, was the first appearance in print of the full-orchestra version. The Acuta score has been re-set and corrected for this Goodmusic edition.
Duration 19 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222275263|ELGAR|Edward Elgar|Severn Suite Pack|Orchestra|90.00|1540 GMCL163-00|||9790222275270|ELGAR|Edward Elgar|Severn Suite Score|Orchestral Score|15.00|240 GMCL163-01|||9790222275287|ELGAR|Edward Elgar|Severn Suite A3 Score|Orchestral Score|30.00|540 GMCL163-02|||9790222275294|ELGAR|Edward Elgar|Severn Suite Violin 1|Orchestral Part|2.50|38 GMCL163-03|||9790222275300|ELGAR|Edward Elgar|Severn Suite Violin 2|Orchestral Part|2.50|38 GMCL163-04|||9790222275317|ELGAR|Edward Elgar|Severn Suite Viola|Orchestral Part|2.50|38 GMCL163-05|||9790222275324|ELGAR|Edward Elgar|Severn Suite Cello|Orchestral Part|2.50|38 GMCL163-06|||9790222275331|ELGAR|Edward Elgar|Severn Suite Bass|Orchestral Part|2.00|25 GMCL163-07|||9790222275348|ELGAR|Edward Elgar|Severn Suite Piccolo|Orchestral Part|1.50|13 GMCL163-08|||9790222275355|ELGAR|Edward Elgar|Severn Suite Flute 1|Orchestral Part|2.00|25 GMCL163-09|||9790222275362|ELGAR|Edward Elgar|Severn Suite Flute 2|Orchestral Part|2.00|25 GMCL163-10|||9790222275379|ELGAR|Edward Elgar|Severn Suite Oboe 1|Orchestral Part|2.00|25 GMCL163-11|||9790222275386|ELGAR|Edward Elgar|Severn Suite Oboe 2|Orchestral Part|2.00|25 GMCL163-12|||9790222275393|ELGAR|Edward Elgar|Severn Suite Cor Anglais|Orchestral Part|2.00|25 GMCL163-13|||9790222275409|ELGAR|Edward Elgar|Severn Suite Clarinet 1|Orchestral Part|2.50|38 GMCL163-14|||9790222275416|ELGAR|Edward Elgar|Severn Suite Clarinet 2|Orchestral Part|2.50|38 GMCL163-15|||9790222275423|ELGAR|Edward Elgar|Severn Suite Bass Clarinet|Orchestral Part|2.00|25 GMCL163-16|||9790222275430|ELGAR|Edward Elgar|Severn Suite Bassoon 1|Orchestral Part|2.00|25 GMCL163-17|||9790222275447|ELGAR|Edward Elgar|Severn Suite Bassoon 2|Orchestral Part|2.00|25 GMCL163-18|||9790222275454|ELGAR|Edward Elgar|Severn Suite Contra Bassoon|Orchestral Part|2.00|25 GMCL163-19|||9790222275461|ELGAR|Edward Elgar|Severn Suite Horn 1|Orchestral Part|2.00|25 GMCL163-20|||9790222275478|ELGAR|Edward Elgar|Severn Suite Horn 2|Orchestral Part|2.00|25 GMCL163-21|||9790222275485|ELGAR|Edward Elgar|Severn Suite Horn 3|Orchestral Part|2.00|25 GMCL163-22|||9790222275492|ELGAR|Edward Elgar|Severn Suite Horn 4|Orchestral Part|2.00|25 GMCL163-23|||9790222275508|ELGAR|Edward Elgar|Severn Suite Trumpet 1|Orchestral Part|2.00|25 GMCL163-24|||9790222275515|ELGAR|Edward Elgar|Severn Suite Trumpet 2|Orchestral Part|2.00|25 GMCL163-25|||9790222275522|ELGAR|Edward Elgar|Severn Suite Trumpet 3|Orchestral Part|2.00|25 GMCL163-26|||9790222275539|ELGAR|Edward Elgar|Severn Suite Trombone 1|Orchestral Part|2.00|25 GMCL163-27|||9790222275546|ELGAR|Edward Elgar|Severn Suite Trombone 2|Orchestral Part|2.00|25 GMCL163-28|||9790222275553|ELGAR|Edward Elgar|Severn Suite Trombone 3|Orchestral Part|2.00|25 GMCL163-29|||9790222275560|ELGAR|Edward Elgar|Severn Suite Tuba|Orchestral Part|2.00|25 GMCL163-30|||9790222275577|ELGAR|Edward Elgar|Severn Suite Timpani|Orchestral Part|1.50|13 GMCL163-31|||9790222275584|ELGAR|Edward Elgar|Severn Suite Percussion|Orchestral Part|2.00|25 GMCL164|Edward Elgar (1857-1934)
THE EMPIRE MARCH
Goodmusic Concert Classics GMCL164|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, Cor Anglais*, 2 Clarinets in Bb, Bass Clarinet*, 2 Bassoons, Contra Bassoon*
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Side Drum, Cymbals, Bass Drum, Tubular Bells* [scale of Bb])
2 Harps (2nd Harp*)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
* = Instruments marked with an asterisk may be omitted

Elgar''s Empire March (also known as The British Empire March) was written to open the British Empire Exhibition held at Wembley in 1924. The piece was never published in its original form for full orchestra although arrangements were published for military band, and for piano. The manuscript material for this and for the associated choral suite Pageant of Empire is now almost entirely lost. The Empire March is one of the handful of original works completed by Elgar between the death of his wife in 1920 and his own demise in 1934. It is well up to the standard of his other marches: the Imperial March and the Pomp and Circumstance series.
PUBLICATION HISTORY This edition of the Empire March is based on a surviving set of printed draft orchestral parts, with corrections in Elgar''s own handwriting. First published as a corrected set of parts by Acuta Music in 1993, this Acuta/Goodmusic edition represents the first appearance in print of Elgar''s original full score. The orchestral material has not previously been published for sale.
A study score with detailed editorial commentary is also available from Acuta Music.
Duration 4? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
An A3 sized score is also available separately.'|9790222274655|ELGAR|Edward Elgar|Empire March Pack|Orchestra|45.00|700 GMCL164-00|||9790222274662|ELGAR|Edward Elgar|Empire March Score (A4)|Orchestral Score|6.00|63 GMCL164-01|||9790222274679|ELGAR|Edward Elgar|Empire March Score (A3)|Orchestral Score|20.00|188 GMCL164-02|||9790222274686|ELGAR|Edward Elgar|Empire March Violin 1|Orchestral Part|1.50|13 GMCL164-03|||9790222274693|ELGAR|Edward Elgar|Empire March Violin 2|Orchestral Part|1.50|13 GMCL164-04|||9790222274709|ELGAR|Edward Elgar|Empire March Viola|Orchestral Part|1.50|13 GMCL164-05|||9790222274716|ELGAR|Edward Elgar|Empire March Cello|Orchestral Part|1.50|13 GMCL164-06|||9790222274723|ELGAR|Edward Elgar|Empire March Bass|Orchestral Part|1.50|13 GMCL164-07|||9790222274730|ELGAR|Edward Elgar|Empire March Piccolo|Orchestral Part|1.50|13 GMCL164-08|||9790222274747|ELGAR|Edward Elgar|Empire March Flute 1|Orchestral Part|1.50|13 GMCL164-09|||9790222274754|ELGAR|Edward Elgar|Empire March Flute 2|Orchestral Part|1.50|13 GMCL164-10|||9790222274761|ELGAR|Edward Elgar|Empire March Oboe 1|Orchestral Part|1.50|13 GMCL164-11|||9790222274778|ELGAR|Edward Elgar|Empire March Oboe 2|Orchestral Part|1.50|13 GMCL164-12|||9790222274785|ELGAR|Edward Elgar|Empire March Cor Anglais|Orchestral Part|1.50|13 GMCL164-13|||9790222274792|ELGAR|Edward Elgar|Empire March Clarinet 1|Orchestral Part|1.50|13 GMCL164-14|||9790222274808|ELGAR|Edward Elgar|Empire March Clarinet 2|Orchestral Part|1.50|13 GMCL164-15|||9790222274815|ELGAR|Edward Elgar|Empire March Bass Clarinet|Orchestral Part|1.50|13 GMCL164-16|||9790222274822|ELGAR|Edward Elgar|Empire March Bassoon 1|Orchestral Part|1.50|13 GMCL164-17|||9790222274839|ELGAR|Edward Elgar|Empire March Bassoon 2|Orchestral Part|1.50|13 GMCL164-18|||9790222274846|ELGAR|Edward Elgar|Empire March Contra Bassoon|Orchestral Part|1.50|13 GMCL164-19|||9790222274853|ELGAR|Edward Elgar|Empire March Horn 1|Orchestral Part|1.50|13 GMCL164-20|||9790222274860|ELGAR|Edward Elgar|Empire March Horn 2|Orchestral Part|1.50|13 GMCL164-21|||9790222274877|ELGAR|Edward Elgar|Empire March Horn 3|Orchestral Part|1.50|13 GMCL164-22|||9790222274884|ELGAR|Edward Elgar|Empire March Horn 4|Orchestral Part|1.50|13 GMCL164-23|||9790222274891|ELGAR|Edward Elgar|Empire March Trumpet 1|Orchestral Part|1.50|13 GMCL164-24|||9790222274907|ELGAR|Edward Elgar|Empire March Trumpet 2|Orchestral Part|1.50|13 GMCL164-25|||9790222274914|ELGAR|Edward Elgar|Empire March Trumpet 3|Orchestral Part|1.50|13 GMCL164-26|||9790222274921|ELGAR|Edward Elgar|Empire March Trombone 1|Orchestral Part|1.50|13 GMCL164-27|||9790222274938|ELGAR|Edward Elgar|Empire March Trombone 2|Orchestral Part|1.50|13 GMCL164-28|||9790222274945|ELGAR|Edward Elgar|Empire March Trombone 3|Orchestral Part|1.50|13 GMCL164-29|||9790222274952|ELGAR|Edward Elgar|Empire March Tuba|Orchestral Part|1.50|13 GMCL164-30|||9790222274969|ELGAR|Edward Elgar|Empire March Timpani|Orchestral Part|1.50|13 GMCL164-31|||9790222274976|ELGAR|Edward Elgar|Empire March Percussion|Orchestral Part|1.50|13 GMCL164-32|||9790222274983|ELGAR|Edward Elgar|Empire March Harp 1+2|Orchestral Part|1.50|13 GMCL164-33|||9790222274990|ELGAR|Edward Elgar|Empire March Organ|Orchestral Part|1.50|13 GMCL165|J. S. BACH
TOCCATA AND FUGUE in D minor (orchestrated by Peter Lawson)
Goodmusic Concert Classics Series GMCL165|'Orchestration
2 Flutes (2nd doubling piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (3 players: Tam-tam, Glockenspiel, Xylophone, Side Drum, Cymbals, Bass Drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A magnificent orchestration by Peter Lawson of what is probably Bach''s best-known work for organ which he wrote sometime between 1703 and 1707. A different orchestral transcription (made in the 1920s by Leopold Stokowski) was used in the 1940 Disney film "Fantasia".
Duration: 8 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222272545|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Pack|Orchestra|60.00|914 GMCL165-00|||9790222272552|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Score|Orchestral Score|10.00|125 GMCL165-01|||9790222272569|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Violin 1|Orchestral Part|2.00|25 GMCL165-02|||9790222272576|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Violin 2|Orchestral Part|2.00|25 GMCL165-03|||9790222272583|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Viola|Orchestral Part|2.00|25 GMCL165-04|||9790222272590|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Cello|Orchestral Part|2.00|25 GMCL165-05|||9790222272606|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Bass|Orchestral Part|1.50|13 GMCL165-06|||9790222272613|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Flute 1|Orchestral Part|1.50|13 GMCL165-07|||9790222272620|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Flute 2|Orchestral Part|1.50|13 GMCL165-08|||9790222272637|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Oboe 1|Orchestral Part|2.00|25 GMCL165-09|||9790222272644|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Oboe 2|Orchestral Part|1.50|13 GMCL165-10|||9790222272651|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Clarinet 1|Orchestral Part|2.00|25 GMCL165-11|||9790222272668|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Clarinet 2|Orchestral Part|2.00|25 GMCL165-12|||9790222272675|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Bassoon 1|Orchestral Part|2.00|25 GMCL165-13|||9790222272682|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Bassoon 2|Orchestral Part|1.50|13 GMCL165-14|||9790222272699|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Horn 1|Orchestral Part|1.50|13 GMCL165-15|||9790222272705|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Horn 2|Orchestral Part|1.50|13 GMCL165-16|||9790222272712|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Horn 3|Orchestral Part|1.50|13 GMCL165-17|||9790222272729|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Horn 4|Orchestral Part|1.50|13 GMCL165-18|||9790222272736|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Trumpet 1|Orchestral Part|1.50|13 GMCL165-19|||9790222272743|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Trumpet 2|Orchestral Part|1.50|13 GMCL165-20|||9790222272750|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Trombone 1|Orchestral Part|1.50|13 GMCL165-21|||9790222272767|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Trombone 2|Orchestral Part|1.50|13 GMCL165-22|||9790222272774|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Trombone 3|Orchestral Part|1.50|13 GMCL165-23|||9790222272781|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Tuba|Orchestral Part|1.50|13 GMCL165-24|||9790222272798|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Timpani|Orchestral Part|1.50|13 GMCL165-25|||9790222272804|BACH JS|Johann Sebastian Bach|Toccata and Fugue in Dm Percussion|Orchestral Part|2.00|25 GMCL166|Samuel Coleridge-Taylor
CHRISTMAS OVERTURE
Goodmusic Concert Classics Series GMCL166|'Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (3 players: Tubular bells, Glockenspiel, Side Drum, Triangle, Cymbals, Bass Drum), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Samuel Coleridge-Taylor was born in London, the son of a West African father and English mother. Early in his life, his father, a doctor, unable to make a success in Britain, returned to Sierra Leone. The boy showed talent on the violin from the age of five, and by 1890, with generous backing from a Presbyterian choirmaster, entered the Royal College of Music, studying with Charles Villiers Stanford. Elgar called him "far and away the cleverest fellow going among the younger men". The Hiawatha trilogy made his name and performances were so plentiful that with Mendelssohn''s Elijah it held second place only to Messiah in the hearts of choral societies the length of the country. He died in Croydon at the age of only 37 before his full potential as a composer could be fulfilled. His Christmas Overture appeared posthumously in 1925, arranged by Sydney Baynes, of Destiny Waltz fame; it features God rest you merry, gentlemen, and Hark the herald angels sing and is thought to have been put together from incidental music he wrote for a children''s play called The Forest of Wild Thyme.
Duration 5? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222278004|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Pack|Orchestra|40.00|574 GMCL166-00|||9790222278011|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Score|Orchestral Score|10.00|125 GMCL166-01|||9790222278028|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Violin 1|Orchestral Part|1.50|13 GMCL166-02|||9790222278035|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Violin 2|Orchestral Part|1.50|13 GMCL166-03|||9790222278042|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Viola|Orchestral Part|1.50|13 GMCL166-04|||9790222278059|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Cello|Orchestral Part|1.50|13 GMCL166-05|||9790222278066|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Bass|Orchestral Part|1.50|13 GMCL166-06|||9790222278073|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Flute 1|Orchestral Part|1.50|13 GMCL166-07|||9790222278080|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Flute 2|Orchestral Part|1.50|13 GMCL166-08|||9790222278097|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Oboe|Orchestral Part|1.50|13 GMCL166-09|||9790222278103|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Clarinet 1|Orchestral Part|1.50|13 GMCL166-10|||9790222278110|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Clarinet 2|Orchestral Part|1.50|13 GMCL166-11|||9790222278127|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Bassoon 1|Orchestral Part|1.50|13 GMCL166-12|||9790222278134|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Bassoon 2|Orchestral Part|1.50|13 GMCL166-13|||9790222278141|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Horn 1|Orchestral Part|1.50|13 GMCL166-14|||9790222278158|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Horn 2|Orchestral Part|1.50|13 GMCL166-15|||9790222278165|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Trumpet 1|Orchestral Part|1.50|13 GMCL166-16|||9790222278172|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Trumpet 2|Orchestral Part|1.50|13 GMCL166-17|||9790222278189|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Trombone 1|Orchestral Part|1.50|13 GMCL166-18|||9790222278196|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Trombone 2|Orchestral Part|1.50|13 GMCL166-19|||9790222278202|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Trombone 3|Orchestral Part|1.50|13 GMCL166-20|||9790222278219|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Timpani|Orchestral Part|1.50|13 GMCL166-21|||9790222278226|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Percussion|Orchestral Part|1.50|13 GMCL166-22|||9790222278233|COLERIDGE-TA|Samuel Coleridge-Taylor|Christmas Overture Harp|Orchestral Part|1.50|13 GMCL167|Edward Elgar
MINA
Goodmusic Concert Classics Series GMCL167|'First publication of the original edition.
Orchestration
Flute, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns in F, Celesta, Glockenspiel
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Mina, immortalising his pet dog, was Elgar''s last piece of light music. It was originally written in 1932 for piano, and this version for small orchestra dates from 1933 - 1934. It is a short, whimsical piece clearly portraying the dog''s capricious and affectionate nature.
This edition is based on the orchestral manuscript score in the British Library. Elgar''s final illness prevented him from completing the orchestration, and the scoring was completed by friends and colleagues in order that Elgar could hear a recording of the piece before his death.
A study score with detailed editorial commentary is also available from Acuta Music.
Duration 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222276963|ELGAR|Edward Elgar|Mina Pack|Orchestra|26.00|400 GMCL167-00|||9790222276970|ELGAR|Edward Elgar|Mina Score|Orchestral Score|5.00|50 GMCL167-01|||9790222276987|ELGAR|Edward Elgar|Mina Violin 1|Orchestral Part|1.50|13 GMCL167-02|||9790222276994|ELGAR|Edward Elgar|Mina Violin 2|Orchestral Part|1.50|13 GMCL167-03|||9790222277007|ELGAR|Edward Elgar|Mina Viola|Orchestral Part|1.50|13 GMCL167-04|||9790222277014|ELGAR|Edward Elgar|Mina Cello|Orchestral Part|1.50|13 GMCL167-05|||9790222277021|ELGAR|Edward Elgar|Mina Bass|Orchestral Part|1.50|13 GMCL167-06|||9790222277038|ELGAR|Edward Elgar|Mina Flute|Orchestral Part|1.50|13 GMCL167-07|||9790222277045|ELGAR|Edward Elgar|Mina Oboe|Orchestral Part|1.50|13 GMCL167-08|||9790222277052|ELGAR|Edward Elgar|Mina Clarinets 1+2|Orchestral Part|1.50|13 GMCL167-09|||9790222277069|ELGAR|Edward Elgar|Mina Bassoon|Orchestral Part|1.50|13 GMCL167-10|||9790222277076|ELGAR|Edward Elgar|Mina Horns 1+2|Orchestral Part|1.50|13 GMCL167-11|||9790222277083|ELGAR|Edward Elgar|Mina Celesta+Glockenspiel|Orchestral Part|1.50|13 GMCL168|Maurice Ravel
BOLERO (arr.David Andrew)
Goodmusic Concert Classics Series GMCL168|'Orchestration
Piccolo, 2 Flutes (2nd opt.db.Piccolo 2), 2 Oboes, 2 Clarinets in Bb, Soprano + Tenor Saxophones [could be 1 player], 2 Bassoons
2 Horns in F, Trumpet in Eb or D [or Clarinet 3 in Bb], 3 Trumpets in Bb, 3 Trombones, Tuba,
Timpani, Percussion (4 or 5 players: 1 or 2 Snare drums, Cymbals, Tam-tam, Bass Drum), Harp + Celeste [could be 1 pianist]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The danger of making an arrangement of this masterpiece of orchestration is that many of the inherent qualities of the original will be lost. Here, David Andrew has managed to make it more accessible to standard-sized orchestras without ruining it! The work has not been abridged or especially simplified, but the orchestration has been reduced from Ravel''s rather opulent set-up, some instruments have been cued into other parts and the multi-divided string parts have been rationalised to spread the workload.
The two saxophone parts could be played by one player (a separate "doubling" part is enclosed), the high Trumpet in Eb (the part is also shown in D) can be taken by a 3rd clarinet in Bb and the harp and celeste parts could be played by one player on a piano. The two side drum parts specified could be played by one player as long as he or she doesn''t mind not having any rest for 15 minutes! The other main differences from Ravel''s original orchestra are that oboe d''amore, cor anglais, bass clarinet and contrabassoon are all omitted and four horns here become two. If the A4 sized full score included with the set of parts seems too small, a larger A3 sized one is available separately.
Duration 15 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222278240|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Pack|Orchestra|80.00|1300 GMCL168-00|||9790222278257|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Score|Orchestral Score|12.00|150 GMCL168-01|||9790222278264|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Violin 1|Orchestral Part|2.00|25 GMCL168-02|||9790222278271|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Violin 2|Orchestral Part|2.50|38 GMCL168-03|||9790222278288|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Viola|Orchestral Part|2.50|38 GMCL168-04|||9790222278295|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Cello|Orchestral Part|2.00|25 GMCL168-05|||9790222278301|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Bass|Orchestral Part|1.50|13 GMCL168-06|||9790222278318|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Piccolo|Orchestral Part|1.50|13 GMCL168-07|||9790222278325|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Flute 1|Orchestral Part|2.00|25 GMCL168-08|||9790222278332|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Flute 2|Orchestral Part|2.00|25 GMCL168-09|||9790222278349|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Oboe 1|Orchestral Part|2.00|25 GMCL168-10|||9790222278356|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Oboe 2|Orchestral Part|2.00|25 GMCL168-11|||9790222278363|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Clarinet 1|Orchestral Part|2.00|25 GMCL168-12|||9790222278370|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Clarinet 2|Orchestral Part|2.00|25 GMCL168-13|||9790222278387|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Clar3 (for Trp)|Orchestral Part|1.50|13 GMCL168-14|||9790222278394|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Sop Saxophone|Orchestral Part|1.50|13 GMCL168-15|||9790222278400|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Tenor Saxophone|Orchestral Part|1.50|13 GMCL168-16|||9790222278417|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Sop.db.Ten.Sax|Orchestral Part|1.50|13 GMCL168-17|||9790222278424|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Bassoon 1|Orchestral Part|2.00|25 GMCL168-18|||9790222278431|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Bassoon 2|Orchestral Part|2.00|25 GMCL168-19|||9790222278448|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Horn 1|Orchestral Part|2.00|25 GMCL168-20|||9790222278455|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Horn 2|Orchestral Part|2.00|25 GMCL168-21|||9790222278462|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Trp in Eb/D|Orchestral Part|1.50|13 GMCL168-22|||9790222278479|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Trumpet 1|Orchestral Part|2.00|25 GMCL168-23|||9790222278486|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Trumpet 2|Orchestral Part|2.00|25 GMCL168-24|||9790222278493|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Trumpet 3|Orchestral Part|1.50|13 GMCL168-25|||9790222278509|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Trombone 1|Orchestral Part|1.50|13 GMCL168-26|||9790222278516|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Trombone 2|Orchestral Part|1.50|13 GMCL168-27|||9790222278523|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Trombone 3|Orchestral Part|1.50|13 GMCL168-28|||9790222278530|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Tuba|Orchestral Part|1.50|13 GMCL168-29|||9790222278547|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Timpani|Orchestral Part|1.50|13 GMCL168-30|||9790222278554|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Percussion|Orchestral Part|2.00|25 GMCL168-31|||9790222278561|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Harp|Orchestral Part|2.00|25 GMCL168-32|||9790222278578|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Celeste|Orchestral Part|1.50|13 GMCL168-33|||9790222278585|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Piano (Hp/Cel)|Orchestral Part|2.00|25 GMCL168-34|||9790222278592|RAVEL|Maurice Ravel|Bolero (arr.Andrew) Large Score|Orchestral Score|25.00|365 GMCL169|Beethoven (arr.Peter Lawson)
MOONLIGHT
Goodmusic Concert Classics Series GMCL169|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb or A, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba,
Timpani, Percussion (2 players:Tubular bells, Glockenspiel, Vibraphone, Tam-tam, Bass Drum), Harp or Keyboard
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Optional Soprano or Mezzo or Tenor soloist and chorus (SATB or SSA or TTBB)

Here is Beethoven''s most famous piano piece, the first movement of his Moonlight Sonata, in an arrangement for concert orchestra. Not only can it be played by concert orchestra alone but also this arrangement can be used to accompany a choir with a soprano, mezzo-soprano or tenor soloist. The choir can be either a mixed voice choir (SATB), a mixed voice choir of S/A/Men, a choir of upper voices (SSA) or a male voice choir (TTBB). One copy of each choir version is included in the pack of parts and additional copies are on sale. The choir versions can also be performed with only a piano accompaniment - just in case all the orchestra wanted to stay in the pub!
The lyrics have been written specially by Jason Pimblett.
You can see the full orchestra score by using the "View score" option. To see the individual choral scores look under their respective catalogue numbers: SATB = GM047 / SSA = GM048 / TTBB = GM049 / SAMen = 62004
Duration 5? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2, plus one copy of each choral version.'|9790222279346|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Pack|Orchestra|35.00|622 GMCL169-00|||9790222279353|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Score|Orchestral Score|5.00|50 GMCL169-01|||9790222279360|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Violin 1|Orchestral Part|1.50|13 GMCL169-02|||9790222279377|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Violin 2|Orchestral Part|1.50|13 GMCL169-03|||9790222279384|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Viola|Orchestral Part|1.50|13 GMCL169-04|||9790222279391|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Cello|Orchestral Part|1.50|7 GMCL169-05|||9790222279407|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Bass|Orchestral Part|1.50|7 GMCL169-06|||9790222279414|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Flute 1|Orchestral Part|1.50|7 GMCL169-07|||9790222279421|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Flute 2|Orchestral Part|1.50|7 GMCL169-08|||9790222279438|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Oboe 1|Orchestral Part|1.50|7 GMCL169-09|||9790222279445|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Oboe 2|Orchestral Part|1.50|7 GMCL169-10|||9790222279452|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Clar.1 in Bb|Orchestral Part|1.50|7 GMCL169-11|||9790222279469|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Clar.2 in Bb|Orchestral Part|1.50|7 GMCL169-12|||9790222279476|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Clar.1 in A|Orchestral Part|1.50|7 GMCL169-13|||9790222279483|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Clar.2 in A|Orchestral Part|1.50|7 GMCL169-14|||9790222279490|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Bassoon 1|Orchestral Part|1.50|7 GMCL169-15|||9790222279506|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Bassoon 2|Orchestral Part|1.50|7 GMCL169-16|||9790222279513|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Horn 1|Orchestral Part|1.50|7 GMCL169-17|||9790222279520|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Horn 2|Orchestral Part|1.50|7 GMCL169-18|||9790222279537|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Trumpet 1|Orchestral Part|1.50|7 GMCL169-19|||9790222279544|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Trumpet 2|Orchestral Part|1.50|7 GMCL169-20|||9790222279551|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Trombone 1|Orchestral Part|1.50|7 GMCL169-21|||9790222279568|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Trombone 2|Orchestral Part|1.50|7 GMCL169-22|||9790222279575|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Trombone 3|Orchestral Part|1.50|7 GMCL169-23|||9790222279582|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Tuba|Orchestral Part|1.50|7 GMCL169-24|||9790222279599|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Timpani|Orchestral Part|1.50|7 GMCL169-25|||9790222279605|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Percussion|Orchestral Part|1.50|13 GMCL169-26|||9790222279612|BEETHOVEN|Ludwig van Beethoven|Moonlight (arr Lawson) Harp|Orchestral Part|1.50|7 GMCL170|Debussy (arr.Peter Lawson)
DEAUX ARABESQUES
Goodmusic Concert Classics GMCL170|'Orchestration:
2 Flutes, 2 Oboes, 2 Clarinets in Bb or A, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Percussion (3 players:Castanets, Snare drum, Cymbals, Tambourine, Triangle, Glockenspiel), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Deux Arabesques were two novelty piano pieces dating from Debussy''s relatively early days, being written between 1888 and 1891, the first being wistul and magical, the second being more playful and charming.
I have attempted to orchestrate them as Debussy might have done, but as pianists tend to take considerable liberties with tempi in order to create atmosphere, light and shade in their interpretations, I have reflected this in the orchestral score with many additional tempi rubati. These appear in square brackets and are optional. Peter Lawson
The Clarinet parts can be played on Bb or A clarinets - they probably lie better on the A - both versions are shown in the clarinet parts.
Duration 8 minutes

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222279834|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Pack|Orchestra|60.00|962 GMCL170-00|||9790222279841|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Score|Orchestral Score|12.00|138 GMCL170-01|||9790222279858|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Vln 1|Orchestral Part|2.00|25 GMCL170-02|||9790222279865|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Vln 2|Orchestral Part|2.00|25 GMCL170-03|||9790222279872|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Viola|Orchestral Part|2.00|25 GMCL170-04|||9790222279889|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Cello|Orchestral Part|2.00|25 GMCL170-05|||9790222279896|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Bass|Orchestral Part|1.50|13 GMCL170-06|||9790222279902|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Fl 1|Orchestral Part|1.50|13 GMCL170-07|||9790222279919|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Fl 2|Orchestral Part|1.50|13 GMCL170-08|||9790222279926|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Ob 1|Orchestral Part|1.50|13 GMCL170-09|||9790222279933|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Ob 2|Orchestral Part|1.50|13 GMCL170-10|||9790222279940|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Cl 1|Orchestral Part|2.50|38 GMCL170-11|||9790222279957|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Cl 2|Orchestral Part|2.50|38 GMCL170-12|||9790222279964|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Bsn 1|Orchestral Part|1.50|13 GMCL170-13|||9790222279971|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Bsn 2|Orchestral Part|1.50|13 GMCL170-14|||9790222279988|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Hn 1|Orchestral Part|1.50|13 GMCL170-15|||9790222279995|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Hn 2|Orchestral Part|1.50|13 GMCL170-16|||9790222280007|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Trp 1|Orchestral Part|1.50|13 GMCL170-17|||9790222280014|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Trp 2|Orchestral Part|1.50|13 GMCL170-18|||9790222280021|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Trb 1|Orchestral Part|1.50|13 GMCL170-19|||9790222280038|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Trb 2|Orchestral Part|1.50|13 GMCL170-20|||9790222280045|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Trb 3|Orchestral Part|1.50|13 GMCL170-21|||9790222280052|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Tuba|Orchestral Part|1.50|13 GMCL170-22|||9790222280069|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Timp|Orchestral Part|1.50|13 GMCL170-23|||9790222280076|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Perc|Orchestral Part|2.00|25 GMCL170-24|||9790222280083|DEBUSSY|Claude Debussy|Deux Arabesques (arr Lawson) Harp|Orchestral Part|2.50|38 GMCL171|Tchaikovsky
1812 OVERTURE
Goodmusic Concert Classics GMCL171|'Orchestration:
Piccolo, 2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Cornets in Bb, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (5 players: Triangle, Side drum, Cymbals, Bass drum, Tubular Bells, Cannon)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Optional extra brass (doubles orchestral brass)

Tchaikovsky''s famous overture actually titled "The Year 1812, Festival Overture in E flat major, Op. 49" was written in 1880 to commemorate Russia''s defence of Moscow against Napoleon''s advancing army at the Battle of Borodino in 1812. This edition is as the original score and is not arranged or simplified, except that the trumpet parts were originally in Eb and have here been transposed into Bb.
"A cannon is any piece of artillery that uses gunpowder or other usually explosive-based propellants to launch a projectile" but this could be taking authenticity a bit too far - anything that makes a big bang will do! The requirement for 5 percussionists assumes only 1 for the cannon. The optional extra brass doubles the orchestral brass from bar 358 to the end and ideally should be sited in a different part of the concert hall for that over-the-top effect. "Extra Brass" parts are provided within the PACK for 4 horns, 2 cornets, 2 trumpets, 3 trombones and tuba, but use whatever you have!
Duration 15 minutes

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222280328|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Pack|Orchestra|90.00|1440 GMCL171-00|||9790222280335|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Score|Orchestral Score|15.00|240 GMCL171-01|||9790222280342|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Violin 1|Orchestral Part|2.00|25 GMCL171-02|||9790222280359|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Violin 2|Orchestral Part|2.00|25 GMCL171-03|||9790222280366|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Viola|Orchestral Part|2.00|25 GMCL171-04|||9790222280373|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Cello|Orchestral Part|2.50|38 GMCL171-05|||9790222280380|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Bass|Orchestral Part|2.00|25 GMCL171-06|||9790222280397|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Piccolo|Orchestral Part|1.50|13 GMCL171-07|||9790222280403|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Flute 1|Orchestral Part|2.00|25 GMCL171-08|||9790222280410|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Flute 2|Orchestral Part|2.00|25 GMCL171-09|||9790222280427|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Oboe 1|Orchestral Part|2.00|25 GMCL171-10|||9790222280434|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Oboe 2|Orchestral Part|2.00|25 GMCL171-11|||9790222280441|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Cor Anglais|Orchestral Part|2.00|25 GMCL171-12|||9790222280458|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Clarinet 1|Orchestral Part|2.00|25 GMCL171-13|||9790222280465|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Clarinet 2|Orchestral Part|2.00|25 GMCL171-14|||9790222280472|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Bassoon 1|Orchestral Part|2.00|25 GMCL171-15|||9790222280489|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Bassoon 2|Orchestral Part|2.00|25 GMCL171-16|||9790222280496|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Horn 1|Orchestral Part|2.00|25 GMCL171-17|||9790222280502|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Horn 2|Orchestral Part|2.00|25 GMCL171-18|||9790222280519|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Horn 3|Orchestral Part|2.00|25 GMCL171-19|||9790222280526|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Horn 4|Orchestral Part|2.00|25 GMCL171-20|||9790222280533|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Cornet 1|Orchestral Part|1.50|13 GMCL171-21|||9790222280540|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Cornet 2|Orchestral Part|1.50|13 GMCL171-22|||9790222280557|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Trumpet 1|Orchestral Part|1.50|13 GMCL171-23|||9790222280564|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Trumpet 2|Orchestral Part|1.50|13 GMCL171-24|||9790222280571|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Trombone 1|Orchestral Part|1.50|13 GMCL171-25|||9790222280588|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Trombone 2|Orchestral Part|1.50|13 GMCL171-26|||9790222280595|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Trombone 3|Orchestral Part|1.50|13 GMCL171-27|||9790222280601|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Tuba|Orchestral Part|1.50|13 GMCL171-28|||9790222280618|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Timpani|Orchestral Part|1.50|13 GMCL171-29|||9790222280625|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Percussion|Orchestral Part|2.00|25 GMCL171-30|||9790222280632|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Extra Brass Horn 1|Orchestral Part|1.50|13 GMCL171-31|||9790222280649|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Extra Brass Horn 2|Orchestral Part|1.50|13 GMCL171-32|||9790222280656|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Extra Brass Horn 3|Orchestral Part|1.50|13 GMCL171-33|||9790222280663|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Extra Brass Horn 4|Orchestral Part|1.50|13 GMCL171-34|||9790222280670|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Extra Brass Cornet 1|Orchestral Part|1.50|13 GMCL171-35|||9790222280687|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Extra Brass Cornet 2|Orchestral Part|1.50|13 GMCL171-36|||9790222280694|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Extra Brass Trumpet 1|Orchestral Part|1.50|13 GMCL171-37|||9790222280700|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Extra Brass Trumpet 2|Orchestral Part|1.50|13 GMCL171-38|||9790222280717|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Extra Brass Trombone1|Orchestral Part|1.50|13 GMCL171-39|||9790222280724|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Extra Brass Trombone2|Orchestral Part|1.50|13 GMCL171-40|||9790222280731|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Extra Brass Trombone3|Orchestral Part|1.50|13 GMCL171-41|||9790222280748|TCHAIKOVSKY|Pyotr Ilych Tchaikovsky|1812 Overture Extra Brass Tuba|Orchestral Part|1.50|13 GMCL172|Edward Elgar (1857-1934)
KING ARTHUR SUITE for orchestra
Edited and arranged by R.H.Kay
Goodmusic Concert Classics GMCL172|'Orchestration:
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Side drum, Cymbals, Bass drum, Triangle, Tambourine, Gong, Tubular Bell), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Elgar''s incidental music to Laurence Binyon''s play Arthur was written in 1923. It was scored for a theatre orchestra of 13 players, and Elgar never rescored it for full orchestra - consequently it has remained unpublished and unknown. This new performing edition has been prepared by Robert Kay. It is made up of selections from the Arthur music rescored for standard symphony orchestra, and incorporates the majority of the music.
The plot of the play is as follows. Sir Lancelot is the secret lover of Guinevere, King Arthur''s queen. The play opens with Lancelot, wounded in battle, having been nursed back to health by Elaine (daughter of the courtier Sir Bernard). Elaine loves Lancelot but is rejected by him and subsequently dies of a broken heart. Meanwhile the usurper Mordred, Arthur''s nephew, has uncovered the relationship between Lancelot and Guinevere, and reveals this to Arthur with the intention of turning Arthur against Lancelot and thereby weakening Arthur''s hold on power. Lancelot flees to his castle in the north, where he is besieged by Arthur''s followers. Lancelot is banished, Guinevere leaves Arthur and enters a nunnery, while Arthur, having killed Mordred in battle, himself dies, his body being transported to the Isle of Avalon.
The six movements are:- King Arthur and Sir Lancelot; Elaine; Banqueting Scene; The Castle at Night; Battle Scene; The Death of Arthur.
Duration 21 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
An A4 study score with editorial commentary is available from
Acuta Music.
'|9790222279032|ELGAR|Edward Elgar|King Arthur Suite (Kay) Pack|Orchestra|100.00|1700 GMCL172-00|||9790222279049|ELGAR|Edward Elgar|King Arthur Suite (Kay) Score|Orchestral Score|20.00|300 GMCL172-01|||9790222279056|ELGAR|Edward Elgar|King Arthur Suite (Kay) A3 Score|Orchestral Score|40.00|640 GMCL172-02|||9790222279063|ELGAR|Edward Elgar|King Arthur Suite (Kay) Violin 1|Orchestral Part|3.00|50 GMCL172-03|||9790222279070|ELGAR|Edward Elgar|King Arthur Suite (Kay) Violin 2|Orchestral Part|2.50|38 GMCL172-04|||9790222279087|ELGAR|Edward Elgar|King Arthur Suite (Kay) Viola|Orchestral Part|3.00|50 GMCL172-05|||9790222279094|ELGAR|Edward Elgar|King Arthur Suite (Kay) Cello|Orchestral Part|2.50|38 GMCL172-06|||9790222279100|ELGAR|Edward Elgar|King Arthur Suite (Kay) Bass|Orchestral Part|2.50|38 GMCL172-07|||9790222279117|ELGAR|Edward Elgar|King Arthur Suite (Kay) Piccolo|Orchestral Part|2.00|25 GMCL172-08|||9790222279124|ELGAR|Edward Elgar|King Arthur Suite (Kay) Flute 1|Orchestral Part|2.50|38 GMCL172-09|||9790222279131|ELGAR|Edward Elgar|King Arthur Suite (Kay) Flute 2|Orchestral Part|2.00|25 GMCL172-10|||9790222279148|ELGAR|Edward Elgar|King Arthur Suite (Kay) Oboe 1|Orchestral Part|2.00|25 GMCL172-11|||9790222279155|ELGAR|Edward Elgar|King Arthur Suite (Kay) Oboe 2|Orchestral Part|2.00|25 GMCL172-12|||9790222279162|ELGAR|Edward Elgar|King Arthur Suite (Kay) Clarinet 1|Orchestral Part|2.50|38 GMCL172-13|||9790222279179|ELGAR|Edward Elgar|King Arthur Suite (Kay) Clarinet 2|Orchestral Part|2.50|38 GMCL172-14|||9790222279186|ELGAR|Edward Elgar|King Arthur Suite (Kay) Bassoon 1|Orchestral Part|2.50|38 GMCL172-15|||9790222279193|ELGAR|Edward Elgar|King Arthur Suite (Kay) Bassoon 2|Orchestral Part|2.00|25 GMCL172-16|||9790222279209|ELGAR|Edward Elgar|King Arthur Suite (Kay) Horn 1|Orchestral Part|2.00|25 GMCL172-17|||9790222279216|ELGAR|Edward Elgar|King Arthur Suite (Kay) Horn 2|Orchestral Part|2.00|25 GMCL172-18|||9790222279223|ELGAR|Edward Elgar|King Arthur Suite (Kay) Horn 3|Orchestral Part|2.00|25 GMCL172-19|||9790222279230|ELGAR|Edward Elgar|King Arthur Suite (Kay) Horn 4|Orchestral Part|2.00|25 GMCL172-20|||9790222279247|ELGAR|Edward Elgar|King Arthur Suite (Kay) Trumpet 1|Orchestral Part|2.00|25 GMCL172-21|||9790222279254|ELGAR|Edward Elgar|King Arthur Suite (Kay) Trumpet 2|Orchestral Part|2.00|25 GMCL172-22|||9790222279261|ELGAR|Edward Elgar|King Arthur Suite (Kay) Trombone 1|Orchestral Part|2.00|25 GMCL172-23|||9790222279278|ELGAR|Edward Elgar|King Arthur Suite (Kay) Trombone 2|Orchestral Part|2.00|25 GMCL172-24|||9790222279285|ELGAR|Edward Elgar|King Arthur Suite (Kay) Trombone 3|Orchestral Part|2.00|25 GMCL172-25|||9790222279292|ELGAR|Edward Elgar|King Arthur Suite (Kay) Tuba|Orchestral Part|2.00|25 GMCL172-26|||9790222279308|ELGAR|Edward Elgar|King Arthur Suite (Kay) Timpani|Orchestral Part|2.00|25 GMCL172-27|||9790222279315|ELGAR|Edward Elgar|King Arthur Suite (Kay) Percussion|Orchestral Part|2.00|25 GMCL172-28|||9790222279322|ELGAR|Edward Elgar|King Arthur Suite (Kay) Harp|Orchestral Part|2.50|38 GMCL173|Chopin arranged Edward Elgar (1857-1934)
FUNERAL MARCH for orchestra
Goodmusic Concert Classics GMCL173|'Orchestration:
Piccolo, 2 Flutes, 2 Oboes, Cor anglais, 2 Clarinets in Bb, Bass clarinet, 2 Bassoons, Contra-bassoon, 4 Horns in F, 3 Trumpets in C or Bb, 3 Trombones, Tuba, Timpani, Percussion (Side drum, Cymbals), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This transcription was prepared by Elgar to be recorded by the B.B.C. Symphony Orchestra, as the first item in their new recording contract with His Master''s Voice. It was recorded on 30th May 1932, conducted by Adrian Boult, with Elgar in attendance. The transcription is in the key of C, Chopin''s original being in Bb. The trumpet parts, shown in the score in C, are given in both C and Bb in the parts. An A3 sized full score is also available separately. This is the first edition published for sale.
Duration 7? minutes

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222280755|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Pack|Orchestra|40.00|586 GMCL173-00|||9790222280762|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Score [A4]|Orchestral Score|6.00|63 GMCL173-01|||9790222280779|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Score [A3]|Orchestral Score|15.00|188 GMCL173-02|||9790222280786|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Violin 1|Orchestral Part|1.50|13 GMCL173-03|||9790222280793|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Violin 2|Orchestral Part|1.50|13 GMCL173-04|||9790222280809|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Viola|Orchestral Part|1.50|13 GMCL173-05|||9790222280816|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Cello|Orchestral Part|1.50|13 GMCL173-06|||9790222280823|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Bass|Orchestral Part|1.50|13 GMCL173-07|||9790222280830|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Piccolo|Orchestral Part|1.50|7 GMCL173-08|||9790222280847|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Flute 1|Orchestral Part|1.50|13 GMCL173-09|||9790222280854|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Flute 2|Orchestral Part|1.50|13 GMCL173-10|||9790222280861|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Oboe 1|Orchestral Part|1.50|13 GMCL173-11|||9790222280878|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Oboe 2|Orchestral Part|1.50|7 GMCL173-12|||9790222280885|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Cor Anglais|Orchestral Part|1.50|7 GMCL173-13|||9790222280892|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Clarinet 1|Orchestral Part|1.50|13 GMCL173-14|||9790222280908|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Clarinet 2|Orchestral Part|1.50|13 GMCL173-15|||9790222280915|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Bass Clarinet|Orchestral Part|1.50|13 GMCL173-16|||9790222280922|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Bassoon 1|Orchestral Part|1.50|13 GMCL173-17|||9790222280939|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Bassoon 2|Orchestral Part|1.50|13 GMCL173-18|||9790222280946|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Contra Bassoon|Orchestral Part|1.50|13 GMCL173-19|||9790222280953|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Horn 1|Orchestral Part|1.50|13 GMCL173-20|||9790222280960|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Horn 2|Orchestral Part|1.50|13 GMCL173-21|||9790222280977|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Horn 3|Orchestral Part|1.50|13 GMCL173-22|||9790222280984|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Horn 4|Orchestral Part|1.50|13 GMCL173-23|||9790222280991|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Trumpet 1|Orchestral Part|1.50|13 GMCL173-24|||9790222281004|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Trumpet 2|Orchestral Part|1.50|13 GMCL173-25|||9790222281011|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Trumpet 3|Orchestral Part|1.50|7 GMCL173-26|||9790222281028|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Trombone 1|Orchestral Part|1.50|7 GMCL173-27|||9790222281035|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Trombone 2|Orchestral Part|1.50|7 GMCL173-28|||9790222281042|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Trombone 3|Orchestral Part|1.50|7 GMCL173-29|||9790222281059|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Tuba|Orchestral Part|1.50|7 GMCL173-30|||9790222281066|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Timpani|Orchestral Part|1.50|7 GMCL173-31|||9790222281073|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Percussion|Orchestral Part|1.50|7 GMCL173-32|||9790222281080|CHOPIN/ELGAR|Chopin arr. Elgar|Funeral March Harp|Orchestral Part|1.50|13 GMCL174|Bach arr.Vaughan Williams
THE GIANT FUGUE
for string orchestra
Goodmusic Concert Classics GMCL174|'Orchestration:
Violin 1, Violin 2, Viola, Cello, Bass

A transcription by Ralph Vaughan Williams and Arnold Foster for string orchestra of J. S. Bach''s ''Giant'' Fugue "Wir glauben all an einen Gott" (BWV 680), one of his chorale preludes for organ. Originally published in 1925 by Oxford University Press, this new edition has been re-typeset but is otherwise unchanged.
A PACK comprises one full score and string parts 4/4/3/4/2.

Duration 2? minutes'|9790222282186|BACH JS|Johann Sebastian Bach|Giant Fugue (arr.RVW) Pack|String Orchestra|26.00|260 GMCL174-00|||9790222282193|BACH JS|Johann Sebastian Bach|Giant Fugue (arr.RVW) Score|Orchestral Score|5.00|25 GMCL174-01|||9790222282209|BACH JS|Johann Sebastian Bach|Giant Fugue (arr.RVW) Violin 1|Orchestral Part|1.50|13 GMCL174-02|||9790222282216|BACH JS|Johann Sebastian Bach|Giant Fugue (arr.RVW) Violin 2|Orchestral Part|1.50|13 GMCL174-03|||9790222282223|BACH JS|Johann Sebastian Bach|Giant Fugue (arr.RVW) Viola|Orchestral Part|1.50|13 GMCL174-04|||9790222282230|BACH JS|Johann Sebastian Bach|Giant Fugue (arr.RVW) Cello|Orchestral Part|1.50|13 GMCL174-05|||9790222282247|BACH JS|Johann Sebastian Bach|Giant Fugue (arr.RVW) Bass|Orchestral Part|1.50|13 GMCL175|Peter Warlock
SERENADE
for string orchestra
Goodmusic Concert Classics GMCL175|'Orchestration
Violin 1, Violin 2, Viola, Cello, Bass

The young Peter Warlock''s boyhood hero was the composer Frederick Delius, whose 60th birthday in 1922 he marked with this short Serenade for strings, composed in pastiche style, but with his own personal twist. Largely influenced by other composers (Delius, van Dieren, Quilter, and Bartok), Warlock had little formal musical training. Throughout his life he continued to promote Delius'' music and in 1923 completed a biography of Delius which was published by Bodley Head, and, with Thomas Beecham, organised the 1929 Delius Festival in London.
The Serenade was originally published in 1925 by Oxford University Press, this new edition has been re-typeset but is otherwise unchanged.
A PACK comprises one full score and string parts 4/4/3/4/2.

Duration 7 minutes'|9790222282254|WARLOCK|Peter Warlock|Serenade Pack|String Orchestra|26.00|276 GMCL175-00|||9790222282261|WARLOCK|Peter Warlock|Serenade Score|Orchestral Score|5.00|38 GMCL175-01|||9790222282278|WARLOCK|Peter Warlock|Serenade Violin 1|Orchestral Part|1.50|13 GMCL175-02|||9790222282285|WARLOCK|Peter Warlock|Serenade Violin 2|Orchestral Part|1.50|13 GMCL175-03|||9790222282292|WARLOCK|Peter Warlock|Serenade Viola|Orchestral Part|1.50|13 GMCL175-04|||9790222282308|WARLOCK|Peter Warlock|Serenade Cello|Orchestral Part|1.50|13 GMCL175-05|||9790222282315|WARLOCK|Peter Warlock|Serenade Bass|Orchestral Part|1.50|13 GMCL176|Henry Purcell
CHACONNE in G minor
for string orchestra
Goodmusic Concert Classics GMCL176|Orchestration
Violin 1, Violin 2, Violin 3, Viola, Cello, Bass

This arrangement by W. Gillies Whittaker with bowing revised by Mary G. Whittaker, is based on the original 1697 edition of Sonata VI of the posthumous "Ten Sonatas of Four Parts" and a manuscript score in the Euing Library, Glasgow.
All cello double notes may be played either divisi or non-divisi at the discretion of the conductor (but make sure you tell the cello section!). Ideally the contrabasses should lower the bottom string to D and play the small notes, otherwise these should be omitted.
Violins and Violas are non-divisi throughout unless indicated to the contrary. The Violin 3 part is a separate part and not an alternative to viola.
Originally published in 1930 by Oxford University Press, this new edition has been re-typeset but is otherwise unchanged.
A PACK comprises one full score and string parts 4/4/4/3/4/2.

Duration 10 minutes|9790222282322|PURCELL H|Henry Purcell|Chaconne in G Minor Pack|String Orchestra|45.00|468 GMCL176-00|||9790222282339|PURCELL H|Henry Purcell|Chaconne in G Minor Score|Orchestral Score|5.00|38 GMCL176-01|||9790222282346|PURCELL H|Henry Purcell|Chaconne in G Minor Violin 1|Orchestral Part|2.00|25 GMCL176-02|||9790222282353|PURCELL H|Henry Purcell|Chaconne in G Minor Violin 2|Orchestral Part|1.50|13 GMCL176-03|||9790222282360|PURCELL H|Henry Purcell|Chaconne in G Minor Violin 3|Orchestral Part|1.50|13 GMCL176-04|||9790222282377|PURCELL H|Henry Purcell|Chaconne in G Minor Viola|Orchestral Part|2.00|25 GMCL176-05|||9790222282384|PURCELL H|Henry Purcell|Chaconne in G Minor Cello|Orchestral Part|1.50|13 GMCL176-06|||9790222282391|PURCELL H|Henry Purcell|Chaconne in G Minor Bass|Orchestral Part|1.50|13 GMCL177|Henry Purcell
TRUMPET OVERTURE
for orchestra
Goodmusic Concert Classics GMCL177|Orchestration
Violin 1, Violin 2, Viola, Cello, Bass
Trumpet in C
Timpani

The Indian Queen was a play by Sir Robert Howard and John Dryden, first performed in 1664. In 1695 the play was expanded with additional music to create a new semi-opera of the same name by Henry Purcell. This well-known Trumpet Overture is from Act 3 and is arranged for orchestra by Lionel Salter.
Here it is scored for trumpet, timpani and strings. The trumpet part is in C; the work lends itself to be played on a trumpet in D.
In concert, some performers like to repeat the opening Maestoso section after the final Largo and this is shown as optional D.C al fine.
Originally published in 1947 by Oxford University Press, this new edition has been re-typeset but is otherwise unchanged.
A PACK comprises one full score, string parts 4/4/3/4/2, trumpet and timpani.

Duration about 3? minutes|9790222282407|PURCELL H|Henry Purcell|Trumpet Overture Pack|String Orchestra|30.00|280 GMCL177-00|||9790222282414|PURCELL H|Henry Purcell|Trumpet Overture Score|Orchestral Score|5.00|25 GMCL177-01|||9790222282421|PURCELL H|Henry Purcell|Trumpet Overture Violin 1|Orchestral Part|1.50|13 GMCL177-02|||9790222282438|PURCELL H|Henry Purcell|Trumpet Overture Violin 2|Orchestral Part|1.50|13 GMCL177-03|||9790222282445|PURCELL H|Henry Purcell|Trumpet Overture Viola|Orchestral Part|1.50|13 GMCL177-04|||9790222282452|PURCELL H|Henry Purcell|Trumpet Overture Cello|Orchestral Part|1.50|13 GMCL177-05|||9790222282469|PURCELL H|Henry Purcell|Trumpet Overture Bass|Orchestral Part|1.50|13 GMCL177-06|||9790222282476|PURCELL H|Henry Purcell|Trumpet Overture Trumpet|Orchestral Part|1.50|13 GMCL177-07|||9790222282483|PURCELL H|Henry Purcell|Trumpet Overture Timpani|Orchestral Part|1.50|7 GMCL178|Ralph Vaughan Williams
HYMN TUNE PRELUDE ON SONG 13
for string orchestra
Goodmusic Concert Classics GMCL178|Orchestration
Violin 1, Violin 2, Viola, Cello, Bass

This piece, based on a hymn tune (Song 13) written by Orlando Gibbons (1583-1625), was originally written for piano solo. Vaughan Williams was an intimate life long friend of the famous British pianist Harriet Cohen. He was a regular visitor to her home and often attended parties there. Cohen premiered the "Hymn Tune Prelude" in 1930, which he dedicated to her. She later introduced the piece throughout Europe during her concert tours.
This arrangement for string orchestra was made by Helen Glatz with the permission of Vaughan Williams and was originally published in 1953 by Oxford University Press. This new edition has been re-typeset but is otherwise unchanged.
A PACK comprises one full score and string parts 4/4/3/4/2.

Duration about 3? minutes|9790222282490|VAUGHAN WILL|Ralph Vaughan Williams|Hymn Tune Prelude Song 13 Pack|String Orchestra|26.00|254 GMCL178-00|||9790222282506|VAUGHAN WILL|Ralph Vaughan Williams|Hymn Tune Prelude Song 13 Score|Orchestral Score|5.00|25 GMCL178-01|||9790222282513|VAUGHAN WILL|Ralph Vaughan Williams|Hymn Tune Prelude Song 13 Violin 1|Orchestral Part|1.50|13 GMCL178-02|||9790222282520|VAUGHAN WILL|Ralph Vaughan Williams|Hymn Tune Prelude Song 13 Violin 2|Orchestral Part|1.50|13 GMCL178-03|||9790222282537|VAUGHAN WILL|Ralph Vaughan Williams|Hymn Tune Prelude Song 13 Viola|Orchestral Part|1.50|13 GMCL178-04|||9790222282544|VAUGHAN WILL|Ralph Vaughan Williams|Hymn Tune Prelude Song 13 Cello|Orchestral Part|1.50|13 GMCL178-05|||9790222282551|VAUGHAN WILL|Ralph Vaughan Williams|Hymn Tune Prelude Song 13 Bass|Orchestral Part|1.50|7 GMCL179|Edward Elgar
BEAU BRUMMEL MINUET
edited by R.H.Kay
Goodmusic Concert Classics GMCL179|'Orchestration STAGE VERSION
Flute, Oboe, 2 Clarinets, Bassoon, 2 Cornets, 2 Trombones, Timpani, Cymbals, Tambourine
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Orchestration CONCERT VERSION
2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns in F, 2 Cornets, 3 Trombones, Timpani, Cymbals, Tambourine, Bass drum
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Elgar''s incidental music for Bertram P. Matthews'' play "Beau Brummel" was written in 1928. By all accounts the music was very extensive: however, it has entirely disappeared, with the exception of this Minuet, which survives both in its original version for theatre orchestra and in the slightly shorter "concert" version. This performing score contains both versions, which are musically identical apart from the last few bars.
The orchestral parts also show both versions with the "Stage version" on one side and the "Concert version" on the other. Cautious conductors may wish to draw the attention of the players to this fact to ensure that all are playing the same version!
The audio file is a computer-generated performance of the Concert version.

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.

Duration about 4 minutes'|9790222284388|ELGAR|Edward Elgar|Beau Brummel Minuet Pack|Orchestra|40.00|550 GMCL179-00|||9790222284395|ELGAR|Edward Elgar|Beau Brummel Minuet Score|Orchestral Score|8.00|88 GMCL179-01|||9790222284401|ELGAR|Edward Elgar|Beau Brummel Minuet Violin 1|Orchestral Part|1.50|13 GMCL179-02|||9790222284418|ELGAR|Edward Elgar|Beau Brummel Minuet Violin 2|Orchestral Part|1.50|13 GMCL179-03|||9790222284425|ELGAR|Edward Elgar|Beau Brummel Minuet Viola|Orchestral Part|1.50|13 GMCL179-04|||9790222284432|ELGAR|Edward Elgar|Beau Brummel Minuet Cello|Orchestral Part|1.50|13 GMCL179-05|||9790222284449|ELGAR|Edward Elgar|Beau Brummel Minuet Bass|Orchestral Part|1.50|7 GMCL179-06|||9790222284456|ELGAR|Edward Elgar|Beau Brummel Minuet Flutes|Orchestral Part|1.50|13 GMCL179-07|||9790222284463|ELGAR|Edward Elgar|Beau Brummel Minuet Oboes|Orchestral Part|1.50|13 GMCL179-08|||9790222284470|ELGAR|Edward Elgar|Beau Brummel Minuet Clarinet 1|Orchestral Part|1.50|13 GMCL179-09|||9790222284487|ELGAR|Edward Elgar|Beau Brummel Minuet Clarinet 2|Orchestral Part|1.50|13 GMCL179-10|||9790222284494|ELGAR|Edward Elgar|Beau Brummel Minuet Bassoons|Orchestral Part|1.50|13 GMCL179-11|||9790222284500|ELGAR|Edward Elgar|Beau Brummel Minuet Horn 1|Orchestral Part|1.50|7 GMCL179-12|||9790222284517|ELGAR|Edward Elgar|Beau Brummel Minuet Horn 2|Orchestral Part|1.50|7 GMCL179-13|||9790222284524|ELGAR|Edward Elgar|Beau Brummel Minuet Cornets|Orchestral Part|1.50|13 GMCL179-14|||9790222284531|ELGAR|Edward Elgar|Beau Brummel Minuet Trombones|Orchestral Part|1.50|13 GMCL179-15|||9790222284548|ELGAR|Edward Elgar|Beau Brummel Minuet Timp+Percussion|Orchestral Part|1.50|13 GMCL180|Peter Lawson
JUBILEE CLIPS - A Celebration of British Music
Concert Classics Series GMCL180|Orchestration
2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets, 2 Bassoons
2 Horns, 2 Trumpets, 3 Trombones, Tuba
Timpani, Percussion (5)[Snare drum, Triangle, Tambourine, Cymbals, Bass drum, Glockenspiel, Tubular bells], Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Specially commissioned to celebrate Jubilee Year, this work brings together some of the best known and loved British music. A seamless medley of music crafted into a piece suitable for a lighter main item in your concert, or as an entertaining encore. It is not just the patriotic loud bits but also beautiful quieter pieces too. You could get your audience to play "spot the tune"! They should be able to find the National Anthem, Yeoman of England (Edward German), Jupiter / I vow to thee my country (Gustav Holst), Jerusalem (Hubert Parry), O Peaceful England (Edward German), Nimrod (Edward Elgar), The Banks of Green Willow (George Butterworth), On hearing the first cuckoo in spring (Frederick Delius), Greensleeves, Heart of Oak (William Boyce), Pomp & Circumstance 1 & 4 including Land of Hope and Glory (Edward Elgar), Rule Britannia (Thomas Arne) and For he is an Englishman (Gilbert & Sullivan).
Duration 10 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222284128|LAWSON|Peter Lawson|Jubilee Clips Pack|Orchestra|50.00|868 GMCL180-00|||9790222284135|LAWSON|Peter Lawson|Jubilee Clips Score|Orchestral Score|10.00|125 GMCL180-01|||9790222284142|LAWSON|Peter Lawson|Jubilee Clips Violin 1|Orchestral Part|2.00|25 GMCL180-02|||9790222284159|LAWSON|Peter Lawson|Jubilee Clips Violin 2|Orchestral Part|2.00|25 GMCL180-03|||9790222284166|LAWSON|Peter Lawson|Jubilee Clips Viola|Orchestral Part|2.00|25 GMCL180-04|||9790222284173|LAWSON|Peter Lawson|Jubilee Clips Cello|Orchestral Part|1.50|13 GMCL180-05|||9790222284180|LAWSON|Peter Lawson|Jubilee Clips Bass|Orchestral Part|1.50|13 GMCL180-06|||9790222284197|LAWSON|Peter Lawson|Jubilee Clips Flute 1|Orchestral Part|1.50|13 GMCL180-07|||9790222284203|LAWSON|Peter Lawson|Jubilee Clips Flute 2/Picc|Orchestral Part|1.50|13 GMCL180-08|||9790222284210|LAWSON|Peter Lawson|Jubilee Clips Oboe 1|Orchestral Part|1.50|13 GMCL180-09|||9790222284227|LAWSON|Peter Lawson|Jubilee Clips Oboe 2|Orchestral Part|1.50|13 GMCL180-10|||9790222284234|LAWSON|Peter Lawson|Jubilee Clips Clarinet 1|Orchestral Part|1.50|13 GMCL180-11|||9790222284241|LAWSON|Peter Lawson|Jubilee Clips Clarinet 2|Orchestral Part|1.50|13 GMCL180-12|||9790222284258|LAWSON|Peter Lawson|Jubilee Clips Bassoon 1|Orchestral Part|1.50|13 GMCL180-13|||9790222284265|LAWSON|Peter Lawson|Jubilee Clips Bassoon 2|Orchestral Part|1.50|13 GMCL180-14|||9790222284272|LAWSON|Peter Lawson|Jubilee Clips Horn 1|Orchestral Part|1.50|13 GMCL180-15|||9790222284289|LAWSON|Peter Lawson|Jubilee Clips Horn 2|Orchestral Part|1.50|13 GMCL180-16|||9790222284296|LAWSON|Peter Lawson|Jubilee Clips Trumpet 1|Orchestral Part|1.50|13 GMCL180-17|||9790222284302|LAWSON|Peter Lawson|Jubilee Clips Trumpet 2|Orchestral Part|1.50|13 GMCL180-18|||9790222284319|LAWSON|Peter Lawson|Jubilee Clips Trombone 1|Orchestral Part|1.50|13 GMCL180-19|||9790222284326|LAWSON|Peter Lawson|Jubilee Clips Trombone 2|Orchestral Part|1.50|13 GMCL180-20|||9790222284333|LAWSON|Peter Lawson|Jubilee Clips Trombone 3|Orchestral Part|1.50|13 GMCL180-21|||9790222284340|LAWSON|Peter Lawson|Jubilee Clips Tuba|Orchestral Part|1.50|13 GMCL180-22|||9790222284357|LAWSON|Peter Lawson|Jubilee Clips Timpani|Orchestral Part|1.50|13 GMCL180-23|||9790222284364|LAWSON|Peter Lawson|Jubilee Clips Percussion|Orchestral Part|2.00|25 GMCL180-24|||9790222284371|LAWSON|Peter Lawson|Jubilee Clips Harp|Orchestral Part|1.50|13 GMCL181|William Boyce
SYMPHONY No.1 in Bb for orchestra
Goodmusic Concert Classics GMCL181|'Orchestration
Flute [optional], 2 Oboes [optional]
Violin 1, Violin 2, Viola (or Violin 3), Cello, Bass

There is some doubt about when William Boyce''s eight symphonies were written, but evidence suggests sometime between 1750 and 1765 and in any case, it was after the composer had completely lost his hearing.. Although Boyce called them "symphony" they would now probably be described as "concerto grosso". The original scoring is for strings with figured bass and oboes, with the occasional use of flutes, bassoons, horns and trumpets. In this edition, transcribed and edited by Constant Lambert, there is no keyboard continuo. The wind parts are largely as Boyce wrote them but they have been cued in so that it is possible to perform these symphonies with strings alone, except for No.5 which really does need trumpets! Similarly the Bass part can be omitted.
A Violin 3 part in lieu of Viola is included which may be used when violas are few or non-existent.
This edition was originally published in 1928 by Oxford University Press. This new edition has been re-typeset but is otherwise unchanged.
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 6? minutes'|9790222282568|BOYCE|William Boyce|Symphony No.1 (Lambert) Pack|Orchestra|35.00|356 GMCL181-00|||9790222282575|BOYCE|William Boyce|Symphony No.1 (Lambert) Score|Orchestral Score|5.00|38 GMCL181-01|||9790222282582|BOYCE|William Boyce|Symphony No.1 (Lambert) Violin 1|Orchestral Part|1.50|13 GMCL181-02|||9790222282599|BOYCE|William Boyce|Symphony No.1 (Lambert) Violin 2|Orchestral Part|1.50|13 GMCL181-03|||9790222282605|BOYCE|William Boyce|Symphony No.1 (Lambert) Violin 3|Orchestral Part|1.50|13 GMCL181-04|||9790222282612|BOYCE|William Boyce|Symphony No.1 (Lambert) Viola|Orchestral Part|1.50|13 GMCL181-05|||9790222282629|BOYCE|William Boyce|Symphony No.1 (Lambert) Cello|Orchestral Part|1.50|13 GMCL181-06|||9790222282636|BOYCE|William Boyce|Symphony No.1 (Lambert) Bass|Orchestral Part|1.50|13 GMCL181-07|||9790222282643|BOYCE|William Boyce|Symphony No.1 (Lambert) Flutes|Orchestral Part|1.50|7 GMCL181-08|||9790222282650|BOYCE|William Boyce|Symphony No.1 (Lambert) Oboe 1|Orchestral Part|1.50|13 GMCL181-09|||9790222282667|BOYCE|William Boyce|Symphony No.1 (Lambert) Oboe 2|Orchestral Part|1.50|13 GMCL182|William Boyce
SYMPHONY No.2 in A for orchestra
Goodmusic Concert Classics GMCL182|'Orchestration
2 Oboes [optional]
Violin 1, Violin 2, Viola (or Violin 3), Cello, Bass

There is some doubt about when William Boyce''s eight symphonies were written, but evidence suggests sometime between 1750 and 1765 and in any case, it was after the composer had completely lost his hearing.. Although Boyce called them "symphony" they would now probably be described as "concerto grosso". The original scoring is for strings with figured bass and oboes, with the occasional use of flutes, bassoons, horns and trumpets. In this edition, transcribed and edited by Constant Lambert, there is no keyboard continuo. The wind parts are largely as Boyce wrote them but they have been cued in so that it is possible to perform these symphonies with strings alone, except for No.5 which really does need trumpets! Similarly the Bass part can be omitted.
A Violin 3 part in lieu of Viola is included which may be used when violas are few or non-existent.
This edition was originally published in 1928 by Oxford University Press. This new edition has been re-typeset but is otherwise unchanged.
A PACK comprises one full score and string parts 4/4/3/3/4/2 plus one of each other part.
Duration 5? minutes'|9790222282674|BOYCE|William Boyce|Symphony No.2 (Lambert) Pack|Orchestra|35.00|338 GMCL182-00|||9790222282681|BOYCE|William Boyce|Symphony No.2 (Lambert) Score|Orchestral Score|5.00|38 GMCL182-01|||9790222282698|BOYCE|William Boyce|Symphony No.2 (Lambert) Violin 1|Orchestral Part|1.50|13 GMCL182-02|||9790222282704|BOYCE|William Boyce|Symphony No.2 (Lambert) Violin 2|Orchestral Part|1.50|13 GMCL182-03|||9790222282711|BOYCE|William Boyce|Symphony No.2 (Lambert) Violin 3|Orchestral Part|1.50|13 GMCL182-04|||9790222282728|BOYCE|William Boyce|Symphony No.2 (Lambert) Viola|Orchestral Part|1.50|13 GMCL182-05|||9790222282735|BOYCE|William Boyce|Symphony No.2 (Lambert) Cello|Orchestral Part|1.50|13 GMCL182-06|||9790222282742|BOYCE|William Boyce|Symphony No.2 (Lambert) Bass|Orchestral Part|1.50|13 GMCL182-07|||9790222282759|BOYCE|William Boyce|Symphony No.2 (Lambert) Oboe 1|Orchestral Part|1.50|13 GMCL182-08|||9790222282766|BOYCE|William Boyce|Symphony No.2 (Lambert) Oboe 2|Orchestral Part|1.50|13 GMCL183|William Boyce
SYMPHONY No.3 in C for orchestra
Goodmusic Concert Classics GMCL183|'Orchestration
2 Oboes [optional], Bassoon [optional]
Violin 1, Violin 2, Viola (or Violin 3), Cello, Bass

There is some doubt about when William Boyce''s eight symphonies were written, but evidence suggests sometime between 1750 and 1765 and in any case, it was after the composer had completely lost his hearing.. Although Boyce called them "symphony" they would now probably be described as "concerto grosso". The original scoring is for strings with figured bass and oboes, with the occasional use of flutes, bassoons, horns and trumpets. In this edition, transcribed and edited by Constant Lambert, there is no keyboard continuo. The wind parts are largely as Boyce wrote them but they have been cued in so that it is possible to perform these symphonies with strings alone, except for No.5 which really does need trumpets! Similarly the Bass part can be omitted.
A Violin 3 part in lieu of Viola is included which may be used when violas are few or non-existent.
This edition was originally published in 1928 by Oxford University Press. This new edition has been re-typeset but is otherwise unchanged.
A PACK comprises one full score and string parts 4/4/3/3/4/2 plus one of each other part.
Duration 5? minutes'|9790222282773|BOYCE|William Boyce|Symphony No.3 (Lambert) Pack|Orchestra|35.00|366 GMCL183-00|||9790222282780|BOYCE|William Boyce|Symphony No.3 (Lambert) Score|Orchestral Score|5.00|50 GMCL183-01|||9790222282797|BOYCE|William Boyce|Symphony No.3 (Lambert) Violin 1|Orchestral Part|1.50|13 GMCL183-02|||9790222282803|BOYCE|William Boyce|Symphony No.3 (Lambert) Violin 2|Orchestral Part|1.50|13 GMCL183-03|||9790222282810|BOYCE|William Boyce|Symphony No.3 (Lambert) Violin 3|Orchestral Part|1.50|13 GMCL183-04|||9790222282827|BOYCE|William Boyce|Symphony No.3 (Lambert) Viola|Orchestral Part|1.50|13 GMCL183-05|||9790222282834|BOYCE|William Boyce|Symphony No.3 (Lambert) Cello|Orchestral Part|1.50|13 GMCL183-06|||9790222282841|BOYCE|William Boyce|Symphony No.3 (Lambert) Bass|Orchestral Part|1.50|13 GMCL183-07|||9790222282858|BOYCE|William Boyce|Symphony No.3 (Lambert) Oboe 1|Orchestral Part|1.50|13 GMCL183-08|||9790222282865|BOYCE|William Boyce|Symphony No.3 (Lambert) Oboe 2|Orchestral Part|1.50|13 GMCL183-09|||9790222282872|BOYCE|William Boyce|Symphony No.3 (Lambert) Bassoon|Orchestral Part|1.50|13 GMCL184|William Boyce
SYMPHONY No.4 in F for orchestra
Goodmusic Concert Classics GMCL184|'Orchestration
2 Oboes [optional], 2 Horns [optional]
Violin 1, Violin 2, Viola (or Violin 3), Cello, Bass

There is some doubt about when William Boyce''s eight symphonies were written, but evidence suggests sometime between 1750 and 1765 and in any case, it was after the composer had completely lost his hearing.. Although Boyce called them "symphony" they would now probably be described as "concerto grosso". The original scoring is for strings with figured bass and oboes, with the occasional use of flutes, bassoons, horns and trumpets. In this edition, transcribed and edited by Constant Lambert, there is no keyboard continuo. The wind parts are largely as Boyce wrote them but they have been cued in so that it is possible to perform these symphonies with strings alone, except for No.5 which really does need trumpets! Similarly the Bass part can be omitted.
A Violin 3 part in lieu of Viola is included which may be used when violas are few or non-existent.
This edition was originally published in 1928 by Oxford University Press. This new edition has been re-typeset but is otherwise unchanged.
A PACK comprises one full score and string parts 4/4/3/3/4/2 plus one of each other part.
Duration 6? minutes'|9790222282889|BOYCE|William Boyce|Symphony No.4 (Lambert) Pack|Orchestra|35.00|344 GMCL184-00|||9790222282896|BOYCE|William Boyce|Symphony No.4 (Lambert) Score|Orchestral Score|5.00|38 GMCL184-01|||9790222282902|BOYCE|William Boyce|Symphony No.4 (Lambert) Violin 1|Orchestral Part|1.50|13 GMCL184-02|||9790222282919|BOYCE|William Boyce|Symphony No.4 (Lambert) Violin 2|Orchestral Part|1.50|13 GMCL184-03|||9790222282926|BOYCE|William Boyce|Symphony No.4 (Lambert) Violin 3|Orchestral Part|1.50|13 GMCL184-04|||9790222282933|BOYCE|William Boyce|Symphony No.4 (Lambert) Viola|Orchestral Part|1.50|13 GMCL184-05|||9790222282940|BOYCE|William Boyce|Symphony No.4 (Lambert) Cello|Orchestral Part|1.50|13 GMCL184-06|||9790222282957|BOYCE|William Boyce|Symphony No.4 (Lambert) Bass|Orchestral Part|1.50|13 GMCL184-07|||9790222282964|BOYCE|William Boyce|Symphony No.4 (Lambert) Oboe 1|Orchestral Part|1.50|13 GMCL184-08|||9790222282971|BOYCE|William Boyce|Symphony No.4 (Lambert) Oboe 2|Orchestral Part|1.50|13 GMCL184-09|||9790222282988|BOYCE|William Boyce|Symphony No.4 (Lambert) Horn 1|Orchestral Part|1.50|7 GMCL184-10|||9790222282995|BOYCE|William Boyce|Symphony No.4 (Lambert) Horn 2|Orchestral Part|1.50|7 GMCL185|William Boyce
SYMPHONY No.5 in D for orchestra
Goodmusic Concert Classics GMCL185|'Orchestration
2 Oboes [optional], 2 Trumpets
Violin 1, Violin 2, Viola (or Violin 3), Cello, Bass

There is some doubt about when William Boyce''s eight symphonies were written, but evidence suggests sometime between 1750 and 1765 and in any case, it was after the composer had completely lost his hearing.. Although Boyce called them "symphony" they would now probably be described as "concerto grosso". The original scoring is for strings with figured bass and oboes, with the occasional use of flutes, bassoons, horns and trumpets. In this edition, transcribed and edited by Constant Lambert, there is no keyboard continuo. The wind parts are largely as Boyce wrote them but they have been cued in so that it is possible to perform these symphonies with strings alone, except for No.5 which really does need trumpets! Similarly the Bass part can be omitted.
A Violin 3 part in lieu of Viola is included which may be used when violas are few or non-existent.
This edition was originally published in 1928 by Oxford University Press. This new edition has been re-typeset but is otherwise unchanged.
A PACK comprises one full score and string parts 4/4/3/3/4/2 plus one of each other part.
Duration 8 minutes'|9790222283008|BOYCE|William Boyce|Symphony No.5 (Lambert) Pack|Orchestra|35.00|392 GMCL185-00|||9790222283015|BOYCE|William Boyce|Symphony No.5 (Lambert) Score|Orchestral Score|6.00|63 GMCL185-01|||9790222283022|BOYCE|William Boyce|Symphony No.5 (Lambert) Violin 1|Orchestral Part|1.50|13 GMCL185-02|||9790222283039|BOYCE|William Boyce|Symphony No.5 (Lambert) Violin 2|Orchestral Part|1.50|13 GMCL185-03|||9790222283046|BOYCE|William Boyce|Symphony No.5 (Lambert) Violin 3|Orchestral Part|1.50|13 GMCL185-04|||9790222283053|BOYCE|William Boyce|Symphony No.5 (Lambert) Viola|Orchestral Part|1.50|13 GMCL185-05|||9790222283060|BOYCE|William Boyce|Symphony No.5 (Lambert) Cello|Orchestral Part|1.50|13 GMCL185-06|||9790222283077|BOYCE|William Boyce|Symphony No.5 (Lambert) Bass|Orchestral Part|1.50|13 GMCL185-07|||9790222283084|BOYCE|William Boyce|Symphony No.5 (Lambert) Oboe 1|Orchestral Part|1.50|13 GMCL185-08|||9790222283091|BOYCE|William Boyce|Symphony No.5 (Lambert) Oboe 2|Orchestral Part|1.50|13 GMCL185-09|||9790222283107|BOYCE|William Boyce|Symphony No.5 (Lambert) Trumpet 1|Orchestral Part|1.50|13 GMCL185-10|||9790222283114|BOYCE|William Boyce|Symphony No.5 (Lambert) Trumpet 2|Orchestral Part|1.50|13 GMCL186|William Boyce
SYMPHONY No.6 in F for orchestra
Goodmusic Concert Classics GMCL186|'Orchestration
2 Oboes [optional]
Violin 1, Violin 2, Viola (or Violin 3), Cello, Bass

There is some doubt about when William Boyce''s eight symphonies were written, but evidence suggests sometime between 1750 and 1765 and in any case, it was after the composer had completely lost his hearing.. Although Boyce called them "symphony" they would now probably be described as "concerto grosso". The original scoring is for strings with figured bass and oboes, with the occasional use of flutes, bassoons, horns and trumpets. In this edition, transcribed and edited by Constant Lambert, there is no keyboard continuo. The wind parts are largely as Boyce wrote them but they have been cued in so that it is possible to perform these symphonies with strings alone, except for No.5 which really does need trumpets! Similarly the Bass part can be omitted.
A Violin 3 part in lieu of Viola is included which may be used when violas are few or non-existent.
This edition was originally published in 1928 by Oxford University Press. This new edition has been re-typeset but is otherwise unchanged.
A PACK comprises one full score and string parts 4/4/3/3/4/2 plus one of each other part.
Duration 8? minutes'|9790222283121|BOYCE|William Boyce|Symphony No.6 (Lambert) Pack|Orchestra|35.00|352 GMCL186-00|||9790222283138|BOYCE|William Boyce|Symphony No.6 (Lambert) Score|Orchestral Score|5.00|50 GMCL186-01|||9790222283145|BOYCE|William Boyce|Symphony No.6 (Lambert) Violin 1|Orchestral Part|1.50|13 GMCL186-02|||9790222283152|BOYCE|William Boyce|Symphony No.6 (Lambert) Violin 2|Orchestral Part|1.50|13 GMCL186-03|||9790222283169|BOYCE|William Boyce|Symphony No.6 (Lambert) Violin 3|Orchestral Part|1.50|13 GMCL186-04|||9790222283176|BOYCE|William Boyce|Symphony No.6 (Lambert) Viola|Orchestral Part|1.50|13 GMCL186-05|||9790222283183|BOYCE|William Boyce|Symphony No.6 (Lambert) Cello|Orchestral Part|1.50|13 GMCL186-06|||9790222283190|BOYCE|William Boyce|Symphony No.6 (Lambert) Bass|Orchestral Part|1.50|13 GMCL186-07|||9790222283206|BOYCE|William Boyce|Symphony No.6 (Lambert) Oboe 1|Orchestral Part|1.50|13 GMCL186-08|||9790222283213|BOYCE|William Boyce|Symphony No.6 (Lambert) Oboe 2|Orchestral Part|1.50|13 GMCL187|William Boyce
SYMPHONY No.7 in Bb for orchestra
Goodmusic Concert Classics GMCL187|'Orchestration
2 Flutes [optional], 2 Oboes [optional]
Violin 1, Violin 2, Viola (or Violin 3), Cello, Bass

There is some doubt about when William Boyce''s eight symphonies were written, but evidence suggests sometime between 1750 and 1765 and in any case, it was after the composer had completely lost his hearing.. Although Boyce called them "symphony" they would now probably be described as "concerto grosso". The original scoring is for strings with figured bass and oboes, with the occasional use of flutes, bassoons, horns and trumpets. In this edition, transcribed and edited by Constant Lambert, there is no keyboard continuo. The wind parts are largely as Boyce wrote them but they have been cued in so that it is possible to perform these symphonies with strings alone, except for No.5 which really does need trumpets! Similarly the Bass part can be omitted.
A Violin 3 part in lieu of Viola is included which may be used when violas are few or non-existent.
This edition was originally published in 1928 by Oxford University Press. This new edition has been re-typeset but is otherwise unchanged.
A PACK comprises one full score and string parts 4/4/3/3/4/2 plus one of each other part.
Duration 10 minutes'|9790222283220|BOYCE|William Boyce|Symphony No.7 (Lambert) Pack|Orchestra|45.00|510 GMCL187-00|||9790222283237|BOYCE|William Boyce|Symphony No.7 (Lambert) Score|Orchestral Score|6.00|75 GMCL187-01|||9790222283244|BOYCE|William Boyce|Symphony No.7 (Lambert) Violin 1|Orchestral Part|2.00|25 GMCL187-02|||9790222283251|BOYCE|William Boyce|Symphony No.7 (Lambert) Violin 2|Orchestral Part|2.00|25 GMCL187-03|||9790222283268|BOYCE|William Boyce|Symphony No.7 (Lambert) Violin 3|Orchestral Part|1.50|13 GMCL187-04|||9790222283275|BOYCE|William Boyce|Symphony No.7 (Lambert) Viola|Orchestral Part|1.50|13 GMCL187-05|||9790222283282|BOYCE|William Boyce|Symphony No.7 (Lambert) Cello|Orchestral Part|1.50|13 GMCL187-06|||9790222283299|BOYCE|William Boyce|Symphony No.7 (Lambert) Bass|Orchestral Part|1.50|13 GMCL187-07|||9790222283305|BOYCE|William Boyce|Symphony No.7 (Lambert) Flute 1|Orchestral Part|1.50|13 GMCL187-08|||9790222283312|BOYCE|William Boyce|Symphony No.7 (Lambert) Flute 2|Orchestral Part|1.50|13 GMCL187-09|||9790222283329|BOYCE|William Boyce|Symphony No.7 (Lambert) Oboe 1|Orchestral Part|1.50|13 GMCL187-10|||9790222283336|BOYCE|William Boyce|Symphony No.7 (Lambert) Oboe 2|Orchestral Part|1.50|13 GMCL188|William Boyce
SYMPHONY No.8 in Dm for orchestra
Goodmusic Concert Classics GMCL188|'Orchestration
2 Flutes [optional], 2 Oboes [optional]
Violin 1, Violin 2, Viola (or Violin 3), Cello, Bass

There is some doubt about when William Boyce''s eight symphonies were written, but evidence suggests sometime between 1750 and 1765 and in any case, it was after the composer had completely lost his hearing.. Although Boyce called them "symphony" they would now probably be described as "concerto grosso". The original scoring is for strings with figured bass and oboes, with the occasional use of flutes, bassoons, horns and trumpets. In this edition, transcribed and edited by Constant Lambert, there is no keyboard continuo. The wind parts are largely as Boyce wrote them but they have been cued in so that it is possible to perform these symphonies with strings alone, except for No.5 which really does need trumpets! Similarly the Bass part can be omitted.
A Violin 3 part in lieu of Viola is included which may be used when violas are few or non-existent.
This edition was originally published in 1928 by Oxford University Press. This new edition has been re-typeset but is otherwise unchanged.
A PACK comprises one full score and string parts 4/4/3/3/4/2 plus one of each other part.
Duration 11 minutes'|9790222283343|BOYCE|William Boyce|Symphony No.8 (Lambert) Pack|Orchestra|60.00|718 GMCL188-00|||9790222283350|BOYCE|William Boyce|Symphony No.8 (Lambert) Score|Orchestral Score|10.00|125 GMCL188-01|||9790222283367|BOYCE|William Boyce|Symphony No.8 (Lambert) Violin 1|Orchestral Part|2.00|25 GMCL188-02|||9790222283374|BOYCE|William Boyce|Symphony No.8 (Lambert) Violin 2|Orchestral Part|2.00|25 GMCL188-03|||9790222283381|BOYCE|William Boyce|Symphony No.8 (Lambert) Violin 3|Orchestral Part|2.00|25 GMCL188-04|||9790222283398|BOYCE|William Boyce|Symphony No.8 (Lambert) Viola|Orchestral Part|2.00|25 GMCL188-05|||9790222283404|BOYCE|William Boyce|Symphony No.8 (Lambert) Cello|Orchestral Part|2.00|25 GMCL188-06|||9790222283411|BOYCE|William Boyce|Symphony No.8 (Lambert) Bass|Orchestral Part|2.00|25 GMCL188-07|||9790222283428|BOYCE|William Boyce|Symphony No.8 (Lambert) Flute 1|Orchestral Part|1.50|7 GMCL188-08|||9790222283435|BOYCE|William Boyce|Symphony No.8 (Lambert) Flute 2|Orchestral Part|1.50|7 GMCL188-09|||9790222283442|BOYCE|William Boyce|Symphony No.8 (Lambert) Oboe 1|Orchestral Part|2.00|25 GMCL188-10|||9790222283459|BOYCE|William Boyce|Symphony No.8 (Lambert) Oboe 2|Orchestral Part|2.00|25 GMCL189|Arthur Sullivan
THE MIKADO OVERTURE
Goodmusic Concert Classics GMCL189|'Orchestration:
2 Flutes (2nd doubles piccolo), Oboe,
2 Clarinets in A & Bb (or only Bb), Bassoon
2 Horns in F, 2 Trumpets in Bb, 2 Trombones
Timpani, Triangle, Bass drum & Cymbal [1 player]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Mikado or The Town of Titipu is a comic opera in two acts with music by Arthur Sullivan with a libretto by W. S. Gilbert and was their ninth of fourteen operatic collaborations. It opened in March 1885, in London, where it ran at the Savoy Theatre for 672 performances, which was the second longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time. The opera is set in Japan which allowed Gilbert to satirise British politics and institutions more freely by disguising them as Japanese. Gilbert used foreign or fictional locales in several other operas to soften the impact of his pointed satire.
All of Sullivan''s best tunes from the opera appear in the overture.
This score has been reconstructed from the parts used by the D''Oyly Carte Opera Company.
The original clarinets'' part is scored for both Bb and A clarinets. Additionally, we have provided a part transposed into Bb where necessary so that A clarinets are not essential. Only one percussionist is required to play timpani and percussion, though the bass drum and cymbal need to be capable of being played together.

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.

Duration 7 minutes'|9790222285156|SULLIVAN|Arthur Sullivan|Mikado Overture Pack|Orchestra|60.00|890 GMCL189-00|||9790222285163|SULLIVAN|Arthur Sullivan|Mikado Overture Score|Orchestral Score|14.00|175 GMCL189-01|||9790222285170|SULLIVAN|Arthur Sullivan|Mikado Overture Violin 1|Orchestral Part|2.00|25 GMCL189-02|||9790222285187|SULLIVAN|Arthur Sullivan|Mikado Overture Violin 2|Orchestral Part|2.00|25 GMCL189-03|||9790222285194|SULLIVAN|Arthur Sullivan|Mikado Overture Viola|Orchestral Part|2.00|25 GMCL189-04|||9790222285200|SULLIVAN|Arthur Sullivan|Mikado Overture Cello|Orchestral Part|2.00|25 GMCL189-05|||9790222285217|SULLIVAN|Arthur Sullivan|Mikado Overture Bass|Orchestral Part|1.50|13 GMCL189-06|||9790222285224|SULLIVAN|Arthur Sullivan|Mikado Overture Flute 1+2|Orchestral Part|2.00|25 GMCL189-07|||9790222285231|SULLIVAN|Arthur Sullivan|Mikado Overture Oboe|Orchestral Part|2.00|25 GMCL189-08|||9790222285248|SULLIVAN|Arthur Sullivan|Mikado Overture Clar 1+2 in A+bb|Orchestral Part|2.00|25 GMCL189-09|||9790222285255|SULLIVAN|Arthur Sullivan|Mikado Overture Clar 1+2 in Bb Only|Orchestral Part|2.00|25 GMCL189-10|||9790222285262|SULLIVAN|Arthur Sullivan|Mikado Overture Bassoon|Orchestral Part|2.00|25 GMCL189-11|||9790222285279|SULLIVAN|Arthur Sullivan|Mikado Overture Horn 1|Orchestral Part|1.50|13 GMCL189-12|||9790222285286|SULLIVAN|Arthur Sullivan|Mikado Overture Horn 2|Orchestral Part|1.50|13 GMCL189-13|||9790222285293|SULLIVAN|Arthur Sullivan|Mikado Overture Trumpet 1|Orchestral Part|1.50|13 GMCL189-14|||9790222285309|SULLIVAN|Arthur Sullivan|Mikado Overture Trumpet 2|Orchestral Part|1.50|13 GMCL189-15|||9790222285316|SULLIVAN|Arthur Sullivan|Mikado Overture Trombone 1|Orchestral Part|1.50|13 GMCL189-16|||9790222285323|SULLIVAN|Arthur Sullivan|Mikado Overture Trombone 2|Orchestral Part|1.50|13 GMCL189-17|||9790222285330|SULLIVAN|Arthur Sullivan|Mikado Overture Timpani+Percussion|Orchestral Part|1.50|13 GMCL190|Edward Elgar
IMPERIAL MARCH
Goodmusic Concert Classics GMCL190|'Orchestration:
2 Flutes (2nd doubles piccolo), 2 Oboes,
2 Clarinets in Bb, 2 Bassoons, Contra bassoon,
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (Snare drum, Bass drum & Cymbal [3 players])
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Elgar''s Imperial March was written to celebrate the Diamond Jubilee of Queen Victoria in 1897. In 1896 Elgar''s publisher, Novello, suggested he write an "Imperial March" for the occasion. The first performance of the march was at a Crystal Palace concert on 19th April 1897, conducted by August Manns. It was played by massed bands at the Crystal Palace a week later, at a State Concert on 18th June, at a Royal Garden Party on 28th June (the actual anniversary of the Queen''s coronation) and at the Albert Hall on 24th October. The music created a great impression as popular music for the mood of the public at the time, and made Elgar''s name widely known in London. It is not to be confused with the Empire March (also available in the Goodmusic Orchestral Series) which he wrote much later in 1924.

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.

Duration 5 minutes'|9790222286009|ELGAR|Edward Elgar|Imperial March Pack|Orchestra|40.00|614 GMCL190-00|||9790222286016|ELGAR|Edward Elgar|Imperial March Score|Orchestral Score|6.00|75 GMCL190-01|||9790222286023|ELGAR|Edward Elgar|Imperial March Violin 1|Orchestral Part|1.50|13 GMCL190-02|||9790222286030|ELGAR|Edward Elgar|Imperial March Violin 2|Orchestral Part|1.50|13 GMCL190-03|||9790222286047|ELGAR|Edward Elgar|Imperial March Viola|Orchestral Part|1.50|13 GMCL190-04|||9790222286054|ELGAR|Edward Elgar|Imperial March Cello|Orchestral Part|1.50|13 GMCL190-05|||9790222286061|ELGAR|Edward Elgar|Imperial March Bass|Orchestral Part|1.50|13 GMCL190-06|||9790222286078|ELGAR|Edward Elgar|Imperial March Flute 1|Orchestral Part|1.50|13 GMCL190-07|||9790222286085|ELGAR|Edward Elgar|Imperial March Flute 2/Picc|Orchestral Part|1.50|13 GMCL190-08|||9790222286092|ELGAR|Edward Elgar|Imperial March Oboe 1|Orchestral Part|1.50|13 GMCL190-09|||9790222286108|ELGAR|Edward Elgar|Imperial March Oboe 2|Orchestral Part|1.50|13 GMCL190-10|||9790222286115|ELGAR|Edward Elgar|Imperial March Clarinet 1|Orchestral Part|1.50|13 GMCL190-11|||9790222286122|ELGAR|Edward Elgar|Imperial March Clarinet 2|Orchestral Part|1.50|13 GMCL190-12|||9790222286139|ELGAR|Edward Elgar|Imperial March Bassoon 1|Orchestral Part|1.50|13 GMCL190-13|||9790222286146|ELGAR|Edward Elgar|Imperial March Bassoon 2|Orchestral Part|1.50|13 GMCL190-14|||9790222286153|ELGAR|Edward Elgar|Imperial March Contra Bassoon|Orchestral Part|1.50|13 GMCL190-15|||9790222286160|ELGAR|Edward Elgar|Imperial March Horn 1|Orchestral Part|1.50|13 GMCL190-16|||9790222286177|ELGAR|Edward Elgar|Imperial March Horn 2|Orchestral Part|1.50|13 GMCL190-17|||9790222286184|ELGAR|Edward Elgar|Imperial March Horn 3|Orchestral Part|1.50|13 GMCL190-18|||9790222286191|ELGAR|Edward Elgar|Imperial March Horn 4|Orchestral Part|1.50|13 GMCL190-19|||9790222286207|ELGAR|Edward Elgar|Imperial March Trumpet 1|Orchestral Part|1.50|13 GMCL190-20|||9790222286214|ELGAR|Edward Elgar|Imperial March Trumpet 2|Orchestral Part|1.50|13 GMCL190-21|||9790222286221|ELGAR|Edward Elgar|Imperial March Trumpet 3|Orchestral Part|1.50|13 GMCL190-22|||9790222286238|ELGAR|Edward Elgar|Imperial March Trombone 1|Orchestral Part|1.50|13 GMCL190-23|||9790222286245|ELGAR|Edward Elgar|Imperial March Trombone 2|Orchestral Part|1.50|13 GMCL190-24|||9790222286252|ELGAR|Edward Elgar|Imperial March Trombone 3|Orchestral Part|1.50|13 GMCL190-25|||9790222286269|ELGAR|Edward Elgar|Imperial March Tuba|Orchestral Part|1.50|13 GMCL190-26|||9790222286276|ELGAR|Edward Elgar|Imperial March Timpani|Orchestral Part|1.50|13 GMCL190-27|||9790222286283|ELGAR|Edward Elgar|Imperial March Percussion|Orchestral Part|1.50|13 GMCL191|SERGEI RACHMANINOV (1873-1943)
PRELUDE Op.3 No.2 for orchestra
Goodmusic Concert Classics Series GMCL191|'ORCHESTRATION
2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, Contra Bassoon (optional), 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba,
Timpani, Percussion (4 players: Tam-tam, Bass Drum, Glockenspiel, Tubular Bells, Tambourine, Snare Drum, Cymbal (clashed and suspended)), Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Rachmaninov''s celebrated Prelude in C# minor Op.3 No.2 was written for the piano and it was first performed by the composer on September 20, 1892 in Moscow which Rachmaninov considered his debut as a pianist. A review of the concert singled out the Prelude, noting that it had "aroused enthusiasm" and from this point on, its popularity grew.
This powerful piece is well-suited to performance by an orchestra and has been brilliantly orchestrated by Peter Lawson in the style of Rachmaninov. The key of the Prelude has been changed to D minor for this arrangement.
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 3? minutes
An orchestration of Rachmaninov''s Prelude in G minor Op.23 No.5 by Peter Lawson is also available in this Goodmusic Concert Classics series - see GMCL192'|9790222289277|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Pack|Orchestra|30.00|514 GMCL191-00|||9790222289284|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Sc A4|Orchestral Score|5.00|50 GMCL191-01|||9790222289291|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Vln 1|Orchestral Part|1.50|13 GMCL191-02|||9790222289307|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Vln 2|Orchestral Part|1.50|13 GMCL191-03|||9790222289314|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Viola|Orchestral Part|1.50|13 GMCL191-04|||9790222289321|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Cello|Orchestral Part|1.50|13 GMCL191-05|||9790222289338|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Bass|Orchestral Part|1.50|7 GMCL191-06|||9790222289345|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Fl 1|Orchestral Part|1.50|13 GMCL191-07|||9790222289352|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Fl 2|Orchestral Part|1.50|13 GMCL191-08|||9790222289369|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Oboe 1|Orchestral Part|1.50|7 GMCL191-09|||9790222289376|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Oboe 2|Orchestral Part|1.50|7 GMCL191-10|||9790222289383|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Clar 1|Orchestral Part|1.50|13 GMCL191-11|||9790222289390|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Clar 2|Orchestral Part|1.50|13 GMCL191-12|||9790222289406|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Bsn 1|Orchestral Part|1.50|7 GMCL191-13|||9790222289413|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Bsn 2|Orchestral Part|1.50|7 GMCL191-14|||9790222289420|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson CBsn|Orchestral Part|1.50|7 GMCL191-15|||9790222289437|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Horn 1|Orchestral Part|1.50|13 GMCL191-16|||9790222289444|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Horn 2|Orchestral Part|1.50|13 GMCL191-17|||9790222289451|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Trp 1|Orchestral Part|1.50|7 GMCL191-18|||9790222289468|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Trp 2|Orchestral Part|1.50|7 GMCL191-19|||9790222289475|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Trb 1|Orchestral Part|1.50|7 GMCL191-20|||9790222289482|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Trb 2|Orchestral Part|1.50|7 GMCL191-21|||9790222289499|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Trb 3|Orchestral Part|1.50|7 GMCL191-22|||9790222289505|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Tuba|Orchestral Part|1.50|7 GMCL191-23|||9790222289512|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Timp|Orchestral Part|1.50|7 GMCL191-24|||9790222289529|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Perc|Orchestral Part|1.50|13 GMCL191-25|||9790222289536|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Harp|Orchestral Part|1.50|13 GMCL191-26|||9790222289543|RACHMANINOV|Sergei Rachmaninov|Prelude Op.3 No.2 arr.Lawson Sc A3|Orchestral Part|20.00|120 GMCL192|SERGEI RACHMANINOV (1873-1943)
PRELUDE in G minor Op.23 No.5 for orchestra
Goodmusic Concert Classics Series GMCL192|'ORCHESTRATION
2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, Contra Bassoon (optional), 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (4 players: Tam-tam, Bass Drum, Glockenspiel, Snare Drum, Cymbal (clashed and suspended), Xylophone), Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Rachmaninov''s Prelude in G minor is the fifth and best known of the Ten Preludes Op.23 which were written in 1901 and 1903. Together with the Prelude in C# minor and the later Thirteen Preludes Op.32, these form part of a full suite of 24 preludes in all the major and minor keys that Rachmaninov wrote for piano solo.
This G minor prelude is well-suited to performance by an orchestra and has been cleverly orchestrated by Peter Lawson in the style of Rachmaninov echoing the composer''s brilliant orchestration that can be seen and heard in his symphonies and piano concertos.
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 4 minutes
An orchestration of Rachmaninov''s Prelude in C# minor Op.3 No.2 by Peter Lawson is also available in this Goodmusic Concert Classics series - see GMCL191.'|9790222289550|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Pack|Orchestra|40.00|658 GMCL192-00|||9790222289567|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson ScA4|Orchestral Score|6.00|75 GMCL192-01|||9790222289574|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Vln 1|Orchestral Part|1.50|13 GMCL192-02|||9790222289581|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Vln 2|Orchestral Part|1.50|13 GMCL192-03|||9790222289598|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Viola|Orchestral Part|1.50|13 GMCL192-04|||9790222289604|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Cello|Orchestral Part|1.50|13 GMCL192-05|||9790222289611|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Bass|Orchestral Part|1.50|13 GMCL192-06|||9790222289628|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Fl.1|Orchestral Part|1.50|13 GMCL192-07|||9790222289635|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Fl.2|Orchestral Part|1.50|13 GMCL192-08|||9790222289642|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Oboe1|Orchestral Part|1.50|13 GMCL192-09|||9790222289659|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Oboe2|Orchestral Part|1.50|13 GMCL192-10|||9790222289666|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Clar1|Orchestral Part|1.50|13 GMCL192-11|||9790222289673|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Clar2|Orchestral Part|1.50|13 GMCL192-12|||9790222289680|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Bsn 1|Orchestral Part|1.50|13 GMCL192-13|||9790222289697|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Bsn 2|Orchestral Part|1.50|13 GMCL192-14|||9790222289703|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson C.Bsn|Orchestral Part|1.50|13 GMCL192-15|||9790222289710|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Horn1|Orchestral Part|1.50|13 GMCL192-16|||9790222289727|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Horn2|Orchestral Part|1.50|13 GMCL192-17|||9790222289734|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Trp 1|Orchestral Part|1.50|13 GMCL192-18|||9790222289741|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Trp 2|Orchestral Part|1.50|13 GMCL192-19|||9790222289758|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Trb 1|Orchestral Part|1.50|13 GMCL192-20|||9790222289765|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Trb 2|Orchestral Part|1.50|13 GMCL192-21|||9790222289772|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Trb 3|Orchestral Part|1.50|13 GMCL192-22|||9790222289789|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Tuba|Orchestral Part|1.50|13 GMCL192-23|||9790222289796|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Timp|Orchestral Part|1.50|13 GMCL192-24|||9790222289802|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Perc|Orchestral Part|2.00|25 GMCL192-25|||9790222289819|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson Harp|Orchestral Part|1.50|13 GMCL192-26|||9790222289826|RACHMANINOV|Sergei Rachmaninov|Prelude Op.23 No.5 arr.Lawson ScA3|Orchestral Score|20.00|160 GMCL193|Debussy arr. Lee Armstrong
LA FILLE AUX CHEVEUX DE LIN for string orchestra
Goodmusic GMCL193|'ORCHESTRATION
Violin 1, Violin 2, Viola, Cello, Bass

La fille aux cheveux de lin or "The girl with the flaxen hair" is probably the best known of Debussy''s Preludes. He wrote two books of Preludes for the piano and this is the eighth of 12 pieces in Book 1 which he composed between December 1909 and February 1910. He wrote the second book, also containing 12 pieces, between the last months of 1912 and April 1913.
This lovely arrangement for string orchestra is by Lee Armstrong.
Duration 2? minutes
A PACK comprises an A4 sized full score plus strings 4/4/3/4/2.'|9790222288317|DEBUSSY|Claude Debussy|La Fille aux Cheveux de Lin Pack|String Orchestra|26.00|154 GMCL193-00|||9790222288324|DEBUSSY|Claude Debussy|La Fille aux Cheveux de Lin Score|Orchestral Score|5.00|28 GMCL193-01|||9790222288331|DEBUSSY|Claude Debussy|La Fille aux Cheveux de Lin Vln 1|Orchestral Part|1.50|7 GMCL193-02|||9790222288348|DEBUSSY|Claude Debussy|La Fille aux Cheveux de Lin Vln 2|Orchestral Part|1.50|7 GMCL193-03|||9790222288355|DEBUSSY|Claude Debussy|La Fille aux Cheveux de Lin Viola|Orchestral Part|1.50|7 GMCL193-04|||9790222288362|DEBUSSY|Claude Debussy|La Fille aux Cheveux de Lin Cello|Orchestral Part|1.50|7 GMCL193-05|||9790222288379|DEBUSSY|Claude Debussy|La Fille aux Cheveux de Lin Bass|Orchestral Part|1.50|7 GMCL194|'Debussy arr. Lee Armstrong
GOLLIWOG''S CAKEWALK for string orchestra
Goodmusic GMCL194'|'ORCHESTRATION
Violin 1, Violin 2, Viola, Cello, Bass

Golliwog''s Cakewalk is the last in a suite of six pieces entitled "Children''s Corner" that Debussy wrote for solo piano which was published in 1908. It was dedicated to Debussy''s daughter, Claude-Emma (known as "Chou-Chou"), who was three years old at the time.
At the time of its composition, Golliwoggs were in fashion, due partly to the popularity at that time of the novels of Florence Kate Upton ("golliwog" is a later usage). They were stuffed black dolls with red pants, red bow ties and wild hair, somewhat reminiscent of the black-face minstrels of the time. This is a ragtime piece with its syncopations and banjo-like effects. The dynamic range is quite large and very effective. The second section of this dance is interrupted on several occasions by the love-death leitmotif of Richard Wagner''s opera Tristan und Isolde, marked in the original avec une grande emotion (with great feeling). Each quotation is followed with banjo imitations. The cakewalk was a dance or a strut and the dancer with the most elaborate steps won a cake.
This excellent arrangement for string orchestra is by Lee Armstrong.
Duration 2? minutes
A PACK comprises an A4 sized full score plus strings 4/4/3/4/2.'|9790222288386|DEBUSSY|Claude Debussy|'Golliwog''s Cakewalk Pack'|String Orchestra|26.00|274 GMCL194-00|||9790222288393|DEBUSSY|Claude Debussy|'Golliwog''s Cakewalk Score'|Orchestral Score|5.00|40 GMCL194-01|||9790222288409|DEBUSSY|Claude Debussy|'Golliwog''s Cakewalk Violin 1'|Orchestral Part|1.50|13 GMCL194-02|||9790222288416|DEBUSSY|Claude Debussy|'Golliwog''s Cakewalk Violin 2'|Orchestral Part|1.50|13 GMCL194-03|||9790222288423|DEBUSSY|Claude Debussy|'Golliwog''s Cakewalk Viola'|Orchestral Part|1.50|13 GMCL194-04|||9790222288430|DEBUSSY|Claude Debussy|'Golliwog''s Cakewalk Cello'|Orchestral Part|1.50|13 GMCL194-05|||9790222288447|DEBUSSY|Claude Debussy|'Golliwog''s Cakewalk Bass'|Orchestral Part|1.50|13 GMCL195|Dvorak arr. Lee Armstrong
HUMORESQUE for string orchestra
Goodmusic GMCL195|ORCHESTRATION
Violin 1, Violin 2, Viola, Cello, Bass

Humoresques Op. 101 is a set of piano pieces by Antonin Dvorak, written during the summer of 1894. This one, number seven of the set of nine pieces, has become one of the most famous piano pieces ever.
It has also commonly been used as the musical setting for various amusing or dubious words, possibly the best known being:-
Passengers will please refrain
From flushing toilets while the train
Is standing in the station
This arrangement for string orchestra is by Lee Armstrong.
Duration 2? minutes
A PACK comprises an A4 sized full score plus strings 4/4/3/4/2.|9790222288454|DVORAK A|Antonin Dvorak|Humoresque (arr Armstrong) Pack|String Orchestra|26.00|206 GMCL195-00|||9790222288461|DVORAK A|Antonin Dvorak|Humoresque (arr Armstrong) Score|Orchestral Score|5.00|28 GMCL195-01|||9790222288478|DVORAK A|Antonin Dvorak|Humoresque (arr Armstrong) Violin 1|Orchestral Part|1.50|13 GMCL195-02|||9790222288485|DVORAK A|Antonin Dvorak|Humoresque (arr Armstrong) Violin 2|Orchestral Part|1.50|13 GMCL195-03|||9790222288492|DVORAK A|Antonin Dvorak|Humoresque (arr Armstrong) Viola|Orchestral Part|1.50|7 GMCL195-04|||9790222288508|DVORAK A|Antonin Dvorak|Humoresque (arr Armstrong) Cello|Orchestral Part|1.50|7 GMCL195-05|||9790222288515|DVORAK A|Antonin Dvorak|Humoresque (arr Armstrong) Bass|Orchestral Part|1.50|7 GMCL196|'Waldteufel
THE SKATERS'' WALTZ for orchestra
Goodmusic Concert Classics GMCL196'|'ORCHESTRATION
Flute, Piccolo, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb or C, 3 Trombones, Tuba, Timpani, Percussion (3 players: Snare Drum, Bass Drum, Triangle, Cymbals, Sleigh Bells)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Known in English as The Skaters'' Waltz, Les Patineurs was composed in 1882 and was inspired by the Cercle des Patineurs or "Rink of Skaters" at the Bois de Boulogne in Paris. The opening bars can be likened to the poise of a skater and the glissando notes invoke scenes of a wintry atmosphere. The other themes that follow are graceful and swirling, as if to depict a ring of skaters in their glory. Sleigh bells in the centre section complete the winter scenery.
In this new Goodmusic edition, the rather confusing dal segno and da capo instructions in the original are clearly written out to avoid any players (or the condutor) slipping up!
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 9 minutes'|9790222291546|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Pack|Orchestra|50.00|770 GMCL196-00|||9790222291553|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Score|Orchestral Score|10.00|125 GMCL196-01|||9790222291560|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Violin 1|Orchestral Part|2.00|25 GMCL196-02|||9790222291577|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Violin 2|Orchestral Part|1.50|13 GMCL196-03|||9790222291584|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Viola|Orchestral Part|1.50|13 GMCL196-04|||9790222291591|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Cello|Orchestral Part|1.50|13 GMCL196-05|||9790222291607|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Bass|Orchestral Part|1.50|13 GMCL196-06|||9790222291614|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Flute|Orchestral Part|1.50|13 GMCL196-07|||9790222291621|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Piccolo|Orchestral Part|1.50|13 GMCL196-08|||9790222291638|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Oboe 1|Orchestral Part|1.50|13 GMCL196-09|||9790222291645|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Oboe 2|Orchestral Part|1.50|13 GMCL196-10|||9790222291652|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Clarinet 1 (in Bb+A)|Orchestral Part|2.00|25 GMCL196-11|||9790222291669|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Clarinet 2 (in Bb+A)|Orchestral Part|2.00|25 GMCL196-12|||9790222291676|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Bassoon 1|Orchestral Part|1.50|13 GMCL196-13|||9790222291683|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Bassoon 2|Orchestral Part|1.50|13 GMCL196-14|||9790222291690|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Horn 1|Orchestral Part|1.50|13 GMCL196-15|||9790222291706|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Horn 2|Orchestral Part|1.50|13 GMCL196-16|||9790222291713|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Horn 3|Orchestral Part|1.50|13 GMCL196-17|||9790222291720|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Horn 4|Orchestral Part|1.50|13 GMCL196-18|||9790222291737|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Trumpet 1 (in Bb+C)|Orchestral Part|2.00|25 GMCL196-19|||9790222291744|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Trumpet 2 (in Bb+C)|Orchestral Part|2.00|25 GMCL196-20|||9790222291751|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Trombone 1|Orchestral Part|1.50|13 GMCL196-21|||9790222291768|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Trombone 2|Orchestral Part|1.50|13 GMCL196-22|||9790222291775|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Trombone 3|Orchestral Part|1.50|13 GMCL196-23|||9790222291782|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Tuba|Orchestral Part|1.50|13 GMCL196-24|||9790222291799|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Timpani|Orchestral Part|1.50|13 GMCL196-25|||9790222291805|WALDTEUFEL|Emile Waldteufel|Skaters Waltz Percussion|Orchestral Part|2.00|25 GMCL197|Johann Strauss I
RADETZKY MARCH for orchestra
Goodmusic Concert Classics GMCL197|'ORCHESTRATION
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb or C, 3 Trombones, Tuba, Side drum, Bass drum, Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

Radetzky March was composed by Johann Strauss Sr. in 1848. It was dedicated to the Field Marshal Joseph Radetzky von Radetz and soon became quite popular among regimented marching soldiers. Its tone is more celebratory than martial; Strauss was commissioned to write the piece to commemorate Radetsky''s victory at the Battle of Custoza.
For the trio, Strauss used an older folk melody called "Alter Tanz aus Wien" which was originally in 3/4 time. When Radetzky came back to Vienna after winning the battle of Custoza, his soldiers were singing the then-popular song. Allegedly Strauss heard this singing and incorporated the melody, converted to 2/4 time, into the Radetzky March. When it was first played in front of Austrian officers, they spontaneously clapped and stamped their feet when they heard the chorus. This tradition, with quiet rhythmic clapping on the first iteration of the melody, followed by thunderous clapping on the second, is kept alive today by audience members who know the custom when the march is played in classical music venues in Vienna. The march is almost always played as the last piece at the Neujahrskonzert (New Year''s Concert) of the Vienna Philharmonic.
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 3 minutes'|9790222291904|STRAUSS J SR|Johann Strauss I|Radetzky March Pack|Orchestra|40.00|616 GMCL197-00|||9790222291911|STRAUSS J SR|Johann Strauss I|Radetzky March Score|Orchestral Score|6.00|79 GMCL197-01|||9790222291928|STRAUSS J SR|Johann Strauss I|Radetzky March Violin 1|Orchestral Part|1.50|13 GMCL197-02|||9790222291935|STRAUSS J SR|Johann Strauss I|Radetzsky March Violin 2|Orchestral Part|1.50|13 GMCL197-03|||9790222291942|STRAUSS J SR|Johann Strauss I|Radetzky March Viola|Orchestral Part|1.50|13 GMCL197-04|||9790222291959|STRAUSS J SR|Johann Strauss I|Radetzky March Cello|Orchestral Part|1.50|13 GMCL197-05|||9790222291966|STRAUSS J SR|Johann Strauss I|Radetzky March Bass|Orchestral Part|1.50|13 GMCL197-06|||9790222291973|STRAUSS J SR|Johann Strauss I|Radetzky March Piccolo|Orchestral Part|1.50|13 GMCL197-07|||9790222291980|STRAUSS J SR|Johann Strauss I|Radetzky March Flute 1|Orchestral Part|1.50|13 GMCL197-08|||9790222291997|STRAUSS J SR|Johann Strauss I|Radetzky March Flute 2|Orchestral Part|1.50|13 GMCL197-09|||9790222292000|STRAUSS J SR|Johann Strauss I|Radetzky March Oboe 1|Orchestral Part|1.50|13 GMCL197-10|||9790222292017|STRAUSS J SR|Johann Strauss I|Radetzky March Oboe 2|Orchestral Part|1.50|13 GMCL197-11|||9790222292024|STRAUSS J SR|Johann Strauss I|Radetzky March Clarinet 1|Orchestral Part|2.00|25 GMCL197-12|||9790222292031|STRAUSS J SR|Johann Strauss I|Radetzky March Clarinet 2|Orchestral Part|2.00|25 GMCL197-13|||9790222292048|STRAUSS J SR|Johann Strauss I|Radetzky March Bassoon 1|Orchestral Part|1.50|13 GMCL197-14|||9790222292055|STRAUSS J SR|Johann Strauss I|Radetzky March Bassoon 2|Orchestral Part|1.50|13 GMCL197-15|||9790222292062|STRAUSS J SR|Johann Strauss I|Radetzky March Horn 1|Orchestral Part|1.50|13 GMCL197-16|||9790222292079|STRAUSS J SR|Johann Strauss I|Radetzky March Horn 2|Orchestral Part|1.50|13 GMCL197-17|||9790222292086|STRAUSS J SR|Johann Strauss I|Radetzky March Horn 3|Orchestral Part|1.50|13 GMCL197-18|||9790222292093|STRAUSS J SR|Johann Strauss I|Radetzky March Horn 4|Orchestral Part|1.50|13 GMCL197-19|||9790222292109|STRAUSS J SR|Johann Strauss I|Radetzky March Trumpet 1|Orchestral Part|2.00|25 GMCL197-20|||9790222292116|STRAUSS J SR|Johann Strauss I|Radetzky March Trumpet 2|Orchestral Part|2.00|25 GMCL197-21|||9790222292123|STRAUSS J SR|Johann Strauss I|Radetzky March Trombone 1|Orchestral Part|1.50|13 GMCL197-22|||9790222292130|STRAUSS J SR|Johann Strauss I|Radetzky March Trombone 2|Orchestral Part|1.50|13 GMCL197-23|||9790222292147|STRAUSS J SR|Johann Strauss I|Radetzky March Trombone 3|Orchestral Part|1.50|13 GMCL197-24|||9790222292154|STRAUSS J SR|Johann Strauss I|Radetzky March Tuba|Orchestral Part|1.50|13 GMCL197-25|||9790222292161|STRAUSS J SR|Johann Strauss I|Radetzky March Percussion|Orchestral Part|1.50|13 GMCL198|Johann Strauss II
THE EMPEROR WALTZ for orchestra
Goodmusic Concert Classics GMCL198|'ORCHESTRATION
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (2 players: Snare drum, Bass Drum, Tambourine), Harp, Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

The Kaiser-Walzer was originally titled "Hand in Hand" and was intended as a toast made in August 1889 by Austrian emperor Franz Josef on the occasion of his visit to the German Kaiser Wilhelm II where it was symbolic as a "toast of friendship" extended by Austria to Germany. Strauss'' publisher, Fritz Simrock, suggested the title Kaiser-Walzer since the title could allude to either monarch, and thus satisfy the vanity of both rulers. The waltz was first performed in Berlin on 21 October 1889.
Da Capo & Dal segnos have been written out in full in this edition for ease of use.
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 11 minutes'|9790222292178|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Pack|Orchestra|70.00|1110 GMCL198-00|||9790222292185|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Score|Orchestral Score|14.00|194 GMCL198-01|||9790222292192|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Violin 1|Orchestral Part|2.00|25 GMCL198-02|||9790222292208|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Violin 2|Orchestral Part|2.00|25 GMCL198-03|||9790222292215|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Viola|Orchestral Part|2.00|25 GMCL198-04|||9790222292222|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Cello|Orchestral Part|2.00|25 GMCL198-05|||9790222292239|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Bass|Orchestral Part|2.00|25 GMCL198-06|||9790222292246|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Flute 1|Orchestral Part|2.00|25 GMCL198-07|||9790222292253|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Flute 2|Orchestral Part|2.00|25 GMCL198-08|||9790222292260|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Oboe 1|Orchestral Part|2.00|25 GMCL198-09|||9790222292277|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Oboe 2|Orchestral Part|2.00|25 GMCL198-10|||9790222292284|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Clarinet 1|Orchestral Part|2.00|25 GMCL198-11|||9790222292291|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Clarinet 2|Orchestral Part|2.00|25 GMCL198-12|||9790222292307|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Bassoon 1|Orchestral Part|2.00|25 GMCL198-13|||9790222292314|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Bassoon 2|Orchestral Part|2.00|25 GMCL198-14|||9790222292321|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Horn 1|Orchestral Part|2.00|25 GMCL198-15|||9790222292338|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Horn 2|Orchestral Part|2.00|25 GMCL198-16|||9790222292345|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Horn 3|Orchestral Part|2.00|25 GMCL198-17|||9790222292352|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Horn 4|Orchestral Part|2.00|25 GMCL198-18|||9790222292369|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Trumpet 1|Orchestral Part|2.00|25 GMCL198-19|||9790222292376|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Trumpet 2|Orchestral Part|2.00|25 GMCL198-20|||9790222292383|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Trombone 1|Orchestral Part|2.00|25 GMCL198-21|||9790222292390|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Trombone 2|Orchestral Part|1.50|13 GMCL198-22|||9790222292406|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Trombone 3|Orchestral Part|1.50|13 GMCL198-23|||9790222292413|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Timpani|Orchestral Part|1.50|13 GMCL198-24|||9790222292420|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Percussion|Orchestral Part|1.50|13 GMCL198-25|||9790222292437|STRAUSS J II|Johann Strauss II|Emperor Waltz Op.437 Harp|Orchestral Part|2.00|25 GMCL199|Johann Strauss II
PERPETUUM MOBILE for orchestra
Goodmusic Concert Classics GMCL199|ORCHESTRATION
Flute 1, Piccolo db Flute 2, 2 Oboes, Clarinet 1 in Eb (or Bb), Clarinet 2 in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 1 Trombone, Timpani, Harp, Glockenspiel, Triangle, Tam-Tam, Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

Perpetual Motion: A Musical Joke was written in 1861. The joke is that when you get to the end you start at the beginning again and keep going round and round and never stop.
It is often eventually stopped by the conductor shouting out "enough!", or something similarly appropriate, preferably before the audience drops off to sleep, leaves or starts to turn nasty.

Original scoring was for Piccolo and 2 Flutes, but the 2nd flute had so little we have here incorporated it into the piccolo part. Strauss wrote the 1st Clarinet part for an Eb clarinet but if no Eb is available a transposed part for Bb Clarinet is also included. The percussion part could be played by one player as long as he/she can manage the very quick change from Glockenspiel to Triangle.
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 3 minutes (played through once)|9790222292444|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Pack|Orchestra|35.00|552 GMCL199-00|||9790222292451|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Score|Orchestral Score|6.00|75 GMCL199-01|||9790222292468|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Violin 1|Orchestral Part|1.50|13 GMCL199-02|||9790222292475|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Violin 2|Orchestral Part|1.50|13 GMCL199-03|||9790222292482|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Viola|Orchestral Part|1.50|13 GMCL199-04|||9790222292499|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Cello|Orchestral Part|1.50|13 GMCL199-05|||9790222292505|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Bass|Orchestral Part|1.50|13 GMCL199-06|||9790222292512|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Flute 1|Orchestral Part|1.50|13 GMCL199-07|||9790222292529|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Picc/Fl2|Orchestral Part|1.50|13 GMCL199-08|||9790222292536|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Oboe 1|Orchestral Part|1.50|13 GMCL199-09|||9790222292543|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Oboe 2|Orchestral Part|1.50|13 GMCL199-10|||9790222292550|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Clar.1 Eb|Orchestral Part|1.50|13 GMCL199-11|||9790222292567|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Clar.1 Bb|Orchestral Part|1.50|13 GMCL199-12|||9790222292574|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Clarinet 2|Orchestral Part|1.50|13 GMCL199-13|||9790222292581|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Bassoon 1|Orchestral Part|1.50|13 GMCL199-14|||9790222292598|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Bassoon 2|Orchestral Part|1.50|13 GMCL199-15|||9790222292604|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Horn 1|Orchestral Part|1.50|13 GMCL199-16|||9790222292611|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Horn 2|Orchestral Part|1.50|13 GMCL199-17|||9790222292628|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Horn 3|Orchestral Part|1.50|13 GMCL199-18|||9790222292635|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Horn 4|Orchestral Part|1.50|13 GMCL199-19|||9790222292642|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Trumpet 1|Orchestral Part|1.50|13 GMCL199-20|||9790222292659|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Trumpet 2|Orchestral Part|1.50|13 GMCL199-21|||9790222292666|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Trombone|Orchestral Part|1.50|13 GMCL199-22|||9790222292673|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Timpani|Orchestral Part|1.50|13 GMCL199-23|||9790222292680|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Percussion|Orchestral Part|1.50|13 GMCL199-24|||9790222292697|STRAUSS J II|Johann Strauss II|Perpetuum Mobile Op.257 Harp|Orchestral Part|1.50|13 GMCL200|Henry Wood arr.Peter Lawson
FANTASIA ON BRITISH SEA SONGS for orchestra with optional choir
Goodmusic Concert Classics GMCL200|'ORCHESTRATION: 2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba (opt.db.Euphonium), Timpani, Percussion (4 players: Triangle, Side Drum, Tenor Drum, Cymbals, Bass Drum, Tambourine, Wood Block, Swanee Whistle), Harp (or Keyboard), Strings (Violin 1, Violin 2, Viola, Cello, Bass) plus Choir [optional] either SATB, SA+Men, SSA or TTBB

The Fantasia on British Sea Songs was arranged by Sir Henry Wood in 1905 to mark the centenary of the Battle of Trafalgar. It is a medley of British sea songs and for many years has been seen as an indispensable item at the BBC''s Last Night of the Proms concert.
The complete work is made up of nine parts which follow the course of the battle from the point of view of a British sailor, starting with the call to arms, progressing through the death of a comrade, thoughts of home, and ending with a victorious return and the assertion that Britain will continue to ''rule the waves''. Individual sections can be omitted if required. The fantasia commences with a series of six naval bugle calls and their responses. These calls were traditionally used to convey orders on a naval warship.
1. Bugle Calls (Admiral''s Salute, Action, General Assembly, Landing Party, Prepare to Ram, Quick, Double, Extend and Close.)
2. The Anchor''s Weighed
3. The Saucy Arethusa
4. Tom Bowling
5. Jack''s The Lad (Hornpipe) (with optional encore)
6. Farewell and Adieu, Ye Spanish Ladies
Clarinet Cadenza
7. Home, Sweet Home
8. See, the Conqu''ring Hero Comes
9. Rule, Britannia! (A soloist can be used for the verses/choruses)

The original orchestral scoring for the fantasia required a much larger orchestra. This new arrangement by Peter Lawson uses a more standard sized orchestra whilst maintaining the overall effects.
A chorus [optional] is added throughout as all of the tunes used (except the bugle calls) started life as sea songs. Four different 48 page vocal scores are available (none are included in the orchestral pack): SATB - GM144 SSA - GM145 TTBB - GM146 SA+Men - GM147
The arrangement can also be performed by a choir without an orchestra with only piano accompaniment.
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 19 minutes'|9790222293038|WOOD|Henry Wood|Fantasia on British Sea Songs Pack|Orchestra|80.00|1160 GMCL200-00|||9790222293045|WOOD|Henry Wood|Fantasia on British Sea Songs ScA4|Orchestral Score|12.00|150 GMCL200-01|||9790222293052|WOOD|Henry Wood|Fantasia on British Sea Songs Vln 1|Orchestral Part|2.00|25 GMCL200-02|||9790222293069|WOOD|Henry Wood|Fantasia on British Sea Songs Vln 2|Orchestral Part|2.00|25 GMCL200-03|||9790222293076|WOOD|Henry Wood|Fantasia on British Sea Songs Viola|Orchestral Part|2.00|25 GMCL200-04|||9790222293083|WOOD|Henry Wood|Fantasia on British Sea Songs Cello|Orchestral Part|2.00|25 GMCL200-05|||9790222293090|WOOD|Henry Wood|Fantasia on British Sea Songs Bass|Orchestral Part|2.00|25 GMCL200-06|||9790222293106|WOOD|Henry Wood|Fantasia on British Sea Songs Fl1|Orchestral Part|2.00|25 GMCL200-07|||9790222293113|WOOD|Henry Wood|Fantasia on British Sea Songs Fl2|Orchestral Part|2.00|25 GMCL200-08|||9790222293120|WOOD|Henry Wood|Fantasia on British Sea Songs Ob1|Orchestral Part|2.00|25 GMCL200-09|||9790222293137|WOOD|Henry Wood|Fantasia on British Sea Songs Ob2|Orchestral Part|2.00|25 GMCL200-10|||9790222293144|WOOD|Henry Wood|Fantasia on British Sea Songs Cl1|Orchestral Part|2.00|25 GMCL200-11|||9790222293151|WOOD|Henry Wood|Fantasia on British Sea Songs Cl2|Orchestral Part|2.00|25 GMCL200-12|||9790222293168|WOOD|Henry Wood|Fantasia on British Sea Songs Bsn1|Orchestral Part|2.00|25 GMCL200-13|||9790222293175|WOOD|Henry Wood|Fantasia on British Sea Songs Bsn2|Orchestral Part|2.00|25 GMCL200-14|||9790222293182|WOOD|Henry Wood|Fantasia on British Sea Songs Hn1|Orchestral Part|2.00|25 GMCL200-15|||9790222293199|WOOD|Henry Wood|Fantasia on British Sea Songs Hn2|Orchestral Part|2.00|25 GMCL200-16|||9790222293205|WOOD|Henry Wood|Fantasia on British Sea Songs Trp1|Orchestral Part|2.00|25 GMCL200-17|||9790222293212|WOOD|Henry Wood|Fantasia on British Sea Songs Trp2|Orchestral Part|2.00|25 GMCL200-18|||9790222293229|WOOD|Henry Wood|Fantasia on British Sea Songs Trb1|Orchestral Part|2.00|25 GMCL200-19|||9790222293236|WOOD|Henry Wood|Fantasia on British Sea Songs Trb2|Orchestral Part|2.00|25 GMCL200-20|||9790222293243|WOOD|Henry Wood|Fantasia on British Sea Songs Trb3|Orchestral Part|2.00|25 GMCL200-21|||9790222293250|WOOD|Henry Wood|Fantasia on British Sea Songs Tuba|Orchestral Part|2.00|25 GMCL200-22|||9790222293267|WOOD|Henry Wood|Fantasia on British Sea Songs Timp|Orchestral Part|2.00|25 GMCL200-23|||9790222293274|WOOD|Henry Wood|Fantasia on British Sea Songs Perc|Orchestral Part|2.50|38 GMCL200-24|||9790222293281|WOOD|Henry Wood|Fantasia on British Sea Songs Harp|Orchestral Part|2.00|25 GMCL200-25|||9790222293298|WOOD|Henry Wood|Fantasia on British Sea Songs ScA3|Orchestral Score|30.00|365 GMCL201|Edward Elgar
NURSERY SUITE for orchestra
Goodmusic Concert Classics GMCL201|'Orchestration:
2 Flutes (2nd doubles piccolo), 2 Oboes,
2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (5 players: Tambourine, Snare Drum, Triangle, Cymbals, Bass Drum, Glockenspiel), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Elgar had been appointed "Master of the King''s Musick" in 1924 and the Nursery Suite, written in 1931, was prompted by the birth in August 1930 of Princess Margaret. The work is dedicated to "The Duchess of York and the Princesses Elizabeth and Margaret Rose". The work was recorded and performed in front of an invited audience on 4th June 1931 which included the Duke and Duchess of York, later to become King George VI and Queen Elizabeth, and the four year old Princess Elizabeth. The work''s public premiere took place in August 1931 at a Promenade Concert. It was well received and was later performed as a ballet at Sadler''s Wells. There are seven sections: Aubade; The Serious Doll; Busy-ness; The Sad Doll; The Wagon (Passes); The Merry Doll; Dreaming - Envoy (Coda).

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 19 minutes

"The Serious Doll" is also published separately in a version for soloist and orchestra - Goodmusic Concert Cameos No.24'|9790222294592|ELGAR|Edward Elgar|Nursery Suite Pack|Orchestra|80.00|1340 GMCL201-00|||9790222294608|ELGAR|Edward Elgar|Nursery Suite Score|Orchestral Score|14.00|195 GMCL201-01|||9790222294615|ELGAR|Edward Elgar|Nursery Suite Violin 1|Orchestral Part|2.50|38 GMCL201-02|||9790222294622|ELGAR|Edward Elgar|Nursery Suite Violin 2|Orchestral Part|2.50|38 GMCL201-03|||9790222294639|ELGAR|Edward Elgar|Nursery Suite Viola|Orchestral Part|2.50|38 GMCL201-04|||9790222294646|ELGAR|Edward Elgar|Nursery Suite Cello|Orchestral Part|2.50|38 GMCL201-05|||9790222294653|ELGAR|Edward Elgar|Nursery Suite Bass|Orchestral Part|2.00|25 GMCL201-06|||9790222294660|ELGAR|Edward Elgar|Nursery Suite Flute 1|Orchestral Part|2.50|38 GMCL201-07|||9790222294677|ELGAR|Edward Elgar|Nursery Suite Flute 2 db Picc|Orchestral Part|2.00|25 GMCL201-08|||9790222294684|ELGAR|Edward Elgar|Nursery Suite Oboe 1|Orchestral Part|2.00|25 GMCL201-09|||9790222294691|ELGAR|Edward Elgar|Nursery Suite Oboe 2|Orchestral Part|2.00|25 GMCL201-10|||9790222294707|ELGAR|Edward Elgar|Nursery Suite Clarinet 1|Orchestral Part|2.00|25 GMCL201-11|||9790222294714|ELGAR|Edward Elgar|Nursery Suite Clarinet 2|Orchestral Part|2.00|25 GMCL201-12|||9790222294721|ELGAR|Edward Elgar|Nursery Suite Bassoon 1|Orchestral Part|2.00|25 GMCL201-13|||9790222294738|ELGAR|Edward Elgar|Nursery Suite Bassoon 2|Orchestral Part|2.00|25 GMCL201-14|||9790222294745|ELGAR|Edward Elgar|Nursery Suite Horn 1|Orchestral Part|2.00|25 GMCL201-15|||9790222294752|ELGAR|Edward Elgar|Nursery Suite Horn 2|Orchestral Part|2.00|25 GMCL201-16|||9790222294769|ELGAR|Edward Elgar|Nursery Suite Horn 3|Orchestral Part|1.50|13 GMCL201-17|||9790222294776|ELGAR|Edward Elgar|Nursery Suite Horn 4|Orchestral Part|1.50|13 GMCL201-18|||9790222294783|ELGAR|Edward Elgar|Nursery Suite Trumpet 1|Orchestral Part|1.50|13 GMCL201-19|||9790222294790|ELGAR|Edward Elgar|Nursery Suite Trumpet 2|Orchestral Part|1.50|13 GMCL201-20|||9790222294806|ELGAR|Edward Elgar|Nursery Suite Trombone 1|Orchestral Part|1.50|13 GMCL201-21|||9790222294813|ELGAR|Edward Elgar|Nursery Suite Trombone 2|Orchestral Part|1.50|13 GMCL201-22|||9790222294820|ELGAR|Edward Elgar|Nursery Suite Trombone 3|Orchestral Part|1.50|13 GMCL201-23|||9790222294837|ELGAR|Edward Elgar|Nursery Suite Tuba|Orchestral Part|1.50|13 GMCL201-24|||9790222294844|ELGAR|Edward Elgar|Nursery Suite Timpani|Orchestral Part|1.50|13 GMCL201-25|||9790222294851|ELGAR|Edward Elgar|Nursery Suite Percussion|Orchestral Part|2.00|25 GMCL201-26|||9790222294868|ELGAR|Edward Elgar|Nursery Suite Harp|Orchestral Part|1.50|13 GMCL202|Edward German
THREE DANCES from HENRY VIII for orchestra
Goodmusic Concert Classics GMCL202|'Orchestration: 2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in A and/or Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (3 players: Tambourine, Triangle, Cymbals, Tenor Drum, Bass Drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

In 1892, Edward German composed music for a production of Henry Irving''s version of Henry VIII at the Lyceum Theatre, London, where he incorporated elements of traditional old English dance. Within a year, sheet music of the dance numbers from the play''s score had sold 30,000 copies. This is a concert suite of three of the dances that provide a delightful picture of "Merrie England" (which German later went on to compose in 1902!). They are Morris Dance; Shepherds'' Dance; Torch Dance

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 8 minutes'|9790222296381|GERMAN|Edward German|Three Dances from Henry VIII Pack|Orchestra|60.00|948 GMCL202-00|||9790222296398|GERMAN|Edward German|Three Dances from Henry VIII Score|Orchestral Score|14.00|181 GMCL202-01|||9790222296404|GERMAN|Edward German|Three Dances from Henry VIII Vln 1|Orchestral Part|2.00|25 GMCL202-02|||9790222296411|GERMAN|Edward German|Three Dances from Henry VIII Vln 2|Orchestral Part|2.00|25 GMCL202-03|||9790222296428|GERMAN|Edward German|Three Dances from Henry VIII Viola|Orchestral Part|2.00|25 GMCL202-04|||9790222296435|GERMAN|Edward German|Three Dances from Henry VIII Cello|Orchestral Part|2.00|25 GMCL202-05|||9790222296442|GERMAN|Edward German|Three Dances from Henry VIII Bass|Orchestral Part|2.00|25 GMCL202-06|||9790222296459|GERMAN|Edward German|Three Dances from Henry VIII Fl 1|Orchestral Part|2.00|25 GMCL202-07|||9790222296466|GERMAN|Edward German|Three Dances from Henry VIII Fl 2|Orchestral Part|2.00|25 GMCL202-08|||9790222296473|GERMAN|Edward German|Three Dances from Henry VIII Oboe 1|Orchestral Part|1.50|13 GMCL202-09|||9790222296480|GERMAN|Edward German|Three Dances from Henry VIII Oboe 2|Orchestral Part|1.50|13 GMCL202-10|||9790222296497|GERMAN|Edward German|Three Dances from Henry VIII Clar 1|Orchestral Part|2.00|25 GMCL202-11|||9790222296503|GERMAN|Edward German|Three Dances from Henry VIII Clar 2|Orchestral Part|2.00|25 GMCL202-12|||9790222296510|GERMAN|Edward German|Three Dances from Henry VIII Bsn 1|Orchestral Part|1.50|13 GMCL202-13|||9790222296527|GERMAN|Edward German|Three Dances from Henry VIII Bsn 2|Orchestral Part|1.50|13 GMCL202-14|||9790222296534|GERMAN|Edward German|Three Dances from Henry VIII Horn 1|Orchestral Part|1.50|13 GMCL202-15|||9790222296541|GERMAN|Edward German|Three Dances from Henry VIII Horn 2|Orchestral Part|1.50|13 GMCL202-16|||9790222296558|GERMAN|Edward German|Three Dances from Henry VIII Trp 1|Orchestral Part|1.50|13 GMCL202-17|||9790222296565|GERMAN|Edward German|Three Dances from Henry VIII Trp 2|Orchestral Part|1.50|13 GMCL202-18|||9790222296572|GERMAN|Edward German|Three Dances from Henry VIII Trb 1|Orchestral Part|1.50|13 GMCL202-19|||9790222296589|GERMAN|Edward German|Three Dances from Henry VIII Trb 2|Orchestral Part|1.50|13 GMCL202-20|||9790222296596|GERMAN|Edward German|Three Dances from Henry VIII Trb 3|Orchestral Part|1.50|13 GMCL202-21|||9790222296602|GERMAN|Edward German|Three Dances from Henry VIII Timp|Orchestral Part|1.50|13 GMCL202-22|||9790222296619|GERMAN|Edward German|Three Dances from Henry VIII Perc|Orchestral Part|2.00|25 GMCL203|AULD LANG SYNE arranged for orchestra
by Peter Lawson
Goodmusic Concert Classics GMCL203|'Orchestration: 2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 or 3 players: Snare Drum, Glockenspiel, Cymbals (clashed), Tubular Bells), Harp (or Piano), Organ (optional)
Strings (Violin 1, Violin 2, Viola, Cello, Bass) and Unison Voices (optional).

Auld Lang Syne is a poem written by Robert Burns in 1788 and set to the tune of a traditional folk song. It is well known in many countries, especially in the English-speaking world, its traditional use being to bid farewell to the old year at the stroke of midnight. It is also sung at funerals, graduations and as a farewell or ending to other occasions.
This new orchestration by Peter Lawson can be used as an accompaniment for "community" singing or for orchestra alone. It uses just two of the original five verses of Burns'' poem.
Two options for ending are given: end at Bar 56 for a big finish, or for a more reflective ending, continue for the remaining 12 bars.

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 3 minutes'|9790222298316|LAWSON|Peter Lawson|Auld Lang Syne Pack|Orchestra|40.00|558 GMCL203-00|||9790222298323|LAWSON|Peter Lawson|Auld Lang Syne Score|Orchestral Score|6.00|63 GMCL203-01|||9790222298330|LAWSON|Peter Lawson|Auld Lang Syne Violin 1|Orchestral Part|1.50|13 GMCL203-02|||9790222298347|LAWSON|Peter Lawson|Auld Lang Syne Violin 2|Orchestral Part|1.50|13 GMCL203-03|||9790222298354|LAWSON|Peter Lawson|Auld Lang Syne Viola|Orchestral Part|1.50|13 GMCL203-04|||9790222298361|LAWSON|Peter Lawson|Auld Lang Syne Cello|Orchestral Part|1.50|13 GMCL203-05|||9790222298378|LAWSON|Peter Lawson|Auld Lang Syne Bass|Orchestral Part|1.50|7 GMCL203-06|||9790222298385|LAWSON|Peter Lawson|Auld Lang Syne Flute 1|Orchestral Part|1.50|13 GMCL203-07|||9790222298392|LAWSON|Peter Lawson|Auld Lang Syne Flute 2/Piccolo|Orchestral Part|1.50|13 GMCL203-08|||9790222298408|LAWSON|Peter Lawson|Auld Lang Syne Oboe 1|Orchestral Part|1.50|13 GMCL203-09|||9790222298415|LAWSON|Peter Lawson|Auld Lang Syne Oboe 2|Orchestral Part|1.50|13 GMCL203-10|||9790222298422|LAWSON|Peter Lawson|Auld Lang Syne Clarinet 1|Orchestral Part|1.50|13 GMCL203-11|||9790222298439|LAWSON|Peter Lawson|Auld Lang Syne Clarinet 2|Orchestral Part|1.50|13 GMCL203-12|||9790222298446|LAWSON|Peter Lawson|Auld Lang Syne Bassoon 1|Orchestral Part|1.50|13 GMCL203-13|||9790222298453|LAWSON|Peter Lawson|Auld Lang Syne Bassoon 2|Orchestral Part|1.50|13 GMCL203-14|||9790222298460|LAWSON|Peter Lawson|Auld Lang Syne Horn 1|Orchestral Part|1.50|13 GMCL203-15|||9790222298477|LAWSON|Peter Lawson|Auld Lang Syne Horn 2|Orchestral Part|1.50|13 GMCL203-16|||9790222298484|LAWSON|Peter Lawson|Auld Lang Syne Horn 3|Orchestral Part|1.50|13 GMCL203-17|||9790222298491|LAWSON|Peter Lawson|Auld Lang Syne Horn 4|Orchestral Part|1.50|13 GMCL203-18|||9790222298507|LAWSON|Peter Lawson|Auld Lang Syne Trumpet 1|Orchestral Part|1.50|13 GMCL203-19|||9790222298514|LAWSON|Peter Lawson|Auld Lang Syne Trumpet 2|Orchestral Part|1.50|13 GMCL203-20|||9790222298521|LAWSON|Peter Lawson|Auld Lang Syne Trombone 1|Orchestral Part|1.50|7 GMCL203-21|||9790222298538|LAWSON|Peter Lawson|Auld Lang Syne Trombone 2|Orchestral Part|1.50|7 GMCL203-22|||9790222298545|LAWSON|Peter Lawson|Auld Lang Syne Trombone 3|Orchestral Part|1.50|7 GMCL203-23|||9790222298552|LAWSON|Peter Lawson|Auld Lang Syne Tuba|Orchestral Part|1.50|13 GMCL203-24|||9790222298569|LAWSON|Peter Lawson|Auld Lang Syne Timpani|Orchestral Part|1.50|13 GMCL203-25|||9790222298576|LAWSON|Peter Lawson|Auld Lang Syne Percussion|Orchestral Part|1.50|13 GMCL203-26|||9790222298583|LAWSON|Peter Lawson|Auld Lang Syne Harp|Orchestral Part|1.50|13 GMCL203-27|||9790222298590|LAWSON|Peter Lawson|Auld Lang Syne Organ|Orchestral Part|1.50|13 GMCL203-28|||9790222320741|LAWSON|Peter Lawson|Auld Lang Syne Voices|Orchestral Part|1.50|7 GMCL204|COLONEL BOGEY by Kenneth J Alford
arranged for orchestra by Peter Lawson
Goodmusic Concert Classics GMCL204|Orchestration: 2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Snare Drum, Triangle, Cymbals (clashed), Tam-tam, Sleigh Bells, Tambourine, Bass Drum, Glockenspiel, Tubular Bells), Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Colonel Bogey is a march written in 1914 by Lieutenant F. J. Ricketts (1881-1945), a British Army bandmaster who later became the director of music for the Royal Marines at Plymouth. He wrote under the pseudonym Kenneth J. Alford as service personnel at that time were not encouraged to have a life outside the military. Supposedly, the tune was inspired by a military man and golfer who whistled a characteristic two-note phrase instead of shouting "Fore!". It is this descending interval that begins each line of the melody. The name "Colonel Bogey" began in the later 19th century as the imaginary standard opponent; Edwardian golfers on both sides of the Atlantic often played matches against "Colonel Bogey". Bogey is now a golfing term meaning "one over par". The sheet music was a million-seller, and the march was recorded many times. At the start of World War II, "Colonel Bogey" became part of British way of life when the tune was used for the popular lyrics: "Hitler Has Only Got One Ball".

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.

Duration 4? minutes|9790222299955|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Pack|Orchestra|50.00|695 GMCL204-00|||9790222299962|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Score|Orchestral Score|10.00|125 GMCL204-01|||9790222299979|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Violin 1|Orchestral Part|1.50|13 GMCL204-02|||9790222299986|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Violin 2|Orchestral Part|1.50|13 GMCL204-03|||9790222299993|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Viola|Orchestral Part|1.50|13 GMCL204-04|||9790222300002|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Cello|Orchestral Part|1.50|13 GMCL204-05|||9790222300019|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Bass|Orchestral Part|1.50|13 GMCL204-06|||9790222300026|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Flute 1|Orchestral Part|1.50|13 GMCL204-07|||9790222300033|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Flute 2|Orchestral Part|1.50|13 GMCL204-08|||9790222300040|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Oboe 1|Orchestral Part|1.50|13 GMCL204-09|||9790222300057|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Oboe 2|Orchestral Part|1.50|13 GMCL204-10|||9790222300064|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Clar.1|Orchestral Part|1.50|13 GMCL204-11|||9790222300071|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Clar.2|Orchestral Part|1.50|13 GMCL204-12|||9790222300088|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Bassoon1|Orchestral Part|1.50|13 GMCL204-13|||9790222300095|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Bassoon2|Orchestral Part|1.50|13 GMCL204-14|||9790222300101|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Horn 1|Orchestral Part|1.50|13 GMCL204-15|||9790222300118|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Horn 2|Orchestral Part|1.50|13 GMCL204-16|||9790222300125|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Horn 3|Orchestral Part|1.50|13 GMCL204-17|||9790222300132|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Horn 4|Orchestral Part|1.50|13 GMCL204-18|||9790222300149|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Trumpet1|Orchestral Part|1.50|13 GMCL204-19|||9790222300156|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Trumpet2|Orchestral Part|1.50|13 GMCL204-20|||9790222300163|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Tromb.1|Orchestral Part|1.50|13 GMCL204-21|||9790222300170|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Tromb.2|Orchestral Part|1.50|13 GMCL204-22|||9790222300187|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Tromb.3|Orchestral Part|1.50|13 GMCL204-23|||9790222300194|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Tuba|Orchestral Part|1.50|13 GMCL204-24|||9790222300200|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Timpani|Orchestral Part|1.50|13 GMCL204-25|||9790222300217|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Perc.|Orchestral Part|2.00|25 GMCL204-26|||9790222300224|ALFORD|Kenneth J Alford|Colonel Bogey (arr.Lawson) Harp|Orchestral Part|1.50|13 GMCL205|ELGAR, Edward (1857-1934)
POMP and CIRCUMSTANCE MARCH No.5 for orchestra
Goodmusic Concert Classics GMCL205|'Orchestration:
Piccolo, 2 Flutes, 2 Oboes, Cor Anglais*, 2 Clarinets in Bb, Bass Clarinet in Bb*, 2 Bassoons, Contra Bassoon*,
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba,
Timpani, Percussion (4 players: Triangle, Snare Drum, Cymbals [clashed and suspended], Bass Drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
(* instruments may be omitted)

The first four Pomp & Circumstance Marches were composed between 1901 and 1907, but this, the fifth, was not completed until 1930 although Elgar had made some sketches for it much earlier. The Ordnance Survey map still survives on which Elgar jotted down the main theme of this march as he was motoring through Gloucester. Despite arriving well towards the end of the composer''s life, it is in many ways the most jaunty of the set, swinging along in a breezy six-eight. On 18 September 1930, Elgar recorded the March two days before its public premiere under Henry Wood in the Queen''s Hall. Despite Elgar''s absence through illness, the hall was sold out, the reception "rapturous", and the Daily Telegraph reported that "No recent announcement can have given greater pleasure to a vast number of people than the promise of a new Military March by the Master of the King''s Music". Its first broadcast performance took place on 19 March 1931.

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.

Duration 6 minutes'|9790222300231|ELGAR|Edward Elgar|Pomp & Circumstance 5 Pack|Orchestra|70.00|1048 GMCL205-00|||9790222300248|ELGAR|Edward Elgar|Pomp & Circumstance 5 Score|Orchestral Score|10.00|125 GMCL205-01|||9790222300255|ELGAR|Edward Elgar|Pomp & Circumstance 5 Violin 1|Orchestral Part|2.00|25 GMCL205-02|||9790222300262|ELGAR|Edward Elgar|Pomp & Circumstance 5 Violin 2|Orchestral Part|2.00|25 GMCL205-03|||9790222300279|ELGAR|Edward Elgar|Pomp & Circumstance 5 Viola|Orchestral Part|2.00|25 GMCL205-04|||9790222300286|ELGAR|Edward Elgar|Pomp & Circumstance 5 Cello|Orchestral Part|2.00|25 GMCL205-05|||9790222300293|ELGAR|Edward Elgar|Pomp & Circumstance 5 Bass|Orchestral Part|2.00|25 GMCL205-06|||9790222300309|ELGAR|Edward Elgar|Pomp & Circumstance 5 Piccolo|Orchestral Part|1.50|13 GMCL205-07|||9790222300316|ELGAR|Edward Elgar|Pomp & Circumstance 5 Flute 1|Orchestral Part|2.00|25 GMCL205-08|||9790222300323|ELGAR|Edward Elgar|Pomp & Circumstance 5 Flute 2|Orchestral Part|2.00|25 GMCL205-09|||9790222300330|ELGAR|Edward Elgar|Pomp & Circumstance 5 Oboe 1|Orchestral Part|1.50|13 GMCL205-10|||9790222300347|ELGAR|Edward Elgar|Pomp & Circumstance 5 Oboe 2|Orchestral Part|1.50|13 GMCL205-11|||9790222300354|ELGAR|Edward Elgar|Pomp & Circumstance 5 Cor Anglais|Orchestral Part|1.50|13 GMCL205-12|||9790222300361|ELGAR|Edward Elgar|Pomp & Circumstance 5 Clarinet 1|Orchestral Part|2.00|25 GMCL205-13|||9790222300378|ELGAR|Edward Elgar|Pomp & Circumstance 5 Clarinet 2|Orchestral Part|2.00|25 GMCL205-14|||9790222300385|ELGAR|Edward Elgar|Pomp & Circumstance 5 Bass Clarinet|Orchestral Part|1.50|13 GMCL205-15|||9790222300392|ELGAR|Edward Elgar|Pomp & Circumstance 5 Bassoon 1|Orchestral Part|2.00|25 GMCL205-16|||9790222300408|ELGAR|Edward Elgar|Pomp & Circumstance 5 Bassoon 2|Orchestral Part|2.00|25 GMCL205-17|||9790222300415|ELGAR|Edward Elgar|Pomp & Circumstance 5 ContraBassoon|Orchestral Part|1.50|13 GMCL205-18|||9790222300422|ELGAR|Edward Elgar|Pomp & Circumstance 5 Horn 1|Orchestral Part|1.50|13 GMCL205-19|||9790222300439|ELGAR|Edward Elgar|Pomp & Circumstance 5 Horn 2|Orchestral Part|1.50|13 GMCL205-20|||9790222300446|ELGAR|Edward Elgar|Pomp & Circumstance 5 Horn 3|Orchestral Part|1.50|13 GMCL205-21|||9790222300453|ELGAR|Edward Elgar|Pomp & Circumstance 5 Horn 4|Orchestral Part|1.50|13 GMCL205-22|||9790222300460|ELGAR|Edward Elgar|Pomp & Circumstance 5 Trumpet 1|Orchestral Part|1.50|13 GMCL205-23|||9790222300477|ELGAR|Edward Elgar|Pomp & Circumstance 5 Trumpet 2|Orchestral Part|1.50|13 GMCL205-24|||9790222300484|ELGAR|Edward Elgar|Pomp & Circumstance 5 Trumpet 3|Orchestral Part|1.50|13 GMCL205-25|||9790222300491|ELGAR|Edward Elgar|Pomp & Circumstance 5 Trombone 1|Orchestral Part|1.50|13 GMCL205-26|||9790222300507|ELGAR|Edward Elgar|Pomp & Circumstance 5 Trombone 2|Orchestral Part|1.50|13 GMCL205-27|||9790222300514|ELGAR|Edward Elgar|Pomp & Circumstance 5 Trombone 3|Orchestral Part|1.50|13 GMCL205-28|||9790222300521|ELGAR|Edward Elgar|Pomp & Circumstance 5 Tuba|Orchestral Part|1.50|13 GMCL205-29|||9790222300538|ELGAR|Edward Elgar|Pomp & Circumstance 5 Timpani|Orchestral Part|1.50|13 GMCL205-30|||9790222300545|ELGAR|Edward Elgar|Pomp & Circumstance 5 Percussion|Orchestral Part|2.00|25 GMCL206|JINGLE BELLS by James Pierpont
arranged for orchestra by Kenneth Gaw
Goodmusic Concert Classics GMCL206|'Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones
Percussion (Sleigh Bells, Tambourine, Marimba [optional], Drum Kit [or Snare Drum, Cymbal & Bass Drum]), Piano (optional)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Jingle Bells was written by James Lord Pierpont who was an American songwriter, arranger, organist, and composer. He was born in Boston, Massachusetts in 1822 and died in Winter Haven, Florida in 1893. Jingle Bells was first published under the title "One Horse Open Sleigh" in the autumn of 1857. Even though it is now associated with the Christmas and holiday season, it was actually originally written for American Thanksgiving. It is uncertain where and when Pierpont originally composed the song. A plaque at 19 High Street in Medford, Massachusetts, commemorates the "birthplace" of "Jingle Bells", and claims that Pierpont wrote the song there in 1850 at what was then the Simpson Tavern. According to the Medford Historical Society, the song was inspired by the town''s popular sleigh races during the 19th century.
This arrangement should brighten up any Christmas or winter concert. The Drum Kit may be replaced by 2 percussion players playing Snare Drum, Suspended Cymbal & Bass Drum.

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 1? minutes'|9790222301719|GAW|Kenneth Gaw|Jingle Bells Pack|Orchestra|35.00|550 GMCL206-00|||9790222301726|GAW|Kenneth Gaw|Jingle Bells Score|Orchestral Score|5.00|50 GMCL206-01|||9790222301733|GAW|Kenneth Gaw|Jingle Bells Violin 1|Orchestral Part|1.50|13 GMCL206-02|||9790222301740|GAW|Kenneth Gaw|Jingle Bells Violin 2|Orchestral Part|1.50|13 GMCL206-03|||9790222301757|GAW|Kenneth Gaw|Jingle Bells Viola|Orchestral Part|1.50|13 GMCL206-04|||9790222301764|GAW|Kenneth Gaw|Jingle Bells Cello|Orchestral Part|1.50|13 GMCL206-05|||9790222301771|GAW|Kenneth Gaw|Jingle Bells Bass|Orchestral Part|1.50|13 GMCL206-06|||9790222301788|GAW|Kenneth Gaw|Jingle Bells Flute 1+2|Orchestral Part|1.50|13 GMCL206-07|||9790222301795|GAW|Kenneth Gaw|Jingle Bells Oboe 1+2|Orchestral Part|1.50|13 GMCL206-08|||9790222301801|GAW|Kenneth Gaw|Jingle Bells Clarinet 1+2|Orchestral Part|1.50|13 GMCL206-09|||9790222301818|GAW|Kenneth Gaw|Jingle Bells Bassoon 1+2|Orchestral Part|1.50|13 GMCL206-10|||9790222301825|GAW|Kenneth Gaw|Jingle Bells Horn 1+2|Orchestral Part|1.50|13 GMCL206-11|||9790222301832|GAW|Kenneth Gaw|Jingle Bells Trumpet 1+2|Orchestral Part|1.50|13 GMCL206-12|||9790222301849|GAW|Kenneth Gaw|Jingle Bells Trombone 1+2|Orchestral Part|1.50|13 GMCL206-13|||9790222301856|GAW|Kenneth Gaw|Jingle Bells Trombone 3|Orchestral Part|1.50|13 GMCL206-14|||9790222301863|GAW|Kenneth Gaw|Jingle Bells Percussion|Orchestral Part|1.50|13 GMCL206-15|||9790222301870|GAW|Kenneth Gaw|Jingle Bells Marimba|Orchestral Part|1.50|13 GMCL206-16|||9790222301887|GAW|Kenneth Gaw|Jingle Bells Drum Kit|Orchestral Part|1.50|13 GMCL206-17|||9790222301894|GAW|Kenneth Gaw|Jingle Bells Piano|Orchestral Part|1.50|13 GMCL207|A TASTE OF THE ISLES
Songs by Hugh Roberton arranged for orchestra by Kenneth Gaw
Goodmusic Concert Classics GMCL207|'Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Timpani,
Percussion (Snare Drum, Bass Drum, Cymbals, Tambourine, Marimba [optional]), Harp (or piano) [optional]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Two contrasting songs from Hugh Roberton''s "Songs of the Isles" arranged for orchestra to give a taste of the Scottish Isles.
The Mingulay Boat Song was written in the 1930s. The melody is from a traditional Gaelic tune, probably titled "Lochaber". The tune was part of an old Gaelic song, "Oran na Comhachaig" from Brae Lochaber.
Top of the Morning is a sheep-shearing song, the first part of which is again from a Gaelic tune. Hugh Roberton wrote the words and the remainder of the tune and fashioned it into this song.
Shear the sheep, and pack the wool,
Eat the bannocks and sup the brew,
Then to ploys [pranks] and dancing too,
And home at the top of the morning.

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 5 minutes'|9790222302624|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Pack|Orchestra|40.00|647 GMCL207-00|||9790222302631|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Score|Orchestral Score|8.00|100 GMCL207-01|||9790222302648|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Vln 1|Orchestral Part|1.50|13 GMCL207-02|||9790222302655|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Vln 2|Orchestral Part|1.50|13 GMCL207-03|||9790222302662|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Viola|Orchestral Part|1.50|13 GMCL207-04|||9790222302679|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Cello|Orchestral Part|1.50|13 GMCL207-05|||9790222302686|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Bass|Orchestral Part|1.50|13 GMCL207-06|||9790222302693|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Flute 1|Orchestral Part|1.50|13 GMCL207-07|||9790222302709|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Flute 2|Orchestral Part|1.50|13 GMCL207-08|||9790222302716|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Oboe 1|Orchestral Part|1.50|13 GMCL207-09|||9790222302723|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Oboe 2|Orchestral Part|1.50|13 GMCL207-10|||9790222302730|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Clar 1|Orchestral Part|1.50|13 GMCL207-11|||9790222302747|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Clar 2|Orchestral Part|1.50|13 GMCL207-12|||9790222302754|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Bsn 1|Orchestral Part|1.50|13 GMCL207-13|||9790222302761|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Bsn 2|Orchestral Part|1.50|13 GMCL207-14|||9790222302778|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Horn 1|Orchestral Part|1.50|13 GMCL207-15|||9790222302785|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Horn 2|Orchestral Part|1.50|13 GMCL207-16|||9790222302792|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Horn 3|Orchestral Part|1.50|13 GMCL207-17|||9790222302808|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Horn 4|Orchestral Part|1.50|13 GMCL207-18|||9790222302815|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Trp 1|Orchestral Part|1.50|13 GMCL207-19|||9790222302822|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Trp 2|Orchestral Part|1.50|13 GMCL207-20|||9790222302839|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Trp 3|Orchestral Part|1.50|13 GMCL207-21|||9790222302846|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Trb 1|Orchestral Part|1.50|13 GMCL207-22|||9790222302853|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Trb 2|Orchestral Part|1.50|13 GMCL207-23|||9790222302860|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Trb 3|Orchestral Part|1.50|13 GMCL207-24|||9790222302877|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Timpani|Orchestral Part|1.50|13 GMCL207-25|||9790222302884|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Perc|Orchestral Part|2.00|25 GMCL207-26|||9790222302891|ROBERTON|Hugh S. Roberton|Taste of the Isles arr. Gaw Harp|Orchestral Part|2.00|25 GMCL208|Moritz Moszkowski
THREE SPANISH DANCES
arranged for orchestra by Rob Hume
Goodmusic Concert Classics GMCL208|'Orchestration: 2 Flutes, Oboe, 2 Clarinets in A and/or Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 or 3 players: Triangle, Tambourine, Castanets, Xylophone)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Moritz (Maurice) Moszkowski was a German-Jewish composer, pianist, and teacher of Polish descent on his father''s side. Ignacy Paderewski said: "After Chopin, Moszkowski best understands how to write for the piano, and his writing embraces the whole gamut of piano technique." These three dances are superb orchestrations of pieces taken from his well-known Spanish Dances Op.12 originally composed for piano duet:
1. Op.12 No.3 Allegretto, 2. Op12. No.2 Moderato, 3. Op.12 No.5 Bolero

Duration 10 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222304680|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Pack|Orchestra|60.00|1018 GMCL208-00|||9790222304697|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Score|Orchestral Score|14.00|175 GMCL208-01|||9790222304703|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Violin 1|Orchestral Part|2.00|25 GMCL208-02|||9790222304710|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Violin 2|Orchestral Part|2.00|25 GMCL208-03|||9790222304727|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Viola|Orchestral Part|2.00|25 GMCL208-04|||9790222304734|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Cello|Orchestral Part|2.00|25 GMCL208-05|||9790222304741|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Bass|Orchestral Part|2.00|25 GMCL208-06|||9790222304758|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Flute 1|Orchestral Part|2.00|25 GMCL208-07|||9790222304765|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Flute 2|Orchestral Part|2.00|25 GMCL208-08|||9790222304772|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Oboe|Orchestral Part|2.00|25 GMCL208-09|||9790222304789|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Clarinet 1|Orchestral Part|2.50|38 GMCL208-10|||9790222304796|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Clarinet 2|Orchestral Part|2.50|38 GMCL208-11|||9790222304802|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Bassoon 1|Orchestral Part|1.50|13 GMCL208-12|||9790222304819|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Bassoon 2|Orchestral Part|1.50|13 GMCL208-13|||9790222304826|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Horn 1|Orchestral Part|2.00|25 GMCL208-14|||9790222304833|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Horn 2|Orchestral Part|1.50|13 GMCL208-15|||9790222304840|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Trumpet 1|Orchestral Part|1.50|13 GMCL208-16|||9790222304857|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Trumpet 2|Orchestral Part|1.50|13 GMCL208-17|||9790222304864|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Trombone 1|Orchestral Part|1.50|13 GMCL208-18|||9790222304871|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Trombone 2|Orchestral Part|1.50|13 GMCL208-19|||9790222304888|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Trombone 3|Orchestral Part|1.50|13 GMCL208-20|||9790222304895|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Tuba|Orchestral Part|1.50|13 GMCL208-21|||9790222304901|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Timpani|Orchestral Part|1.50|13 GMCL208-22|||9790222304918|MOSZKOWSKI|Moritz Moszkowski|Three Spanish Dances Percussion|Orchestral Part|2.00|25 GMCL209|Leopold Mozart
CLASSIC SLEIGHRIDE
arranged for orchestra by Philip Lane
Goodmusic Concert Classics GMCL209|Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, Trumpet in Bb,
Percussion (3 players: Sleighbells (2 different pitches), Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Johann Georg Leopold Mozart (1719-1787) was a German composer, conductor, teacher, and violinist. He is best known today as the father and teacher of Wolfgang Amadeus Mozart, and for his violin textbook Versuch einer grundlichen Violinschule. The Schlittenfahrt or "Sleigh Ride" is a movement from his Divertimento in F for orchestra.
This is a charming arrangement for small orchestra, with parts for two sleigh bells positioned either side of the orchestra. This is classic festive fare - a perfect orchestral item for any Christmas concert.
A commercial recording by the BBC Concert Orchestra conducted by Barry Wordsworth is available on a Naxos recording entitled "The Night Before Christmas" (Naxos 8.570331).
Duration 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222305250|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Pack|Orchestra|50.00|488 GMCL209-00|||9790222305267|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Score|Orchestral Score|6.00|75 GMCL209-01|||9790222305274|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Vln 1|Orchestral Part|1.50|13 GMCL209-02|||9790222305281|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Vln 2|Orchestral Part|1.50|13 GMCL209-03|||9790222305298|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Viola|Orchestral Part|1.50|13 GMCL209-04|||9790222305304|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Cello|Orchestral Part|1.50|13 GMCL209-05|||9790222305311|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Bass|Orchestral Part|1.50|13 GMCL209-06|||9790222305328|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Flute 1|Orchestral Part|1.50|13 GMCL209-07|||9790222305335|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Flute 2|Orchestral Part|1.50|13 GMCL209-08|||9790222305342|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Oboe 1|Orchestral Part|1.50|13 GMCL209-09|||9790222305359|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Oboe 2|Orchestral Part|1.50|13 GMCL209-10|||9790222305366|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Clar 1|Orchestral Part|1.50|13 GMCL209-11|||9790222305373|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Clar 2|Orchestral Part|1.50|13 GMCL209-12|||9790222305380|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Bsn 1|Orchestral Part|1.50|13 GMCL209-13|||9790222305397|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Bsn 2|Orchestral Part|1.50|13 GMCL209-14|||9790222305403|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Horn 1|Orchestral Part|1.50|13 GMCL209-15|||9790222305410|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Horn 2|Orchestral Part|1.50|13 GMCL209-16|||9790222305427|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Trumpet|Orchestral Part|1.50|13 GMCL209-17|||9790222305434|MOZART L|Leopold Mozart|Classic Sleighride arr.Lane Perc.|Orchestral Part|1.50|13 GMCL210|Victor Hely-Hutchinson
A CAROL SYMPHONY for orchestra
Goodmusic Concert Classics GMCL210|Orchestration: 3 Flutes (3rd db. Piccolo), 2 Oboes (2nd db Cor Anglais), 3 Clarinets in A or Bb (3rd db Bass Clarinet in Bb), 3 Bassoons (3rd db Contra Bassoon), 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Tubular Bells, Harp or Piano
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Optional: Flute 3, Oboe 2, Clarinet 3, Bassoon 3, Horn 3 & 4, Trumpet 3, Trombone 3 & Tuba may be omitted as these are cued in other instruments.

Christian Victor Hely-Hutchinson (26 December 1901-11 March 1947) was a British composer, born in Cape Town, Cape Colony (now South Africa) where his father was the governor from 1901 to 1910. After education at Eton College, Oxford University and the Royal College of Music (where he studied conducting under Adrian Boult), he returned to Cape Town to teach at the College of Music there. In 1926 he moved to London and joined the BBC becoming a conductor, pianist and accompanist. He moved to Birmingham in 1933 to become Midland Regional Director of Music for the BBC but left a year later to become Professor of Music at the University of Birmingham, taking over from Sir Granville Bantock. In 1944, he returned to the BBC in London to become Director of Music. The winter of 1947 was very long-lasting and to save fuel (which was still rationed), Hely-Hutchinson refused to switch on the radiators in his office. He developed a cold, which became pneumonia. He died on 11 March 1947 at the premature age of 45.
The Carol Symphony, written in 1929, is his best known work. The symphony has four movements and is based on traditional English Christmas carols: O Come, All Ye Faithful; God Rest You Merry, Gentlemen; The Coventry Carol; The First Nowell; Here We Come A-wassailing.

Previously available from the original publisher only as a somewhat illegible copy of the manuscript, this new Goodmusic edition is clearly laid out, with errors and anomalies corrected. A PACK includes an A4 sized score and a complete set of orchestral parts including strings 4/4/3/4/2. A large A3 sized score is also on sale.

Duration 24 minutes|9790222306592|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Pack|Orchestra|120.00|2035 GMCL210-00|||9790222306608|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Score (A4)|Orchestral Score|20.00|325 GMCL210-01|||9790222306615|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Violin 1|Orchestral Part|3.00|50 GMCL210-02|||9790222306622|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Violin 2|Orchestral Part|3.00|50 GMCL210-03|||9790222306639|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Viola|Orchestral Part|3.00|50 GMCL210-04|||9790222306646|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Cello|Orchestral Part|3.50|63 GMCL210-05|||9790222306653|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Bass|Orchestral Part|2.50|38 GMCL210-06|||9790222306660|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Flute 1|Orchestral Part|2.50|38 GMCL210-07|||9790222306677|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Flute 2|Orchestral Part|2.50|38 GMCL210-08|||9790222306684|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Flute 3/Picc|Orchestral Part|2.50|38 GMCL210-09|||9790222306691|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Oboe 1|Orchestral Part|2.50|38 GMCL210-10|||9790222306707|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Oboe 2/CorAng|Orchestral Part|2.50|38 GMCL210-11|||9790222306714|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Clarinet 1 in A|Orchestral Part|2.50|38 GMCL210-12|||9790222306721|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Clarinet 1 in Bb|Orchestral Part|2.50|38 GMCL210-13|||9790222306738|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Clarinet 2 in A|Orchestral Part|2.50|38 GMCL210-14|||9790222306745|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Clarinet 2 in Bb|Orchestral Part|2.50|38 GMCL210-15|||9790222306752|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Clarinet 3 A db BCl|Orchestral Part|2.50|38 GMCL210-16|||9790222306769|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Clarinet 3 Bb db BCl|Orchestral Part|2.50|38 GMCL210-17|||9790222306776|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Bassoon 1|Orchestral Part|2.50|38 GMCL210-18|||9790222306783|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Bassoon 2|Orchestral Part|2.50|38 GMCL210-19|||9790222306790|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Bassoon 3/C.Bsn|Orchestral Part|2.50|38 GMCL210-20|||9790222306806|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Horn 1|Orchestral Part|2.00|25 GMCL210-21|||9790222306813|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Horn 2|Orchestral Part|2.00|25 GMCL210-22|||9790222306820|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Horn 3|Orchestral Part|2.00|25 GMCL210-23|||9790222306837|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Horn 4|Orchestral Part|2.00|25 GMCL210-24|||9790222306844|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Trumpet 1|Orchestral Part|2.00|25 GMCL210-25|||9790222306851|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Trumpet 2|Orchestral Part|2.00|25 GMCL210-26|||9790222306868|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Trumpet 3|Orchestral Part|1.50|13 GMCL210-27|||9790222306875|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Trombone 1|Orchestral Part|2.00|25 GMCL210-28|||9790222306882|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Trombone 2|Orchestral Part|2.00|25 GMCL210-29|||9790222306899|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Trombone 3|Orchestral Part|1.50|13 GMCL210-30|||9790222306905|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Tuba|Orchestral Part|1.50|13 GMCL210-31|||9790222306912|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Timpani|Orchestral Part|2.00|25 GMCL210-32|||9790222306929|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Tubular Bells|Orchestral Part|1.50|13 GMCL210-33|||9790222306936|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Harp/Piano|Orchestral Part|1.50|13 GMCL210-34|||9790222306943|HELY-HUTCHIN|Victor Hely-Hutchinson|Carol Symphony Score (A3)|Orchestral Score|40.00|670 GMCL211|Erik Satie
TROIS GNOSSIENNES for orchestra
Goodmusic Concert Classics GMCL211|'Arranged for orchestra by Peter Lawson
Orchestration: Flute, Piccolo, Oboe, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Tam-Tam, Tambourine, Glockenspiel), Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Erik Satie composed his Trois Gnossiennes between 1890 and 1893. The word Gnossiennes was artificially invented by Satie. At that time, he was interested in Gnosticism, or the seeking of wisdom as a result of helping others. Others attribute the title to the Cretan word ''knossos'' or ''gnossos''. The remains of the Palace of Knossos were first discovered in 1878 and there was much talk at the time of the connection to the myth of Theseus, Ariadne and the Minotaur.
The Gnossiennes are dreamy, mysterious, harmonically modal and similar to each other in mood being rather ''Middle Eastern'' in their melodic construction. They were originally written in free time, without time signature and bar lines, the idea presumably being to invite freedom of interpretation. For this orchestration, I have put in bar lines and time signatures, as it would clearly be confusing in rehearsal if there was no clarity for the conductor to indicate from where to stop and start! However, the bar lines should not be regarded as a constriction and I have indicated that each piece should be rather rubato in tempo. I have tried to reflect the relaxed, hypnotic mood and let solo instruments carry the melodic lines and tell the story.
Throughout, Satie gave typically quirky instructions to the pianist and I have reproduced these in the score above the relevant instrumentalist''s phrase, with a translation from the French?not a literal one in some cases. For instance, for ''Ouvrez la tete'' (literally ''open your head''), I have altered the translation to ''open your mind'', as this would be more likely to engender a slight difference in the way in which the performer interpreted the phrase, if only just! Peter Lawson

A PACK includes a full score and a complete set of orchestral parts including strings 4/4/3/4/2.
Duration 7? minutes

Can also be performed featuring a soloist with the orchestra. Solo parts (and a piano accompaniment) are available for Violin, Viola, Violoncello, Flute, Oboe, Clarinet, Saxophone in Eb or Bb, Bassoon, Horn, Trumpet, Trombone or Tuba published under the reference Goodmusic GM301.'|9790222312845|SATIE|Erik Satie|Trois Gnossiennes Pack|Orchestra|45.00|550 GMCL211-00|||9790222312852|SATIE|Erik Satie|Trois Gnossiennes Score|Orchestral Score|8.00|88 GMCL211-01|||9790222312869|SATIE|Erik Satie|Trois Gnossiennes Violin 1|Orchestral Part|1.50|13 GMCL211-02|||9790222312876|SATIE|Erik Satie|Trois Gnossiennes Violin 2|Orchestral Part|1.50|13 GMCL211-03|||9790222312883|SATIE|Erik Satie|Trois Gnossiennes Viola|Orchestral Part|1.50|13 GMCL211-04|||9790222312890|SATIE|Erik Satie|Trois Gnossiennes Cello|Orchestral Part|1.50|13 GMCL211-05|||9790222312906|SATIE|Erik Satie|Trois Gnossiennes Bass|Orchestral Part|1.50|13 GMCL211-06|||9790222312913|SATIE|Erik Satie|Trois Gnossiennes Flute|Orchestral Part|1.50|13 GMCL211-07|||9790222312920|SATIE|Erik Satie|Trois Gnossiennes Piccolo|Orchestral Part|1.50|13 GMCL211-08|||9790222312937|SATIE|Erik Satie|Trois Gnossiennes Oboe|Orchestral Part|1.50|13 GMCL211-09|||9790222312944|SATIE|Erik Satie|Trois Gnossiennes Clarinet 1|Orchestral Part|1.50|13 GMCL211-10|||9790222312951|SATIE|Erik Satie|Trois Gnossiennes Clarinet 2|Orchestral Part|1.50|13 GMCL211-11|||9790222312968|SATIE|Erik Satie|Trois Gnossiennes Bassoon 1|Orchestral Part|1.50|13 GMCL211-12|||9790222312975|SATIE|Erik Satie|Trois Gnossiennes Bassoon 2|Orchestral Part|1.50|13 GMCL211-13|||9790222312982|SATIE|Erik Satie|Trois Gnossiennes Horn 1|Orchestral Part|1.50|13 GMCL211-14|||9790222312999|SATIE|Erik Satie|Trois Gnossiennes Horn 2|Orchestral Part|1.50|13 GMCL211-15|||9790222313002|SATIE|Erik Satie|Trois Gnossiennes Trumpet 1|Orchestral Part|1.50|13 GMCL211-16|||9790222313019|SATIE|Erik Satie|Trois Gnossiennes Trumpet 2|Orchestral Part|1.50|13 GMCL211-17|||9790222313026|SATIE|Erik Satie|Trois Gnossiennes Trombone 1|Orchestral Part|1.50|13 GMCL211-18|||9790222313033|SATIE|Erik Satie|Trois Gnossiennes Trombone 2|Orchestral Part|1.50|13 GMCL211-19|||9790222313040|SATIE|Erik Satie|Trois Gnossiennes Trombone 3|Orchestral Part|1.50|13 GMCL211-20|||9790222313057|SATIE|Erik Satie|Trois Gnossiennes Tuba|Orchestral Part|1.50|13 GMCL211-21|||9790222313064|SATIE|Erik Satie|Trois Gnossiennes Timpani|Orchestral Part|1.50|13 GMCL211-22|||9790222313071|SATIE|Erik Satie|Trois Gnossiennes Percussion|Orchestral Part|1.50|13 GMCL211-23|||9790222313088|SATIE|Erik Satie|Trois Gnossiennes Harp/KB|Orchestral Part|1.50|13 GMCL212|Richard Strauss
SUNRISE from Also Sprach Zarathustra for orchestra
Goodmusic Concert Classics GMCL212|Orchestration: (* = optional)
3 Flutes (3*), Piccolo, 3 Oboes (3*), Eb Clarinet*, 2 Clarinets in Bb, 3 Bassoons (3*), Contra Bassoon*, 6 Horns in F (5+6*), 4 Trumpets in C or Bb (3+4*), 3 Trombones, 2 Tubas (2*), Timpani, Percussion (Cymbals, Bass drum, Triangle)
Organ
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The opening of Also Sprach Zarathustra became well-known following its use in the Stanley Kubrick film "2001: A Space Odyssey" when portraying the dawn of Mankind. It makes a spectacular opening "fanfare" for any occasion. This edition is in the original orchestration with a typically large Strauss orchestra which is used in the remainder of the tone poem, but many of the instruments can be omitted for this opening Sunrise (as indicated above, plus others that have only a few notes) so it can be performed by a standard sized orchestra.

A PACK includes a full score and complete set of parts including strings 4/4/3/4/2.
Duration 2 minutes|9790222312036|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Pack|Orchestra|26.00|360 GMCL212-00|||9790222312043|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Score|Orchestral Score|5.00|25 GMCL212-01|||9790222312050|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Violin 1|Orchestral Part|1.50|7 GMCL212-02|||9790222312067|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Violin 2|Orchestral Part|1.50|7 GMCL212-03|||9790222312074|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Viola|Orchestral Part|1.50|7 GMCL212-04|||9790222312081|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Cello|Orchestral Part|1.50|7 GMCL212-05|||9790222312098|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Bass|Orchestral Part|1.50|7 GMCL212-06|||9790222312104|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Flute 1|Orchestral Part|1.50|7 GMCL212-07|||9790222312111|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Flute 2|Orchestral Part|1.50|7 GMCL212-08|||9790222312128|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Flute 3|Orchestral Part|1.50|7 GMCL212-09|||9790222312135|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Piccolo|Orchestral Part|1.50|7 GMCL212-10|||9790222312142|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Oboe 1|Orchestral Part|1.50|7 GMCL212-11|||9790222312159|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Oboe 2|Orchestral Part|1.50|7 GMCL212-12|||9790222312166|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Oboe 3|Orchestral Part|1.50|7 GMCL212-13|||9790222312173|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Eb Clarinet|Orchestral Part|1.50|7 GMCL212-14|||9790222312180|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Clarinet 1|Orchestral Part|1.50|7 GMCL212-15|||9790222312197|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Clarinet 2|Orchestral Part|1.50|7 GMCL212-16|||9790222312203|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Bassoon 1|Orchestral Part|1.50|7 GMCL212-17|||9790222312210|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Bassoon 2|Orchestral Part|1.50|7 GMCL212-18|||9790222312227|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Bassoon 3|Orchestral Part|1.50|7 GMCL212-19|||9790222312234|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) ContraBassoon|Orchestral Part|1.50|7 GMCL212-20|||9790222312241|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Horn 1|Orchestral Part|1.50|7 GMCL212-21|||9790222312258|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Horn 2|Orchestral Part|1.50|7 GMCL212-22|||9790222312265|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Horn 3|Orchestral Part|1.50|7 GMCL212-23|||9790222312272|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Horn 4|Orchestral Part|1.50|7 GMCL212-24|||9790222312289|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Horn 5|Orchestral Part|1.50|7 GMCL212-25|||9790222312296|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Horn 6|Orchestral Part|1.50|7 GMCL212-26|||9790222312302|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Trumpet 1|Orchestral Part|1.50|7 GMCL212-27|||9790222312319|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Trumpet 2|Orchestral Part|1.50|7 GMCL212-28|||9790222312326|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Trumpet 3|Orchestral Part|1.50|7 GMCL212-29|||9790222312333|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Trumpet 4|Orchestral Part|1.50|7 GMCL212-30|||9790222312340|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Trombone 1|Orchestral Part|1.50|7 GMCL212-31|||9790222312357|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Trombone 2|Orchestral Part|1.50|7 GMCL212-32|||9790222312364|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Trombone 3|Orchestral Part|1.50|7 GMCL212-33|||9790222312371|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Tuba 1|Orchestral Part|1.50|7 GMCL212-34|||9790222312388|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Tuba 2|Orchestral Part|1.50|7 GMCL212-35|||9790222312395|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Timpani|Orchestral Part|1.50|7 GMCL212-36|||9790222312401|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Percussion|Orchestral Part|1.50|7 GMCL212-37|||9790222312418|STRAUSS R|Richard Strauss|Sunrise (Also Sprach) Organ|Orchestral Part|1.50|7 GMCL213|Franz Schubert arr.Peter Lawson
MARCHE MILITAIRE No.1 for orchestra
Goodmusic GMCL213|'Orchestration: 2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (3 players: Triangle, Snare Drum, Bass Drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Schubert''s Trois Marches Militaires were written for piano duet when the composer was in his early twenties, while teaching music to the daughters of Count Johann Karl Esterhazy at his summer home in Zseliz, then in Hungary. The French title may have been to deflect the performers from assuming that the marches were Austro-Hungarian in nature and, maybe, to appeal to a more international clientele when they were published in 1826. In this regard they do not stand alone, as the composer gave French titles to a number of piano pieces, such as the Moments Musicaux. Sadly, Schubert only lived for another two years and never achieved recognition in France until after his death.

The three marches are in ternary form, with the march sections recapitulated after a central Trio. The first one, in D major, is by far the best known - even Stravinsky quotes it in his Circus Polka. In fact, all three marches are equally tuneful and memorable. The second march is shorter and triumphal in nature. The third is longer and has an endearing ''swagger'', with a spectacular appearance of Schubert''s characteristic German 6th chord in the thirty-second bar. The central Trio sections, in particular, are full of Viennese finesse and will bring a smile of delight to the listener with their unexpected harmonic twists. They are charming, almost balletic in nature and it is no surprise that Isadora Duncan saw the choreographic potential of the first piece in 1909.
Above all, they are immense fun to play and it is these endearing qualities which I have attempted to convey when orchestrating them. Peter Lawson

This orchestration of March No.1 is also available with Nos.2 & 3 in "Trois Marches Militaires" GMCL214. The original piano duet in a new clear Goodmusic edition edited by Peter Lawson is also available (GM317).

A PACK includes a full score plus a complete set of parts including strings 4/4/3/4/2.
Duration approx 5? minutes'|9790222313736|SCHUBERT|Franz Schubert|Marche Militaire No.1 Pack|Orchestra|35.00|531 GMCL213-00|||9790222313743|SCHUBERT|Franz Schubert|Marche Militaire No.1 Score|Orchestral Score|5.00|50 GMCL213-01|||9790222313750|SCHUBERT|Franz Schubert|Marche Militaire No.1 Violin 1|Orchestral Part|1.50|13 GMCL213-02|||9790222313767|SCHUBERT|Franz Schubert|Marche Militaire No.1 Violin 2|Orchestral Part|1.50|13 GMCL213-03|||9790222313774|SCHUBERT|Franz Schubert|Marche Militaire No.1 Viola|Orchestral Part|1.50|13 GMCL213-04|||9790222313781|SCHUBERT|Franz Schubert|Marche Militaire No.1 Cello|Orchestral Part|1.50|13 GMCL213-05|||9790222313798|SCHUBERT|Franz Schubert|Marche Militaire No.1 Bass|Orchestral Part|1.50|13 GMCL213-06|||9790222313804|SCHUBERT|Franz Schubert|Marche Militaire No.1 Flute 1|Orchestral Part|1.50|13 GMCL213-07|||9790222313811|SCHUBERT|Franz Schubert|Marche Militaire No.1 Flute 2/Picc|Orchestral Part|1.50|13 GMCL213-08|||9790222313828|SCHUBERT|Franz Schubert|Marche Militaire No.1 Oboe 1|Orchestral Part|1.50|13 GMCL213-09|||9790222313835|SCHUBERT|Franz Schubert|Marche Militaire No.1 Oboe 2|Orchestral Part|1.50|13 GMCL213-10|||9790222313842|SCHUBERT|Franz Schubert|Marche Militaire No.1 Clarinet 1|Orchestral Part|1.50|13 GMCL213-11|||9790222313859|SCHUBERT|Franz Schubert|Marche Militaire No.1 Clarinet 2|Orchestral Part|1.50|13 GMCL213-12|||9790222313866|SCHUBERT|Franz Schubert|Marche Militaire No.1 Bassoon 1|Orchestral Part|1.50|13 GMCL213-13|||9790222313873|SCHUBERT|Franz Schubert|Marche Militaire No.1 Bassoon 2|Orchestral Part|1.50|13 GMCL213-14|||9790222313880|SCHUBERT|Franz Schubert|Marche Militaire No.1 Horn 1|Orchestral Part|1.50|13 GMCL213-15|||9790222313897|SCHUBERT|Franz Schubert|Marche Militaire No.1 Horn 2|Orchestral Part|1.50|13 GMCL213-16|||9790222313903|SCHUBERT|Franz Schubert|Marche Militaire No.1 Trumpet 1|Orchestral Part|1.50|13 GMCL213-17|||9790222313910|SCHUBERT|Franz Schubert|Marche Militaire No.1 Trumpet 2|Orchestral Part|1.50|13 GMCL213-18|||9790222313927|SCHUBERT|Franz Schubert|Marche Militaire No.1 Trombone 1|Orchestral Part|1.50|13 GMCL213-19|||9790222313934|SCHUBERT|Franz Schubert|Marche Militaire No.1 Trombone 2|Orchestral Part|1.50|13 GMCL213-20|||9790222313941|SCHUBERT|Franz Schubert|Marche Militaire No.1 Trombone 3|Orchestral Part|1.50|13 GMCL213-21|||9790222313958|SCHUBERT|Franz Schubert|Marche Militaire No.1 Tuba|Orchestral Part|1.50|13 GMCL213-22|||9790222313965|SCHUBERT|Franz Schubert|Marche Militaire No.1 Timpani|Orchestral Part|1.50|7 GMCL213-23|||9790222313972|SCHUBERT|Franz Schubert|Marche Militaire No.1 Percussion|Orchestral Part|1.50|13 GMCL214|Franz Schubert arr.Peter Lawson
TROIS MARCHES MILITAIRES for orchestra
Goodmusic GMCL214|'Orchestration: 2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (3-4 players: Triangle, Cymbal, Snare Drum, Bass Drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Schubert''s Trois Marches Militaires were written for piano duet when the composer was in his early twenties, while teaching music to the daughters of Count Johann Karl Esterhazy at his summer home in Zseliz, then in Hungary. The French title may have been to deflect the performers from assuming that the marches were Austro-Hungarian in nature and, maybe, to appeal to a more international clientele when they were published in 1826. In this regard they do not stand alone, as the composer gave French titles to a number of piano pieces, such as the Moments Musicaux. Sadly, Schubert only lived for another two years and never achieved recognition in France until after his death.

The three marches are in ternary form, with the march sections recapitulated after a central Trio. The first one, in D major, is by far the best known - even Stravinsky quotes it in his Circus Polka. In fact, all three marches are equally tuneful and memorable. The second march is shorter and triumphal in nature. The third is longer and has an endearing ''swagger'', with a spectacular appearance of Schubert''s characteristic German 6th chord in the thirty-second bar. The central Trio sections, in particular, are full of Viennese finesse and will bring a smile of delight to the listener with their unexpected harmonic twists. They are charming, almost balletic in nature and it is no surprise that Isadora Duncan saw the choreographic potential of the first piece in 1909.
Above all, they are immense fun to play and it is these endearing qualities which I have attempted to convey when orchestrating them. Peter Lawson

The orchestration of Marche Militaire No.1 is also available separately GMCL213. The original piano duet in a new clear Goodmusic edition edited by Peter Lawson is also available (GM317).

A PACK includes a full score plus a complete set of parts including strings 4/4/3/4/2.
Duration approx 17 minutes'|9790222314450|SCHUBERT|Franz Schubert|Trois Marches Militaires Pack|Orchestra|70.00|1075 GMCL214-00|||9790222314467|SCHUBERT|Franz Schubert|Trois Marches Militaires Score|Orchestral Score|10.00|113 GMCL214-01|||9790222314474|SCHUBERT|Franz Schubert|Trois Marches Militaires Violin 1|Orchestral Part|2.00|25 GMCL214-02|||9790222314481|SCHUBERT|Franz Schubert|Trois Marches Militaires Violin 2|Orchestral Part|2.00|25 GMCL214-03|||9790222314498|SCHUBERT|Franz Schubert|Trois Marches Militaires Viola|Orchestral Part|2.00|25 GMCL214-04|||9790222314504|SCHUBERT|Franz Schubert|Trois Marches Militaires Cello|Orchestral Part|2.00|25 GMCL214-05|||9790222314511|SCHUBERT|Franz Schubert|Trois Marches Militaires Bass|Orchestral Part|2.00|25 GMCL214-06|||9790222314528|SCHUBERT|Franz Schubert|Trois Marches Militaires Flute 1|Orchestral Part|2.00|25 GMCL214-07|||9790222314535|SCHUBERT|Franz Schubert|Trois Marches Militaires Flute 2|Orchestral Part|2.00|25 GMCL214-08|||9790222314542|SCHUBERT|Franz Schubert|Trois Marches Militaires Oboe 1|Orchestral Part|2.00|25 GMCL214-09|||9790222314559|SCHUBERT|Franz Schubert|Trois Marches Militaires Oboe 2|Orchestral Part|2.00|25 GMCL214-10|||9790222314566|SCHUBERT|Franz Schubert|Trois Marches Militaires Clarinet 1|Orchestral Part|2.00|25 GMCL214-11|||9790222314573|SCHUBERT|Franz Schubert|Trois Marches Militaires Clarinet 2|Orchestral Part|2.00|25 GMCL214-12|||9790222314580|SCHUBERT|Franz Schubert|Trois Marches Militaires Bassoon 1|Orchestral Part|2.00|25 GMCL214-13|||9790222314597|SCHUBERT|Franz Schubert|Trois Marches Militaires Bassoon 2|Orchestral Part|2.00|25 GMCL214-14|||9790222314603|SCHUBERT|Franz Schubert|Trois Marches Militaires Horn 1|Orchestral Part|2.00|25 GMCL214-15|||9790222314610|SCHUBERT|Franz Schubert|Trois Marches Militaires Horn 2|Orchestral Part|2.00|25 GMCL214-16|||9790222314627|SCHUBERT|Franz Schubert|Trois Marches Militaires Trumpet 1|Orchestral Part|2.00|25 GMCL214-17|||9790222314634|SCHUBERT|Franz Schubert|Trois Marches Militaires Trumpet 2|Orchestral Part|2.00|25 GMCL214-18|||9790222314641|SCHUBERT|Franz Schubert|Trois Marches Militaires Trombone 1|Orchestral Part|2.00|25 GMCL214-19|||9790222314658|SCHUBERT|Franz Schubert|Trois Marches Militaires Trombone 2|Orchestral Part|2.00|25 GMCL214-20|||9790222314665|SCHUBERT|Franz Schubert|Trois Marches Militaires Trombone 3|Orchestral Part|2.00|25 GMCL214-21|||9790222314672|SCHUBERT|Franz Schubert|Trois Marches Militaires Tuba|Orchestral Part|2.00|25 GMCL214-22|||9790222314689|SCHUBERT|Franz Schubert|Trois Marches Militaires Timpani|Orchestral Part|1.50|13 GMCL214-23|||9790222314696|SCHUBERT|Franz Schubert|Trois Marches Militaires Percussion|Orchestral Part|2.00|25 GMCL215|Gustav Holst
COUNTRY DANCE for orchestra
Goodmusic Concert Classics GMCL215|'This is the first published edition of "Country Dance" H.App 1,21 (1892) from the operetta Lansdown Castle (or The Sorcerer of Tewkesbury) edited by John Wright.
Orchestration: Flute, Clarinet in Bb, Bassoon, Cornet (or Trumpet in Bb)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
The young Holst became acquainted with opera in a big way in July 1892, when he took a train to London to hear Wagner''s Gotterdammerung at Covent Garden, conducted by Gustav Mahler. On a rather humbler scale, his own main composition of 1892 was a two-act operetta entitled Lansdown Castle (or The Sorcerer of Tewkesbury), for which a local Cheltenham resident (Major A.C. Cunningham) wrote the libretto. The local newspaper described the plot as ''a slender stringing together, in a whimsical way, of various incidents, more or less improbable''. On 22 December 1892 some selections from the work were performed at a Grand Orchestral Concert at the Assembly Rooms in Cheltenham, conducted by the composer, in which this Country Dance is likely to have appeared. The first (and possibly only) complete performance of the operetta took place the following February at the Cheltenham Corn Exchange with piano accompaniment only, played by Holst himself.
A PACK includes a full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 3? minutes'|9790222322912|HOLST|Gustav Holst|Country Dance Pack|Orchestra|30.00|350 GMCL215-00|||9790222322929|HOLST|Gustav Holst|Country Dance Score|Orchestral Score|6.00|63 GMCL215-01|||9790222322936|HOLST|Gustav Holst|Country Dance Violin 1|Orchestral Part|1.50|13 GMCL215-02|||9790222322943|HOLST|Gustav Holst|Country Dance Violin 2|Orchestral Part|1.50|13 GMCL215-03|||9790222322950|HOLST|Gustav Holst|Country Dance Viola|Orchestral Part|1.50|13 GMCL215-04|||9790222322967|HOLST|Gustav Holst|Country Dance Cello|Orchestral Part|1.50|13 GMCL215-05|||9790222322974|HOLST|Gustav Holst|Country Dance Bass|Orchestral Part|1.50|13 GMCL215-06|||9790222322981|HOLST|Gustav Holst|Country Dance Flute|Orchestral Part|1.50|13 GMCL215-07|||9790222322998|HOLST|Gustav Holst|Country Dance Clarinet|Orchestral Part|1.50|13 GMCL215-08|||9790222323001|HOLST|Gustav Holst|Country Dance Bassoon|Orchestral Part|1.50|13 GMCL215-09|||9790222323018|HOLST|Gustav Holst|Country Dance Cornet/Trumpet|Orchestral Part|1.50|13 GMCL216|Gustav Holst
INTERMEZZO (1891) for orchestra
Goodmusic Concert Classics GMCL216|'This is the first published edition of Intermezzo H.App 1,12 (1891) edited by John Wright.
Orchestration: Flute, Clarinet in A (or Bb),
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
December 1891 was a busy time for Holst, as three of his compositions were performed at public concerts in Cheltenham. The Intermezzo received a performance at a Saturday afternoon concert at the Montpellier Rotunda. The local newspaper reported that the work consisted of an ''opening movement with muted first violin, with pizzicato accompaniment, and a tuneful melody in second part for clarionet and flutes'' It goes on to say that ''the work was well received, and the youthful composer bowed his acknowledgements''.
A PACK includes a full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 7 minutes'|9790222323025|HOLST|Gustav Holst|Intermezzo Pack|Orchestra|30.00|338 GMCL216-00|||9790222323032|HOLST|Gustav Holst|Intermezzo Score|Orchestral Score|6.00|75 GMCL216-01|||9790222323049|HOLST|Gustav Holst|Intermezzo Violin 1|Orchestral Part|1.50|13 GMCL216-02|||9790222323056|HOLST|Gustav Holst|Intermezzo Violin 2|Orchestral Part|1.50|13 GMCL216-03|||9790222323063|HOLST|Gustav Holst|Intermezzo Viola|Orchestral Part|1.50|13 GMCL216-04|||9790222323070|HOLST|Gustav Holst|Intermezzo Cello|Orchestral Part|1.50|13 GMCL216-05|||9790222323087|HOLST|Gustav Holst|Intermezzo Bass|Orchestral Part|1.50|13 GMCL216-06|||9790222323094|HOLST|Gustav Holst|Intermezzo Flute|Orchestral Part|1.50|13 GMCL216-07|||9790222323100|HOLST|Gustav Holst|Intermezzo Clarinet|Orchestral Part|1.50|13 GMCL217|Gustav Holst
FOLK SONGS FROM SOMERSET
Goodmusic Concert Classics GMCL217|'FIRST PUBLISHED EDITION.
Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons, 2 or 4 Horns in F, 2 Trumpets in Bb, 3 Trombones
Timpani, Percussion (2 players: Cymbals, Bass Drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Holst wrote the Folk Songs from Somerset in 1906 (originally titled "New Selection of Songs of Somerset"). It was first performed at a concert on 3rd February 1906 at the Pump Room, Bath with Holst conducting the City of Bath Orchestra. The following year, Holst completely rewrote the work and it became A Somerset Rhapsody which is performed regularly today. Holst wrote on the front of the manuscript of the earlier work "Old X" tucked it away and then it was lost . . . . . until it turned up in 2015 in the archives of an orchestra in New Zealand! It is thought that it found its way to Tauranga in New Zealand via a flautist called Stanley Farnsworth who conducted an orchestra in the area in the 1960s. It is not known how he came to have it, or what his connection was with Holst. The manuscript is now in the "Holst Victorian House" museum, located in the house in Cheltenham where Holst was born.
The first performance in modern times was given by the Bay of Plenty Symphonia conducted by Justus Rozemond on 15th April 2018 in the Baycourt Theatre in Tauranga, New Zealand.
The second UK performance (after Holst''s original in 1906 in the Pump Room, Bath) was by the Cheltenham Symphony Orchestra conducted by David Curtis on 17th September 2022 in the Pittville Pump Room, Cheltenham (...in a Pump Room again!!)
Folk Songs from Somerset published here for the first time, makes use of ten different folk songs: Dicky of Taunton Dean, The Sweet Primeroses, The Trees they do Grow High, Sheep Shearing Song, The Little Turtle Dove, High Germany, The True Lovers'' Farewell, Bruton Town, The Sign of the Bonny Blue Bell and Let Bucks A-hunting Go. (The re-written A Somerset Rhapsody only used three of these tunes.)
Holst''s manuscript shows Clarinets in A and Trumpets in A - this published edition gives the clarinets in Bb as well as A, the trumpets are transposed into Bb. Holst originally included only one trombone in the score, but later added 2 more. The original trombone is now Trombone 3. He scored for two horns but later added an indication that Horns 3 & 4 should double Horns 1 & 2 in some sections. Horns 3 & 4 are consequently optional.
Duration 9 minutes'|9790222325302|HOLST|Gustav Holst|Folk Songs from Somerset Pack|Orchestra|50.00|613 GMCL217-00|||9790222325319|HOLST|Gustav Holst|Folk Songs from Somerset Score|Orchestral Score|8.00|102 GMCL217-01|||9790222325326|HOLST|Gustav Holst|Folk Songs from Somerset Violin 1|Orchestral Part|1.50|13 GMCL217-02|||9790222325333|HOLST|Gustav Holst|Folk Songs from Somerset Violin 2|Orchestral Part|1.50|13 GMCL217-03|||9790222325340|HOLST|Gustav Holst|Folk Songs from Somerset Viola|Orchestral Part|1.50|13 GMCL217-04|||9790222325357|HOLST|Gustav Holst|Folk Songs from Somerset Cello|Orchestral Part|1.50|13 GMCL217-05|||9790222325364|HOLST|Gustav Holst|Folk Songs from Somerset Bass|Orchestral Part|1.50|13 GMCL217-06|||9790222325371|HOLST|Gustav Holst|Folk Songs from Somerset Flute 1|Orchestral Part|1.50|13 GMCL217-07|||9790222325388|HOLST|Gustav Holst|Folk Songs from Somerset Flute 2|Orchestral Part|1.50|13 GMCL217-08|||9790222325395|HOLST|Gustav Holst|Folk Songs from Somerset Oboe 1|Orchestral Part|1.50|13 GMCL217-09|||9790222325401|HOLST|Gustav Holst|Folk Songs from Somerset Oboe 2|Orchestral Part|1.50|13 GMCL217-10|||9790222325418|HOLST|Gustav Holst|Folk Songs from Somerset Clarinet 1|Orchestral Part|2.00|25 GMCL217-11|||9790222325425|HOLST|Gustav Holst|Folk Songs from Somerset Clarinet 2|Orchestral Part|2.00|25 GMCL217-12|||9790222325432|HOLST|Gustav Holst|Folk Songs from Somerset Bassoon 1|Orchestral Part|1.50|13 GMCL217-13|||9790222325449|HOLST|Gustav Holst|Folk Songs from Somerset Bassoon 2|Orchestral Part|1.50|13 GMCL217-14|||9790222325456|HOLST|Gustav Holst|Folk Songs from Somerset Horn 1|Orchestral Part|1.50|13 GMCL217-15|||9790222325463|HOLST|Gustav Holst|Folk Songs from Somerset Horn 2|Orchestral Part|1.50|13 GMCL217-16|||9790222325470|HOLST|Gustav Holst|Folk Songs from Somerset Horn 3|Orchestral Part|1.50|13 GMCL217-17|||9790222325487|HOLST|Gustav Holst|Folk Songs from Somerset Horn 4|Orchestral Part|1.50|13 GMCL217-18|||9790222325494|HOLST|Gustav Holst|Folk Songs from Somerset Trumpet 1|Orchestral Part|1.50|13 GMCL217-19|||9790222325500|HOLST|Gustav Holst|Folk Songs from Somerset Trumpet 2|Orchestral Part|1.50|13 GMCL217-20|||9790222325517|HOLST|Gustav Holst|Folk Songs from Somerset Trombone 1|Orchestral Part|1.50|13 GMCL217-21|||9790222325524|HOLST|Gustav Holst|Folk Songs from Somerset Trombone 2|Orchestral Part|1.50|13 GMCL217-22|||9790222325531|HOLST|Gustav Holst|Folk Songs from Somerset Trombone 3|Orchestral Part|1.50|13 GMCL217-23|||9790222325548|HOLST|Gustav Holst|Folk Songs from Somerset Timpani|Orchestral Part|1.50|13 GMCL217-24|||9790222325555|HOLST|Gustav Holst|Folk Songs from Somerset Percussion|Orchestral Part|1.50|13 GMCL218|Franz Schubert
DEUX MARCHES CHARACTERISTIQUES for orchestra
Goodmusic GMCL218|'Orchestration: 2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Triangle, Cymbals (clashed), Snare Drum, Bass Drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Schubert''s Deux Marches Characteristiques for piano duet are thought to date from the spring of 1826, the year that his earlier Trois Marches Militaires were published. Schubert''s marches were popular in and outside of Vienna. He often adopted French titles for his music and longed for recognition in France, but, sadly, this would only come after his death at the tragically young age of 31, in 1828, from typhoid. On this occasion, it is thought that the title was suggested posthumously by fellow composer, Joseph Lanz, for publication in December 1829.
Franz Schubert was too short in stature to qualify for military conscription. However, he seemingly made up for it by creating "marches of the soul", mainly for piano duet, which was a popular medium at the time. He frequently invited musicians to play his music at his house in evening sessions called Schubertiades and might well have tried them out with fellow musicians on such occasions. I have orchestrated these marches in the style of Schubert, allowing for the greater flexibility of modern instruments and adding suitable percussion instruments and piccolo to the orchestra that the composer would normally employ, as would be expected in marches of this period.
Although Schubert wrote many marches, these two are the only ones in 6/8 time. Each has outer sections full of dramatic contrast, with unexpected changes of key. The central Trio sections are typically delightful. Both are in the relative minor key, that of the first march ending sadly, but that of the second ending more wistfully. The design of the outer sections of the second march are more ambitious and colourful, with a second subject and elements of development of the first subject. Unlike the first march, there is a dramatic and exciting coda added, which is cleverly constructed to just about guarantee applause from an audience. Thus, the second march, beguilingly attractive at its start, concludes in triumph and joy?a mini masterpiece! Peter Lawson
A PACK includes a full score and full set of parts including strings 4/4/3/4/2
Duration 15 minutes'|9790222326279|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Pack|Orchestra|70.00|1150 GMCL218-00|||9790222326286|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Sc|Orchestral Score|14.00|175 GMCL218-01|||9790222326293|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Vln1|Orchestral Part|2.00|25 GMCL218-02|||9790222326309|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Vln2|Orchestral Part|2.00|25 GMCL218-03|||9790222326316|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Vla|Orchestral Part|2.00|25 GMCL218-04|||9790222326323|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Vc|Orchestral Part|2.00|25 GMCL218-05|||9790222326330|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Bass|Orchestral Part|2.00|25 GMCL218-06|||9790222326347|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Fl1|Orchestral Part|2.00|25 GMCL218-07|||9790222326354|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Fl2|Orchestral Part|2.00|25 GMCL218-08|||9790222326361|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Ob1|Orchestral Part|2.00|25 GMCL218-09|||9790222326378|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Ob2|Orchestral Part|2.00|25 GMCL218-10|||9790222326385|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Cl1|Orchestral Part|2.00|25 GMCL218-11|||9790222326392|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Cl2|Orchestral Part|2.00|25 GMCL218-12|||9790222326408|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Bsn1|Orchestral Part|2.00|25 GMCL218-13|||9790222326415|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Bsn2|Orchestral Part|2.00|25 GMCL218-14|||9790222326422|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Hn 1|Orchestral Part|2.00|25 GMCL218-15|||9790222326439|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Hn 2|Orchestral Part|2.00|25 GMCL218-16|||9790222326446|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Trp1|Orchestral Part|2.00|25 GMCL218-17|||9790222326453|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Trp2|Orchestral Part|2.00|25 GMCL218-18|||9790222326460|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Trb1|Orchestral Part|2.00|25 GMCL218-19|||9790222326477|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Trb2|Orchestral Part|2.00|25 GMCL218-20|||9790222326484|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Trb3|Orchestral Part|2.00|25 GMCL218-21|||9790222326491|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Tuba|Orchestral Part|2.00|25 GMCL218-22|||9790222326507|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Timp|Orchestral Part|2.00|25 GMCL218-23|||9790222326514|SCHUBERT|Franz Schubert|Deux Marches Characteristiques Perc|Orchestral Part|2.00|25 GMCL219|Franz Schubert
FANTASIA in F minor Arranged for orchestra by Peter Lawson
Goodmusic Concert Classics GMCL219|Orchestration: 2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F [3+4 optional], 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Cymbals (clashed), Snare Drum, Bass Drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Schubert wrote more piano duets than any other major composer - the Fantasia in F minor was the last and, unquestionably, the greatest of them. It was dedicated to his pupil, Countess Caroline Esterh?zy. Schubert had been in unrequited love with the young noblewoman and she had previously joked with him about why he had never dedicated a work to her, to which he had said that everything he wrote was dedicated to her. It was composed in the first three months of 1828 and performed by Schubert and Franz Lachner on May 9th. Later that year, Schubert would go on to complete his ninth symphony, write the great C major string quintet and the last three piano sonatas before typhoid would sadly claim the life of this musical genius in November, aged only 31.
The Fantasia is in four inter-connected movements. The sad, haunting opening melody with its jerky nervousness, reappears tellingly in the final movement, where it gives way to a fugue, loosely based upon a contrasting thematic idea from the first movement. The fugue builds gradually, with almost terrifying harmonies appearing at its climax and suddenly stops on a monumental imperfect cadence. This leads to the final appearance of the opening theme, which, after a dramatic plagal cadence, ends poignantly, as if in resignation.
The middle two movements are, unusually, written up a semitone, in F sharp minor?first a powerful slow movement with double-dotted baroque-like rhythms and dramatic harmonic twists, almost gothic in character. There is a contrasting middle section full of grace and charm. The third movement is a light-hearted scherzo with a characteristically delightful Trio section.
I have slightly updated the resources Schubert used in his symphonies, with the addition of Piccolo, Tuba and a little percussion. Peter Lawson
A PACK includes a full score and a complete set of parts including 4/4/3/4/2 strings.
Duration 19? minutes|9790222327078|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Pack|Orchestra|90.00|1500 GMCL219-00|||9790222327085|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Score|Orchestral Score|14.00|200 GMCL219-01|||9790222327092|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Vln 1|Orchestral Part|2.50|38 GMCL219-02|||9790222327108|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Vln 2|Orchestral Part|2.50|38 GMCL219-03|||9790222327115|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Viola|Orchestral Part|2.50|38 GMCL219-04|||9790222327122|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Cello|Orchestral Part|2.50|38 GMCL219-05|||9790222327139|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Bass|Orchestral Part|2.50|38 GMCL219-06|||9790222327146|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Flute1|Orchestral Part|2.50|38 GMCL219-07|||9790222327153|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Flute2|Orchestral Part|2.00|25 GMCL219-08|||9790222327160|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Oboe 1|Orchestral Part|2.50|38 GMCL219-09|||9790222327177|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Oboe 2|Orchestral Part|2.00|25 GMCL219-10|||9790222327184|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Clar 1|Orchestral Part|4.50|75 GMCL219-11|||9790222327191|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Clar 2|Orchestral Part|3.00|50 GMCL219-12|||9790222327207|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Bsn 1|Orchestral Part|2.50|38 GMCL219-13|||9790222327214|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Bsn 2|Orchestral Part|2.00|25 GMCL219-14|||9790222327221|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Horn 1|Orchestral Part|2.00|25 GMCL219-15|||9790222327238|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Horn 2|Orchestral Part|2.00|25 GMCL219-16|||9790222327245|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Horn 3|Orchestral Part|2.00|25 GMCL219-17|||9790222327252|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Horn 4|Orchestral Part|2.00|25 GMCL219-18|||9790222327269|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Trp 1|Orchestral Part|2.00|25 GMCL219-19|||9790222327276|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Trp 2|Orchestral Part|2.00|25 GMCL219-20|||9790222327283|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Trb 1|Orchestral Part|2.00|25 GMCL219-21|||9790222327290|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Trb 2|Orchestral Part|2.00|25 GMCL219-22|||9790222327306|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Trb 3|Orchestral Part|2.00|25 GMCL219-23|||9790222327313|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Tuba|Orchestral Part|2.00|25 GMCL219-24|||9790222327320|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Timp|Orchestral Part|2.00|25 GMCL219-25|||9790222327337|SCHUBERT|Franz Schubert|Fantasia in F minor (Lawson) Perc|Orchestral Part|2.00|25 GMCL220|Ottorino Respighi arr.David Good
THE PINES OF THE APPIAN WAY for orchestra
Goodmusic Concert Classics GMCL220|'Orchestration:
2 Flutes, Piccolo, 2 Oboes, Cor Anglais, 2 Clarinets in Bb, Bass Clarinet, 2 Bassoons, Contra Bassoon
4 Horns in F, 3 Trumpets in Bb, 3 Trombones. Tuba
Timpani, Percussion (4 players: Tam-tam, Cymbals, Bass drum, Triangle), Piano, Organ
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This final movement from "The Pines of Rome" portrays pine trees in the misty dawn along the Appian Way, the great military road leading into ancient Rome, as a triumphant legion advances along the road in the brilliance of the newly-rising sun. Respighi wanted the ground to tremble under the footsteps of his army. Apart from a large orchestra, the original score also calls for six offstage buccine (ancient circular trumpets) but in this arrangement their parts have been incorporated into the orchestral brass section. The strings, woodwind and percussion parts are almost entirely as Respighi''s original score. The Bass Clarinet solo near the beginning has been cued into the bassoon which means it, along with the Contra Bassoon, Piano and Organ, can be omitted. However, if you really want the ground to tremble as Respighi intended, the organ is a must! The A4 sized score included in the pack is clear and legible but a larger A3 sized score is available separately if you want to be able to read all the notes!
A PACK comprises a full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 5 minutes'|9790222327375|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Pack|Orchestra|50.00|673 GMCL220-00|||9790222327382|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Score|Orchestral Score|5.00|50 GMCL220-01|||9790222327399|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Violin 1|Orchestral Part|1.50|13 GMCL220-02|||9790222327405|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Violin 2|Orchestral Part|1.50|13 GMCL220-03|||9790222327412|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Viola|Orchestral Part|1.50|13 GMCL220-04|||9790222327429|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Cello|Orchestral Part|1.50|13 GMCL220-05|||9790222327436|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Bass|Orchestral Part|1.50|13 GMCL220-06|||9790222327443|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Piccolo|Orchestral Part|1.50|7 GMCL220-07|||9790222327450|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Flute 1|Orchestral Part|1.50|7 GMCL220-08|||9790222327467|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Flute 2|Orchestral Part|1.50|7 GMCL220-09|||9790222327474|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Oboe 1|Orchestral Part|1.50|7 GMCL220-10|||9790222327481|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Oboe 2|Orchestral Part|1.50|7 GMCL220-11|||9790222327498|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Cor Anglais|Orchestral Part|1.50|13 GMCL220-12|||9790222327504|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Clarinet 1|Orchestral Part|1.50|13 GMCL220-13|||9790222327511|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Clarinet 2|Orchestral Part|1.50|13 GMCL220-14|||9790222327528|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Bass Clar|Orchestral Part|1.50|13 GMCL220-15|||9790222327535|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Bassoon 1|Orchestral Part|1.50|13 GMCL220-16|||9790222327542|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Bassoon 2|Orchestral Part|1.50|13 GMCL220-17|||9790222327559|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Contra Bsn|Orchestral Part|1.50|7 GMCL220-18|||9790222327566|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Horn 1|Orchestral Part|1.50|13 GMCL220-19|||9790222327573|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Horn 2|Orchestral Part|1.50|13 GMCL220-20|||9790222327580|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Horn 3|Orchestral Part|1.50|13 GMCL220-21|||9790222327597|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Horn 4|Orchestral Part|1.50|13 GMCL220-22|||9790222327603|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Trumpet 1|Orchestral Part|1.50|13 GMCL220-23|||9790222327610|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Trumpet 2|Orchestral Part|1.50|13 GMCL220-24|||9790222327627|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Trumpet 3|Orchestral Part|1.50|13 GMCL220-25|||9790222327634|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Trombone 1|Orchestral Part|1.50|13 GMCL220-26|||9790222327641|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Trombone 2|Orchestral Part|1.50|13 GMCL220-27|||9790222327658|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Trombone 3|Orchestral Part|1.50|13 GMCL220-28|||9790222327665|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Tuba|Orchestral Part|1.50|7 GMCL220-29|||9790222327672|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Timpani|Orchestral Part|1.50|13 GMCL220-30|||9790222327689|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Percussion|Orchestral Part|1.50|13 GMCL220-31|||9790222327696|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Piano|Orchestral Part|1.50|13 GMCL220-32|||9790222327702|RESPIGHI|Ottorino Respighi|Pines of the Appian Way Organ|Orchestral Part|1.50|13 GMCL220-50|||9790222327818|RESPIGHI|Ottorino Respighi|Pines of the Appian Way LargeScore|Orchestral Score|20.00|125 GMCL221|Frederic Chopin arr.Peter Lawson
GRANDE VALSE BRILLANTE for orchestra
Goodmusic Concert Classics GMCL221|'Orchestration: 2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F (3 & 4 optional), 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (2 or 3 players: Triangle, Snare Drum, Cymbals, Tambourine, Bass Drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Frederic Chopin (1810 - 49), born in the Duchy of Warsaw of a Polish mother and a French father, wrote, arguably, as many as 35 waltzes, all for himself and others to play on the piano, purely for pleasure and to delight audiences. Only about 14 of these are widely known and beloved by amateur and professional pianists, the others being early efforts, lost or destroyed, or of questionable authenticity. The Grande Valse Brillante was the first of these 14, written in 1833 and published in the following year as Chopin''s opus 18. Confusingly, the next three waltzes, Op.34, were also published as Grandes Valses Brillantes, but, nowadays, the title tends to only apply to this substantial first waltz. Pre-empting the many orchestral waltzes of Johann Strauss Junior, it sparkles with immediately-memorable melodies in its contrasting sections.
Chopin''s orchestral music is virtually confined to the two piano concertos. I have attempted to give this orchestration more of the colourful flavour of Johann Strauss rather than that of the concertos - where the orchestra serves in more of an accompanying role, thus allowing the piano to tell the story. It has often been said that Chopin''s waltzes are dances ''of the soul'' rather than pieces to be danced to, which would require more regimentation of speed!
Alexander Glazunov orchestrated this waltz as part of the ballet Les Sylphides, first performed in 1909. Free of the shackles of having to keep strict tempi for the dancers'' sakes, I have attempted to include elements of the rubato which pianists use, to convey the music''s originality and charm. The editorial suggestions are in square brackets and are solely intended as a guide. This should not in any way deter the conductor and players from interpreting the music in their own manner. Peter Lawson

A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
Duration 6 minutes'|9790222328624|CHOPIN|Frederic Chopin|Grande Valse Brillante Pack|Orchestra|50.00|838 GMCL221-00|||9790222328631|CHOPIN|Frederic Chopin|Grande Valse Brillante Score|Orchestral Score|8.00|88 GMCL221-01|||9790222328648|CHOPIN|Frederic Chopin|Grande Valse Brillante Violin 1|Orchestral Part|2.00|25 GMCL221-02|||9790222328655|CHOPIN|Frederic Chopin|Grande Valse Brillante Violin 2|Orchestral Part|2.00|25 GMCL221-03|||9790222328662|CHOPIN|Frederic Chopin|Grande Valse Brillante Viola|Orchestral Part|2.00|25 GMCL221-04|||9790222328679|CHOPIN|Frederic Chopin|Grande Valse Brillante Cello|Orchestral Part|2.00|25 GMCL221-05|||9790222328686|CHOPIN|Frederic Chopin|Grande Valse Brillante Bass|Orchestral Part|1.50|13 GMCL221-06|||9790222328693|CHOPIN|Frederic Chopin|Grande Valse Brillante Flute 1|Orchestral Part|1.50|13 GMCL221-07|||9790222328709|CHOPIN|Frederic Chopin|Grande Valse Brillante Flute 2|Orchestral Part|1.50|13 GMCL221-08|||9790222328716|CHOPIN|Frederic Chopin|Grande Valse Brillante Oboe 1|Orchestral Part|1.50|13 GMCL221-09|||9790222328723|CHOPIN|Frederic Chopin|Grande Valse Brillante Oboe 2|Orchestral Part|1.50|13 GMCL221-10|||9790222328730|CHOPIN|Frederic Chopin|Grande Valse Brillante Clarinet 1|Orchestral Part|1.50|13 GMCL221-11|||9790222328747|CHOPIN|Frederic Chopin|Grande Valse Brillante Clarinet 2|Orchestral Part|1.50|13 GMCL221-12|||9790222328754|CHOPIN|Frederic Chopin|Grande Valse Brillante Bassoon 1|Orchestral Part|1.50|13 GMCL221-13|||9790222328761|CHOPIN|Frederic Chopin|Grande Valse Brillante Bassoon 2|Orchestral Part|1.50|13 GMCL221-14|||9790222328778|CHOPIN|Frederic Chopin|Grande Valse Brillante Horn 1|Orchestral Part|1.50|13 GMCL221-15|||9790222328785|CHOPIN|Frederic Chopin|Grande Valse Brillante Horn 2|Orchestral Part|1.50|13 GMCL221-16|||9790222328792|CHOPIN|Frederic Chopin|Grande Valse Brillante Horn 3|Orchestral Part|1.50|13 GMCL221-17|||9790222328808|CHOPIN|Frederic Chopin|Grande Valse Brillante Horn 4|Orchestral Part|1.50|13 GMCL221-18|||9790222328815|CHOPIN|Frederic Chopin|Grande Valse Brillante Trumpet 1|Orchestral Part|1.50|13 GMCL221-19|||9790222328822|CHOPIN|Frederic Chopin|Grande Valse Brillante Trumpet 2|Orchestral Part|1.50|13 GMCL221-20|||9790222328839|CHOPIN|Frederic Chopin|Grande Valse Brillante Trombone 1|Orchestral Part|1.50|13 GMCL221-21|||9790222328846|CHOPIN|Frederic Chopin|Grande Valse Brillante Trombone 2|Orchestral Part|1.50|13 GMCL221-22|||9790222328853|CHOPIN|Frederic Chopin|Grande Valse Brillante Trombone 3|Orchestral Part|1.50|13 GMCL221-23|||9790222328860|CHOPIN|Frederic Chopin|Grande Valse Brillante Tuba|Orchestral Part|1.50|13 GMCL221-24|||9790222328877|CHOPIN|Frederic Chopin|Grande Valse Brillante Timpani|Orchestral Part|1.50|13 GMCL221-25|||9790222328884|CHOPIN|Frederic Chopin|Grande Valse Brillante Percussion|Orchestral Part|2.00|25 GMCL222|Frederic Chopin arr.Peter Lawson
THREE WALTZES Op.34 for orchestra
Goodmusic Concert Classics GMCL222|Orchestration: 2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F (3 & 4 optional), 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion [3 players: Triangle, Snare Drum, Cymbals (clashed), Tambourine, Bass Drum, Tubular Bells, Glockenspiel]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Frederic Chopin (1810 - 49) wrote these three waltzes between 1831 (in the case of No.2 in A minor) and 1838. No.1 in A flat major, was written in 1835 and is on a grander scale than the others, recalling the earlier Grande Valse Brillante, Op.18. In fact the Op.34 set were originally entitled Grandes Valses Brillantes, but this title tends nowadays to be reserved for the earlier publication, partly to avoid confusion and partly because the two adjectives Grandes and Brillantes are inappropriate for the central A minor waltz, which is hauntingly sad and wistful. This waltz is also probably the best known of the three, partly for the very good reason that it is the easiest for pianists to play!
The third waltz, in F major, probably written in 1838, the year of their publication, enters with a fanfare, which soon dissolves into fast-moving quavers resembling an insect in flight before settling into a delightfully teasing, syncopated motif of running quavers, perhaps reminding the listener of two butterflies swirling round each other. A later section is characterised by a falling minor seventh followed by a skittish series of arpeggios decorated with grace notes, like peals of laughter - this motif returns in the coda, to end the piece in triumphant style. All great fun and utterly charming! Peter Lawson

A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
Duration 14 minutes|9790222328914|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Pack|Orchestra|70.00|1117 GMCL222-00|||9790222328921|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Score|Orchestral Score|12.00|138 GMCL222-01|||9790222328938|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Vln 1|Orchestral Part|2.00|25 GMCL222-02|||9790222328945|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Vln 2|Orchestral Part|2.00|25 GMCL222-03|||9790222328952|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Viola|Orchestral Part|2.00|25 GMCL222-04|||9790222328969|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Cello|Orchestral Part|2.00|25 GMCL222-05|||9790222328976|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Bass|Orchestral Part|2.00|25 GMCL222-06|||9790222328983|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Fl 1|Orchestral Part|2.00|25 GMCL222-07|||9790222328990|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Fl 2|Orchestral Part|2.00|25 GMCL222-08|||9790222329003|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Oboe 1|Orchestral Part|2.00|25 GMCL222-09|||9790222329010|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Oboe 2|Orchestral Part|2.00|25 GMCL222-10|||9790222329027|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Clar 1|Orchestral Part|2.00|25 GMCL222-11|||9790222329034|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Clar 2|Orchestral Part|2.00|25 GMCL222-12|||9790222329041|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Bsn 1|Orchestral Part|2.00|25 GMCL222-13|||9790222329058|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Bsn 2|Orchestral Part|2.00|25 GMCL222-14|||9790222329065|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Horn 1|Orchestral Part|2.00|25 GMCL222-15|||9790222329072|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Horn 2|Orchestral Part|2.00|25 GMCL222-16|||9790222329089|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Horn 3|Orchestral Part|1.50|13 GMCL222-17|||9790222329096|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Horn 4|Orchestral Part|1.50|13 GMCL222-18|||9790222329102|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Trp 1|Orchestral Part|1.50|13 GMCL222-19|||9790222329119|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Trp 2|Orchestral Part|1.50|13 GMCL222-20|||9790222329126|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Trb 1|Orchestral Part|1.50|13 GMCL222-21|||9790222329133|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Trb 2|Orchestral Part|1.50|13 GMCL222-22|||9790222329140|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Trb 3|Orchestral Part|1.50|13 GMCL222-23|||9790222329157|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Tuba|Orchestral Part|1.50|13 GMCL222-24|||9790222329164|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Timp|Orchestral Part|1.50|13 GMCL222-25|||9790222329171|CHOPIN|Frederic Chopin|Three Waltzes Op.34 (Lawson) Perc|Orchestral Part|2.50|38 GMCL223|Frederic Chopin
GRANDE VALSE OP.42 arr.Lawson for orchestra
Goodmusic Concert Classics GMCL223|'Orchestration: 2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F (3 & 4 optional), 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (3 players: Triangle, Snare Drum, Cymbals (clashed), Tambourine, Bass Drum, Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Frederic Chopin''s Grande Valse is sometimes known as ''the 2/4 waltz'' on account of the first theme being in two beats across the bar, while the left hand plays the three crotchets per bar of the waltz. Chopin wrote it in 1840 and it was published in the same year. He had stayed in Valldemossa, Mallorca, between November 1838 and February 1839. Perhaps the Spanish flamenco habit of juxtaposing 2 in the time of 3 influenced Chopin to incorporate this in this waltz, in playful fashion.
Some consider this as Chopin''s finest waltz; former US President, Harry S Truman - who enjoyed playing the piano - apparently referred to it as his favourite. It is certainly laid out on a grander scale than some: after the ''two over three'' section, there is a light-hearted, scampering, filigree idea, which re-occurs four times, interspersed with increasingly passionate sections. The ''two over three'' section finally reappears, leading to a dramatic coda. Peter Lawson

A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
Duration 5 minutes'|9790222329195|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Pack|Orchestra|50.00|647 GMCL223-00|||9790222329201|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Sc|Orchestral Score|8.00|88 GMCL223-01|||9790222329218|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Vln 1|Orchestral Part|1.50|13 GMCL223-02|||9790222329225|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Vln 2|Orchestral Part|1.50|13 GMCL223-03|||9790222329232|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Viola|Orchestral Part|1.50|13 GMCL223-04|||9790222329249|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Cello|Orchestral Part|1.50|13 GMCL223-05|||9790222329256|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Bass|Orchestral Part|1.50|13 GMCL223-06|||9790222329263|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Fl 1|Orchestral Part|1.50|13 GMCL223-07|||9790222329270|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Fl 2|Orchestral Part|1.50|13 GMCL223-08|||9790222329287|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Ob 1|Orchestral Part|1.50|13 GMCL223-09|||9790222329294|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Ob 2|Orchestral Part|1.50|13 GMCL223-10|||9790222329300|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Cl 1|Orchestral Part|1.50|13 GMCL223-11|||9790222329317|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Cl 2|Orchestral Part|1.50|13 GMCL223-12|||9790222329324|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Bsn 1|Orchestral Part|1.50|13 GMCL223-13|||9790222329331|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Bsn 2|Orchestral Part|1.50|13 GMCL223-14|||9790222329348|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Hn 1|Orchestral Part|1.50|13 GMCL223-15|||9790222329355|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Hn 2|Orchestral Part|1.50|13 GMCL223-16|||9790222329362|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Hn 3|Orchestral Part|1.50|13 GMCL223-17|||9790222329379|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Hn 4|Orchestral Part|1.50|13 GMCL223-18|||9790222329386|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Trp 1|Orchestral Part|1.50|13 GMCL223-19|||9790222329393|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Trp 2|Orchestral Part|1.50|13 GMCL223-20|||9790222329409|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Trb 1|Orchestral Part|1.50|13 GMCL223-21|||9790222329416|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Trb 2|Orchestral Part|1.50|13 GMCL223-22|||9790222329423|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Trb 3|Orchestral Part|1.50|13 GMCL223-23|||9790222329430|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Tuba|Orchestral Part|1.50|13 GMCL223-24|||9790222329447|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Timp|Orchestral Part|1.50|13 GMCL223-25|||9790222329454|CHOPIN|Frederic Chopin|Grande Valse Op.42 arr.Lawson Perc|Orchestral Part|2.00|25 GMCL224|Henry Purcell
SUITE FOR STRINGS and optional wind
Arranged by John Barbirolli
Goodmusic Concert Classics GMCL224|Orchestration: 1 or 2 Flutes [optional], Cor Anglais [optional], 2 or 4 Horns in F [optional]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This Suite of six movements, arranged by John Barbirolli "from the Dramatick Musick of Henry Purcell" was first published by Oxford University Press in 1937 and is here presented in a newly typeset edition. Some of the slightly confusing repeat instructions in the original have been written out in full for clarity.

The Suite can be be played by strings alone, or strings and 2 horns. If there is no Cor Anglais, the solo in the fifth movement should be played by a Viola (it is shown in the viola part). The Horns play only in the first and sixth movements, the Cor Anglais only in the fifth and the Flutes only in the second movement.
Duration 14 minutes

A PACK includes a full score, all the wind parts and strings 4/4/3/4/2.|9790222329478|PURCELL H|Henry Purcell|Suite for Strings (and wind) Pack|Orchestra|50.00|571 GMCL224-00|||9790222329485|PURCELL H|Henry Purcell|Suite for Strings (and wind) Score|Orchestral Score|6.00|50 GMCL224-01|||9790222329492|PURCELL H|Henry Purcell|Suite for Strings (and wind) Vln 1|Orchestral Part|2.00|25 GMCL224-02|||9790222329508|PURCELL H|Henry Purcell|Suite for Strings (and wind) Vln 2|Orchestral Part|2.00|25 GMCL224-03|||9790222329515|PURCELL H|Henry Purcell|Suite for Strings (and wind) Viola|Orchestral Part|2.00|25 GMCL224-04|||9790222329522|PURCELL H|Henry Purcell|Suite for Strings (and wind) Cello|Orchestral Part|2.00|25 GMCL224-05|||9790222329539|PURCELL H|Henry Purcell|Suite for Strings (and wind) Bass|Orchestral Part|2.00|25 GMCL224-06|||9790222329546|PURCELL H|Henry Purcell|Suite for Strings (and wind) Flute|Orchestral Part|1.50|7 GMCL224-07|||9790222329553|PURCELL H|Henry Purcell|Suite for Strings (and wind) CorAng|Orchestral Part|1.50|7 GMCL224-08|||9790222329560|PURCELL H|Henry Purcell|Suite for Strings (and wind) Hns1+2|Orchestral Part|1.50|13 GMCL224-09|||9790222329577|PURCELL H|Henry Purcell|Suite for Strings (and wind) Hns3+4|Orchestral Part|1.50|13 GMCL225|Frederic Chopin
THREE WALTZES Op.64 arr Lawson
Goodmusic Concert Classics GMCL225|'Orchestration: 2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb+A or Bb, 2 Bassoons
4 Horns in F (3 & 4 optional), 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion [3 players: Triangle, Snare Drum, Cymbals (clashed), Tambourine, Bass Drum, Glockenspiel]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

All three of these waltzes are well known favourites and were the last to be published in Chopin''s lifetime, dating from 1847, two years before his untimely death. The first, nowadays known as the Minute Waltz, has always been by far the most widely performed - even street organs used to play their helter-skelter versions of it. It was published as Valse du Petit Chien, the little dog in question being that of the novelist George Sand. The dog, named Marquis, amused Chopin by continually chasing its tail one night at Sand''s house in the Square d''Orleans in Paris. Sand suggested that Chopin should put it to music - which he did.
The second waltz is in the ''Moonlight'' key of C# minor and is wistfully laconic and full of charming twists and turns. It was used in Glazunov''s ballet, Les Sylphides and has always been popular with pianists and audiences alike.
The third waltz is, by complete contrast, genial and forthright and has a subtly syncopated feel that playfully delights with its curves of quavers that momentarily stop over the third beat of the bar and resume as if in another curve in a different direction, like a dancer acknowledging acquaintances with a nod while weaving across the dance floor. Peter Lawson

A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
Duration 10 minutes
The second waltz is more suited for clarinets in A, but parts for Bb clarinet throughout are included.

The Minute Waltz is also published separately - GMCL226'|9790222329645|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Pack|Orchestra|70.00|1066 GMCL225-00|||9790222329652|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Score|Orchestral Score|10.00|113 GMCL225-01|||9790222329669|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Vln 1|Orchestral Part|2.00|25 GMCL225-02|||9790222329676|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Vln 2|Orchestral Part|2.00|25 GMCL225-03|||9790222329683|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Viola|Orchestral Part|2.00|25 GMCL225-04|||9790222329690|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Cello|Orchestral Part|2.00|25 GMCL225-05|||9790222329706|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Bass|Orchestral Part|2.00|25 GMCL225-06|||9790222329713|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Fl 1|Orchestral Part|2.00|25 GMCL225-07|||9790222329720|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Fl 2|Orchestral Part|2.00|25 GMCL225-08|||9790222329737|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Oboe 1|Orchestral Part|2.00|25 GMCL225-09|||9790222329744|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Oboe 2|Orchestral Part|2.00|25 GMCL225-10|||9790222329751|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Cl1B/A|Orchestral Part|2.00|25 GMCL225-11|||9790222329768|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Cl2B/A|Orchestral Part|2.00|25 GMCL225-12|||9790222329775|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Cl1 Bb|Orchestral Part|2.00|25 GMCL225-13|||9790222329782|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Cl2 Bb|Orchestral Part|2.00|25 GMCL225-14|||9790222329799|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Bsn 1|Orchestral Part|2.00|25 GMCL225-15|||9790222329805|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Bsn 2|Orchestral Part|2.00|25 GMCL225-16|||9790222329812|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Horn 1|Orchestral Part|2.00|25 GMCL225-17|||9790222329829|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Horn 2|Orchestral Part|2.00|25 GMCL225-18|||9790222329836|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Horn 3|Orchestral Part|1.50|13 GMCL225-19|||9790222329843|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Horn 4|Orchestral Part|1.50|13 GMCL225-20|||9790222329850|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Trp 1|Orchestral Part|1.50|13 GMCL225-21|||9790222329867|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Trp 2|Orchestral Part|1.50|13 GMCL225-22|||9790222329874|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Trb 1|Orchestral Part|1.50|13 GMCL225-23|||9790222329881|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Trb 2|Orchestral Part|1.50|13 GMCL225-24|||9790222329898|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Trb 3|Orchestral Part|1.50|13 GMCL225-25|||9790222329904|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Tuba|Orchestral Part|1.50|13 GMCL225-26|||9790222329911|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Timp|Orchestral Part|1.50|13 GMCL225-27|||9790222329928|CHOPIN|Frederic Chopin|Three Waltzes Op.64 (Lawson) Perc|Orchestral Part|2.00|25 GMCL226|Frederic Chopin
THE MINUTE WALTZ Op.64 No.1 arr.Lawson
Goodmusic Concert Classics GMCL226|'Orchestration: 2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F (3 & 4 optional), 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion [3 players: Triangle, Snare Drum, Cymbals (clashed), Tambourine, Bass Drum, Glockenspiel]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This well-known favourite is the first of three waltzes, the last to be published in Chopin''s lifetime, dating from 1847, two years before his untimely death. It has always been by far the most widely performed - even street organs used to play their helter-skelter versions of it. For many years it has been broadcast by the BBC in the UK and the World Service as the signature tune to the popular panel game Just a Minute.
It was published as Valse du Petit Chien, the little dog in question being that of the novelist Amantine Lucile Aurore Dupin, better known by her masculine pen name, George Sand. The dog, named Marquis, amused Chopin by continually chasing its tail one night at Sand''s home in the Square d''Orleans in Paris. Sand suggested that Chopin should put it to music - which he indeed did - and from the very opening, the musical figurations go round and round in rapid, circular fashion.
It is nowadays known as the Minute Waltz on account of its brevity, though in fact, it takes about two minutes to play. Chopin gave it a charming middle section before the ''chasing'' resumes, leading to a breath-takingly rapid descent to end in a flourish. Without doubt, a masterpiece in miniature! Peter Lawson

A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
Duration 2 minutes
This arrangement is also available as the first of THREE WALTZES Op.64 - GMCL225'|9790222329935|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Pack|Orchestra|35.00|558 GMCL226-00|||9790222329942|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Score|Orchestral Score|5.00|38 GMCL226-01|||9790222329959|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Violin 1|Orchestral Part|1.50|13 GMCL226-02|||9790222329966|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Violin 2|Orchestral Part|1.50|13 GMCL226-03|||9790222329973|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Viola|Orchestral Part|1.50|13 GMCL226-04|||9790222329980|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Cello|Orchestral Part|1.50|13 GMCL226-05|||9790222329997|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Bass|Orchestral Part|1.50|13 GMCL226-06|||9790222330009|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Flute 1|Orchestral Part|1.50|13 GMCL226-07|||9790222330016|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Flute 2|Orchestral Part|1.50|13 GMCL226-08|||9790222330023|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Oboe 1|Orchestral Part|1.50|13 GMCL226-09|||9790222330030|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Oboe 2|Orchestral Part|1.50|13 GMCL226-10|||9790222330047|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Clar 1|Orchestral Part|1.50|13 GMCL226-11|||9790222330054|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Clar 2|Orchestral Part|1.50|13 GMCL226-12|||9790222330061|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Bassoon 1|Orchestral Part|1.50|13 GMCL226-13|||9790222330078|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Bassoon 2|Orchestral Part|1.50|13 GMCL226-14|||9790222330085|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Horn 1|Orchestral Part|1.50|13 GMCL226-15|||9790222330092|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Horn 2|Orchestral Part|1.50|13 GMCL226-16|||9790222330108|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Horn 3|Orchestral Part|1.50|13 GMCL226-17|||9790222330115|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Horn 4|Orchestral Part|1.50|13 GMCL226-18|||9790222330122|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Trumpet 1|Orchestral Part|1.50|13 GMCL226-19|||9790222330139|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Trumpet 2|Orchestral Part|1.50|13 GMCL226-20|||9790222330146|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Tromb 1|Orchestral Part|1.50|13 GMCL226-21|||9790222330153|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Tromb 2|Orchestral Part|1.50|13 GMCL226-22|||9790222330160|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Tromb 3|Orchestral Part|1.50|13 GMCL226-23|||9790222330177|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Tuba|Orchestral Part|1.50|13 GMCL226-24|||9790222330184|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Timpani|Orchestral Part|1.50|13 GMCL226-25|||9790222330191|CHOPIN|Frederic Chopin|Minute Waltz (arr.Lawson) Perc|Orchestral Part|1.50|13 GMCL227|Sergei Prokofiev
MARCH FROM THE LOVE FOR THREE ORANGES
Arranged by Peter Lawson
Goodmusic Concert Classics GMCL227|Orchestration: Piccolo, 2 Flutes, 2 Oboes, Cor Anglais (optional), 2 Clarinets in Bb, Bass Clarinet (optional), 2 Bassoons, Contra Bassoon (optional), 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba,
Timpani, Percussion [5 players: Triangle, Snare Drum, Cymbals, Bass Drum, Glockenspiel, Xylophone], Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Love for Three Oranges is a satirical French-language opera written by Prokofiev and first performed in Chicago, USA on 30 December 1921 with the composer conducting. Prokofiev compiled a 15-20 minute orchestral suite from the opera for concert use. This short March is the third movement of the suite and is probably the best known piece from the opera.
The optional instruments listed are cued into other instruments where they are essential.

A PACK includes a full score plus all wind, brass and percussion parts and strings 4/4/3/4/2.
Duration 2 minutes|9790222330207|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Pack|Orchestra|35.00|539 GMCL227-00|||9790222330214|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Score|Orchestral Score|5.00|50 GMCL227-01|||9790222330221|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Violin 1|Orchestral Part|1.50|13 GMCL227-02|||9790222330238|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Violin 2|Orchestral Part|1.50|13 GMCL227-03|||9790222330245|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Viola|Orchestral Part|1.50|13 GMCL227-04|||9790222330252|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Cello|Orchestral Part|1.50|13 GMCL227-05|||9790222330269|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Bass|Orchestral Part|1.50|13 GMCL227-06|||9790222330276|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Piccolo|Orchestral Part|1.50|13 GMCL227-07|||9790222330283|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Flute 1|Orchestral Part|1.50|13 GMCL227-08|||9790222330290|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Flute 2|Orchestral Part|1.50|13 GMCL227-09|||9790222330306|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Oboe 1|Orchestral Part|1.50|7 GMCL227-10|||9790222330313|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Oboe 2|Orchestral Part|1.50|7 GMCL227-11|||9790222330320|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Cor Anglais|Orchestral Part|1.50|7 GMCL227-12|||9790222330337|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Clarinet 1|Orchestral Part|1.50|7 GMCL227-13|||9790222330344|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Clarinet 2|Orchestral Part|1.50|7 GMCL227-14|||9790222330351|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Bass Clarinet|Orchestral Part|1.50|7 GMCL227-15|||9790222330368|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Bassoon 1|Orchestral Part|1.50|7 GMCL227-16|||9790222330375|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Bassoon 2|Orchestral Part|1.50|7 GMCL227-17|||9790222330382|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) ContraBassoon|Orchestral Part|1.50|7 GMCL227-18|||9790222330399|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Horn 1|Orchestral Part|1.50|7 GMCL227-19|||9790222330405|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Horn 2|Orchestral Part|1.50|7 GMCL227-20|||9790222330412|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Horn 3|Orchestral Part|1.50|7 GMCL227-21|||9790222330429|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Horn 4|Orchestral Part|1.50|7 GMCL227-22|||9790222330436|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Trumpet 1|Orchestral Part|1.50|7 GMCL227-23|||9790222330443|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Trumpet 2|Orchestral Part|1.50|7 GMCL227-24|||9790222330450|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Trumpet 3|Orchestral Part|1.50|7 GMCL227-25|||9790222330467|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Trombone 1|Orchestral Part|1.50|7 GMCL227-26|||9790222330474|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Trombone 2|Orchestral Part|1.50|7 GMCL227-27|||9790222330481|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Trombone 3|Orchestral Part|1.50|7 GMCL227-28|||9790222330498|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Tuba|Orchestral Part|1.50|7 GMCL227-29|||9790222330504|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Timpani|Orchestral Part|1.50|7 GMCL227-30|||9790222330511|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Percussion|Orchestral Part|1.50|13 GMCL227-31|||9790222330528|PROKOFIEV|Sergei Prokofiev|March (Three Oranges) Harp|Orchestral Part|1.50|13 GMCL228|Sergei Prokofiev
MONTAGUES & CAPULETS for orchestra
Arranged by Peter Lawson
Goodmusic Concert Classics GMCL228|'Orchestration: Piccolo (optional), 2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets in Bb, Bass Clarinet, Tenor Saxophone (optional), 2 Bassoons, Contra Bassoon, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba,
Timpani, Percussion [3 players: Triangle, Snare Drum, Cymbal, Tambourine. Bass Drum], Harp, Celesta
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Montagues & Capulets, also known as Dance of the Knights, is from Prokofiev''s ballet Romeo & Juliet which was composed in 1935, but was substantially revised for its Soviet premiere in 1940. Prokofiev made three orchestral suites and a suite for solo piano from the ballet. This well-known movement is from Suite No.2, and has been used in advertisements and for television theme tunes amongst other things.
Some instruments have little to play in this movement of the Suite. The Piccolo and the Tenor Saxophone can be omitted, the latter has only a 3 bar solo which is cued into the bassoon.

A PACK includes a full score plus all wind, brass and percussion parts and strings 4/4/3/4/2.
Duration 5 minutes'|9790222330535|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Pack|Orchestra|40.00|641 GMCL228-00|||9790222330542|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Score|Orchestral Score|6.00|63 GMCL228-01|||9790222330559|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Violin 1|Orchestral Part|1.50|13 GMCL228-02|||9790222330566|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Violin 2|Orchestral Part|1.50|13 GMCL228-03|||9790222330573|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Viola|Orchestral Part|1.50|13 GMCL228-04|||9790222330580|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Cello|Orchestral Part|1.50|13 GMCL228-05|||9790222330597|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Bass|Orchestral Part|1.50|13 GMCL228-06|||9790222330603|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Piccolo|Orchestral Part|1.50|7 GMCL228-07|||9790222330610|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Flute 1|Orchestral Part|1.50|13 GMCL228-08|||9790222330627|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Flute 2|Orchestral Part|1.50|13 GMCL228-09|||9790222330634|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Oboe 1|Orchestral Part|1.50|13 GMCL228-10|||9790222330641|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Oboe 2|Orchestral Part|1.50|13 GMCL228-11|||9790222330658|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Cor Anglais|Orchestral Part|1.50|13 GMCL228-12|||9790222330665|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Clarinet 1|Orchestral Part|1.50|13 GMCL228-13|||9790222330672|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Clarinet 2|Orchestral Part|1.50|13 GMCL228-14|||9790222330689|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Bass Clarinet|Orchestral Part|1.50|13 GMCL228-15|||9790222330696|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Tenor Sax|Orchestral Part|1.50|7 GMCL228-16|||9790222330702|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Bassoon 1|Orchestral Part|1.50|13 GMCL228-17|||9790222330719|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Bassoon 2|Orchestral Part|1.50|13 GMCL228-18|||9790222330726|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Contra Bassoon|Orchestral Part|1.50|13 GMCL228-19|||9790222330733|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Horn 1|Orchestral Part|1.50|13 GMCL228-20|||9790222330740|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Horn 2|Orchestral Part|1.50|13 GMCL228-21|||9790222330757|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Horn 3|Orchestral Part|1.50|13 GMCL228-22|||9790222330764|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Horn 4|Orchestral Part|1.50|13 GMCL228-23|||9790222330771|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Trumpet 1|Orchestral Part|1.50|7 GMCL228-24|||9790222330788|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Trumpet 2|Orchestral Part|1.50|7 GMCL228-25|||9790222330795|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Trombone 1|Orchestral Part|1.50|13 GMCL228-26|||9790222330801|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Trombone 2|Orchestral Part|1.50|13 GMCL228-27|||9790222330818|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Trombone 3|Orchestral Part|1.50|13 GMCL228-28|||9790222330825|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Tuba|Orchestral Part|1.50|13 GMCL228-29|||9790222330832|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Timpani|Orchestral Part|1.50|7 GMCL228-30|||9790222330849|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Percussion|Orchestral Part|1.50|13 GMCL228-31|||9790222330856|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Harp|Orchestral Part|1.50|13 GMCL228-32|||9790222330863|PROKOFIEV|Sergei Prokofiev|Montagues & Capulets Celesta|Orchestral Part|1.50|13 GMCL229|Sergei Prokofiev
TROIKA from Lieutenant Kije for orchestra
Arranged by Peter Lawson
Goodmusic Concert Classics GMCL229|'Orchestration: Piccolo, 2 Flutes (2nd optional - doubles throughout), 2 Oboes, 2 Clarinets in Bb, Tenor Saxophone (optional), 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Percussion [3 players: Triangle, Sleigh Bells, Tambourine. Bass Drum], Harp, Piano (optional)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Lieutenant Kije was originally written by Prokofiev to accompany the film of the same name by the Belgoskino Studios of Leningrad, in March 1934. After the film''s successful release, the five-movement Kije suite was first performed in December 1934, and quickly became part of the international concert repertoire. It has remained one of Prokofiev''s best-known and most frequently recorded works. Sleigh bells, rapid pizzicato strings, and piano combine to give the impression of a fast winter''s snowy journey by means of the troika, a traditional Russian three-horse sled.

A PACK includes a full score plus all wind, brass and percussion parts and strings 4/4/3/4/2.
Duration 3 minutes'|9790222330870|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Pack|Orchestra|40.00|609 GMCL229-00|||9790222330887|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Score|Orchestral Score|6.00|63 GMCL229-01|||9790222330894|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Violin 1|Orchestral Part|1.50|13 GMCL229-02|||9790222330900|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Violin 2|Orchestral Part|1.50|13 GMCL229-03|||9790222330917|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Viola|Orchestral Part|1.50|13 GMCL229-04|||9790222330924|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Cello|Orchestral Part|1.50|13 GMCL229-05|||9790222330931|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Bass|Orchestral Part|1.50|13 GMCL229-06|||9790222330948|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Piccolo|Orchestral Part|1.50|13 GMCL229-07|||9790222330955|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Flute 1 & 2|Orchestral Part|1.50|13 GMCL229-08|||9790222330962|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Oboe 1|Orchestral Part|1.50|13 GMCL229-09|||9790222330979|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Oboe 2|Orchestral Part|1.50|13 GMCL229-10|||9790222330986|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Clarinet 1|Orchestral Part|1.50|13 GMCL229-11|||9790222330993|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Clarinet 2|Orchestral Part|1.50|13 GMCL229-12|||9790222331006|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Tenor Sax|Orchestral Part|1.50|13 GMCL229-13|||9790222331013|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Bassoon 1|Orchestral Part|1.50|13 GMCL229-14|||9790222331020|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Bassoon 2|Orchestral Part|1.50|13 GMCL229-15|||9790222331037|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Horn 1|Orchestral Part|1.50|13 GMCL229-16|||9790222331044|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Horn 2|Orchestral Part|1.50|13 GMCL229-17|||9790222331051|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Trumpet 1|Orchestral Part|1.50|13 GMCL229-18|||9790222331068|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Trumpet 2|Orchestral Part|1.50|13 GMCL229-19|||9790222331075|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Trombone 1|Orchestral Part|1.50|13 GMCL229-20|||9790222331082|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Trombone 2|Orchestral Part|1.50|13 GMCL229-21|||9790222331099|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Trombone 3|Orchestral Part|1.50|13 GMCL229-22|||9790222331105|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Tuba|Orchestral Part|1.50|13 GMCL229-23|||9790222331112|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Percussion|Orchestral Part|1.50|13 GMCL229-24|||9790222331129|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Harp|Orchestral Part|1.50|13 GMCL229-25|||9790222331136|PROKOFIEV|Sergei Prokofiev|Troika (arr.Lawson) Piano|Orchestral Part|2.00|25 GMCL230|Sergei Prokofiev
CLASSICAL SYMPHONY for orchestra
Symphony No.1 in D major Op.25
Goodmusic Concert Classics GMCL230|'Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in A or Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Symphony No. 1 in D major, Op. 25, also known as the Classical, was Sergei Prokofiev''s first numbered symphony. He began to compose it in 1916 and completed it on September 10, 1917. It was composed as a modern reinterpretation of the classical style of Joseph Haydn and Wolfgang Amadeus Mozart. The symphony''s nickname was bestowed upon it by the composer. It premiered on April 18, 1918, in Petrograd, conducted by Prokofiev and it has remained one of his most popular works.
The symphony is in four movements:
Allegro
Larghetto
Gavotte: Non troppo allegro
Finale: Molto vivace

A PACK includes a full score plus all wind, brass and timpani parts and strings 4/4/3/4/2.
Duration 15 minutes'|9790222331389|PROKOFIEV|Sergei Prokofiev|Classical Symphony Pack|Orchestra|80.00|1320 GMCL230-00|||9790222331396|PROKOFIEV|Sergei Prokofiev|Classical Symphony Score|Orchestral Score|14.00|188 GMCL230-01|||9790222331402|PROKOFIEV|Sergei Prokofiev|Classical Symphony Violin 1|Orchestral Part|3.00|50 GMCL230-02|||9790222331419|PROKOFIEV|Sergei Prokofiev|Classical Symphony Violin 2|Orchestral Part|2.50|38 GMCL230-03|||9790222331426|PROKOFIEV|Sergei Prokofiev|Classical Symphony Viola|Orchestral Part|2.50|38 GMCL230-04|||9790222331433|PROKOFIEV|Sergei Prokofiev|Classical Symphony Cello|Orchestral Part|2.50|38 GMCL230-05|||9790222331440|PROKOFIEV|Sergei Prokofiev|Classical Symphony Bass|Orchestral Part|2.50|38 GMCL230-06|||9790222331457|PROKOFIEV|Sergei Prokofiev|Classical Symphony Flute 1|Orchestral Part|2.50|38 GMCL230-07|||9790222331464|PROKOFIEV|Sergei Prokofiev|Classical Symphony Flute 2|Orchestral Part|2.50|38 GMCL230-08|||9790222331471|PROKOFIEV|Sergei Prokofiev|Classical Symphony Oboe 1|Orchestral Part|2.00|25 GMCL230-09|||9790222331488|PROKOFIEV|Sergei Prokofiev|Classical Symphony Oboe 2|Orchestral Part|2.00|25 GMCL230-10|||9790222331495|PROKOFIEV|Sergei Prokofiev|Classical Symphony Clarinet 1|Orchestral Part|3.00|50 GMCL230-11|||9790222331501|PROKOFIEV|Sergei Prokofiev|Classical Symphony Clarinet 2|Orchestral Part|3.00|50 GMCL230-12|||9790222331518|PROKOFIEV|Sergei Prokofiev|Classical Symphony Bassoon 1|Orchestral Part|2.00|25 GMCL230-13|||9790222331525|PROKOFIEV|Sergei Prokofiev|Classical Symphony Bassoon 2|Orchestral Part|2.00|25 GMCL230-14|||9790222331532|PROKOFIEV|Sergei Prokofiev|Classical Symphony Horn 1|Orchestral Part|2.00|25 GMCL230-15|||9790222331549|PROKOFIEV|Sergei Prokofiev|Classical Symphony Horn 2|Orchestral Part|2.00|25 GMCL230-16|||9790222331556|PROKOFIEV|Sergei Prokofiev|Classical Symphony Trumpet 1|Orchestral Part|2.00|25 GMCL230-17|||9790222331563|PROKOFIEV|Sergei Prokofiev|Classical Symphony Trumpet 2|Orchestral Part|2.00|25 GMCL230-18|||9790222331570|PROKOFIEV|Sergei Prokofiev|Classical Symphony Timpani|Orchestral Part|2.00|25 GMCL231|'Roger Quilter
A CHILDREN''S OVERTURE arranged by Richard Ling
Goodmusic Concert Classics GMCL231'|'Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto Saxophone, Bassoon, 2 Horns in F, 2 Trumpets in Bb, Trombone or Baritone
Timpani, Percussion [5 players: Triangle, Snare Drum, Cymbals (clashed), Bass Drum, Glockenspiel]
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass)

The overture was composed in 1914 and aims to depict the innocence of childhood. Quilter used twelve famous nursery rhymes and children''s songs - some pop up more than once - so you can play "name that tune" as you listen! The tunes that appear here are: Girls and Boys Come Out to Play; I Saw Three Ships; Sing a Song of Sixpence; There was a Lady who Loved a Swine; Over the Hills and Far Away; Baa! Baa! Black Sheep; Here We Go Round the Mulberry Bush & Oranges and Lemons.
The Violin 3 part is an "easy" violin part, rather than an alternative to the Viola. The Clarinet 2 part remains below the break.
This arrangement is an abridged version of the original.

A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
Duration 8 minutes'|9790222331150|QUILTER|Roger Quilter|'Children''s Overture (Ling) Pack'|Orchestra|50.00|698 GMCL231-00|||9790222331167|QUILTER|Roger Quilter|'Children''s Overture (Ling) Score'|Orchestral Score|10.00|113 GMCL231-01|||9790222331174|QUILTER|Roger Quilter|'Children''s Overture (Ling) Violin 1'|Orchestral Part|1.50|13 GMCL231-02|||9790222331181|QUILTER|Roger Quilter|'Children''s Overture (Ling) Violin 2'|Orchestral Part|1.50|13 GMCL231-03|||9790222331198|QUILTER|Roger Quilter|'Children''s Overture (Ling) Violin 3'|Orchestral Part|1.50|13 GMCL231-04|||9790222331204|QUILTER|Roger Quilter|'Children''s Overture (Ling) Viola'|Orchestral Part|1.50|13 GMCL231-05|||9790222331211|QUILTER|Roger Quilter|'Children''s Overture (Ling) Cello'|Orchestral Part|1.50|13 GMCL231-06|||9790222331228|QUILTER|Roger Quilter|'Children''s Overture (Ling) Bass'|Orchestral Part|1.50|13 GMCL231-07|||9790222331235|QUILTER|Roger Quilter|'Children''s Overture (Ling) Flute 1'|Orchestral Part|1.50|13 GMCL231-08|||9790222331242|QUILTER|Roger Quilter|'Children''s Overture (Ling) Flute 2'|Orchestral Part|1.50|13 GMCL231-09|||9790222331259|QUILTER|Roger Quilter|'Children''s Overture (Ling) Oboe 1'|Orchestral Part|1.50|13 GMCL231-10|||9790222331266|QUILTER|Roger Quilter|'Children''s Overture (Ling) Oboe 2'|Orchestral Part|1.50|13 GMCL231-11|||9790222331273|QUILTER|Roger Quilter|'Children''s Overture (Ling) Clar.1'|Orchestral Part|1.50|13 GMCL231-12|||9790222331280|QUILTER|Roger Quilter|'Children''s Overture (Ling) Clar.2'|Orchestral Part|1.50|13 GMCL231-13|||9790222331297|QUILTER|Roger Quilter|'Children''s Overture (Ling) Alto Sax'|Orchestral Part|1.50|13 GMCL231-14|||9790222331303|QUILTER|Roger Quilter|'Children''s Overture (Ling) Bassoon'|Orchestral Part|1.50|13 GMCL231-15|||9790222331310|QUILTER|Roger Quilter|'Children''s Overture (Ling) Horn 1'|Orchestral Part|1.50|13 GMCL231-16|||9790222331327|QUILTER|Roger Quilter|'Children''s Overture (Ling) Horn 2'|Orchestral Part|1.50|13 GMCL231-17|||9790222331334|QUILTER|Roger Quilter|'Children''s Overture (Ling) Trpt 1'|Orchestral Part|1.50|13 GMCL231-18|||9790222331341|QUILTER|Roger Quilter|'Children''s Overture (Ling) Trpt 2'|Orchestral Part|1.50|13 GMCL231-19|||9790222331358|QUILTER|Roger Quilter|'Children''s Overture (Ling) Trombone'|Orchestral Part|1.50|13 GMCL231-20|||9790222331365|QUILTER|Roger Quilter|'Children''s Overture (Ling) Timpani'|Orchestral Part|1.50|13 GMCL231-21|||9790222331372|QUILTER|Roger Quilter|'Children''s Overture (Ling) Perc.'|Orchestral Part|2.00|25 GMCO001|BENOY, A.W.
OVERTURE FOR CHRISTMAS
Concert Originals Series GMCO001|'2 Flutes, 2 Oboes (2nd optional), 2 Clarinets in Bb, 2 Bassoons (cued into other parts)
2 Horns in F (cued into other parts), 2 Trumpets in Bb, 2 Tenor Trombones, Bass Trombone (cued into other parts), Tuba (cued into other parts), Timpani, Percussion (Cymbal, Triangle, Bass drum, Tambourine)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

The OVERTURE FOR CHRISTMAS incorporates the following tunes: Picardy Carol, Carol of Jacob''s Ladder, Tyrolean Carol & Dorset Carol.
Duration: 5 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222216228|BENOY A|Arthur William Benoy|Overture for Christmas Pack|Orchestra|60.00|616 GMCO001-00|||9790222216235|BENOY A|Arthur William Benoy|Overture for Christmas Score|Orchestral Score|8.00|100 GMCO001-01|||9790222216242|BENOY A|Arthur William Benoy|Overture for Christmas Violin 1|Orchestral Part|1.50|13 GMCO001-02|||9790222216259|BENOY A|Arthur William Benoy|Overture for Christmas Violin 2|Orchestral Part|1.50|13 GMCO001-03|||9790222216266|BENOY A|Arthur William Benoy|Overture for Christmas Violin 3|Orchestral Part|1.50|13 GMCO001-04|||9790222216273|BENOY A|Arthur William Benoy|Overture for Christmas Viola|Orchestral Part|1.50|13 GMCO001-05|||9790222216280|BENOY A|Arthur William Benoy|Overture for Christmas Cello|Orchestral Part|1.50|13 GMCO001-06|||9790222216297|BENOY A|Arthur William Benoy|Overture for Christmas Bass|Orchestral Part|1.50|13 GMCO001-07|||9790222216303|BENOY A|Arthur William Benoy|Overture for Christmas Flute 1|Orchestral Part|1.50|13 GMCO001-08|||9790222216310|BENOY A|Arthur William Benoy|Overture for Christmas Flute 2|Orchestral Part|1.50|13 GMCO001-09|||9790222216327|BENOY A|Arthur William Benoy|Overture for Christmas Oboe 1|Orchestral Part|1.50|13 GMCO001-10|||9790222216334|BENOY A|Arthur William Benoy|Overture for Christmas Oboe 2|Orchestral Part|1.50|13 GMCO001-11|||9790222216341|BENOY A|Arthur William Benoy|Overture for Christmas Clarinet 1|Orchestral Part|1.50|13 GMCO001-12|||9790222216358|BENOY A|Arthur William Benoy|Overture for Christmas Clarinet 2|Orchestral Part|1.50|13 GMCO001-13|||9790222216365|BENOY A|Arthur William Benoy|Overture for Christmas Bassoon 1|Orchestral Part|1.50|13 GMCO001-14|||9790222216372|BENOY A|Arthur William Benoy|Overture for Christmas Bassoon 2|Orchestral Part|1.50|13 GMCO001-15|||9790222216389|BENOY A|Arthur William Benoy|Overture for Christmas Horn 1|Orchestral Part|1.50|13 GMCO001-16|||9790222216396|BENOY A|Arthur William Benoy|Overture for Christmas Horn 2|Orchestral Part|1.50|13 GMCO001-17|||9790222216402|BENOY A|Arthur William Benoy|Overture for Christmas Trumpet 1|Orchestral Part|1.50|13 GMCO001-18|||9790222216419|BENOY A|Arthur William Benoy|Overture for Christmas Trumpet 2|Orchestral Part|1.50|13 GMCO001-19|||9790222216426|BENOY A|Arthur William Benoy|Overture for Christmas Trombone 1|Orchestral Part|1.50|13 GMCO001-20|||9790222216433|BENOY A|Arthur William Benoy|Overture for Christmas Trombone 2|Orchestral Part|1.50|13 GMCO001-21|||9790222216440|BENOY A|Arthur William Benoy|Overture for Christmas Trombone 3|Orchestral Part|1.50|13 GMCO001-22|||9790222216457|BENOY A|Arthur William Benoy|Overture for Christmas Tuba|Orchestral Part|1.50|13 GMCO001-23|||9790222216464|BENOY A|Arthur William Benoy|Overture for Christmas Timpani+Perc|Orchestral Part|1.50|13 GMCO002|BAILEY, Judith (1941- )
TRENCROM Op.16
Concert Originals Series GMCO002|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, Timpani, Cymbals
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

"Trencrom", in the Cornish language means "a crooked place, a hill". It is the name given to a hill in West Cornwall behind St.Ives, from the top of which can be seen St.Michael''s Mount off the south coast and Godrevy Lighthouse on the north coast.
Duration: 8 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222216471|BAILEY J|Judith Bailey|Trencrom Op.16 Pack|Orchestra|30.00|470 GMCO002-00|||9790222216488|BAILEY J|Judith Bailey|Trencrom Op.16 Score|Orchestral Score|8.00|88 GMCO002-01|||9790222216495|BAILEY J|Judith Bailey|Trencrom Op.16 Violin 1|Orchestral Part|1.50|13 GMCO002-02|||9790222216501|BAILEY J|Judith Bailey|Trencrom Op.16 Violin 2|Orchestral Part|1.50|13 GMCO002-03|||9790222216518|BAILEY J|Judith Bailey|Trencrom Op.16 Viola|Orchestral Part|1.50|13 GMCO002-04|||9790222216525|BAILEY J|Judith Bailey|Trencrom Op.16 Cello|Orchestral Part|1.50|13 GMCO002-05|||9790222216532|BAILEY J|Judith Bailey|Trencrom Op.16 Bass|Orchestral Part|1.50|13 GMCO002-06|||9790222216549|BAILEY J|Judith Bailey|Trencrom Op.16 Flute 1|Orchestral Part|1.50|13 GMCO002-07|||9790222216556|BAILEY J|Judith Bailey|Trencrom Op.16 Flute 2|Orchestral Part|1.50|13 GMCO002-08|||9790222216563|BAILEY J|Judith Bailey|Trencrom Op.16 Oboe 1|Orchestral Part|1.50|13 GMCO002-09|||9790222216570|BAILEY J|Judith Bailey|Trencrom Op.16 Oboe 2|Orchestral Part|1.50|13 GMCO002-10|||9790222216587|BAILEY J|Judith Bailey|Trencrom Op.16 Clarinet 1|Orchestral Part|1.50|13 GMCO002-11|||9790222216594|BAILEY J|Judith Bailey|Trencrom Op.16 Clarinet 2|Orchestral Part|1.50|13 GMCO002-12|||9790222216600|BAILEY J|Judith Bailey|Trencrom Op.16 Bassoon 1+2|Orchestral Part|1.50|13 GMCO002-13|||9790222216617|BAILEY J|Judith Bailey|Trencrom Op.16 Horn 1|Orchestral Part|1.50|13 GMCO002-14|||9790222216624|BAILEY J|Judith Bailey|Trencrom Op.16 Horn 2|Orchestral Part|1.50|13 GMCO002-15|||9790222216631|BAILEY J|Judith Bailey|Trencrom Op.16 Timpani|Orchestral Part|1.50|13 GMCO002-16|||9790222216648|BAILEY J|Judith Bailey|Trencrom Op.16 Cymbals|Orchestral Part|1.50|7 GMCO003|SHORT, Michael (1937- )
THREE CHINESE PICTURES
Concert Originals Series GMCO003|Orchestration
Piccolo, Flute, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, Trombone, Timpani, Percussion (Triangle, Suspended Cymbal, Cymbals, Glockenspiel, Bass Drum, Tambourine, Tamtam, 4 Wood Blocks), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Three pieces (From the Wall of Shou-Hsiang, The Red Hills, Flowers and Moonlight on the Spring River) originally for recorder consort which were arranged by the composer for orchestra and first performed by the Morley College Symphony Orchestra. The trombone, timpani, percussion and harp parts may be omitted.
Duration: 8 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222208599|SHORT M|Michael Short|Three Chinese Pictures Pack|Orchestra|30.00|554 GMCO003-00|||9790222208605|SHORT M|Michael Short|Three Chinese Pictures Score|Orchestral Score|8.00|100 GMCO003-01|||9790222208612|SHORT M|Michael Short|Three Chinese Pictures Violin 1|Orchestral Part|1.50|13 GMCO003-02|||9790222208629|SHORT M|Michael Short|Three Chinese Pictures Violin 2|Orchestral Part|1.50|13 GMCO003-03|||9790222208636|SHORT M|Michael Short|Three Chinese Pictures Viola|Orchestral Part|1.50|13 GMCO003-04|||9790222208643|SHORT M|Michael Short|Three Chinese Pictures Cello|Orchestral Part|1.50|13 GMCO003-05|||9790222208650|SHORT M|Michael Short|Three Chinese Pictures Bass|Orchestral Part|1.50|13 GMCO003-06|||9790222208667|SHORT M|Michael Short|Three Chinese Pictures Piccolo|Orchestral Part|1.50|13 GMCO003-07|||9790222208674|SHORT M|Michael Short|Three Chinese Pictures Flute|Orchestral Part|1.50|13 GMCO003-08|||9790222208681|SHORT M|Michael Short|Three Chinese Pictures Oboes 1 & 2|Orchestral Part|1.50|13 GMCO003-09|||9790222208698|SHORT M|Michael Short|Three Chinese Pictures Clars 1 & 2|Orchestral Part|1.50|13 GMCO003-10|||9790222208704|SHORT M|Michael Short|Three Chinese Pictures Bsns 1 & 2|Orchestral Part|1.50|13 GMCO003-11|||9790222208711|SHORT M|Michael Short|Three Chinese Pictures Horns 1 & 2|Orchestral Part|1.50|13 GMCO003-12|||9790222208728|SHORT M|Michael Short|Three Chinese Pictures Trps 1 & 2|Orchestral Part|1.50|13 GMCO003-13|||9790222208735|SHORT M|Michael Short|Three Chinese Pictures Trombone|Orchestral Part|1.50|13 GMCO003-14|||9790222208742|SHORT M|Michael Short|Three Chinese Pictures Timpani|Orchestral Part|1.50|13 GMCO003-15|||9790222208759|SHORT M|Michael Short|Three Chinese Pictures Percussion|Orchestral Part|1.50|13 GMCO003-16|||9790222208766|SHORT M|Michael Short|Three Chinese Pictures Harp|Orchestral Part|1.50|13 GMCO004|SHORT, Michael (1937- )
CONCERT MUSIC FOR STRINGS
Concert Originals Series GMCO004|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This work was commissioned by the Dolmetsch Organisation with funds provided by the Arts Council of Great Britain and was first performed in Chichester Cathedral on 4th August 1979 by the Scottish Baroque Ensemble directed by Leonard Friedman. It is in one continuous movement.
Duration: 15 minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222221130|SHORT M|Michael Short|Concert Music for Strings Pack|String Orchestra|50.00|782 GMCO004-00|||9790222221147|SHORT M|Michael Short|Concert Music for Strings Score|Orchestral Score|12.00|138 GMCO004-01|||9790222221154|SHORT M|Michael Short|Concert Music for Strings Violin 1|Orchestral Part|2.50|38 GMCO004-02|||9790222221161|SHORT M|Michael Short|Concert Music for Strings Violin 2|Orchestral Part|2.50|38 GMCO004-03|||9790222221178|SHORT M|Michael Short|Concert Music for Strings Viola|Orchestral Part|2.50|38 GMCO004-04|||9790222221185|SHORT M|Michael Short|Concert Music for Strings Cello|Orchestral Part|2.50|38 GMCO004-05|||9790222221192|SHORT M|Michael Short|Concert Music for Strings Bass|Orchestral Part|2.00|25 GMCO005|SHORT, Michael (1937- )
SERENADE FOR STRINGS
Concert Originals Series GMCO005|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This piece was written in 1981 for the Scottish Baroque Ensemble. I wanted to give them a piece in a lighter style which could be used in concerts as a contrast to more serious works, and following in the tradition of Holst''s St.Paul''s Suite and Brook Green Suite, the Serenade is intended to be entertaining for both listeners and players, while being within the capabilities of amateurs as well. The four movements contrast with each other, but all end quietly. The Badinage has some jazzy syncopations which alternate with a "folksy" tune, the pseudo-Baroque Chaconne and the Intermezzo both employ changing time-signatures, while the Country Dance has two simple tunes which eventually fade into the mists of time, with a final ghostly echo. (M.Short)
Duration: 16 minutes
A PACK comprises one full score and strings 4/4/3/4/2'|9790222216655|SHORT M|Michael Short|Serenade for Strings Pack|String Orchestra|50.00|792 GMCO005-00|||9790222216662|SHORT M|Michael Short|Serenade for Strings Score|Orchestral Score|10.00|125 GMCO005-01|||9790222216679|SHORT M|Michael Short|Serenade for Strings Violin 1|Orchestral Part|2.50|38 GMCO005-02|||9790222216686|SHORT M|Michael Short|Serenade for Strings Violin 2|Orchestral Part|2.50|38 GMCO005-03|||9790222216693|SHORT M|Michael Short|Serenade for Strings Viola|Orchestral Part|2.50|38 GMCO005-04|||9790222216709|SHORT M|Michael Short|Serenade for Strings Cello|Orchestral Part|2.50|38 GMCO005-05|||9790222216716|SHORT M|Michael Short|Serenade for Strings Bass|Orchestral Part|2.50|38 GMCO006|SHORT, Michael (1937- )
DOUBLE CONCERTO for two violins
Concert Originals Series GMCO006|'Orchestration
Solo Violin 1, Solo Violin 2, Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This concerto is in three linked sections: an opening Moderato presents the main thematic material, followed by an Allegretto which explores the themes further, rounded off by a Vigoroso finale based on the inversion of the main theme. The concerto takes its cue from Holst''s Double Concerto, in which the soloists do not indulge in technical display but provide a contrast to the orchestra with whom they share the simple thematic material within a relatively brief structure.
Duration: 12 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222209527|SHORT M|Michael Short|Double Concerto (2 Violins) Pack|String Orchestra|40.00|714 GMCO006-00|||9790222209534|SHORT M|Michael Short|Double Concerto (2 Violins) Score|Orchestral Score|12.00|150 GMCO006-01|||9790222209541|SHORT M|Michael Short|Double Concerto Solo Violins 1 & 2|Orchestral Part|3.00|50 GMCO006-02|||9790222209558|SHORT M|Michael Short|Double Concerto Ripieno Violin 1|Orchestral Part|2.00|25 GMCO006-03|||9790222209565|SHORT M|Michael Short|Double Concerto Ripieno Violin 2|Orchestral Part|2.00|25 GMCO006-04|||9790222209572|SHORT M|Michael Short|Double Concerto Viola|Orchestral Part|2.00|25 GMCO006-05|||9790222209589|SHORT M|Michael Short|Double Concerto Cello|Orchestral Part|2.00|25 GMCO006-06|||9790222209596|SHORT M|Michael Short|Double Concerto Double Bass|Orchestral Part|2.00|25 GMCO007|SHORT, Michael (1937- )
APOLLO CONCERTO No.1 for flute
Concert Originals Series GMCO007|'Orchestration
Solo Flute, Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This flute concerto is in three movements: a mechanical allegro based on simple arpeggios, an atmospheric slow movement, and a lively finale based on Bulgarian rhythms. A flute and piano reduction is also available for this concerto (catalogue number GM010).
Duration: 15 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.

The APOLLO CONCERTOS
The Apollo Ensemble of Bath was formed by Eric Roseberry in 1989, and it''s first concert included Michael Short''s Serenade for strings. The composer continues: Also on the programme was a classical horn concerto, which made me realise that there is a need for more modern works of this type: light, elegant and accessible, playable by competent musicians and enjoyable for players and listeners alike. I therefore decided to make my contribution by composing six concertos for solo wind instruments and string orchestra. Each concerto would last for around fifteen minutes and be rehearsable within the two sessions the orchestra normally devotes to preparation of a concert, with the soloist being drawn from within the orchestra.'|9790222221284|SHORT M|Michael Short|Apollo Concerto 1 (flute) Pack|String Orchestra|40.00|570 GMCO007-00|||9790222221291|SHORT M|Michael Short|Apollo Concerto 1 (flute) Score|Orchestral Score|10.00|125 GMCO007-01|||9790222221307|SHORT M|Michael Short|Apollo Concerto 1 (flute) Solo Fl|Orchestral Part|2.00|25 GMCO007-02|||9790222221314|SHORT M|Michael Short|Apollo Concerto 1 (flute) Violin 1|Orchestral Part|2.00|25 GMCO007-03|||9790222221321|SHORT M|Michael Short|Apollo Concerto 1 (flute) Violin 2|Orchestral Part|2.00|25 GMCO007-04|||9790222221338|SHORT M|Michael Short|Apollo Concerto 1 (flute) Viola|Orchestral Part|2.00|25 GMCO007-05|||9790222221345|SHORT M|Michael Short|Apollo Concerto 1 (flute) Cello|Orchestral Part|2.00|25 GMCO007-06|||9790222221352|SHORT M|Michael Short|Apollo Concerto 1 (flute) Bass|Orchestral Part|1.50|25 GMCO008|SHORT, Michael (1937- )
APOLLO CONCERTO No.2 for oboe
Concert Originals Series GMCO008|'Orchestration
Solo Oboe, Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This Oboe concerto is in three linked sections, of increasing tempi: Andante - Piu mosso - Vivace. An oboe and piano reduction is also available for this concerto (catalogue number GM011).
Duration: 15 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.

The APOLLO CONCERTOS
The Apollo Ensemble of Bath was formed by Eric Roseberry in 1989, and it''s first concert included Michael Short''s Serenade for strings. The composer continues: Also on the programme was a classical horn concerto, which made me realise that there is a need for more modern works of this type: light, elegant and accessible, playable by competent musicians and enjoyable for players and listeners alike. I therefore decided to make my contribution by composing six concertos for solo wind instruments and string orchestra. Each concerto would last for around fifteen minutes and be rehearsable within the two sessions the orchestra normally devotes to preparation of a concert, with the soloist being drawn from within the orchestra.'|9790222226210|SHORT M|Michael Short|Apollo Concerto 2 (oboe) Pack|String Orchestra|40.00|564 GMCO008-00|||9790222226227|SHORT M|Michael Short|Apollo Concerto 2 (oboe) Score|Orchestral Score|8.00|88 GMCO008-01|||9790222226234|SHORT M|Michael Short|Apollo Concerto 2 (oboe) Violin 1|Orchestral Part|2.00|25 GMCO008-02|||9790222226241|SHORT M|Michael Short|Apollo Concerto 2 (oboe) Violin 2|Orchestral Part|2.00|25 GMCO008-03|||9790222226258|SHORT M|Michael Short|Apollo Concerto 2 (oboe) Viola|Orchestral Part|2.00|25 GMCO008-04|||9790222226265|SHORT M|Michael Short|Apollo Concerto 2 (oboe) Cello|Orchestral Part|2.00|25 GMCO008-05|||9790222226272|SHORT M|Michael Short|Apollo Concerto 2 (oboe) Bass|Orchestral Part|2.00|25 GMCO008-06|||9790222226289|SHORT M|Michael Short|Apollo Concerto 2 (oboe) Solo Oboe|Orchestral Part|2.00|25 GMCO009|SHORT, Michael (1937- )
APOLLO CONCERTO No.3 for clarinet
Concert Originals Series GMCO009|'Orchestration
Solo Clarinet, Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The first movement is a lively dance making use of ever-changing Bulgarian rhythms, while the second has something of the melancholy character of a jazz blues. The finale returns to the lively mood of the first movement, and after a clarinet cadenza recalling previous motifs, a brief coda brings the concerto to a close. A clarinet and piano reduction is also available for this concerto (catalogue number GM012).
Duration: 17 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.

The APOLLO CONCERTOS
The Apollo Ensemble of Bath was formed by Eric Roseberry in 1989, and it''s first concert included Michael Short''s Serenade for strings. The composer continues: Also on the programme was a classical horn concerto, which made me realise that there is a need for more modern works of this type: light, elegant and accessible, playable by competent musicians and enjoyable for players and listeners alike. I therefore decided to make my contribution by composing six concertos for solo wind instruments and string orchestra. Each concerto would last for around fifteen minutes and be rehearsable within the two sessions the orchestra normally devotes to preparation of a concert, with the soloist being drawn from within the orchestra.'|9790222222359|SHORT M|Michael Short|Apollo Concerto 3 (clarinet) Pack|String Orchestra|40.00|594 GMCO009-00|||9790222222366|SHORT M|Michael Short|Apollo Concerto 3 (clarinet) Score|Orchestral Score|10.00|125 GMCO009-01|||9790222222380|SHORT M|Michael Short|Apollo Concerto 3 (clarinet) Vln 1|Orchestral Part|2.00|25 GMCO009-02|||9790222222397|SHORT M|Michael Short|Apollo Concerto 3 (clarinet) Vln 2|Orchestral Part|2.00|25 GMCO009-03|||9790222222403|SHORT M|Michael Short|Apollo Concerto 3 (clarinet) Viola|Orchestral Part|2.00|25 GMCO009-04|||9790222222410|SHORT M|Michael Short|Apollo Concerto 3 (clarinet) Cello|Orchestral Part|2.00|25 GMCO009-05|||9790222222427|SHORT M|Michael Short|Apollo Concerto 3 (clarinet) Bass|Orchestral Part|2.00|25 GMCO009-06|||9790222222373|SHORT M|Michael Short|Apollo Concerto 3 (clarinet) Clar|Orchestral Part|2.00|25 GMCO010|SHORT, Michael (1937- )
APOLLO CONCERTO No.4 for bassoon
Concert Originals Series GMCO010|'Orchestration
Solo Bassoon, Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This concerto is in one continuous movement, consisting of three linked sections: Andante, Piu Mosso and Allegro con moto. A bassoon and piano reduction is also available for this concerto (catalogue number GM013).
Duration: 15 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.

The APOLLO CONCERTOS
The Apollo Ensemble of Bath was formed by Eric Roseberry in 1989, and it''s first concert included Michael Short''s Serenade for strings. The composer continues: Also on the programme was a classical horn concerto, which made me realise that there is a need for more modern works of this type: light, elegant and accessible, playable by competent musicians and enjoyable for players and listeners alike. I therefore decided to make my contribution by composing six concertos for solo wind instruments and string orchestra. Each concerto would last for around fifteen minutes and be rehearsable within the two sessions the orchestra normally devotes to preparation of a concert, with the soloist being drawn from within the orchestra.'|9790222229464|SHORT M|Michael Short|Apollo Concerto 4 (bassoon) Pack|String Orchestra|40.00|550 GMCO010-00|||9790222229471|SHORT M|Michael Short|Apollo Concerto 4 (bassoon) Score|Orchestral Score|8.00|100 GMCO010-01|||9790222229488|SHORT M|Michael Short|Apollo Concerto 4 (bassoon) Bsnsolo|Orchestral Part|2.00|25 GMCO010-02|||9790222229495|SHORT M|Michael Short|Apollo Concerto 4 (bassoon) Violin1|Orchestral Part|2.00|25 GMCO010-03|||9790222229501|SHORT M|Michael Short|Apollo Concerto 4 (bassoon) Violin2|Orchestral Part|2.00|25 GMCO010-04|||9790222229518|SHORT M|Michael Short|Apollo Concerto 4 (bassoon) Viola|Orchestral Part|2.00|25 GMCO010-05|||9790222229525|SHORT M|Michael Short|Apollo Concerto 4 (bassoon) Cello|Orchestral Part|2.00|25 GMCO010-06|||9790222229532|SHORT M|Michael Short|Apollo Concerto 4 (bassoon) Bass|Orchestral Part|1.50|25 GMCO011|BERKELEY, Michael (1948- )
THE ROMANCE OF THE ROSE
Concert Originals Series GMCO011|'Orchestration
Flute (doubling piccolo), Oboe, Clarinet in Bb, Bassoon
Horn in F (also plays Wood Block)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Romance of the Rose was commissioned by the St.Paul''s Schools'' Chamber Orchestra and given its first performance at St.John''s Smith Square, London on 5th November 1982, conducted by Jonathan Varcoe. The work uses material from the composer''s incidental music for the BBC radio production of the French poem Romaunt de la Rose which he was composing when he received the commission.
Duration: 13 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222204287|BERKELEY M|Michael Berkeley|Romance of the Rose Pack|Orchestra|55.00|648 GMCO011-00|||9790222204294|BERKELEY M|Michael Berkeley|Romance of the Rose Score|Orchestral Score|8.00|100 GMCO011-01|||9790222204300|BERKELEY M|Michael Berkeley|Romance of the Rose Violin 1|Orchestral Part|2.00|25 GMCO011-02|||9790222204317|BERKELEY M|Michael Berkeley|Romance of the Rose Violin 2|Orchestral Part|2.00|25 GMCO011-03|||9790222204324|BERKELEY M|Michael Berkeley|Romance of the Rose Viola|Orchestral Part|2.00|25 GMCO011-04|||9790222204331|BERKELEY M|Michael Berkeley|Romance of the Rose Cello|Orchestral Part|2.00|25 GMCO011-05|||9790222204348|BERKELEY M|Michael Berkeley|Romance of the Rose Bass|Orchestral Part|1.50|13 GMCO011-06|||9790222204355|BERKELEY M|Michael Berkeley|Romance of the Rose Flute (+picc)|Orchestral Part|2.00|25 GMCO011-07|||9790222204362|BERKELEY M|Michael Berkeley|Romance of the Rose Oboe|Orchestral Part|2.00|25 GMCO011-08|||9790222204379|BERKELEY M|Michael Berkeley|Romance of the Rose Clarinet|Orchestral Part|2.00|25 GMCO011-09|||9790222204386|BERKELEY M|Michael Berkeley|Romance of the Rose Bassoon|Orchestral Part|2.00|25 GMCO011-10|||9790222204393|BERKELEY M|Michael Berkeley|Romance of the Rose Horn (+Woodblk)|Orchestral Part|1.50|13 GMCO012|JEPSON, David
FESTIVAL MARCH
Concert Originals Series GMCO012|Orchestration
Piccolo (or flute 3), 2 Flutes, 2 Oboes [2nd optional], 2 Clarinets in Bb, 2 Bassoons
4 Horns in F [1st & 3rd optional], 2 Trumpets in Bb, 3 Trombones [optional], Tuba [optional],
Timpani [optional], Percussion (cymbals & side drum)
Strings (Violin 1, Violin 2, [viola, cello, bass optional])
Piano [optional]

Festival March was written in 1980 for Eccles College, Salford, and, as part of the Festival celebrating the 750th year of the signing of the Salford Charter, it was performed by the Salford Youth Orchestra under their conductor Jack Fryer.
If there is no piccolo, the part should be played by a third flute rather than omitted. Where 4 horns are not available, 2 horns are required playing the Horn 2 and Horn 4 parts. The piano part is essential only if any of the following instruments are missing: viola, cello, double bass, trombone, timpani.
Duration: 3 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222204409|JEPSON D|David Jepson|Festival March Pack|Orchestra|55.00|620 GMCO012-00|||9790222204416|JEPSON D|David Jepson|Festival March Score|Orchestral Score|6.00|75 GMCO012-01|||9790222204423|JEPSON D|David Jepson|Festival March Violin 1|Orchestral Part|1.50|13 GMCO012-02|||9790222204430|JEPSON D|David Jepson|Festival March Violin 2|Orchestral Part|1.50|13 GMCO012-03|||9790222204447|JEPSON D|David Jepson|Festival March Viola|Orchestral Part|1.50|13 GMCO012-04|||9790222204454|JEPSON D|David Jepson|Festival March Cello|Orchestral Part|1.50|13 GMCO012-05|||9790222204461|JEPSON D|David Jepson|Festival March Bass|Orchestral Part|1.50|13 GMCO012-06|||9790222204478|JEPSON D|David Jepson|Festival March Piccolo (Flute 3)|Orchestral Part|1.50|13 GMCO012-07|||9790222204485|JEPSON D|David Jepson|Festival March Flute 1|Orchestral Part|1.50|13 GMCO012-08|||9790222204492|JEPSON D|David Jepson|Festival March Flute 2|Orchestral Part|1.50|13 GMCO012-09|||9790222204508|JEPSON D|David Jepson|Festival March Oboe 1|Orchestral Part|1.50|13 GMCO012-10|||9790222204515|JEPSON D|David Jepson|Festival March Oboe 2|Orchestral Part|1.50|13 GMCO012-11|||9790222204522|JEPSON D|David Jepson|Festival March Clarinet 1|Orchestral Part|1.50|13 GMCO012-12|||9790222204539|JEPSON D|David Jepson|Festival March Clarinet 2|Orchestral Part|1.50|13 GMCO012-13|||9790222204546|JEPSON D|David Jepson|Festival March Bassoon 1|Orchestral Part|1.50|13 GMCO012-14|||9790222204553|JEPSON D|David Jepson|Festival March Bassoon 2|Orchestral Part|1.50|13 GMCO012-15|||9790222204560|JEPSON D|David Jepson|Festival March Horn 1|Orchestral Part|1.50|13 GMCO012-16|||9790222204577|JEPSON D|David Jepson|Festival March Horn 2|Orchestral Part|1.50|13 GMCO012-17|||9790222204584|JEPSON D|David Jepson|Festival March Horn 3|Orchestral Part|1.50|13 GMCO012-18|||9790222204591|JEPSON D|David Jepson|Festival March Horn 4|Orchestral Part|1.50|13 GMCO012-19|||9790222204607|JEPSON D|David Jepson|Festival March Trumpet 1|Orchestral Part|1.50|13 GMCO012-20|||9790222204614|JEPSON D|David Jepson|Festival March Trumpet 2|Orchestral Part|1.50|13 GMCO012-21|||9790222204621|JEPSON D|David Jepson|Festival March Trombone 1|Orchestral Part|1.50|13 GMCO012-22|||9790222204638|JEPSON D|David Jepson|Festival March Trombone 2|Orchestral Part|1.50|13 GMCO012-23|||9790222204645|JEPSON D|David Jepson|Festival March Trombone 3|Orchestral Part|1.50|13 GMCO012-24|||9790222204652|JEPSON D|David Jepson|Festival March Tuba|Orchestral Part|1.50|13 GMCO012-25|||9790222204669|JEPSON D|David Jepson|Festival March Timpani|Orchestral Part|1.50|13 GMCO012-26|||9790222204676|JEPSON D|David Jepson|Festival March Percussion|Orchestral Part|1.50|13 GMCO012-27|||9790222204683|JEPSON D|David Jepson|Festival March Piano|Orchestral Part|2.00|25 GMCO013|MATHIAS, William (1934-1992)
SERENADE for small orchestra
Concert Originals Series GMCO013|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bassoon (optional)
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani, Percussion - 1 player (optional), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This work was commissioned by Carmarthenshire Education Authority and is dedicated to Elfed Morgan and the Carmarthenshire Youth Orchestra.
Duration: 8 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222216723|MATHIAS W|William Mathias|Serenade for Small Orchestra Pack|Orchestra|55.00|598 GMCO013-00|||9790222216730|MATHIAS W|William Mathias|Serenade for Small Orchestra Score|Orchestral Score|12.00|150 GMCO013-01|||9790222216747|MATHIAS W|William Mathias|Serenade for Small Orchestra Vln 1|Orchestral Part|1.50|13 GMCO013-02|||9790222216754|MATHIAS W|William Mathias|Serenade for Small Orchestra Vln 2|Orchestral Part|1.50|13 GMCO013-03|||9790222216761|MATHIAS W|William Mathias|Serenade for Small Orchestra Viola|Orchestral Part|1.50|13 GMCO013-04|||9790222216778|MATHIAS W|William Mathias|Serenade for Small Orchestra Cello|Orchestral Part|1.50|13 GMCO013-05|||9790222216785|MATHIAS W|William Mathias|Serenade for Small Orchestra Bass|Orchestral Part|1.50|13 GMCO013-06|||9790222216792|MATHIAS W|William Mathias|Serenade for Small Orchestra Fl 1|Orchestral Part|1.50|13 GMCO013-07|||9790222216808|MATHIAS W|William Mathias|Serenade for Small Orchestra Fl 2|Orchestral Part|1.50|13 GMCO013-08|||9790222216815|MATHIAS W|William Mathias|Serenade for Small Orchestra Ob 1|Orchestral Part|1.50|13 GMCO013-09|||9790222216822|MATHIAS W|William Mathias|Serenade for Small Orchestra Ob 2|Orchestral Part|1.50|13 GMCO013-10|||9790222216839|MATHIAS W|William Mathias|Serenade for Small Orchestra Cl 1|Orchestral Part|1.50|13 GMCO013-11|||9790222216846|MATHIAS W|William Mathias|Serenade for Small Orchestra Cl 2|Orchestral Part|1.50|13 GMCO013-12|||9790222216853|MATHIAS W|William Mathias|Serenade for Small Orchestra Bsn|Orchestral Part|1.50|13 GMCO013-13|||9790222216860|MATHIAS W|William Mathias|Serenade for Small Orchestra Hn 1|Orchestral Part|1.50|13 GMCO013-14|||9790222216877|MATHIAS W|William Mathias|Serenade for Small Orchestra Hn 2|Orchestral Part|1.50|13 GMCO013-15|||9790222216884|MATHIAS W|William Mathias|Serenade for Small Orchestra Trp 1|Orchestral Part|1.50|13 GMCO013-16|||9790222216891|MATHIAS W|William Mathias|Serenade for Small Orchestra Trp 2|Orchestral Part|1.50|13 GMCO013-17|||9790222216907|MATHIAS W|William Mathias|Serenade for Small Orchestra Trb 1|Orchestral Part|1.50|13 GMCO013-18|||9790222216914|MATHIAS W|William Mathias|Serenade for Small Orchestra Trb 2|Orchestral Part|1.50|13 GMCO013-19|||9790222216921|MATHIAS W|William Mathias|Serenade for Small Orchestra Timp|Orchestral Part|1.50|13 GMCO013-20|||9790222216938|MATHIAS W|William Mathias|Serenade for Small Orchestra Perc|Orchestral Part|1.50|7 GMCO013-21|||9790222216945|MATHIAS W|William Mathias|Serenade for Small Orchestra Harp|Orchestral Part|2.00|25 GMCO014|RAWSTHORNE, Alan (1905-1971)
OVERTURE FOR FARNHAM
Concert Originals Series GMCO014|Orchestration
2 Flutes, Oboe, 3 Clarinets in Bb, Bassoon
2 Horns in F, 3 Trumpets in Bb, 2 Trombones, Timpani, Percussion (4 players - Side drum, Triangle, Cymbal, Bass drum, Xylophone, Castanets, Tambourine)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This work was commissioned by Mr.& Mrs.Alan P.Tice for the 1967 Farnham Festival, and was given its first performance by the combined orchestras of Farnham Grammar School and Tiffin School on May 12th.
Duration: 3? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222216952|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Pack|Orchestra|50.00|496 GMCO014-00|||9790222216969|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Score|Orchestral Score|8.00|88 GMCO014-01|||9790222216976|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Violin 1|Orchestral Part|1.50|13 GMCO014-02|||9790222216983|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Violin 2|Orchestral Part|1.50|13 GMCO014-03|||9790222216990|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Viola|Orchestral Part|1.50|13 GMCO014-04|||9790222217003|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Cello|Orchestral Part|1.50|13 GMCO014-05|||9790222217010|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Bass|Orchestral Part|1.50|13 GMCO014-06|||9790222217027|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Flute 1|Orchestral Part|1.50|13 GMCO014-07|||9790222217034|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Flute 2|Orchestral Part|1.50|13 GMCO014-08|||9790222217041|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Oboe|Orchestral Part|1.50|13 GMCO014-09|||9790222217058|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Clarinet 1|Orchestral Part|1.50|13 GMCO014-10|||9790222217065|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Clarinet 2|Orchestral Part|1.50|13 GMCO014-11|||9790222217072|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Clarinet 3|Orchestral Part|1.50|13 GMCO014-12|||9790222217089|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Bassoon|Orchestral Part|1.50|13 GMCO014-13|||9790222217096|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Horn 1|Orchestral Part|1.50|13 GMCO014-14|||9790222217102|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Horn 2|Orchestral Part|1.50|13 GMCO014-15|||9790222217119|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Trumpet 1|Orchestral Part|1.50|7 GMCO014-16|||9790222217126|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Trumpet 2|Orchestral Part|1.50|7 GMCO014-17|||9790222217133|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Trumpet 3|Orchestral Part|1.50|7 GMCO014-18|||9790222217140|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Trombone 1|Orchestral Part|1.50|7 GMCO014-19|||9790222217157|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Trombone 2|Orchestral Part|1.50|7 GMCO014-20|||9790222217164|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Timpani|Orchestral Part|1.50|7 GMCO014-21|||9790222217171|RAWSTHORNE|Alan Rawsthorne|Overture for Farnham Percussion|Orchestral Part|1.50|7 GMCO015|TATE, Phyllis (1911-1987)
HAMPSTEAD HEATH RONDO (arr.David Stone)
Concert Originals Series GMCO015|'Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (2 players - cymbal, triangle, side drum, bass drum & tambourine)
Strings (Violin 1, Violin 2, Viola, Cello, Bass), Piano duet

This work has been arranged from Phyllis Tate''s orchestral suite London Fields, originally commissioned by the BBC for its 1958 Festival of Light Music. St.James''s Park, another movement from the suite is also available in this series. The minimum orchestral forces required are strings (without double bass) and piano duet. If the majority of woodwind and brass instruments are available then the piano duet part is not essential.
Duration: 3? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222204690|TATE P|Phyllis Tate|Hampstead Heath Rondo Pack|Orchestra|50.00|620 GMCO015-00|||9790222204706|TATE P|Phyllis Tate|Hampstead Heath Rondo Score|Orchestral Score|10.00|125 GMCO015-01|||9790222204713|TATE P|Phyllis Tate|Hampstead Heath Rondo Violin 1|Orchestral Part|1.50|13 GMCO015-02|||9790222204720|TATE P|Phyllis Tate|Hampstead Heath Rondo Violin 2|Orchestral Part|1.50|13 GMCO015-03|||9790222204737|TATE P|Phyllis Tate|Hampstead Heath Rondo Viola|Orchestral Part|1.50|13 GMCO015-04|||9790222204744|TATE P|Phyllis Tate|Hampstead Heath Rondo Cello|Orchestral Part|1.50|13 GMCO015-05|||9790222204751|TATE P|Phyllis Tate|Hampstead Heath Rondo Bass|Orchestral Part|1.50|13 GMCO015-06|||9790222204768|TATE P|Phyllis Tate|Hampstead Heath Rondo Flute 1|Orchestral Part|1.50|13 GMCO015-07|||9790222204775|TATE P|Phyllis Tate|Hampstead Heath Rondo Flute 2|Orchestral Part|1.50|13 GMCO015-08|||9790222204782|TATE P|Phyllis Tate|Hampstead Heath Rondo Oboe|Orchestral Part|1.50|13 GMCO015-09|||9790222204799|TATE P|Phyllis Tate|Hampstead Heath Rondo Clarinet 1|Orchestral Part|1.50|13 GMCO015-10|||9790222204805|TATE P|Phyllis Tate|Hampstead Heath Rondo Clarinet 2|Orchestral Part|1.50|13 GMCO015-11|||9790222204812|TATE P|Phyllis Tate|Hampstead Heath Rondo Bassoon|Orchestral Part|1.50|13 GMCO015-12|||9790222204829|TATE P|Phyllis Tate|Hampstead Heath Rondo Horn 1|Orchestral Part|1.50|13 GMCO015-13|||9790222204836|TATE P|Phyllis Tate|Hampstead Heath Rondo Horn 2|Orchestral Part|1.50|13 GMCO015-14|||9790222204843|TATE P|Phyllis Tate|Hampstead Heath Rondo Trumpet 1|Orchestral Part|1.50|13 GMCO015-15|||9790222204850|TATE P|Phyllis Tate|Hampstead Heath Rondo Trumpet 2|Orchestral Part|1.50|13 GMCO015-16|||9790222204867|TATE P|Phyllis Tate|Hampstead Heath Rondo Trombone 1|Orchestral Part|1.50|13 GMCO015-17|||9790222204874|TATE P|Phyllis Tate|Hampstead Heath Rondo Trombone 2|Orchestral Part|1.50|13 GMCO015-18|||9790222204881|TATE P|Phyllis Tate|Hampstead Heath Rondo Trombone 3|Orchestral Part|1.50|13 GMCO015-19|||9790222204898|TATE P|Phyllis Tate|Hampstead Heath Rondo Timpani|Orchestral Part|1.50|7 GMCO015-20|||9790222204904|TATE P|Phyllis Tate|Hampstead Heath Rondo Percussion|Orchestral Part|1.50|7 GMCO015-21|||9790222204911|TATE P|Phyllis Tate|Hampstead Heath Rondo Piano Duet|Orchestral Part|3.00|50 GMCO016|'TATE, Phyllis (1911-1987)
ST.JAMES'' PARK (arr.David Stone)
Concert Originals Series GMCO016'|'Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Percussion [1 player] (cymbal & triangle)
Strings (Violin 1, Violin 2, Viola, Cello, Bass), Piano duet (or celeste - see below)

This work, like Hampstead Heath (GMCO015), is from Phyllis Tate''s orchestral suite London Fields. The minimum orchestral forces required are strings (without double bass) and piano duet. If the majority of woodwind and brass instruments are available then the piano duet part is not essential except that those bars of the Piano Duet 1 part marked 8va need to be played on a celeste if available.
Duration: 4 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222204928|TATE P|Phyllis Tate|St.James Park Pack|Orchestra|30.00|290 GMCO016-00|||9790222204935|TATE P|Phyllis Tate|St.James Park Score|Orchestral Score|5.00|50 GMCO016-01|||9790222204942|TATE P|Phyllis Tate|St.James Park Violin 1|Orchestral Part|1.50|7 GMCO016-02|||9790222204959|TATE P|Phyllis Tate|St.James Park Violin 2|Orchestral Part|1.50|7 GMCO016-03|||9790222204966|TATE P|Phyllis Tate|St.James Park Viola|Orchestral Part|1.50|7 GMCO016-04|||9790222204973|TATE P|Phyllis Tate|St.James Park Cello|Orchestral Part|1.50|7 GMCO016-05|||9790222204980|TATE P|Phyllis Tate|St.James Park Bass|Orchestral Part|1.50|7 GMCO016-06|||9790222204997|TATE P|Phyllis Tate|St.James Park Flute 1|Orchestral Part|1.50|7 GMCO016-07|||9790222205000|TATE P|Phyllis Tate|St.James Park Flute 2|Orchestral Part|1.50|7 GMCO016-08|||9790222205017|TATE P|Phyllis Tate|St.James Park Oboe|Orchestral Part|1.50|7 GMCO016-09|||9790222205024|TATE P|Phyllis Tate|St.James Park Clarinet 1|Orchestral Part|1.50|7 GMCO016-10|||9790222205031|TATE P|Phyllis Tate|St.James Park Clarinet 2|Orchestral Part|1.50|7 GMCO016-11|||9790222205048|TATE P|Phyllis Tate|St.James Park Bassoon|Orchestral Part|1.50|7 GMCO016-12|||9790222205055|TATE P|Phyllis Tate|St.James Park Horn 1|Orchestral Part|1.50|7 GMCO016-13|||9790222205062|TATE P|Phyllis Tate|St.James Park Horn 2|Orchestral Part|1.50|7 GMCO016-14|||9790222205079|TATE P|Phyllis Tate|St.James Park Trumpet 1|Orchestral Part|1.50|7 GMCO016-15|||9790222205086|TATE P|Phyllis Tate|St.James Park Trumpet 2|Orchestral Part|1.50|7 GMCO016-16|||9790222205093|TATE P|Phyllis Tate|St.James Park Trombone 1|Orchestral Part|1.50|7 GMCO016-17|||9790222205109|TATE P|Phyllis Tate|St.James Park Trombone 2|Orchestral Part|1.50|7 GMCO016-18|||9790222205116|TATE P|Phyllis Tate|St.James Park Trombone 3|Orchestral Part|1.50|7 GMCO016-19|||9790222205123|TATE P|Phyllis Tate|St.James Park Percussion|Orchestral Part|1.50|7 GMCO016-20|||9790222205130|TATE P|Phyllis Tate|St.James Park Piano Duet|Orchestral Part|2.00|25 GMCO017|LANE, Philip (1950- )
SPA OVERTURE
Concert Originals Series GMCO017|'Orchestration
3 Flutes (3rd doubles piccolo), 2 Oboes (2nd doubles Cor Anglais), 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani, Percussion (Suspended cymbal, Glockenspiel, Xylophone, Bass drum), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Spa of the title is Cheltenham and the work seeks to evoke both its peaceful and bustling character, together with an allusion (at bar 92) to one of its famous sons, Dr. Edward Wilson, who perished with Scott on the fateful Antarctic expedition, and whose statue looks down on the town''s main tree-lined boulevard "The Promenade". The overture was commissioned by Cheltenham Ladies College to celebrate the centenary of the music department and was first performed by the College''s First Orchestra conducted by John Sanders in July 1982. The Cor anglais can be omitted as the part is cued in the Horn part.
Duration: 5 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222220386|LANE P|Philip Lane|Spa Overture Pack|Orchestra|35.00|560 GMCO017-00|||9790222220393|LANE P|Philip Lane|Spa Overture Score|Orchestral Score|10.00|125 GMCO017-01|||9790222220409|LANE P|Philip Lane|Spa Overture Violin 1|Orchestral Part|1.50|13 GMCO017-02|||9790222220416|LANE P|Philip Lane|Spa Overture Violin 2|Orchestral Part|1.50|13 GMCO017-03|||9790222220423|LANE P|Philip Lane|Spa Overture Viola|Orchestral Part|1.50|13 GMCO017-04|||9790222220430|LANE P|Philip Lane|Spa Overture Cello|Orchestral Part|1.50|13 GMCO017-05|||9790222220447|LANE P|Philip Lane|Spa Overture Bass|Orchestral Part|1.50|13 GMCO017-06|||9790222220454|LANE P|Philip Lane|Spa Overture Flute 1+2|Orchestral Part|1.50|13 GMCO017-07|||9790222220461|LANE P|Philip Lane|Spa Overture Flute 3/Piccolo|Orchestral Part|1.50|13 GMCO017-08|||9790222220478|LANE P|Philip Lane|Spa Overture Oboe 1+2|Orchestral Part|1.50|13 GMCO017-09|||9790222220485|LANE P|Philip Lane|Spa Overture Clarinet 1+2|Orchestral Part|1.50|13 GMCO017-10|||9790222220492|LANE P|Philip Lane|Spa Overture Bassoon 1+2|Orchestral Part|1.50|13 GMCO017-11|||9790222220508|LANE P|Philip Lane|Spa Overture Horn 1+2 in F|Orchestral Part|1.50|13 GMCO017-12|||9790222220515|LANE P|Philip Lane|Spa Overture Trumpet 1+2|Orchestral Part|1.50|7 GMCO017-13|||9790222220522|LANE P|Philip Lane|Spa Overture Trombone 1+2|Orchestral Part|1.50|7 GMCO017-14|||9790222220539|LANE P|Philip Lane|Spa Overture Timpani|Orchestral Part|1.50|7 GMCO017-15|||9790222220546|LANE P|Philip Lane|Spa Overture Percussion|Orchestral Part|1.50|13 GMCO017-16|||9790222220553|LANE P|Philip Lane|Spa Overture Harp|Orchestral Part|1.50|13 GMCO018|BARRELL, Bernard (1919- )
EAST ANGLIAN HOLIDAY OVERTURE
Concert Originals Series GMCO018|'Orchestration
Flute, Oboe, Clarinet in Bb, Bassoon
2 Horns in F, Trumpet in Bb, Trombone, Timpani, Percussion (Cymbals, Triangle)
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass)

East Anglia is England''s farthest East - steeped in history with a wealth of beautiful churches, it has a wide variety of scenery which is dominated by the superb skies that so many artists have captured in their work. Much of the region is rural with large areas of wind-swept heathlands and lonely marshes, as well as seaside resorts with carnivals and fun-fairs. These are all suggested in the Overture - even a hint of forgotten railways! The 3rd violin part is an easy part and may be omitted. It is not an alternative to the viola part.
Duration: 5 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222206533|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Pack|Orchestra|30.00|492 GMCO018-00|||9790222206540|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Sc|Orchestral Score|8.00|100 GMCO018-01|||9790222206557|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Vln 1|Orchestral Part|1.50|13 GMCO018-02|||9790222206564|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Vln 2|Orchestral Part|1.50|13 GMCO018-03|||9790222206571|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Vln 3|Orchestral Part|1.50|13 GMCO018-04|||9790222206588|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Viola|Orchestral Part|1.50|13 GMCO018-05|||9790222206595|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Cello|Orchestral Part|1.50|13 GMCO018-06|||9790222206601|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Bass|Orchestral Part|1.50|13 GMCO018-07|||9790222206618|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Flute|Orchestral Part|1.50|13 GMCO018-08|||9790222206625|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Oboe|Orchestral Part|1.50|13 GMCO018-09|||9790222206632|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Clar|Orchestral Part|1.50|13 GMCO018-10|||9790222206649|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Bsn|Orchestral Part|1.50|13 GMCO018-11|||9790222206656|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Hn1+2|Orchestral Part|1.50|13 GMCO018-12|||9790222206663|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Trp|Orchestral Part|1.50|13 GMCO018-13|||9790222206670|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Trb|Orchestral Part|1.50|7 GMCO018-14|||9790222206687|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Timp|Orchestral Part|1.50|7 GMCO018-15|||9790222206694|BARRELL B|Bernard Barrell|East Anglian Holiday Overture Perc|Orchestral Part|1.50|7 GMCO019|BARRELL, Bernard (1919- )
GALA DAY
Concert Originals Series GMCO019|Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, Trombone, Timpani, Percussion (Side drum, Cym, Triangle,Tamb.)
Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass)

This work can be performed with a minimum of 2 flutes, 2 clarinets, 1 trumpet, percussion, violins 1 & 2, viola (or violin 3) and cello. A distant drum-beat indicates the approaching procession which passes and gives way to four linked sections suggesting the various displays at the gala. A jig-like country dance is linked to a stately strathspey which, despite its "Scotch Snap", has a blues like tread. The dance that follows fades and eventually leads into a graceful waltz. This, in turn, is abandoned when the distant procession is heard making its return journey. A solo flute lazily recalls the country dance tune whilst trudging wearily home. The final major chord provides a perfect sunset!
Duration: 10 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222209794|BARRELL B|Bernard Barrell|Overture:Gala Day Pack|Orchestra|40.00|618 GMCO019-00|||9790222209800|BARRELL B|Bernard Barrell|Overture:Gala Day Score|Orchestral Score|14.00|175 GMCO019-01|||9790222209817|BARRELL B|Bernard Barrell|Overture:Gala Day Violin 1|Orchestral Part|1.50|13 GMCO019-02|||9790222209824|BARRELL B|Bernard Barrell|Overture:Gala Day Violin 2|Orchestral Part|1.50|13 GMCO019-03|||9790222209831|BARRELL B|Bernard Barrell|Overture:Gala Day Violin 3|Orchestral Part|1.50|13 GMCO019-04|||9790222209848|BARRELL B|Bernard Barrell|Overture:Gala Day Viola|Orchestral Part|1.50|13 GMCO019-05|||9790222209855|BARRELL B|Bernard Barrell|Overture:Gala Day Cello|Orchestral Part|1.50|13 GMCO019-06|||9790222209862|BARRELL B|Bernard Barrell|Overture:Gala Day Bass|Orchestral Part|1.50|13 GMCO019-07|||9790222209879|BARRELL B|Bernard Barrell|Overture:Gala Day Flute 1+2|Orchestral Part|1.50|13 GMCO019-08|||9790222209886|BARRELL B|Bernard Barrell|Overture:Gala Day Oboe|Orchestral Part|1.50|13 GMCO019-09|||9790222209893|BARRELL B|Bernard Barrell|Overture:Gala Day Clarinet 1+2|Orchestral Part|1.50|13 GMCO019-10|||9790222209909|BARRELL B|Bernard Barrell|Overture:Gala Day Bassoon|Orchestral Part|1.50|13 GMCO019-11|||9790222209916|BARRELL B|Bernard Barrell|Overture:Gala Day Horn 1+2|Orchestral Part|1.50|13 GMCO019-12|||9790222209923|BARRELL B|Bernard Barrell|Overture:Gala Day Trumpet 1+2|Orchestral Part|1.50|13 GMCO019-13|||9790222209930|BARRELL B|Bernard Barrell|Overture:Gala Day Trombone|Orchestral Part|1.50|13 GMCO019-14|||9790222209947|BARRELL B|Bernard Barrell|Overture:Gala Day Timpani|Orchestral Part|1.50|13 GMCO019-15|||9790222209954|BARRELL B|Bernard Barrell|Overture:Gala Day Percussion|Orchestral Part|1.50|13 GMCO020|BAILEY, Judith (1941- )
NOEL - A fantasy on Christmas Carols
Concert Originals Series GMCO020|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Triangle, Side Drum, Cymbal)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A fantasia using the tunes of Ding Dong Merrily on High, Past Three o''clock, In Dulci Jubilo and the Sussex Carol (On Christmas Night....).
Duration: 5 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222209619|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Pack|Orchestra|35.00|586 GMCO020-00|||9790222209626|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Score|Orchestral Score|8.00|100 GMCO020-01|||9790222209633|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Violin 1|Orchestral Part|1.50|13 GMCO020-02|||9790222209640|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Violin 2|Orchestral Part|1.50|13 GMCO020-03|||9790222209657|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Viola|Orchestral Part|1.50|13 GMCO020-04|||9790222209664|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Cello|Orchestral Part|1.50|13 GMCO020-05|||9790222209671|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Bass|Orchestral Part|1.50|13 GMCO020-06|||9790222209688|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Flute 1+2|Orchestral Part|1.50|13 GMCO020-07|||9790222209695|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Oboe 1+2|Orchestral Part|1.50|13 GMCO020-08|||9790222209701|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Clar 1+2|Orchestral Part|1.50|13 GMCO020-09|||9790222209718|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Bsn 1+2|Orchestral Part|1.50|13 GMCO020-10|||9790222209725|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Horn 1+2|Orchestral Part|1.50|13 GMCO020-11|||9790222209732|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Horn 3+4|Orchestral Part|1.50|13 GMCO020-12|||9790222209749|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Trpt 1+2|Orchestral Part|1.50|13 GMCO020-13|||9790222209756|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Trb 1+2|Orchestral Part|1.50|13 GMCO020-14|||9790222209763|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Trb 3|Orchestral Part|1.50|13 GMCO020-15|||9790222209770|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Timpani|Orchestral Part|1.50|13 GMCO020-16|||9790222209787|BAILEY J|Judith Bailey|Noel (Fantasy On Carols) Percussion|Orchestral Part|1.50|13 GMCO021|BAILEY, Judith (1941- )
WASSAIL - A fantasy on Christmas Carols
Concert Originals Series GMCO021|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Side Drum, Cymbals, Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A fantasia using the tunes of Here we come a-wassailing, the Cherry Tree Carol, the Sans Day Carol, Joseph dearest Joseph mine and Masters in this Hall.
Duration: 5 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222210721|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Pack|Orchestra|35.00|608 GMCO021-00|||9790222210738|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Score|Orchestral Score|10.00|125 GMCO021-01|||9790222210745|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Vln 1|Orchestral Part|1.50|13 GMCO021-02|||9790222210752|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Vln 2|Orchestral Part|1.50|13 GMCO021-03|||9790222210769|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Viola|Orchestral Part|1.50|13 GMCO021-04|||9790222210776|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Cello|Orchestral Part|1.50|13 GMCO021-05|||9790222210783|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Bass|Orchestral Part|1.50|13 GMCO021-06|||9790222210790|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Fl.1+2|Orchestral Part|1.50|13 GMCO021-07|||9790222210806|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Ob.1+2|Orchestral Part|1.50|13 GMCO021-08|||9790222210813|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Cl.1+2|Orchestral Part|1.50|13 GMCO021-09|||9790222210820|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Bsn1+2|Orchestral Part|1.50|13 GMCO021-10|||9790222210837|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Hn.1+2|Orchestral Part|1.50|13 GMCO021-11|||9790222210844|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Hn.3+4|Orchestral Part|1.50|13 GMCO021-12|||9790222210851|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Trp1+2|Orchestral Part|1.50|13 GMCO021-13|||9790222210868|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Trb1+2|Orchestral Part|1.50|13 GMCO021-14|||9790222210875|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Trb.3|Orchestral Part|1.50|13 GMCO021-15|||9790222210882|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Timp|Orchestral Part|1.50|13 GMCO021-16|||9790222210899|BAILEY J|Judith Bailey|Wassail (Fantasy On Carols) Perc|Orchestral Part|1.50|13 GMCO022|RUTTER, John (1945- )
SUITE FOR STRINGS
Concert Originals Series GMCO022|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This suite for string orchestra is in four movements, each based on a well-known folk song. They are "A-roving", "I have a bonnet trimmed with blue", "O waly waly" and "Dashing away".
Duration: 12 minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222207172|RUTTER J|John Rutter|Suite for Strings Pack|String Orchestra|45.00|580 GMCO022-00|||9790222207189|RUTTER J|John Rutter|Suite for Strings Score|Orchestral Score|8.00|88 GMCO022-01|||9790222207196|RUTTER J|John Rutter|Suite for Strings Violin 1|Orchestral Part|2.50|38 GMCO022-02|||9790222207202|RUTTER J|John Rutter|Suite for Strings Violin 2|Orchestral Part|2.00|25 GMCO022-03|||9790222207219|RUTTER J|John Rutter|Suite for Strings Viola|Orchestral Part|2.00|25 GMCO022-04|||9790222207226|RUTTER J|John Rutter|Suite for Strings Cello|Orchestral Part|2.00|25 GMCO022-05|||9790222207233|RUTTER J|John Rutter|Suite for Strings Double Bass|Orchestral Part|2.00|25 GMCO023|HODDINOTT, Alun (1929- )
FOLK SONG SUITE
Concert Originals Series GMCO023|'Orchestration
2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani, Percussion (Triangle, Glockenspiel, Celeste, Tambourine, Temple Block, Xylophone, Vibraphone, Cymbal, Side Drum), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Four movements, four Welsh folksongs:
1. Croen y Ddafad Felen (The Yellow Sheepskin)
2. Hw ''Mlaen (Ox-driving Song)
3. C?n Serch (Love Song)
4. Modryb Neli (Aunt Nellie)
Duration: 10 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222220164|HODDINOTT A|Alun Hoddinott|Folk Song Suite Pack|Orchestra|55.00|838 GMCO023-00|||9790222220171|HODDINOTT A|Alun Hoddinott|Folk Song Suite Score|Orchestral Score|14.00|200 GMCO023-01|||9790222220188|HODDINOTT A|Alun Hoddinott|Folk Song Suite Violin 1|Orchestral Part|2.00|25 GMCO023-02|||9790222220195|HODDINOTT A|Alun Hoddinott|Folk Song Suite Violin 2|Orchestral Part|2.00|25 GMCO023-03|||9790222220201|HODDINOTT A|Alun Hoddinott|Folk Song Suite Viola|Orchestral Part|2.00|25 GMCO023-04|||9790222220218|HODDINOTT A|Alun Hoddinott|Folk Song Suite Cello|Orchestral Part|2.00|25 GMCO023-05|||9790222220225|HODDINOTT A|Alun Hoddinott|Folk Song Suite Bass|Orchestral Part|1.50|13 GMCO023-06|||9790222220232|HODDINOTT A|Alun Hoddinott|Folk Song Suite Flute 1|Orchestral Part|1.50|13 GMCO023-07|||9790222220249|HODDINOTT A|Alun Hoddinott|Folk Song Suite Flute 2|Orchestral Part|1.50|13 GMCO023-08|||9790222220256|HODDINOTT A|Alun Hoddinott|Folk Song Suite Oboe|Orchestral Part|1.50|13 GMCO023-09|||9790222220263|HODDINOTT A|Alun Hoddinott|Folk Song Suite Clarinet 1|Orchestral Part|1.50|13 GMCO023-10|||9790222220270|HODDINOTT A|Alun Hoddinott|Folk Song Suite Clarinet 2|Orchestral Part|1.50|13 GMCO023-11|||9790222220287|HODDINOTT A|Alun Hoddinott|Folk Song Suite Bassoon|Orchestral Part|1.50|13 GMCO023-12|||9790222220294|HODDINOTT A|Alun Hoddinott|Folk Song Suite Horn 1|Orchestral Part|1.50|13 GMCO023-13|||9790222220300|HODDINOTT A|Alun Hoddinott|Folk Song Suite Horn 2|Orchestral Part|1.50|13 GMCO023-14|||9790222220317|HODDINOTT A|Alun Hoddinott|Folk Song Suite Trumpet 1|Orchestral Part|1.50|13 GMCO023-15|||9790222220324|HODDINOTT A|Alun Hoddinott|Folk Song Suite Trumpet 2|Orchestral Part|1.50|13 GMCO023-16|||9790222220331|HODDINOTT A|Alun Hoddinott|Folk Song Suite Trombone 1|Orchestral Part|1.50|13 GMCO023-17|||9790222220348|HODDINOTT A|Alun Hoddinott|Folk Song Suite Trombone 2|Orchestral Part|1.50|13 GMCO023-18|||9790222220355|HODDINOTT A|Alun Hoddinott|Folk Song Suite Timpani|Orchestral Part|1.50|13 GMCO023-19|||9790222220362|HODDINOTT A|Alun Hoddinott|Folk Song Suite Percussion|Orchestral Part|1.50|13 GMCO023-20|||9790222220379|HODDINOTT A|Alun Hoddinott|Folk Song Suite Harp|Orchestral Part|2.00|25 GMCO024|HODDINOTT, Alun (1929- )
TWO WELSH DANCES (arr.David Stone)
Concert Originals Series GMCO024|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb (or A), Clarinet 3 (in lieu of bassoon), Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Triangle, Tambourine, Side Drum, Cymbal,,Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Piano (optional)

This work has been arranged from Hoddinott''s Welsh Dances for Orchestra which was commissioned by the BBC for the Light Programme Music Festival 1958. The Two Welsh Dances can be performed with flute, oboe, clarinet and strings with or without piano.
Duration: 4? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222219724|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Pack|Orchestra|50.00|540 GMCO024-00|||9790222219731|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Score|Orchestral Score|8.00|88 GMCO024-01|||9790222219748|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Violin 1|Orchestral Part|1.50|13 GMCO024-02|||9790222219755|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Violin 2|Orchestral Part|1.50|13 GMCO024-03|||9790222219762|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Viola|Orchestral Part|1.50|13 GMCO024-04|||9790222219779|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Cello|Orchestral Part|1.50|13 GMCO024-05|||9790222219786|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Bass|Orchestral Part|1.50|13 GMCO024-06|||9790222219793|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Flute 1|Orchestral Part|1.50|13 GMCO024-07|||9790222219809|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Flute 2|Orchestral Part|1.50|13 GMCO024-08|||9790222219816|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Oboe 1|Orchestral Part|1.50|13 GMCO024-09|||9790222219823|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Oboe 2|Orchestral Part|1.50|13 GMCO024-10|||9790222219830|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Clarinet 1 (Bb+A)|Orchestral Part|1.50|13 GMCO024-11|||9790222219847|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Clarinet 2 (Bb+A)|Orchestral Part|1.50|13 GMCO024-12|||9790222219854|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Clarinet 3|Orchestral Part|1.50|13 GMCO024-13|||9790222219861|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Bassoon|Orchestral Part|1.50|13 GMCO024-14|||9790222219878|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Horn 1|Orchestral Part|1.50|13 GMCO024-15|||9790222219885|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Horn 2|Orchestral Part|1.50|13 GMCO024-16|||9790222219892|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Trumpet 1|Orchestral Part|1.50|13 GMCO024-17|||9790222219908|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Trumpet 2|Orchestral Part|1.50|13 GMCO024-18|||9790222219915|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Trombone 1|Orchestral Part|1.50|13 GMCO024-19|||9790222219922|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Trombone 2|Orchestral Part|1.50|13 GMCO024-20|||9790222219939|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Trombone 3|Orchestral Part|1.50|7 GMCO024-21|||9790222219946|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Timpani|Orchestral Part|1.50|7 GMCO024-22|||9790222219953|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Percussion|Orchestral Part|1.50|7 GMCO024-23|||9790222219960|HODDINOTT A|Alun Hoddinott|Two Welsh Dances Piano|Orchestral Part|2.00|25 GMCO025|HEWITT-JONES, Tony (1926-1989)
CONCERTO FOR TRUMPET and STRINGS
Concert Originals Series GMCO025|'Orchestration
Solo trumpet in C or Bb
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This concerto is dedicated to the memory of the trumpet player Bernard Brown. This concerto was Tony Hewitt-Jones'' last major work before he died in 1989 at the age of 63. There is a trumpet and piano reduction of this concerto available published by Goodmusic (Catalogue number GM018).
Duration: 20 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222219434|HEWITT-JONES|Tony Hewitt-Jones|Concerto for Trumpet & Strings Pk|String Orchestra|60.00|980 GMCO025-00|||9790222219441|HEWITT-JONES|Tony Hewitt-Jones|Concerto for Trumpet & Strings Sc|Orchestral Score|15.00|240 GMCO025-01|||9790222219458|HEWITT-JONES|Tony Hewitt-Jones|Concerto for Trumpet & Strings Vln1|Orchestral Part|2.50|38 GMCO025-02|||9790222219465|HEWITT-JONES|Tony Hewitt-Jones|Concerto for Trumpet & Strings Vln2|Orchestral Part|2.50|38 GMCO025-03|||9790222219472|HEWITT-JONES|Tony Hewitt-Jones|Concerto for Trumpet & Strings Vla|Orchestral Part|2.50|38 GMCO025-04|||9790222219489|HEWITT-JONES|Tony Hewitt-Jones|Concerto for Trumpet & Strings Vc|Orchestral Part|2.50|38 GMCO025-05|||9790222219496|HEWITT-JONES|Tony Hewitt-Jones|Concerto for Trumpet & Strings Bass|Orchestral Part|2.00|25 GMCO025-06|||9790222219502|HEWITT-JONES|Tony Hewitt-Jones|Concerto for Trumpet & Strings TrpC|Orchestral Part|2.50|38 GMCO025-07|||9790222219519|HEWITT-JONES|Tony Hewitt-Jones|Concerto for Trumpet & StringsTrpBb|Orchestral Part|2.50|38 GMCO027|BAILEY, Judith (1941- )
HAVAS - A period of summer Op.44
Concert Originals Series GMCO027|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F (3 & 4 optional), 2 Trumpets in Bb, 3 Trombones (optional), Timpani
Percussion (Cymbal, Gong, Side drum, Triangle)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Three movements (Lanyon Quoit, The Merry Maidens, Gwavas Lake) give three "views" of Cornwall. The sketches for this work were made by the composer in the summer of 1991 near her home in West Cornwall, when she also made paintings of the three areas. "I have tried to capture the spirit of all three places without making the music either too difficult to play or too abstruse for the listener." Judith Bailey
Duration: 15 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.
A CD recording is available on EM Records EMR CD026 with Judith Bailey''s "Concerto for Orchestra"'|9790222208179|BAILEY J|Judith Bailey|Havas - A Period of Summer Pack|Orchestra|70.00|1140 GMCO027-00|||9790222208186|BAILEY J|Judith Bailey|Havas - A Period of Summer Score|Orchestral Score|15.00|213 GMCO027-01|||9790222208193|BAILEY J|Judith Bailey|Havas - A Period of Summer Violin 1|Orchestral Part|2.00|25 GMCO027-02|||9790222208209|BAILEY J|Judith Bailey|Havas - A Period of Summer Violin 2|Orchestral Part|2.00|25 GMCO027-03|||9790222208216|BAILEY J|Judith Bailey|Havas - A Period of Summer Viola|Orchestral Part|2.00|25 GMCO027-04|||9790222208223|BAILEY J|Judith Bailey|Havas - A Period of Summer Cello|Orchestral Part|2.00|25 GMCO027-05|||9790222208230|BAILEY J|Judith Bailey|Havas - A Period of Summer D.bass|Orchestral Part|2.00|25 GMCO027-06|||9790222208247|BAILEY J|Judith Bailey|Havas - A Period of Summer Flute 1|Orchestral Part|2.00|25 GMCO027-07|||9790222208254|BAILEY J|Judith Bailey|Havas - A Period of Summer Flute 2|Orchestral Part|2.00|25 GMCO027-08|||9790222208261|BAILEY J|Judith Bailey|Havas - A Period of Summer Oboe 1|Orchestral Part|2.00|25 GMCO027-09|||9790222208278|BAILEY J|Judith Bailey|Havas - A Period of Summer Oboe 2|Orchestral Part|2.00|25 GMCO027-10|||9790222208285|BAILEY J|Judith Bailey|Havas - A Period of Summer Clar 1|Orchestral Part|2.00|25 GMCO027-11|||9790222208292|BAILEY J|Judith Bailey|Havas - A Period of Summer Clar 2|Orchestral Part|2.00|25 GMCO027-12|||9790222208308|BAILEY J|Judith Bailey|Havas - A Period of Summer Bassoon1|Orchestral Part|2.00|25 GMCO027-13|||9790222208315|BAILEY J|Judith Bailey|Havas - A Period of Summer Bassoon2|Orchestral Part|2.00|25 GMCO027-14|||9790222208322|BAILEY J|Judith Bailey|Havas - A Period of Summer Horn 1|Orchestral Part|2.00|25 GMCO027-15|||9790222208339|BAILEY J|Judith Bailey|Havas - A Period of Summer Horn 2|Orchestral Part|2.00|25 GMCO027-16|||9790222208346|BAILEY J|Judith Bailey|Havas - A Period of Summer Horn 3+4|Orchestral Part|1.50|13 GMCO027-17|||9790222208353|BAILEY J|Judith Bailey|Havas - A Period of Summer Trumpet1|Orchestral Part|2.00|25 GMCO027-18|||9790222208360|BAILEY J|Judith Bailey|Havas - A Period of Summer Trumpet2|Orchestral Part|2.00|25 GMCO027-19|||9790222208377|BAILEY J|Judith Bailey|Havas - A Period of Summer Tromb1+2|Orchestral Part|2.00|25 GMCO027-20|||9790222208384|BAILEY J|Judith Bailey|Havas - A Period of Summer Tromb 3|Orchestral Part|1.50|13 GMCO027-21|||9790222208391|BAILEY J|Judith Bailey|Havas - A Period of Summer Timpani|Orchestral Part|2.00|25 GMCO027-22|||9790222208407|BAILEY J|Judith Bailey|Havas - A Period of Summer Perc.|Orchestral Part|2.00|25 GMCO029|WALTERS, Gareth (1928- )
DIVERTIMENTO FOR STRINGS
Concert Originals Series GMCO029|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This five-movement work was commissioned by the BBC for performance by its orchestra in Cardiff. The wording of the commission specified that the work should be based on Welsh folk-music. However, rather than employing folk tunes as such, the composer decided to develop short rhythmic or melodic elements present in some of those. In fact, only two traditional melodies appear in the work. A short quotation from one is used as a counterpoint in the second movement and the melody in the fourth movement consists of an embellished variant of "Lisa Lan".
Duration: 17 minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222222113|WALTERS G|Gareth Walters|Divertimento for Strings Pack|String Orchestra|50.00|806 GMCO029-00|||9790222222120|WALTERS G|Gareth Walters|Divertimento for Strings Score|Orchestral Score|14.00|175 GMCO029-01|||9790222222137|WALTERS G|Gareth Walters|Divertimento for Strings Violin 1|Orchestral Part|2.50|38 GMCO029-02|||9790222222144|WALTERS G|Gareth Walters|Divertimento for Strings Violin 2|Orchestral Part|2.50|38 GMCO029-03|||9790222222151|WALTERS G|Gareth Walters|Divertimento for Strings Viola|Orchestral Part|2.50|38 GMCO029-04|||9790222222168|WALTERS G|Gareth Walters|Divertimento for Strings Cello|Orchestral Part|2.50|38 GMCO029-05|||9790222222175|WALTERS G|Gareth Walters|Divertimento for Strings Bass|Orchestral Part|2.00|25 GMCO030|'ARNOLD, Malcolm (1921- )
CHILDREN''S PIECES (arr.Denis Bloodworth)
Concert Originals Series GMCO030'|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Cymbals, Side drum, Bass drum, Triangle. Tambourine, Glockenspiel [3 players]))
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An orchestration by Denis Bloodworth, very much in the style of the composer, of a set of Eight Children''s Piano Pieces (Op.36) by Malcolm Arnold. The pieces are entitled "Tired Bagpipes", Two Sad Hands", "Across the Plains", "Strolling Tune", Dancing Tune", "Giants", "The Duke goes a-hunting" & "The Buccaneer".
Duration: 10 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222222618|ARNOLD M|Malcolm Arnold|'Children''s Pieces Pack'|Orchestra|60.00|696 GMCO030-00|||9790222222625|ARNOLD M|Malcolm Arnold|'Children''s Pieces Score'|Orchestral Score|12.00|138 GMCO030-01|||9790222222632|ARNOLD M|Malcolm Arnold|'Children''s Pieces Violin 1'|Orchestral Part|1.50|13 GMCO030-02|||9790222222649|ARNOLD M|Malcolm Arnold|'Children''s Pieces Violin 2'|Orchestral Part|1.50|13 GMCO030-03|||9790222222656|ARNOLD M|Malcolm Arnold|'Children''s Pieces Viola'|Orchestral Part|1.50|13 GMCO030-04|||9790222222663|ARNOLD M|Malcolm Arnold|'Children''s Pieces Cello'|Orchestral Part|1.50|13 GMCO030-05|||9790222222670|ARNOLD M|Malcolm Arnold|'Children''s Pieces Bass'|Orchestral Part|1.50|13 GMCO030-06|||9790222222687|ARNOLD M|Malcolm Arnold|'Children''s Pieces Flute 1+2'|Orchestral Part|1.50|13 GMCO030-07|||9790222222694|ARNOLD M|Malcolm Arnold|'Children''s Pieces Oboe 1+2'|Orchestral Part|1.50|13 GMCO030-08|||9790222222700|ARNOLD M|Malcolm Arnold|'Children''s Pieces Clarinet 1+2'|Orchestral Part|1.50|13 GMCO030-09|||9790222222717|ARNOLD M|Malcolm Arnold|'Children''s Pieces Bassoon 1+2'|Orchestral Part|1.50|13 GMCO030-10|||9790222222724|ARNOLD M|Malcolm Arnold|'Children''s Pieces Horn 1+2'|Orchestral Part|1.50|13 GMCO030-11|||9790222222731|ARNOLD M|Malcolm Arnold|'Children''s Pieces Horn 3+4'|Orchestral Part|1.50|13 GMCO030-12|||9790222222748|ARNOLD M|Malcolm Arnold|'Children''s Pieces Trumpet 1+2'|Orchestral Part|1.50|13 GMCO030-13|||9790222222755|ARNOLD M|Malcolm Arnold|'Children''s Pieces Trumpet 3'|Orchestral Part|1.50|13 GMCO030-14|||9790222222762|ARNOLD M|Malcolm Arnold|'Children''s Pieces Trombone 1+2'|Orchestral Part|1.50|13 GMCO030-15|||9790222222779|ARNOLD M|Malcolm Arnold|'Children''s Pieces Trombone 3+Tuba'|Orchestral Part|1.50|13 GMCO030-16|||9790222222786|ARNOLD M|Malcolm Arnold|'Children''s Pieces Timpani'|Orchestral Part|1.50|13 GMCO030-17|||9790222222793|ARNOLD M|Malcolm Arnold|'Children''s Pieces Percussion'|Orchestral Part|2.00|25 GMCO031|SHORT, Michael (1937- )
FROST FAIR
Concert Originals Series GMCO031|'Orchestration
2 Flutes (2nd doubles Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Tuba (optional), Timpani (4 or 3 drums),
Percussion (Glockenspiel, cymbals, bass drum, tamtam)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

As dawn breaks on a cold winter''s morning, the citizens of medieval London wake up to find that the River Thames has frozen over. At first, one or two people venture out onto the ice, and then crowds begin to gather as stalls are set up for a Frost Fair. The day is passed in various exhilarating pursuits such as skating, dancing, drinking, ox-roasting and bear-baiting, in the midst of which the opening theme can be heard as a low solemn chant, as a reminder of the fragility of life and of the danger lurking just beneath the ice. After a good day''s enjoyment, the crowds begin to disperse as the booths are packed away and the chill of evening begins to be felt. Finally, as dusk closes in, a few figures can still be seen wandering across the ice in the fading light.
Duration: 8 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222224186|SHORT M|Michael Short|Frost Fair Pack|Orchestra|35.00|568 GMCO031-00|||9790222224193|SHORT M|Michael Short|Frost Fair Score|Orchestral Score|12.00|138 GMCO031-01|||9790222224209|SHORT M|Michael Short|Frost Fair Violin 1|Orchestral Part|1.50|13 GMCO031-02|||9790222224216|SHORT M|Michael Short|Frost Fair Violin 2|Orchestral Part|1.50|13 GMCO031-03|||9790222224223|SHORT M|Michael Short|Frost Fair Viola|Orchestral Part|1.50|13 GMCO031-04|||9790222224230|SHORT M|Michael Short|Frost Fair Cello|Orchestral Part|1.50|13 GMCO031-05|||9790222224247|SHORT M|Michael Short|Frost Fair Bass|Orchestral Part|1.50|13 GMCO031-06|||9790222224254|SHORT M|Michael Short|Frost Fair Flute 1|Orchestral Part|1.50|13 GMCO031-07|||9790222224261|SHORT M|Michael Short|Frost Fair Flute 2/Piccolo|Orchestral Part|1.50|13 GMCO031-08|||9790222224278|SHORT M|Michael Short|Frost Fair Oboe 1+2|Orchestral Part|1.50|13 GMCO031-09|||9790222224285|SHORT M|Michael Short|Frost Fair Clarinet 1+2|Orchestral Part|1.50|13 GMCO031-10|||9790222224292|SHORT M|Michael Short|Frost Fair Bassoon 1+2|Orchestral Part|1.50|13 GMCO031-11|||9790222224308|SHORT M|Michael Short|Frost Fair Horn 1+2|Orchestral Part|1.50|13 GMCO031-12|||9790222224315|SHORT M|Michael Short|Frost Fair Trumpet 1+2|Orchestral Part|1.50|7 GMCO031-13|||9790222224322|SHORT M|Michael Short|Frost Fair Trombone 1+2|Orchestral Part|1.50|7 GMCO031-14|||9790222224339|SHORT M|Michael Short|Frost Fair Tuba|Orchestral Part|1.50|7 GMCO031-15|||9790222224346|SHORT M|Michael Short|Frost Fair Timpani|Orchestral Part|1.50|7 GMCO031-16|||9790222224353|SHORT M|Michael Short|Frost Fair Percussion|Orchestral Part|1.50|13 GMCO032|SCHWARZ, Ira Paul (1922- )
CELTIC CONCERTO
Concert Originals Series GMCO032|Orchestration
Solo Penny-whistle or Irish pipes or Flute or Oboe or Soprano saxophone
Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Percussion (Suspended cymbal, Bodhran [Irish or Tenor drum], 4 Temple blocks, Wood block [1 player]), Keyboard (Electric keyboard or Piano)[optional]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This concerto with a distinctly Celtic flavour features a penny-whistle as the solo instrument although the Irish Pipes (fully keyed) would be equally suitable. It could also be played with either a flute or an oboe or soprano saxophone as soloist The keyboard part can be omitted, but provides support to the orchestra if necessary. If an electric keyboard is used certain registration effects are indicated in the score. From the slow haunting theme at the start to the final romp to the finish it is fun to play and enjoyable to listen to.
Duration: 9 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222227262|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Pack|Orchestra|35.00|510 GMCO032-00|||9790222227279|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Score|Orchestral Score|12.00|150 GMCO032-01|||9790222227286|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Violin 1|Orchestral Part|1.50|13 GMCO032-02|||9790222227293|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Violin 2|Orchestral Part|1.50|13 GMCO032-03|||9790222227309|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Viola|Orchestral Part|1.50|13 GMCO032-04|||9790222227316|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Cello|Orchestral Part|1.50|13 GMCO032-05|||9790222227323|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Bass|Orchestral Part|1.50|13 GMCO032-06|||9790222227330|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Flute|Orchestral Part|1.50|13 GMCO032-07|||9790222227347|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Oboe|Orchestral Part|1.50|13 GMCO032-08|||9790222227354|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Clarinet|Orchestral Part|1.50|13 GMCO032-09|||9790222227361|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Bassoon|Orchestral Part|1.50|13 GMCO032-10|||9790222227378|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Horn|Orchestral Part|1.50|13 GMCO032-11|||9790222227385|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Percussion|Orchestral Part|1.50|13 GMCO032-12|||9790222227392|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Keyboard|Orchestral Part|2.00|25 GMCO032-13|||9790222227408|SCHWARZ I-P|Ira-Paul Schwarz|Celtic Concerto Solo Part|Orchestral Part|2.00|25 GMCO033|ANDREW, David (1956- )
FANFARE, BLUES & TANGO
Concert Originals Series GMCO033|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Alto Saxophones, Bassoon
2 Horns in F, 2 Trumpets in Bb, Trombone, Tuba, Timpani, Percussion (Snare Drum, Bass Drum, Cymbals, Tambourine, Triangle, Wood-blocks, Xylophone, Maracas, Guiro)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The three movements of this Fanfare, Blues & Tango are fully titled "Quirky Fanfare", "Fin-de-Siecle Blues" and "Wild Tango". This work was the winning entry in a Millennium Composition Competition organised by the Incorporated Association of Preparatory Schools Orchestra Trust.
Duration: 10 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222228146|ANDREW|David Andrew|Fanfare Blues & Tango Pack|Orchestra|45.00|712 GMCO033-00|||9790222228153|ANDREW|David Andrew|Fanfare Blues & Tango Score|Orchestral Score|14.00|175 GMCO033-01|||9790222228160|ANDREW|David Andrew|Fanfare Blues & Tango Violin 1|Orchestral Part|1.50|13 GMCO033-02|||9790222228177|ANDREW|David Andrew|Fanfare Blues & Tango Violin 2|Orchestral Part|1.50|13 GMCO033-03|||9790222228184|ANDREW|David Andrew|Fanfare Blues & Tango Viola|Orchestral Part|1.50|13 GMCO033-04|||9790222228191|ANDREW|David Andrew|Fanfare Blues & Tango Cello|Orchestral Part|1.50|13 GMCO033-05|||9790222228207|ANDREW|David Andrew|Fanfare Blues & Tango Bass|Orchestral Part|1.50|13 GMCO033-06|||9790222228214|ANDREW|David Andrew|Fanfare Blues & Tango Flute 1+2|Orchestral Part|1.50|13 GMCO033-07|||9790222228221|ANDREW|David Andrew|Fanfare Blues & Tango Oboe 1+2|Orchestral Part|1.50|13 GMCO033-08|||9790222228238|ANDREW|David Andrew|Fanfare Blues & Tango Clarinet 1+2|Orchestral Part|1.50|13 GMCO033-09|||9790222228245|ANDREW|David Andrew|Fanfare Blues & Tango A.Sax 1+2|Orchestral Part|1.50|13 GMCO033-10|||9790222228252|ANDREW|David Andrew|Fanfare Blues & Tango Bassoon|Orchestral Part|1.50|13 GMCO033-11|||9790222228269|ANDREW|David Andrew|Fanfare Blues & Tango Horn 1+2 (F)|Orchestral Part|1.50|13 GMCO033-12|||9790222228276|ANDREW|David Andrew|Fanfare Blues & Tango Trumpet 1+2|Orchestral Part|1.50|13 GMCO033-13|||9790222228283|ANDREW|David Andrew|Fanfare Blues & Tango Trombone|Orchestral Part|1.50|13 GMCO033-14|||9790222228290|ANDREW|David Andrew|Fanfare Blues & Tango Tuba|Orchestral Part|1.50|13 GMCO033-15|||9790222228306|ANDREW|David Andrew|Fanfare Blues & Tango Timpani|Orchestral Part|1.50|13 GMCO033-16|||9790222228313|ANDREW|David Andrew|Fanfare Blues & Tango Percussion|Orchestral Part|2.00|25 GMCO034|BARRELL, Bernard (1919- )
A WEEK OF PIECES
Concert Originals Series GMCO034|Orchestration
Solo trumpet in Bb
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Seven "easy" pieces for solo trumpet with string orchestra. The trumpet part stays within the range D up to F# and is therefore suitable for players at an elementary/intermediate level. The seven pieces are:-
Sunday - Solemn Chorale
Monday - March
Tuesday - Tableau (Palindrome)
Wednesday - Waltz
Thursday - Threnody (In memoriam: Alan Rawsthorne (1905-1971))
Friday - Fraudulent Folk-Song
Saturday - Scherzo
A trumpet and piano reduction of this work is also available (catalogue no. GM021).
Duration: 13 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222228320|BARRELL B|Bernard Barrell|Week of Pieces Pack|String Orchestra|35.00|634 GMCO034-00|||9790222228337|BARRELL B|Bernard Barrell|Week of Pieces Score|Orchestral Score|8.00|100 GMCO034-01|||9790222228344|BARRELL B|Bernard Barrell|Week of Pieces Violin 1|Orchestral Part|2.00|25 GMCO034-02|||9790222228351|BARRELL B|Bernard Barrell|Week of Pieces Violin 2|Orchestral Part|2.00|25 GMCO034-03|||9790222228368|BARRELL B|Bernard Barrell|Week of Pieces Viola|Orchestral Part|2.00|25 GMCO034-04|||9790222228375|BARRELL B|Bernard Barrell|Week of Pieces Cello|Orchestral Part|2.00|25 GMCO034-05|||9790222228382|BARRELL B|Bernard Barrell|Week of Pieces Bass|Orchestral Part|1.50|13 GMCO034-06|||9790222228399|BARRELL B|Bernard Barrell|Week of Pieces Solo Trumpet|Orchestral Part|2.00|25 GMCO035|BARRELL, Bernard (1919- )
SYMPHONY FOR STRINGS Op.62
Concert Originals Series GMCO035|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This work reflects the atmosphere of the lonely, mysterious marshes, wide open skies, wind-swept heathlands, sea mists and the sense of space and light of the East Anglian coast. The overall plan is very simple: emerging from a gentle backwater, a slow introduction containing the basic material leads to three linked movements of which the first is a compressed sonata movement with two main ideas - one bossy and bracing; the other marshy and brooding - sighing, not with despair, but with satisfaction! Terse development and recapitulation lead to a peaceful Coda in which the solo violin is eventually left on its own, the upper strings hovering distantly until cellos and basses initiate the second movement which has fugal symptoms, and whose resolute climax is the apex of the whole work. A ghostly link foreshadows the third movement, a rondo. Inevitably, the slow introduction returns to bring this "Symphony of the Marshes" to a tranquil close - as if we had never moved - and we are left gazing into the distance as far as the eye can see . . . . the sky is now perfectly clear.
Duration: 22 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222228412|BARRELL B|Bernard Barrell|Symphony for Strings Pack|String Orchestra|35.00|544 GMCO035-00|||9790222228429|BARRELL B|Bernard Barrell|Symphony for Strings Score|Orchestral Score|8.00|88 GMCO035-01|||9790222228436|BARRELL B|Bernard Barrell|Symphony for Strings Violin 1|Orchestral Part|2.00|25 GMCO035-02|||9790222228443|BARRELL B|Bernard Barrell|Symphony for Strings Violin 2|Orchestral Part|2.00|25 GMCO035-03|||9790222228450|BARRELL B|Bernard Barrell|Symphony for Strings Viola|Orchestral Part|2.00|25 GMCO035-04|||9790222228467|BARRELL B|Bernard Barrell|Symphony for Strings Cello|Orchestral Part|2.00|25 GMCO035-05|||9790222228474|BARRELL B|Bernard Barrell|Symphony for Strings Bass|Orchestral Part|2.00|25 GMCO036|LANE, Philip (1950- )
PANTOMIME
Concert Originals Series GMCO036|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The title of this three movement work is used in its light-hearted, entertaining sense. The short movements are designed to be succinct and not to outstay their welcome! The work received its first performance in November 1973 by the Cheltenham Chamber Orchestra conducted by Laurence Hudson. It has been commercially recorded on the Naxos label by the Royal Ballet Sinfonia conducted by David Lloyd-Jones.
Duration: 7 minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222228481|LANE P|Philip Lane|Pantomime Pack|String Orchestra|35.00|510 GMCO036-00|||9790222228498|LANE P|Philip Lane|Pantomime Score|Orchestral Score|8.00|88 GMCO036-01|||9790222228504|LANE P|Philip Lane|Pantomime Violin 1|Orchestral Part|2.00|25 GMCO036-02|||9790222228511|LANE P|Philip Lane|Pantomime Violin 2|Orchestral Part|2.00|25 GMCO036-03|||9790222228528|LANE P|Philip Lane|Pantomime Viola|Orchestral Part|2.00|25 GMCO036-04|||9790222228535|LANE P|Philip Lane|Pantomime Cello|Orchestral Part|2.00|25 GMCO036-05|||9790222228542|LANE P|Philip Lane|Pantomime Bass|Orchestral Part|2.00|25 GMCO037|HILL, Kevin (1962- )
SINFONIA 10
Concert Originals Series GMCO037|Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Bass drum, Cymbals, Tambourine)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This Sinfonia is made up of three movements "Deciso", "Andante" and "Allegro". It is fresh, interesting (for listeners and performers) and not beyond the capability of many amateur, school or youth orchestras.
Duration: 15 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222229556|HILL|Kevin Hill|Sinfonia 10 Pack|Orchestra|60.00|1000 GMCO037-00|||9790222229563|HILL|Kevin Hill|Sinfonia 10 Score|Orchestral Score|15.00|213 GMCO037-01|||9790222229570|HILL|Kevin Hill|Sinfonia 10 Violin 1|Orchestral Part|2.00|25 GMCO037-02|||9790222229587|HILL|Kevin Hill|Sinfonia 10 Violin 2|Orchestral Part|2.00|25 GMCO037-03|||9790222229594|HILL|Kevin Hill|Sinfonia 10 Viola|Orchestral Part|2.00|25 GMCO037-04|||9790222229600|HILL|Kevin Hill|Sinfonia 10 Cello|Orchestral Part|2.00|25 GMCO037-05|||9790222229617|HILL|Kevin Hill|Sinfonia 10 Bass|Orchestral Part|2.00|25 GMCO037-06|||9790222229624|HILL|Kevin Hill|Sinfonia 10 Piccolo|Orchestral Part|2.00|25 GMCO037-07|||9790222229631|HILL|Kevin Hill|Sinfonia 10 Flute 1+2|Orchestral Part|2.00|25 GMCO037-08|||9790222229648|HILL|Kevin Hill|Sinfonia 10 Oboe 1+2|Orchestral Part|1.50|13 GMCO037-09|||9790222229655|HILL|Kevin Hill|Sinfonia 10 Clarinet 1+2|Orchestral Part|2.00|25 GMCO037-10|||9790222229662|HILL|Kevin Hill|Sinfonia 10 Bassoon 1+2|Orchestral Part|1.50|13 GMCO037-11|||9790222229679|HILL|Kevin Hill|Sinfonia 10 Horn 1+2|Orchestral Part|1.50|13 GMCO037-12|||9790222229686|HILL|Kevin Hill|Sinfonia 10 Horn 3+4|Orchestral Part|1.50|13 GMCO037-13|||9790222229693|HILL|Kevin Hill|Sinfonia 10 Trumpet 1+2|Orchestral Part|1.50|13 GMCO037-14|||9790222229709|HILL|Kevin Hill|Sinfonia 10 Trombone 1+2|Orchestral Part|1.50|13 GMCO037-15|||9790222229716|HILL|Kevin Hill|Sinfonia 10 Trombone 3+Tuba|Orchestral Part|1.50|13 GMCO037-16|||9790222229723|HILL|Kevin Hill|Sinfonia 10 Timpani|Orchestral Part|1.50|13 GMCO037-17|||9790222229730|HILL|Kevin Hill|Sinfonia 10 Percussion|Orchestral Part|1.50|13 GMCO038|SHORT, Michael (1937- )
APOLLO CONCERTO No.5 for horn
Concert Originals Series GMCO038|'Orchestration
Solo Horn in F, Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A horn and piano reduction is also available for this concerto (catalogue number GM022).
Duration: 15 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.

The APOLLO CONCERTOS
The Apollo Ensemble of Bath was formed by Eric Roseberry in 1989, and it''s first concert included Michael Short''s Serenade for strings. The composer continues: Also on the programme was a classical horn concerto, which made me realise that there is a need for more modern works of this type: light, elegant and accessible, playable by competent musicians and enjoyable for players and listeners alike. I therefore decided to make my contribution by composing six concertos for solo wind instruments and string orchestra. Each concerto would last for around fifteen minutes and be rehearsable within the two sessions the orchestra normally devotes to preparation of a concert, with the soloist being drawn from within the orchestra.'|9790222236707|SHORT M|Michael Short|Apollo Concerto 5 (horn) Pack|String Orchestra|40.00|586 GMCO038-00|||9790222236714|SHORT M|Michael Short|Apollo Concerto 5 (horn) Score|Orchestral Score|8.00|100 GMCO038-01|||9790222236776|SHORT M|Michael Short|Apollo Concerto 5 (horn) Solo Horn|Orchestral Part|2.00|25 GMCO038-02|||9790222236721|SHORT M|Michael Short|Apollo Concerto 5 (horn) Violin 1|Orchestral Part|2.00|25 GMCO038-03|||9790222236738|SHORT M|Michael Short|Apollo Concerto 5 (horn) Violin 2|Orchestral Part|2.00|25 GMCO038-04|||9790222236745|SHORT M|Michael Short|Apollo Concerto 5 (horn) Viola|Orchestral Part|2.00|25 GMCO038-05|||9790222236752|SHORT M|Michael Short|Apollo Concerto 5 (horn) Cello|Orchestral Part|2.00|25 GMCO038-06|||9790222236769|SHORT M|Michael Short|Apollo Concerto 5 (horn) Bass|Orchestral Part|2.00|25 GMCO039|SHORT, Michael (1937- )
APOLLO CONCERTO No.6 for trumpet
Concert Originals Series GMCO039|'Orchestration
Solo Trumpet in Bb, Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A trumpet and piano reduction is also available for this concerto (catalogue number GM023).
Duration: 15 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.

The APOLLO CONCERTOS
The Apollo Ensemble of Bath was formed by Eric Roseberry in 1989, and it''s first concert included Michael Short''s Serenade for strings. The composer continues: Also on the programme was a classical horn concerto, which made me realise that there is a need for more modern works of this type: light, elegant and accessible, playable by competent musicians and enjoyable for players and listeners alike. I therefore decided to make my contribution by composing six concertos for solo wind instruments and string orchestra. Each concerto would last for around fifteen minutes and be rehearsable within the two sessions the orchestra normally devotes to preparation of a concert, with the soloist being drawn from within the orchestra.'|9790222229839|SHORT M|Michael Short|Apollo Concerto 6 (trumpet) Pack|String Orchestra|40.00|602 GMCO039-00|||9790222229846|SHORT M|Michael Short|Apollo Concerto 6 (trumpet) Score|Orchestral Score|8.00|100 GMCO039-01|||9790222229853|SHORT M|Michael Short|Apollo Concerto 6 (trumpet) SoloTrp|Orchestral Part|2.50|38 GMCO039-02|||9790222229860|SHORT M|Michael Short|Apollo Concerto 6 (trumpet) Violin1|Orchestral Part|2.00|25 GMCO039-03|||9790222229877|SHORT M|Michael Short|Apollo Concerto 6 (trumpet) Violin2|Orchestral Part|2.00|25 GMCO039-04|||9790222229884|SHORT M|Michael Short|Apollo Concerto 6 (trumpet) Viola|Orchestral Part|2.00|25 GMCO039-05|||9790222229891|SHORT M|Michael Short|Apollo Concerto 6 (trumpet) Cello|Orchestral Part|2.00|25 GMCO039-06|||9790222229907|SHORT M|Michael Short|Apollo Concerto 6 (trumpet) Bass|Orchestral Part|2.00|25 GMCO040|LANE, Philip (1950- )
THREE SPANISH DANCES
Concert Originals Series GMCO040|Orchestration
Solo oboe (or Clarinet)
2 Flutes (2nd doubles piccolo), 2 Clarinets in Bb (2nd doubles Bass clarinet), 2 Horns in F, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Malaguena, Habanera and Tango make up this set of three Spanish Dances which are scored for solo oboe and orchestra. The solo part could be taken by a clarinet. A reduction for oboe (or clarinet in Bb) and piano is also available (Catalogue number GM024).
Duration: 8? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222229921|LANE P|Philip Lane|Three Spanish Dances Pack|Orchestra|35.00|568 GMCO040-00|||9790222229938|LANE P|Philip Lane|Three Spanish Dances Score|Orchestral Score|12.00|163 GMCO040-01|||9790222229945|LANE P|Philip Lane|Three Spanish Dances Solo Oboe|Orchestral Part|2.00|25 GMCO040-02|||9790222229952|LANE P|Philip Lane|Three Spanish Dances Solo Clarinet|Orchestral Part|2.00|25 GMCO040-03|||9790222229969|LANE P|Philip Lane|Three Spanish Dances Violin 1|Orchestral Part|1.50|13 GMCO040-04|||9790222229976|LANE P|Philip Lane|Three Spanish Dances Violin 2|Orchestral Part|1.50|13 GMCO040-05|||9790222229983|LANE P|Philip Lane|Three Spanish Dances Viola|Orchestral Part|1.50|13 GMCO040-06|||9790222229990|LANE P|Philip Lane|Three Spanish Dances Cello|Orchestral Part|1.50|13 GMCO040-07|||9790222230002|LANE P|Philip Lane|Three Spanish Dances Bass|Orchestral Part|1.50|13 GMCO040-08|||9790222230019|LANE P|Philip Lane|Three Spanish Dances Flute 1+2|Orchestral Part|1.50|13 GMCO040-09|||9790222230026|LANE P|Philip Lane|Three Spanish Dances Clarinet 1+2|Orchestral Part|1.50|13 GMCO040-10|||9790222230033|LANE P|Philip Lane|Three Spanish Dances Horn 1+2|Orchestral Part|1.50|13 GMCO040-11|||9790222230040|LANE P|Philip Lane|Three Spanish Dances Harp|Orchestral Part|2.00|25 GMCO041|LAWSON, Peter (1951- )
SONG OF THE LESSER TWAYBLADE
Concert Originals Series GMCO041|'Orchestration
Solo Treble Recorder
Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Lesser Twayblade is a type of orchid, a miniature plant, found in Britain almost exculsively in Scotland, unlike it''s much commoner and more robust relative the Twayblade Orchid which can be found plentifully throughout Great Britain. It is very dainty and sweet and discreet in colour. This work for treble recorder, harp and strings is in one movement and owes something to Debussy and Ravel and, like the plant, is dainty and sweet. A reduction for recorder and piano is also available (Catalogue number GM025).
An excellent performance, with the leading recorder soloist John Turner, is available on an ASV CD.
Duration: 6 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222230064|LAWSON|Peter Lawson|Song of the Lesser Twayblade Pack|String Orchestra|26.00|346 GMCO041-00|||9790222230071|LAWSON|Peter Lawson|Song of the Lesser Twayblade Score|Orchestral Score|6.00|63 GMCO041-01|||9790222230088|LAWSON|Peter Lawson|Song of the Lesser Twayblade Rec.|Orchestral Part|2.00|25 GMCO041-02|||9790222230095|LAWSON|Peter Lawson|Song of the Lesser Twayblade Vln 1|Orchestral Part|1.50|13 GMCO041-03|||9790222230101|LAWSON|Peter Lawson|Song of the Lesser Twayblade Vln 2|Orchestral Part|1.50|13 GMCO041-04|||9790222230118|LAWSON|Peter Lawson|Song of the Lesser Twayblade Viola|Orchestral Part|1.50|13 GMCO041-05|||9790222230125|LAWSON|Peter Lawson|Song of the Lesser Twayblade Cello|Orchestral Part|1.50|13 GMCO041-06|||9790222230132|LAWSON|Peter Lawson|Song of the Lesser Twayblade Bass|Orchestral Part|1.50|13 GMCO041-07|||9790222230149|LAWSON|Peter Lawson|Song of the Lesser Twayblade Harp|Orchestral Part|2.00|25 GMCO042|LEWIS, Paul (1943- )
ENGLISH SUITE for string orchestra
Concert Originals Series GMCO042|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

"English Suite" was originally written for string quartet. The work reflects the composer''s love of the English countryside, uses folk song-like material and sits firmly in the tradition established by Holst and Vaughan Williams. Paul Lewis is of the opinion that every English composer should write a work for string orchestra.
This suite is in four movements: March, Meditation, Jig and Jaunt.
It is also published for sale in the original version for string quartet (GM027)
Duration: 10 minutes
A PACK comprises one full score and strings 4/4/3/4/2'|9790222230354|LEWIS P|Paul Lewis|English Suite for String Orch. Pk|String Orchestra|35.00|518 GMCO042-00|||9790222230361|LEWIS P|Paul Lewis|English Suite for String Orch. Sc|Orchestral Score|6.00|75 GMCO042-01|||9790222230378|LEWIS P|Paul Lewis|English Suite for String Orch.Vln 1|Orchestral Part|2.00|25 GMCO042-02|||9790222230385|LEWIS P|Paul Lewis|English Suite for String Orch.Vln 2|Orchestral Part|2.00|25 GMCO042-03|||9790222230392|LEWIS P|Paul Lewis|English Suite for String Orch.Viola|Orchestral Part|2.00|25 GMCO042-04|||9790222230408|LEWIS P|Paul Lewis|English Suite for String Orch.Cello|Orchestral Part|2.00|25 GMCO042-05|||9790222230415|LEWIS P|Paul Lewis|English Suite for String Orch.Bass|Orchestral Part|2.00|25 GMCO043|LEWIS, Paul (1943- )
SUSSEX SYMPHONY OVERTURE
Concert Originals Series GMCO043|Orchestration
2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion [4] (Tambourine, Snare drum, Bass drum, Cymbals, Suspended Cymbal, Triangle, Tam-tam, Glockenspiel, Tubular Bells), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

"Seven minutes of joyful noise with a quiet bit in the middle" is how the composer describes this overture which was written for the Sussex Symphony Orchestra based in Brighton. The outer sections reflect the rich history of the area with mighty castles at Arundel, Bodiam and Herstmonceux, while the central part is a contemplative picture of the South Downs. A recording of this work has been issued by ASV on a compact disc entitled "British Light Overtures -1".
Duration: 7 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222230439|LEWIS P|Paul Lewis|Sussex Symphony Overture Pack|Orchestra|45.00|802 GMCO043-00|||9790222230446|LEWIS P|Paul Lewis|Sussex Symphony Overture Score|Orchestral Score|10.00|125 GMCO043-01|||9790222230453|LEWIS P|Paul Lewis|Sussex Symphony Overture Violin 1|Orchestral Part|1.50|13 GMCO043-02|||9790222230460|LEWIS P|Paul Lewis|Sussex Symphony Overture Violin 2|Orchestral Part|1.50|13 GMCO043-03|||9790222230477|LEWIS P|Paul Lewis|Sussex Symphony Overture Viola|Orchestral Part|1.50|13 GMCO043-04|||9790222230484|LEWIS P|Paul Lewis|Sussex Symphony Overture Cello|Orchestral Part|1.50|13 GMCO043-05|||9790222230491|LEWIS P|Paul Lewis|Sussex Symphony Overture Bass|Orchestral Part|1.50|13 GMCO043-06|||9790222230507|LEWIS P|Paul Lewis|Sussex Symphony Overture Flute1+2|Orchestral Part|1.50|13 GMCO043-07|||9790222230514|LEWIS P|Paul Lewis|Sussex Symphony Overture Oboe 1+2|Orchestral Part|1.50|13 GMCO043-08|||9790222230521|LEWIS P|Paul Lewis|Sussex Symphony Overture Clar.1+2|Orchestral Part|1.50|13 GMCO043-09|||9790222230538|LEWIS P|Paul Lewis|Sussex Symphony Overture Bsn.1+2|Orchestral Part|1.50|13 GMCO043-10|||9790222230545|LEWIS P|Paul Lewis|Sussex Symphony Overture Horn 1+2|Orchestral Part|1.50|13 GMCO043-11|||9790222230552|LEWIS P|Paul Lewis|Sussex Symphony Overture Horn 3+4|Orchestral Part|1.50|13 GMCO043-12|||9790222230569|LEWIS P|Paul Lewis|Sussex Symphony Overture Trp 1-3|Orchestral Part|1.50|13 GMCO043-13|||9790222230576|LEWIS P|Paul Lewis|Sussex Symphony Overture Trb 1+2|Orchestral Part|1.50|13 GMCO043-14|||9790222230583|LEWIS P|Paul Lewis|Sussex Symphony Overture Trb3+Tba|Orchestral Part|1.50|13 GMCO043-15|||9790222230590|LEWIS P|Paul Lewis|Sussex Symphony Overture Timpani|Orchestral Part|1.50|13 GMCO043-16|||9790222230606|LEWIS P|Paul Lewis|Sussex Symphony Overture Percussion|Orchestral Part|2.50|38 GMCO043-17|||9790222230613|LEWIS P|Paul Lewis|Sussex Symphony Overture Harp|Orchestral Part|2.00|25 GMCO044|LANE, Philip (1950- )
THREE NAUTICAL MINIATURES
Concert Originals Series GMCO044|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is a suite of three miniatures, each based on a well-known nautical tune: When the boat comes in, Spanish Ladies and Portsmouth. The outer two movements were originally written in 1980 for brass band but were transcribed for string orchestra in 2000 when the central movement was newly composed to form a satisfactorily contrasted triptych. The THREE NAUTICAL MINIATURES are amongst other works by Philip Lane recorded on a CD on the Marco Polo label in their "British Light Music" series. (CD number 8.225185)
Duration: 8? minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222231283|LANE P|Philip Lane|Three Nautical Miniatures Pack|String Orchestra|26.00|352 GMCO044-00|||9790222231290|LANE P|Philip Lane|Three Nautical Miniatures Score|Orchestral Score|6.00|63 GMCO044-01|||9790222231306|LANE P|Philip Lane|Three Nautical Miniatures Violin 1|Orchestral Part|2.00|25 GMCO044-02|||9790222231313|LANE P|Philip Lane|Three Nautical Miniatures Violin 2|Orchestral Part|1.50|13 GMCO044-03|||9790222231320|LANE P|Philip Lane|Three Nautical Miniatures Viola|Orchestral Part|1.50|13 GMCO044-04|||9790222231337|LANE P|Philip Lane|Three Nautical Miniatures Cello|Orchestral Part|1.50|13 GMCO044-05|||9790222231344|LANE P|Philip Lane|Three Nautical Miniatures Bass|Orchestral Part|1.50|13 GMCO045|LANE, Philip (1950- )
DIVERSIONS ON A THEME OF PAGANINI
Concert Originals Series GMCO045|Orchestration
2 Flutes (2nd db.Piccolo), Oboe, 2 Clarinets in Bb (2nd db.Bass Clarinet), Bassoon (db.Contra Bassoon)
2 Horns in F, 2 Trumpets in Bb, Tenor Trombone, Bass Trombone, Timpani, Percussion (One player: Side drum, Xylophone, Glockenspiel, Wood Block, Suspended cymbal, Temple Blocks), Harp, Harpsichord
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This work is made up of eight short movements and was originally scored for brass quintet, being commissioned by the Three Choirs Festival in 1989 for performance by the London Gabrieli Ensemble. This version (with some additions to the second movement only) was made in 2000 for a commercial recording by the Royal Ballet Sinfonia conducted by Gavin Sutherland. The title "Diversions" is important in that the movements are more musings than variations on the famous theme. The movements are: Introduction & theme; In pieces; Toccata; Chaconne; Cortege; Popular song; Five-a-side; Epilogue.
Duration: 13 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222231351|LANE P|Philip Lane|Diversions On Theme Paganini Pack|Orchestra|40.00|590 GMCO045-00|||9790222231368|LANE P|Philip Lane|Diversions On Theme Paganini Score|Orchestral Score|12.00|150 GMCO045-01|||9790222231375|LANE P|Philip Lane|Diversions On Theme Paganini Vln 1|Orchestral Part|1.50|13 GMCO045-02|||9790222231382|LANE P|Philip Lane|Diversions On Theme Paganini Vln 2|Orchestral Part|1.50|13 GMCO045-03|||9790222231399|LANE P|Philip Lane|Diversions On Theme Paganini Viola|Orchestral Part|1.50|13 GMCO045-04|||9790222231405|LANE P|Philip Lane|Diversions On Theme Paganini Cello|Orchestral Part|1.50|13 GMCO045-05|||9790222231412|LANE P|Philip Lane|Diversions On Theme Paganini Bass|Orchestral Part|1.50|13 GMCO045-06|||9790222231429|LANE P|Philip Lane|Diversions On Theme Paganini Fl1+2|Orchestral Part|1.50|13 GMCO045-07|||9790222231436|LANE P|Philip Lane|Diversions On Theme Paganini Oboe|Orchestral Part|1.50|13 GMCO045-08|||9790222231443|LANE P|Philip Lane|Diversions On Theme Paganini Clar 1|Orchestral Part|1.50|13 GMCO045-09|||9790222231450|LANE P|Philip Lane|Diversions On Theme Paganini Clar 2|Orchestral Part|1.50|13 GMCO045-10|||9790222231467|LANE P|Philip Lane|Diversions On Theme Paganini Bsn|Orchestral Part|1.50|13 GMCO045-11|||9790222231474|LANE P|Philip Lane|Diversions On Theme Paganini Hn1+2|Orchestral Part|1.50|13 GMCO045-12|||9790222231481|LANE P|Philip Lane|Diversions On Theme Paganini Trp1+2|Orchestral Part|1.50|13 GMCO045-13|||9790222231498|LANE P|Philip Lane|Diversions On Theme Paganini T.Trb|Orchestral Part|1.50|13 GMCO045-14|||9790222231504|LANE P|Philip Lane|Diversions On Theme Paganini B.Trb|Orchestral Part|1.50|13 GMCO045-15|||9790222231511|LANE P|Philip Lane|Diversions On Theme Paganini Timp|Orchestral Part|1.50|13 GMCO045-16|||9790222231528|LANE P|Philip Lane|Diversions On Theme Paganini Perc|Orchestral Part|1.50|13 GMCO045-17|||9790222231535|LANE P|Philip Lane|Diversions On Theme Paganini Harp|Orchestral Part|1.50|13 GMCO045-18|||9790222231542|LANE P|Philip Lane|Diversions On Theme Paganini Hpschd|Orchestral Part|1.50|13 GMCO046|LYON, David (1938- )
FARNHAM SUITE for string orchestra
Concert Originals Series GMCO046|Orchestration
Violin 1, Violin 2, Viola, Cello, Bass

This suite started life in 1983 when David Lyon was asked to write a piece for junior strings for the Farnham Festival. The work evolved into this four movement suite for full string orchestra. The four movements are Praeludium, Dance, Threnody and Moto Perpetuo. A recording of this suite (omitting the "Threnody") is available on a Marco Polo CD of works by David Lyon, played by the Royal Ballet Sinfonia conducted by David Lloyd-Jones.
Duration: 11 minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222234321|LYON|David Lyon|Farnham Suite Pack|String Orchestra|35.00|538 GMCO046-00|||9790222234338|LYON|David Lyon|Farnham Suite Score|Orchestral Score|6.00|75 GMCO046-01|||9790222234345|LYON|David Lyon|Farnham Suite Violin 1|Orchestral Part|2.00|25 GMCO046-02|||9790222234352|LYON|David Lyon|Farnham Suite Violin 2|Orchestral Part|2.00|25 GMCO046-03|||9790222234369|LYON|David Lyon|Farnham Suite Viola|Orchestral Part|2.00|25 GMCO046-04|||9790222234376|LYON|David Lyon|Farnham Suite Cello|Orchestral Part|2.00|25 GMCO046-05|||9790222234383|LYON|David Lyon|Farnham Suite Bass|Orchestral Part|2.00|25 GMCO047|LANE, Philip (1950- )
WASSAIL DANCES
Concert Originals Series GMC0047|Orchestration
2 Flutes (doubling Piccolos), 2 Oboes, 2 Clarinets in Bb & A, 2 Bassoons
3 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani, Percussion (Two players: Side drum, Bass drum, Xylophone, Glockenspiel, Susp.cymbal, Clash cymbals, Triangle, Tambourine, Tam-tam), Celeste, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

These dances were commissioned and first performed by the Gloucestershire Youth Orchestra conducted by Tony Hewitt-Jones in 1973. They received their first broadcast performance on BBC radio 3 in 1985 when they were performed by the BBC Concert Orchestra conducted by Ashley Lawrence. A CD recording is available on the Naxos label played by the City of Prague Philharmonic Orchestra conducted by Gavin Sutherland. The three dances are based on the traditional wassail songs of, respectively, Somerset, Yorkshire and Gloucestershire. All three movements take their theme and stretch it to its rhythmic and harmonic limits, within given parameters. While the outer ones maintain the bucolic nature of the original tune, the central one is more restrained, but rather than cosily pastoral throughout, has a deliberate and decided edge to the scoring that reflects the harsher landscape of its northern origins.
Duration: 8 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222234390|LANE P|Philip Lane|Wassail Dances Pack|Orchestra|40.00|628 GMCO047-00|||9790222234406|LANE P|Philip Lane|Wassail Dances Score|Orchestral Score|12.00|150 GMCO047-01|||9790222234413|LANE P|Philip Lane|Wassail Dances Violin 1|Orchestral Part|1.50|13 GMCO047-02|||9790222234420|LANE P|Philip Lane|Wassail Dances Violin 2|Orchestral Part|1.50|13 GMCO047-03|||9790222234437|LANE P|Philip Lane|Wassail Dances Viola|Orchestral Part|1.50|13 GMCO047-04|||9790222234444|LANE P|Philip Lane|Wassail Dances Cello|Orchestral Part|1.50|13 GMCO047-05|||9790222234451|LANE P|Philip Lane|Wassail Dances Bass|Orchestral Part|1.50|13 GMCO047-06|||9790222234468|LANE P|Philip Lane|Wassail Dances Flute 1+2|Orchestral Part|1.50|13 GMCO047-07|||9790222234475|LANE P|Philip Lane|Wassail Dances Oboe 1+2|Orchestral Part|1.50|13 GMCO047-08|||9790222234482|LANE P|Philip Lane|Wassail Dances Clarinet 1+2|Orchestral Part|1.50|13 GMCO047-09|||9790222234499|LANE P|Philip Lane|Wassail Dances Bassoon 1+2|Orchestral Part|1.50|13 GMCO047-10|||9790222234505|LANE P|Philip Lane|Wassail Dances Horn 1+2|Orchestral Part|1.50|13 GMCO047-11|||9790222234512|LANE P|Philip Lane|Wassail Dances Horn 3|Orchestral Part|1.50|13 GMCO047-12|||9790222234529|LANE P|Philip Lane|Wassail Dances Trumpet 1+2|Orchestral Part|1.50|13 GMCO047-13|||9790222234536|LANE P|Philip Lane|Wassail Dances Trombone 1+2|Orchestral Part|1.50|13 GMCO047-14|||9790222234543|LANE P|Philip Lane|Wassail Dances Timpani|Orchestral Part|1.50|13 GMCO047-15|||9790222234550|LANE P|Philip Lane|Wassail Dances Percussion|Orchestral Part|1.50|13 GMCO047-16|||9790222234567|LANE P|Philip Lane|Wassail Dances Celeste|Orchestral Part|1.50|13 GMCO047-17|||9790222234574|LANE P|Philip Lane|Wassail Dances Harp|Orchestral Part|1.50|13 GMCO048|LYON, David (1938- )
FANTASIA ON A NURSERY SONG
Concert Originals Series GMCO048|Orchestration
2 Flutes (2nd doubling Piccolo), Oboe, 2 Clarinets in Bb & A (2nd doubling Bass clarinet), Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Glockenspiel, Xylophone, Side drum, Cymbals, Tambourine, Triangle, Maracas, Claves), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This humorous piece consists of a series of variations on "Nick Nack Paddiwack". Many of the variations refer in one way or another to other composers, among them Rossini, Arthur Benjamin, Mahler, Nielsen, Richard Strauss, Brahms, Bartok and Stravinsky. A recording of this suite is available on a Marco Polo CD of works by David Lyon, played by the Royal Ballet Sinfonia conducted by David Lloyd-Jones.
Duration: 6? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222235243|LYON|David Lyon|Fantasia On A Nursery Song Pack|Orchestra|40.00|596 GMCO048-00|||9790222235250|LYON|David Lyon|Fantasia On A Nursery Song Score|Orchestral Score|12.00|138 GMCO048-01|||9790222235267|LYON|David Lyon|Fantasia On A Nursery Song Vln 1|Orchestral Part|1.50|13 GMCO048-02|||9790222235274|LYON|David Lyon|Fantasia On A Nursery Song Vln 2|Orchestral Part|1.50|13 GMCO048-03|||9790222235281|LYON|David Lyon|Fantasia On A Nursery Song Viola|Orchestral Part|1.50|13 GMCO048-04|||9790222235298|LYON|David Lyon|Fantasia On A Nursery Song Cello|Orchestral Part|1.50|13 GMCO048-05|||9790222235304|LYON|David Lyon|Fantasia On A Nursery Song Bass|Orchestral Part|1.50|13 GMCO048-06|||9790222235311|LYON|David Lyon|Fantasia On A Nursery Song Flute 1|Orchestral Part|1.50|13 GMCO048-07|||9790222235328|LYON|David Lyon|Fantasia On A Nursery Song Fl2/Picc|Orchestral Part|1.50|13 GMCO048-08|||9790222235335|LYON|David Lyon|Fantasia On A Nursery Song Oboe|Orchestral Part|1.50|13 GMCO048-09|||9790222235342|LYON|David Lyon|Fantasia On A Nursery Song Clar 1|Orchestral Part|1.50|13 GMCO048-10|||9790222235359|LYON|David Lyon|Fantasia On A Nursery Song Cl2/B.Cl|Orchestral Part|1.50|13 GMCO048-11|||9790222235366|LYON|David Lyon|Fantasia On A Nursery Song Bassoon|Orchestral Part|1.50|13 GMCO048-12|||9790222235373|LYON|David Lyon|Fantasia On A Nursery Song Horn 1+2|Orchestral Part|1.50|13 GMCO048-13|||9790222235380|LYON|David Lyon|Fantasia On A Nursery Song Trp 1+2|Orchestral Part|1.50|13 GMCO048-14|||9790222235397|LYON|David Lyon|Fantasia On A Nursery Song Trb 1+2|Orchestral Part|1.50|13 GMCO048-15|||9790222235403|LYON|David Lyon|Fantasia On A Nursery Song Trb 3|Orchestral Part|1.50|13 GMCO048-16|||9790222235410|LYON|David Lyon|Fantasia On A Nursery Song Timpani|Orchestral Part|1.50|13 GMCO048-17|||9790222235427|LYON|David Lyon|Fantasia On A Nursery Song Perc|Orchestral Part|1.50|13 GMCO048-18|||9790222235434|LYON|David Lyon|Fantasia On A Nursery Song Harp|Orchestral Part|1.50|13 GMCO049|LENNON, John (1940-1980) + McCARTNEY, Paul (1942- ) + TCHAIKOVSKY, Pyotr Ilych (1840-1893)
BEATLECRACKER SUITE (arr.Arthur Wilkinson)
Concert Originals Series GMCO049|'Orchestration
3 Flutes (3rd db.piccolo), 2 Oboes (2nd db.Cor Anglais), 2 Clarinets (2nd db.Bass Clarinet), 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Triangle, Side Drum, Bass Drum, Cymbals, Suspended Cymbal, Finger Cymbals, Glockenspiel, Tambourine), Harp, Celeste db.Piano
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

In the mid 1960s, the late Roy Castle had a series of variety shows on BBC Television and Arthur Wilkinson (1924-1968) was his musical director. On one of the shows, the celebrity guest was ballet star Doreen Wells who asked if she could dance to music of the Beatles. It fell to Arthur Wilkinson to arrange Lennon/McCartney for use by a ballerina. He hit on the idea of using part of Tchaikovsky''s Nutcracker Suite as a model; it was so popular that further movements were added for an EP recording and the complete Beatlecracker Suite is the result. All eight movements of the original Nutcracker Suite are here albeit with themes by Lennon and McCartney - just imagine the Dance of the Sugar Plum Fairy to Can''t buy me love . . . . .
The movements are:
1. Miniature Overture (Help!)
2. March (When I''m 64)
3. Dance of the Sugar Plum Fairy (Can''t buy me love)
4. Arabian Dance (It''s for you)
5. Chinese Dance (Ticket to ride)
6. Dance of the Reed Flutes (She loves you)
7. Waltz of the Flowers (From me to you)
8. Pas de Deux (All my loving)
This Suite was prepared by Gavin Sutherland for a recent CD recording which is available on an ASV CD entitled "British by Arrangement" played by the City of Prague Philharmonic Orchestra conducted by Gavin.
Duration: 14 minutes
Not for sale in USA or Asia
A PACK comprises one full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.'|9790222235960|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Pack|Orchestra|90.00|1000 GMCO049-00|||9790222235977|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Score|Orchestral Score|15.00|213 GMCO049-01|||9790222235984|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Violin 1|Orchestral Part|2.00|25 GMCO049-02|||9790222235991|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Violin 2|Orchestral Part|2.00|25 GMCO049-03|||9790222236004|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Viola|Orchestral Part|2.00|25 GMCO049-04|||9790222236011|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Cello|Orchestral Part|2.00|25 GMCO049-05|||9790222236028|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Bass|Orchestral Part|2.00|25 GMCO049-06|||9790222236035|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Flute1+2|Orchestral Part|1.50|13 GMCO049-07|||9790222236042|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Flute3/Picc|Orchestral Part|1.50|13 GMCO049-08|||9790222236059|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Oboe1+2|Orchestral Part|1.50|13 GMCO049-09|||9790222236066|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Clarinet 1|Orchestral Part|1.50|13 GMCO049-10|||9790222236073|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Clarinet 2|Orchestral Part|1.50|13 GMCO049-11|||9790222236080|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Bassoon1+2|Orchestral Part|1.50|13 GMCO049-12|||9790222236097|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Horn1+2|Orchestral Part|1.50|13 GMCO049-13|||9790222236103|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Horn3+4|Orchestral Part|1.50|13 GMCO049-14|||9790222236110|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Trumpet1+2|Orchestral Part|1.50|13 GMCO049-15|||9790222236127|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Trombone1+2|Orchestral Part|1.50|13 GMCO049-16|||9790222236134|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Trombone3+Tuba|Orchestral Part|1.50|13 GMCO049-17|||9790222236141|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Timpani|Orchestral Part|1.50|13 GMCO049-18|||9790222236158|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Percussion|Orchestral Part|1.50|13 GMCO049-19|||9790222236165|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Harp|Orchestral Part|2.00|25 GMCO049-20|||9790222236172|LENNON/MCCAR|Lennon/McCartney|Beatlecracker Suite Celeste/Piano|Orchestral Part|1.50|13 GMCO050|LEWIS, Paul (1943- )
SUITE NAVARRAISE
Concert Originals Series GMCO050|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A suite for strings with a flavour of the French Navarre region. It is in three movements: Arrivee a Pau; Berceau d''un Prince; Le Vert Galant. This suite has been recorded and is included on an ASV White Line CD entitled "British String Miniatures Volume 4".
Duration: 10? minutes
A PACK comprises one full score and strings 4/4/3/4/2'|9790222238336|LEWIS P|Paul Lewis|Suite Navarraise Pack|String Orchestra|35.00|606 GMCO050-00|||9790222238343|LEWIS P|Paul Lewis|Suite Navarraise Score|Orchestral Score|8.00|88 GMCO050-01|||9790222238350|LEWIS P|Paul Lewis|Suite Navarraise Violin 1|Orchestral Part|2.50|38 GMCO050-02|||9790222238367|LEWIS P|Paul Lewis|Suite Navarraise Violin 2|Orchestral Part|2.00|25 GMCO050-03|||9790222238374|LEWIS P|Paul Lewis|Suite Navarraise Viola|Orchestral Part|2.00|25 GMCO050-04|||9790222238381|LEWIS P|Paul Lewis|Suite Navarraise Cello|Orchestral Part|2.00|25 GMCO050-05|||9790222238398|LEWIS P|Paul Lewis|Suite Navarraise Bass|Orchestral Part|2.00|25 GMCO051|LLOYD WEBBER, William (1914-1982)
WALTZ in E minor for string orchestra
Concert Originals Series GMCO051|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

William Lloyd Webber was born in 1914. By the age of fourteen he had already become a well-known organ recitalist, giving frequent performances at many important churches and cathedrals throughout Great Britain. He won a scholarship to the Royal College of Music and gained his FRCO diploma at nineteen. Parallel to his activities as an organist, he began to compose. Although the Second World War interrupted this development, (he was organist and choirmaster at London''s All Saints, Margaret Street throughout the war), its ending marked the beginning of Lloyd Webber''s most prolific years as a composer. During the war he had married Jean Hermione Johnstone, a violinist and pianist. They had two sons: Andrew (b. 1948) and Julian (b. 1951). From 1945 to the mid-1950''s William Lloyd Webber wrote music in many different forms: orchestral and choral; sacred and secular; chamber and instrumental. Important works from this period include the orchestral tone- poem Aurora, the song-cycle The Lyre of Orpheus and the oratorio St Francis of Assisi. Lloyd Webber''s music was influenced by the romanticism of such composers as Rachmaninov and Cesar Franck, and he
became convinced that his music was ''out of step'' with the climate of the time. Disillusioned with composition, he wrote virtually nothing for the next twenty years - until shortly before his death, when a sudden flowering of creativity produced among a number of works the mass ''Missa Sanctae Mariae Magdalenae''.
This Waltz in E minor for strings composed in 1939, was intended as a companion piece to his Lento for Strings, written in the same year.
Duration: 4 minutes
A PACK comprises one full score and strings 4/4/3/4/2'|9790222238268|LLOYD WEBBER|William Lloyd Webber|Waltz in E Minor Pack|String Orchestra|26.00|284 GMCO051-00|||9790222238275|LLOYD WEBBER|William Lloyd Webber|Waltz in E Minor Score|Orchestral Score|5.00|50 GMCO051-01|||9790222238282|LLOYD WEBBER|William Lloyd Webber|Waltz in E Minor Violin 1|Orchestral Part|1.50|13 GMCO051-02|||9790222238299|LLOYD WEBBER|William Lloyd Webber|Waltz in E Minor Violin 2|Orchestral Part|1.50|13 GMCO051-03|||9790222238305|LLOYD WEBBER|William Lloyd Webber|Waltz in E Minor Viola|Orchestral Part|1.50|13 GMCO051-04|||9790222238312|LLOYD WEBBER|William Lloyd Webber|Waltz in E Minor Cello|Orchestral Part|1.50|13 GMCO051-05|||9790222238329|LLOYD WEBBER|William Lloyd Webber|Waltz in E Minor Bass|Orchestral Part|1.50|13 GMCO052|JEFFREYS, John (1927- )
BICKLEIGH IDYLL
Concert Originals Series GMCO052|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Bickleigh Idyll [and also the Violin Concerto] was inspired by the River Exe between Up Exe and Bickleigh Bridge. It is almost impossible for me to sit by a river, pond or lake without music flowing into my mind and imagination. Thus, I hope a profound love of nature is conveyed by these works.(John Jeffreys)
Duration: 6 minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222252769|JEFFREYS J|John Jeffreys|Bickleigh Idyll Pack|String Orchestra|26.00|262 GMCO052-00|||9790222252776|JEFFREYS J|John Jeffreys|Bickleigh Idyll Score|Orchestral Score|5.00|25 GMCO052-01|||9790222252783|JEFFREYS J|John Jeffreys|Bickleigh Idyll Violin 1|Orchestral Part|1.50|13 GMCO052-02|||9790222252790|JEFFREYS J|John Jeffreys|Bickleigh Idyll Violin 2|Orchestral Part|1.50|13 GMCO052-03|||9790222252806|JEFFREYS J|John Jeffreys|Bickleigh Idyll Viola|Orchestral Part|1.50|13 GMCO052-04|||9790222252813|JEFFREYS J|John Jeffreys|Bickleigh Idyll Cello|Orchestral Part|1.50|13 GMCO052-05|||9790222252820|JEFFREYS J|John Jeffreys|Bickleigh Idyll Bass|Orchestral Part|1.50|13 GMCO053|JEFFREYS, John (1927- )
ELEGY FOR JOHN FRY
Concert Originals Series GMCO053|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A violin distantly remembered is represented at the opening of the work by the first violins playing sul tasto. This gives way to a quartet and this, in turn, to the string orchestra, without the double basses until the monotoned triple motif appears: this later appears as the quiet tolling of the bells of death, relentlesslyincreasing to form the climax that quickly diminishes, and soon a solo violin is heard above the orchestra to aver that the memory of John Fry''s sudden death is overcome by the more abiding memory of his playing. The work was written as a tribute to a fine violinist and conductor and as a release of the anger within that such a rare musician never received the public acknowledgment he deserved! (John Jeffreys)
Duration: 7 minutes
A PACK comprises one full score and strings 4/4/3/4/2'|9790222258570|JEFFREYS J|John Jeffreys|Elegy for John Fry Pack|String Orchestra|26.00|280 GMCO053-00|||9790222258587|JEFFREYS J|John Jeffreys|Elegy for John Fry Score|Orchestral Score|5.00|38 GMCO053-01|||9790222258594|JEFFREYS J|John Jeffreys|Elegy for John Fry Violin 1|Orchestral Part|1.50|13 GMCO053-02|||9790222258600|JEFFREYS J|John Jeffreys|Elegy for John Fry Violin 2|Orchestral Part|1.50|13 GMCO053-03|||9790222258617|JEFFREYS J|John Jeffreys|Elegy for John Fry Viola|Orchestral Part|1.50|13 GMCO053-04|||9790222258624|JEFFREYS J|John Jeffreys|Elegy for John Fry Cello|Orchestral Part|1.50|13 GMCO053-05|||9790222258631|JEFFREYS J|John Jeffreys|Elegy for John Fry Bass|Orchestral Part|1.50|13 GMCO054|JEFFREYS, John (1927- )
SERENADE FOR STRINGS
Concert Originals Series GMCO054|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This work was composed in great haste during the evening of 24th August 1959 to celebrate the 76th birthday of Andr? Mangeot the very next day - when I played from a short score to him at his Kensington home! He promptly bowed the full score and conducted the work''s first performance the following spring at a concert given by the Oxted Music Society. (John Jeffreys)
Duration: 5 minutes
A PACK comprises one full score and strings 4/4/3/4/2'|9790222259089|JEFFREYS J|John Jeffreys|Serenade for Strings Pack|String Orchestra|26.00|204 GMCO054-00|||9790222259096|JEFFREYS J|John Jeffreys|Serenade for Strings Score|Orchestral Score|5.00|25 GMCO054-01|||9790222259102|JEFFREYS J|John Jeffreys|Serenade for Strings Violin 1|Orchestral Part|1.50|13 GMCO054-02|||9790222259119|JEFFREYS J|John Jeffreys|Serenade for Strings Violin 2|Orchestral Part|1.50|13 GMCO054-03|||9790222259126|JEFFREYS J|John Jeffreys|Serenade for Strings Viola|Orchestral Part|1.50|7 GMCO054-04|||9790222259133|JEFFREYS J|John Jeffreys|Serenade for Strings Cello|Orchestral Part|1.50|7 GMCO054-05|||9790222259140|JEFFREYS J|John Jeffreys|Serenade for Strings Bass|Orchestral Part|1.50|7 GMCO055|JEFFREYS, John (1927- )
VIOLIN CONCERTO in G minor
Concert Originals Series GMCO055|'Orchestration
Solo violin
Flute, Cor anglais, French horn
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The opening is a slow introduction recalling the wide span of the River Exe at Bickleigh. On the opposite west bank there is a green meadow and upon this imagine a fiddler and country dance in progress: the attention wanders and the fiddler fades as nature reveals a more gentle approach in the brief Allegretto where the violin dreams before the attention returns to the fiddler at the dance. The slow movement is the wide river itself, leisurely in summer. The third and final movement contains elements suggested by its predecessors with alternative moods of graceful nature and dark clouds providing contrast and the work ends slowly as it began with the introduction transformed into the concerto''s epilogue. The river flows on.
Duration: 25? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.

Also available as a violin and piano reduction (GM029).'|9790222263109|JEFFREYS J|John Jeffreys|Violin Concerto Pack|Orchestra|40.00|624 GMCO055-00|||9790222263116|JEFFREYS J|John Jeffreys|Violin Concerto Score|Orchestral Score|8.00|100 GMCO055-01|||9790222263123|JEFFREYS J|John Jeffreys|Violin Concerto Violin 1|Orchestral Part|2.00|25 GMCO055-02|||9790222263130|JEFFREYS J|John Jeffreys|Violin Concerto Violin 2|Orchestral Part|2.00|25 GMCO055-03|||9790222263147|JEFFREYS J|John Jeffreys|Violin Concerto Viola|Orchestral Part|2.00|25 GMCO055-04|||9790222263154|JEFFREYS J|John Jeffreys|Violin Concerto Cello|Orchestral Part|2.00|25 GMCO055-05|||9790222263161|JEFFREYS J|John Jeffreys|Violin Concerto Bass|Orchestral Part|1.50|13 GMCO055-06|||9790222263178|JEFFREYS J|John Jeffreys|Violin Concerto Flute|Orchestral Part|1.50|13 GMCO055-07|||9790222263185|JEFFREYS J|John Jeffreys|Violin Concerto Cor Anglais|Orchestral Part|1.50|13 GMCO055-08|||9790222263192|JEFFREYS J|John Jeffreys|Violin Concerto Horn in F|Orchestral Part|1.50|13 GMCO055-09|||9790222263208|JEFFREYS J|John Jeffreys|Violin Concerto Solo Violin|Orchestral Part|2.50|38 GMCO056|CARR, Paul (1961- )
A VERY ENGLISH MUSIC
Goodmusic Concert Originals Series GMCO056|Orchestration
Strings (Violin 1,2, Viola, Cello, Double Bass)

These three pieces (Cuckmere Haven, Cornish Air & The Hunt Gathering) were largely written in the quieter few days between Christmas and New Year 2002 and are in a particularly "English" vein. Cuckmere Haven has always been a favourite area for walking and thinking and it offers one of the most beautiful vistas on the Sussex coast. Cornish Air is a piece of nostalgia for my birthplace. The Hunt Gathering: At Christmas 2001 I was in the village of Laycock to watch what might have been the last Boxing Day Hunt. It was a splendidly vibrant and very English event in which a splattering of protesters were outnumbered by an enthusiastic crowd of supporters and onlookers, who cheered as the hunt set off in a blaze of finery and excitement.Paul Carr
Duration: 8 minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222259348|CARR P|Paul Carr|Very English Music Pack|String Orchestra|26.00|304 GMCO056-00|||9790222259355|CARR P|Paul Carr|Very English Music Score|Orchestral Score|6.00|63 GMCO056-01|||9790222259362|CARR P|Paul Carr|Very English Music Violin 1|Orchestral Part|1.50|13 GMCO056-02|||9790222259379|CARR P|Paul Carr|Very English Music Violin 2|Orchestral Part|1.50|13 GMCO056-03|||9790222259386|CARR P|Paul Carr|Very English Music Viola|Orchestral Part|1.50|13 GMCO056-04|||9790222259393|CARR P|Paul Carr|Very English Music Cello|Orchestral Part|1.50|13 GMCO056-05|||9790222259409|CARR P|Paul Carr|Very English Music Bass|Orchestral Part|1.50|13 GMCO057|LEWIS, Paul (1943- )
ROSA MUNDI
Concert Originals Series GMCO057|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Whilst composing this piece to assuage the sadness of parting from a loved one, a single flower of my favourite rose blossomed in my garden - the only one to do so that year. (Paul Lewis). A recording of this work is included on the ASV White Line CD entitled "British String Miniatures Volume 5".
Duration: 4 minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222259669|LEWIS P|Paul Lewis|Rosa Mundi Pack|String Orchestra|26.00|246 GMCO057-00|||9790222259676|LEWIS P|Paul Lewis|Rosa Mundi Score|Orchestral Score|5.00|25 GMCO057-01|||9790222259683|LEWIS P|Paul Lewis|Rosa Mundi Violin 1|Orchestral Part|1.50|13 GMCO057-02|||9790222259690|LEWIS P|Paul Lewis|Rosa Mundi Violin 2|Orchestral Part|1.50|13 GMCO057-03|||9790222259706|LEWIS P|Paul Lewis|Rosa Mundi Viola|Orchestral Part|1.50|13 GMCO057-04|||9790222259713|LEWIS P|Paul Lewis|Rosa Mundi Cello|Orchestral Part|1.50|13 GMCO057-05|||9790222259720|LEWIS P|Paul Lewis|Rosa Mundi Bass|Orchestral Part|1.50|7 GMCO058|KERSHAW, Richard (1946- )
SCI-FI SUITE
Concert Originals Series GMCO058|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani, Percussion (Cymbals, Side drum, Bass drum, Triangle)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This could be described as film music without the film! Each of the five movements in this suite, depicts a different scene from an imaginary movie in a style typically found accompanying a science-fiction film in recent times. The five movements are 1. Pet robots; 2. The captured princess awaits her rescuer; 3. Invasion of the killer ants; 4. Death of an alien warrior; 5. Victory march of the space-lords. Just hope that all these scenes do not occur in the same movie!!
Duration: 14 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222260139|KERSHAW|Richard Kershaw|Sci-fi Suite Pack|Orchestra|40.00|612 GMCO058-00|||9790222260146|KERSHAW|Richard Kershaw|Sci-fi Suite Score|Orchestral Score|14.00|175 GMCO058-01|||9790222260153|KERSHAW|Richard Kershaw|Sci-fi Suite Violin 1|Orchestral Part|1.50|13 GMCO058-02|||9790222260160|KERSHAW|Richard Kershaw|Sci-fi Suite Violin 2|Orchestral Part|1.50|13 GMCO058-03|||9790222260177|KERSHAW|Richard Kershaw|Sci-fi Suite Viola|Orchestral Part|1.50|13 GMCO058-04|||9790222260184|KERSHAW|Richard Kershaw|Sci-fi Suite Cello|Orchestral Part|1.50|13 GMCO058-05|||9790222260191|KERSHAW|Richard Kershaw|Sci-fi Suite Bass|Orchestral Part|1.50|13 GMCO058-06|||9790222260207|KERSHAW|Richard Kershaw|Sci-fi Suite Flute 1 & 2|Orchestral Part|1.50|13 GMCO058-07|||9790222260214|KERSHAW|Richard Kershaw|Sci-fi Suite Oboe 1 & 2|Orchestral Part|1.50|13 GMCO058-08|||9790222260221|KERSHAW|Richard Kershaw|Sci-fi Suite Clarinet 1 & 2|Orchestral Part|1.50|13 GMCO058-09|||9790222260238|KERSHAW|Richard Kershaw|Sci-fi Suite Bassoon 1 & 2|Orchestral Part|1.50|13 GMCO058-10|||9790222260245|KERSHAW|Richard Kershaw|Sci-fi Suite Horn 1 & 2|Orchestral Part|1.50|13 GMCO058-11|||9790222260252|KERSHAW|Richard Kershaw|Sci-fi Suite Trumpet 1 & 2|Orchestral Part|1.50|13 GMCO058-12|||9790222260269|KERSHAW|Richard Kershaw|Sci-fi Suite Trombone 1 & 2|Orchestral Part|1.50|13 GMCO058-13|||9790222260276|KERSHAW|Richard Kershaw|Sci-fi Suite Timpani|Orchestral Part|1.50|13 GMCO058-14|||9790222260283|KERSHAW|Richard Kershaw|Sci-fi Suite Percussion|Orchestral Part|1.50|13 GMCO059|LANE, Philip (1950- )
DIVERTISSEMENT for solo clarinet, harp & strings
Concert Originals Series GMCO059|Orchestration
Solo clarinet
Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Divertissement for clarinet and piano was commisssioned by Verity Butler in 1994, and first performed by her that year in Cheltenham Town Hall. A recording of the work in this version with orchestral accompaniment is available on Marco Polo CD 8.225185 performed by Verity Butler and the Royal Ballet Sinfonia conducted by Gavin Sutherland.
The clarinet and piano version is also available:- Roberton edition no.95508 Price ?6.00
Duration: 10 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222261365|LANE P|Philip Lane|Divertissement Pack|String Orchestra|40.00|592 GMCO059-00|||9790222261372|LANE P|Philip Lane|Divertissement Score|Orchestral Score|8.00|100 GMCO059-01|||9790222261389|LANE P|Philip Lane|Divertissement Violin 1|Orchestral Part|2.00|25 GMCO059-02|||9790222261396|LANE P|Philip Lane|Divertissement Violin 2|Orchestral Part|2.00|25 GMCO059-03|||9790222261402|LANE P|Philip Lane|Divertissement Viola|Orchestral Part|2.00|25 GMCO059-04|||9790222261419|LANE P|Philip Lane|Divertissement Cello|Orchestral Part|2.00|25 GMCO059-05|||9790222261426|LANE P|Philip Lane|Divertissement Bass|Orchestral Part|1.50|13 GMCO059-06|||9790222261433|LANE P|Philip Lane|Divertissement Harp|Orchestral Part|2.00|25 GMCO059-07|||9790222261440|LANE P|Philip Lane|Divertissement Solo Clarinet|Orchestral Part|2.50|38 GMCO060|MATHIAS, William (1934-1992)
JUBILEE DANCES (arr.Philip Lane)
Concert Originals Series GMCO060|Orchestration
2 Flutes (2nd db.Piccolo), 2 Oboes (2nd db.Cor anglais), 2 Clarinets in Bb (2nd db.Bass Cl), 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Bass drum, Side drum, Cymbals, Triangle, Tambourine, Tubular bells, Tam-tam, Whip, Glockenspiel, Xylophone, Celeste [optional],.Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Originally written as "Vivat Regina" for the Silver Jubilee of Queen Elizabeth II in 1977 and scored for brass band, here is a new orchestral arrangement.
Duration: 8 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222260467|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Pack|Orchestra|80.00|1020 GMCO060-00|||9790222260474|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Score|Orchestral Score|12.00|150 GMCO060-01|||9790222260481|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Violin 1|Orchestral Part|2.00|25 GMCO060-02|||9790222260498|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Violin 2|Orchestral Part|2.00|25 GMCO060-03|||9790222260504|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Viola|Orchestral Part|2.00|25 GMCO060-04|||9790222260511|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Cello|Orchestral Part|1.50|13 GMCO060-05|||9790222260528|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Bass|Orchestral Part|1.50|13 GMCO060-06|||9790222260535|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Fl 1+2|Orchestral Part|2.00|25 GMCO060-07|||9790222260542|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Ob 1+2|Orchestral Part|2.00|25 GMCO060-08|||9790222260559|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Cl 1+2|Orchestral Part|2.00|25 GMCO060-09|||9790222260566|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Bsn 1+2|Orchestral Part|1.50|13 GMCO060-10|||9790222260573|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Hn 1+2|Orchestral Part|1.50|13 GMCO060-11|||9790222260580|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Hn 3+4|Orchestral Part|1.50|13 GMCO060-12|||9790222260597|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Tr 1+2|Orchestral Part|1.50|13 GMCO060-13|||9790222260603|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Trb 1+2|Orchestral Part|1.50|13 GMCO060-14|||9790222260610|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Trb3|Orchestral Part|1.50|13 GMCO060-15|||9790222260627|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Timpani|Orchestral Part|1.50|13 GMCO060-16|||9790222260634|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Perc|Orchestral Part|2.50|38 GMCO060-17|||9790222260641|MATHIAS W|William Mathias|Jubilee Dances (arr.Lane) Harp|Orchestral Part|2.00|25 GMCO061|JEFFREYS, John (1927- )
ELEGY FOR A CONDUCTOR
Concert Originals Series GMCO061|'Orchestration
Flute, Cor anglais
Horn in F, Trumpet in Bb
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Written in May 1999 as a tribute to the conductor Kenneth Page who had promoted and recorded a number of John Jeffreys'' works.
Duration: 8? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222264779|JEFFREYS J|John Jeffreys|Elegy for A Conductor Pack|Orchestra|26.00|274 GMCO061-00|||9790222264786|JEFFREYS J|John Jeffreys|Elegy for A Conductor Score|Orchestral Score|5.00|25 GMCO061-01|||9790222264793|JEFFREYS J|John Jeffreys|Elegy for A Conductor Violin 1|Orchestral Part|1.50|13 GMCO061-02|||9790222264809|JEFFREYS J|John Jeffreys|Elegy for A Conductor Violin 2|Orchestral Part|1.50|13 GMCO061-03|||9790222264816|JEFFREYS J|John Jeffreys|Elegy for A Conductor Viola|Orchestral Part|1.50|13 GMCO061-04|||9790222264823|JEFFREYS J|John Jeffreys|Elegy for A Conductor Cello|Orchestral Part|1.50|13 GMCO061-05|||9790222264830|JEFFREYS J|John Jeffreys|Elegy for A Conductor Bass|Orchestral Part|1.50|7 GMCO061-06|||9790222264847|JEFFREYS J|John Jeffreys|Elegy for A Conductor Flute|Orchestral Part|1.50|7 GMCO061-07|||9790222264854|JEFFREYS J|John Jeffreys|Elegy for A Conductor Cor Anglais|Orchestral Part|1.50|7 GMCO061-08|||9790222264861|JEFFREYS J|John Jeffreys|Elegy for A Conductor Horn|Orchestral Part|1.50|7 GMCO061-09|||9790222264878|JEFFREYS J|John Jeffreys|Elegy for A Conductor Trumpet|Orchestral Part|1.50|7 GMCO062|LANE, Philip (1950- )
OVERTURE ON FRENCH CAROLS
Concert Originals Series GMCO062|Orchestration
2 Flutes (2nd db.Piccolo), 2 Oboes (2nd db.Cor anglais), 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 3 Trumpets (3rd opt.), 3 Trombones, Tuba (opt.), Timpani, Percussion (Triangle, Cymbal, Side drum, Tenor drum, Tubular bells, Vibraphone, Glockenspiel, Xylophone, Celeste), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A light orchestral overture with a Christmas flavour, using the melodies of various French carol tunes .
Duration: 6 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222260757|LANE P|Philip Lane|Overture On French Carols Pack|Orchestra|40.00|706 GMCO062-00|||9790222260764|LANE P|Philip Lane|Overture On French Carols Score|Orchestral Score|10.00|125 GMCO062-01|||9790222260771|LANE P|Philip Lane|Overture On French Carols Violin 1|Orchestral Part|1.50|13 GMCO062-02|||9790222260788|LANE P|Philip Lane|Overture On French Carols Violin 2|Orchestral Part|1.50|13 GMCO062-03|||9790222260795|LANE P|Philip Lane|Overture On French Carols Viola|Orchestral Part|1.50|13 GMCO062-04|||9790222260801|LANE P|Philip Lane|Overture On French Carols Cello|Orchestral Part|1.50|13 GMCO062-05|||9790222260818|LANE P|Philip Lane|Overture On French Carols Bass|Orchestral Part|1.50|13 GMCO062-06|||9790222260825|LANE P|Philip Lane|Overture On French Carols Fl1+2|Orchestral Part|1.50|13 GMCO062-07|||9790222260832|LANE P|Philip Lane|Overture On French Carols Ob1+2|Orchestral Part|1.50|13 GMCO062-08|||9790222260849|LANE P|Philip Lane|Overture On French Carols Cl1+2|Orchestral Part|1.50|13 GMCO062-09|||9790222260856|LANE P|Philip Lane|Overture On French Carols Bsn1+2|Orchestral Part|1.50|13 GMCO062-10|||9790222260863|LANE P|Philip Lane|Overture On French Carols Hn1+2|Orchestral Part|1.50|13 GMCO062-11|||9790222260870|LANE P|Philip Lane|Overture On French Carols Hn3+4|Orchestral Part|1.50|13 GMCO062-12|||9790222260887|LANE P|Philip Lane|Overture On French Carols Trp1+2+3|Orchestral Part|1.50|13 GMCO062-13|||9790222260894|LANE P|Philip Lane|Overture On French Carols Trb1+2|Orchestral Part|1.50|13 GMCO062-14|||9790222260900|LANE P|Philip Lane|Overture On French Carols Trb3+Tba|Orchestral Part|1.50|13 GMCO062-15|||9790222260917|LANE P|Philip Lane|Overture On French Carols Timpani|Orchestral Part|1.50|7 GMCO062-16|||9790222260924|LANE P|Philip Lane|Overture On French Carols Perc|Orchestral Part|2.00|25 GMCO062-17|||9790222260931|LANE P|Philip Lane|Overture On French Carols Harp|Orchestral Part|1.50|13 GMCO063|SHORT, Michael (1937- )
CELEBRATION - A Miniature overture for string orchestra
Concert Originals Series GMCO063|'Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This little overture was written to celebrate the 80th birthday of the Argyle String Orchestra of Bath, and was first performed by them, conducted by Tim Robb, on 27th March 2003. It is 80 bars long - one for each year of the orchestra''s existence - and lasts for two minutes. Perhaps it will be of some use to other orchestras looking for a lightweight overture to start a concert, and at least it has the merit of brevity!
Duration: 2 minutes
A PACK comprises one full score and strings 4/4/3/4/2'|9790222264175|SHORT M|Michael Short|Celebration Miniature Overture Pk|String Orchestra|26.00|274 GMCO063-00|||9790222264182|SHORT M|Michael Short|Celebration Miniature Overture Sc|Orchestral Score|5.00|38 GMCO063-01|||9790222264199|SHORT M|Michael Short|Celebration Miniature Overture Vln1|Orchestral Part|1.50|13 GMCO063-02|||9790222264205|SHORT M|Michael Short|Celebration Miniature Overture Vln2|Orchestral Part|1.50|13 GMCO063-03|||9790222264212|SHORT M|Michael Short|Celebration Miniature Overture Vla|Orchestral Part|1.50|13 GMCO063-04|||9790222264229|SHORT M|Michael Short|Celebration Miniature Overture Vc|Orchestral Part|1.50|13 GMCO063-05|||9790222264236|SHORT M|Michael Short|Celebration Miniature Overture Bass|Orchestral Part|1.50|13 GMCO064|MATHIAS, William (1934-1992)
PROCESSIONAL (arr.Philip Lane)
Concert Originals Series GMCO064|'Orchestration
2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba [optional], Timpani, Percussion (Bass drum, Snare drum, Cymbal, Triangle, Glockenspiel), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This work was originally conceived for organ and published in 1965 by Oxfrod University Press. Like so much msuic for the ''King of Instruments'' it has inherent orchestral possibilities which have been brought out in this arrangement by Philip Lane.
Duration: 3? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222266209|MATHIAS W|William Mathias|Processional (arr.Lane) Pack|Orchestra|45.00|540 GMCO064-00|||9790222266216|MATHIAS W|William Mathias|Processional (arr.Lane) Score|Orchestral Score|6.00|63 GMCO064-01|||9790222266223|MATHIAS W|William Mathias|Processional (arr.Lane) Violin 1|Orchestral Part|1.50|13 GMCO064-02|||9790222266230|MATHIAS W|William Mathias|Processional (arr.Lane) Violin 2|Orchestral Part|1.50|13 GMCO064-03|||9790222266247|MATHIAS W|William Mathias|Processional (arr.Lane) Viola|Orchestral Part|1.50|13 GMCO064-04|||9790222266254|MATHIAS W|William Mathias|Processional (arr.Lane) Cello|Orchestral Part|1.50|13 GMCO064-05|||9790222266261|MATHIAS W|William Mathias|Processional (arr.Lane) Bass|Orchestral Part|1.50|13 GMCO064-06|||9790222266278|MATHIAS W|William Mathias|Processional (arr.Lane) Flute 1+2|Orchestral Part|1.50|13 GMCO064-07|||9790222266285|MATHIAS W|William Mathias|Processional (arr.Lane) Oboe 1+2|Orchestral Part|1.50|13 GMCO064-08|||9790222266292|MATHIAS W|William Mathias|Processional (arr.Lane) Clar.1+2|Orchestral Part|1.50|13 GMCO064-09|||9790222266308|MATHIAS W|William Mathias|Processional (arr.Lane) Bsn.1+2|Orchestral Part|1.50|13 GMCO064-10|||9790222266315|MATHIAS W|William Mathias|Processional (arr.Lane) Horn 1+2|Orchestral Part|1.50|7 GMCO064-11|||9790222266322|MATHIAS W|William Mathias|Processional (arr.Lane) Horn 3+4|Orchestral Part|1.50|7 GMCO064-12|||9790222266339|MATHIAS W|William Mathias|Processional (arr.Lane) Trumpet 1+2|Orchestral Part|1.50|7 GMCO064-13|||9790222266346|MATHIAS W|William Mathias|Processional (arr.Lane) Tromb.1+2|Orchestral Part|1.50|7 GMCO064-14|||9790222266353|MATHIAS W|William Mathias|Processional (arr.Lane) Trb.3+Tuba|Orchestral Part|1.50|7 GMCO064-15|||9790222266360|MATHIAS W|William Mathias|Processional (arr.Lane) Timpani|Orchestral Part|1.50|7 GMCO064-16|||9790222266377|MATHIAS W|William Mathias|Processional (arr.Lane) Percussion|Orchestral Part|1.50|13 GMCO064-17|||9790222266384|MATHIAS W|William Mathias|Processional (arr.Lane) Harp|Orchestral Part|1.50|13 GMCO065|ARNOLD, Malcolm (1921- )
SAXOPHONE CONCERTO
Concert Originals Series GMCO065|'Orchestration
Solo Alto saxophone
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This work is an arrangement and orchestration of Malcolm Arnold''s Piano Sonata, which he wrote in 1942, produced for alto saxophone and strings by David Ellis in 1994 at the request of the composer. It was first performed by Gerard McChrystal and the Milton Keynes Orchestra conducted by Hilary Davan Wetton.
A saxophone and piano reduction of this concerto is also available (Goodmusic no. GM030) and also the original Piano Sonata from which it is taken (Roberton Publications no.9524)

Duration: c.10 minutes
A PACK comprises one full score, solo part and string parts 4/4/3/4/2.'|9790222263017|ARNOLD M|Malcolm Arnold|Saxophone Concerto (arr.Ellis) Pk|String Orchestra|40.00|526 GMCO065-00|||9790222263024|ARNOLD M|Malcolm Arnold|Saxophone Concerto (arr.Ellis) Sc|Orchestral Score|6.00|63 GMCO065-01|||9790222263031|ARNOLD M|Malcolm Arnold|Saxophone Concerto (arr.Ellis) Vln1|Orchestral Part|2.00|25 GMCO065-02|||9790222263048|ARNOLD M|Malcolm Arnold|Saxophone Concerto (arr.Ellis) Vln2|Orchestral Part|2.00|25 GMCO065-03|||9790222263055|ARNOLD M|Malcolm Arnold|Saxophone Concerto (arr.Ellis) Vla|Orchestral Part|2.00|25 GMCO065-04|||9790222263062|ARNOLD M|Malcolm Arnold|Saxophone Concerto (arr.Ellis) Vc|Orchestral Part|2.00|25 GMCO065-05|||9790222263079|ARNOLD M|Malcolm Arnold|Saxophone Concerto (arr.Ellis) Cb|Orchestral Part|2.00|25 GMCO065-06|||9790222263086|ARNOLD M|Malcolm Arnold|Saxophone Concerto (arr.Ellis) Sax|Orchestral Part|2.00|25 GMCO066|LEWIS, Paul (1943- )
CONCERTO BURLESCO for Bassoon & Small Orchestra
Concert Originals Series GMCO066|Orchestration
Solo Bassoon
Flute (doubling piccolo), Oboe, Clarinet in Bb, Horn in F, Timpani (doubling susp.cymbal), Percussion (one player: Susp.cymbal, Snare drum, Tambourine, Tam-tam, 3 Wood blocks, Triangle, Whip, Vibraslap, Glockenspiel, Vibraphone), Celeste, Harp
Strings (Violin 1, Violin 2, Viola, cello, Bass)

This concerto was written for, and is dedicated to, Graham Salvage, the principal bassoonist of the Halle Orchestra. The first performance was given by Graham on March 4th 2005 in a concert in Turkey with the Izmir State Symphony Orchestra conducted by Marek Pijarowski.
The concerto is in three movements: 1. Burlesque; 2. Serenade; 3. Fandango.
The concerto takes its name from the first movement, which the composer feels is more a burlesque of first movement sonata form than the real thing. The middle movement gives the soloist an opportunity to serenade the audience in the most romantic manner, using the poetic and soulful upper register of the bassoon, and the finale is a fandango, an energetic dance from the Basque region of France and Spain. The concerto finishes with a rapid chromatic scale from the bottom to the top of the bassoon, ending on a trill on a high D. A bassoon and piano reduction of this concerto is available (Catalogue no.GM031)

Duration: c.20 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222262195|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Pack|Orchestra|60.00|900 GMCO066-00|||9790222262201|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Score|Orchestral Score|15.00|213 GMCO066-01|||9790222262218|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Violin 1|Orchestral Part|2.00|25 GMCO066-02|||9790222262225|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Violin 2|Orchestral Part|2.00|25 GMCO066-03|||9790222262232|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Viola|Orchestral Part|2.00|25 GMCO066-04|||9790222262249|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Cello|Orchestral Part|2.00|25 GMCO066-05|||9790222262256|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Bass|Orchestral Part|2.00|25 GMCO066-06|||9790222262263|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Flute|Orchestral Part|2.00|25 GMCO066-07|||9790222262270|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Oboe|Orchestral Part|1.50|13 GMCO066-08|||9790222262287|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Clarinet|Orchestral Part|2.00|25 GMCO066-09|||9790222262294|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Horn|Orchestral Part|1.50|13 GMCO066-10|||9790222262300|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Timpani|Orchestral Part|2.00|25 GMCO066-11|||9790222262317|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Percussion|Orchestral Part|2.00|25 GMCO066-12|||9790222262324|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Celeste|Orchestral Part|1.50|13 GMCO066-13|||9790222262331|LEWIS P|Paul Lewis|Concerto Burlesco (bsn) Harp|Orchestral Part|2.50|38 GMCO066-14|||9790222262348|LEWIS P|Paul Lewis|Concerto Burlesco Solo Bassoon|Orchestral Part|3.00|50 GMCO067|GIBBS, Armstrong (1889-1960)
PRELUDE, ANDANTE AND FINALE for String Orchestra (arranged by Lawrence Ashmore)
Concert Originals Series GMCO067|'Orchestration
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Double Bass)
Known principally for his solo songs, Armstrong Gibbs also wrote music for the stage, sacred works, three symphonies and a substantial amount of chamber music, much of which remains unpublished. Armstrong Gibbs was born near Chelmsford in Essex and spent much of his busy life there when he was not touring the country adjudicating at festivals, conducting and composing.
The Prelude, Andante and Finale was written in 1946 originally as a string orchestra work but the manuscript was lost and the only surviving copy is the composer''s own arrangement for piano duet. Lawrence Ashmore has recreated a string orchestra version using Gibbs'' original forces. He writes: "It was obvious that the composer had expected the violin parts to be divided in three through a large part of the second and third movements; this is a feature of his writing that occurs elsewhere in such works as his ''Threnody for Walter de la Mare''. I would recommend therefore that one third of both first and second violins become third violins when required. When the piece returns to firsts and seconds only, they should revert to their original sections." Consequently, the Violin 3 part is not printed separately but is shown in both the Violin 1 and Violin 2 parts.
Duration: 18 minutes
A PACK comprises one full score and string parts 4/4/3/4/2.'|9790222267466|GIBBS CA|C Armstrong Gibbs|Prelude Andante & Finale Pack|String Orchestra|50.00|918 GMCO067-00|||9790222267473|GIBBS CA|C Armstrong Gibbs|Prelude Andante & Finale Score|Orchestral Score|8.00|100 GMCO067-01|||9790222267480|GIBBS CA|C Armstrong Gibbs|Prelude Andante & Finale Vln 1+3|Orchestral Part|3.50|63 GMCO067-02|||9790222267497|GIBBS CA|C Armstrong Gibbs|Prelude Andante & Finale Vln 2+3|Orchestral Part|3.50|63 GMCO067-03|||9790222267503|GIBBS CA|C Armstrong Gibbs|Prelude Andante & Finale Viola|Orchestral Part|2.00|25 GMCO067-04|||9790222267510|GIBBS CA|C Armstrong Gibbs|Prelude Andante & Finale Cello|Orchestral Part|2.50|38 GMCO067-05|||9790222267527|GIBBS CA|C Armstrong Gibbs|Prelude Andante & Finale Bass|Orchestral Part|2.00|25 GMCO068|GIBBS, Armstrong (1889-1960)
SUITE FOR STRINGS for String Orchestra
Concert Originals Series GMCO068|Orchestration
Group A: Violin 1, Violin 2, Viola, Cello
Group B: Violin 1, Violin 2, Viola, Cello, Bass
Known principally for his solo songs, Armstrong Gibbs also wrote music for the stage, sacred works, three symphonies and a substantial amount of chamber music, much of which remains unpublished. Armstrong Gibbs was born near Chelmsford in Essex and spent much of his busy life there when he was not touring the country adjudicating at festivals, conducting and composing.
This work was written in 1958-9. The string orchestra is split into two separate groups A and B with basses present only in the B group. There are three movements: Prelude, A Song of Sleep and The Promise of Spring.
In the idyllic slow second movement "A Song of Sleep" the main group (B) is muted and contrasts with the solo group (A) which is not. Part of the movement in 6/8 time suggests the calm steady breathing of the sleeper and the whole has a pleasing feeling of peace and tranquility. The final "Promise of Spring" is a confident, dancing piece reflecting the turning of the year and renewal.
Duration 14 minutes

In our normal PACK of parts we provide 4/4/3/4/2 string parts but because in this work the orchestra is split into two groups, and individual parts are printed for Group A and Group B, we have included 2 copies of each part. This, therefore, will give you 1 more viola part in total than you would normally get in our standard PACK. Extra individual parts are available for purchase should you require them.|9790222266667|GIBBS CA|C Armstrong Gibbs|Suite for Strings Pack|String Orchestra|40.00|592 GMCO068-00|||9790222266674|GIBBS CA|C Armstrong Gibbs|Suite for Strings Score|Orchestral Score|10.00|125 GMCO068-01|||9790222266681|GIBBS CA|C Armstrong Gibbs|Suite for Strings Violin A1|Orchestral Part|2.00|25 GMCO068-02|||9790222266698|GIBBS CA|C Armstrong Gibbs|Suite for Strings Violin A2|Orchestral Part|2.00|25 GMCO068-03|||9790222266704|GIBBS CA|C Armstrong Gibbs|Suite for Strings Viola A|Orchestral Part|2.00|25 GMCO068-04|||9790222266711|GIBBS CA|C Armstrong Gibbs|Suite for Strings Cello A|Orchestral Part|2.00|25 GMCO068-05|||9790222266728|GIBBS CA|C Armstrong Gibbs|Suite for Strings Violin B1|Orchestral Part|2.00|25 GMCO068-06|||9790222266735|GIBBS CA|C Armstrong Gibbs|Suite for Strings Violin B2|Orchestral Part|2.00|25 GMCO068-07|||9790222266742|GIBBS CA|C Armstrong Gibbs|Suite for Strings Viola B|Orchestral Part|2.00|25 GMCO068-08|||9790222266759|GIBBS CA|C Armstrong Gibbs|Suite for Strings Cello B|Orchestral Part|2.00|25 GMCO068-09|||9790222266766|GIBBS CA|C Armstrong Gibbs|Suite for Strings Bass|Orchestral Part|2.00|25 GMCO069|GIBBS, Armstrong (1889-1960)
THRENODY FOR WALTER DE LA MARE for String Quartet and String Orchestra
Concert Originals Series GMCO069|'Orchestration
String Quartet:- Solo Violin 1, Solo Violin 2, Solo Viola, Solo Cello
String Orchestra:- Violin 1, Violin 2, Violin 3, Viola, Cello, Double Bass
Known principally for his solo songs, Armstrong Gibbs also wrote music for the stage, sacred works, three symphonies and a substantial amount of chamber music, much of which remains unpublished. Armstrong Gibbs was born near Chelmsford in Essex and spent much of his busy life there when he was not touring the country adjudicating at festivals, conducting and composing.
The manuscript of this work is dated 17 July 1956 and closely follows Walter de la Mare''s death in June of the same year. It has been described as one of Gibbs'' most deeply felt compositions and is scored - like Vaughan Williams'' Tallis Fantasia and Elgar''s Introduction and Allegro - for solo string quartet and string orchestra. Note that there are THREE separate violin parts rather than the conventional two.
Duration: 7 minutes
A PACK comprises one full score, one of each of the quartet parts and string orchestra parts 4/4/4/3/4/2.'|9790222269026|GIBBS CA|C Armstrong Gibbs|Threnody for W.de La Mare Pack|String Orchestra|26.00|354 GMCO069-00|||9790222269033|GIBBS CA|C Armstrong Gibbs|Threnody for W.de La Mare Score|Orchestral Score|5.00|38 GMCO069-01|||9790222269040|GIBBS CA|C Armstrong Gibbs|Threnody for W.de La Mare Solo Vln1|Orchestral Part|1.50|13 GMCO069-02|||9790222269057|GIBBS CA|C Armstrong Gibbs|Threnody for W.de La Mare Solo Vln2|Orchestral Part|1.50|7 GMCO069-03|||9790222269064|GIBBS CA|C Armstrong Gibbs|Threnody for W.de La Mare Solo Vla|Orchestral Part|1.50|7 GMCO069-04|||9790222269071|GIBBS CA|C Armstrong Gibbs|Threnody for W.de La Mare Solo Vc|Orchestral Part|1.50|13 GMCO069-05|||9790222269088|GIBBS CA|C Armstrong Gibbs|Threnody for W.de La Mare Violin 1|Orchestral Part|1.50|13 GMCO069-06|||9790222269095|GIBBS CA|C Armstrong Gibbs|Threnody for W.de La Mare Violin 2|Orchestral Part|1.50|13 GMCO069-07|||9790222269101|GIBBS CA|C Armstrong Gibbs|Threnody for W.de La Mare Violin 3|Orchestral Part|1.50|13 GMCO069-08|||9790222269118|GIBBS CA|C Armstrong Gibbs|Threnody for W.de La Mare Viola|Orchestral Part|1.50|13 GMCO069-09|||9790222269125|GIBBS CA|C Armstrong Gibbs|Threnody for W.de La Mare Cello|Orchestral Part|1.50|13 GMCO069-10|||9790222269132|GIBBS CA|C Armstrong Gibbs|Threnody for W.de La Mare Bass|Orchestral Part|1.50|7 GMCO070|JEFFREYS, John (1927- )
POEM FOR END
Concert Originals Series GMCO070|Orchestration
Solo baritone
Flute
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A poem by Ivor Gurney set to music for solo baritone, flute and string orchestra. A voice and piano reduction (Roberton catalogue no. 1546) is also available though one copy is included in the set of parts as a "voice" part.
Duration: 9 minutes
A PACK comprises one full score, a flute part, a voice and piano reduction and strings 4/4/3/4/2|9790222267381|JEFFREYS J|John Jeffreys|Poem for End Pack|Orchestra|26.00|354 GMCO070-00|||9790222267398|JEFFREYS J|John Jeffreys|Poem for End Score|Orchestral Score|5.00|38 GMCO070-01|||9790222267404|JEFFREYS J|John Jeffreys|Poem for End Violin 1|Orchestral Part|1.50|13 GMCO070-02|||9790222267411|JEFFREYS J|John Jeffreys|Poem for End Violin 2|Orchestral Part|1.50|13 GMCO070-03|||9790222267428|JEFFREYS J|John Jeffreys|Poem for End Viola|Orchestral Part|1.50|13 GMCO070-04|||9790222267435|JEFFREYS J|John Jeffreys|Poem for End Cello|Orchestral Part|1.50|13 GMCO070-05|||9790222267442|JEFFREYS J|John Jeffreys|Poem for End Bass|Orchestral Part|1.50|13 GMCO070-06|||9790222267459|JEFFREYS J|John Jeffreys|Poem for End Flute|Orchestral Part|1.50|13 GMCO071|LANE, Philip (1950- )
LONDON SALUTE
Concert Originals Series GMCO071|Orchestration
2 Flutes (db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Snare drum, Cymbals, Triangle, Tambourine, Xylophone, Glockenspiel), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

London Salute was written in 1982 to mark the 60th anniversary of the BBC and was first performed in a broadcast (one of many in subsequent years) by the BBC Concert Orchestra under Ashley Lawrence. It is a march-like evocation of the capital, very much as an outsider would see it, all hustle and bustle, with ceremonial and tradition around every corner - yet never pompous.
The work is commercially recorded by the Royal Ballet Sinfonia conducted by Gavin Sutherland on Marco Polo 8.225185 and by the same orchestra under Paul Lewis on ASV White Line WHL 2138.
Duration: 3? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.|9790222265837|LANE P|Philip Lane|London Salute Pack|Orchestra|40.00|582 GMCO071-00|||9790222265844|LANE P|Philip Lane|London Salute Score|Orchestral Score|6.00|75 GMCO071-01|||9790222265851|LANE P|Philip Lane|London Salute Violin 1|Orchestral Part|1.50|13 GMCO071-02|||9790222265868|LANE P|Philip Lane|London Salute Violin 2|Orchestral Part|1.50|13 GMCO071-03|||9790222265875|LANE P|Philip Lane|London Salute Viola|Orchestral Part|1.50|13 GMCO071-04|||9790222265882|LANE P|Philip Lane|London Salute Cello|Orchestral Part|1.50|13 GMCO071-05|||9790222265899|LANE P|Philip Lane|London Salute Bass|Orchestral Part|1.50|13 GMCO071-06|||9790222265905|LANE P|Philip Lane|London Salute Flute 1|Orchestral Part|1.50|13 GMCO071-07|||9790222265912|LANE P|Philip Lane|London Salute Flute 2|Orchestral Part|1.50|13 GMCO071-08|||9790222265929|LANE P|Philip Lane|London Salute Oboe 1+2|Orchestral Part|1.50|13 GMCO071-09|||9790222265936|LANE P|Philip Lane|London Salute Clarinet 1+2|Orchestral Part|1.50|13 GMCO071-10|||9790222265943|LANE P|Philip Lane|London Salute Bassoon 1+2|Orchestral Part|1.50|13 GMCO071-11|||9790222265950|LANE P|Philip Lane|London Salute Horn 1+2|Orchestral Part|1.50|13 GMCO071-12|||9790222265967|LANE P|Philip Lane|London Salute Horn 3+4|Orchestral Part|1.50|13 GMCO071-13|||9790222265974|LANE P|Philip Lane|London Salute Trumpet 1+2|Orchestral Part|1.50|13 GMCO071-14|||9790222265981|LANE P|Philip Lane|London Salute Trombone 1+2|Orchestral Part|1.50|13 GMCO071-15|||9790222265998|LANE P|Philip Lane|London Salute Trombone 3|Orchestral Part|1.50|13 GMCO071-16|||9790222266001|LANE P|Philip Lane|London Salute Timpani|Orchestral Part|1.50|13 GMCO071-17|||9790222266018|LANE P|Philip Lane|London Salute Percussion|Orchestral Part|1.50|13 GMCO071-18|||9790222266025|LANE P|Philip Lane|London Salute Harp|Orchestral Part|1.50|13 GMCO072|William Alwyn (1905-1985)
SUITE OF SCOTTISH DANCES for Orchestra
Concert Originals Series GMCO072|'Orchestration
Flute, Oboe, 2 Clarinets in A and Bb, Bassoon, 2 Horns in F, Trumpet in C, Trombone, Percussion (Timpani, Tambourine, Side drum, Triangle, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
The sources of the tunes from which these arrangements have been made are two old books of Scottish airs and dances, c.1790. To quote the title pages, these consisted of "Favourite new country dances as danced at the Assembly", and "Neil Gow''s most fashionable dances as danced at Edinburgh in 1787 and 1788". There are 7 short dances in the suite - The Indian Queen; A Trip to Italy; Colonel Thornton''s Strathspey; Reel - The Perthshire Hunt; Reel - Loch Earn; Carleton House; Miss Ann Carnegie''s Hornpipe.
A recording of this suite played by the Royal Ballet Sinfonia conducted by Gavin Sutherland is available on Sanctuary Classics "British Light Music Discoveries", number CDWHL2113.
Duration: 7 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.

This edition has been reproduced from the original score and parts published by Oxford University Press. Consequently, no Scorch score is available on this website for viewing and listening.'|9790222266032|ALWYN|William Alwyn|Suite of Scottish Dances Pack|Orchestra|45.00|456 GMCO072-00|||9790222266049|ALWYN|William Alwyn|Suite of Scottish Dances Score|Orchestral Score|8.00|100 GMCO072-01|||9790222266056|ALWYN|William Alwyn|Suite of Scottish Dances Violin 1|Orchestral Part|1.50|13 GMCO072-02|||9790222266063|ALWYN|William Alwyn|Suite of Scottish Dances Violin 2|Orchestral Part|1.50|13 GMCO072-03|||9790222266070|ALWYN|William Alwyn|Suite of Scottish Dances Viola|Orchestral Part|1.50|13 GMCO072-04|||9790222266087|ALWYN|William Alwyn|Suite of Scottish Dances Cello|Orchestral Part|1.50|13 GMCO072-05|||9790222266094|ALWYN|William Alwyn|Suite of Scottish Dances Bass|Orchestral Part|1.50|13 GMCO072-06|||9790222266100|ALWYN|William Alwyn|Suite of Scottish Dances Flute|Orchestral Part|1.50|13 GMCO072-07|||9790222266117|ALWYN|William Alwyn|Suite of Scottish Dances Oboe|Orchestral Part|1.50|13 GMCO072-08|||9790222266124|ALWYN|William Alwyn|Suite of Scottish Dances Clarinet 1|Orchestral Part|1.50|13 GMCO072-09|||9790222266131|ALWYN|William Alwyn|Suite of Scottish Dances Clarinet 2|Orchestral Part|1.50|13 GMCO072-10|||9790222266148|ALWYN|William Alwyn|Suite of Scottish Dances Bassoon|Orchestral Part|1.50|13 GMCO072-11|||9790222266155|ALWYN|William Alwyn|Suite of Scottish Dances Horn 1|Orchestral Part|1.50|13 GMCO072-12|||9790222266162|ALWYN|William Alwyn|Suite of Scottish Dances Horn 2|Orchestral Part|1.50|13 GMCO072-13|||9790222266179|ALWYN|William Alwyn|Suite of Scottish Dances Trumpet C|Orchestral Part|1.50|13 GMCO072-14|||9790222266186|ALWYN|William Alwyn|Suite of Scottish Dances Trombone|Orchestral Part|1.50|13 GMCO072-15|||9790222266193|ALWYN|William Alwyn|Suite of Scottish Dances Percussion|Orchestral Part|1.50|13 GMCO073||||MATHIAS W|William Mathias|Divertissement (arr.Lane) Pack|Orchestra|50.00|573 GMCO074|MATHIAS, William (1934-1992)
PARISIAN SUITE (arr.Philip Lane)
Concert Originals Series GMCO074|'Orchestration
2 Flutes (2nd db.Piccolo), 2 Oboes (2nd db.Cor anglais), 2 Clarinets in Bb (2nd db.Bass calrinet and Alto sax), 2 Bassoons (2nd db.Contra bassoon)
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion [3 or 4 players] (Glockenspiel, Triangle, Xylophone, Side drum, Tambourine, Claves), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

My father composed his Suite Parisienne for two pianos in September 1953 when he was 18 years old. He and his friend, Hugh Jones, gave the first public performance of the piece in the Music Room, Gregynog in December 1954. Just before his death in 1992, he rediscovered this early piece and revised it for publication. Philip Lane''s orchestration is based on the revised version. {Rhiannon Mathias)
Duration: 7? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222270435|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Pack|Orchestra|80.00|908 GMCO074-00|||9790222270442|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Score|Orchestral Score|12.00|138 GMCO074-01|||9790222270459|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Violin 1|Orchestral Part|2.00|25 GMCO074-02|||9790222270466|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Violin 2|Orchestral Part|2.00|25 GMCO074-03|||9790222270473|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Viola|Orchestral Part|1.50|13 GMCO074-04|||9790222270480|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Cello|Orchestral Part|1.50|13 GMCO074-05|||9790222270497|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Bass|Orchestral Part|1.50|13 GMCO074-06|||9790222270503|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Flute 1+2|Orchestral Part|2.00|25 GMCO074-07|||9790222270510|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Oboe 1+2|Orchestral Part|1.50|13 GMCO074-08|||9790222270527|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Clar 1+2|Orchestral Part|2.00|25 GMCO074-09|||9790222270534|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Bsn 1+2|Orchestral Part|2.00|25 GMCO074-10|||9790222270541|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Horn 1+2|Orchestral Part|1.50|13 GMCO074-11|||9790222270558|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Horn 3+4|Orchestral Part|1.50|13 GMCO074-12|||9790222270565|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Trpt 1+2|Orchestral Part|1.50|13 GMCO074-13|||9790222270572|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Tromb 1+2|Orchestral Part|1.50|13 GMCO074-14|||9790222270589|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Trb3+Tuba|Orchestral Part|1.50|13 GMCO074-15|||9790222270596|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Timpani|Orchestral Part|1.50|13 GMCO074-16|||9790222270602|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Perc|Orchestral Part|2.00|25 GMCO074-17|||9790222270619|MATHIAS W|William Mathias|Parisian Suite (arr.Lane) Harp|Orchestral Part|1.50|13 GMCO075|GIBBS, Armstrong (1889-1960)
SHADE AND SHINE for String Orchestra
Concert Originals Series GMCO075|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)
Known principally for his solo songs, Armstrong Gibbs also wrote music for the stage, sacred works, three symphonies and a substantial amount of chamber music, much of which remains unpublished. Armstrong Gibbs was born near Chelmsford in Essex and spent much of his busy life there when he was not touring the country adjudicating at festivals, conducting and composing.
SHADE AND SHINE, written in 1958, is a suite for string orchestra of four contrasting movements. They are Prelude; Cradle Song; Intermezzo; Humoreske.
Duration: 11 minutes
A PACK comprises one full score and string parts 4/4/3/4/2.|9790222268418|GIBBS CA|C Armstrong Gibbs|Shade and Shine Pack|String Orchestra|35.00|494 GMCO075-00|||9790222268425|GIBBS CA|C Armstrong Gibbs|Shade and Shine Score|Orchestral Score|6.00|63 GMCO075-01|||9790222268432|GIBBS CA|C Armstrong Gibbs|Shade and Shine Violin 1|Orchestral Part|2.00|25 GMCO075-02|||9790222268449|GIBBS CA|C Armstrong Gibbs|Shade and Shine Violin 2|Orchestral Part|2.00|25 GMCO075-03|||9790222268456|GIBBS CA|C Armstrong Gibbs|Shade and Shine Viola|Orchestral Part|2.00|25 GMCO075-04|||9790222268463|GIBBS CA|C Armstrong Gibbs|Shade and Shine Cello|Orchestral Part|2.00|25 GMCO075-05|||9790222268470|GIBBS CA|C Armstrong Gibbs|Shade and Shine Bass|Orchestral Part|1.50|13 GMCO076|CARWITHEN, Doreen (1922-2003)
BISHOP ROCK Overture
Goodmusic Concert Originals GMCO076|'Orchestration
3 Flutes (3rd doubling piccolo), 2 Oboes, Cor Anglais, 2 Clarinets in Bb, Bass Clarinet, Bassoon, Contra Bassoon
4 Horns in F, 3 Trumpets in C, 3 Trombones, Tuba, Timpani, Percussion (Snare drum, Xylophone, Tambourine, Triangle, Cymbals), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)
Doreen Carwithen was born in Haddenham, Buckinghamshire and had her first music lessons from her mother, a music teacher, starting both piano and violin at age 4. In 1941 she entered the Royal Academy of Music and played the cello in a string quartet and with orchestras. At age 16 she began composing and entered the harmony class of William Alwyn who began to teach her composition. She wrote scores for over 30 films. In 1961 she married William Alwyn, dropped the name Doreen Carwithen and became Mary Alwyn. (Mary was her middle name, and she hated Doreen). She was devoted to her husband and acted as his secretary and amanuensis. After he died in 1985, she resumed interest in her own music. In 1999 a stroke left her paralysed on one side and she died in January 2003.
The Bishop Rock is the westernmost point of England on the edge of the Isles of Scilly, about 30 miles off Land''s End. The lighthouse there is the last sight the seafarer has of land; to the traveller from the New World, it is a symbol of welcome after the bleak waters of the Atlantic. The Overture (written in 1952) is an impression of the thoughts stimulated by the lighthouse and depicts Bishop Rock in storm and calm and is here published for the first time. There is an excellent CD recording available on Chandos CHAN10365X.
Duration 8? minutes
A PACK includes one full score and a complete set of parts including 4/4/3/4/2 strings.'|9790222269286|CARWITHEN|Doreen Carwithen|Bishop Rock Pack|Orchestra|60.00|918 GMCO076-00|||9790222269293|CARWITHEN|Doreen Carwithen|Bishop Rock Score|Orchestral Score|12.00|138 GMCO076-01|||9790222269309|CARWITHEN|Doreen Carwithen|Bishop Rock Violin 1|Orchestral Part|2.00|25 GMCO076-02|||9790222269316|CARWITHEN|Doreen Carwithen|Bishop Rock Violin 2|Orchestral Part|2.00|25 GMCO076-03|||9790222269323|CARWITHEN|Doreen Carwithen|Bishop Rock Viola|Orchestral Part|2.00|25 GMCO076-04|||9790222269330|CARWITHEN|Doreen Carwithen|Bishop Rock Cello|Orchestral Part|2.00|25 GMCO076-05|||9790222269347|CARWITHEN|Doreen Carwithen|Bishop Rock Bass|Orchestral Part|1.50|13 GMCO076-06|||9790222269354|CARWITHEN|Doreen Carwithen|Bishop Rock Flute 1+2|Orchestral Part|1.50|13 GMCO076-07|||9790222269361|CARWITHEN|Doreen Carwithen|Bishop Rock Flute 3/Picc|Orchestral Part|1.50|13 GMCO076-08|||9790222269378|CARWITHEN|Doreen Carwithen|Bishop Rock Oboe 1+2|Orchestral Part|1.50|13 GMCO076-09|||9790222269385|CARWITHEN|Doreen Carwithen|Bishop Rock Cor Anglais|Orchestral Part|1.50|13 GMCO076-10|||9790222269392|CARWITHEN|Doreen Carwithen|Bishop Rock Clarinet 1+2|Orchestral Part|1.50|13 GMCO076-11|||9790222269408|CARWITHEN|Doreen Carwithen|Bishop Rock Bass Clarinet|Orchestral Part|1.50|13 GMCO076-12|||9790222269415|CARWITHEN|Doreen Carwithen|Bishop Rock Bassoon 1+2|Orchestral Part|1.50|13 GMCO076-13|||9790222269422|CARWITHEN|Doreen Carwithen|Bishop Rock Contra Bassoon|Orchestral Part|1.50|13 GMCO076-14|||9790222269439|CARWITHEN|Doreen Carwithen|Bishop Rock Horn 1+2|Orchestral Part|1.50|13 GMCO076-15|||9790222269446|CARWITHEN|Doreen Carwithen|Bishop Rock Horn 3+4|Orchestral Part|1.50|13 GMCO076-16|||9790222269453|CARWITHEN|Doreen Carwithen|Bishop Rock Trumpet 1|Orchestral Part|1.50|13 GMCO076-17|||9790222269460|CARWITHEN|Doreen Carwithen|Bishop Rock Trumpet 2+3|Orchestral Part|1.50|13 GMCO076-18|||9790222269477|CARWITHEN|Doreen Carwithen|Bishop Rock Trombone 1+2|Orchestral Part|1.50|13 GMCO076-19|||9790222269484|CARWITHEN|Doreen Carwithen|Bishop Rock Trombone 3+Tuba|Orchestral Part|1.50|13 GMCO076-20|||9790222269491|CARWITHEN|Doreen Carwithen|Bishop Rock Timpani|Orchestral Part|1.50|13 GMCO076-21|||9790222269507|CARWITHEN|Doreen Carwithen|Bishop Rock Percussion|Orchestral Part|1.50|13 GMCO076-22|||9790222269514|CARWITHEN|Doreen Carwithen|Bishop Rock Harp|Orchestral Part|1.50|13 GMCO077|CARWITHEN, Doreen (1922-2003)
SUFFOLK SUITE
Goodmusic Concert Originals GMCO077|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani, Percussion (Snare drum, Tambourine, Triangle, Cymbals, Suspended cymbal), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

Doreen Carwithen was born in Haddenham, Buckinghamshire and had her first music lessons from her mother, a music teacher, starting both piano and violin at age 4. In 1941 she entered the Royal Academy of Music and played the cello in a string quartet and with orchestras. At age 16 she began composing and entered the harmony class of William Alwyn who began to teach her composition. She wrote scores for over 30 films. In 1961 she married William Alwyn, dropped the name Doreen Carwithen and became Mary Alwyn. (Mary was her middle name, and she hated Doreen). She was devoted to her husband and acted as his secretary and amanuensis. After he died in 1985, she resumed interest in her own music. In 1999 a stroke left her paralysed on one side and she died in January 2003.
This suite was written in 1964 at the request of the music master at Framlingham College, Suffolk, for the boys to perform when royalty came to open their new concert hall. The work was written to be within the capabilities of the young performers. There are four movements which develop tunes the composer originally used in her music for the film "East Anglian Holiday". The movements are The Prelude; Orford Ness; Suffolk Morris; Framlingham Castle. This is the work''s first publication.
Duration: 12 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222269521|CARWITHEN|Doreen Carwithen|Suffolk Suite Pack|Orchestra|50.00|806 GMCO077-00|||9790222269538|CARWITHEN|Doreen Carwithen|Suffolk Suite Score|Orchestral Score|12.00|150 GMCO077-01|||9790222269545|CARWITHEN|Doreen Carwithen|Suffolk Suite Violin 1|Orchestral Part|2.00|25 GMCO077-02|||9790222269552|CARWITHEN|Doreen Carwithen|Suffolk Suite Violin 2|Orchestral Part|2.00|25 GMCO077-03|||9790222269569|CARWITHEN|Doreen Carwithen|Suffolk Suite Viola|Orchestral Part|2.00|25 GMCO077-04|||9790222269576|CARWITHEN|Doreen Carwithen|Suffolk Suite Cello|Orchestral Part|2.00|25 GMCO077-05|||9790222269583|CARWITHEN|Doreen Carwithen|Suffolk Suite Bass|Orchestral Part|1.50|13 GMCO077-06|||9790222269590|CARWITHEN|Doreen Carwithen|Suffolk Suite Flute 1+2|Orchestral Part|1.50|13 GMCO077-07|||9790222269606|CARWITHEN|Doreen Carwithen|Suffolk Suite Oboe 1+2|Orchestral Part|1.50|13 GMCO077-08|||9790222269613|CARWITHEN|Doreen Carwithen|Suffolk Suite Clarinet 1+2|Orchestral Part|1.50|13 GMCO077-09|||9790222269620|CARWITHEN|Doreen Carwithen|Suffolk Suite Bassoon|Orchestral Part|1.50|13 GMCO077-10|||9790222269637|CARWITHEN|Doreen Carwithen|Suffolk Suite Horn 1+2|Orchestral Part|1.50|13 GMCO077-11|||9790222269644|CARWITHEN|Doreen Carwithen|Suffolk Suite Trumpet 1+2|Orchestral Part|1.50|13 GMCO077-12|||9790222269651|CARWITHEN|Doreen Carwithen|Suffolk Suite Trombone 1+2|Orchestral Part|1.50|13 GMCO077-13|||9790222269668|CARWITHEN|Doreen Carwithen|Suffolk Suite Timpani|Orchestral Part|1.50|13 GMCO077-14|||9790222269675|CARWITHEN|Doreen Carwithen|Suffolk Suite Percussion|Orchestral Part|1.50|13 GMCO077-15|||9790222269682|CARWITHEN|Doreen Carwithen|Suffolk Suite Harp|Orchestral Part|2.00|25 GMCO078|Paul Lewis
NELSON AND VICTORY
Goodmusic Concert Originals GMCO078|'Orchestration
Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (Side drum[s], Tenor drum[s], Bass drum, Cymbals, Suspended cymbals, Tam-tam, Tubular bells)
Celeste and Organ (1 or 2 players), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Commissioned for the Norfolk County Youth Orchestra in 2005 to commemorate the 200th anniversary of the Battle of Trafalgar, the work vividly depicts Nelson''s life from childhood in Norfolk through death in battle to a funeral befitting the mythic hero he had become. A rousing and very moving piece. The sections of the work are titled: "Boyhood in Norfolk", "Dreams of distant shores", "To be a hero", "England expects that every man shall do his duty", "Engage the enemy more closely", "A hero now at rest" & "Those laurels ne''er shall fade".
Duration 12? minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222277670|LEWIS P|Paul Lewis|Nelson and Victory Pack|Orchestra|75.00|1250 GMCO078-00|||9790222277687|LEWIS P|Paul Lewis|Nelson and Victory Score|Orchestral Score|12.00|163 GMCO078-01|||9790222277694|LEWIS P|Paul Lewis|Nelson and Victory Violin 1|Orchestral Part|2.00|25 GMCO078-02|||9790222277700|LEWIS P|Paul Lewis|Nelson and Victory Violin 2|Orchestral Part|2.00|25 GMCO078-03|||9790222277717|LEWIS P|Paul Lewis|Nelson and Victory Viola|Orchestral Part|2.00|25 GMCO078-04|||9790222277724|LEWIS P|Paul Lewis|Nelson and Victory Cello|Orchestral Part|2.00|25 GMCO078-05|||9790222277731|LEWIS P|Paul Lewis|Nelson and Victory Bass|Orchestral Part|2.00|25 GMCO078-06|||9790222277748|LEWIS P|Paul Lewis|Nelson and Victory Piccolo|Orchestral Part|1.50|13 GMCO078-07|||9790222277755|LEWIS P|Paul Lewis|Nelson and Victory Flute 1|Orchestral Part|1.50|13 GMCO078-08|||9790222277762|LEWIS P|Paul Lewis|Nelson and Victory Flute 2|Orchestral Part|1.50|13 GMCO078-09|||9790222277779|LEWIS P|Paul Lewis|Nelson and Victory Oboe 1|Orchestral Part|1.50|13 GMCO078-10|||9790222277786|LEWIS P|Paul Lewis|Nelson and Victory Oboe 2|Orchestral Part|1.50|13 GMCO078-11|||9790222277793|LEWIS P|Paul Lewis|Nelson and Victory Clarinet 1|Orchestral Part|1.50|13 GMCO078-12|||9790222277809|LEWIS P|Paul Lewis|Nelson and Victory Clarinet 2|Orchestral Part|1.50|13 GMCO078-13|||9790222277816|LEWIS P|Paul Lewis|Nelson and Victory Bassoon 1|Orchestral Part|1.50|13 GMCO078-14|||9790222277823|LEWIS P|Paul Lewis|Nelson and Victory Bassoon 2|Orchestral Part|1.50|13 GMCO078-15|||9790222277830|LEWIS P|Paul Lewis|Nelson and Victory Horn 1|Orchestral Part|2.00|25 GMCO078-16|||9790222277847|LEWIS P|Paul Lewis|Nelson and Victory Horn 2|Orchestral Part|2.00|25 GMCO078-17|||9790222277854|LEWIS P|Paul Lewis|Nelson and Victory Horn 3|Orchestral Part|2.00|25 GMCO078-18|||9790222277861|LEWIS P|Paul Lewis|Nelson and Victory Horn 4|Orchestral Part|2.00|25 GMCO078-19|||9790222277878|LEWIS P|Paul Lewis|Nelson and Victory Trumpet 1|Orchestral Part|1.50|13 GMCO078-20|||9790222277885|LEWIS P|Paul Lewis|Nelson and Victory Trumpet 2|Orchestral Part|1.50|13 GMCO078-21|||9790222277892|LEWIS P|Paul Lewis|Nelson and Victory Trumpet 3|Orchestral Part|1.50|13 GMCO078-22|||9790222277908|LEWIS P|Paul Lewis|Nelson and Victory Trombone 1|Orchestral Part|1.50|13 GMCO078-23|||9790222277915|LEWIS P|Paul Lewis|Nelson and Victory Trombone 2|Orchestral Part|1.50|13 GMCO078-24|||9790222277922|LEWIS P|Paul Lewis|Nelson and Victory Trombone 3|Orchestral Part|1.50|13 GMCO078-25|||9790222277939|LEWIS P|Paul Lewis|Nelson and Victory Tuba|Orchestral Part|1.50|13 GMCO078-26|||9790222277946|LEWIS P|Paul Lewis|Nelson and Victory Timpani|Orchestral Part|2.00|25 GMCO078-27|||9790222277953|LEWIS P|Paul Lewis|Nelson and Victory Percussion|Orchestral Part|3.00|50 GMCO078-28|||9790222277960|LEWIS P|Paul Lewis|Nelson and Victory Celeste|Orchestral Part|1.50|13 GMCO078-29|||9790222277977|LEWIS P|Paul Lewis|Nelson and Victory Organ|Orchestral Part|2.00|25 GMCO078-30|||9790222277984|LEWIS P|Paul Lewis|Nelson and Victory Harp|Orchestral Part|2.00|25 GMCO079|Paul Lewis
DEVONSHIRE DANCES for harp and orchestra
Goodmusic Concert Originals GMCO079|'ORCHESTRATION:Solo Harp, 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, Timpani, Percussion (1 player: Snare Drum, Tambourine, Triangle, Cymbals, Suspended Cymbal, Wood blocks, Sandpaper, Glockenspiel, Bass Drum, Tubular Bells, Cow Bell)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Devonshire Dances are dedicated to harpist Elizabeth Jane Baldry and were inspired by her love of Devon and its folklore. Appropriately, for they were composed in the first flush of our ten-year romantic liaison, the premiere took place on St. Valentine''s Day, 1998, with Elizabeth Jane as soloist and the South West Sinfonietta conducted by myself. With the exception of the second movement, all the melodies are traditional Devon folk tunes whose origins are lost in the mists of time if not in the mists of Dartmoor itself!
Molly in the Hay: After a cinematic opening we plunge into a rustic romp based on a song which contains the lines: "I saw the parson out one day, Romping Molly in the hay."
Chagford Romance: Though I could find many Devon folksongs which spoke of rustic pleasures such as romping Molly in the hay, I could not find a truly romantic one, so I borrowed an air with all the characteristics of an ancient melody which Elizabeth Jane Baldry herself had composed in Chagford. The emotional core of the movement is the heartfelt cadenza which she improvised for the first performance.
Dartmoor Jigs: A set of jigs from Chagford and nearby Dartmoor, the most famous being "Widecombe Fair". From polite beginnings the music becomes more and more inebriated until we are galloping merrily across Dartmoor in the middle of the night, four sheets to the wind, only to be deposited unceremoniously on the ground outside our home.
Fol-de-liddle-liddle-lie-do: Variations on the melody of "The Lying Song", a folksong in which the singer makes ever more preposterous claims, even having us believe he knocked Napoleon down in a bout of fisticuffs. Each boast is greeted with the refrain "Fol-de-liddle-liddle-lie-do", in other words "Pull the other one!" The movement attempts to end sensibly with a return to the cinematic opening music but the story-teller bursts in with one last raucous tale-of-the-highly-unlikely before the music rushes to a headlong conclusion. Paul Lewis
Duration 17 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222299177|LEWIS P|Paul Lewis|Devonshire Dances Pack|Orchestra|70.00|1000 GMCO079-00|||9790222299184|LEWIS P|Paul Lewis|Devonshire Dances Score|Orchestral Score|14.00|200 GMCO079-01|||9790222299191|LEWIS P|Paul Lewis|Devonshire Dances Violin 1|Orchestral Part|2.00|25 GMCO079-02|||9790222299207|LEWIS P|Paul Lewis|Devonshire Dances Violin 2|Orchestral Part|2.00|25 GMCO079-03|||9790222299214|LEWIS P|Paul Lewis|Devonshire Dances Viola|Orchestral Part|2.00|25 GMCO079-04|||9790222299221|LEWIS P|Paul Lewis|Devonshire Dances Cello|Orchestral Part|2.00|25 GMCO079-05|||9790222299238|LEWIS P|Paul Lewis|Devonshire Dances Bass|Orchestral Part|2.00|25 GMCO079-06|||9790222299245|LEWIS P|Paul Lewis|Devonshire Dances Flute 1|Orchestral Part|2.00|25 GMCO079-07|||9790222299252|LEWIS P|Paul Lewis|Devonshire Dances Flute 2|Orchestral Part|2.00|25 GMCO079-08|||9790222299269|LEWIS P|Paul Lewis|Devonshire Dances Oboe 1|Orchestral Part|2.00|25 GMCO079-09|||9790222299276|LEWIS P|Paul Lewis|Devonshire Dances Oboe 2|Orchestral Part|2.00|25 GMCO079-10|||9790222299283|LEWIS P|Paul Lewis|Devonshire Dances Clarinet 1|Orchestral Part|2.00|25 GMCO079-11|||9790222299290|LEWIS P|Paul Lewis|Devonshire Dances Clarinet 2|Orchestral Part|2.00|25 GMCO079-12|||9790222299306|LEWIS P|Paul Lewis|Devonshire Dances Bassoon 1|Orchestral Part|2.00|25 GMCO079-13|||9790222299313|LEWIS P|Paul Lewis|Devonshire Dances Bassoon 2|Orchestral Part|2.00|25 GMCO079-14|||9790222299320|LEWIS P|Paul Lewis|Devonshire Dances Horn 1|Orchestral Part|2.00|25 GMCO079-15|||9790222299337|LEWIS P|Paul Lewis|Devonshire Dances Horn 2|Orchestral Part|2.00|25 GMCO079-16|||9790222299344|LEWIS P|Paul Lewis|Devonshire Dances Timpani|Orchestral Part|2.00|25 GMCO079-17|||9790222299351|LEWIS P|Paul Lewis|Devonshire Dances Percussion|Orchestral Part|2.00|25 GMCO079-18|||9790222299368|LEWIS P|Paul Lewis|Devonshire Dances Harp solo|Orchestral Part|3.50|63 GMCO080|CARR, Paul (1961- )
AIR FOR STRINGS
Goodmusic Concert Originals Series GMCO080|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

The AIR FOR STRINGS was composed in Mallorca in October 2006. It is a heartfelt love song in the form of a long arching lament built around a simple and passionate theme woven through the strings. First stated on violas and interspersed with bridge passages, the theme passes through to violins and a solo cello before finally arriving at a climactic statement about half way through. The music then subsides leaving the theme exposed in a more relaxed setting before arriving at its conclusion in quiet, calm suspension. (Paul Carr)
Duration 10 minutes
A PACK comprises one full score and strings 4/4/3/4/2

Also available for full orchestra (GMCO081) and for String Sextet (GM420).|9790222270626|CARR P|Paul Carr|Air for Strings Pack|String Orchestra|26.00|288 GMCO080-00|||9790222270633|CARR P|Paul Carr|Air for Strings Score|Orchestral Score|5.00|50 GMCO080-01|||9790222270640|CARR P|Paul Carr|Air for Strings Violin 1|Orchestral Part|1.50|13 GMCO080-02|||9790222270657|CARR P|Paul Carr|Air for Strings Violin 2|Orchestral Part|1.50|13 GMCO080-03|||9790222270664|CARR P|Paul Carr|Air for Strings Viola|Orchestral Part|1.50|13 GMCO080-04|||9790222270671|CARR P|Paul Carr|Air for Strings Cello|Orchestral Part|1.50|13 GMCO080-05|||9790222270688|CARR P|Paul Carr|Air for Strings Bass|Orchestral Part|1.50|13 GMCO081|CARR, Paul (1961- )
AIR FOR ORCHESTRA
Goodmusic Concert Originals Series GMCO081|Orchestration
Piccolo, 2 Flutes, 2 Oboes, Cor anglais, 2 Clarinets in Bb, Bass clarinet, 2 Bassoons
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba
Timpani [4], Precussion [3] (Tubular bells, Triangle, Side drum, Bass drum, Cymbals, Suspended cymbal, Gong, Glockenspiel), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

The AIR FOR ORCHESTRA was composed in Mallorca in October 2006. Originally scored for string orchestra (and titled AIR FOR STRINGS), I decided some months later also to score it for full symphony orchestra, retaining much of the original string writing but adding solos for the woodwind, trumpets and horns, and using the brass section as a sonorous cushion in both tranquil and more powerful sections. Whilst the original string version has an emotional intensity particular to the strings, the orchestral version adds a greater richness and depth of colour, utilising the variety and power inherent in a full symphony orchestra. The piece is a heartfelt love song in the form of a long arching lament built around a simple and passionate theme woven through the orchestra. The main theme is first stated on a solo horn and taken up by the violas with woodwind interjections throughout. It passes through to trumpet and violins and then cellos before slowly building towards a climactic statement about half way through involving the whole orchestra. The music then subsides leaving the theme exposed in a more relaxed setting before arriving at its conclusion in quiet, calm suspension. This version for large orchestra was made for Mark Andrew James and the Sussex Symphony Orchestra, and is dedicated to my partner Cy and to my dear friend Fran, on the occasion of turning 40. (Paul Carr)
Duration 10 minutes
A PACK comprises one full score and strings 4/4/3/4/2 plus all wind brass and percussion parts.

Also available for string orchestra (GMCO080) and for String Sextet (GM420).|9790222270923|CARR P|Paul Carr|Air for Orchestra Pack|Orchestra|50.00|654 GMCO081-00|||9790222270930|CARR P|Paul Carr|Air for Orchestra Score|Orchestral Score|6.00|75 GMCO081-01|||9790222270947|CARR P|Paul Carr|Air for Orchestra Violin 1|Orchestral Part|1.50|13 GMCO081-02|||9790222270954|CARR P|Paul Carr|Air for Orchestra Violin 2|Orchestral Part|1.50|13 GMCO081-03|||9790222270961|CARR P|Paul Carr|Air for Orchestra Viola|Orchestral Part|1.50|13 GMCO081-04|||9790222270978|CARR P|Paul Carr|Air for Orchestra Cello|Orchestral Part|1.50|13 GMCO081-05|||9790222270985|CARR P|Paul Carr|Air for Orchestra Bass|Orchestral Part|1.50|13 GMCO081-06|||9790222270992|CARR P|Paul Carr|Air for Orchestra Piccolo|Orchestral Part|1.50|13 GMCO081-07|||9790222271005|CARR P|Paul Carr|Air for Orchestra Flute 1+2|Orchestral Part|1.50|13 GMCO081-08|||9790222271012|CARR P|Paul Carr|Air for Orchestra Oboe 1+2|Orchestral Part|1.50|13 GMCO081-09|||9790222271029|CARR P|Paul Carr|Air for Orchestra Cor Anglais|Orchestral Part|1.50|13 GMCO081-10|||9790222271036|CARR P|Paul Carr|Air for Orchestra Clarinet 1+2|Orchestral Part|1.50|13 GMCO081-11|||9790222271043|CARR P|Paul Carr|Air for Orchestra Bass Clarinet|Orchestral Part|1.50|13 GMCO081-12|||9790222271050|CARR P|Paul Carr|Air for Orchestra Bassoon 1+2|Orchestral Part|1.50|13 GMCO081-13|||9790222271067|CARR P|Paul Carr|Air for Orchestra Horn 1+2|Orchestral Part|1.50|13 GMCO081-14|||9790222271074|CARR P|Paul Carr|Air for Orchestra Horn 3+4|Orchestral Part|1.50|13 GMCO081-15|||9790222271081|CARR P|Paul Carr|Air for Orchestra Trumpet 1-3|Orchestral Part|1.50|13 GMCO081-16|||9790222271098|CARR P|Paul Carr|Air for Orchestra Trombone 1+2|Orchestral Part|1.50|13 GMCO081-17|||9790222271104|CARR P|Paul Carr|Air for Orchestra Tromb.3 + Tuba|Orchestral Part|1.50|13 GMCO081-18|||9790222271111|CARR P|Paul Carr|Air for Orchestra Timpani|Orchestral Part|1.50|13 GMCO081-19|||9790222271128|CARR P|Paul Carr|Air for Orchestra Percussion|Orchestral Part|1.50|13 GMCO081-20|||9790222271135|CARR P|Paul Carr|Air for Orchestra Harp|Orchestral Part|1.50|13 GMCO082|BAILEY, Judith (1941- )
BOUGHS OF HOLLY - A fantasy on Christmas Carols
Concert Originals Series GMCO082|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Side Drum, Cymbals, Triangle)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An orchestral fantasy using the Christmas Carol tunes "Deck the Hall", "Personent Hodie", "I saw three ships" and "Of the Father''s heart begotten".
Judith Bailey was born in Cornwall in 1941 and trained at the Royal Academy of Music. Since 1971 she has worked as a freelance conductor and composer.
Duration: 5 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222271555|BAILEY J|Judith Bailey|Boughs of Holly Pack|Orchestra|40.00|584 GMCO082-00|||9790222271562|BAILEY J|Judith Bailey|Boughs of Holly Score|Orchestral Score|8.00|88 GMCO082-01|||9790222271579|BAILEY J|Judith Bailey|Boughs of Holly Violin 1|Orchestral Part|1.50|13 GMCO082-02|||9790222271586|BAILEY J|Judith Bailey|Boughs of Holly Violin 2|Orchestral Part|1.50|13 GMCO082-03|||9790222271593|BAILEY J|Judith Bailey|Boughs of Holly Viola|Orchestral Part|1.50|13 GMCO082-04|||9790222271609|BAILEY J|Judith Bailey|Boughs of Holly Cello|Orchestral Part|1.50|13 GMCO082-05|||9790222271616|BAILEY J|Judith Bailey|Boughs of Holly Bass|Orchestral Part|1.50|13 GMCO082-06|||9790222271623|BAILEY J|Judith Bailey|Boughs of Holly Flute 1+2|Orchestral Part|1.50|13 GMCO082-07|||9790222271630|BAILEY J|Judith Bailey|Boughs of Holly Oboe 1+2|Orchestral Part|1.50|13 GMCO082-08|||9790222271647|BAILEY J|Judith Bailey|Boughs of Holly Clarinet 1+2|Orchestral Part|1.50|13 GMCO082-09|||9790222271654|BAILEY J|Judith Bailey|Boughs of Holly Bassoon 1+2|Orchestral Part|1.50|13 GMCO082-10|||9790222271661|BAILEY J|Judith Bailey|Boughs of Holly Horn 1+2|Orchestral Part|1.50|13 GMCO082-11|||9790222271678|BAILEY J|Judith Bailey|Boughs of Holly Horn 3+4|Orchestral Part|1.50|13 GMCO082-12|||9790222271685|BAILEY J|Judith Bailey|Boughs of Holly Trumpet 1+2|Orchestral Part|1.50|13 GMCO082-13|||9790222271692|BAILEY J|Judith Bailey|Boughs of Holly Trombone 1+2|Orchestral Part|1.50|13 GMCO082-14|||9790222271708|BAILEY J|Judith Bailey|Boughs of Holly Trombone 3|Orchestral Part|1.50|13 GMCO082-15|||9790222271715|BAILEY J|Judith Bailey|Boughs of Holly Timpani|Orchestral Part|1.50|13 GMCO082-16|||9790222271722|BAILEY J|Judith Bailey|Boughs of Holly Percussion|Orchestral Part|1.50|13 GMCO083|Paul Carr (b.1961)
CONCERTO FOR OBOE for solo oboe and string orchestra
Goodmusic Concert Originals GMCO038|'Orchestration
Oboe
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

I have long wanted to write an Oboe Concerto and have made several false starts - I don''t know why, but somehow the work never seemed to take flight and those earlier attempts were abandoned. I''ve written concertos for flute, two for clarinet, bassoon, 4 guitars, piano, and trumpet, but have always loved the oboe and find it puzzling that I should have taken so long to write a work for it - perhaps the oboe calls for a certain maturity, at least in me.
The Concerto is in three movements: Allegro energico is a lively conversation where the oboe takes the lead, pitted against the strings, in a blended mix of boisterous eruptions and loftier linear lines. The unusual quietness of snow is a slow and poignant expression of sadness and loss. At a difficult time in my life, a few days before my Mother''s death, it seemed strange that a heavy, early morning snow fall in the first days of March could have provided a sense of calmness and unity at a time of extreme emotion. The final movement, September music is a spirited evocation of Summer''s end. Whilst the general feeling is still of warmth and lightness, there is a certain nostalgia in the central passages, hinting that Summer is on the way out and the season about to change. Paul Carr
The Concerto was written for, and is dedicated to Nicholas Daniel, who gave the first performance with the Southern Sinfonia conducted by Ronald Corp, in Dorchester Abbey, Dorchester-on-Thames on 27th May 2008 as part of the English Music Festival. The concerto has also been recorded by Nicholas Daniel and the Royal Ballet Sinfonia, conducted by Gavin Sutherland and is released on the Dutton Epoch label.
Duration 18 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.
A reduction for oboe and piano is also available - see catalogue number GM038'|9790222272903|CARR P|Paul Carr|Concerto for Oboe Pack|String Orchestra|50.00|748 GMCO083-00|||9790222272910|CARR P|Paul Carr|Concerto for Oboe Score|Orchestral Score|10.00|125 GMCO083-01|||9790222272927|CARR P|Paul Carr|Concerto for Oboe Violin 1|Orchestral Part|2.50|38 GMCO083-02|||9790222272934|CARR P|Paul Carr|Concerto for Oboe Violin 2|Orchestral Part|2.50|38 GMCO083-03|||9790222272941|CARR P|Paul Carr|Concerto for Oboe Viola|Orchestral Part|2.00|25 GMCO083-04|||9790222272958|CARR P|Paul Carr|Concerto for Oboe Cello|Orchestral Part|2.50|38 GMCO083-05|||9790222272965|CARR P|Paul Carr|Concerto for Oboe Bass|Orchestral Part|2.00|25 GMCO083-06|||9790222272972|CARR P|Paul Carr|Concerto for Oboe Solo Oboe|Orchestral Part|2.00|25 GMCO084|Paul Carr (b.1961)
VIOLA AIR for solo viola and string orchestra
Goodmusic Concert Originals Series GMCO084|Orchestration
Solo Viola
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Viola Air is a heartfelt love song in the form of a long arching lament, built around a simple and passionate theme woven through the strings. The principal idea is first heard on the solo viola and passes through to the violins and then a solo cello before slowly building towards a climactic statement about half way through. The music then subsides leaving the theme exposed in a more relaxed setting before arriving at its conclusion in quiet, calm suspension. (Paul Carr)
It was written for and is dedicated to Peter Sulski.
A version for viola with a piano reduction is available; catalogue number GM036.
There are also versions of this work for string orchestra without soloist (GMCO080) and also for full orchestra (GMCO081).
Duration: about 10 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 plus a solo viola part|9790222272811|CARR P|Paul Carr|Viola Air Pack|String Orchestra|26.00|284 GMCO084-00|||9790222272828|CARR P|Paul Carr|Viola Air Score|Orchestral Score|5.00|38 GMCO084-01|||9790222272835|CARR P|Paul Carr|Viola Air Violin 1|Orchestral Part|1.50|13 GMCO084-02|||9790222272842|CARR P|Paul Carr|Viola Air Violin 2|Orchestral Part|1.50|13 GMCO084-03|||9790222272859|CARR P|Paul Carr|Viola Air Viola (orch)|Orchestral Part|1.50|13 GMCO084-04|||9790222272866|CARR P|Paul Carr|Viola Air Cello|Orchestral Part|1.50|13 GMCO084-05|||9790222272873|CARR P|Paul Carr|Viola Air Bass|Orchestral Part|1.50|13 GMCO084-06|||9790222272880|CARR P|Paul Carr|Viola Air Solo Viola Part|Orchestral Part|1.50|13 GMCO085|Philip LANE (b.1950- )
LYRIC DANCES
Goodmusic Concert Originals Series GMCO085|'Orchestration
Flute
Oboe
Clarinet in Bb and A
Bassoon
2 Horns in F
Trumpet in Bb
Trombone
Percussion (1 Player: Glockenspiel, Vibraphone, Tubular Bell [C#], Mark tree, Cymbals, Triangle, Tambourine)
Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This set of five dances is based on Philip Lane''s choral settings for upper voices and piano of words by Shakespeare and Lewis Carroll, and is a direct parallel to Richard Rodney Bennett''s "Little Suite", being scored for the same sized orchestra. Although it is not vital to be aware of the original texts, no.2 might be more immediately grasped by knowing it was a setting of "Come away, Death"
This work was commissioned by the English Music Festival and first performed by the Southern Sinfonia conducted by Ronald Corp in Dorchester Abbey, Dorchester-on-Thames on May 27th 2008.
Duration about 11 minutes
A PACK comprises one full score, string parts 4/4/3/4/2 and any wind, brass and percussion parts.'|9790222272996|LANE P|Philip Lane|Lyric Dances Pack|Orchestra|50.00|752 GMCO085-00|||9790222273009|LANE P|Philip Lane|Lyric Dances Score|Orchestral Score|12.00|163 GMCO085-01|||9790222273016|LANE P|Philip Lane|Lyric Dances Violin 1|Orchestral Part|2.00|25 GMCO085-02|||9790222273023|LANE P|Philip Lane|Lyric Dances Violin 2|Orchestral Part|2.00|25 GMCO085-03|||9790222273030|LANE P|Philip Lane|Lyric Dances Viola|Orchestral Part|1.50|13 GMCO085-04|||9790222273047|LANE P|Philip Lane|Lyric Dances Cello|Orchestral Part|2.00|25 GMCO085-05|||9790222273054|LANE P|Philip Lane|Lyric Dances Bass|Orchestral Part|1.50|13 GMCO085-06|||9790222273061|LANE P|Philip Lane|Lyric Dances Flute|Orchestral Part|2.00|25 GMCO085-07|||9790222273078|LANE P|Philip Lane|Lyric Dances Oboe|Orchestral Part|2.00|25 GMCO085-08|||9790222273085|LANE P|Philip Lane|Lyric Dances Clarinet|Orchestral Part|2.00|25 GMCO085-09|||9790222273092|LANE P|Philip Lane|Lyric Dances Bassoon|Orchestral Part|2.00|25 GMCO085-10|||9790222273108|LANE P|Philip Lane|Lyric Dances Horn 1|Orchestral Part|1.50|13 GMCO085-11|||9790222273115|LANE P|Philip Lane|Lyric Dances Horn 2|Orchestral Part|1.50|13 GMCO085-12|||9790222273122|LANE P|Philip Lane|Lyric Dances Trumpet|Orchestral Part|1.50|13 GMCO085-13|||9790222273139|LANE P|Philip Lane|Lyric Dances Trombone|Orchestral Part|1.50|13 GMCO085-14|||9790222273146|LANE P|Philip Lane|Lyric Dances Percussion|Orchestral Part|1.50|13 GMCO085-15|||9790222273153|LANE P|Philip Lane|Lyric Dances Harp|Orchestral Part|2.50|38 GMCO086|CARR, Paul (1961- )
A GENTLE MUSIC
Goodmusic Concert Originals Series GMCO086|Orchestration
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)
A Gentle Music is a suite for string orchestra in three movements composed during the months of September and October 2008 on the beautifully serene and gentle island of Mallorca. All three movements are written in homage to the landscape and seasonal changes of the island that I have enjoyed whilst living here.
The opening piece "Running with dogs" was written following a few hours on the beach at Canyamel with my three little Mallorcan Rateros dogs. It was a stunning winter afternoon, with a crisp blue sky and a warming sun cutting through the chill of the sharp wind. The beach was deserted, save for me and my dogs, enjoying their first ever experience of the sea and the wide open sands. The elegiac central movement, "The quiet arrival of rain" motions the move into autumn and its soulful loneliness. A gentle rain in early October is a reminder that the season is changing - its tears, a necessity of that change.
Finally, "A warmer air" enjoys the slow move out of winter into spring, when the breezes take on a softer edge and the island is flooded with colour. First come the almond blossoms which cover the island in pink and white in late February, followed by the brilliance of spring flowers in yellows, lime-green, blues, white, and vibrant poppy reds, lifting the spirits and opening our thoughts to new beginnings. PC

Duration: 12 minutes
A PACK comprises one full score and strings 4/4/3/4/2|9790222275997|CARR P|Paul Carr|Gentle Music Pack|String Orchestra|30.00|544 GMCO086-00|||9790222276000|CARR P|Paul Carr|Gentle Music Score|Orchestral Score|8.00|88 GMCO086-01|||9790222276017|CARR P|Paul Carr|Gentle Music Violin 1|Orchestral Part|2.00|25 GMCO086-02|||9790222276024|CARR P|Paul Carr|Gentle Music Violin 2|Orchestral Part|2.00|25 GMCO086-03|||9790222276031|CARR P|Paul Carr|Gentle Music Viola|Orchestral Part|2.00|25 GMCO086-04|||9790222276048|CARR P|Paul Carr|Gentle Music Cello|Orchestral Part|2.00|25 GMCO086-05|||9790222276055|CARR P|Paul Carr|Gentle Music Bass|Orchestral Part|2.00|25 GMCO087|Paul Carr
CONCERTO FOR CLARINET
Goodmusic Concert Originals Series GMCO087|ORCHESTRATION
Solo Clarinet in Bb, Timpani (x3), Percussion (2 players: Triangle, Side Drum, Bass Drum, Gong, Slap-Stick, Wood Block, Tubular Bells, Crash Cymbals, Tambourine, Bongos, Vibraphone), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The concerto (my second for clarinet) is in four linked movements which run through continuously. It opens with a sustained but passionate Paean, beginning gently and building to a climax, before settling into a more reflective section in which vibraphone and harp complement the rising and falling motif in the clarinet and strings. This leads quite naturally into the second movement, a short and thoughtful Contemplation in which, for the most part, the clarinet is left on its own. The third section, Rather fast and lively, is a robust "kitchen sink drama" in which the clarinet starts off in buoyant mood with a simple catchy tune, later becoming more agitated and demonstrative. The music passes between clarinet and strings almost as if they are trying to out-do one another and ending with a forceful outburst in the strings, with percussion and timpani having the last word. The clarinet cannot compete and, in a short accompanied cadenza, slowly relinquishes its position and returns the concerto to its harmonious conclusion with a Quiet ending of relaxed contentment. Paul Carr
Duration about 15 minutes
A PACK comprises one full score, parts for clarinet, percussion and strings 4/4/3/4/2.
The CONCERTO FOR CLARINET is published in this edition for clarinet and orchestra and also for clarinet with piano reduction (see GM043).|9790222276307|CARR P|Paul Carr|Concerto for Clarinet Pack|Orchestra|40.00|606 GMCO087-00|||9790222276314|CARR P|Paul Carr|Concerto for Clarinet Score|Orchestral Score|12.00|163 GMCO087-01|||9790222276321|CARR P|Paul Carr|Concerto for Clarinet Violin 1|Orchestral Part|1.50|13 GMCO087-02|||9790222276338|CARR P|Paul Carr|Concerto for Clarinet Violin 2|Orchestral Part|1.50|13 GMCO087-03|||9790222276345|CARR P|Paul Carr|Concerto for Clarinet Viola|Orchestral Part|2.00|25 GMCO087-04|||9790222276352|CARR P|Paul Carr|Concerto for Clarinet Cello|Orchestral Part|2.00|25 GMCO087-05|||9790222276369|CARR P|Paul Carr|Concerto for Clarinet Bass|Orchestral Part|1.50|13 GMCO087-06|||9790222276376|CARR P|Paul Carr|Concerto for Clarinet Timpani|Orchestral Part|1.50|13 GMCO087-07|||9790222276383|CARR P|Paul Carr|Concerto for Clarinet Percussion|Orchestral Part|2.00|25 GMCO087-08|||9790222276390|CARR P|Paul Carr|Concerto for Clarinet Harp|Orchestral Part|2.00|25 GMCO087-09|||9790222276406|CARR P|Paul Carr|Concerto for Clarinet Solo Clarinet|Orchestral Part|2.00|25 GMCO088|Philip Lane
CELEBRATION OVERTURE
Goodmusic Concert Originals Series GMCO088|ORCHESTRATION
Piccolo, 2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Glockenspiel, Xylophone, Cymbals, Tambourine, Snare drum, Bass drum, Woodblock)[2 players], Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A short celebratory overture. A CD recording is available on the ASV label (CDWHL2140) entitled "British Light Overtures Volume 3" played by the Royal Ballet Sinfonia conducted by Gavin Sutherland.
Duration 5 minutes|9790222283824|LANE P|Philip Lane|Celebration Overture Pack|Orchestra|40.00|640 GMCO088-00|||9790222283831|LANE P|Philip Lane|Celebration Overture Score|Orchestral Score|8.00|100 GMCO088-01|||9790222283848|LANE P|Philip Lane|Celebration Overture Violin 1|Orchestral Part|1.50|13 GMCO088-02|||9790222283855|LANE P|Philip Lane|Celebration Overture Violin 2|Orchestral Part|1.50|13 GMCO088-03|||9790222283862|LANE P|Philip Lane|Celebration Overture Viola|Orchestral Part|1.50|13 GMCO088-04|||9790222283879|LANE P|Philip Lane|Celebration Overture Cello|Orchestral Part|1.50|13 GMCO088-05|||9790222283886|LANE P|Philip Lane|Celebration Overture Bass|Orchestral Part|1.50|13 GMCO088-06|||9790222283893|LANE P|Philip Lane|Celebration Overture Piccolo|Orchestral Part|1.50|13 GMCO088-07|||9790222283909|LANE P|Philip Lane|Celebration Overture Flute 1|Orchestral Part|1.50|13 GMCO088-08|||9790222283916|LANE P|Philip Lane|Celebration Overture Flute 2|Orchestral Part|1.50|13 GMCO088-09|||9790222283923|LANE P|Philip Lane|Celebration Overture Oboe 1|Orchestral Part|1.50|13 GMCO088-10|||9790222283930|LANE P|Philip Lane|Celebration Overture Oboe 2|Orchestral Part|1.50|13 GMCO088-11|||9790222283947|LANE P|Philip Lane|Celebration Overture Cor Anglais|Orchestral Part|1.50|7 GMCO088-12|||9790222283954|LANE P|Philip Lane|Celebration Overture Clarinet 1|Orchestral Part|1.50|13 GMCO088-13|||9790222283961|LANE P|Philip Lane|Celebration Overture Clarinet 2|Orchestral Part|1.50|13 GMCO088-14|||9790222283978|LANE P|Philip Lane|Celebration Overture Bassoon 1|Orchestral Part|1.50|13 GMCO088-15|||9790222283985|LANE P|Philip Lane|Celebration Overture Bassoon 2|Orchestral Part|1.50|13 GMCO088-16|||9790222283992|LANE P|Philip Lane|Celebration Overture Horn 1|Orchestral Part|1.50|13 GMCO088-17|||9790222284005|LANE P|Philip Lane|Celebration Overture Horn 2|Orchestral Part|1.50|13 GMCO088-18|||9790222284012|LANE P|Philip Lane|Celebration Overture Horn 3|Orchestral Part|1.50|13 GMCO088-19|||9790222284029|LANE P|Philip Lane|Celebration Overture Horn 4|Orchestral Part|1.50|13 GMCO088-20|||9790222284036|LANE P|Philip Lane|Celebration Overture Trumpet 1|Orchestral Part|1.50|13 GMCO088-21|||9790222284043|LANE P|Philip Lane|Celebration Overture Trumpet 2|Orchestral Part|1.50|13 GMCO088-22|||9790222284050|LANE P|Philip Lane|Celebration Overture Trombone 1|Orchestral Part|1.50|13 GMCO088-23|||9790222284067|LANE P|Philip Lane|Celebration Overture Trombone 2|Orchestral Part|1.50|13 GMCO088-24|||9790222284074|LANE P|Philip Lane|Celebration Overture Trombone 3|Orchestral Part|1.50|13 GMCO088-25|||9790222284081|LANE P|Philip Lane|Celebration Overture Tuba|Orchestral Part|1.50|13 GMCO088-26|||9790222284098|LANE P|Philip Lane|Celebration Overture Timpani|Orchestral Part|1.50|13 GMCO088-27|||9790222284104|LANE P|Philip Lane|Celebration Overture Percussion|Orchestral Part|1.50|13 GMCO088-28|||9790222284111|LANE P|Philip Lane|Celebration Overture Harp|Orchestral Part|1.50|13 GMCO089|Paul Lewis
TAURANGA CONCERTO for clarinet and string orchestra
Goodmusic Concert Originals GMCO089|'Orchestration:
Clarinet solo, Strings (Violin 1, Violin 2, Viola, Cello, Bass)

It was in Tauranga, New Zealand, that I bought my friend Ian Scott''s CD of British clarinet concertos, listened to it, and spontaneously began this work.
1. PERAMBULATION
This movement reflects the contentment of domestic life in a quiet suburb of Tauranga with my partner, soprano Sharon Elizabeth, and the serene happiness of our early morning walks in the local nature reserve.
2. KAIMAI SUNSET
The Kaimais are nearby mountains; we often watched the sun setting behind them. A romantic melody is allowed to develop and increase in passion with the intensity of the colours of a Kaimai sunset - here a metaphor for the surgings that passionate love is prone to.
3. BAYCOURT JITTERBUG
We saw a musical show at Tauranga''s Baycourt Theatre containing a dance number entitled "Jitterbug", which gave me the idea for the concerto''s finale - a jazzy movement reminiscent of the Swing music of the 1920s and 30s. In the unaccompanied cadenza the soloist muses on the tunes he has just played, like a dancer left alone on the dance floor after the band stops playing who carries on dancing to the music in his head, tentatively at first but with growing confidence until he runs out of energy. A bluesy moment ensues, leading to a wistful recollection of the lyrical second theme of the first movement, before the band strikes up again and the dance resumes. In an unexpected coda the "Kaimai Sunset" melody returns in the guise of a fast rumba! Paul Lewis

The TAURANGA CONCERTO is published for clarinet and orchestra (GMCO089) and also for clarinet with piano reduction (GM054).
A PACK comprises one full score, parts for clarinet, percussion and strings 4/4/3/4/2.
Duration about 20 minutes'|9790222279742|LEWIS P|Paul Lewis|Tauranga Concerto Pack|String Orchestra|60.00|990 GMCO089-00|||9790222279759|LEWIS P|Paul Lewis|Tauranga Concerto Score|Orchestral Score|14.00|175 GMCO089-01|||9790222279766|LEWIS P|Paul Lewis|Tauranga Concerto Violin 1|Orchestral Part|3.00|50 GMCO089-02|||9790222279773|LEWIS P|Paul Lewis|Tauranga Concerto Violin 2|Orchestral Part|2.50|38 GMCO089-03|||9790222279780|LEWIS P|Paul Lewis|Tauranga Concerto Viola|Orchestral Part|2.50|38 GMCO089-04|||9790222279797|LEWIS P|Paul Lewis|Tauranga Concerto Cello|Orchestral Part|2.50|38 GMCO089-05|||9790222279803|LEWIS P|Paul Lewis|Tauranga Concerto Bass|Orchestral Part|2.00|25 GMCO089-06|||9790222279810|LEWIS P|Paul Lewis|Tauranga Concerto Clarinet|Orchestral Part|3.00|50 GMCO090|Paul Carr
NOW COMES BEAUTY for string orchestra
Goodmusic Concert Originals GMCO090|'Orchestration:
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

NOW COMES BEAUTY was originally composed in the Summer of 2009 as a song (to my own words) for solo voice and piano, which I also then arranged for unaccompanied mixed voice choir. It is essentially a "song of farewell" to an idyllic, though sometime solitary life on the beautiful island of Mallorca, where I lived from 2004 to 2009; the ending of a long relationship and the need to move on in a new direction. Death and re-birth if you like; painful, lost, but accepting and open at the same time.
This arrangement for string orchestra was made at the request of Jason Thornton who conducted the first performance with Bath Phil at a concert given in the magnificent chapel of Bath''s Prior Park College, on the 19th December, 2009.
A PACK comprises one full score and string parts 4/4/3/4/2.
Duration about 5 minutes'|9790222279674|CARR P|Paul Carr|Now Comes Beauty Pack|String Orchestra|26.00|252 GMCO090-00|||9790222279681|CARR P|Paul Carr|Now Comes Beauty Score|Orchestral Score|5.00|25 GMCO090-01|||9790222279698|CARR P|Paul Carr|Now Comes Beauty Violin 1|Orchestral Part|1.50|13 GMCO090-02|||9790222279704|CARR P|Paul Carr|Now Comes Beauty Violin 2|Orchestral Part|1.50|13 GMCO090-03|||9790222279711|CARR P|Paul Carr|Now Comes Beauty Viola|Orchestral Part|1.50|13 GMCO090-04|||9790222279728|CARR P|Paul Carr|Now Comes Beauty Cello|Orchestral Part|1.50|13 GMCO090-05|||9790222279735|CARR P|Paul Carr|Now Comes Beauty Bass|Orchestral Part|1.50|7 GMCO091|Herbert Murrill
SET OF COUNTRY DANCES for string orchestra
Goodmusic Concert Originals Series GMCO091|'ORCHESTRATION
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Born in London, Herbert (Henry John) Murrill was an organist, choral conductor, broadcasting executive and composer. He studied from 1925 to 1928 at the Royal Academy of Music with York Bowen, Stanley Marchant, and Alan Bush. From 1928 to 1931 he was an organ scholar at Worcester College Oxford, where he took courses with Ernest Walker and Sir Hugh Allen. He occupied various posts as organist and choral director, and was Professor of Composition at the Royal Academy of Music from 1933 until his death in 1952. In 1936 he joined the staff of the BBC, where he was programme organiser in 1942. After working in the British intelligence service from 1942-1946, he returned in 1948 to the BBC as assistant head, reaching the post of Head of Music in 1950.

Here is a set of eight country dances arranged for string orchestra from traditional tunes.
1. Mayden Lane; 2. Hunsdon House; 3. Staines Morris; 4. Three Meet; 5. Parson''s Farewell; 6. Barrack Hill; 7. The Queen''s Delight; 8. Gramachree is a Sup of Good Drink.
These dances are included on a new CD in the Dutton Epoch catalogue (CDLX 7246) performed by the Royal Ballet Sinfonia conducted by Gavin Sutherland.
Duration 9 minutes
A PACK comprises one full score and strings 4/4/3/4/2'|9790222281271|MURRILL|Herbert Murrill|Set of Country Dances Pack|String Orchestra|45.00|480 GMCO091-00|||9790222281288|MURRILL|Herbert Murrill|Set of Country Dances Score|Orchestral Score|6.00|63 GMCO091-01|||9790222281295|MURRILL|Herbert Murrill|Set of Country Dances Violin 1|Orchestral Part|2.00|25 GMCO091-02|||9790222281301|MURRILL|Herbert Murrill|Set of Country Dances Violin 2|Orchestral Part|2.00|25 GMCO091-03|||9790222281318|MURRILL|Herbert Murrill|Set of Country Dances Viola|Orchestral Part|2.00|25 GMCO091-04|||9790222281325|MURRILL|Herbert Murrill|Set of Country Dances Cello|Orchestral Part|2.00|25 GMCO091-05|||9790222281332|MURRILL|Herbert Murrill|Set of Country Dances Bass|Orchestral Part|1.50|13 GMCO092|Hubert Clifford
KENTISH SUITE for orchestra
Goodmusic Concert Originals Series GMCO092|'ORCHESTRATION
Flute(s), Oboe(s), 2 Clarinets, Bassoon(s), 2 Horns in F, 2 Trumpets in Bb, Trombone(s)
Timpani, Percussion (2/3 players - Tambourine, Triangle, Bass drum, Cymbals, Snare drum, Gong [opt.])
Harp and/or Piano
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the Kent of Restoration times, based on the journey made from Dover to London by Charles II on his return from exile. The five movements are:
1. DOVER is a hornpipe with two trios in the seventeenth-century English style.
2. A CHORAL PRELUDE ON CANTERBURY Orlando Gibbons died at Canterbury and is buried in the Cathedral there. This choral prelude on his Song 13 ("Canterbury") also employs the Canterbury chimes as the basis of the imitative counterpoint.
3. PASTORAL AND FOLK-SONG captures the mood of the Kentish countryside, of soft green landscape and damp earth. The pastoral is temporarily interrupted by a somewhat bucolic Kentish folk-song entitled "I have house and land in Kent".
4. SWIFT NICKS OF GAD''S HILL - a scherzo. Nicholas Nevinson was a highwayman of the period who plied his business at Gad''s Hill near Gravesend. His famous ride to York, usually associated with the name of Dick Turpin, earned his title to fame, and King Charles, on hearing of his exploits, granted him a free pardon and dubbed him "Swift Nicks".
5. GREENWICH: PAGEANT OF THE RIVER. The last stage of the journey to Whitehall was accomplished on the Royal yachts and was in the nature of a ceremonial return to London. The dignity and grandeur of the pageant is suggested in this processional march.

Only one each of flute, oboe, bassoon and trombone is required but the parts are marked so that a second player can act as "ripieno". The harp part is essential in No.3 though this can be played on a piano; otherwise the piano is only required to cover any weaknesses.
Duration about 20 minutes
A PACK comprises one full score, all wind brass and percussion parts and strings 4/4/3/4/2'|9790222281554|CLIFFORD H|Hubert Clifford|Kentish Suite Pack|Orchestra|100.00|1360 GMCO092-00|||9790222281561|CLIFFORD H|Hubert Clifford|Kentish Suite Score|Orchestral Score|20.00|253 GMCO092-01|||9790222281578|CLIFFORD H|Hubert Clifford|Kentish Suite Violin 1|Orchestral Part|2.50|38 GMCO092-02|||9790222281585|CLIFFORD H|Hubert Clifford|Kentish Suite Violin 2|Orchestral Part|2.50|38 GMCO092-03|||9790222281592|CLIFFORD H|Hubert Clifford|Kentish Suite Viola|Orchestral Part|2.50|38 GMCO092-04|||9790222281608|CLIFFORD H|Hubert Clifford|Kentish Suite Cello|Orchestral Part|2.50|38 GMCO092-05|||9790222281615|CLIFFORD H|Hubert Clifford|Kentish Suite Bass|Orchestral Part|2.50|38 GMCO092-06|||9790222281622|CLIFFORD H|Hubert Clifford|Kentish Suite Flute(s)|Orchestral Part|2.00|25 GMCO092-07|||9790222281639|CLIFFORD H|Hubert Clifford|Kentish Suite Oboe(s)|Orchestral Part|2.00|25 GMCO092-08|||9790222281646|CLIFFORD H|Hubert Clifford|Kentish Suite Clarinet 1|Orchestral Part|2.50|38 GMCO092-09|||9790222281653|CLIFFORD H|Hubert Clifford|Kentish Suite Clarinet 2|Orchestral Part|2.50|38 GMCO092-10|||9790222281660|CLIFFORD H|Hubert Clifford|Kentish Suite Bassoon(s)|Orchestral Part|2.50|38 GMCO092-11|||9790222281677|CLIFFORD H|Hubert Clifford|Kentish Suite Horn 1|Orchestral Part|2.00|25 GMCO092-12|||9790222281684|CLIFFORD H|Hubert Clifford|Kentish Suite Horn 2|Orchestral Part|2.00|25 GMCO092-13|||9790222281691|CLIFFORD H|Hubert Clifford|Kentish Suite Trumpet 1|Orchestral Part|2.00|25 GMCO092-14|||9790222281707|CLIFFORD H|Hubert Clifford|Kentish Suite Trumpet 2|Orchestral Part|2.00|25 GMCO092-15|||9790222281714|CLIFFORD H|Hubert Clifford|Kentish Suite Trombone(s)|Orchestral Part|2.00|25 GMCO092-16|||9790222281721|CLIFFORD H|Hubert Clifford|Kentish Suite Timpani|Orchestral Part|1.50|13 GMCO092-17|||9790222281738|CLIFFORD H|Hubert Clifford|Kentish Suite Percussion|Orchestral Part|1.50|13 GMCO092-18|||9790222281905|CLIFFORD H|Hubert Clifford|Kentish Suite Harp or Piano|Orchestral Part|4.50|75 GMCO093|Paul Lewis
RYE FESTIVAL SUITE
Goodmusic Concert Originals Series GMCO093|ORCHESTRATION
Harp (optional)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This suite was composed for, and first performed in 2011 at the 40th Rye Arts Festival in East Sussex. Once surrounded by sea, this fortified hilltop town played an important role in the defence of the south coast of England. These days, the river no longer harbours warships and instead is home to the local fishing fleet. From spats with the French, to marauders and smugglers, this ancient town is steeped in history.
There are four movements each depicting particular aspects of the area, separated by short harp interludes. This suite may be performed by strings alone without harp, in which case the interludes are omitted.
1. FESTIVAL FLOURISH, COBBLED STREETS AND MORRIS MEN. With a flourish, the Town Crier announces the start of the Festival. Cobbled streets which now throng with tourists once echoed to the cries of traders plying their wares and the clatter of horse-drawn carriages. The occasional presence of Morris Dancers unites past and present.
2. ROMNEY MARSH. A mystical landscape of deserted villages and abandoned churches; mediaeval plainsong echoes through the centuries; some churches are still used; a Church of England hymn is heard in the distance.
3. SMUGGLERS AND SEAFARERS. Dastardly deeds in the back parlour while sailors and shantymen have a nautical knees-up in the front bar!
4. MILITARY CANAL. The militia dig a canal to defend Rye from Napoleonic invasion; a French marauding party is sighted and chased away.

Duration 23 minutes
A PACK comprises one full score, a harp part and strings 4/4/3/4/2|9790222281752|LEWIS P|Paul Lewis|Rye Festival Suite Pack|String Orchestra|60.00|946 GMCO093-00|||9790222281769|LEWIS P|Paul Lewis|Rye Festival Suite Score|Orchestral Score|12.00|150 GMCO093-01|||9790222281776|LEWIS P|Paul Lewis|Rye Festival Suite Violin 1|Orchestral Part|3.00|50 GMCO093-02|||9790222281783|LEWIS P|Paul Lewis|Rye Festival Suite Violin 2|Orchestral Part|2.50|38 GMCO093-03|||9790222281790|LEWIS P|Paul Lewis|Rye Festival Suite Viola|Orchestral Part|2.50|38 GMCO093-04|||9790222281806|LEWIS P|Paul Lewis|Rye Festival Suite Cello|Orchestral Part|2.50|38 GMCO093-05|||9790222281813|LEWIS P|Paul Lewis|Rye Festival Suite Bass|Orchestral Part|2.50|38 GMCO093-06|||9790222281820|LEWIS P|Paul Lewis|Rye Festival Suite Harp|Orchestral Part|3.50|63 GMCO094|Edgar Bainton
PAVAN IDYLL and BACCHANAL
Goodmusic Concert Originals Series GMCO094|'ORCHESTRATION
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Flute (or solo violin) Idyll only
Tambourine (optional) Bacchanal only

Edgar Leslie Bainton (1880-1956) was a pupil of Walford Davies and Stanford, friend of George Dyson and long-time Principal of Newcastle-upon-Tyne Conservatory. He emigrated to Australia in 1934, and thus sadly faded from the British music scene.
In 1914 while en route to the Bayreuth Festival, Bainton was apprehended as a British civilian in wartime Germany and interned for the next four years in Ruhleben Camp near Berlin. He was placed in charge of music-making at the camp and became acquainted with a number of other musicians, including Ernest MacMillan and cellist Carl Fuchs. Despite many hardships this four-year exile proved to be a period of great creativity, resulting in his Three Pieces for Orchestra and a piano concerto.
The PAVANE, IDYLL and BACCHANAL was written in 1924. This was Bainton''s only published orchestral work (he is known chiefly for his choral music) and was originally published in 1925 by Oxford University Press. This new edition has been re-typeset but is otherwise unchanged.
The flute only plays in the Idyll, though this may be played by a solo violin. The tambourine in the Bacchanal may be omitted.
A recording of this work with Paul Daniel conducting the BBC Philharmonic Orchestra is available on the Chandos label (CHAN10460).
Duration 10 minutes
A PACK comprises one full score, a flute part, a tambourine part and strings 4/4/3/4/2'|9790222283466|BAINTON|Edgar Bainton|Pavan Idyll+Bacchanal Pack|String Orchestra|50.00|562 GMCO094-00|||9790222283473|BAINTON|Edgar Bainton|Pavan Idyll+Bacchanal Score|Orchestral Score|8.00|100 GMCO094-01|||9790222283480|BAINTON|Edgar Bainton|Pavan Idyll+Bacchanal Violin 1|Orchestral Part|2.00|25 GMCO094-02|||9790222283497|BAINTON|Edgar Bainton|Pavan Idyll+Bacchanal Violin 2|Orchestral Part|2.00|25 GMCO094-03|||9790222283503|BAINTON|Edgar Bainton|Pavan Idyll+Bacchanal Viola|Orchestral Part|2.00|25 GMCO094-04|||9790222283510|BAINTON|Edgar Bainton|Pavan Idyll+Bacchanal Cello|Orchestral Part|2.00|25 GMCO094-05|||9790222283527|BAINTON|Edgar Bainton|Pavan Idyll+Bacchanal Bass|Orchestral Part|1.50|13 GMCO094-06|||9790222283534|BAINTON|Edgar Bainton|Pavan Idyll+Bacchanal Flute|Orchestral Part|1.50|13 GMCO094-07|||9790222283541|BAINTON|Edgar Bainton|Pavan Idyll+Bacchanal Tambourine|Orchestral Part|1.50|13 GMCO095|Robert Washburn
THREE PIECES FOR ORCHESTRA
Goodmusic Concert Originals Series GMCO095|'ORCHESTRATION
Piccolo, Flute, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, Trombone, Timpani
Percussion (Snare Drum, Cymbals, Triangle, Wood Block, Tambourine, Xylophone, Tubular Bells)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Robert Washburn (b.1928) is Professor Emeritus and Senior Fellow in Music at the Crane School of Music of the State University of New York at Potsdam. After completing his undergraduate studies at Potsdam he was awarded a Danforth Foundation Fellowship to complete a PhD in musical composition at the Eastman School of Music. Further studies included a summer at the Aspen Music Festival and School and a season in Paris with Nadia Boulanger. More than 150 of Washburn''s compositions have been published. As well as orchestral and concert band works, they include many choral works and chamber instrumental ensembles which are widely performed.
Duration 5 minutes
A PACK comprises one full score, all wind brass and percussion parts and strings 4/4/3/4/2.
This work was originally published in 1966 by Oxford University Press. It has been newly typeset for this republished Goodmusic edition but the new Goodmusic score and parts will be fully compatible with the original OUP edition.'|9790222285385|WASHBURN|Robert Washburn|Three Pieces for Orchestra Pack|Orchestra|45.00|504 GMCO095-00|||9790222285392|WASHBURN|Robert Washburn|Three Pieces for Orchestra Score|Orchestral Score|6.00|63 GMCO095-01|||9790222285408|WASHBURN|Robert Washburn|Three Pieces for Orchestra Violin 1|Orchestral Part|1.50|13 GMCO095-02|||9790222285415|WASHBURN|Robert Washburn|Three Pieces for Orchestra Violin 2|Orchestral Part|1.50|13 GMCO095-03|||9790222285422|WASHBURN|Robert Washburn|Three Pieces for Orchestra Viola|Orchestral Part|1.50|13 GMCO095-04|||9790222285439|WASHBURN|Robert Washburn|Three Pieces for Orchestra Cello|Orchestral Part|1.50|13 GMCO095-05|||9790222285446|WASHBURN|Robert Washburn|Three Pieces for Orchestra Bass|Orchestral Part|1.50|13 GMCO095-06|||9790222285453|WASHBURN|Robert Washburn|Three Pieces for Orchestra Piccolo|Orchestral Part|1.50|13 GMCO095-07|||9790222285460|WASHBURN|Robert Washburn|Three Pieces for Orchestra Flute|Orchestral Part|1.50|13 GMCO095-08|||9790222285477|WASHBURN|Robert Washburn|Three Pieces for Orchestra Oboe 1|Orchestral Part|1.50|13 GMCO095-09|||9790222285484|WASHBURN|Robert Washburn|Three Pieces for Orchestra Oboe 2|Orchestral Part|1.50|13 GMCO095-10|||9790222285491|WASHBURN|Robert Washburn|Three Pieces for Orchestra Clar.1|Orchestral Part|1.50|13 GMCO095-11|||9790222285507|WASHBURN|Robert Washburn|Three Pieces for Orchestra Clar.2|Orchestral Part|1.50|13 GMCO095-12|||9790222285514|WASHBURN|Robert Washburn|Three Pieces for Orchestra Bsn.1|Orchestral Part|1.50|13 GMCO095-13|||9790222285521|WASHBURN|Robert Washburn|Three Pieces for Orchestra Bsn.2|Orchestral Part|1.50|13 GMCO095-14|||9790222285538|WASHBURN|Robert Washburn|Three Pieces for Orchestra Horn 1|Orchestral Part|1.50|13 GMCO095-15|||9790222285545|WASHBURN|Robert Washburn|Three Pieces for Orchestra Horn 2|Orchestral Part|1.50|13 GMCO095-16|||9790222285552|WASHBURN|Robert Washburn|Three Pieces for Orchestra Trp.1|Orchestral Part|1.50|13 GMCO095-17|||9790222285569|WASHBURN|Robert Washburn|Three Pieces for Orchestra Trp.2|Orchestral Part|1.50|13 GMCO095-18|||9790222285576|WASHBURN|Robert Washburn|Three Pieces for Orchestra Trombone|Orchestral Part|1.50|13 GMCO095-19|||9790222285583|WASHBURN|Robert Washburn|Three Pieces for Orchestra Timpani|Orchestral Part|1.50|7 GMCO095-20|||9790222285590|WASHBURN|Robert Washburn|Three Pieces for Orchestra Perc.|Orchestral Part|1.50|13 GMCO096|Theron Kirk
LATHAM SUITE
Goodmusic Concert Originals Series GMCO096|ORCHESTRATION
Violin 1, Violin 2, Viola, Cello, Bass

Theron Kirk was an American educator and composer who was born in 1919 and died in October 1999.
He is the composer of more than 1,000 published works for chorus, chamber groups, symphony orchestra, vocal solo, organ, carillon, and a one-act opera. The Philadelphia Orchestra, Chicago Chamber Orchestra and the orchestras of Winnipeg Canada, St. Louis, Cincinnati, Memphis, Detroit, San Antonio and Houston have performed his symphonic works.
Theron Kirk has held the national office of president of the American Choral Directors Association. He has taught as a visiting lecturer in the summer program at the University of Southern California, the University of Illinois, Central Missouri State University College and at the National Music Camp, Interlochen, Michigan, in the University of Michigan Music Division.
Kirk joined the San Antonio College faculty in 1955 and served as chairperson of the music department and director of the chorale, band, and chamber orchestra for many years before his retirement in 1986. After retirement, he became active as a docent at the San Antonio Museum of Art.
His education includes study at Baylor University, Chicago Musical College of Roosevelt University and the Eastman School of Music. His honors include the Orpheus Award by the national music fraternity Phi Mu Alpha Sinfonia for "significant and lasting contributions to the cause of Music in America" and the Minnie Stevens Piper Professor Award for teaching excellence in 1975.
The suite is in three movements: March; Elegy; Finale
A PACK comprises one full score and strings 4/4/3/4/2
Duration 9 minutes

This work was originally published in 1966 by Oxford University Press. It has been newly typeset for this republished Goodmusic edition but the new Goodmusic score and parts will be fully compatible with the original OUP edition.|9790222285606|KIRK|Theron Kirk|Latham Suite Pack|String Orchestra|45.00|514 GMCO096-00|||9790222285613|KIRK|Theron Kirk|Latham Suite Score|Orchestral Score|5.00|50 GMCO096-01|||9790222285620|KIRK|Theron Kirk|Latham Suite Violin 1|Orchestral Part|2.00|25 GMCO096-02|||9790222285637|KIRK|Theron Kirk|Latham Suite Violin 2|Orchestral Part|2.00|25 GMCO096-03|||9790222285644|KIRK|Theron Kirk|Latham Suite Viola|Orchestral Part|2.00|25 GMCO096-04|||9790222285651|KIRK|Theron Kirk|Latham Suite Cello|Orchestral Part|2.00|25 GMCO096-05|||9790222285668|KIRK|Theron Kirk|Latham Suite Bass|Orchestral Part|2.00|25 GMCO097|Alan Rawsthorne
LIGHT MUSIC FOR STRINGS
Goodmusic Concert Originals Series GMCO097|'ORCHESTRATION
Violin 1, Violin 2, Viola, Cello, Bass

Alan Rawsthorne (1905-1971) studied architecture and dentistry before entering the Royal Manchester College of Music to study piano, cello and composition. After graduating in 1929 he went abroad for further piano studies with Egon Petri. Like his near contemporary and fellow Lancastrian William Walton, Rawsthorne showed his own distinctive voice from the earliest of his published compositions. His music is marked by clarity of expression, craftsmanship, concision and where fitting, a laconic wit. He came to international attention with his Theme and Variations for Two Violins (1937) and his orchestral Symphonic Studies (1938). Rawsthorne published some seventy works in most of the established forms. Though widely performed during his lifetime he is now remembered mainly for Symphonic Studies, Street Corner Overture, and the two Piano Concertos and his setting for speaker and orchestra of six of T.S.Eliot''s Practical Cats. He wrote 27 film scores including The Captive Heart and The Cruel Sea. Most of the orchestral and chamber music has been recorded by Naxos, the film music by Chandos and Practical Cats by Classics for Pleasure and Dutton.
LIGHT MUSIC FOR STRINGS was written in 1938 for the Workers Music Association who first performed and published it. Originally called Three Catalan Tunes, indicating the composer''s sympathies for the Republican cause during the Spanish Civil War, the three short movements were written with amateur players in mind. The present name was suggested by Rawsthorne''s publisher Alan Frank when Oxford University Press republished the work in 1958. (Programme note ? 2012 Tony Pickard)
A PACK comprises one full score and strings 4/4/3/4/2
Duration 3? minutes'|9790222285934|RAWSTHORNE|Alan Rawsthorne|Light Music for Strings Pack|String Orchestra|30.00|288 GMCO097-00|||9790222285941|RAWSTHORNE|Alan Rawsthorne|Light Music for Strings Score|Orchestral Score|5.00|50 GMCO097-01|||9790222285958|RAWSTHORNE|Alan Rawsthorne|Light Music for Strings Violin 1|Orchestral Part|1.50|13 GMCO097-02|||9790222285965|RAWSTHORNE|Alan Rawsthorne|Light Music for Strings Violin 2|Orchestral Part|1.50|13 GMCO097-03|||9790222285972|RAWSTHORNE|Alan Rawsthorne|Light Music for Strings Viola|Orchestral Part|1.50|13 GMCO097-04|||9790222285989|RAWSTHORNE|Alan Rawsthorne|Light Music for Strings Cello|Orchestral Part|1.50|13 GMCO097-05|||9790222285996|RAWSTHORNE|Alan Rawsthorne|Light Music for Strings Bass|Orchestral Part|1.50|13 GMCO099|'Paul Carr
SUDDENLY IT''S EVENING
Goodmusic Concert Originals Series GMCO099'|'ORCHESTRATION
Solo Violin
Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trumpet in Bb, Trombone
Percussion (1 player: Crotales, Glockenspiel)
Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

"Suddenly It''s Evening" is a nocturne for violin and chamber orchestra, very much of the "English school", with a winding lyrical theme which slowly builds towards a passionate crescendo before returning from whence it came. Paul Carr
The first performance was given at the English Music Festival on May 27th 2013 with Rupert Marshall-Luck and the Orchestra of St.Paul''s conducted by Ben Palmer. The work was revised by the composer in November 2015.
Duration 8 minutes

A PACK comprises one full score, all wind brass and percussion parts and strings 4/4/3/4/2.'|9790222287587|CARR P|Paul Carr|Suddenly Its Evening Pack|Orchestra|30.00|415 GMCO099-00|||9790222287594|CARR P|Paul Carr|Suddenly Its Evening Score|Orchestral Score|6.00|63 GMCO099-01|||9790222287600|CARR P|Paul Carr|Suddenly Its Evening Violin 1|Orchestral Part|1.50|13 GMCO099-02|||9790222287617|CARR P|Paul Carr|Suddenly Its Evening Violin 2|Orchestral Part|1.50|13 GMCO099-03|||9790222287624|CARR P|Paul Carr|Suddenly Its Evening Viola|Orchestral Part|1.50|13 GMCO099-04|||9790222287631|CARR P|Paul Carr|Suddenly Its Evening Cello|Orchestral Part|1.50|13 GMCO099-05|||9790222287648|CARR P|Paul Carr|Suddenly Its Evening Bass|Orchestral Part|1.50|13 GMCO099-06|||9790222287655|CARR P|Paul Carr|Suddenly Its Evening Flute|Orchestral Part|1.50|13 GMCO099-07|||9790222287662|CARR P|Paul Carr|Suddenly Its Evening Oboe|Orchestral Part|1.50|13 GMCO099-08|||9790222287679|CARR P|Paul Carr|Suddenly Its Evening Clarinet|Orchestral Part|1.50|13 GMCO099-09|||9790222287686|CARR P|Paul Carr|Suddenly Its Evening Bassoon|Orchestral Part|1.50|13 GMCO099-10|||9790222287693|CARR P|Paul Carr|Suddenly Its Evening Horn|Orchestral Part|1.50|7 GMCO099-11|||9790222287709|CARR P|Paul Carr|Suddenly Its Evening Trumpet|Orchestral Part|1.50|7 GMCO099-12|||9790222287716|CARR P|Paul Carr|Suddenly Its Evening Trombone|Orchestral Part|1.50|7 GMCO099-13|||9790222287723|CARR P|Paul Carr|Suddenly Its Evening Percussion|Orchestral Part|1.50|7 GMCO099-15|||9790222287747|CARR P|Paul Carr|Suddenly Its Evening Harp|Orchestral Part|1.50|13 GMCO099-16|||9790222287754|CARR P|Paul Carr|Suddenly Its Evening Solo Vln|Orchestral Part|1.50|13 GMCO099-17|||9790222297722|CARR P|Paul Carr|Suddenly Its Evening Piano Reductn.|Orchestral Part|2.00|25 GMCO100|Paul Lewis
MILLFIELD CELEBRATION
Goodmusic Concert Originals Series GMCO100|'ORCHESTRATION
2 Flutes (2nd db piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Percussion (4 players: Tubular Bells, Tam-Tam, Drum Kit, Triangle, Cymbals (clashed and suspended), Bass Drum)
Harp, Piano db Celeste
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A rollickingly march-like joyous celebration written to thank Millfield School for sending the composer''s daughter on her way to university!
Duration 5 minutes

A PACK comprises one full score, all wind brass and percussion parts and string parts 4/4/3/4/2.'|9790222286979|LEWIS P|Paul Lewis|Millfield Celebration Pack|Orchestra|50.00|796 GMCO100-00|||9790222286986|LEWIS P|Paul Lewis|Millfield Celebration Score (A4)|Orchestral Score|8.00|100 GMCO100-01|||9790222286993|LEWIS P|Paul Lewis|Millfield Celebration Violin 1|Orchestral Part|1.50|13 GMCO100-02|||9790222287006|LEWIS P|Paul Lewis|Millfield Celebration Violin 2|Orchestral Part|1.50|13 GMCO100-03|||9790222287013|LEWIS P|Paul Lewis|Millfield Celebration Viola|Orchestral Part|1.50|13 GMCO100-04|||9790222287020|LEWIS P|Paul Lewis|Millfield Celebration Cello|Orchestral Part|1.50|13 GMCO100-05|||9790222287037|LEWIS P|Paul Lewis|Millfield Celebration Bass|Orchestral Part|1.50|13 GMCO100-06|||9790222287044|LEWIS P|Paul Lewis|Millfield Celebration Flute 1|Orchestral Part|1.50|13 GMCO100-07|||9790222287051|LEWIS P|Paul Lewis|Millfield Celebration Flute 2/Picc|Orchestral Part|1.50|13 GMCO100-08|||9790222287068|LEWIS P|Paul Lewis|Millfield Celebration Oboe 1|Orchestral Part|1.50|13 GMCO100-09|||9790222287075|LEWIS P|Paul Lewis|Millfield Celebration Oboe 2|Orchestral Part|1.50|13 GMCO100-10|||9790222287082|LEWIS P|Paul Lewis|Millfield Celebration Clarinet 1|Orchestral Part|1.50|13 GMCO100-11|||9790222287099|LEWIS P|Paul Lewis|Millfield Celebration Clarinet 2|Orchestral Part|1.50|13 GMCO100-12|||9790222287105|LEWIS P|Paul Lewis|Millfield Celebration Bassoon 1|Orchestral Part|1.50|13 GMCO100-13|||9790222287112|LEWIS P|Paul Lewis|Millfield Celebration Bassoon 2|Orchestral Part|1.50|13 GMCO100-14|||9790222287129|LEWIS P|Paul Lewis|Millfield Celebration Horn 1|Orchestral Part|1.50|13 GMCO100-15|||9790222287136|LEWIS P|Paul Lewis|Millfield Celebration Horn 2|Orchestral Part|1.50|13 GMCO100-16|||9790222287143|LEWIS P|Paul Lewis|Millfield Celebration Horn 3|Orchestral Part|1.50|13 GMCO100-17|||9790222287150|LEWIS P|Paul Lewis|Millfield Celebration Horn 4|Orchestral Part|1.50|13 GMCO100-18|||9790222287167|LEWIS P|Paul Lewis|Millfield Celebration Trumpet 1|Orchestral Part|1.50|13 GMCO100-19|||9790222287174|LEWIS P|Paul Lewis|Millfield Celebration Trumpet 2|Orchestral Part|1.50|13 GMCO100-20|||9790222287181|LEWIS P|Paul Lewis|Millfield Celebration Trumpet 3|Orchestral Part|1.50|13 GMCO100-21|||9790222287198|LEWIS P|Paul Lewis|Millfield Celebration Trombone 1|Orchestral Part|1.50|13 GMCO100-22|||9790222287204|LEWIS P|Paul Lewis|Millfield Celebration Trombone 2|Orchestral Part|1.50|13 GMCO100-23|||9790222287211|LEWIS P|Paul Lewis|Millfield Celebration Trombone 3|Orchestral Part|1.50|13 GMCO100-24|||9790222287228|LEWIS P|Paul Lewis|Millfield Celebration Tuba|Orchestral Part|1.50|13 GMCO100-25|||9790222287235|LEWIS P|Paul Lewis|Millfield Celebration Timpani|Orchestral Part|1.50|13 GMCO100-26|||9790222287242|LEWIS P|Paul Lewis|Millfield Celebration Percussion|Orchestral Part|2.50|38 GMCO100-27|||9790222287259|LEWIS P|Paul Lewis|Millfield Celebration Harp|Orchestral Part|1.50|13 GMCO100-28|||9790222275140|LEWIS P|Paul Lewis|Millfield Celebration Piano/Celeste|Orchestral Part|2.00|25 GMCO100-29|||9790222278660|LEWIS P|Paul Lewis|Millfield Celebration Score (A3)|Orchestral Score|20.00|240 GMCO101|Rutland Boughton (1878-1960)
LOVE AND SPRING Op.23
Goodmusic Concert Originals Series GMCO101
First Publication|'ORCHESTRATION
Piccolo, 2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets in Bb/A, 2 Bassoons
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Percussion (3 players: Triangle, Cymbals, Bass Drum, Glockenspiel),
Harp (or 2 or 3)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Love and Spring was composed in April and May 1906 and first performed later that year. It was included in a Henry Wood Promenade Concert in 1914. The score is prefaced by an extract from The Song of Solomon:
"Rise up my love, my fair one, and come away.
For, lo, the winter is past, the rain is over and gone;
The flowers appear on the earth, and the time of the singing of birds is come."
A recording of Love and Spring played by the Royal Scottish National Orchestra conducted by Martin Yates is available on Dutton Epoch CDLX7262.
The audio sample is computer-generated from the score - the CD sounds much better!
Duration 13? minutes

Rutland Boughton is best known for his choral drama The Immortal Hour (which includes the popular Faery Song) and for establishing and directing the original Glastonbury Festivals from 1914 until 1926. He composed in almost every musical genre including opera, symphony, concerti, chamber and choral music and song. His communist political leaning resulted in him sympathising with the General Strike and the miners lockout of 1926; he staged his very popular Nativity opera "Bethlehem" in Westminster, London, with Jesus born in a miner''s cottage and Herod as a top-hatted capitalist, flanked by soldiers and police. The event caused much embarrassment to the people of Glastonbury who withdrew their support from Boughton causing the Festival to cease. From 1927 until his death in 1960, Boughton lived at Kilcot, near Newent in Gloucestershire where he completed the last two operas of his Arthurian cycle (Avalon and Galahad) and produced some of his finest works, the quality of which has only been realised within the past 20 years.

A PACK comprises one A4 full score, all wind brass and percussion parts and string parts 4/4/3/4/2. An A3 sized score is available separately.'|9790222287266|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Pack|Orchestra|120.00|1600 GMCO101-00|||9790222287273|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Score(A4)|Orchestral Score|20.00|258 GMCO101-01|||9790222287280|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Violin 1|Orchestral Part|2.50|38 GMCO101-02|||9790222287297|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Violin 2|Orchestral Part|2.50|38 GMCO101-03|||9790222287303|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Viola|Orchestral Part|2.50|38 GMCO101-04|||9790222287310|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Cello|Orchestral Part|2.50|38 GMCO101-05|||9790222287327|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Bass|Orchestral Part|2.00|25 GMCO101-06|||9790222287334|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Piccolo|Orchestral Part|2.00|25 GMCO101-07|||9790222287341|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Flute 1|Orchestral Part|2.00|25 GMCO101-08|||9790222287358|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Flute 2|Orchestral Part|2.00|25 GMCO101-09|||9790222287365|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Oboe 1|Orchestral Part|2.00|25 GMCO101-10|||9790222287372|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Oboe 2|Orchestral Part|2.00|25 GMCO101-11|||9790222287389|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Cor Anglais|Orchestral Part|2.00|25 GMCO101-12|||9790222287396|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Clarinet 1|Orchestral Part|2.50|38 GMCO101-13|||9790222287402|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Clarinet 2|Orchestral Part|2.50|38 GMCO101-14|||9790222287419|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Bassoon 1|Orchestral Part|2.00|25 GMCO101-15|||9790222287426|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Bassoon 2|Orchestral Part|2.00|25 GMCO101-16|||9790222287433|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Horn 1|Orchestral Part|2.00|25 GMCO101-17|||9790222287440|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Horn 2|Orchestral Part|2.00|25 GMCO101-18|||9790222287457|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Horn 3|Orchestral Part|2.00|25 GMCO101-19|||9790222287464|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Horn 4|Orchestral Part|2.00|25 GMCO101-20|||9790222287471|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Trumpet 1|Orchestral Part|1.50|13 GMCO101-21|||9790222287488|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Trumpet 2|Orchestral Part|1.50|13 GMCO101-22|||9790222287495|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Trumpet 3|Orchestral Part|1.50|13 GMCO101-23|||9790222287501|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Trombone 1|Orchestral Part|1.50|13 GMCO101-24|||9790222287518|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Trombone 2|Orchestral Part|1.50|13 GMCO101-25|||9790222287525|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Trombone 3|Orchestral Part|1.50|13 GMCO101-26|||9790222287532|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Tuba|Orchestral Part|1.50|13 GMCO101-27|||9790222287549|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Timpani|Orchestral Part|1.50|13 GMCO101-28|||9790222287556|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Percussion|Orchestral Part|1.50|13 GMCO101-29|||9790222287563|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Harp|Orchestral Part|2.00|25 GMCO101-30|||9790222287570|BOUGHTON|Rutland Boughton|Love and Spring Op.23 Score (A3)|Orchestral Score|40.00|590 GMCO102|Dick Blackford
MARINUS CONCERT OVERTURE
Goodmusic Concert Originals Series GMCO102|'ORCHESTRATION
Piccolo, 2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets in Bb, Bass Clarinet, 2 Bassoons, Contra Bassoon
4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Percussion (3 players: Snare Drum, Xylophone, Triangle, Cymbals (clashed and suspended), Bongos, Bass Drum), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A seascape scored for full symphony orchestra. A review in the York Evening Press of the first performance of this work said: "Blackford''s Marinus concert overture, avowedly nautical, is cleverly constructed, a snappy, syncopated motif framing a gentler mood introduced by the cor anglais. Full-blooded low brass and sweeping strings unite both themes in a powerful conclusion. Instantly attractive, it was relished on both sides of the podium."
Duration 10 minutes

The audio file is NOT a computer-generated one but an actual recording of the work played by the Guildhall Orchestra of York conducted by Simon Wright

A PACK comprises one full score, all wind brass and percussion parts and string parts 4/4/3/4/2.'|9790222286641|BLACKFORD|Dick Blackford|Marinus Concert Overture Pack|Orchestra|50.00|774 GMCO102-00|||9790222286658|BLACKFORD|Dick Blackford|Marinus Concert Overture Score|Orchestral Score|12.00|138 GMCO102-01|||9790222286665|BLACKFORD|Dick Blackford|Marinus Concert Overture Violin 1|Orchestral Part|1.50|13 GMCO102-02|||9790222286672|BLACKFORD|Dick Blackford|Marinus Concert Overture Violin 2|Orchestral Part|1.50|13 GMCO102-03|||9790222286689|BLACKFORD|Dick Blackford|Marinus Concert Overture Viola|Orchestral Part|1.50|13 GMCO102-04|||9790222286696|BLACKFORD|Dick Blackford|Marinus Concert Overture Cello|Orchestral Part|1.50|13 GMCO102-05|||9790222286702|BLACKFORD|Dick Blackford|Marinus Concert Overture Bass|Orchestral Part|1.50|13 GMCO102-06|||9790222286719|BLACKFORD|Dick Blackford|Marinus Concert Overture Piccolo|Orchestral Part|1.50|13 GMCO102-07|||9790222286726|BLACKFORD|Dick Blackford|Marinus Concert Overture Flute 1|Orchestral Part|1.50|13 GMCO102-08|||9790222286733|BLACKFORD|Dick Blackford|Marinus Concert Overture Flute 2|Orchestral Part|1.50|13 GMCO102-09|||9790222286740|BLACKFORD|Dick Blackford|Marinus Concert Overture Oboe 1|Orchestral Part|1.50|13 GMCO102-10|||9790222286757|BLACKFORD|Dick Blackford|Marinus Concert Overture Oboe 2|Orchestral Part|1.50|13 GMCO102-11|||9790222286764|BLACKFORD|Dick Blackford|Marinus Concert Overture Cor Angl.|Orchestral Part|1.50|13 GMCO102-12|||9790222286771|BLACKFORD|Dick Blackford|Marinus Concert Overture Clarinet 1|Orchestral Part|1.50|13 GMCO102-13|||9790222286788|BLACKFORD|Dick Blackford|Marinus Concert Overture Clarinet 2|Orchestral Part|1.50|13 GMCO102-14|||9790222286795|BLACKFORD|Dick Blackford|Marinus Concert Overture Bass Clar|Orchestral Part|1.50|13 GMCO102-15|||9790222286801|BLACKFORD|Dick Blackford|Marinus Concert Overture Bassoon 1|Orchestral Part|1.50|13 GMCO102-16|||9790222286818|BLACKFORD|Dick Blackford|Marinus Concert Overture Bassoon 2|Orchestral Part|1.50|13 GMCO102-17|||9790222286825|BLACKFORD|Dick Blackford|Marinus Concert Overture Contra Bsn|Orchestral Part|1.50|13 GMCO102-18|||9790222286832|BLACKFORD|Dick Blackford|Marinus Concert Overture Horn 1|Orchestral Part|1.50|13 GMCO102-19|||9790222286849|BLACKFORD|Dick Blackford|Marinus Concert Overture Horn 2|Orchestral Part|1.50|13 GMCO102-20|||9790222286856|BLACKFORD|Dick Blackford|Marinus Concert Overture Horn 3|Orchestral Part|1.50|13 GMCO102-21|||9790222286863|BLACKFORD|Dick Blackford|Marinus Concert Overture Horn 4|Orchestral Part|1.50|13 GMCO102-22|||9790222286870|BLACKFORD|Dick Blackford|Marinus Concert Overture Trumpet 1|Orchestral Part|1.50|13 GMCO102-23|||9790222286887|BLACKFORD|Dick Blackford|Marinus Concert Overture Trumpet 2|Orchestral Part|1.50|13 GMCO102-24|||9790222286894|BLACKFORD|Dick Blackford|Marinus Concert Overture Trumpet 3|Orchestral Part|1.50|13 GMCO102-25|||9790222286900|BLACKFORD|Dick Blackford|Marinus Concert Overture Trombone 1|Orchestral Part|1.50|13 GMCO102-26|||9790222286917|BLACKFORD|Dick Blackford|Marinus Concert Overture Trombone 2|Orchestral Part|1.50|13 GMCO102-27|||9790222286924|BLACKFORD|Dick Blackford|Marinus Concert Overture Trombone 3|Orchestral Part|1.50|13 GMCO102-28|||9790222286931|BLACKFORD|Dick Blackford|Marinus Concert Overture Tuba|Orchestral Part|1.50|13 GMCO102-29|||9790222286948|BLACKFORD|Dick Blackford|Marinus Concert Overture Timpani|Orchestral Part|1.50|13 GMCO102-30|||9790222286955|BLACKFORD|Dick Blackford|Marinus Concert Overture Percussion|Orchestral Part|2.00|25 GMCO102-31|||9790222286962|BLACKFORD|Dick Blackford|Marinus Concert Overture Harp|Orchestral Part|1.50|13 GMCO103|Paul Carr
CHORALE
Goodmusic Concert Originals Series GMCO103|ORCHESTRATION
2 Flutes, 2 Oboes, 2 Clarinets in A, 2 Bassoons
2 Horns in F, 2 Trumpets in C, 2 Trombones
Percussion (Tubular Bells, Glockenspiel)
Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Commissioned with funds provided by The Arts Council and dedicated to Mark Andrew James and the Sussex Symphony Orchestra in celebration of their 20th Anniversary Season. The first performance was given in Holy Trinity Church, Cuckfield on the 14th September 2013

At the time the Sussex Symphony Orchestra asked me for a short work composed in celebration of their 20th anniversary, I had just begun working on a commission for a large-scale Ave Maria for choir and orchestra, but it struck me that the piece would stand alone rather well as a purely orchestral hymn, so I continued to work on the two variations of the same piece in tandem.
It opens in complete stillness with a single tolling bell before the strings enter with the main theme. Woodwinds hesitantly join followed by trumpet and then the remaining brass, gently weaving and building towards an almost violent outburst from the full orchestra. The main theme is stated one last time before bringing the work to rest in a hushed and sustained conclusion of tranquil simplicity. Paul Carr
Duration 8 minutes

A PACK comprises one full score, all wind brass and percussion parts and string parts 4/4/3/4/2.|9790222288560|CARR P|Paul Carr|Chorale Pack|Orchestra|35.00|508 GMCO103-00|||9790222288577|CARR P|Paul Carr|Chorale Score|Orchestral Score|6.00|63 GMCO103-01|||9790222288584|CARR P|Paul Carr|Chorale Violin 1|Orchestral Part|1.50|13 GMCO103-02|||9790222288591|CARR P|Paul Carr|Chorale Violin 2|Orchestral Part|1.50|13 GMCO103-03|||9790222288607|CARR P|Paul Carr|Chorale Viola|Orchestral Part|1.50|13 GMCO103-04|||9790222288614|CARR P|Paul Carr|Chorale Cello|Orchestral Part|1.50|13 GMCO103-05|||9790222288621|CARR P|Paul Carr|Chorale Bass|Orchestral Part|1.50|13 GMCO103-06|||9790222288638|CARR P|Paul Carr|Chorale Flute 1|Orchestral Part|1.50|13 GMCO103-07|||9790222288645|CARR P|Paul Carr|Chorale Flute 2|Orchestral Part|1.50|13 GMCO103-08|||9790222288652|CARR P|Paul Carr|Chorale Oboe 1|Orchestral Part|1.50|13 GMCO103-09|||9790222288669|CARR P|Paul Carr|Chorale Oboe 2|Orchestral Part|1.50|13 GMCO103-10|||9790222288676|CARR P|Paul Carr|Chorale Clarinet 1|Orchestral Part|1.50|13 GMCO103-11|||9790222288683|CARR P|Paul Carr|Chorale Clarinet 2|Orchestral Part|1.50|13 GMCO103-12|||9790222288690|CARR P|Paul Carr|Chorale Bassoon 1|Orchestral Part|1.50|13 GMCO103-13|||9790222288706|CARR P|Paul Carr|Chorale Bassoon 2|Orchestral Part|1.50|13 GMCO103-14|||9790222288713|CARR P|Paul Carr|Chorale Horn 1|Orchestral Part|1.50|13 GMCO103-15|||9790222288720|CARR P|Paul Carr|Chorale Horn 2|Orchestral Part|1.50|13 GMCO103-16|||9790222288737|CARR P|Paul Carr|Chorale Trumpet 1|Orchestral Part|1.50|13 GMCO103-17|||9790222288744|CARR P|Paul Carr|Chorale Trumpet 2|Orchestral Part|1.50|13 GMCO103-18|||9790222288751|CARR P|Paul Carr|Chorale Trombone 1|Orchestral Part|1.50|13 GMCO103-19|||9790222288768|CARR P|Paul Carr|Chorale Trombone 2|Orchestral Part|1.50|13 GMCO103-20|||9790222288775|CARR P|Paul Carr|Chorale Percussion|Orchestral Part|1.50|13 GMCO103-21|||9790222288782|CARR P|Paul Carr|Chorale Harp|Orchestral Part|1.50|13 GMCO104|Paul Lewis
NORFOLK SUITE
Goodmusic Concert Originals Series GMCO104|'ORCHESTRATION
Violin 1, Violin 2, Viola, Cello, Bass

With a lifelong passion for mediaeval architecture it was inevitable that I should fall in love with Norfolk on first sight in 1966; as a composer of TV drama scores I have been on location in the county many times and Norfolk Suite was inspired by returning after an absence of over 20 years.
1. Castle Rising
The grimly splendid stone keep of Castle Rising seems literally to rise out of the ground from behind its earthen ramparts as one approaches, evoking images of the Norman knights who built it. A romantic section expresses the intense nostalgia that ancient ruins and this part of Norfolk inspire in me.
2. Wymondham Abbey
Ruined, or in this case partly-ruined, abbeys have always exerted a great fascination for me, and ghostly memories of plainsong and the footfall of long-dead monks pacing through vanished cloisters echoing through the centuries recur from time to time in my music.
3. Ranworth Broad
The beautiful Norfolk Broads are for many alive with nostalgic memories of family holidays spent sailing gently past windmills and deserted churches. I visited in 1983 when composing the music for the BBC Sunday teatime serial Swallows and Amazons Forever! based on Arthur Ransome''s famous adventure stories.
4. Norwich Market
There has been a permanent market on the same site for over a thousand years. The brightly striped awnings of the stalls beneath the ancient Guildhall suggest an air of optimistic bustle and jollity.
Paul Lewis
Duration 12? minutes

A PACK comprises one full score and string parts 4/4/3/4/2.'|9790222287761|LEWIS P|Paul Lewis|Norfolk Suite Pack|String Orchestra|35.00|622 GMCO104-00|||9790222287778|LEWIS P|Paul Lewis|Norfolk Suite Score|Orchestral Score|10.00|113 GMCO104-01|||9790222287785|LEWIS P|Paul Lewis|Norfolk Suite Violin 1|Orchestral Part|2.50|38 GMCO104-02|||9790222287792|LEWIS P|Paul Lewis|Norfolk Suite Violin 2|Orchestral Part|2.00|25 GMCO104-03|||9790222287808|LEWIS P|Paul Lewis|Norfolk Suite Viola|Orchestral Part|2.00|25 GMCO104-04|||9790222287815|LEWIS P|Paul Lewis|Norfolk Suite Cello|Orchestral Part|2.00|25 GMCO104-05|||9790222287822|LEWIS P|Paul Lewis|Norfolk Suite Bass|Orchestral Part|2.00|25 GMCO105|Paul Lewis
THE SUNKEN BALLROOM - An Elegy for Orchestra
Goodmusic Concert Originals Series GMCO105|'ORCHESTRATION
2 Flutes (2nd db Piccolo), 2 Oboes, 2 Clarinets in Bb (2nd db Alto Sax), 2 Bassoons, 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (3 players:Tubular Bells, Tam-Tam, Drum Kit, Triangle, Tambourine, Glockenspiel), Harp, Banjolin (or Banjo), Piano db. Celesta
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Sunken Ballroom - a musical vignette, a mini tone poem inspired by the wreck of Brighton''s West Pier: atmospheric, impressionistic watery textures from which emerge long-forgotten memories of the ballroom that now lies sadly rusting on the seabed. A waltz and a foxtrot float into focus and disappear again, leaving us with our recollections once more submerged. Gone are those romantic days; we are older now and the ghosts of our memories will surely die with us, leaving nothing but rotting metal beneath the waves.
The orchestra paints the picture and sets the scene. A lonely bell tolls the death knell of the pier, then like a distant memory a small group emerges - trombone, saxophone and rhythm section, playing a lilting waltz version of that perennial celebration of seaside jollity, ''I Do Like to be Beside the Seaside'' - which eventually fades into a return of the opening dirge. Then, gradually getting louder as the memories become real again, a dance band is heard - muted brass, sax and rhythm - playing a foxtrot. This in turn fades away and a brief but passionate lament for the pier subsides into bleak wateriness until only the tolling bell remains.
The sad fate of the West Pier is very poignant for me since my mother and her sister, both musicians, played regularly in the restaurant/ballroom. They were playing there the day war broke out; the pier manager told them to pack up their instruments and go home as the War Office intended to cut a section out of the pier to prevent its use by the Germans as a landing stage. On the back cover of the score is a glorious photo from that year of my mother, Phyllis, and my Aunt Gladys in gypsy costume carrying their accordions along the pier. Paul Lewis
Duration 6 minutes

A PACK comprises one A4 sized full score, all wind brass and percussion parts and string parts 4/4/3/4/2. An A3 sized score is also available separately.'|9790222288805|LEWIS P|Paul Lewis|Sunken Ballroom Pack|Orchestra|45.00|708 GMCO105-00|||9790222288812|LEWIS P|Paul Lewis|Sunken Ballroom Score (A4)|Orchestral Score|8.00|119 GMCO105-01|||9790222288836|LEWIS P|Paul Lewis|Sunken Ballroom Violin 1|Orchestral Part|1.50|13 GMCO105-02|||9790222288843|LEWIS P|Paul Lewis|Sunken Ballroom Violin 2|Orchestral Part|1.50|13 GMCO105-03|||9790222288850|LEWIS P|Paul Lewis|Sunken Ballroom Viola|Orchestral Part|1.50|13 GMCO105-04|||9790222288867|LEWIS P|Paul Lewis|Sunken Ballroom Cello|Orchestral Part|1.50|13 GMCO105-05|||9790222288874|LEWIS P|Paul Lewis|Sunken Ballroom Bass|Orchestral Part|1.50|13 GMCO105-06|||9790222288881|LEWIS P|Paul Lewis|Sunken Ballroom Flute 1|Orchestral Part|1.50|13 GMCO105-07|||9790222288898|LEWIS P|Paul Lewis|Sunken Ballroom Flute 2/Piccolo|Orchestral Part|1.50|13 GMCO105-08|||9790222288904|LEWIS P|Paul Lewis|Sunken Ballroom Oboe 1|Orchestral Part|1.50|13 GMCO105-09|||9790222288911|LEWIS P|Paul Lewis|Sunken Ballroom Oboe 2|Orchestral Part|1.50|13 GMCO105-10|||9790222288928|LEWIS P|Paul Lewis|Sunken Ballroom Clarinet 1|Orchestral Part|1.50|13 GMCO105-11|||9790222288935|LEWIS P|Paul Lewis|Sunken Ballroom Clarinet 2/Alto Sax|Orchestral Part|1.50|13 GMCO105-12|||9790222288942|LEWIS P|Paul Lewis|Sunken Ballroom Bassoon 1|Orchestral Part|1.50|13 GMCO105-13|||9790222288959|LEWIS P|Paul Lewis|Sunken Ballroom Bassoon 2|Orchestral Part|1.50|13 GMCO105-14|||9790222288966|LEWIS P|Paul Lewis|Sunken Ballroom Horn 1|Orchestral Part|1.50|13 GMCO105-15|||9790222288973|LEWIS P|Paul Lewis|Sunken Ballroom Horn 2|Orchestral Part|1.50|13 GMCO105-16|||9790222288980|LEWIS P|Paul Lewis|Sunken Ballroom Horn 3|Orchestral Part|1.50|13 GMCO105-17|||9790222288997|LEWIS P|Paul Lewis|Sunken Ballroom Horn 4|Orchestral Part|1.50|13 GMCO105-18|||9790222289000|LEWIS P|Paul Lewis|Sunken Ballroom Trumpet 1|Orchestral Part|1.50|13 GMCO105-19|||9790222289017|LEWIS P|Paul Lewis|Sunken Ballroom Trumpet 2|Orchestral Part|1.50|13 GMCO105-20|||9790222289024|LEWIS P|Paul Lewis|Sunken Ballroom Trumpet 3|Orchestral Part|1.50|13 GMCO105-21|||9790222289031|LEWIS P|Paul Lewis|Sunken Ballroom Trombone 1|Orchestral Part|1.50|13 GMCO105-22|||9790222289048|LEWIS P|Paul Lewis|Sunken Ballroom Trombone 2|Orchestral Part|1.50|13 GMCO105-23|||9790222289055|LEWIS P|Paul Lewis|Sunken Ballroom Trombone 3|Orchestral Part|1.50|13 GMCO105-24|||9790222289062|LEWIS P|Paul Lewis|Sunken Ballroom Tuba|Orchestral Part|1.50|13 GMCO105-25|||9790222289079|LEWIS P|Paul Lewis|Sunken Ballroom Timpani|Orchestral Part|1.50|13 GMCO105-26|||9790222289086|LEWIS P|Paul Lewis|Sunken Ballroom Percussion|Orchestral Part|2.00|25 GMCO105-27|||9790222289093|LEWIS P|Paul Lewis|Sunken Ballroom Harp|Orchestral Part|1.50|13 GMCO105-28|||9790222289109|LEWIS P|Paul Lewis|Sunken Ballroom Banjo|Orchestral Part|1.50|13 GMCO105-29|||9790222289116|LEWIS P|Paul Lewis|Sunken Ballroom Piano/Celesta|Orchestral Part|2.00|25 GMCO105-30|||9790222288829|LEWIS P|Paul Lewis|Sunken Ballroom Score (A3)|Orchestral Score|25.00|81 GMCO107|Paul Lewis
SALUTE THE SILENTS!
Goodmusic Concert Originals Series GMCO107|'ORCHESTRATION
Violin 1, Violin 2, Viola, Cello, Bass
This work is a celebration of some of the genres and character types most popular in the days of the silent movies.
1. Ride-em Cowboy! Early Westerns contained a great deal of high speed galloping about. An interlude describes a cowboy on a reluctant steed that just doesn''t want to get going.
2. The Vamp Actress Theda Bara began a fashion for films about dangerous, predatory women who passed the time of day (and night) seducing weak-willed men and separating them from their money and their wives before leaving them high, dry and ruined when their money was spent. This is a slinky, suggestive movement starting in blues tempo and continuing with an up-beat section as the vamp swings into action!
3. The Villain The opening portrays the type of villain often seen in Charlie Chaplin films: of towering build, bad-tempered, with bushy eyebrows, long black beard and glowering countenance. In the fast section we encounter the type of villain who pursued the hapless heroines such as in The Perils of Pauline and The Hazards of Helen.
4. The Heroine Fragile, delicate, innocent and oh so pretty - the heroine of so many silent movies. The movement begins with eight bars of harmony but no melody: an affectionate reference to Lewis''s mother Phyllis''s first job in a movie house at the age of fourteen. She was told to play the violin solo in the big love scene, but so mesmerized by the film was she that when the scene came she stood watching the screen transfixed, the violin dangling beside her in one hand and the bow in the other, and didn''t play a note! (The manager sacked her and threw her out in the interval!)
5. Slapstick Strings Chases and madcap stunts performed with breath-taking precision and an apparent disregard for safety. The musical action is interrupted by a galumphing interlude: could that be Laurel and Hardy putting in an appearance? The action gets dafter and after a chaotic section the music hurtles towards a helter-skelter conclusion.
Salute the Silents! was commissioned by Michelle Roberts, Instrumental Music Director, Montgomery Blair High School, Silver Spring, Maryland, U.S.A. with financial assistance from the Wolf Trap Foundation.
Duration 19 minutes

A PACK comprises one full score and strings 4/4/3/4/2.'|9790222290464|LEWIS P|Paul Lewis|Salute the Silents! Pack|String Orchestra|60.00|914 GMCO107-00|||9790222290471|LEWIS P|Paul Lewis|Salute the Silents! Score|Orchestral Score|10.00|113 GMCO107-01|||9790222290488|LEWIS P|Paul Lewis|Salute the Silents! Violin 1|Orchestral Part|3.50|63 GMCO107-02|||9790222290495|LEWIS P|Paul Lewis|Salute the Silents! Violin 2|Orchestral Part|2.50|38 GMCO107-03|||9790222290501|LEWIS P|Paul Lewis|Salute the Silents! Viola|Orchestral Part|3.00|50 GMCO107-04|||9790222290518|LEWIS P|Paul Lewis|Salute the Silents! Cello|Orchestral Part|2.50|38 GMCO107-05|||9790222290525|LEWIS P|Paul Lewis|Salute the Silents! Bass|Orchestral Part|2.50|38 GMCO108|Philip Henderson
ON THE BEACH WITH ALICE for cello and orchestra
Goodmusic Concert Originals Series GMCO108|'ORCHESTRATION: Piccolo, Flute, Oboe, Clarinet in Bb & A, Bassoon, 2 Horns in F, Percussion (5 players: Vibraphone, Gong, Triangle, Cymbal [susp], Bass drum, Snare drum, Tambourine), Strings (Violin 1, Violin 2, Viola, Cello, Bass), Solo Cello

This work, a cello concerto in all but name, was inspired by an old black and white photograph taken on Sheerness beach with a very young Philip Henderson huddling up to Alice, his mother, at the waters edge. She had just been made a widow following the tragic death of Philip''s father, and she had taken her son and daughter for a trip to the seaside, despite their great loss.
There are four movements: Sunrise; Morning Delight; Dancing in the Midday Sun; Castles of Sand.
A PACK comprises one full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
A reduction for cello and piano is also on sale - Goodmusic GM136
Duration 18 minutes

On the beach with Alice received its World Premiere in Beijing on 3rd November 2013 played by the Beijing Youth Orchestra conducted by Shane O''Shea with Jacob Shaw as soloist. www.jacobshaw.de
The audio file is an actual performance played by Jacob Shaw and not a computer-generated one!'|9790222290600|HENDERSON P|Philip Henderson|On the Beach with Alice Pack|Orchestra|80.00|1335 GMCO108-00|||9790222290617|HENDERSON P|Philip Henderson|On the Beach with Alice Score|Orchestral Score|20.00|295 GMCO108-01|||9790222290624|HENDERSON P|Philip Henderson|On the Beach with Alice Violin 1|Orchestral Part|2.50|38 GMCO108-02|||9790222290631|HENDERSON P|Philip Henderson|On the Beach with Alice Violin 2|Orchestral Part|2.00|25 GMCO108-03|||9790222290648|HENDERSON P|Philip Henderson|On the Beach with Alice Viola|Orchestral Part|2.50|38 GMCO108-04|||9790222290655|HENDERSON P|Philip Henderson|On the Beach with Alice Cello|Orchestral Part|2.00|25 GMCO108-05|||9790222290662|HENDERSON P|Philip Henderson|On the Beach with Alice Bass|Orchestral Part|2.00|25 GMCO108-06|||9790222290679|HENDERSON P|Philip Henderson|On the Beach with Alice Piccolo|Orchestral Part|2.50|38 GMCO108-07|||9790222290686|HENDERSON P|Philip Henderson|On the Beach with Alice Flute|Orchestral Part|2.50|38 GMCO108-08|||9790222290693|HENDERSON P|Philip Henderson|On the Beach with Alice Oboe|Orchestral Part|2.50|38 GMCO108-09|||9790222290709|HENDERSON P|Philip Henderson|On the Beach with Alice Clarinet|Orchestral Part|2.50|38 GMCO108-10|||9790222290716|HENDERSON P|Philip Henderson|On the Beach with Alice Bassoon|Orchestral Part|2.00|25 GMCO108-11|||9790222290723|HENDERSON P|Philip Henderson|On the Beach with Alice Horn 1|Orchestral Part|2.00|25 GMCO108-12|||9790222290730|HENDERSON P|Philip Henderson|On the Beach with Alice Horn 2|Orchestral Part|2.00|25 GMCO108-13|||9790222290747|HENDERSON P|Philip Henderson|On the Beach with Alice Percussion|Orchestral Part|3.50|63 GMCO108-14|||9790222290754|HENDERSON P|Philip Henderson|On the Beach with Alice Solo Cello|Orchestral Part|2.00|25 GMCO109|Antony Hopkins
ALDEBURGH FESTIVAL SUITE
Goodmusic Concert Originals Series GMCO109|'ORCHESTRATION
Violin 1, Violin 2, Violin 3, Viola, Cello, Bass, 2 Trumpets in C

Originally titled Festival Overture this work was written for a concert in the 1950 Aldeburgh Festival where it received it''s first performance on 24th June 1950 in Aldeburgh Parish Church conducted by the composer. It was subsequently neglected until it received a further performance on 23rd November 2013 at St.Peter''s Church, Berkhamsted played by the Bridgewater Sinfonia conducted by Adrian Davis.
Antony Hopkins writes:
Judge of my surprise when I received a letter from Benjamin Britten asking me to write a short Festival Overture for the then comparatively new Aldeburgh Festival. It was to be for a tiny band - just 11 strings and 2 trumpets. I had earlier dedicated my first opera to Britten and this may have been a kindly reciprocal gesture. I duly wrote this piece and tried to finish it triumphantly, despite the small resources. My ''triumph'' was received in total silence - I had forgotten that the performance was given in the local church, and in those days applause wasn''t allowed in churches. Surely the angels wouldn''t mind? Anyway, to this day, it was the biggest anti-climax of my life, and I slunk out of the building a broken spirit.
Benjamin Britten seems to have thought well of the piece as Antony received a letter of thanks a short while afterwards. The letter is reproduced on the inside back cover of the full score.
For this first publication, it was decided to rename the work Aldeburgh Festival Suite because of it''s origins and because a suite of four movements (albeit joined together) seems a more appropriate description than an overture with four movements, which, incidentally, are titled Fanfare, March, Recitative & Finale.
As the piece was originally written for only 6 violins, 2 violas, 2 cellos and bass (plus 2 trumpets) this means that there are three (divisi) violin parts; the Violin 3 is not an "alternative" or optional part. A performance with a larger number of strings will, of course, give a fuller sound.
Duration 8 minutes

A PACK comprises one full score and string parts 4/4/3/4/2.'|9790222290761|HOPKINS A|Antony Hopkins|Aldeburgh Festival Suite Pack|Orchestra|35.00|428 GMCO109-00|||9790222290778|HOPKINS A|Antony Hopkins|Aldeburgh Festival Suite Score|Orchestral Score|6.00|75 GMCO109-01|||9790222290785|HOPKINS A|Antony Hopkins|Aldeburgh Festival Suite Violin 1|Orchestral Part|1.50|13 GMCO109-02|||9790222290792|HOPKINS A|Antony Hopkins|Aldeburgh Festival Suite Violin 2|Orchestral Part|1.50|13 GMCO109-03|||9790222290808|HOPKINS A|Antony Hopkins|Aldeburgh Festival Suite Violin 3|Orchestral Part|1.50|13 GMCO109-04|||9790222290815|HOPKINS A|Antony Hopkins|Aldeburgh Festival Suite Viola|Orchestral Part|1.50|13 GMCO109-05|||9790222290822|HOPKINS A|Antony Hopkins|Aldeburgh Festival Suite Cello|Orchestral Part|2.00|25 GMCO109-06|||9790222290839|HOPKINS A|Antony Hopkins|Aldeburgh Festival Suite Bass|Orchestral Part|2.00|25 GMCO109-07|||9790222290846|HOPKINS A|Antony Hopkins|Aldeburgh Festival Suite Trumpet 1|Orchestral Part|1.50|13 GMCO109-08|||9790222290853|HOPKINS A|Antony Hopkins|Aldeburgh Festival Suite Trumpet 2|Orchestral Part|1.50|13 GMCO110|Dick Blackford
SYMPHONIC DANCES
Goodmusic Concert Originals Series GMCO110|ORCHESTRATION
2 Flutes (2nd Db Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (5 players: Snare Drum, Triangle, Cymbals (clashed & Suspended), Bass Drum, Wood Block, Glockenspiel, Xylophone), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A suite of five movements first performed by the York Guildhall Orchestra in February 2014. They write: It has become a favourite with the orchestra . . . . it features beautiful, memorable folk-like melodies, clever use of countermelodies, some lovely harmonies and colourful orchestration which really make the piece come alive for players and audience alike.

This work is derived from my original "Dance Trio" for violin, clarinet and piano. My aim was to compose an easily accessible, melodious score framed within the clear rhythmic structures of dance forms. The March utilises all the characteristics of the genre; the main melody in the Sarabande was drawn from an early work for violin and orchestra; the Last Waltz developed from a tune written for my daughter; the Intermezzo although not a strict dance form, is in a strongly marked triple time; the final Reel reflects my love of Scotland and its traditional dances, the slower second subject perhaps captures the majesty of the scenery.
(Dick Blackford)

Duration 19 minutes

The audio file is NOT a computer-generated one but an actual recording of the work played by the Guildhall Orchestra of York conducted by Simon Wright

A PACK comprises one A4 sized full score, all wind brass and percussion parts and string parts 4/4/3/4/2. An A3 sized full score is also available separately.|9790222290884|BLACKFORD|Dick Blackford|Symphonic Dances Pack|Orchestra|80.00|1265 GMCO110-00|||9790222290891|BLACKFORD|Dick Blackford|Symphonic Dances Score (A4)|Orchestral Score|15.00|220 GMCO110-01|||9790222290907|BLACKFORD|Dick Blackford|Symphonic Dances Violin 1|Orchestral Part|2.50|38 GMCO110-02|||9790222290914|BLACKFORD|Dick Blackford|Symphonic Dances Violin 2|Orchestral Part|2.00|25 GMCO110-03|||9790222290921|BLACKFORD|Dick Blackford|Symphonic Dances Viola|Orchestral Part|2.00|25 GMCO110-04|||9790222290938|BLACKFORD|Dick Blackford|Symphonic Dances Cello|Orchestral Part|2.00|25 GMCO110-05|||9790222290945|BLACKFORD|Dick Blackford|Symphonic Dances Bass|Orchestral Part|2.00|25 GMCO110-06|||9790222290952|BLACKFORD|Dick Blackford|Symphonic Dances Flute 1|Orchestral Part|2.00|25 GMCO110-07|||9790222290969|BLACKFORD|Dick Blackford|Symphonic Dances Flute 2/Piccolo|Orchestral Part|2.00|25 GMCO110-08|||9790222290976|BLACKFORD|Dick Blackford|Symphonic Dances Oboe 1|Orchestral Part|2.00|25 GMCO110-09|||9790222290983|BLACKFORD|Dick Blackford|Symphonic Dances Oboe 2|Orchestral Part|2.00|25 GMCO110-10|||9790222290990|BLACKFORD|Dick Blackford|Symphonic Dances Clarinet 1|Orchestral Part|2.00|25 GMCO110-11|||9790222291003|BLACKFORD|Dick Blackford|Symphonic Dances Clarinet 2|Orchestral Part|2.00|25 GMCO110-12|||9790222291010|BLACKFORD|Dick Blackford|Symphonic Dances Bassoon 1|Orchestral Part|2.00|25 GMCO110-13|||9790222291027|BLACKFORD|Dick Blackford|Symphonic Dances Bassoon 2|Orchestral Part|2.00|25 GMCO110-14|||9790222291034|BLACKFORD|Dick Blackford|Symphonic Dances Horn 1|Orchestral Part|2.00|25 GMCO110-15|||9790222291041|BLACKFORD|Dick Blackford|Symphonic Dances Horn 2|Orchestral Part|2.00|25 GMCO110-16|||9790222291058|BLACKFORD|Dick Blackford|Symphonic Dances Horn 3|Orchestral Part|2.00|25 GMCO110-17|||9790222291065|BLACKFORD|Dick Blackford|Symphonic Dances Horn 4|Orchestral Part|2.00|25 GMCO110-18|||9790222291072|BLACKFORD|Dick Blackford|Symphonic Dances Trumpet 1|Orchestral Part|1.50|13 GMCO110-19|||9790222291089|BLACKFORD|Dick Blackford|Symphonic Dances Trumpet 2|Orchestral Part|1.50|13 GMCO110-20|||9790222291096|BLACKFORD|Dick Blackford|Symphonic Dances Trumpet 3|Orchestral Part|1.50|13 GMCO110-21|||9790222291102|BLACKFORD|Dick Blackford|Symphonic Dances Trombone 1|Orchestral Part|1.50|13 GMCO110-22|||9790222291119|BLACKFORD|Dick Blackford|Symphonic Dances Trombone 2|Orchestral Part|1.50|13 GMCO110-23|||9790222291126|BLACKFORD|Dick Blackford|Symphonic Dances Trombone 3|Orchestral Part|1.50|13 GMCO110-24|||9790222291133|BLACKFORD|Dick Blackford|Symphonic Dances Tuba|Orchestral Part|1.50|13 GMCO110-25|||9790222291140|BLACKFORD|Dick Blackford|Symphonic Dances Timpani|Orchestral Part|1.50|13 GMCO110-26|||9790222291157|BLACKFORD|Dick Blackford|Symphonic Dances Percussion|Orchestral Part|2.00|25 GMCO110-27|||9790222291164|BLACKFORD|Dick Blackford|Symphonic Dances Harp|Orchestral Part|2.00|25 GMCO110-28|||9790222291171|BLACKFORD|Dick Blackford|Symphonic Dances Score (A3)|Orchestral Score|30.00|485 GMCO111|Peter Lawson
BURLESQUE IN THE BURREN for string orchestra
Goodmusic Concert Originals Series GMCO111|'ORCHESTRATION: Violin 1, Violin 2, Viola, Cello, Bass

Burlesque in the Burren started life as the third movement of the composer''s "The Grand Design Quartet", subtitled "Song of the Common Spotted Orchid" - which is one of the cycle of musical portraits of the 48 wild orchids of Britain and Ireland. This movement referred to the subspecies o''kellyi, which is a pure white form, named after a schoolteacher in Ballyvaughan in the Burren in County Clare, Ireland, who found it growing in the local area. The Burren is a vast lunar-like area of unspoilt limestone pavement - a natural rockery for plants and a botanical dream for lime-loving plants.
This arrangement for string orchestra stays fairly close to the original, but the string parts are a little simpler, due to dividing the parts, and richer for the addition of double basses, which in many places have a separate line independent from the ''cellos. The music, which is jovial and scherzo-like, resembles an Irish Gig with a bit of a limp, as the time signature throughout changes from 9/8 to two bars of 6/8, so that there are 3 beats followed by 4 beats throughout - this serves also to drive the music forwards with confidence and exuberation. Peter Lawson
Duration 6? minutes'|9790222291201|LAWSON|Peter Lawson|Burlesque in the Burren Pack|String Orchestra|35.00|516 GMCO111-00|||9790222291218|LAWSON|Peter Lawson|Burlesque in the Burren Score|Orchestral Score|6.00|63 GMCO111-01|||9790222291225|LAWSON|Peter Lawson|Burlesque in the Burren Violin 1|Orchestral Part|2.00|25 GMCO111-02|||9790222291232|LAWSON|Peter Lawson|Burlesque in the Burren Violin 2|Orchestral Part|2.00|25 GMCO111-03|||9790222291249|LAWSON|Peter Lawson|Burlesque in the Burren Viola|Orchestral Part|2.00|25 GMCO111-04|||9790222291256|LAWSON|Peter Lawson|Burlesque in the Burren Cello|Orchestral Part|2.00|25 GMCO111-05|||9790222291263|LAWSON|Peter Lawson|Burlesque in the Burren Bass|Orchestral Part|2.00|25 GMCO112|Judith Bailey
CONCERTO FOR ORCHESTRA
Goodmusic Concert Originals Series GMCO112|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (2 players: Tambourine, Cymbal [susp], Glockenspiel, Snare drum), Strings (Violin 1, Violin 2, Viola, Cello [including solo], Bass)
This work was written for Jean Waller, principal ''cellist of the Southampton Orchestra and commissioned for her birthday on July 18th 1996 by her husband Patrick. As the composer''s birthday falls on the same date, Judith Bailey took the Chinese proverb "Keep a green bough in your heart and the singing bird will come" as a source of inspiration for the piece, using the element of "water" (appertaining to Cancer, the Crab) for her first theme in the solo woodwind, and "ruby", the Cancerian birthstone, as the sharp-edged second theme for the solo brass.
The soloists in the "concerto" (for flute, oboe, clarinet, horn, trumpet, trombone and ''cello) are drawn from the orchestra with the part for ''cello solo, written for Jean to play, linking the various sections of the work. These players could be seated together at the front of the orchestra in soloist fashion, if desired.
Duration 15 minutes
A PACK comprises one full score, all wind brass and percussion parts and strings 4/4/3/4/2.
A CD recording is available on EM Records EMR CD026 with Judith Bailey''s "Havas - A Period of Summer"'|9790222291270|BAILEY J|Judith Bailey|Concerto for Orchestra Pack|Orchestra|50.00|776 GMCO112-00|||9790222291287|BAILEY J|Judith Bailey|Concerto for Orchestra Score|Orchestral Score|14.00|207 GMCO112-01|||9790222291294|BAILEY J|Judith Bailey|Concerto for Orchestra Violin 1|Orchestral Part|1.50|13 GMCO112-02|||9790222291300|BAILEY J|Judith Bailey|Concerto for Orchestra Violin 2|Orchestral Part|1.50|13 GMCO112-03|||9790222291317|BAILEY J|Judith Bailey|Concerto for Orchestra Viola|Orchestral Part|1.50|13 GMCO112-04|||9790222291324|BAILEY J|Judith Bailey|Concerto for Orchestra Cello|Orchestral Part|1.50|13 GMCO112-05|||9790222291331|BAILEY J|Judith Bailey|Concerto for Orchestra Bass|Orchestral Part|1.50|13 GMCO112-06|||9790222291348|BAILEY J|Judith Bailey|Concerto for Orchestra Flute 1|Orchestral Part|2.00|25 GMCO112-07|||9790222291355|BAILEY J|Judith Bailey|Concerto for Orchestra Flute 2|Orchestral Part|1.50|13 GMCO112-08|||9790222291362|BAILEY J|Judith Bailey|Concerto for Orchestra Oboe 1|Orchestral Part|2.00|25 GMCO112-09|||9790222291379|BAILEY J|Judith Bailey|Concerto for Orchestra Oboe 2|Orchestral Part|1.50|13 GMCO112-10|||9790222291386|BAILEY J|Judith Bailey|Concerto for Orchestra Clarinet 1|Orchestral Part|2.00|25 GMCO112-11|||9790222291393|BAILEY J|Judith Bailey|Concerto for Orchestra Clarinet 2|Orchestral Part|1.50|13 GMCO112-12|||9790222291409|BAILEY J|Judith Bailey|Concerto for Orchestra Bassoon 1|Orchestral Part|1.50|13 GMCO112-13|||9790222291416|BAILEY J|Judith Bailey|Concerto for Orchestra Bassoon 2|Orchestral Part|1.50|13 GMCO112-14|||9790222291423|BAILEY J|Judith Bailey|Concerto for Orchestra Horn 1|Orchestral Part|1.50|13 GMCO112-15|||9790222291430|BAILEY J|Judith Bailey|Concerto for Orchestra Horn 2|Orchestral Part|1.50|13 GMCO112-16|||9790222291447|BAILEY J|Judith Bailey|Concerto for Orchestra Horn 3|Orchestral Part|1.50|13 GMCO112-17|||9790222291454|BAILEY J|Judith Bailey|Concerto for Orchestra Horn 4|Orchestral Part|1.50|13 GMCO112-18|||9790222291461|BAILEY J|Judith Bailey|Concerto for Orchestra Trumpet 1|Orchestral Part|1.50|13 GMCO112-19|||9790222291478|BAILEY J|Judith Bailey|Concerto for Orchestra Trumpet 2|Orchestral Part|1.50|13 GMCO112-20|||9790222291485|BAILEY J|Judith Bailey|Concerto for Orchestra Trombone 1|Orchestral Part|1.50|13 GMCO112-21|||9790222291492|BAILEY J|Judith Bailey|Concerto for Orchestra Trombone 2|Orchestral Part|1.50|13 GMCO112-22|||9790222291508|BAILEY J|Judith Bailey|Concerto for Orchestra Trombone 3|Orchestral Part|1.50|13 GMCO112-23|||9790222291515|BAILEY J|Judith Bailey|Concerto for Orchestra Timpani|Orchestral Part|1.50|13 GMCO112-24|||9790222291522|BAILEY J|Judith Bailey|Concerto for Orchestra Percussion|Orchestral Part|2.00|25 GMCO112-25|||9790222291539|BAILEY J|Judith Bailey|Concerto for Orchestra Solo Cello|Orchestral Part|2.00|25 GMCO113|VIOLIN CONCERTO by Paul Carr
for violin and orchestra
Goodmusic Concert Originals GMCO113|'Orchestration: Solo Violin, Flute, Oboe, Clarinet in B flat, Bassoon, Horn in F, Trumpet in B flat, Bass Trombone, Percussion (1 player): crotales, triangle, snare drum, tubular bells, whistle, glockenspiel, vibraphone, gong (optional), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass [1 to low C])

I have often found that being asked to write a particular work can be the greatest source of inspiration, and this work is no exception. At the time Em Marshall-Luck (founder and director of the English Music Festival) suggested I might like to write a concerto for her husband, violinist Rupert Marshall-Luck, I had in fact been suffering a period of creative depression and hadn''t written anything for about nine months. So this invitation couldn''t have come at a better time and feeling challenged, but inspired by the idea, I completed the work in just five weeks.
Taking three words which best summed up my emotional state at the time "Lonely, thoughtful, passionate" the 1st movement opens very quietly with a mysterious music of empitness. Slowly gaining in tempo and dynamic this leads to a more dramatic section where the violin seems to almost outrun itself, before returning to the rather sparse ambiguity of the opening.
The central slow movement is one of deep emotion and was written following a visit to my mother''s grave in Penzance and gives the piece its title, "Beside a grave in Cornwall". It is a stark reflection on love, life, loss, and the ultimate journey we must all undertake, and while there is a strong underlying pain to the music, I also feel there is a beauty and acceptance within its sadness.
In contrast to the first two movements, the final one has no agenda. Marked "Continuously running" it merely conveys a general feeling of energy and joy, although it is interspersed with quiet sections of a dream-like-nursery-rhyme quality. However, with a sudden twist to the proceedings the main key of G major suddenly shifts to E minor and the work ends with a nod to the starkness of the slow movement. Paul Carr

A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
A violin and piano reduction is also available - GM159
Duration 20 minutes'|9790222300552|CARR P|Paul Carr|Violin Concerto Pack|Orchestra|60.00|940 GMCO113-00|||9790222300569|CARR P|Paul Carr|Violin Concerto Score|Orchestral Score|15.00|225 GMCO113-01|||9790222300576|CARR P|Paul Carr|Violin Concerto Violin 1|Orchestral Part|2.00|25 GMCO113-02|||9790222300583|CARR P|Paul Carr|Violin Concerto Violin 2|Orchestral Part|2.00|25 GMCO113-03|||9790222300590|CARR P|Paul Carr|Violin Concerto Viola|Orchestral Part|2.00|25 GMCO113-04|||9790222300606|CARR P|Paul Carr|Violin Concerto Cello|Orchestral Part|2.00|25 GMCO113-05|||9790222300613|CARR P|Paul Carr|Violin Concerto Bass|Orchestral Part|2.00|25 GMCO113-06|||9790222300620|CARR P|Paul Carr|Violin Concerto Flute|Orchestral Part|2.00|25 GMCO113-07|||9790222300637|CARR P|Paul Carr|Violin Concerto Oboe|Orchestral Part|2.00|25 GMCO113-08|||9790222300644|CARR P|Paul Carr|Violin Concerto Clarinet|Orchestral Part|2.00|25 GMCO113-09|||9790222300651|CARR P|Paul Carr|Violin Concerto Bassoon|Orchestral Part|2.00|25 GMCO113-10|||9790222300668|CARR P|Paul Carr|Violin Concerto Horn|Orchestral Part|1.50|13 GMCO113-11|||9790222300675|CARR P|Paul Carr|Violin Concerto Trumpet|Orchestral Part|2.00|25 GMCO113-12|||9790222300682|CARR P|Paul Carr|Violin Concerto Trombone|Orchestral Part|1.50|13 GMCO113-13|||9790222300699|CARR P|Paul Carr|Violin Concerto Percussion|Orchestral Part|2.00|25 GMCO113-14|||9790222300705|CARR P|Paul Carr|Violin Concerto Harp|Orchestral Part|3.00|50 GMCO113-15|||9790222300712|CARR P|Paul Carr|Violin Concerto Solo Violin|Orchestral Part|3.00|50 GMCO114|Philip Lane
OLD CHRISTMAS MUSIC for orchestra
Goodmusic Concert Originals GMCO114|ORCHESTRATION
2 Flutes (2nd db Piccolo), Oboe, 2 Clarinets in Bb and A, Bassoon, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (3 players: Tenor Drum, Snare Drum, Triangle, Tambourine, Tubular Bells, Glockenspiel, Xylophone), Harp, Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Old Christmas Music comprises arrangements of seasonal works from the sixteenth to the twentieth centuries, in particular featuring two carols by Peter Warlock, scored for strings alone:-
1. Anon. 16th Century: Gaudete (Duration 2 minutes);
2. Peter Warlock: The First Mercy (Duration 2? minutes);
3. French trad.: Bring a Torch (Duration 1? minutes);
4. Peter Warlock: Bethlehem Down (Duration 4 minutes);
5. Mykola Leontovych: Carol of the Bells (Duration 2 minutes)

A recording of this work along with other Christmas music is available on a Naxos CD entitled "Another Night Before Christmas" (8.572744) played by the Royal Ballet Sinfonia conducted by Gavin Sutherland.
A PACK comprises one full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 12 minutes|9790222292703|LANE P|Philip Lane|Old Christmas Music Pack|Orchestra|60.00|860 GMCO114-00|||9790222292710|LANE P|Philip Lane|Old Christmas Music Score|Orchestral Score|12.00|168 GMCO114-01|||9790222292727|LANE P|Philip Lane|Old Christmas Music Violin 1|Orchestral Part|2.00|25 GMCO114-02|||9790222292734|LANE P|Philip Lane|Old Christmas Music Violin 2|Orchestral Part|2.00|25 GMCO114-03|||9790222292741|LANE P|Philip Lane|Old Christmas Music Viola|Orchestral Part|2.00|25 GMCO114-04|||9790222292758|LANE P|Philip Lane|Old Christmas Music Cello|Orchestral Part|2.00|25 GMCO114-05|||9790222292765|LANE P|Philip Lane|Old Christmas Music Bass|Orchestral Part|2.00|25 GMCO114-06|||9790222292772|LANE P|Philip Lane|Old Christmas Music Flute 1|Orchestral Part|1.50|13 GMCO114-07|||9790222292789|LANE P|Philip Lane|Old Christmas Music Flute 2/Piccolo|Orchestral Part|1.50|13 GMCO114-08|||9790222292796|LANE P|Philip Lane|Old Christmas Music Oboe|Orchestral Part|1.50|13 GMCO114-09|||9790222292802|LANE P|Philip Lane|Old Christmas Music Clarinet 1|Orchestral Part|1.50|13 GMCO114-10|||9790222292819|LANE P|Philip Lane|Old Christmas Music Clarinet 2|Orchestral Part|1.50|13 GMCO114-11|||9790222292826|LANE P|Philip Lane|Old Christmas Music Bassoon|Orchestral Part|1.50|13 GMCO114-12|||9790222292833|LANE P|Philip Lane|Old Christmas Music Horn 1|Orchestral Part|1.50|13 GMCO114-13|||9790222292840|LANE P|Philip Lane|Old Christmas Music Horn 2|Orchestral Part|1.50|13 GMCO114-14|||9790222292857|LANE P|Philip Lane|Old Christmas Music Trumpet 1|Orchestral Part|1.50|13 GMCO114-15|||9790222292864|LANE P|Philip Lane|Old Christmas Music Trumpet 2|Orchestral Part|1.50|13 GMCO114-16|||9790222292871|LANE P|Philip Lane|Old Christmas Music Trombone 1|Orchestral Part|1.50|13 GMCO114-17|||9790222292888|LANE P|Philip Lane|Old Christmas Music Trombone 2|Orchestral Part|1.50|13 GMCO114-18|||9790222292895|LANE P|Philip Lane|Old Christmas Music Trombone 3|Orchestral Part|1.50|13 GMCO114-19|||9790222292901|LANE P|Philip Lane|Old Christmas Music Timpani|Orchestral Part|1.50|13 GMCO114-20|||9790222292918|LANE P|Philip Lane|Old Christmas Music Percussion|Orchestral Part|1.50|13 GMCO114-21|||9790222292925|LANE P|Philip Lane|Old Christmas Music Harp|Orchestral Part|1.50|13 GMCO115|Percy Whitlock
BALLET OF THE WOOD CREATURES for orchestra
Goodmusic Concert Originals GMCO115|'Orchestration: Flute, Oboe, Clarinet in A (part also given in Bb), Bassoon, 2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani, Percussion (2 players: Triangle, Suspended Cymbal, Bass Drum), Harp or Piano, Organ [optional], Strings (Violin 1, Violin 2, Viola, Cello, Bass)

In September 1938, at the height of the Munich Crisis, Percy Whitlock settled down to fulfil a commission to compose incidental music for a play, ''The Day-Dream Family'', written by Madge Beaumont (1880-1969), author of masques and children''s plays, such as Sunset Land (1915), The Gardener of Dreams (1922) and Narcissa. Staged in Bournemouth''s Pavilion Theatre in February 1939, for the benefit of the local ''Waifs and Strays'' Matinee, Whitlock''s score amounted to some 40 minutes worth of songs and ballet numbers for what the local paper described as ''a charming fantasy''. It was set in the period 1848-1908 and featured a cast of 300 and Whitlock''s wife, Edna, took the principal part of ''Sweetest One''. In Ballet of the Wood Creatures Whitlock beautifully captures the post-Mendelssohnian vein of Sullivan, German, Coates and Quilter, giving full rein to his melodic gift, though quite what the short quotation from The Hebrides Overture is doing here, no one knows!
The organ can be omitted entirely or used to cover for any missing instruments.
A PACK comprises one full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 4 minutes'|9790222294981|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Pack|Orchestra|35.00|472 GMCO115-00|||9790222294998|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Score|Orchestral Score|6.00|63 GMCO115-01|||9790222295001|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Vln 1|Orchestral Part|1.50|13 GMCO115-02|||9790222295018|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Vln 2|Orchestral Part|1.50|13 GMCO115-03|||9790222295025|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Viola|Orchestral Part|1.50|13 GMCO115-04|||9790222295032|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Cello|Orchestral Part|1.50|13 GMCO115-05|||9790222295049|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Bass|Orchestral Part|1.50|13 GMCO115-06|||9790222295056|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Flute|Orchestral Part|1.50|13 GMCO115-07|||9790222295063|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Oboe|Orchestral Part|1.50|13 GMCO115-08|||9790222295070|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Clar|Orchestral Part|1.50|13 GMCO115-09|||9790222295087|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Bsn|Orchestral Part|1.50|13 GMCO115-10|||9790222295094|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Horn 1|Orchestral Part|1.50|13 GMCO115-11|||9790222295100|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Horn 2|Orchestral Part|1.50|13 GMCO115-12|||9790222295117|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Trp 1|Orchestral Part|1.50|13 GMCO115-13|||9790222295124|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Trp 2|Orchestral Part|1.50|13 GMCO115-14|||9790222295131|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Trb 1|Orchestral Part|1.50|13 GMCO115-15|||9790222295148|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Trb 2|Orchestral Part|1.50|13 GMCO115-16|||9790222295155|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Timp|Orchestral Part|1.50|7 GMCO115-17|||9790222295162|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Perc|Orchestral Part|1.50|7 GMCO115-18|||9790222295179|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Hp/Pno|Orchestral Part|1.50|13 GMCO115-19|||9790222295186|WHITLOCK|Percy Whitlock|Ballet of the Wood Creatures Organ|Orchestral Part|2.00|25 GMCO116|Percy Whitlock
BALLOON BALLET for orchestra
Goodmusic Concert Originals GMCO116|'Orchestration: Flute, Oboe, Clarinet in Bb, Bassoon, 2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani, Percussion (2 players: Snare Drum, Suspended Cymbal, Cymbals), Harp or Piano, Strings (Violin 1, Violin 2, Viola, Cello, Bass)

In September 1938, at the height of the Munich Crisis, Percy Whitlock settled down to fulfil a commission to compose incidental music for a play, ''The Day-Dream Family'', written by Madge Beaumont (1880-1969), author of masques and children''s plays, such as Sunset Land (1915), The Gardener of Dreams (1922) and Narcissa. Staged in Bournemouth''s Pavilion Theatre in February 1939, for the benefit of the local ''Waifs and Strays'' Matinee, Whitlock''s score amounted to some 40 minutes worth of songs and ballet numbers for what the local paper described as ''a charming fantasy''. It was set in the period 1848-1908 and featured a cast of 300 and Whitlock''s wife, Edna, took the principal part of ''Sweetest One''. In Balloon Ballet, skilfully scored - with the lightest of touches - for a theatre pit orchestra, Whitlock maintains a dainty bounce throughout, helped by the rippling harp and viola''s figuration.
A PACK comprises one full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 5? minutes'|9790222295193|WHITLOCK|Percy Whitlock|Balloon Ballet Pack|Orchestra|35.00|380 GMCO116-00|||9790222295209|WHITLOCK|Percy Whitlock|Balloon Ballet Score|Orchestral Score|5.00|53 GMCO116-01|||9790222295216|WHITLOCK|Percy Whitlock|Balloon Ballet Violin 1|Orchestral Part|1.50|13 GMCO116-02|||9790222295223|WHITLOCK|Percy Whitlock|Balloon Ballet Violin 2|Orchestral Part|1.50|13 GMCO116-03|||9790222295230|WHITLOCK|Percy Whitlock|Balloon Ballet Viola|Orchestral Part|1.50|13 GMCO116-04|||9790222295247|WHITLOCK|Percy Whitlock|Balloon Ballet Cello|Orchestral Part|1.50|13 GMCO116-05|||9790222295254|WHITLOCK|Percy Whitlock|Balloon Ballet Bass|Orchestral Part|1.50|7 GMCO116-06|||9790222295261|WHITLOCK|Percy Whitlock|Balloon Ballet Flute|Orchestral Part|1.50|13 GMCO116-07|||9790222295278|WHITLOCK|Percy Whitlock|Balloon Ballet Oboe|Orchestral Part|1.50|13 GMCO116-08|||9790222295285|WHITLOCK|Percy Whitlock|Balloon Ballet Clarinet|Orchestral Part|1.50|13 GMCO116-09|||9790222295292|WHITLOCK|Percy Whitlock|Balloon Ballet Bassoon|Orchestral Part|1.50|7 GMCO116-10|||9790222295308|WHITLOCK|Percy Whitlock|Balloon Ballet Horn 1|Orchestral Part|1.50|7 GMCO116-11|||9790222295315|WHITLOCK|Percy Whitlock|Balloon Ballet Horn 2|Orchestral Part|1.50|7 GMCO116-12|||9790222295322|WHITLOCK|Percy Whitlock|Balloon Ballet Trumpet 1|Orchestral Part|1.50|7 GMCO116-13|||9790222295339|WHITLOCK|Percy Whitlock|Balloon Ballet Trumpet 2|Orchestral Part|1.50|7 GMCO116-14|||9790222295346|WHITLOCK|Percy Whitlock|Balloon Ballet Trombone 1|Orchestral Part|1.50|7 GMCO116-15|||9790222295353|WHITLOCK|Percy Whitlock|Balloon Ballet Trombone 2|Orchestral Part|1.50|7 GMCO116-16|||9790222295360|WHITLOCK|Percy Whitlock|Balloon Ballet Timpani|Orchestral Part|1.50|7 GMCO116-17|||9790222295377|WHITLOCK|Percy Whitlock|Balloon Ballet Percussion|Orchestral Part|1.50|7 GMCO116-18|||9790222295384|WHITLOCK|Percy Whitlock|Balloon Ballet Harp or Piano|Orchestral Part|1.50|13 GMCO117|Percy Whitlock
SPADE AND BUCKET POLKA for orchestra
Goodmusic Concert Originals GMCO117|'Orchestration: Flute, Oboe, Clarinet in Bb, Bassoon, 2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani, Percussion (2 players: Snare Drum, Cymbals), Strings (Violin 1, Violin 2, Viola, Cello, Bass)

In September 1938, at the height of the Munich Crisis, Percy Whitlock settled down to fulfil a commission to compose incidental music for a play, ''The Day-Dream Family'', written by Madge Beaumont (1880-1969), author of masques and children''s plays, such as Sunset Land (1915), The Gardener of Dreams (1922) and Narcissa. Staged in Bournemouth''s Pavilion Theatre in February 1939, for the benefit of the local ''Waifs and Strays'' Matinee, Whitlock''s score amounted to some 40 minutes worth of songs and ballet numbers for what the local paper described as ''a charming fantasy''. It was set in the period 1848-1908 and featured a cast of 300 and Whitlock''s wife, Edna, took the principal part of ''Sweetest One''.
Whitlock quickly incorporated Spade and Bucket Polka, a dainty two-step, as the middle movement of his Holiday Suite, a work with local associations to the seaside resort of Bournemouth. Scored for a Sullivan-sized pit orchestra, this enchantingly carefree piece captures perfectly the pleasure of making sandcastles. In addition to a fleeting quotation from J.S.Bach''s Organ Fugue in G minor BWV 542, Whitlock brings in part of C.E.Horn''s Cherry Ripe as a counter-melody in the Trio section, perhaps as a comment on the complexion of those bathers who have enjoyed too much summer sun!
A PACK comprises one full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 4 minutes'|9790222295391|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Pack|Orchestra|35.00|392 GMCO117-00|||9790222295407|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Score|Orchestral Score|5.00|53 GMCO117-01|||9790222295414|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Violin 1|Orchestral Part|1.50|13 GMCO117-02|||9790222295421|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Violin 2|Orchestral Part|1.50|13 GMCO117-03|||9790222295438|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Viola|Orchestral Part|1.50|13 GMCO117-04|||9790222295445|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Cello|Orchestral Part|1.50|13 GMCO117-05|||9790222295452|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Bass|Orchestral Part|1.50|13 GMCO117-06|||9790222295469|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Flute|Orchestral Part|1.50|13 GMCO117-07|||9790222295476|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Oboe|Orchestral Part|1.50|13 GMCO117-08|||9790222295483|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Clarinet|Orchestral Part|1.50|13 GMCO117-09|||9790222295490|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Bassoon|Orchestral Part|1.50|13 GMCO117-10|||9790222295506|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Horn 1|Orchestral Part|1.50|13 GMCO117-11|||9790222295513|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Horn 2|Orchestral Part|1.50|7 GMCO117-12|||9790222295520|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Trumpet 1|Orchestral Part|1.50|7 GMCO117-13|||9790222295537|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Trumpet 2|Orchestral Part|1.50|7 GMCO117-14|||9790222295544|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Trombone 1|Orchestral Part|1.50|7 GMCO117-15|||9790222295551|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Trombone 2|Orchestral Part|1.50|7 GMCO117-16|||9790222295568|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Timpani|Orchestral Part|1.50|7 GMCO117-17|||9790222295575|WHITLOCK|Percy Whitlock|Spade and Bucket Polka Percussion|Orchestral Part|1.50|7 GMCO118|Percy Whitlock
MARCH: DIGNITY AND IMPUDENCE for orchestra
Goodmusic Concert Originals GMCO118|'Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in A (with alt. part in Bb), 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Snare Drum, Cymbals, Bass Drum), Harp, Organ [optional], Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Following his move to Bournemouth from Rochester, during the summer of 1930, Percy Whitlock quickly became acquainted with the town''s celebrated Municipal Orchestra and its founding father, Sir Dan Godfrey. In 1932 Whitlock was appointed as the part-time Borough Organist where he presided over a magnificent state-of-the-art four manual Compton organ. He worked with the orchestra on a weekly basis, often as a soloist and at other times as part of the orchestral texture. Following the success of his Carillon for organ and orchestra (1932) Whitlock produced a fine concert march entitled Dignity and Impudence. To many in the audience this would have conjured up the image of Sir Edwin Landseer''s famous painting of that name of 1839, in which he wittily contrasts the scale and character of a bloodhound called Grafton and a West Highland terrier called Scratch. However, Whitlock (who was not a dog lover) clearly had Elgar''s martial music in mind. The ''Trio'' theme is a clever parody of the equivalent melody in Elgar''s Pomp & Circumstance March No.4 in G. Whitlock''s short score was dated November 1932 and the full score was completed in early February 1933. Godfrey conducted the first perfromance on 29th April 1933.
A PACK comprises one full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 6 minutes'|9790222296015|WHITLOCK|Percy Whitlock|March Dignity & Impudence Pack|Orchestra|40.00|602 GMCO118-00|||9790222296022|WHITLOCK|Percy Whitlock|March Dignity & Impudence Score|Orchestral Score|8.00|92 GMCO118-01|||9790222296039|WHITLOCK|Percy Whitlock|March Dignity & Impudence Violin 1|Orchestral Part|1.50|13 GMCO118-02|||9790222296046|WHITLOCK|Percy Whitlock|March Dignity & Impudence Violin 2|Orchestral Part|1.50|13 GMCO118-03|||9790222296053|WHITLOCK|Percy Whitlock|March Dignity & Impudence Viola|Orchestral Part|1.50|13 GMCO118-04|||9790222296060|WHITLOCK|Percy Whitlock|March Dignity & Impudence Cello|Orchestral Part|1.50|13 GMCO118-05|||9790222296077|WHITLOCK|Percy Whitlock|March Dignity & Impudence Bass|Orchestral Part|1.50|13 GMCO118-06|||9790222296084|WHITLOCK|Percy Whitlock|March Dignity & Impudence Flute 1|Orchestral Part|1.50|13 GMCO118-07|||9790222296091|WHITLOCK|Percy Whitlock|March Dignity & Impudence Flute 2|Orchestral Part|1.50|13 GMCO118-08|||9790222296107|WHITLOCK|Percy Whitlock|March Dignity & Impudence Oboe 1|Orchestral Part|1.50|13 GMCO118-09|||9790222296114|WHITLOCK|Percy Whitlock|March Dignity & Impudence Oboe 2|Orchestral Part|1.50|13 GMCO118-10|||9790222296121|WHITLOCK|Percy Whitlock|March Dignity & Impudence Clar 1 A|Orchestral Part|1.50|13 GMCO118-11|||9790222296138|WHITLOCK|Percy Whitlock|March Dignity & Impudence Clar 2 A|Orchestral Part|1.50|13 GMCO118-12|||9790222296145|WHITLOCK|Percy Whitlock|March Dignity & Impudence Clar 1 Bb|Orchestral Part|1.50|13 GMCO118-13|||9790222296152|WHITLOCK|Percy Whitlock|March Dignity & Impudence Clar 2 Bb|Orchestral Part|1.50|13 GMCO118-14|||9790222296169|WHITLOCK|Percy Whitlock|March Dignity & Impudence Bassoon 1|Orchestral Part|1.50|13 GMCO118-15|||9790222296176|WHITLOCK|Percy Whitlock|March Dignity & Impudence Bassoon 2|Orchestral Part|1.50|13 GMCO118-16|||9790222296183|WHITLOCK|Percy Whitlock|March Dignity & Impudence Horn 1|Orchestral Part|1.50|13 GMCO118-17|||9790222296190|WHITLOCK|Percy Whitlock|March Dignity & Impudence Horn 2|Orchestral Part|1.50|13 GMCO118-18|||9790222296206|WHITLOCK|Percy Whitlock|March Dignity & Impudence Trumpet 1|Orchestral Part|1.50|13 GMCO118-19|||9790222296213|WHITLOCK|Percy Whitlock|March Dignity & Impudence Trumpet 2|Orchestral Part|1.50|13 GMCO118-20|||9790222296220|WHITLOCK|Percy Whitlock|March Dignity & Impudence Tromb 1|Orchestral Part|1.50|13 GMCO118-21|||9790222296237|WHITLOCK|Percy Whitlock|March Dignity & Impudence Tromb 2|Orchestral Part|1.50|13 GMCO118-22|||9790222296244|WHITLOCK|Percy Whitlock|March Dignity & Impudence Tromb 3|Orchestral Part|1.50|13 GMCO118-23|||9790222296251|WHITLOCK|Percy Whitlock|March Dignity & Impudence Tuba|Orchestral Part|1.50|13 GMCO118-24|||9790222296268|WHITLOCK|Percy Whitlock|March Dignity & Impudence Timpani|Orchestral Part|1.50|7 GMCO118-25|||9790222296275|WHITLOCK|Percy Whitlock|March Dignity & Impudence Perc|Orchestral Part|1.50|13 GMCO118-26|||9790222296282|WHITLOCK|Percy Whitlock|March Dignity & Impudence Harp|Orchestral Part|1.50|13 GMCO118-27|||9790222296299|WHITLOCK|Percy Whitlock|March Dignity & Impudence Organ Pt|Orchestral Part|1.50|13 GMCO119|Rutland Boughton (1878-1960)
OVERTURE: THE QUEEN OF CORNWALL
Goodmusic Concert Originals Series GMCO119|'ORCHESTRATION: 2 Flutes (2nd db.Piccolo), Oboe, Cor Anglais, 2 Clarinets in Bb, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in C, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Cymbals, Side Drum, Bass Drum), Harp, Celesta, Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Following the publication of Thomas Hardy''s play "The Famous Tragedy of the Queen of Cornwall", Rutland Boughton wrote to Hardy to propose an opera based on the play. Hardy was delighted and the music-drama was first performed at the Glastonbury Festival in August 1924.
(A CD recording of the complete music-drama is available on Dutton Epoch 2CDLX 7256 released in 2010).
This Overture was written at a later date and was given a London Premiere at a Promenade Concert at the Queen''s Hall on 31st August 1926 played by the New Queen''s Hall Orchestra with the composer conducting.
A PACK comprises one full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 13 minutes'|9790222293878|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Pack|Orchestra|60.00|1030 GMCO119-00|||9790222293885|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Sc A4|Orchestral Score|14.00|200 GMCO119-01|||9790222293892|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Vln 1|Orchestral Part|2.00|25 GMCO119-02|||9790222293908|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Vln 2|Orchestral Part|2.00|25 GMCO119-03|||9790222293915|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Viola|Orchestral Part|2.00|25 GMCO119-04|||9790222293922|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Cello|Orchestral Part|2.00|25 GMCO119-05|||9790222293939|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Bass|Orchestral Part|2.00|25 GMCO119-06|||9790222293946|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Fl 1|Orchestral Part|2.00|25 GMCO119-07|||9790222293953|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Fl2/Pic|Orchestral Part|1.50|13 GMCO119-08|||9790222293960|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Oboe|Orchestral Part|1.50|13 GMCO119-09|||9790222293977|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Cor Ang|Orchestral Part|1.50|13 GMCO119-10|||9790222293984|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Clar 1|Orchestral Part|2.00|25 GMCO119-11|||9790222293991|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Clar 2|Orchestral Part|2.00|25 GMCO119-12|||9790222294004|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Bass Cl|Orchestral Part|2.00|25 GMCO119-13|||9790222294011|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Bsn 1|Orchestral Part|2.00|25 GMCO119-14|||9790222294028|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Bsn 2|Orchestral Part|2.00|25 GMCO119-15|||9790222294035|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Horn 1|Orchestral Part|1.50|13 GMCO119-16|||9790222294042|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Horn 2|Orchestral Part|1.50|13 GMCO119-17|||9790222294059|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Horn 3|Orchestral Part|1.50|13 GMCO119-18|||9790222294066|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Horn 4|Orchestral Part|1.50|13 GMCO119-19|||9790222294073|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Trp 1|Orchestral Part|1.50|13 GMCO119-20|||9790222294080|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Trp 2|Orchestral Part|1.50|13 GMCO119-21|||9790222294097|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Trb 1|Orchestral Part|1.50|13 GMCO119-22|||9790222294103|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Trb 2|Orchestral Part|1.50|13 GMCO119-23|||9790222294110|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Trb 3|Orchestral Part|1.50|13 GMCO119-24|||9790222294127|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Tuba|Orchestral Part|1.50|13 GMCO119-25|||9790222294134|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Timpani|Orchestral Part|1.50|13 GMCO119-26|||9790222294141|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Perc|Orchestral Part|1.50|13 GMCO119-27|||9790222294158|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Harp|Orchestral Part|1.50|13 GMCO119-28|||9790222294165|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Celesta|Orchestral Part|1.50|13 GMCO119-29|||9790222294172|BOUGHTON|Rutland Boughton|Overture: Queen of Cornwall Sc A3|Orchestral Score|30.00|400 GMCO121|Clive Jenkins
TARTE AU CITRON for string orchestra
Goodmusic Concert Originals GMCO121|'ORCHESTRATION: Violin 1, Violin 2, Viola, Cello, Bass
Tarte au Citron was written for a concert about food at the Banqueting House in Whitehall, London. Rossini was the chef. Handel provided the appetiser (and the appetite!). The Roast Beef of Old England and other musical dishes were washed down with champagne. Peter Fisher, director of the Chamber Ensemble of London, asked for a new jazz piece for the pudding so Clive Jenkins baked his favourite - Tarte au Citron. The work has now been recorded by the Chamber Ensemble of London.
Duration 4 minutes
A PACK comprises one full score and string parts 4/4/3/4/2.

The British composer Clive Jenkins was born in Plymouth in 1938 and educated at Plymouth College and Pembroke College, Oxford, where he read modern languages. He shows his West of England roots in many of his compositions. The narrative work White Bird based on a Dartmoor ghost story and the widely-performed cantata The Mayflower Pilgrims are two examples. As associate composer with the South West Sinfonietta and the Ten Tors Orchestra he wrote many works featuring solo instruments. For the Chamber Ensemble of London he has composed and arranged music for special concert programmes at the V & A, the London Film Museum in County Hall, the Banqueting House, St Martin-in-the-Fields, St James''s Piccadilly, Kings Place and the Purcell Room.'|9790222293687|JENKINS C|Clive Jenkins|Tarte au Citron Pack|String Orchestra|26.00|272 GMCO121-00|||9790222293694|JENKINS C|Clive Jenkins|Tarte au Citron Score|Orchestral Score|5.00|40 GMCO121-01|||9790222293700|JENKINS C|Clive Jenkins|Tarte au Citron Violin 1|Orchestral Part|1.50|13 GMCO121-02|||9790222293717|JENKINS C|Clive Jenkins|Tarte au Citron Violin 2|Orchestral Part|1.50|13 GMCO121-03|||9790222293724|JENKINS C|Clive Jenkins|Tarte au Citron Viola|Orchestral Part|1.50|13 GMCO121-04|||9790222293731|JENKINS C|Clive Jenkins|Tarte au Citron Cello|Orchestral Part|1.50|13 GMCO121-05|||9790222293748|JENKINS C|Clive Jenkins|Tarte au Citron Bass|Orchestral Part|1.50|13 GMCO122|Clive Jenkins
THAMES REFLECTIONS for string orchestra
Goodmusic Concert Originals GMCO122|'ORCHESTRATION: Solo Violin, Solo Violoncello, Violin 1, Violin 2, Viola, Cello, Bass
Thames Reflections accompanied pictures of modern buildings reflected in the river projected onto five big screens in County Hall, London. It formed part of a concert with pictures all about London devised by the composer for the London Film Museum. The violin solo suggests the skyline and the cello reflects it. The piece has been recorded by Peter Fisher and the Chamber Ensemble of London who gave the first performance.
Duration 3? minutes
A PACK comprises one full score and string parts 4/4/3/4/2 plus the solo parts.

The British composer Clive Jenkins was born in Plymouth in 1938 and educated at Plymouth College and Pembroke College, Oxford, where he read modern languages. He shows his West of England roots in many of his compositions. The narrative work White Bird based on a Dartmoor ghost story and the widely-performed cantata The Mayflower Pilgrims are two examples. As associate composer with the South West Sinfonietta and the Ten Tors Orchestra he wrote many works featuring solo instruments. For the Chamber Ensemble of London he has composed and arranged music for special concert programmes at the V & A, the London Film Museum in County Hall, the Banqueting House, St Martin-in-the-Fields, St James''s Piccadilly, Kings Place and the Purcell Room.'|9790222293755|JENKINS C|Clive Jenkins|Thames Reflections Pack|String Orchestra|30.00|298 GMCO122-00|||9790222293762|JENKINS C|Clive Jenkins|Thames Reflections Score|Orchestral Score|5.00|38 GMCO122-01|||9790222293779|JENKINS C|Clive Jenkins|Thames Reflections Violin 1|Orchestral Part|1.50|13 GMCO122-02|||9790222293786|JENKINS C|Clive Jenkins|Thames Reflections Violin 2|Orchestral Part|1.50|13 GMCO122-03|||9790222293793|JENKINS C|Clive Jenkins|Thames Reflections Viola|Orchestral Part|1.50|13 GMCO122-04|||9790222293809|JENKINS C|Clive Jenkins|Thames Reflections Cello|Orchestral Part|1.50|13 GMCO122-05|||9790222293816|JENKINS C|Clive Jenkins|Thames Reflections Bass|Orchestral Part|1.50|13 GMCO122-06|||9790222293823|JENKINS C|Clive Jenkins|Thames Reflections Solo Violin|Orchestral Part|1.50|13 GMCO122-07|||9790222293830|JENKINS C|Clive Jenkins|Thames Reflections Solo Cello|Orchestral Part|1.50|13 GMCO123|Clive Jenkins
PASTORALE AND ALLEGRO for violin and string orchestra
Goodmusic Concert Originals GMCO123|'ORCHESTRATION: Solo Violin, Violin 1, Violin 2, Viola, Cello, Bass, Harpsichord [optional]

''A tuneful piece for baroque string orchestra but with a modern sound'' was the brief. The Chamber Ensemble of London first played the result at St Martin-in-the-Fields in 2005 and later recorded it. However, its actual premiere was in Plymouth Museum & Art Gallery the year before in a violin and piano reduction suggested by CEOL''s director, Peter Fisher, who was the soloist.
The Pastorale was inspired by the gentle countryside of the South Hams, where Clive Jenkins now lives. The Allegro theme came to him when, out walking on Dartmoor, he saw a herd of ponies suddenly gallop off across the horizon.
The harpsichord is optional.
Duration 7 minutes
A PACK comprises one full score and string parts 4/4/3/4/2 plus a solo part.
A violin and piano reduction is also available - GM163.'|9790222294189|JENKINS C|Clive Jenkins|Pastorale and Allegro Pack|String Orchestra|35.00|536 GMCO123-00|||9790222294196|JENKINS C|Clive Jenkins|Pastorale and Allegro Score|Orchestral Score|8.00|88 GMCO123-01|||9790222294202|JENKINS C|Clive Jenkins|Pastorale and Allegro Violin 1|Orchestral Part|2.00|25 GMCO123-02|||9790222294219|JENKINS C|Clive Jenkins|Pastorale and Allegro Violin 2|Orchestral Part|2.00|25 GMCO123-03|||9790222294226|JENKINS C|Clive Jenkins|Pastorale and Allegro Viola|Orchestral Part|1.50|13 GMCO123-04|||9790222294233|JENKINS C|Clive Jenkins|Pastorale and Allegro Cello|Orchestral Part|2.00|25 GMCO123-05|||9790222294240|JENKINS C|Clive Jenkins|Pastorale and Allegro Bass|Orchestral Part|1.50|13 GMCO123-06|||9790222294257|JENKINS C|Clive Jenkins|Pastorale and Allegro Solo Violin|Orchestral Part|2.00|25 GMCO123-07|||9790222294264|JENKINS C|Clive Jenkins|Pastorale and Allegro Harpsichord|Orchestral Part|2.00|25 GMCO124|Paul Lewis
ON PEVENSEY LEVELS for solo and string orchestra
Goodmusic Concert Originals GMCO124|'ORCHESTRATION: Solo Harmonica or Violin or Flute (doubling Piccolo), Violin 1, Violin 2, Viola, Cello, Bass
Whilst walking ''twixt castle and coast on Pevensey Levels one sunny winter''s day a melody played incessantly in my head, leaving me no option on my return home but to write it down and compose this piece.
In all seasons and all weathers the Levels are an area of great beauty and abundant wildlife and are haunted by the ghosts of history. They were once under water and it was at Pevensey that the Romans built their great fortress of Anderitum and here that William the Conqueror landed some 800 years later. In Tudor times Pevensey was a bustling seaport and the castle was re-armed in anticipation of the Spanish Armada, but by the 18th century the sea had receded and the area had become the natural home of smugglers. The coastline today is dominated by the Martello Towers that once guarded against the threatened Napoleonic invasion, and the castle was refortified with military pill boxes and occupied by Allied Forces during World War II. The Levels are now a place of peace and solitude, shared by walkers with all manner of birdlife including swans and herons, and the inevitable rabbits, foxes and grazing livestock, not to mention other walkers and their dogs. Paul Lewis
The solo part may be played either by harmonica or violin or flute (doubling piccolo).
Duration 4? minutes
A PACK includes a full score, string parts 4/4/3/4/2 and one of each solo part.
A solo and piano reduction of this piece is also available - Goodmusic GM164.'|9790222294288|LEWIS P|Paul Lewis|On Pevensey Levels Pack|String Orchestra|26.00|204 GMCO124-00|||9790222294295|LEWIS P|Paul Lewis|On Pevensey Levels Score|Orchestral Score|5.00|25 GMCO124-01|||9790222294301|LEWIS P|Paul Lewis|On Pevensey Levels Violin 1|Orchestral Part|1.50|13 GMCO124-02|||9790222294318|LEWIS P|Paul Lewis|On Pevensey Levels Violin 2|Orchestral Part|1.50|7 GMCO124-03|||9790222294325|LEWIS P|Paul Lewis|On Pevensey Levels Viola|Orchestral Part|1.50|7 GMCO124-04|||9790222294332|LEWIS P|Paul Lewis|On Pevensey Levels Cello|Orchestral Part|1.50|7 GMCO124-05|||9790222294349|LEWIS P|Paul Lewis|On Pevensey Levels Bass|Orchestral Part|1.50|7 GMCO124-06|||9790222294356|LEWIS P|Paul Lewis|On Pevensey Levels Harmnca/VlnSolo|Orchestral Part|1.50|13 GMCO124-07|||9790222294363|LEWIS P|Paul Lewis|On Pevensey Levels Flute Solo|Orchestral Part|1.50|13 GMCO125|Peter Dickinson
BACH IN BLUE for clarinet, violin, piano and strings
Goodmusic Concert Originals GMCO125|'ORCHESTRATION: Clarinet in Bb, Solo Violin, Piano, Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Bach in Blue for piano (composed 2004) - arranged for clarinet, violin, piano and strings (2015).
As a piano solo, this piece was one of a number of tributes to Michael Berkeley in his tenth and final season as Director of the Cheltenham Festival. Llyr Williams gave the premiere at the Pittville Pump Room on 10th July 2004. There are now recordings of it as a piano solo (played by the composer) and also for violin, clarinet and piano (the Verdehr Trio). Several composers, notably Gounod and later Arvo Part, have become involved with this first prelude in Bach''s 48. I had often felt that there must be a blues lurking somewhere beneath Bach''s chords and I found it here. Peter Dickinson
A PACK includes a full score, string parts 4/4/3/4/2 and one of each solo part.
Duration 5? minutes

"The thematic material is garnered from the ubiquitous first Prelude of JSB''s ''48''. Not at first obvious, the composer soon reveals the well-known keyboard figurations into the music, supporting blues-infused clarinet and violin solos. It is a lovely piece."
John France, Music-Web International'|9790222294875|DICKINSON|Peter Dickinson|Bach in Blue Pack|Orchestra|26.00|348 GMCO125-00|||9790222294882|DICKINSON|Peter Dickinson|Bach in Blue Score|Orchestral Score|6.00|75 GMCO125-01|||9790222294899|DICKINSON|Peter Dickinson|Bach in Blue Violin 1|Orchestral Part|1.50|13 GMCO125-02|||9790222294905|DICKINSON|Peter Dickinson|Bach in Blue Violin 2|Orchestral Part|1.50|13 GMCO125-03|||9790222294912|DICKINSON|Peter Dickinson|Bach in Blue Viola|Orchestral Part|1.50|13 GMCO125-04|||9790222294929|DICKINSON|Peter Dickinson|Bach in Blue Cello|Orchestral Part|1.50|13 GMCO125-05|||9790222294936|DICKINSON|Peter Dickinson|Bach in Blue Bass|Orchestral Part|1.50|13 GMCO125-06|||9790222294943|DICKINSON|Peter Dickinson|Bach in Blue Solo Clarinet|Orchestral Part|1.50|13 GMCO125-07|||9790222294950|DICKINSON|Peter Dickinson|Bach in Blue Solo Violin|Orchestral Part|1.50|13 GMCO125-08|||9790222294967|DICKINSON|Peter Dickinson|Bach in Blue Piano|Orchestral Part|1.50|13 GMCO126|Peter Dickinson
SUITE FOR THE CENTENARY OF LORD BERNERS for orchestra
Goodmusic Concert Originals GMCO126|ORCHESTRATION: 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Clarinets in Bb (2nd doubling Bass Clarinet [opt.]), 2 Bassoons, 2 Horns in F, 2 Trumpets in C, 2 Trombones, Percussion (2 Players: Tam-tam, Suspended Cymbal, Snare Drum, Bass Drum, Glockenspiel, Wood Block, Whip, Tenor Drum), Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This Suite is based on music originally for the film A Great Day for Bonzo, an H.E.Bates story adapted for Granada TV, directed by Michael Apted and shown on 12 May 1974. The score was written for clavichord and the first performance of the Suite was given by the composer at the British Music Information Centre, London, on 23 October 1986. The first recording of the Suite was made for BBC Radio 3 on 16 March 1989 and that performance is included in the CD called Blue Clavichord, released by Heritage in 2013. The orchestral version was recorded by the BBC National Orchestra of Wales under Clark Rundell on 7/8 September 2015 and released on Heritage the following year. The single strung Hugh Gough clavichord was well adapted to produce blue notes and that aspect is a feature of this new orchestral arrangement - a reminder that Dickinson has written, performed and recorded rags and blues which appear in various works.
The movements are Blues, Jig, March, Dirge, Waltz, Blues.
A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 14 minutes|9790222295582|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Pack|Orchestra|60.00|958 GMCO126-00|||9790222295599|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Score|Orchestral Score|14.00|194 GMCO126-01|||9790222295605|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Vln 1|Orchestral Part|2.00|25 GMCO126-02|||9790222295612|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Vln 2|Orchestral Part|2.00|25 GMCO126-03|||9790222295629|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Viola|Orchestral Part|2.00|25 GMCO126-04|||9790222295636|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Cello|Orchestral Part|2.00|25 GMCO126-05|||9790222295643|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Bass|Orchestral Part|2.00|25 GMCO126-06|||9790222295650|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Fl 1|Orchestral Part|2.00|25 GMCO126-07|||9790222295667|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Fl 2|Orchestral Part|2.00|25 GMCO126-08|||9790222295674|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Ob 1|Orchestral Part|2.00|25 GMCO126-09|||9790222295681|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Ob 2|Orchestral Part|2.00|25 GMCO126-10|||9790222295698|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Cl 1|Orchestral Part|2.00|25 GMCO126-11|||9790222295704|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Cl 2|Orchestral Part|2.00|25 GMCO126-12|||9790222295711|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Bsn 1|Orchestral Part|2.00|25 GMCO126-13|||9790222295728|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Bsn 2|Orchestral Part|2.00|25 GMCO126-14|||9790222295735|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Hn 1|Orchestral Part|1.50|13 GMCO126-15|||9790222295742|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Hn 2|Orchestral Part|1.50|13 GMCO126-16|||9790222295759|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Trp 1|Orchestral Part|1.50|13 GMCO126-17|||9790222295766|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Trp 2|Orchestral Part|1.50|13 GMCO126-18|||9790222295773|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Trb 1|Orchestral Part|1.50|13 GMCO126-19|||9790222295780|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Trb 2|Orchestral Part|1.50|13 GMCO126-20|||9790222295797|DICKINSON|Peter Dickinson|Suite Centenary Lord Berners Perc|Orchestral Part|2.00|25 GMCO127|Clive Jenkins
ROMANCE for viola or clarinet and string orchestra
Goodmusic Concert Originals GMCO127|ORCHESTRATION: Solo Viola or Clarinet in Bb, Violin 1, Violin 2, Viola, Cello, Bass

This piece was composed in 1987 for Jonathan Mallalieu, now artistic director of Beauville Arts in France, then a gifted viola player at Plymouth College, where Clive Jenkins was director of music. Jonathan recorded the piece with the South East Cornwall String Orchestra under Hans Kassier for BBC Radio Cornwall. Its first professional performance was by Steve Gleed with the South West Sinfonietta under Derek Kitt. A Viola (or Clarinet) and Piano version was made at the suggestion of Jeanie Moore MVO, concert organiser for Plymouth Museum and Art Gallery, for a lunchtime recital by Keith Lovell of the Dartington String Quartet with the pianist John Bryden.
Duration 5 minutes
A PACK comprises one full score and string parts 4/4/3/4/2 plus solo parts.
A viola/clarinet and piano reduction is also available - GM169.
The audio sample is with clarinet. The viola version can be heard on the piano edition|9790222295803|JENKINS C|Clive Jenkins|Romance Pack|String Orchestra|26.00|308 GMCO127-00|||9790222295810|JENKINS C|Clive Jenkins|Romance Score|Orchestral Score|5.00|53 GMCO127-01|||9790222295827|JENKINS C|Clive Jenkins|Romance Violin 1|Orchestral Part|1.50|13 GMCO127-02|||9790222295834|JENKINS C|Clive Jenkins|Romance Violin 2|Orchestral Part|1.50|13 GMCO127-03|||9790222295841|JENKINS C|Clive Jenkins|Romance Viola|Orchestral Part|1.50|13 GMCO127-04|||9790222295858|JENKINS C|Clive Jenkins|Romance Cello|Orchestral Part|1.50|13 GMCO127-05|||9790222295865|JENKINS C|Clive Jenkins|Romance Bass|Orchestral Part|1.50|13 GMCO127-06|||9790222295872|JENKINS C|Clive Jenkins|Romance Solo Viola|Orchestral Part|1.50|13 GMCO127-07|||9790222295889|JENKINS C|Clive Jenkins|Romance Solo Clarinet|Orchestral Part|1.50|13 GMCO128|Clive Jenkins
COLOGNE for solo instrument and string orchestra
Goodmusic Concert Originals GMCO128|'ORCHESTRATION: Solo Harmonica or Violin or Flute or Clarinet or Alto Sax, Violin 1, Violin 2, Viola, Cello, Bass

A memorable piece in slow swing style. 4, 7, 11 - Counting the number of bars in the introduction, the main theme and the episodes reminded the composer of Germany''s best-known house number, 4711 in Glockengasse, Cologne, home of the world-famous perfumery; hence the title. The piece was written for the distinguished British harmonica player, Chris Shrimpton. Apart from the harmonica, the solo part is suitable to be played by violin, flute, clarinet or alto sax. Alternative solo parts are included for clarinet and sax.
Duration 5 minutes
A PACK comprises one full score and string parts 4/4/3/4/2 plus all solo parts.
A solo and piano reduction is also available - GM170.
The audio is with harmonica. The sax version can be heard on the piano edition'|9790222295902|JENKINS C|Clive Jenkins|Cologne Pack|String Orchestra|26.00|306 GMCO128-00|||9790222295919|JENKINS C|Clive Jenkins|Cologne Score|Orchestral Score|5.00|40 GMCO128-01|||9790222295926|JENKINS C|Clive Jenkins|Cologne Violin 1|Orchestral Part|1.50|13 GMCO128-02|||9790222295933|JENKINS C|Clive Jenkins|Cologne Violin 2|Orchestral Part|1.50|13 GMCO128-03|||9790222295940|JENKINS C|Clive Jenkins|Cologne Viola|Orchestral Part|1.50|13 GMCO128-04|||9790222295957|JENKINS C|Clive Jenkins|Cologne Cello|Orchestral Part|1.50|13 GMCO128-05|||9790222295964|JENKINS C|Clive Jenkins|Cologne Bass|Orchestral Part|1.50|13 GMCO128-06|||9790222295971|JENKINS C|Clive Jenkins|Cologne Solo in C|Orchestral Part|1.50|13 GMCO128-07|||9790222295988|JENKINS C|Clive Jenkins|Cologne Solo Clarinet|Orchestral Part|1.50|13 GMCO128-08|||9790222295995|JENKINS C|Clive Jenkins|Cologne Solo Alto Sax|Orchestral Part|1.50|13 GMCO129|Clive Jenkins
MAJESTY for string orchestra and optional piano
Goodmusic Concert Originals GMCO129|'ORCHESTRATION: Violin 1, Violin 2, Viola, Cello, Bass, Piano [optional]

Majesty was composed for a concert at the Victoria and Albert Museum, London given by Peter Fisher and the Chamber Ensemble of London to complement an exhibition of photographs of the Royal Family. It has also been played when members of the Royal Family were present. After a Garter Luncheon, Major Philip Stredwick, Director of Music of the Countess of Wessex''s String Orchestra, reported: "Clive''s piece was the first to be played and was used as Her Majesty the Queen entered the Waterloo Chamber at Windsor Castle followed by other members of the Royal Family and the Knights of the Garter. Perfectly suited to the occasion in my view . . ."
Duration 4 minutes
A PACK comprises one full score and string parts 4/4/3/4/2.
'|9790222296305|JENKINS C|Clive Jenkins|Majesty Pack|String Orchestra|26.00|284 GMCO129-00|||9790222296312|JENKINS C|Clive Jenkins|Majesty Score|Orchestral Score|5.00|40 GMCO129-01|||9790222296329|JENKINS C|Clive Jenkins|Majesty Violin 1|Orchestral Part|1.50|13 GMCO129-02|||9790222296336|JENKINS C|Clive Jenkins|Majesty Violin 2|Orchestral Part|1.50|13 GMCO129-03|||9790222296343|JENKINS C|Clive Jenkins|Majesty Viola|Orchestral Part|1.50|13 GMCO129-04|||9790222296350|JENKINS C|Clive Jenkins|Majesty Cello|Orchestral Part|1.50|13 GMCO129-05|||9790222296367|JENKINS C|Clive Jenkins|Majesty Bass|Orchestral Part|1.50|13 GMCO129-06|||9790222296374|JENKINS C|Clive Jenkins|Majesty Piano|Orchestral Part|1.50|13 GMCO130|Kenneth Gaw
JERICHO WALTZ for orchestra
Goodmusic Concert Originals GMCO130|Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 3 Trumpets in Bb, 3 Trombones, Percussion (Marimba, Drum Kit or Bass Drum, Side drum, Cymbals), Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Based on the traditional "Joshua fought the battle of Jericho" this is a lovely swing waltz arrangement that is considerably easier to play than it sounds!
A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
This could be partnered by "Swing Low" (GMCO131).
Duration 2? minutes|9790222296855|GAW|Kenneth Gaw|Jericho Waltz Pack|Orchestra|35.00|554 GMCO130-00|||9790222296862|GAW|Kenneth Gaw|Jericho Waltz Score|Orchestral Score|6.00|66 GMCO130-01|||9790222296879|GAW|Kenneth Gaw|Jericho Waltz Violin 1|Orchestral Part|1.50|13 GMCO130-02|||9790222296886|GAW|Kenneth Gaw|Jericho Waltz Violin 2|Orchestral Part|1.50|13 GMCO130-03|||9790222296893|GAW|Kenneth Gaw|Jericho Waltz Viola|Orchestral Part|1.50|13 GMCO130-04|||9790222296909|GAW|Kenneth Gaw|Jericho Waltz Cello|Orchestral Part|1.50|13 GMCO130-05|||9790222296916|GAW|Kenneth Gaw|Jericho Waltz Bass|Orchestral Part|1.50|13 GMCO130-06|||9790222296923|GAW|Kenneth Gaw|Jericho Waltz Flute 1|Orchestral Part|1.50|13 GMCO130-07|||9790222296930|GAW|Kenneth Gaw|Jericho Waltz Flute 2|Orchestral Part|1.50|13 GMCO130-08|||9790222296947|GAW|Kenneth Gaw|Jericho Waltz Oboe 1|Orchestral Part|1.50|13 GMCO130-09|||9790222296954|GAW|Kenneth Gaw|Jericho Waltz Oboe 2|Orchestral Part|1.50|13 GMCO130-10|||9790222296961|GAW|Kenneth Gaw|Jericho Waltz Clarinet 1|Orchestral Part|1.50|13 GMCO130-11|||9790222296978|GAW|Kenneth Gaw|Jericho Waltz Clarinet 2|Orchestral Part|1.50|13 GMCO130-12|||9790222296985|GAW|Kenneth Gaw|Jericho Waltz Bassoon 1|Orchestral Part|1.50|13 GMCO130-13|||9790222296992|GAW|Kenneth Gaw|Jericho Waltz Bassoon 2|Orchestral Part|1.50|13 GMCO130-14|||9790222297005|GAW|Kenneth Gaw|Jericho Waltz Horn 1|Orchestral Part|1.50|13 GMCO130-15|||9790222297012|GAW|Kenneth Gaw|Jericho Waltz Horn 2|Orchestral Part|1.50|13 GMCO130-16|||9790222297029|GAW|Kenneth Gaw|Jericho Waltz Trumpet 1|Orchestral Part|1.50|13 GMCO130-17|||9790222297036|GAW|Kenneth Gaw|Jericho Waltz Trumpet 2|Orchestral Part|1.50|13 GMCO130-18|||9790222297043|GAW|Kenneth Gaw|Jericho Waltz Trumpet 3|Orchestral Part|1.50|13 GMCO130-19|||9790222297050|GAW|Kenneth Gaw|Jericho Waltz Trombone 1|Orchestral Part|1.50|13 GMCO130-20|||9790222297067|GAW|Kenneth Gaw|Jericho Waltz Trombone 2|Orchestral Part|1.50|13 GMCO130-21|||9790222297074|GAW|Kenneth Gaw|Jericho Waltz Trombone 3|Orchestral Part|1.50|13 GMCO130-22|||9790222297081|GAW|Kenneth Gaw|Jericho Waltz Drum Kit|Orchestral Part|1.50|13 GMCO130-23|||9790222297098|GAW|Kenneth Gaw|Jericho Waltz Percussion|Orchestral Part|1.50|13 GMCO131|Kenneth Gaw
SWING LOW for orchestra
Goodmusic Concert Originals GMCO131|Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 3 Trumpets in Bb, 3 Trombones, Percussion (Marimba, Drum Kit or Bass Drum, Side drum, Suspended Cymbal), Strings (Violin 1, Violin 2, Viola, Cello, Bass)
An arrangement based on the traditional tune "Swing low, sweet chariot" with the feel of a big-screen Western movie!
A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
This could be partnered by "Jericho Waltz" (GMCO130).
Duration 3 minutes|9790222297104|GAW|Kenneth Gaw|Swing Low Pack|Orchestra|35.00|480 GMCO131-00|||9790222297111|GAW|Kenneth Gaw|Swing Low Score|Orchestral Score|5.00|53 GMCO131-01|||9790222297128|GAW|Kenneth Gaw|Swing Low Violin 1|Orchestral Part|1.50|13 GMCO131-02|||9790222297135|GAW|Kenneth Gaw|Swing Low Violin 2|Orchestral Part|1.50|13 GMCO131-03|||9790222297142|GAW|Kenneth Gaw|Swing Low Viola|Orchestral Part|1.50|13 GMCO131-04|||9790222297159|GAW|Kenneth Gaw|Swing Low Cello|Orchestral Part|1.50|13 GMCO131-05|||9790222297166|GAW|Kenneth Gaw|Swing Low Bass|Orchestral Part|1.50|13 GMCO131-06|||9790222297173|GAW|Kenneth Gaw|Swing Low Flute 1|Orchestral Part|1.50|7 GMCO131-07|||9790222297180|GAW|Kenneth Gaw|Swing Low Flute 2|Orchestral Part|1.50|7 GMCO131-08|||9790222297197|GAW|Kenneth Gaw|Swing Low Oboe 1|Orchestral Part|1.50|13 GMCO131-09|||9790222297203|GAW|Kenneth Gaw|Swing Low Oboe 2|Orchestral Part|1.50|7 GMCO131-10|||9790222297210|GAW|Kenneth Gaw|Swing Low Clarinet 1|Orchestral Part|1.50|13 GMCO131-11|||9790222297227|GAW|Kenneth Gaw|Swing Low Clarinet 2|Orchestral Part|1.50|13 GMCO131-12|||9790222297234|GAW|Kenneth Gaw|Swing Low Bassoon 1|Orchestral Part|1.50|13 GMCO131-13|||9790222297241|GAW|Kenneth Gaw|Swing Low Bassoon 2|Orchestral Part|1.50|7 GMCO131-14|||9790222297258|GAW|Kenneth Gaw|Swing Low Horn 1|Orchestral Part|1.50|13 GMCO131-15|||9790222297265|GAW|Kenneth Gaw|Swing Low Horn 2|Orchestral Part|1.50|13 GMCO131-16|||9790222297272|GAW|Kenneth Gaw|Swing Low Trumpet 1|Orchestral Part|1.50|7 GMCO131-17|||9790222297289|GAW|Kenneth Gaw|Swing Low Trumpet 2|Orchestral Part|1.50|7 GMCO131-18|||9790222297296|GAW|Kenneth Gaw|Swing Low Trumpet 3|Orchestral Part|1.50|7 GMCO131-19|||9790222297302|GAW|Kenneth Gaw|Swing Low Trombone 1|Orchestral Part|1.50|7 GMCO131-20|||9790222297319|GAW|Kenneth Gaw|Swing Low Trombone 2|Orchestral Part|1.50|7 GMCO131-21|||9790222297326|GAW|Kenneth Gaw|Swing Low Trombone 3|Orchestral Part|1.50|7 GMCO131-22|||9790222297333|GAW|Kenneth Gaw|Swing Low Drum Kit|Orchestral Part|1.50|13 GMCO131-23|||9790222297340|GAW|Kenneth Gaw|Swing Low Percussion|Orchestral Part|2.00|25 GMCO132|Tom Cunningham
EDINBURGH SUITE for orchestra
Goodmusic Concert Originals GMCO132|'Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Trumpet, Trombone, Timpani, Percussion (Cymbals, Triangle, Wood-Block [1 player])
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A suite of five movements depicting different areas in and around Edinburgh.
1. "Sunshine on Arthur''s Seat" starts with a representation of sunrise, moves to a quiet section for twilight and night, and then finishes in another blaze of the new day sun.
2. "Moonlight in the Meadows" allows the woodwind to meander dreamily under the influence of a blue moon, while the strings provide a quiet rhythmic accompaniment.
3. "Storm in the Forth" sees a mischievous wind tormenting the boats on the river as a storm approaches - the clouds clear for a moment before the thunder returns.
4. "Springtime on the Braids" has walkers and their pets playing in the gently swaying foliage before climbing the hills and enjoying the magnificent views.
5. "Festival Frolics" takes a jaunty stroll down Edinburgh''s Royal Mile as the Festival Fringe performers compete for our attention.
A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 15 minutes'|9790222296640|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Pack|Orchestra|60.00|934 GMCO132-00|||9790222296657|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Score|Orchestral Score|14.00|200 GMCO132-01|||9790222296664|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Violin 1|Orchestral Part|2.00|25 GMCO132-02|||9790222296671|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Violin 2|Orchestral Part|2.00|25 GMCO132-03|||9790222296688|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Viola|Orchestral Part|2.00|25 GMCO132-04|||9790222296695|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Cello|Orchestral Part|2.00|25 GMCO132-05|||9790222296701|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Bass|Orchestral Part|2.00|25 GMCO132-06|||9790222296718|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Flute 1|Orchestral Part|2.00|25 GMCO132-07|||9790222296725|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Flute 2|Orchestral Part|2.00|25 GMCO132-08|||9790222296732|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Oboe 1|Orchestral Part|2.00|25 GMCO132-09|||9790222296749|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Oboe 2|Orchestral Part|1.50|13 GMCO132-10|||9790222296756|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Clarinet 1|Orchestral Part|2.00|25 GMCO132-11|||9790222296763|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Clarinet 2|Orchestral Part|2.00|25 GMCO132-12|||9790222296770|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Bassoon 1|Orchestral Part|2.00|25 GMCO132-13|||9790222296787|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Bassoon 2|Orchestral Part|2.00|25 GMCO132-14|||9790222296794|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Horn 1|Orchestral Part|1.50|13 GMCO132-15|||9790222296800|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Horn 2|Orchestral Part|1.50|13 GMCO132-16|||9790222296817|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Trumpet|Orchestral Part|1.50|13 GMCO132-17|||9790222296824|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Trombone|Orchestral Part|1.50|13 GMCO132-18|||9790222296831|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Timpani|Orchestral Part|1.50|13 GMCO132-19|||9790222296848|CUNNINGHAM|Tom Cunningham|Edinburgh Suite Percussion|Orchestral Part|1.50|13 GMCO133|Walter Leigh
OVERTURE: AGINCOURT for orchestra
Goodmusic Concert Originals GMCO133|Orchestration: 2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in A, 2 Bassoons, 4 Horns in F, 2 Trumpets in C, 3 Trombones, Timpani, Percussion (2 players: Cymbals (clashed & suspended), Snare Drum, Tambourine, Bass Drum, Glockenspiel), Harp (or Piano)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

On 6th May 1935 King George V celebrated his Silver Jubilee. To mark the occasion the BBC commissioned Walter Leigh (1905-1942) to compose a festive overture (for a fee of 20 guineas), which would be broadcast in an hour-long concert of Music of the British Isles, conducted by Joseph Lewis. Originally entitled Jubilee Overture, Leigh later renamed it Overture (Agincourt) when it was broadcast two years later, on the occasion of the coronation of King George VI.

The title page of the full score bears this inscription:
"Now gracious God he save our King
His people, and all his well willing.
Give him good life, and good ending
That we with mirth may savely sing
Deo Gracias
Deo gratias Anglia redde pro Victoria"
Song of the Victory at Agincourt

A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 13 minutes|9790222297586|LEIGH|Walter Leigh|Overture: Agincourt Pack|Orchestra|75.00|1204 GMCO133-00|||9790222297593|LEIGH|Walter Leigh|Overture: Agincourt Score|Orchestral Score|15.00|212 GMCO133-01|||9790222297609|LEIGH|Walter Leigh|Overture: Agincourt Violin 1|Orchestral Part|2.00|25 GMCO133-02|||9790222297616|LEIGH|Walter Leigh|Overture: Agincourt Violin 2|Orchestral Part|2.00|25 GMCO133-03|||9790222297623|LEIGH|Walter Leigh|Overture: Agincourt Viola|Orchestral Part|2.50|38 GMCO133-04|||9790222297630|LEIGH|Walter Leigh|Overture: Agincourt Cello|Orchestral Part|2.00|25 GMCO133-05|||9790222297647|LEIGH|Walter Leigh|Overture: Agincourt Bass|Orchestral Part|2.00|25 GMCO133-06|||9790222297654|LEIGH|Walter Leigh|Overture: Agincourt Flute 1|Orchestral Part|2.00|25 GMCO133-07|||9790222297661|LEIGH|Walter Leigh|Overture: Agincourt Flute 2/Picc|Orchestral Part|2.00|25 GMCO133-08|||9790222297678|LEIGH|Walter Leigh|Overture: Agincourt Oboe 1|Orchestral Part|2.00|25 GMCO133-09|||9790222297685|LEIGH|Walter Leigh|Overture: Agincourt Oboe 2|Orchestral Part|2.00|25 GMCO133-10|||9790222297692|LEIGH|Walter Leigh|Overture: Agincourt Clarinet 1 in A|Orchestral Part|2.00|25 GMCO133-11|||9790222297708|LEIGH|Walter Leigh|Overture: Agincourt Clarinet 2 in A|Orchestral Part|2.00|25 GMCO133-12|||9790222297739|LEIGH|Walter Leigh|Overture: Agincourt Bassoon 1|Orchestral Part|2.00|25 GMCO133-13|||9790222297746|LEIGH|Walter Leigh|Overture: Agincourt Bassoon 2|Orchestral Part|2.00|25 GMCO133-14|||9790222297753|LEIGH|Walter Leigh|Overture: Agincourt Horn 1|Orchestral Part|2.00|25 GMCO133-15|||9790222297760|LEIGH|Walter Leigh|Overture: Agincourt Horn 2|Orchestral Part|2.00|25 GMCO133-16|||9790222297777|LEIGH|Walter Leigh|Overture: Agincourt Horn 3|Orchestral Part|2.00|25 GMCO133-17|||9790222297784|LEIGH|Walter Leigh|Overture: Agincourt Horn 4|Orchestral Part|2.00|25 GMCO133-18|||9790222297791|LEIGH|Walter Leigh|Overture: Agincourt Trumpet 1|Orchestral Part|2.00|25 GMCO133-19|||9790222297807|LEIGH|Walter Leigh|Overture: Agincourt Trumpet 2|Orchestral Part|2.00|25 GMCO133-20|||9790222297814|LEIGH|Walter Leigh|Overture: Agincourt Trombone 1|Orchestral Part|2.00|25 GMCO133-21|||9790222297821|LEIGH|Walter Leigh|Overture: Agincourt Trombone 2|Orchestral Part|2.00|25 GMCO133-22|||9790222297838|LEIGH|Walter Leigh|Overture: Agincourt Trombone 3|Orchestral Part|2.00|25 GMCO133-23|||9790222297845|LEIGH|Walter Leigh|Overture: Agincourt Timpani|Orchestral Part|2.00|25 GMCO133-24|||9790222297852|LEIGH|Walter Leigh|Overture: Agincourt Percussion|Orchestral Part|2.00|25 GMCO133-25|||9790222297869|LEIGH|Walter Leigh|Overture: Agincourt Harp|Orchestral Part|1.50|13 GMCO134|Walter Leigh
JOLLY ROGER OVERTURE for orchestra
Goodmusic Concert Originals GMCO134|'Orchestration: Flute db.Piccolo, Oboe, 2 Clarinets in A (transposed parts in Bb also included), Bassoon, 2 Horns in F, 2 Trumpets in Bb, Trombone, Timpani, Percussion (2 or 3 players: Cymbals, Side Drum, Bass Drum, Tambourine)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The overture to a comic opera written in 1932. With a cast headed by George Robey, known to audiences as ''the Prime Minister of Mirth'', the comic opera in three acts, Jolly Roger or The Admiral''s Daughter opened at the Opera House, Manchester on 13 February 1933. Running for over six months, it transferred to the Savoy Theatre, London on 1 March 1933 and moved from there to the Lyceum Theatre on 5th June 1933, accruing a total of 199 performances. A CD including the Overture is available on the Lyrita label SRCD289 and a CD of the whole comic opera is also available - REAM2116 .

A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 4 minutes'|9790222297876|LEIGH|Walter Leigh|Jolly Roger Overture Pack|Orchestra|40.00|500 GMCO134-00|||9790222297883|LEIGH|Walter Leigh|Jolly Roger Overture Score|Orchestral Score|8.00|88 GMCO134-01|||9790222297890|LEIGH|Walter Leigh|Jolly Roger Overture Violin 1|Orchestral Part|1.50|13 GMCO134-02|||9790222297906|LEIGH|Walter Leigh|Jolly Roger Overture Violin 2|Orchestral Part|1.50|13 GMCO134-03|||9790222297913|LEIGH|Walter Leigh|Jolly Roger Overture Viola|Orchestral Part|1.50|13 GMCO134-04|||9790222297920|LEIGH|Walter Leigh|Jolly Roger Overture Cello|Orchestral Part|1.50|13 GMCO134-05|||9790222297937|LEIGH|Walter Leigh|Jolly Roger Overture Bass|Orchestral Part|1.50|13 GMCO134-06|||9790222297944|LEIGH|Walter Leigh|Jolly Roger Overture Flute/Picc|Orchestral Part|1.50|13 GMCO134-07|||9790222297951|LEIGH|Walter Leigh|Jolly Roger Overture Oboe|Orchestral Part|1.50|13 GMCO134-08|||9790222297968|LEIGH|Walter Leigh|Jolly Roger Overture Clarinet 1|Orchestral Part|2.00|25 GMCO134-09|||9790222297975|LEIGH|Walter Leigh|Jolly Roger Overture Clarinet 2|Orchestral Part|2.00|25 GMCO134-10|||9790222297982|LEIGH|Walter Leigh|Jolly Roger Overture Bassoon|Orchestral Part|1.50|13 GMCO134-11|||9790222297999|LEIGH|Walter Leigh|Jolly Roger Overture Horn 1|Orchestral Part|1.50|13 GMCO134-12|||9790222298002|LEIGH|Walter Leigh|Jolly Roger Overture Horn 2|Orchestral Part|1.50|13 GMCO134-13|||9790222298019|LEIGH|Walter Leigh|Jolly Roger Overture Trumpet 1|Orchestral Part|1.50|13 GMCO134-14|||9790222298026|LEIGH|Walter Leigh|Jolly Roger Overture Trumpet 2|Orchestral Part|1.50|13 GMCO134-15|||9790222298033|LEIGH|Walter Leigh|Jolly Roger Overture Trombone|Orchestral Part|1.50|13 GMCO134-16|||9790222298040|LEIGH|Walter Leigh|Jolly Roger Overture Timpani|Orchestral Part|1.50|13 GMCO134-17|||9790222298057|LEIGH|Walter Leigh|Jolly Roger Overture Percussion|Orchestral Part|1.50|13 GMCO135|OBOE CONCERTINO by Peter Lawson
(Song of the Burnt-Tip Orchid) for oboe and orchestra
Goodmusic Concert Originals GMCO135|'Orchestration: 2 Flutes (2nd db Picc), Solo Oboe + 2nd Oboe, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion ([3] Glockenspiel, Triangle, Tambourine, Guiro, Wood Blocks), Celesta, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Oboe Concertino was originally started in about 1980 as a concerto for Gordon Hunt, whilst the Song of the Burnt-Tip Orchid was originally started in 1990 as the 24th to be written in a cycle of musical portraits of the 48 wild orchids of Britain and Ireland, but scored for (wordless) Mezzo-soprano, Oboe and Harp. Both pieces remained untouched and very much incomplete for many years until 2015, when they were both totally rewritten and combined as a Concertino for Oboe and Orchestra with the subtitle Song of the Burnt-Tip Orchid. It is a miniature concerto in three short movements - about a miniature orchid.
The Burnt-Tip Orchid is like a tiny, dainty replica of the magnificently stately Lady Orchid. Both orchids have a dense, cylindrical spike of flowers, which, when partially in bud, appear to have a ''burnt tip''
The Song of the Burnt-Tip Orchid employs a colour-code for harmonies throughout, as in the other musical portraits. The first movement, Introduction, sets the scene of the orchid in its downland habitat. In its coda, the music fancifully follows the orchid''s long rhizome and root - going down into the ground. The second movement, Romance, is, as it were, the ''song'' of the orchid itself, tranquil but impassioned. The third, Dance, could be entitled ''the dance of the seeds'' - orchid seeds are as fine as dust and can be whisked away in the wind and storms to land in other countries. Here, the colour-coded chords form a 5/4 rhythm and melodic shapes suggest Greek music. Contrasting orchestral tutti outbursts juxtapose the interplay of 3/4 and 6/8 rhythms so typical of Spanish music. This movement reflects the orchid''s apparent affection for these two countries, where it can be most commonly found. Peter Lawson
A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 7? minutes
An oboe and piano reduction is also available - GM174.'|9790222298606|LAWSON|Peter Lawson|Oboe Concertino Pack|Orchestra|60.00|750 GMCO135-00|||9790222298613|LAWSON|Peter Lawson|Oboe Concertino Score|Orchestral Score|10.00|117 GMCO135-01|||9790222298620|LAWSON|Peter Lawson|Oboe Concertino Violin 1|Orchestral Part|2.00|25 GMCO135-02|||9790222298637|LAWSON|Peter Lawson|Oboe Concertino Violin 2|Orchestral Part|2.00|25 GMCO135-03|||9790222298644|LAWSON|Peter Lawson|Oboe Concertino Viola|Orchestral Part|2.00|25 GMCO135-04|||9790222298651|LAWSON|Peter Lawson|Oboe Concertino Cello|Orchestral Part|2.00|25 GMCO135-05|||9790222298668|LAWSON|Peter Lawson|Oboe Concertino Bass|Orchestral Part|2.00|25 GMCO135-06|||9790222298675|LAWSON|Peter Lawson|Oboe Concertino Flute 1|Orchestral Part|1.50|13 GMCO135-07|||9790222298682|LAWSON|Peter Lawson|Oboe Concertino Flute 2/Piccolo|Orchestral Part|1.50|13 GMCO135-08|||9790222298699|LAWSON|Peter Lawson|Oboe Concertino Oboe 1 Solo|Orchestral Part|2.00|25 GMCO135-09|||9790222298705|LAWSON|Peter Lawson|Oboe Concertino Oboe 2|Orchestral Part|1.50|13 GMCO135-10|||9790222298712|LAWSON|Peter Lawson|Oboe Concertino Clarinet 1|Orchestral Part|1.50|13 GMCO135-11|||9790222298729|LAWSON|Peter Lawson|Oboe Concertino Clarinet 2|Orchestral Part|1.50|13 GMCO135-12|||9790222298736|LAWSON|Peter Lawson|Oboe Concertino Bassoon 1|Orchestral Part|1.50|13 GMCO135-13|||9790222298743|LAWSON|Peter Lawson|Oboe Concertino Bassoon 2|Orchestral Part|1.50|13 GMCO135-14|||9790222298750|LAWSON|Peter Lawson|Oboe Concertino Horn 1|Orchestral Part|1.50|13 GMCO135-15|||9790222298767|LAWSON|Peter Lawson|Oboe Concertino Horn 2|Orchestral Part|1.50|13 GMCO135-16|||9790222298774|LAWSON|Peter Lawson|Oboe Concertino Trumpet 1|Orchestral Part|1.50|13 GMCO135-17|||9790222298781|LAWSON|Peter Lawson|Oboe Concertino Trumpet 2|Orchestral Part|1.50|13 GMCO135-18|||9790222298798|LAWSON|Peter Lawson|Oboe Concertino Trombone 1|Orchestral Part|1.50|13 GMCO135-19|||9790222298804|LAWSON|Peter Lawson|Oboe Concertino Trombone 2|Orchestral Part|1.50|13 GMCO135-20|||9790222298811|LAWSON|Peter Lawson|Oboe Concertino Trombone 3|Orchestral Part|1.50|13 GMCO135-21|||9790222298828|LAWSON|Peter Lawson|Oboe Concertino Tuba|Orchestral Part|1.50|13 GMCO135-22|||9790222298835|LAWSON|Peter Lawson|Oboe Concertino Timpani|Orchestral Part|1.50|13 GMCO135-23|||9790222298842|LAWSON|Peter Lawson|Oboe Concertino Percussion|Orchestral Part|2.00|25 GMCO135-24|||9790222298859|LAWSON|Peter Lawson|Oboe Concertino Celesta|Orchestral Part|1.50|13 GMCO135-25|||9790222298866|LAWSON|Peter Lawson|Oboe Concertino Harp|Orchestral Part|2.00|25 GMCO136|Ronald Binge
SAILING BY for orchestra
Goodmusic Concert Originals GMCO136|Orchestration: 2 Flutes, Cor Anglais, 2 Clarinets in Bb, Bassoon, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Percussion (Triangle, Vibraphone), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Sailing By is a short piece for orchestra composed by Ronald Binge in 1963, which is used before the late Shipping Forecast on BBC Radio. A slow waltz, the piece uses a repetitive ABABC structure and features a distinctive rising and falling woodwind arpeggio.
Loved by many late night listeners, it is played every night on BBC Radio 4 at around 00:45hrs before the late Shipping Forecast. Its tune is repetitive, assisting in its role of serving as a signal for sailors tuning in to be able to easily identify the radio station. It also functions as a buffer - depending on when the final programme before closedown finishes, Sailing By (or part of it) is played as a "filler" as the shipping forecast starts at 00:48hrs precisely. The initial reason for its introduction was because of the indeterminate finish time for the preceding Midnight News, leading to filling music being played until the Shipping Forecast was due to start.

This new Goodmusic edition is the first time the orchestral score and parts has been offered for sale.
A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 2? minutes|9790222298088|BINGE|Ronald Binge|Sailing By Pack|Orchestra|40.00|321 GMCO136-00|||9790222298095|BINGE|Ronald Binge|Sailing By Score|Orchestral Score|5.00|50 GMCO136-01|||9790222298101|BINGE|Ronald Binge|Sailing By Violin 1|Orchestral Part|1.50|7 GMCO136-02|||9790222298118|BINGE|Ronald Binge|Sailing By Violin 2|Orchestral Part|1.50|7 GMCO136-03|||9790222298125|BINGE|Ronald Binge|Sailing By Viola|Orchestral Part|1.50|7 GMCO136-04|||9790222298132|BINGE|Ronald Binge|Sailing By Cello|Orchestral Part|1.50|7 GMCO136-05|||9790222298149|BINGE|Ronald Binge|Sailing By Bass|Orchestral Part|1.50|7 GMCO136-06|||9790222298156|BINGE|Ronald Binge|Sailing By Flute 1|Orchestral Part|1.50|13 GMCO136-07|||9790222298163|BINGE|Ronald Binge|Sailing By Flute 2|Orchestral Part|1.50|13 GMCO136-08|||9790222298170|BINGE|Ronald Binge|Sailing By Cor Anglais|Orchestral Part|1.50|7 GMCO136-09|||9790222298187|BINGE|Ronald Binge|Sailing By Clarinet 1|Orchestral Part|1.50|13 GMCO136-10|||9790222298194|BINGE|Ronald Binge|Sailing By Clarinet 2|Orchestral Part|1.50|13 GMCO136-11|||9790222298200|BINGE|Ronald Binge|Sailing By Bassoon|Orchestral Part|1.50|7 GMCO136-12|||9790222298217|BINGE|Ronald Binge|Sailing By Horn 1|Orchestral Part|1.50|7 GMCO136-13|||9790222298224|BINGE|Ronald Binge|Sailing By Horn 2|Orchestral Part|1.50|7 GMCO136-14|||9790222298231|BINGE|Ronald Binge|Sailing By Trumpet 1|Orchestral Part|1.50|7 GMCO136-15|||9790222298248|BINGE|Ronald Binge|Sailing By Trumpet 2|Orchestral Part|1.50|7 GMCO136-16|||9790222298255|BINGE|Ronald Binge|Sailing By Trombone 1|Orchestral Part|1.50|7 GMCO136-17|||9790222298262|BINGE|Ronald Binge|Sailing By Trombone 2|Orchestral Part|1.50|7 GMCO136-18|||9790222298279|BINGE|Ronald Binge|Sailing By Trombone 3|Orchestral Part|1.50|7 GMCO136-19|||9790222298286|BINGE|Ronald Binge|Sailing By Percussion|Orchestral Part|1.50|13 GMCO136-20|||9790222298293|BINGE|Ronald Binge|Sailing By Harp|Orchestral Part|1.50|13 GMCO137|ORGAN CONCERTINO by Peter Lawson
(Song of the Early Purple Orchid) for organ and orchestra
Goodmusic Concert Originals GMCO137|'Orchestration: Solo Organ, 2 Flutes (2nd db Picc), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion ([3] Snare drum, Tam-tam, Cymbals, Tambourine, Castanets, Wood Blocks, Temple Blocks, Glockenspiel, Vibraphone), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Concertino was originally suggested to Nicolas Kynaston as a larger, fully-fledged Concerto back in 1988, after he played Song of the Broad Helleborine in an organ recital at the Royal Festival Hall. The idea was only brought to life 27 years later, when it became a smaller-scale work than originally envisaged, in three short movements, with the soloist having a more concertino-like rather than ''heroic'' role in its interplay with the orchestra. It is the 31st to be written in a cycle of musical portraits of the 48 wild orchids of Britain and Ireland.
The Early Purple Orchid, referred to by Gertrude in Shakespeare''s Hamlet as ''Long Purples'', is one of the most widespread and commonly encountered of wild orchids, being recorded in nearly all of the vice counties in Britain and is equally common in Ireland, with millions out in flower in the second half of May on the limestone pavement of the Burren, County Clare. As the name suggests, the orchid is one of the first to flower, in the second half of April in Cornwall to the first half of June in less temperate or more exposed parts of Britain and Ireland, or at higher altitudes. Worldwide, its distribution stretches to North Africa, the Middle East and to most of Russia.
The first movement begins with a march-like idea whose harmonies - as in other orchid portraits - are colour-coded, representing the seven colours present in the orchid: purple, red, pink, white, brown, green and yellowish-gold. This gives way to a calm, chiefly green section, before a scherzando section representing the flecks on the lower labellum ends the short movement. The second movement, The Beechwood, draws on the green idea from the first movement. This is the ''Song'' of the orchid, as it were. The third movement, Jig, is intended to reflect the plethora of colour varieties and the spectacular numbers of this orchid in the Burren. Peter Lawson
A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts plus an organ solo part.
Duration 10 minutes'|9790222298873|LAWSON|Peter Lawson|Organ Concertino Pack|Orchestra|70.00|1236 GMCO137-00|||9790222298880|LAWSON|Peter Lawson|Organ Concertino Score|Orchestral Score|14.00|181 GMCO137-01|||9790222298897|LAWSON|Peter Lawson|Organ Concertino Violin 1|Orchestral Part|2.50|38 GMCO137-02|||9790222298903|LAWSON|Peter Lawson|Organ Concertino Violin 2|Orchestral Part|2.00|25 GMCO137-03|||9790222298910|LAWSON|Peter Lawson|Organ Concertino Viola|Orchestral Part|2.00|25 GMCO137-04|||9790222298927|LAWSON|Peter Lawson|Organ Concertino Cello|Orchestral Part|2.00|25 GMCO137-05|||9790222298934|LAWSON|Peter Lawson|Organ Concertino Bass|Orchestral Part|2.00|25 GMCO137-06|||9790222298941|LAWSON|Peter Lawson|Organ Concertino Flute 1|Orchestral Part|2.00|25 GMCO137-07|||9790222298958|LAWSON|Peter Lawson|Organ Concertino Flute 2/Piccolo|Orchestral Part|2.00|25 GMCO137-08|||9790222298965|LAWSON|Peter Lawson|Organ Concertino Oboe 1|Orchestral Part|1.50|13 GMCO137-09|||9790222298972|LAWSON|Peter Lawson|Organ Concertino Oboe 2|Orchestral Part|1.50|13 GMCO137-10|||9790222298989|LAWSON|Peter Lawson|Organ Concertino Clarinet 1|Orchestral Part|2.00|25 GMCO137-11|||9790222298996|LAWSON|Peter Lawson|Organ Concertino Clarinet 2|Orchestral Part|2.00|25 GMCO137-12|||9790222299009|LAWSON|Peter Lawson|Organ Concertino Bassoon 1|Orchestral Part|2.00|25 GMCO137-13|||9790222299016|LAWSON|Peter Lawson|Organ Concertino Bassoon 2|Orchestral Part|2.00|25 GMCO137-14|||9790222299023|LAWSON|Peter Lawson|Organ Concertino Horn 1|Orchestral Part|2.00|25 GMCO137-15|||9790222299030|LAWSON|Peter Lawson|Organ Concertino Horn 2|Orchestral Part|2.00|25 GMCO137-16|||9790222299047|LAWSON|Peter Lawson|Organ Concertino Horn 3|Orchestral Part|2.00|25 GMCO137-17|||9790222299054|LAWSON|Peter Lawson|Organ Concertino Horn 4|Orchestral Part|2.00|25 GMCO137-18|||9790222299061|LAWSON|Peter Lawson|Organ Concertino Trumpet 1|Orchestral Part|1.50|13 GMCO137-19|||9790222299078|LAWSON|Peter Lawson|Organ Concertino Trumpet 2|Orchestral Part|1.50|13 GMCO137-20|||9790222299085|LAWSON|Peter Lawson|Organ Concertino Trombone 1|Orchestral Part|1.50|13 GMCO137-21|||9790222299092|LAWSON|Peter Lawson|Organ Concertino Trombone 2|Orchestral Part|1.50|13 GMCO137-22|||9790222299108|LAWSON|Peter Lawson|Organ Concertino Trombone 3|Orchestral Part|1.50|13 GMCO137-23|||9790222299115|LAWSON|Peter Lawson|Organ Concertino Tuba|Orchestral Part|1.50|13 GMCO137-24|||9790222299122|LAWSON|Peter Lawson|Organ Concertino Timpani|Orchestral Part|1.50|13 GMCO137-25|||9790222299139|LAWSON|Peter Lawson|Organ Concertino Percussion|Orchestral Part|2.00|25 GMCO137-26|||9790222299146|LAWSON|Peter Lawson|Organ Concertino Harp|Orchestral Part|2.00|25 GMCO137-27|||9790222299153|LAWSON|Peter Lawson|Organ Concertino Solo Organ|Orchestral Part|6.50|124 GMCO138|OVERTURE: BRIGHTON BEACH by Paul Lewis
for orchestra
Goodmusic Concert Originals GMCO138|'Orchestration: Piccolo, Flute, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Percussion (3 players - Triangle, Wood Block, Tambourine, Cymbals, Snare Drum, Tam-tam, Glockenspiel, Xylophone, Bass Drum, Vibraslap, Rattle, Tubular Bells [C,D,E]), Piano, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

I was educated at Brighton College but left shortly before my sixteenth birthday in order to take up a job in music publishing. I began work on this overture in 1959 during my last term at school, and it was only at the end of 2015 that, in response to a commission for a piece to celebrate the college''s new state-of-the-art music centre, I actually finished it! It is in effect a totally new composition however; all that remains of the original piece is the actual theme tune - a jolly little melodic fragment that has persistently played in my head during the intervening years - and the idea of a middle section in which the orchestra mimics a military band playing the stirring old march song "Sussex by the Sea", long considered the unofficial Sussex county anthem.
The overture is therefore an evocation of Brighton seaside in the 1950s, pre-Mods and Rockers riots of the 60s and certainly pre-Kemp Town nudist beach! It was a comparatively innocent world of post-war gaiety: of seaside landladies, candy-floss-eating day-trippers, Punch and Judy, beauty contests and paddle steamer trips from the pier. A military band puts in an appearance, as does the giant fairground organ that was stationed at Peter Pan''s Playground. Finally a fanfare blazes out the name of Brighton College and the overture ends with a hearty festive flourish. Paul Lewis
A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 9? minutes'|9790222299375|LEWIS P|Paul Lewis|Overture: Brighton Beach Pack|Orchestra|70.00|1075 GMCO138-00|||9790222299382|LEWIS P|Paul Lewis|Overture: Brighton Beach Score|Orchestral Score|14.00|200 GMCO138-01|||9790222299399|LEWIS P|Paul Lewis|Overture: Brighton Beach Violin 1|Orchestral Part|2.00|25 GMCO138-02|||9790222299405|LEWIS P|Paul Lewis|Overture: Brighton Beach Violin 2|Orchestral Part|2.00|25 GMCO138-03|||9790222299412|LEWIS P|Paul Lewis|Overture: Brighton Beach Viola|Orchestral Part|2.00|25 GMCO138-04|||9790222299429|LEWIS P|Paul Lewis|Overture: Brighton Beach Cello|Orchestral Part|2.00|25 GMCO138-05|||9790222299436|LEWIS P|Paul Lewis|Overture: Brighton Beach Bass|Orchestral Part|1.50|13 GMCO138-06|||9790222299443|LEWIS P|Paul Lewis|Overture: Brighton Beach Piccolo|Orchestral Part|2.00|25 GMCO138-07|||9790222299450|LEWIS P|Paul Lewis|Overture: Brighton Beach Flute|Orchestral Part|1.50|13 GMCO138-08|||9790222299467|LEWIS P|Paul Lewis|Overture: Brighton Beach Oboe 1|Orchestral Part|1.50|13 GMCO138-09|||9790222299474|LEWIS P|Paul Lewis|Overture: Brighton Beach Oboe 2|Orchestral Part|1.50|13 GMCO138-10|||9790222299481|LEWIS P|Paul Lewis|Overture: Brighton Beach Clarinet 1|Orchestral Part|1.50|13 GMCO138-11|||9790222299498|LEWIS P|Paul Lewis|Overture: Brighton Beach Clarinet 2|Orchestral Part|1.50|13 GMCO138-12|||9790222299504|LEWIS P|Paul Lewis|Overture: Brighton Beach Bassoon 1|Orchestral Part|1.50|13 GMCO138-13|||9790222299511|LEWIS P|Paul Lewis|Overture: Brighton Beach Bassoon 2|Orchestral Part|1.50|13 GMCO138-14|||9790222299528|LEWIS P|Paul Lewis|Overture: Brighton Beach Horn 1|Orchestral Part|1.50|13 GMCO138-15|||9790222299535|LEWIS P|Paul Lewis|Overture: Brighton Beach Horn 2|Orchestral Part|1.50|13 GMCO138-16|||9790222299542|LEWIS P|Paul Lewis|Overture: Brighton Beach Horn 3|Orchestral Part|1.50|13 GMCO138-17|||9790222299559|LEWIS P|Paul Lewis|Overture: Brighton Beach Horn 4|Orchestral Part|1.50|13 GMCO138-18|||9790222299566|LEWIS P|Paul Lewis|Overture: Brighton Beach Trumpet 1|Orchestral Part|1.50|13 GMCO138-19|||9790222299573|LEWIS P|Paul Lewis|Overture: Brighton Beach Trumpet 2|Orchestral Part|1.50|13 GMCO138-20|||9790222299580|LEWIS P|Paul Lewis|Overture: Brighton Beach Trumpet 3|Orchestral Part|1.50|13 GMCO138-21|||9790222299597|LEWIS P|Paul Lewis|Overture: Brighton Beach Trombone 1|Orchestral Part|1.50|13 GMCO138-22|||9790222299603|LEWIS P|Paul Lewis|Overture: Brighton Beach Trombone 2|Orchestral Part|1.50|13 GMCO138-23|||9790222299610|LEWIS P|Paul Lewis|Overture: Brighton Beach Trombone 3|Orchestral Part|1.50|13 GMCO138-24|||9790222299627|LEWIS P|Paul Lewis|Overture: Brighton Beach Tuba|Orchestral Part|1.50|13 GMCO138-25|||9790222299634|LEWIS P|Paul Lewis|Overture: Brighton Beach Timpani|Orchestral Part|1.50|13 GMCO138-26|||9790222299641|LEWIS P|Paul Lewis|Overture: Brighton Beach Percussion|Orchestral Part|3.00|50 GMCO138-27|||9790222299658|LEWIS P|Paul Lewis|Overture: Brighton Beach Piano|Orchestral Part|2.00|25 GMCO138-28|||9790222299665|LEWIS P|Paul Lewis|Overture: Brighton Beach Harp|Orchestral Part|2.00|25 GMCO139|AN OPTIMISTIC OVERTURE by Paul Lewis
for orchestra
Goodmusic Concert Originals GMCO139|'Orchestration: 2 Flutes db. Piccolos, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Timpani, Percussion (2 players - Glockenspiel, Snare Drum, Tam-tam, Tambourine, Triangle, Xylophone, Suspended Cymbal with soft sticks, Tubular Bells [C,E,G only]), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An Optimistic Overture was written in December 1971 for a light music competition and wasn''t mentioned amongst the winners, but I didn''t change the title. The following year it was rehearsed by the BBC Concert Orchestra but was never actually performed or broadcast, and still I didn''t change the title. In more recent years, composer and record producer Philip Lane has three times asked me if he could include the work on various CDs of British light music; in each case I offered something else instead, believing that the overture deserved a special dedicatee and a special occasion on which to be unveiled. The occasion arrived in 2016 with the tenth English Music Festival, and the dedicatee could therefore be none other than the indefatigable Em Marshall-Luck, Founder and Festival Director, whose supreme optimism had sustained her through ten years mounting concerts of unjustly neglected English music. So the overture became a gift from one optimist to another, and is duly dedicated "To Em Marshall-Luck in celebration of the Tenth Anniversary English Music Festival". Paul Lewis
First performance given by the BBC Concert Orchestra under Martin Yates in the opening concert of the English Music Festival, Dorchester Abbey, Oxfordshire, May 27th 2016.

A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 4? minutes'|9790222299672|LEWIS P|Paul Lewis|An Optimistic Overture Pack|Orchestra|40.00|609 GMCO139-00|||9790222299689|LEWIS P|Paul Lewis|An Optimistic Overture Score|Orchestral Score|8.00|88 GMCO139-01|||9790222299696|LEWIS P|Paul Lewis|An Optimistic Overture Violin 1|Orchestral Part|1.50|13 GMCO139-02|||9790222299702|LEWIS P|Paul Lewis|An Optimistic Overture Violin 2|Orchestral Part|1.50|13 GMCO139-03|||9790222299719|LEWIS P|Paul Lewis|An Optimistic Overture Viola|Orchestral Part|1.50|13 GMCO139-04|||9790222299726|LEWIS P|Paul Lewis|An Optimistic Overture Cello|Orchestral Part|1.50|13 GMCO139-05|||9790222299733|LEWIS P|Paul Lewis|An Optimistic Overture Bass|Orchestral Part|1.50|13 GMCO139-06|||9790222299740|LEWIS P|Paul Lewis|An Optimistic Overture Flute 1|Orchestral Part|1.50|13 GMCO139-07|||9790222299757|LEWIS P|Paul Lewis|An Optimistic Overture Flute 2|Orchestral Part|1.50|13 GMCO139-08|||9790222299764|LEWIS P|Paul Lewis|An Optimistic Overture Oboe 1|Orchestral Part|1.50|13 GMCO139-09|||9790222299771|LEWIS P|Paul Lewis|An Optimistic Overture Oboe 2|Orchestral Part|1.50|13 GMCO139-10|||9790222299788|LEWIS P|Paul Lewis|An Optimistic Overture Clarinet 1|Orchestral Part|1.50|13 GMCO139-11|||9790222299795|LEWIS P|Paul Lewis|An Optimistic Overture Clarinet 2|Orchestral Part|1.50|13 GMCO139-12|||9790222299801|LEWIS P|Paul Lewis|An Optimistic Overture Bassoon 1|Orchestral Part|1.50|13 GMCO139-13|||9790222299818|LEWIS P|Paul Lewis|An Optimistic Overture Bassoon 2|Orchestral Part|1.50|13 GMCO139-14|||9790222299825|LEWIS P|Paul Lewis|An Optimistic Overture Horn 1|Orchestral Part|1.50|13 GMCO139-15|||9790222299832|LEWIS P|Paul Lewis|An Optimistic Overture Horn 2|Orchestral Part|1.50|13 GMCO139-16|||9790222299849|LEWIS P|Paul Lewis|An Optimistic Overture Horn 3|Orchestral Part|1.50|13 GMCO139-17|||9790222299856|LEWIS P|Paul Lewis|An Optimistic Overture Horn 4|Orchestral Part|1.50|13 GMCO139-18|||9790222299863|LEWIS P|Paul Lewis|An Optimistic Overture Trumpet 1|Orchestral Part|1.50|13 GMCO139-19|||9790222299870|LEWIS P|Paul Lewis|An Optimistic Overture Trumpet 2|Orchestral Part|1.50|13 GMCO139-20|||9790222299887|LEWIS P|Paul Lewis|An Optimistic Overture Trumpet 3|Orchestral Part|1.50|13 GMCO139-21|||9790222299894|LEWIS P|Paul Lewis|An Optimistic Overture Trombone 1|Orchestral Part|1.50|13 GMCO139-22|||9790222299900|LEWIS P|Paul Lewis|An Optimistic Overture Trombone 2|Orchestral Part|1.50|13 GMCO139-23|||9790222299917|LEWIS P|Paul Lewis|An Optimistic Overture Trombone 3|Orchestral Part|1.50|13 GMCO139-24|||9790222299924|LEWIS P|Paul Lewis|An Optimistic Overture Timpani|Orchestral Part|1.50|13 GMCO139-25|||9790222299931|LEWIS P|Paul Lewis|An Optimistic Overture Percussion|Orchestral Part|1.50|13 GMCO139-26|||9790222299948|LEWIS P|Paul Lewis|An Optimistic Overture Harp|Orchestral Part|1.50|13 GMCO140|VARIATIONS ON HAPPY BIRTHDAY TO YOU by Peter Lawson
for orchestra
Goodmusic Concert Originals GMCO140|'Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani,
Percussion (4 players: Snare Drum, Cymbals (clashed), Large Gong, Tam-tam, Temple Blocks, Castanets, Claves, Guiro, Tambourine, Bongos (high & low), Bass Drum, Wind chimes, Glockenspiel, Xylophone, Vibraphone, Tubular Bells), Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

In this series of variations on "Happy Birthday To You", Peter Lawson takes the listener on a journey through many different musical styles.
An introduction leads to a full-blown version of the theme, followed by a waltz sequence suggesting a Bavarian cuckoo clock, a Viennese waltz, an English tea dance and a yodelling waltz. We move to Latin-America for a rumba, a sort of salsa, then a 7/8 section in the minor key - and then we are in sunny Espana, with alternating bars of 6/8 & 3/4, followed by a Caribbean feel in 5/8 and a USA feel with hints of a ''Mission Impossible''. A quick salute to Rachmaninov''s Russia gives way to a tango, and then a habanera, featuring a violin solo trying to play Bizet''s Carmen but getting forced by the woodwind to join in "Happy Birthday" instead.
The solo violin has a gypsy-like Eastern-European cadenza, which leads to a doleful minor inversion of the first phrase of "Happy Birthday", accompanied by hushed tremolo strings, leading to a major version representing a Venetian gondolier singing to woo the ladies. The mood dramatically alters with the opening of Beethoven''s 5th Symphony, taken apart by cheeky interruptions from the upper woodwind. Then off to Australia for a variation which ''fits'' over Waltzing Matilda. A nod to Bollywood, then there are two far-Eastern variations, the first one reminiscent of Tibetan monks and the second one more song-like.
A fugato section begins in the strings and spreads up through the woodwind before Bach''s Toccata and Fugue in D minor makes an entrance but is infiltrated and overpowered by "Happy Birthday"! The excitement builds until the brass majestically intone the full-blown "Happy Birthday" tune (opportunity for the audience to join in), leading to a dramatic conclusion.

A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 10? minutes'|9790222300781|LAWSON|Peter Lawson|Variations on Happy Birthday Pack|Orchestra|60.00|1018 GMCO140-00|||9790222300798|LAWSON|Peter Lawson|Variations on Happy Birthday Score|Orchestral Score|12.00|163 GMCO140-01|||9790222300804|LAWSON|Peter Lawson|Variations on Happy Birthday Vln 1|Orchestral Part|2.00|25 GMCO140-02|||9790222300811|LAWSON|Peter Lawson|Variations on Happy Birthday Vln 2|Orchestral Part|2.00|25 GMCO140-03|||9790222300828|LAWSON|Peter Lawson|Variations on Happy Birthday Viola|Orchestral Part|2.00|25 GMCO140-04|||9790222300835|LAWSON|Peter Lawson|Variations on Happy Birthday Cello|Orchestral Part|2.00|25 GMCO140-05|||9790222300842|LAWSON|Peter Lawson|Variations on Happy Birthday Bass|Orchestral Part|2.00|25 GMCO140-06|||9790222300859|LAWSON|Peter Lawson|Variations on Happy Birthday Flute1|Orchestral Part|2.00|25 GMCO140-07|||9790222300866|LAWSON|Peter Lawson|Variations on Happy Birthday Flute2|Orchestral Part|2.00|25 GMCO140-08|||9790222300873|LAWSON|Peter Lawson|Variations on Happy Birthday Oboe 1|Orchestral Part|1.50|13 GMCO140-09|||9790222300880|LAWSON|Peter Lawson|Variations on Happy Birthday Oboe 2|Orchestral Part|1.50|13 GMCO140-10|||9790222300897|LAWSON|Peter Lawson|Variations on Happy Birthday Clar 1|Orchestral Part|2.00|25 GMCO140-11|||9790222300903|LAWSON|Peter Lawson|Variations on Happy Birthday Clar 2|Orchestral Part|2.00|25 GMCO140-12|||9790222300910|LAWSON|Peter Lawson|Variations on Happy Birthday Bsn 1|Orchestral Part|1.50|13 GMCO140-13|||9790222300927|LAWSON|Peter Lawson|Variations on Happy Birthday Bsn 2|Orchestral Part|1.50|13 GMCO140-14|||9790222300934|LAWSON|Peter Lawson|Variations on Happy Birthday Horn 1|Orchestral Part|1.50|13 GMCO140-15|||9790222300941|LAWSON|Peter Lawson|Variations on Happy Birthday Horn 2|Orchestral Part|1.50|13 GMCO140-16|||9790222300958|LAWSON|Peter Lawson|Variations on Happy Birthday Horn 3|Orchestral Part|1.50|13 GMCO140-17|||9790222300965|LAWSON|Peter Lawson|Variations on Happy Birthday Horn 4|Orchestral Part|1.50|13 GMCO140-18|||9790222300972|LAWSON|Peter Lawson|Variations on Happy Birthday Trp 1|Orchestral Part|1.50|13 GMCO140-19|||9790222300989|LAWSON|Peter Lawson|Variations on Happy Birthday Trp 2|Orchestral Part|1.50|13 GMCO140-20|||9790222300996|LAWSON|Peter Lawson|Variations on Happy Birthday Trb 1|Orchestral Part|1.50|13 GMCO140-21|||9790222301009|LAWSON|Peter Lawson|Variations on Happy Birthday Trb 2|Orchestral Part|1.50|13 GMCO140-22|||9790222301016|LAWSON|Peter Lawson|Variations on Happy Birthday Trb 3|Orchestral Part|1.50|13 GMCO140-23|||9790222301023|LAWSON|Peter Lawson|Variations on Happy Birthday Tuba|Orchestral Part|1.50|13 GMCO140-24|||9790222301030|LAWSON|Peter Lawson|Variations on Happy Birthday Timp|Orchestral Part|1.50|13 GMCO140-25|||9790222301047|LAWSON|Peter Lawson|Variations on Happy Birthday Perc|Orchestral Part|2.00|25 GMCO140-26|||9790222301054|LAWSON|Peter Lawson|Variations on Happy Birthday Harp|Orchestral Part|2.00|25 GMCO141|NORFOLK CONCERTO by Paul Lewis
for flute, harp and string orchestra
Goodmusic Concert Originals GMCO141|'Orchestration: Flute, Harp, Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Norfolk Concerto, a tribute to one of the composer''s favourite counties, was written in 1992 and is dedicated to his friend, TV director and naturalist David Cobham, a long-time Norfolk resident, who made the film from which the music of the first movement is derived. The concerto was premiered in 1992 by Kirsten Spratt, flute, and Ruth Holden, harp, with the Stowe Chamber Ensemble conducted by the composer. There are four movements.
Idyll A rhapsodic movement based on Lewis''s score to the 1972 BBC TV documentary The Vanishing Hedgerows, in which author and farmer Henry Williamson deplored the effects of modern farming methods upon the Norfolk countryside. The 13th century English song Sumer is Icumen in also makes an appearance as Williamson quoted the title to introduce a dazzling montage of summer birds.
Scherzo alla Marcia A bright march-style movement with a jig-like central section.
Pavane An arrangement of an organ piece commissioned in 1971 by actor Robert Hardy for the memorial service to his mother-in-law, star of stage and screen Gladys Cooper. Paul Lewis was scoring a play for Anglia Television starring Hardy at the time and it was while they were working together in Norwich that the commission was discussed, hence the Norfolk association of Pavane.
Toccata A neo-classical Allegro suggestive perhaps of a brisk walk in the bracing air of the North Norfolk coast.

A PACK includes a full score, string parts 4/4/3/4/2 and parts for flute and harp.
Duration 17 minutes

Also available is a version of the first movement (Idyll):
Norfolk Idyll for flute & harp - Goodmusic GM178
and two versions of the third movement (Pavane):
Pavane for organ - Goodmusic GM176
Pavane for flute & piano with optional cello - Goodmusic GM177'|9790222302518|LEWIS P|Paul Lewis|Norfolk Concerto Pack|String Orchestra|45.00|711 GMCO141-00|||9790222302525|LEWIS P|Paul Lewis|Norfolk Concerto Score|Orchestral Score|12.00|150 GMCO141-01|||9790222302532|LEWIS P|Paul Lewis|Norfolk Concerto Violin 1|Orchestral Part|2.00|25 GMCO141-02|||9790222302549|LEWIS P|Paul Lewis|Norfolk Concerto Violin 2|Orchestral Part|2.00|25 GMCO141-03|||9790222302556|LEWIS P|Paul Lewis|Norfolk Concerto Viola|Orchestral Part|2.00|25 GMCO141-04|||9790222302563|LEWIS P|Paul Lewis|Norfolk Concerto Cello|Orchestral Part|2.00|25 GMCO141-05|||9790222302570|LEWIS P|Paul Lewis|Norfolk Concerto Bass|Orchestral Part|2.00|25 GMCO141-06|||9790222302587|LEWIS P|Paul Lewis|Norfolk Concerto Solo Flute|Orchestral Part|2.50|38 GMCO141-07|||9790222302594|LEWIS P|Paul Lewis|Norfolk Concerto Solo Harp|Orchestral Part|3.50|63 GMCO142|SHORT FANTASIA ON CHRISTMAS CAROLS for orchestra
by Dorothy Parke
Goodmusic Concert Originals GMCO142|Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Cymbals, optional Tubular Bells), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Dorothy Parke (1904-1990) was born in County Derry in Northern Ireland and studied piano and composition at the Royal Academy of Music in London, after which she settled in Belfast where she was a highly-regarded piano teacher. She wrote extensively for children, composing many songs and piano pieces that were used in musical competitions. Her compositional style is generally in the tradition of Stanford, Vaughan Williams and Howells; very approachable but distinctive and always effective; many of her settings acheive a real poignancy and considerable expressiveness.
The Short Fantasia on Christmas Carols was written in 1947 and exists in versions for piano duet (two players at one piano) and for two pianos (both published by Roberton Publications/Goodmusic) as well as this orchestral arrangement which is now published for sale for the first time, though it has previously been performed and broadcast on Radio 3 played by the Ulster Orchestra.
The carols used are "I saw three ships", "Holy Night", "The Holly and the Ivy", "Coventry Carol" and "When the crimson sun had set", this tune now better known as "Angels from the Realms of Glory".

A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 6 minutes|9790222301139|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Pack|Orchestra|40.00|537 GMCO142-00|||9790222301146|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Sc|Orchestral Score|6.00|75 GMCO142-01|||9790222301153|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Vln 1|Orchestral Part|1.50|13 GMCO142-02|||9790222301160|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Vln 2|Orchestral Part|1.50|13 GMCO142-03|||9790222301177|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Viola|Orchestral Part|1.50|13 GMCO142-04|||9790222301184|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Cello|Orchestral Part|1.50|13 GMCO142-05|||9790222301191|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Bass|Orchestral Part|1.50|13 GMCO142-06|||9790222301207|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Fl 1|Orchestral Part|1.50|13 GMCO142-07|||9790222301214|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Fl 2|Orchestral Part|1.50|13 GMCO142-08|||9790222301221|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Ob 1|Orchestral Part|1.50|13 GMCO142-09|||9790222301238|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Ob 2|Orchestral Part|1.50|13 GMCO142-10|||9790222301245|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Cl 1|Orchestral Part|1.50|13 GMCO142-11|||9790222301252|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Cl 2|Orchestral Part|1.50|13 GMCO142-12|||9790222301269|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Bsn 1|Orchestral Part|1.50|13 GMCO142-13|||9790222301276|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Bsn 2|Orchestral Part|1.50|13 GMCO142-14|||9790222301283|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Hn 1|Orchestral Part|1.50|13 GMCO142-15|||9790222301290|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Hn 2|Orchestral Part|1.50|13 GMCO142-16|||9790222301306|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Trp 1|Orchestral Part|1.50|13 GMCO142-17|||9790222301313|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Trp 2|Orchestral Part|1.50|13 GMCO142-18|||9790222301320|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Trb 1|Orchestral Part|1.50|13 GMCO142-19|||9790222301337|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Trb 2|Orchestral Part|1.50|13 GMCO142-20|||9790222301344|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Trb 3|Orchestral Part|1.50|13 GMCO142-21|||9790222301351|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Timp|Orchestral Part|1.50|13 GMCO142-22|||9790222301368|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Perc|Orchestral Part|1.50|13 GMCO142-23|||9790222301375|PARKE|Dorothy Parke|Short Fantasia on Xmas Carols Harp|Orchestral Part|1.50|13 GMCO143|Paul Lewis
PAVANE for string orchestra
Goodmusic Concert Originals GMCO143|'Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Whilst scoring a TV play starring actor Robert Hardy, I was asked by him to write a short organ piece in memory of his recently deceased mother-in-law, the famous star of stage and screen Gladys Cooper. I accordingly composed this Pavane to provide a time of contemplation and remembrance during Miss Cooper''s Memorial Service at St. Paul''s, Covent Garden on December 18th, 1971.
As well as this version for strings, Pavane has subsequently been arranged for flute or violin with piano and optional cello, and also forms the slow movement of Norfolk Concerto for flute, harp and strings, since it was in Norwich that Robert Hardy commissioned the piece. Paul Lewis

A PACK includes a full score plus string parts 4/4/3/4/2.
Duration 4 minutes'|9790222305748|LEWIS P|Paul Lewis|Pavane for Strings Pack|String Orchestra|26.00|156 GMCO143-00|||9790222305755|LEWIS P|Paul Lewis|Pavane for Strings Score|Orchestral Score|5.00|25 GMCO143-01|||9790222305762|LEWIS P|Paul Lewis|Pavane for Strings Violin 1|Orchestral Part|1.50|13 GMCO143-02|||9790222305779|LEWIS P|Paul Lewis|Pavane for Strings Violin 2|Orchestral Part|1.50|13 GMCO143-03|||9790222305786|LEWIS P|Paul Lewis|Pavane for Strings Viola|Orchestral Part|1.50|7 GMCO143-04|||9790222305793|LEWIS P|Paul Lewis|Pavane for Strings Cello|Orchestral Part|1.50|7 GMCO143-05|||9790222305809|LEWIS P|Paul Lewis|Pavane for Strings Bass|Orchestral Part|1.50|7 GMCO144|TWO CAROL CAMEOS for orchestra
by Kenneth Gaw
Goodmusic Concert Originals GMCO144|Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 2 Trombones,
Timpani, Percussion (Tenor Drum, Cymbals, Tubular Bells)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Two favourite carol tunes - God Rest Ye, Merry Gentlemen and Ding Dong Merrily on High - arranged for orchestra alone, make a useful addition to any Christmas concert.

A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 3 minutes|9790222301900|GAW|Kenneth Gaw|Two Carol Cameos Pack|Orchestra|35.00|514 GMCO144-00|||9790222301917|GAW|Kenneth Gaw|Two Carol Cameos Score|Orchestral Score|6.00|66 GMCO144-01|||9790222301924|GAW|Kenneth Gaw|Two Carol Cameos Violin 1|Orchestral Part|1.50|13 GMCO144-02|||9790222301931|GAW|Kenneth Gaw|Two Carol Cameos Violin 2|Orchestral Part|1.50|13 GMCO144-03|||9790222301948|GAW|Kenneth Gaw|Two Carol Cameos Viola|Orchestral Part|1.50|13 GMCO144-04|||9790222301955|GAW|Kenneth Gaw|Two Carol Cameos Cello|Orchestral Part|1.50|13 GMCO144-05|||9790222301962|GAW|Kenneth Gaw|Two Carol Cameos Bass|Orchestral Part|1.50|13 GMCO144-06|||9790222301979|GAW|Kenneth Gaw|Two Carol Cameos Flutes 1+2|Orchestral Part|1.50|13 GMCO144-07|||9790222301986|GAW|Kenneth Gaw|Two Carol Cameos Oboes 1+2|Orchestral Part|1.50|13 GMCO144-08|||9790222301993|GAW|Kenneth Gaw|Two Carol Cameos Clarinets 1+2|Orchestral Part|1.50|13 GMCO144-09|||9790222302006|GAW|Kenneth Gaw|Two Carol Cameos Bassoons 1+2|Orchestral Part|1.50|13 GMCO144-10|||9790222302013|GAW|Kenneth Gaw|Two Carol Cameos Horns 1+2|Orchestral Part|1.50|13 GMCO144-11|||9790222302020|GAW|Kenneth Gaw|Two Carol Cameos Trumpets 1+2|Orchestral Part|1.50|13 GMCO144-12|||9790222302037|GAW|Kenneth Gaw|Two Carol Cameos Trombones 1+2|Orchestral Part|1.50|13 GMCO144-13|||9790222302044|GAW|Kenneth Gaw|Two Carol Cameos Timpani|Orchestral Part|1.50|13 GMCO144-14|||9790222302051|GAW|Kenneth Gaw|Two Carol Cameos Percussion|Orchestral Part|1.50|13 GMCO145|SYMPHONY OF THE EARLY MARSH ORCHID for orchestra
by Peter Lawson
Goodmusic Concert Originals GMCO145|Orchestration: 2 Flutes (2nd db.Piccolo & Alto Flute), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Percussion (5 players: Temple Blocks, Triangle, Cymbals, Snare Drum, Tambourine, Tam-tam, Bass Drum, Wood Blocks, Glockenspiel, Vibraphone, Tubular Bells), Harp, Celesta
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Early Marsh Orchid, Dactylhoriza incarnata, ssp.incarnata, is a robust, impressive plant, typically growing in wet, calcareous meadows and stabilised sand dunes.
In the Symphony of the Early Marsh Orchid, the first movement, Incarnata, is in modified sonata-form, the second subject - in tranquillity - portraying the rare and beautiful pure-white var.alba, leading back to Incarnata part two, which is a short development section. This leads to new material representing ssp.pulchella, a redder form, typically found in more acidic habitats. It takes the form of a delicate dance-like section. Incarnata part three follows, continuing the development section, then recapitulating the first two subjects.
The second movement, Cruenta (splashed with blood), is a cruel break from the relatively easy listening of the first movement! It is common in the Burren area of Western Ireland and the botanical name refers to red-brown spots on the leaves. An introduction splashes orchestral blood around before leading to a scherzo section in the form of a jig with three elements. The first is a layered crescendo, the second is lighter and more delicate, and the third is a fully-blown Irish gig, whirling around manically, depicting a ceilidh in full swing.
The third movement, Ochroleuca (straw-coloured), depicts the rare form found in the fenlands of East Anglia. It is in ternary form, with the outer sections having a somewhat Mahlerian feel. The middle section is dance-like with a sort of Turkish flavour - a reference to the curved bracts that all Marsh orchids have, which give the orchid a Middle-Eastern appearance.
The fourth movement Coccinea (vermillion, brick-red to scarlet), refers to a form which is never common, but can be found in large numbers in some stabilised dune locations, notably in South Wales and particularly at Kenfig Burrows, near Port Talbot Steel Works.

A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 28 minutes|9790222302952|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid PACK|Orchestra|125.00|2560 GMCO145-00|||9790222302969|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid ScA4|Orchestral Score|25.00|497 GMCO145-01|||9790222302976|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Vln1|Orchestral Part|3.00|50 GMCO145-02|||9790222302983|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Vln2|Orchestral Part|2.50|38 GMCO145-03|||9790222302990|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Vla|Orchestral Part|2.50|38 GMCO145-04|||9790222303003|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Vc|Orchestral Part|2.50|38 GMCO145-05|||9790222303010|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Bass|Orchestral Part|2.50|38 GMCO145-06|||9790222303027|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Fl1|Orchestral Part|3.50|63 GMCO145-07|||9790222303034|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Fl2|Orchestral Part|3.00|50 GMCO145-08|||9790222303041|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Ob1|Orchestral Part|3.00|50 GMCO145-09|||9790222303058|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Ob2|Orchestral Part|3.00|50 GMCO145-10|||9790222303065|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Cl1|Orchestral Part|3.00|50 GMCO145-11|||9790222303072|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Cl2|Orchestral Part|3.00|50 GMCO145-12|||9790222303089|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Bsn1|Orchestral Part|3.00|50 GMCO145-13|||9790222303096|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Bsn2|Orchestral Part|3.00|50 GMCO145-14|||9790222303102|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Hn1|Orchestral Part|2.50|38 GMCO145-15|||9790222303119|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Hn2|Orchestral Part|2.50|38 GMCO145-16|||9790222303126|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Hn3|Orchestral Part|2.50|38 GMCO145-17|||9790222303133|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Hn4|Orchestral Part|2.50|38 GMCO145-18|||9790222303140|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Trp1|Orchestral Part|2.50|38 GMCO145-19|||9790222303157|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Trp2|Orchestral Part|2.50|38 GMCO145-20|||9790222303164|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Trb1|Orchestral Part|2.50|38 GMCO145-21|||9790222303171|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Trb2|Orchestral Part|2.50|38 GMCO145-22|||9790222303188|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Trb3|Orchestral Part|2.50|38 GMCO145-23|||9790222303195|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Tuba|Orchestral Part|2.50|38 GMCO145-24|||9790222303201|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Timp|Orchestral Part|2.50|38 GMCO145-25|||9790222303218|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Perc|Orchestral Part|4.50|75 GMCO145-26|||9790222303225|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Harp|Orchestral Part|3.00|50 GMCO145-27|||9790222303232|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid Cele|Orchestral Part|2.50|38 GMCO145-28|||9790222303249|LAWSON|Peter Lawson|Symphony of Early Marsh Orchid ScA3|Orchestral Score|50.00|1040 GMCO146|TWO SKETCHES for string orchestra
by John Jeffreys
Goodmusic Concert Originals GMCO146|Orchestration: Violin 1, Violin 2, Viola, Cello, Bass
These two sketches were written by John Jeffreys in 1958 when he was living in Cheshunt, Hertfordshire. The manuscript was discovered amongst his papers several years after his death and is here published for the first time.
The two pieces are titled "Summer Marshlands" and "Rustic Dance". John also made an arrangement for organ of the first piece which he titled "Air from Cheshunt Marsh". The two pieces are not obviously linked, except that the main theme heard at the beginning played on the first violins crops up again towards the end of the Rustic Dance.

A PACK includes a full score and string parts 4/4/3/4/2.
Duration 6 minutes|9790222302372|JEFFREYS J|John Jeffreys|Two Sketches Pack|String Orchestra|26.00|289 GMCO146-00|||9790222302389|JEFFREYS J|John Jeffreys|Two Sketches Score|Orchestral Score|5.00|50 GMCO146-01|||9790222302396|JEFFREYS J|John Jeffreys|Two Sketches Violin 1|Orchestral Part|1.50|13 GMCO146-02|||9790222302402|JEFFREYS J|John Jeffreys|Two Sketches Violin 2|Orchestral Part|1.50|13 GMCO146-03|||9790222302419|JEFFREYS J|John Jeffreys|Two Sketches Viola|Orchestral Part|1.50|13 GMCO146-04|||9790222302426|JEFFREYS J|John Jeffreys|Two Sketches Cello|Orchestral Part|1.50|13 GMCO146-05|||9790222302433|JEFFREYS J|John Jeffreys|Two Sketches Bass|Orchestral Part|1.50|13 GMCO147|PIECES FROM OTTEN for string orchestra
by John Jeffreys
Goodmusic Concert Originals GMCO147|'Orchestration: Violin 1, Violin 2, Viola, Cello, Bass
The Pieces from Otten are four of the twelve pieces originally composed for the chamber organ at the church of St.Ethelbert at Belchamp Otten in North Essex. Most of the pieces were written in 1985, but ten years later John arranged the "Two Little Breton Nativity Pieces" for string orchestra and dedicated them to Kenneth Page and the Orchestra da Camera. Two more pieces from the collection make up the four here.
May-Morning Prelude: This piece portrays utter calm and joy at the anticipation of spring.
Summer Fields: A leisurely picture of a rural idyll.
Two Little Breton Nativity Pieces - Chanson pour l''enfant Christ; Danse du Bergers: These were inspired by a Breton Nativity scene and use the same theme treated in different ways.

A PACK includes a full score and string parts 4/4/3/4/2.
Duration 7? minutes'|9790222302440|JEFFREYS J|John Jeffreys|Pieces from Otten Pack|String Orchestra|26.00|276 GMCO147-00|||9790222302457|JEFFREYS J|John Jeffreys|Pieces from Otten Score|Orchestral Score|5.00|38 GMCO147-01|||9790222302464|JEFFREYS J|John Jeffreys|Pieces from Otten Violin 1|Orchestral Part|1.50|13 GMCO147-02|||9790222302471|JEFFREYS J|John Jeffreys|Pieces from Otten Violin 2|Orchestral Part|1.50|13 GMCO147-03|||9790222302488|JEFFREYS J|John Jeffreys|Pieces from Otten Viola|Orchestral Part|1.50|13 GMCO147-04|||9790222302495|JEFFREYS J|John Jeffreys|Pieces from Otten Cello|Orchestral Part|1.50|13 GMCO147-05|||9790222302501|JEFFREYS J|John Jeffreys|Pieces from Otten Bass|Orchestral Part|1.50|13 GMCO148|SEASIDE CONCERTO for Mighty Wurlitzer (or Organ) and Orchestra
by Paul Lewis
Goodmusic Concert Originals GMCO148|Orchestration: Flute (db.Piccolo), Oboe, Clarinet in Bb, Bassoon, 2 Horns in F, Trumpet in Bb, Trombone, Timpani, Percussion 1-3 players: [can be played by one player with drum kit + extra instruments] Cymbals (clashed and suspended), Snare Drum, Bass drum [or drum kit], Triangle, Wood Block, Tam-tam, Glockenspiel, Vibraphone)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Mighty Wurlitzer or Organ

Seaside Concerto is a celebration of a world of seaside music, now vanished, that I witnessed as a child. My violinist mother and her siblings played in silent movie picture houses in London in their teens, and with the advent of talkies my Aunt Gladys performed interludes on the Mighty Wurlitzer between films. After moving to Brighton at the outbreak of World War II the family remained leading members of the light music scene from Hastings to Worthing for over forty years, my mother, my Uncle Sam and his wife also playing in the Worthing Municipal Orchestra, now the Worthing Symphony Orchestra for whom this work was written.
The movements are:
1. Horrificoso! - Silent movie Gothic horror, Ghost Train on the pier and Chamber of Horrors at the Waxworks.
2. Sentimental Ballad and Waltz - Love song from an imaginary pre-war stage musical, holiday romances and dancing at the local ballroom.
3. Scherzo-on-Sea - All the fun of the vintage seafront with the assistance of the old-time popular song "Oh! I Do Like To Be Beside The Seaside". Paul Lewis

Seaside Concerto was generously commissioned by John Gibbons and was premiered on April 2nd 2017 with Richard Hills at the Worthing Wurlitzer and John Gibbons conducting the Worthing Symphony Orchestra.

A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts and an organ part.
Duration 23 minutes|9790222303256|LEWIS P|Paul Lewis|Seaside Concerto Pack|Orchestra|80.00|1290 GMCO148-00|||9790222303263|LEWIS P|Paul Lewis|Seaside Concerto Score|Orchestral Score|15.00|226 GMCO148-01|||9790222303270|LEWIS P|Paul Lewis|Seaside Concerto Violin 1|Orchestral Part|2.50|38 GMCO148-02|||9790222303287|LEWIS P|Paul Lewis|Seaside Concerto Violin 2|Orchestral Part|2.50|38 GMCO148-03|||9790222303294|LEWIS P|Paul Lewis|Seaside Concerto Viola|Orchestral Part|2.50|38 GMCO148-04|||9790222303300|LEWIS P|Paul Lewis|Seaside Concerto Cello|Orchestral Part|2.50|38 GMCO148-05|||9790222303317|LEWIS P|Paul Lewis|Seaside Concerto Bass|Orchestral Part|2.00|25 GMCO148-06|||9790222303324|LEWIS P|Paul Lewis|Seaside Concerto Flute db.Piccolo|Orchestral Part|2.00|25 GMCO148-07|||9790222303331|LEWIS P|Paul Lewis|Seaside Concerto Oboe|Orchestral Part|2.00|25 GMCO148-08|||9790222303348|LEWIS P|Paul Lewis|Seaside Concerto Clarinet|Orchestral Part|2.00|25 GMCO148-09|||9790222303355|LEWIS P|Paul Lewis|Seaside Concerto Bassoon|Orchestral Part|2.00|25 GMCO148-10|||9790222303362|LEWIS P|Paul Lewis|Seaside Concerto Horn 1|Orchestral Part|2.00|25 GMCO148-11|||9790222303379|LEWIS P|Paul Lewis|Seaside Concerto Horn 2|Orchestral Part|2.00|25 GMCO148-12|||9790222303386|LEWIS P|Paul Lewis|Seaside Concerto Trumpet|Orchestral Part|2.00|25 GMCO148-13|||9790222303393|LEWIS P|Paul Lewis|Seaside Concerto Trombone|Orchestral Part|2.00|25 GMCO148-14|||9790222303409|LEWIS P|Paul Lewis|Seaside Concerto Timpani|Orchestral Part|2.00|25 GMCO148-15|||9790222303416|LEWIS P|Paul Lewis|Seaside Concerto Percussion|Orchestral Part|2.50|38 GMCO148-16|||9790222303423|LEWIS P|Paul Lewis|Seaside Concerto Wurlitzer or Organ|Orchestral Part|6.00|100 GMCO149|Tom Cunningham
JOURNEY THROUGH SPACE for orchestra
Goodmusic Concert Originals GMCO149|ORCHESTRATION: 2 Flutes (2nd db. Piccolo), 2 Oboes (2nd db. Cor Anglais), 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 2 Trombones
Percussion (1 player - Timpani, Side Drum, Triangle)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This orchestral suite consists of five linked sections, representing a journey through space taking inspiration from different planets. We start with Mercury, god of travellers and guide to the underworld, then Venus, goddess of love and beauty, but whose planet carries a warning of climate change to her sister Earth. Mars, god of war, is represented by a martial march, then Saturn resounds with the music of its rings. We finish with a visit to Neptune, the Blue Giant, named after the god of the sea. Tom Cunningham

A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 13 minutes|9790222304246|CUNNINGHAM|Tom Cunningham|Journey through Space Pack|Orchestra|60.00|940 GMCO149-00|||9790222304253|CUNNINGHAM|Tom Cunningham|Journey through Space Score|Orchestral Score|14.00|200 GMCO149-01|||9790222304260|CUNNINGHAM|Tom Cunningham|Journey through Space Violin 1|Orchestral Part|2.00|25 GMCO149-02|||9790222304277|CUNNINGHAM|Tom Cunningham|Journey through Space Violin 2|Orchestral Part|2.00|25 GMCO149-03|||9790222304284|CUNNINGHAM|Tom Cunningham|Journey through Space Viola|Orchestral Part|2.00|25 GMCO149-04|||9790222304291|CUNNINGHAM|Tom Cunningham|Journey through Space Cello|Orchestral Part|2.00|25 GMCO149-05|||9790222304307|CUNNINGHAM|Tom Cunningham|Journey through Space Bass|Orchestral Part|2.00|25 GMCO149-06|||9790222304314|CUNNINGHAM|Tom Cunningham|Journey through Space Flute 1|Orchestral Part|2.00|25 GMCO149-07|||9790222304321|CUNNINGHAM|Tom Cunningham|Journey through Space Flute 2|Orchestral Part|2.00|25 GMCO149-08|||9790222304338|CUNNINGHAM|Tom Cunningham|Journey through Space Oboe 1|Orchestral Part|2.00|25 GMCO149-09|||9790222304345|CUNNINGHAM|Tom Cunningham|Journey through Space Oboe 2|Orchestral Part|2.00|25 GMCO149-10|||9790222304352|CUNNINGHAM|Tom Cunningham|Journey through Space Clarinet 1|Orchestral Part|2.00|25 GMCO149-11|||9790222304369|CUNNINGHAM|Tom Cunningham|Journey through Space Clarinet 2|Orchestral Part|2.00|25 GMCO149-12|||9790222304376|CUNNINGHAM|Tom Cunningham|Journey through Space Bassoon 1|Orchestral Part|2.00|25 GMCO149-13|||9790222304383|CUNNINGHAM|Tom Cunningham|Journey through Space Bassoon 2|Orchestral Part|2.00|25 GMCO149-14|||9790222304390|CUNNINGHAM|Tom Cunningham|Journey through Space Horn 1|Orchestral Part|1.50|13 GMCO149-15|||9790222304406|CUNNINGHAM|Tom Cunningham|Journey through Space Horn 2|Orchestral Part|1.50|13 GMCO149-16|||9790222304413|CUNNINGHAM|Tom Cunningham|Journey through Space Trumpet 1|Orchestral Part|1.50|13 GMCO149-17|||9790222304420|CUNNINGHAM|Tom Cunningham|Journey through Space Trumpet 2|Orchestral Part|1.50|13 GMCO149-18|||9790222304437|CUNNINGHAM|Tom Cunningham|Journey through Space Trombone 1|Orchestral Part|1.50|13 GMCO149-19|||9790222304444|CUNNINGHAM|Tom Cunningham|Journey through Space Trombone 2|Orchestral Part|1.50|13 GMCO149-20|||9790222304451|CUNNINGHAM|Tom Cunningham|Journey through Space Percussion|Orchestral Part|1.50|13 GMCO150|Clive Jenkins
TAMARSIDE for orchestra
Goodmusic Concert Originals GMCO150|'Orchestration: 2 Flutes, Oboe, Cor Anglais, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Harp or Keyboard
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Tamarside was inspired by the River Tamar and the broad estuary between Devon and Cornwall. It was originally composed in the 1980s for the City of Plymouth Light Orchestra but the theme for Tamarside came to Clive whilst out walking at Halton Quay probably back in the late 60s. It is also used as the third of his Five Pieces for Clarinet with piano or string quartet or string orchestra accompaniment (also published by Goodmusic) written for a commission in 2003. The orchestral version served for several series as the signature tune for "Music Sou''west" on BBC Radio Devon and Cornwall. It is published here for the first time.

A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and harp parts.
Duration 4 minutes'|9790222303492|JENKINS C|Clive Jenkins|Tamarside Pack|Orchestra|30.00|374 GMCO150-00|||9790222303508|JENKINS C|Clive Jenkins|Tamarside Score|Orchestral Score|5.00|50 GMCO150-01|||9790222303515|JENKINS C|Clive Jenkins|Tamarside Violin 1|Orchestral Part|1.50|13 GMCO150-02|||9790222303522|JENKINS C|Clive Jenkins|Tamarside Violin 2|Orchestral Part|1.50|13 GMCO150-03|||9790222303539|JENKINS C|Clive Jenkins|Tamarside Viola|Orchestral Part|1.50|7 GMCO150-04|||9790222303546|JENKINS C|Clive Jenkins|Tamarside Cello|Orchestral Part|1.50|7 GMCO150-05|||9790222303553|JENKINS C|Clive Jenkins|Tamarside Bass|Orchestral Part|1.50|7 GMCO150-06|||9790222303560|JENKINS C|Clive Jenkins|Tamarside Flute 1+2|Orchestral Part|1.50|13 GMCO150-07|||9790222303577|JENKINS C|Clive Jenkins|Tamarside Oboe|Orchestral Part|1.50|7 GMCO150-08|||9790222303584|JENKINS C|Clive Jenkins|Tamarside Cor Anglais|Orchestral Part|1.50|7 GMCO150-09|||9790222303591|JENKINS C|Clive Jenkins|Tamarside Clarinet 1+2|Orchestral Part|1.50|13 GMCO150-10|||9790222303607|JENKINS C|Clive Jenkins|Tamarside Bassoon 1+2|Orchestral Part|1.50|13 GMCO150-11|||9790222303614|JENKINS C|Clive Jenkins|Tamarside Horn 1+2|Orchestral Part|1.50|7 GMCO150-12|||9790222303621|JENKINS C|Clive Jenkins|Tamarside Trumpet 1+2|Orchestral Part|1.50|7 GMCO150-13|||9790222303638|JENKINS C|Clive Jenkins|Tamarside Trombone 1+2|Orchestral Part|1.50|7 GMCO150-14|||9790222303645|JENKINS C|Clive Jenkins|Tamarside Harp or Keyboard|Orchestral Part|1.50|13 GMCO151|Clive Jenkins
FIVE PIECES FOR CLARINET & STRINGS
for clarinet and string orchestra
Goodmusic Concert Originals GMCO151|'Orchestration: Clarinet in Bb, Strings (Violin 1, Violin 2, Viola, Cello, Bass)

To mark ten years of lunchtime recitals in the International Series at Plymouth Museum & Art Gallery in 2003, concert organiser Jeanie Moore MVO commissioned Clive Jenkins to write "fairly light music to run fifteen minutes including a spoken introduction". She asked for Tamarside, originally an orchestral piece, to be included; she liked the tune. The budget wouldn''t stretch to the clarinet quintet originally planned so a version for clarinet and piano was produced.
Peter Cigleris premiered the work with the composer accompanying and in 2013 recorded it on English Fantasy (Cala CD77015) with the pianist Antony Gray. The Chamber Ensemble of London took up the work which resulted in the string orchestra arrangement. The version with string quartet had to wait until 2014 when it was played by Colin Parr with members of the Taunton Sinfonietta Ensemble.
The Five Pieces have been given names for the three published editions, all connected with Plymouth:
Richmond Walk is a promenade by the sea.
Plym Valley has woods and a boulder-strewn river with weirs.
Tamarside is the broad estuary between Devon and Cornwall.
The Barbican is Plymouth''s bustling old quarter.
Drake Circus is its very busy hub.

A PACK includes a full score, strings 4/4/3/4/2 plus a solo clarinet part.
Duration 14 minutes

Three versions of this work are available:
FIVE PIECES FOR CLARINET QUINTET - Goodmusic GM194
FIVE PIECES FOR CLARINET & PIANO - Goodmusic GM195
FIVE PIECES FOR CLARINET & STRINGS - Goodmusic GMCO151
The orchestral version of TAMARSIDE is available - Goodmusic GMCO150'|9790222304017|JENKINS C|Clive Jenkins|Five Pieces for Clarinet Pack|String Orchestra|40.00|622 GMCO151-00|||9790222304024|JENKINS C|Clive Jenkins|Five Pieces for Clarinet Score|Orchestral Score|10.00|125 GMCO151-01|||9790222304031|JENKINS C|Clive Jenkins|Five Pieces for Clarinet Violin 1|Orchestral Part|2.00|25 GMCO151-02|||9790222304048|JENKINS C|Clive Jenkins|Five Pieces for Clarinet Violin 2|Orchestral Part|2.00|25 GMCO151-03|||9790222304055|JENKINS C|Clive Jenkins|Five Pieces for Clarinet Viola|Orchestral Part|2.00|25 GMCO151-04|||9790222304062|JENKINS C|Clive Jenkins|Five Pieces for Clarinet Cello|Orchestral Part|2.00|25 GMCO151-05|||9790222304079|JENKINS C|Clive Jenkins|Five Pieces for Clarinet Bass|Orchestral Part|2.00|25 GMCO151-06|||9790222304086|JENKINS C|Clive Jenkins|Five Pieces for Clarinet Solo Clar|Orchestral Part|2.50|38 GMCO152|Paul Carr
SINFONIETTA for orchestra
Goodmusic Concert Originals GMCO152|'Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones (2 tenor, 1 bass)[optional]
Timpani (4), Percussion (2 players: Triangle, Snare Drum, Clash Cymbals, Tambourine, Maracas, Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Originally composed in 2006 while I was living on the island of Mallorca, this Sinfonietta is imbued with a healthy heady optimism. There is perhaps a feeling of the ''Englishman abroad'' about it; embracing life in the warmth and glow of this most beautiful of Mediterranean islands.
Alas, the piece was never performed, but always remained a favourite of mine, so during the winter months of 2016/17 I decided to give it another go and re-scored it using a slightly reduced orchestration. In essence I''ve cleaned it up and created a more well balanced and finely tuned work.
There are three movements with the two outer ones overflowing with rhythmic vitality, warmth and even humour, but also relishing in the moments of high drama. The slow central waltz is a passionate piece inspired by the film, Imagining Argentina, a poignant portrayal of the lives of those with differing political, religious, or sexual orientations; hiding their identities and meeting in secret for fear of persecution during the Pinochet regime. Paul Carr
Duration 20 minutes
A PACK includes an A4 sized full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
A larger A3 sized full score is also available separately.

First performance: 14th October 2017 by Jonathan Butcher and the Westminster Philharmonic Orchestra at St.John''s, Waterloo, London.'|9790222303652|CARR P|Paul Carr|Sinfonietta Pack|Orchestra|90.00|1385 GMCO152-00|||9790222303669|CARR P|Paul Carr|Sinfonietta Score (A4)|Orchestral Score|20.00|250 GMCO152-01|||9790222303676|CARR P|Paul Carr|Sinfonietta Violin 1|Orchestral Part|2.50|38 GMCO152-02|||9790222303683|CARR P|Paul Carr|Sinfonietta Violin 2|Orchestral Part|2.50|38 GMCO152-03|||9790222303690|CARR P|Paul Carr|Sinfonietta Viola|Orchestral Part|2.50|38 GMCO152-04|||9790222303706|CARR P|Paul Carr|Sinfonietta Cello|Orchestral Part|2.50|38 GMCO152-05|||9790222303713|CARR P|Paul Carr|Sinfonietta Bass|Orchestral Part|2.50|38 GMCO152-06|||9790222303720|CARR P|Paul Carr|Sinfonietta Flute 1|Orchestral Part|2.00|25 GMCO152-07|||9790222303737|CARR P|Paul Carr|Sinfonietta Flute 2|Orchestral Part|2.00|25 GMCO152-08|||9790222303744|CARR P|Paul Carr|Sinfonietta Oboe 1|Orchestral Part|2.00|25 GMCO152-09|||9790222303751|CARR P|Paul Carr|Sinfonietta Oboe 2|Orchestral Part|2.00|25 GMCO152-10|||9790222303768|CARR P|Paul Carr|Sinfonietta Clarinet 1|Orchestral Part|2.00|25 GMCO152-11|||9790222303775|CARR P|Paul Carr|Sinfonietta Clarinet 2|Orchestral Part|2.00|25 GMCO152-12|||9790222303782|CARR P|Paul Carr|Sinfonietta Bassoon 1|Orchestral Part|2.00|25 GMCO152-13|||9790222303799|CARR P|Paul Carr|Sinfonietta Bassoon 2|Orchestral Part|2.00|25 GMCO152-14|||9790222303805|CARR P|Paul Carr|Sinfonietta Horn 1|Orchestral Part|2.00|25 GMCO152-15|||9790222303812|CARR P|Paul Carr|Sinfonietta Horn 2|Orchestral Part|2.00|25 GMCO152-16|||9790222303829|CARR P|Paul Carr|Sinfonietta Trumpet 1|Orchestral Part|2.00|25 GMCO152-17|||9790222303836|CARR P|Paul Carr|Sinfonietta Trumpet 2|Orchestral Part|2.00|25 GMCO152-18|||9790222303843|CARR P|Paul Carr|Sinfonietta Trombone 1|Orchestral Part|2.00|25 GMCO152-19|||9790222303850|CARR P|Paul Carr|Sinfonietta Trombone 2|Orchestral Part|2.00|25 GMCO152-20|||9790222303867|CARR P|Paul Carr|Sinfonietta Trombone 3|Orchestral Part|2.00|25 GMCO152-21|||9790222303874|CARR P|Paul Carr|Sinfonietta Timpani|Orchestral Part|2.00|25 GMCO152-22|||9790222303881|CARR P|Paul Carr|Sinfonietta Percussion|Orchestral Part|2.50|38 GMCO152-23|||9790222303898|CARR P|Paul Carr|Sinfonietta Large Score (A3)|Orchestral Score|50.00|566 GMCO153|Clive Jenkins
SINFONIETTA FOR STRINGS
for string orchestra
Goodmusic Concert Originals GMCO153|Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Chamber Ensemble of London gave the first performance of this work at St Martin-in-the-Fields in 2009 and later recorded it on the CD Over Hill, Over Dale (EM Records).
There are four movements: Allegro non troppo; Moderato; Alla rustica; Allegro.
The fugal subject of the third movement came to the composer when, walking through Tavistock market, he remembered hearing a folk fiddler playing there when he was a very small boy, probably the first professional musician he ever heard playing live.

A PACK includes a full score and strings 4/4/3/4/2.
Duration 16 minutes|9790222304574|JENKINS C|Clive Jenkins|Sinfonietta for Strings Pack|String Orchestra|45.00|750 GMCO153-00|||9790222304581|JENKINS C|Clive Jenkins|Sinfonietta for Strings Score|Orchestral Score|8.00|100 GMCO153-01|||9790222304598|JENKINS C|Clive Jenkins|Sinfonietta for Strings Violin 1|Orchestral Part|2.50|38 GMCO153-02|||9790222304604|JENKINS C|Clive Jenkins|Sinfonietta for Strings Violin 2|Orchestral Part|2.50|38 GMCO153-03|||9790222304611|JENKINS C|Clive Jenkins|Sinfonietta for Strings Viola|Orchestral Part|2.50|38 GMCO153-04|||9790222304628|JENKINS C|Clive Jenkins|Sinfonietta for Strings Cello|Orchestral Part|2.50|38 GMCO153-05|||9790222304635|JENKINS C|Clive Jenkins|Sinfonietta for Strings Bass|Orchestral Part|2.00|25 GMCO154|Paul Lewis
THREE VALENTINES for violin, strings and harp or piano
Goodmusic Concert Originals GMCO154|'Orchestration: Solo Violin, Strings (Violin 1, Violin 2, Viola, Cello, Bass), Harp or Piano[optional]

Three latter-day salon pieces: A Rapture of Roses; A Shimmer of Champagne; Rhapsody in Chocolate
The third of my Three Valentines, Rhapsody in Chocolate was composed in 2007, ever since when I had thought whimsically of writing two companion pieces to represent the other traditional Valentine''s Day gifts, Champagne and roses, as an offering to the violin, an instrument I love and grew up with, since my mother, her brother and his wife were busy professional violinists.
The catalyst for the composing of the other movements came in the form of the brilliant virtuoso violinist Nazrin Rashidova, whose performance of my Rosa Mundi with her string orchestra FeMusa moved me like no other had.
Additionally, there were connections that struck a deep chord. Nazrin is of Azerbaijani origin and plays with a wonderful Eastern European sensitivity - my mother was half-Russian and also deeply passionate in her playing. Nazrin directs her own all-female orchestra, the first in Britain for sixty years, and my mother, in her twenties, also had her own all-female ensemble, Phyllis Burstein and Her Bohemian Girls Band, playing the kind of Eastern European gypsy music that was popular at the time.
There was obviously no choice: the two new pieces had to be written for Nazrin. Happily she not only enthusiastically accepted the dedication of Three Valentines and premiered them with pianist Daniel Grimwood at St. James''s Church, Piccadilly, London, on August 9th 2017, but also commissioned me to arrange them for FeMusa, premiering them in this version in the Gabala International Music Festival, Azerbaijan, on August 1st 2017. Paul Lewis

A PACK includes a full score, strings 4/4/3/4/2 plus a harp part, a piano part and a solo violin part.
Duration about 9 minutes

Suggestions for bowing and fingering the solo violin part kindly supplied by Nazrin Rashidova

Also available:
THREE VALENTINES for violin & piano: Goodmusic GM204'|9790222304468|LEWIS P|Paul Lewis|Three Valentines Pack|String Orchestra|30.00|404 GMCO154-00|||9790222304475|LEWIS P|Paul Lewis|Three Valentines Score|Orchestral Score|6.00|75 GMCO154-01|||9790222304482|LEWIS P|Paul Lewis|Three Valentines Violin 1|Orchestral Part|1.50|13 GMCO154-02|||9790222304499|LEWIS P|Paul Lewis|Three Valentines Violin 2|Orchestral Part|1.50|13 GMCO154-03|||9790222304505|LEWIS P|Paul Lewis|Three Valentines Viola|Orchestral Part|1.50|13 GMCO154-04|||9790222304512|LEWIS P|Paul Lewis|Three Valentines Cello|Orchestral Part|1.50|13 GMCO154-05|||9790222304529|LEWIS P|Paul Lewis|Three Valentines Bass|Orchestral Part|1.50|13 GMCO154-06|||9790222304536|LEWIS P|Paul Lewis|Three Valentines Harp|Orchestral Part|1.50|25 GMCO154-07|||9790222304543|LEWIS P|Paul Lewis|Three Valentines Solo Violin|Orchestral Part|1.50|25 GMCO154-08|||9790222304673|LEWIS P|Paul Lewis|Three Valentines Piano|Orchestral Part|2.50|38 GMCO155|Peter Lawson
CHRISTMAS IN LAPLAND
Goodmusic Concert Originals GMCO155|A lovely new light orchestral piece for your Christmas concert!
Orchestration: 2 Flutes (2nd db piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Sleigh Bells, Tambourine, Cymbals [suspended and clashed], Bass Drum, Glockenspiel, Tubular Bells), Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

An imaginary journey by sleigh through Lapland at Christmas evoking the sights and sounds of the snowy northern land. Each section portrays a different aspect:
The sleigh begins its wintry journey through the Lapland countryside on Christmas Day.
The sleigh turns a corner to reveal breathtaking winter views over pine forests...
...and we round another bend to reveal ermine and reindeer gambolling in the snow.
We come to a church, bells pealing...and a brass band.
The Lapp folk are outside, celebrating Christmas...
...we round another bend and are treated to the majesty of the Northern Lights...
...there are flurries of snow...
....and as the sleigh-ride nears its end, we think back over the journey through the magnificent Lapland winter landscape.

A PACK includes a full score, string parts 4/4/3/4/2 and all wind, brass and percussion parts.
Duration 4? minutes|9790222304925|LAWSON|Peter Lawson|Christmas in Lapland Pack|Orchestra|40.00|615 GMCO155-00|||9790222304932|LAWSON|Peter Lawson|Christmas in Lapland Score|Orchestral Score|8.00|100 GMCO155-01|||9790222304949|LAWSON|Peter Lawson|Christmas in Lapland Violin 1|Orchestral Part|1.50|13 GMCO155-02|||9790222304956|LAWSON|Peter Lawson|Christmas in Lapland Violin 2|Orchestral Part|1.50|13 GMCO155-03|||9790222304963|LAWSON|Peter Lawson|Christmas in Lapland Viola|Orchestral Part|1.50|13 GMCO155-04|||9790222304970|LAWSON|Peter Lawson|Christmas in Lapland Cello|Orchestral Part|1.50|13 GMCO155-05|||9790222304987|LAWSON|Peter Lawson|Christmas in Lapland Bass|Orchestral Part|1.50|13 GMCO155-06|||9790222304994|LAWSON|Peter Lawson|Christmas in Lapland Flute 1|Orchestral Part|1.50|13 GMCO155-07|||9790222305007|LAWSON|Peter Lawson|Christmas in Lapland Flute 2/Picc|Orchestral Part|1.50|13 GMCO155-08|||9790222305014|LAWSON|Peter Lawson|Christmas in Lapland Oboe 1|Orchestral Part|1.50|13 GMCO155-09|||9790222305021|LAWSON|Peter Lawson|Christmas in Lapland Oboe 2|Orchestral Part|1.50|13 GMCO155-10|||9790222305038|LAWSON|Peter Lawson|Christmas in Lapland Clarinet 1|Orchestral Part|1.50|13 GMCO155-11|||9790222305045|LAWSON|Peter Lawson|Christmas in Lapland Clarinet 2|Orchestral Part|1.50|13 GMCO155-12|||9790222305052|LAWSON|Peter Lawson|Christmas in Lapland Bassoon 1|Orchestral Part|1.50|13 GMCO155-13|||9790222305069|LAWSON|Peter Lawson|Christmas in Lapland Bassoon 2|Orchestral Part|1.50|13 GMCO155-14|||9790222305076|LAWSON|Peter Lawson|Christmas in Lapland Horn 1|Orchestral Part|1.50|13 GMCO155-15|||9790222305083|LAWSON|Peter Lawson|Christmas in Lapland Horn 2|Orchestral Part|1.50|13 GMCO155-16|||9790222305090|LAWSON|Peter Lawson|Christmas in Lapland Trumpet 1|Orchestral Part|1.50|13 GMCO155-17|||9790222305106|LAWSON|Peter Lawson|Christmas in Lapland Trumpet 2|Orchestral Part|1.50|13 GMCO155-18|||9790222305113|LAWSON|Peter Lawson|Christmas in Lapland Trombone 1|Orchestral Part|1.50|13 GMCO155-19|||9790222305120|LAWSON|Peter Lawson|Christmas in Lapland Trombone 2|Orchestral Part|1.50|13 GMCO155-20|||9790222305137|LAWSON|Peter Lawson|Christmas in Lapland Trombone 3|Orchestral Part|1.50|13 GMCO155-21|||9790222305144|LAWSON|Peter Lawson|Christmas in Lapland Tuba|Orchestral Part|1.50|13 GMCO155-22|||9790222305151|LAWSON|Peter Lawson|Christmas in Lapland Timpani|Orchestral Part|1.50|13 GMCO155-23|||9790222305168|LAWSON|Peter Lawson|Christmas in Lapland Percussion|Orchestral Part|1.50|13 GMCO155-24|||9790222305175|LAWSON|Peter Lawson|Christmas in Lapland Harp or Keybd|Orchestral Part|1.50|13 GMCO156|Peter Lawson
CONCERTINO OF THE LESSER BUTTERFLY ORCHID
for sopranino recorder (or piccolo) and orchestra
Goodmusic Concert Originals GMCO156|'Orchestration: Solo Sopranino Recorder or Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (4 players: Snare Drum, Castanets, Claves, Guiro, Tambourine, Cymbals (clashed), Glockenspiel, Xylophone), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Concertino of the Lesser Butterfly Orchid, for the tiny (and remarkably agile!) Sopranino Recorder (or alternatively, Piccolo) and orchestra, is the forty-third to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland for various instrumental and orchestral combinations. The work also exists as Song of the Lesser Butterfly Orchid, with piano accompaniment.
The Concertino is in three dance-like movements, which in places, as in the other orchid portraits, employs a colour-coding scheme of harmonies and these chords are heard at the outset of the first movement, Introduction and Butterfly Rumba, - light-green suffusing the white of the petals, the yellow of the anthers and the darker green of the two shiny, spoon-shaped basal leaves and bract-like leaves sheathing the stem. The Rumba and indeed the last movement, Jig of the Moths and Butterflies, reflect the dedicatee, Miguel Lawrence, who is half Mexican and half Northern-Irish. His virtuosity and sense of fun are amply catered for in these outer movements as well as in a cadenza in the middle of the second movement, Butterfly Minuet, which, in its outer sections, is more reflective of the pastoral habitats of the orchid. The Jig''s opening melody is rather weirdly tempered by the juxtaposition of the colour-coded harmonies, portraying the pollinating moths. The dancing butterflies are portrayed in less eccentric harmonic manoeuvres, the music gathering pace towards a breathless conclusion. Peter Lawson

A PACK includes a full score and a complete set of parts including string parts 4/4/3/4/2 and a solo part.
Duration 7 minutes'|9790222306042|LAWSON|Peter Lawson|Concertino Lesser Butterfly Pack|Orchestra|60.00|1025 GMCO156-00|||9790222306059|LAWSON|Peter Lawson|Concertino Lesser Butterfly Score|Orchestral Score|12.00|150 GMCO156-01|||9790222306066|LAWSON|Peter Lawson|Concertino Lesser Butterfly Vln 1|Orchestral Part|2.00|25 GMCO156-02|||9790222306073|LAWSON|Peter Lawson|Concertino Lesser Butterfly Vln 2|Orchestral Part|2.00|25 GMCO156-03|||9790222306080|LAWSON|Peter Lawson|Concertino Lesser Butterfly Viola|Orchestral Part|2.00|25 GMCO156-04|||9790222306097|LAWSON|Peter Lawson|Concertino Lesser Butterfly Cello|Orchestral Part|2.00|25 GMCO156-05|||9790222306103|LAWSON|Peter Lawson|Concertino Lesser Butterfly Bass|Orchestral Part|2.00|25 GMCO156-06|||9790222306110|LAWSON|Peter Lawson|Concertino Lesser Butterfly Flute 1|Orchestral Part|1.50|13 GMCO156-07|||9790222306127|LAWSON|Peter Lawson|Concertino Lesser Butterfly Flute 2|Orchestral Part|1.50|13 GMCO156-08|||9790222306134|LAWSON|Peter Lawson|Concertino Lesser Butterfly Oboe 1|Orchestral Part|1.50|13 GMCO156-09|||9790222306141|LAWSON|Peter Lawson|Concertino Lesser Butterfly Oboe 2|Orchestral Part|1.50|13 GMCO156-10|||9790222306158|LAWSON|Peter Lawson|Concertino Lesser Butterfly Clar 1|Orchestral Part|1.50|13 GMCO156-11|||9790222306165|LAWSON|Peter Lawson|Concertino Lesser Butterfly Clar 2|Orchestral Part|1.50|13 GMCO156-12|||9790222306172|LAWSON|Peter Lawson|Concertino Lesser Butterfly Bsn 1|Orchestral Part|1.50|13 GMCO156-13|||9790222306189|LAWSON|Peter Lawson|Concertino Lesser Butterfly Bsn 2|Orchestral Part|1.50|13 GMCO156-14|||9790222306196|LAWSON|Peter Lawson|Concertino Lesser Butterfly Horn 1|Orchestral Part|1.50|13 GMCO156-15|||9790222306202|LAWSON|Peter Lawson|Concertino Lesser Butterfly Horn 2|Orchestral Part|1.50|13 GMCO156-16|||9790222306219|LAWSON|Peter Lawson|Concertino Lesser Butterfly Trp 1|Orchestral Part|1.50|13 GMCO156-17|||9790222306226|LAWSON|Peter Lawson|Concertino Lesser Butterfly Trp 2|Orchestral Part|1.50|13 GMCO156-18|||9790222306233|LAWSON|Peter Lawson|Concertino Lesser Butterfly Trb 1|Orchestral Part|1.50|13 GMCO156-19|||9790222306240|LAWSON|Peter Lawson|Concertino Lesser Butterfly Trb 2|Orchestral Part|1.50|13 GMCO156-20|||9790222306257|LAWSON|Peter Lawson|Concertino Lesser Butterfly Trb 3|Orchestral Part|1.50|13 GMCO156-21|||9790222306264|LAWSON|Peter Lawson|Concertino Lesser Butterfly Tuba|Orchestral Part|1.50|13 GMCO156-22|||9790222306271|LAWSON|Peter Lawson|Concertino Lesser Butterfly Timpani|Orchestral Part|1.50|13 GMCO156-23|||9790222306288|LAWSON|Peter Lawson|Concertino Lesser Butterfly Perc|Orchestral Part|2.50|38 GMCO156-24|||9790222306295|LAWSON|Peter Lawson|Concertino Lesser Butterfly Harp|Orchestral Part|2.00|25 GMCO156-25|||9790222306301|LAWSON|Peter Lawson|Concertino Lesser Butterfly Solo Pt|Orchestral Part|2.50|38 GMCO157|Peter Lawson
SINFONIETTA OF THE LAPP ORCHID for orchestra
Goodmusic Concert Originals GMCO157|'Orchestration: 2 Flutes (2nd db Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (4 players: Sleigh Bells, Tambourine, Cymbals (suspended and clashed), Bass Drum, Glockenspiel, Tubular Bells), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the forty-fourth to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland. The third movement, Lapland Sleighride, is also published separately as Christmas in Lapland (GMCO155).
In Great Britain, the Lapp Orchid is found only in western Scotland. Abroad, it grows in Scandinavia, northern Russia and as far south as the Alps and Dolomites.
The Sinfonietta of the Lapp Orchid is in three short movements and chronicles the yearly story of the growth and dying back of the orchid. The first movement, Prelude: Spring in Lapland, is an evocation of the melting snow and subsequent green shoots of early spring appearing in that part of north-western Finland known as Lapland. The second movement, Glen Borrowdale, one of the orchid''s sites in Scotland, begins with an evocation of the pastoral beauty of the glen. The rapidly shifting harmonies correspond with the green, violet and red colours of the orchid in a colour-coded scheme of harmonies used throughout the orchid portraits. A tinge of sadness pervades the closing stages as the orchid sets seed and dies back in preparation for the winter, where its sites are likely to be covered with snow - which gives us an excuse to have a sleigh-ride back in Lapland for the third movement!
We journey through the Lapland countryside on Christmas Day with breathtaking winter views over pine forests. We round a bend to reveal ermine and reindeer gambolling in the snow. We come to a church, bells pealing and a brass band. The Lapp folk are outside, celebrating Christmas. Then the majesty of the Northern Lights - flurries of snow - and as the sleigh-ride nears its end, we think back over the journey through the magnificent Lapland winter landscape. Peter Lawson

A PACK includes a full score and complete set of parts including strings 4/4/3/4/2.
Duration 12? minutes'|9790222306318|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Pack|Orchestra|60.00|1000 GMCO157-00|||9790222306325|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Score|Orchestral Score|14.00|200 GMCO157-01|||9790222306332|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Violin 1|Orchestral Part|2.00|25 GMCO157-02|||9790222306349|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Violin 2|Orchestral Part|2.00|25 GMCO157-03|||9790222306356|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Viola|Orchestral Part|2.00|25 GMCO157-04|||9790222306363|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Cello|Orchestral Part|2.00|25 GMCO157-05|||9790222306370|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Bass|Orchestral Part|2.00|25 GMCO157-06|||9790222306387|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Flute 1|Orchestral Part|2.00|25 GMCO157-07|||9790222306394|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Flute 2|Orchestral Part|1.50|13 GMCO157-08|||9790222306400|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Oboe 1|Orchestral Part|1.50|13 GMCO157-09|||9790222306417|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Oboe 2|Orchestral Part|1.50|13 GMCO157-10|||9790222306424|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Clar 1|Orchestral Part|1.50|13 GMCO157-11|||9790222306431|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Clar 2|Orchestral Part|1.50|13 GMCO157-12|||9790222306448|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Bsn 1|Orchestral Part|1.50|13 GMCO157-13|||9790222306455|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Bsn 2|Orchestral Part|1.50|13 GMCO157-14|||9790222306462|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Horn 1|Orchestral Part|1.50|13 GMCO157-15|||9790222306479|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Horn 2|Orchestral Part|1.50|13 GMCO157-16|||9790222306486|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Trp 1|Orchestral Part|1.50|13 GMCO157-17|||9790222306493|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Trp 2|Orchestral Part|1.50|13 GMCO157-18|||9790222306509|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Tromb 1|Orchestral Part|1.50|13 GMCO157-19|||9790222306516|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Tromb 2|Orchestral Part|1.50|13 GMCO157-20|||9790222306523|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Tromb 3|Orchestral Part|1.50|13 GMCO157-21|||9790222306530|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Tuba|Orchestral Part|1.50|13 GMCO157-22|||9790222306547|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Timpani|Orchestral Part|1.50|13 GMCO157-23|||9790222306554|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Perc|Orchestral Part|2.00|25 GMCO157-24|||9790222306561|LAWSON|Peter Lawson|Sinfonietta of Lapp Orchid Harp|Orchestral Part|2.00|25 GMCO158|Philip Lane
SUITE OF COTSWOLD FOLKDANCES for orchestra
Goodmusic Concert Originals GMCO158|Orchestration: 2 Flutes (db. Piccolos[1.opt]), 2 Oboes*, 2 Clarinets in A or Bb, 2 Bassoons*, 4 Horns in F*, 2 Trumpets in Bb, 3 Trombones*, Tuba*
Timpani, Percussion (2 players:Triangle, Cymbals, Side drum, Bass Drum, Woodblock, Chinese Blocks, Tambourine, Tubular bell (G), Glockenspiel), Celeste, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Commissioned by the Stroud Festival, with funds provided by the South West Arts Association, to celebrate HRH the Princess Anne and her family taking up residence in the Cotswolds, near Stroud, this work was first performed by the Bristol Sinfonia, conducted by Sidney Sager, on October 12th 1978 in the Subscription Rooms, Stroud.
This suite is based on traditional Morris tunes prevalent in the Cotswolds at the turn of the 20th Century, and collected there by Cecil Sharp and others. Although the tunes themselves are left largely untouched, their implied harmonies and moods are treated more freely to create a balanced work for the concert hall. Numbers II, III and IV may recall more familiar variants since it is in the nature of folksong/dance for there to be more than one version when examples were transmitted, not always accurately, by word of mouth or note of pipe.
The six movements are: I.Wheatley Processional; II.Constant Billy; III.Brighton Camp; IV.Jockie to the fair; V.Ladies of Pleasure; VI.Princess Royal.
A commercial recording by the Royal Ballet Sinfonia conducted by Gavin Sutherland is available on ASV/Presto Classical CDWHL2126 or on Resonus RSB205.

* With careful application an effective performance can be given with forces 2/1/2/1, 2/2/0/0, Timp, Perc, Harp & Strings.

A PACK comprises a full score and a complete set of parts including strings 4/4/3/4/2.
Duration 13 minutes|9790222305458|LANE P|Philip Lane|Suite of Cotswold Folkdances Pack|Orchestra|60.00|925 GMCO158-00|||9790222305465|LANE P|Philip Lane|Suite of Cotswold Folkdances Score|Orchestral Score|10.00|125 GMCO158-01|||9790222305472|LANE P|Philip Lane|Suite of Cotswold Folkdances Vln 1|Orchestral Part|2.00|25 GMCO158-02|||9790222305489|LANE P|Philip Lane|Suite of Cotswold Folkdances Vln 2|Orchestral Part|2.00|25 GMCO158-03|||9790222305496|LANE P|Philip Lane|Suite of Cotswold Folkdances Viola|Orchestral Part|2.00|25 GMCO158-04|||9790222305502|LANE P|Philip Lane|Suite of Cotswold Folkdances Cello|Orchestral Part|2.00|25 GMCO158-05|||9790222305519|LANE P|Philip Lane|Suite of Cotswold Folkdances Bass|Orchestral Part|2.00|25 GMCO158-06|||9790222305526|LANE P|Philip Lane|Suite of Cotswold Folkdances Fl 1|Orchestral Part|1.50|13 GMCO158-07|||9790222305533|LANE P|Philip Lane|Suite of Cotswold Folkdances Fl 2|Orchestral Part|1.50|13 GMCO158-08|||9790222305540|LANE P|Philip Lane|Suite of Cotswold Folkdances Ob 1|Orchestral Part|1.50|13 GMCO158-09|||9790222305557|LANE P|Philip Lane|Suite of Cotswold Folkdances Ob 2|Orchestral Part|1.50|13 GMCO158-10|||9790222305564|LANE P|Philip Lane|Suite of Cotswold Folkdances Clar 1|Orchestral Part|2.00|25 GMCO158-11|||9790222305571|LANE P|Philip Lane|Suite of Cotswold Folkdances Clar 2|Orchestral Part|2.00|25 GMCO158-12|||9790222305588|LANE P|Philip Lane|Suite of Cotswold Folkdances Bsn 1|Orchestral Part|1.50|13 GMCO158-13|||9790222305595|LANE P|Philip Lane|Suite of Cotswold Folkdances Bsn 2|Orchestral Part|1.50|13 GMCO158-14|||9790222305601|LANE P|Philip Lane|Suite of Cotswold Folkdances Horn 1|Orchestral Part|1.50|13 GMCO158-15|||9790222305618|LANE P|Philip Lane|Suite of Cotswold Folkdances Horn 2|Orchestral Part|1.50|13 GMCO158-16|||9790222305625|LANE P|Philip Lane|Suite of Cotswold Folkdances Horn 3|Orchestral Part|1.50|13 GMCO158-17|||9790222305632|LANE P|Philip Lane|Suite of Cotswold Folkdances Horn 4|Orchestral Part|1.50|13 GMCO158-18|||9790222305649|LANE P|Philip Lane|Suite of Cotswold Folkdances Trp 1|Orchestral Part|1.50|13 GMCO158-19|||9790222305656|LANE P|Philip Lane|Suite of Cotswold Folkdances Trp 2|Orchestral Part|1.50|13 GMCO158-20|||9790222305663|LANE P|Philip Lane|Suite of Cotswold Folkdances Trb 1|Orchestral Part|1.50|13 GMCO158-21|||9790222305670|LANE P|Philip Lane|Suite of Cotswold Folkdances Trb 2|Orchestral Part|1.50|13 GMCO158-22|||9790222305687|LANE P|Philip Lane|Suite of Cotswold Folkdances Trb 3|Orchestral Part|1.50|13 GMCO158-23|||9790222305694|LANE P|Philip Lane|Suite of Cotswold Folkdances Tuba|Orchestral Part|1.50|13 GMCO158-24|||9790222305700|LANE P|Philip Lane|Suite of Cotswold Folkdances Timp|Orchestral Part|1.50|13 GMCO158-25|||9790222305717|LANE P|Philip Lane|Suite of Cotswold Folkdances Perc|Orchestral Part|2.00|25 GMCO158-26|||9790222305724|LANE P|Philip Lane|Suite of Cotswold Folkdances Celest|Orchestral Part|1.50|13 GMCO158-27|||9790222305731|LANE P|Philip Lane|Suite of Cotswold Folkdances Harp|Orchestral Part|2.00|25 GMCO159|Paul Lewis
ECCLESBOURNE GLEN - An elegy for strings and harp
Goodmusic Concert Originals GMCO159|Orchestration: Harp, Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Ecclesbourne Glen is a beauty spot on the south coast of England: a wooded valley with a stream toppling over sandstone cliffs to the sea near Hastings. In the 1960s and 70s I lived in Hastings Old Town and often walked with my dog across the East Hill through Ecclesbourne Glen to the Firehills beyond. In 1977 a writer friend, Alan Pemberton, equally enamoured of the landscape, wrote:
I walked across the hills one day,
I thought I heard them talking;
The voice, it was the heart of man
That beat as I was walking.
I set the verse to music, and the melody of that unfinished work has, like memories of the glen itself, haunted me ever since, and forms the basis of Ecclesbourne Glen - an Elegy for Strings and Harp. Sadly the title might well have been Elegy on the Spoiling of Ecclesbourne Glen, for, partly due to the unauthorised development of the adjacent caravan site and the felling of protected trees, in 2014 a disastrous landslip engulfed the glen, burying footpaths and resulting in the closure of the entire area to the public. Though I no longer live in Hastings I often visit and always feel indescribably sad that I can no longer walk where I used to find so much joy and inspiration.
The piece is dedicated to fellow composer Polo Piatti, who lives in Hastings Old Town and is similarly bereft at the loss of Ecclesbourne Glen. Paul Lewis

A PACK includes a full score, string parts 4/4/3/4/2 and a harp part.
Duration 6 minutes|9790222305816|LEWIS P|Paul Lewis|Ecclesbourne Glen Pack|String Orchestra|26.00|288 GMCO159-00|||9790222305823|LEWIS P|Paul Lewis|Ecclesbourne Glen Score|Orchestral Score|5.00|38 GMCO159-01|||9790222305830|LEWIS P|Paul Lewis|Ecclesbourne Glen Violin 1|Orchestral Part|1.50|13 GMCO159-02|||9790222305847|LEWIS P|Paul Lewis|Ecclesbourne Glen Violin 2|Orchestral Part|1.50|13 GMCO159-03|||9790222305854|LEWIS P|Paul Lewis|Ecclesbourne Glen Viola|Orchestral Part|1.50|13 GMCO159-04|||9790222305861|LEWIS P|Paul Lewis|Ecclesbourne Glen Cello|Orchestral Part|1.50|13 GMCO159-05|||9790222305878|LEWIS P|Paul Lewis|Ecclesbourne Glen Bass|Orchestral Part|1.50|13 GMCO159-06|||9790222305885|LEWIS P|Paul Lewis|Ecclesbourne Glen Harp|Orchestral Part|1.50|13 GMCO160|Paul Carr
THE WELCOME ARRIVAL OF SPRING for orchestra
Goodmusic Concert Originals GMCO160|'Orchestration: 2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns in F, 2 Trumpets in C
Timpani, Percussion (2 players: Triangle, Snare Drum, Clash Cymbals,Tambourine), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This piece is an arrangement for chamber orchestra of the first movement of my Sinfonietta, made especially for a concert of my choral music presented in The Netherlands by Koorprojekt Opus 9, conducted by Arnaud Oosterbaan in Amsterdam''s Concertgebouw on the 9th November, 2018.
Originally composed in 2006 while I was living on the beautiful island of Mallorca, the piece is an exuberant expression of the colourful change that happens to the island in late February through to April with the arrival of Spring; the almond blossoms and wild flowers flood the land and the resulting display is intoxicating. Paul Carr

A PACK comprises a full score plus a complete set of parts including strings 4/4/3/4/2
Duration 6 minutes'|9790222306974|CARR P|Paul Carr|Welcome Arrival of Spring Pack|Orchestra|40.00|538 GMCO160-00|||9790222306981|CARR P|Paul Carr|Welcome Arrival of Spring Score|Orchestral Score|10.00|125 GMCO160-01|||9790222306998|CARR P|Paul Carr|Welcome Arrival of Spring Violin 1|Orchestral Part|1.50|13 GMCO160-02|||9790222307001|CARR P|Paul Carr|Welcome Arrival of Spring Violin 2|Orchestral Part|1.50|13 GMCO160-03|||9790222307018|CARR P|Paul Carr|Welcome Arrival of Spring Viola|Orchestral Part|1.50|13 GMCO160-04|||9790222307025|CARR P|Paul Carr|Welcome Arrival of Spring Cello|Orchestral Part|1.50|13 GMCO160-05|||9790222307032|CARR P|Paul Carr|Welcome Arrival of Spring Bass|Orchestral Part|1.50|13 GMCO160-06|||9790222307049|CARR P|Paul Carr|Welcome Arrival of Spring Flute 1|Orchestral Part|1.50|13 GMCO160-07|||9790222307056|CARR P|Paul Carr|Welcome Arrival of Spring Flute 2|Orchestral Part|1.50|13 GMCO160-08|||9790222307063|CARR P|Paul Carr|Welcome Arrival of Spring Oboe|Orchestral Part|1.50|13 GMCO160-09|||9790222307070|CARR P|Paul Carr|Welcome Arrival of Spring Clar 1|Orchestral Part|1.50|13 GMCO160-10|||9790222307087|CARR P|Paul Carr|Welcome Arrival of Spring Clar 2|Orchestral Part|1.50|13 GMCO160-11|||9790222307094|CARR P|Paul Carr|Welcome Arrival of Spring Bassoon|Orchestral Part|1.50|13 GMCO160-12|||9790222307100|CARR P|Paul Carr|Welcome Arrival of Spring Horn 1|Orchestral Part|1.50|13 GMCO160-13|||9790222307117|CARR P|Paul Carr|Welcome Arrival of Spring Horn 2|Orchestral Part|1.50|13 GMCO160-14|||9790222307124|CARR P|Paul Carr|Welcome Arrival of Spring Trpt 1+2|Orchestral Part|1.50|13 GMCO160-15|||9790222307131|CARR P|Paul Carr|Welcome Arrival of Spring Timpani|Orchestral Part|1.50|13 GMCO160-16|||9790222307148|CARR P|Paul Carr|Welcome Arrival of Spring Perc|Orchestral Part|1.50|13 GMCO160-17|||9790222307155|CARR P|Paul Carr|Welcome Arrival of Spring Harp|Orchestral Part|1.50|13 GMCO161|Peter Lawson
CHORALES AT CHRISTMAS for orchestra and optional choir
Goodmusic Concert Originals GMCO161|'Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (2 players: Glockenspiel, Tubular Bells, Cymbals [clashed]), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir [optional] - SATB or SA+Men

Chorales at Christmas is, in essence, three Chorale Preludes based on well-known carols for orchestra with optional choir. If a choir is taking part, there is an SATB Vocal Score with Piano (or organ) accompaniment either for rehearsal purposes or for performance without orchestra [GM234]. There is also a SA+Men edition of this [GM235] with one stave of male voices, for choirs with a shortage of men, with the male voices in the baritone range.
Chorale Preludes date back to Bach and his contemporaries, probably the best known of these being Jesu, Joy of Man''s Desiring and Wachet Auf (Sleepers Awake) - the organ weaving a melody around the chorale, which is expounded a line at a time. This methodology is carried out in all three of the Chorales at Christmas but in three different contexts.
The first Chorale Prelude is a Baroque-like melody woven around O Holy Night, Adolphe Adam''s well-known carol being written a century later than the Baroque period, so it could be thought of as the musical equivalent of a barn conversion in reverse - an antiquated Baroque gloss on something from the early Romantic era.
For the second Chorale Prelude, Berlioz''s Shepherds'' Farewell, from L''enfance du Christ, the prelude melody is a more of a dream-like evocation of distant bells, perhaps the musical equivalent of the scene being painted by a French impressionist.
The third Chorale Prelude, O Little Town / I Saw Three Ships, treats two old favourites together, I Saw Three Ships Come Sailing In being treated as the Prelude and O Little Town of Bethlehem as the chorale. The two carols fit together with only minor adjustments and bring the whole to a rousing conclusion.

Duration 10 minutes
A PACK includes a score and complete set of orchestral parts including strings 4/4/3/4/2. Choral parts are sold separately.'|9790222307254|LAWSON|Peter Lawson|Chorales at Christmas Pack|Orchestra|60.00|975 GMCO161-00|||9790222307261|LAWSON|Peter Lawson|Chorales at Christmas Score|Orchestral Score|12.00|163 GMCO161-01|||9790222307278|LAWSON|Peter Lawson|Chorales at Christmas Violin 1|Orchestral Part|2.00|25 GMCO161-02|||9790222307285|LAWSON|Peter Lawson|Chorales at Christmas Violin 2|Orchestral Part|2.00|25 GMCO161-03|||9790222307292|LAWSON|Peter Lawson|Chorales at Christmas Viola|Orchestral Part|2.00|25 GMCO161-04|||9790222307308|LAWSON|Peter Lawson|Chorales at Christmas Cello|Orchestral Part|2.00|25 GMCO161-05|||9790222307315|LAWSON|Peter Lawson|Chorales at Christmas Bass|Orchestral Part|2.00|25 GMCO161-06|||9790222307322|LAWSON|Peter Lawson|Chorales at Christmas Flute 1|Orchestral Part|2.00|25 GMCO161-07|||9790222307339|LAWSON|Peter Lawson|Chorales at Christmas Flute 2|Orchestral Part|2.00|25 GMCO161-08|||9790222307346|LAWSON|Peter Lawson|Chorales at Christmas Oboe 1|Orchestral Part|2.00|25 GMCO161-09|||9790222307353|LAWSON|Peter Lawson|Chorales at Christmas Oboe 2|Orchestral Part|2.00|25 GMCO161-10|||9790222307360|LAWSON|Peter Lawson|Chorales at Christmas Clarinet 1|Orchestral Part|2.00|25 GMCO161-11|||9790222307377|LAWSON|Peter Lawson|Chorales at Christmas Clarinet 2|Orchestral Part|2.00|25 GMCO161-12|||9790222307384|LAWSON|Peter Lawson|Chorales at Christmas Bassoon 1|Orchestral Part|2.00|25 GMCO161-13|||9790222307391|LAWSON|Peter Lawson|Chorales at Christmas Bassoon 2|Orchestral Part|2.00|25 GMCO161-14|||9790222307407|LAWSON|Peter Lawson|Chorales at Christmas Horn 1|Orchestral Part|1.50|13 GMCO161-15|||9790222307414|LAWSON|Peter Lawson|Chorales at Christmas Horn 2|Orchestral Part|1.50|13 GMCO161-16|||9790222307421|LAWSON|Peter Lawson|Chorales at Christmas Trumpet 1|Orchestral Part|1.50|13 GMCO161-17|||9790222307438|LAWSON|Peter Lawson|Chorales at Christmas Trumpet 2|Orchestral Part|1.50|13 GMCO161-18|||9790222307445|LAWSON|Peter Lawson|Chorales at Christmas Trombone 1|Orchestral Part|1.50|13 GMCO161-19|||9790222307452|LAWSON|Peter Lawson|Chorales at Christmas Trombone 2|Orchestral Part|1.50|13 GMCO161-20|||9790222307469|LAWSON|Peter Lawson|Chorales at Christmas Trombone 3|Orchestral Part|1.50|13 GMCO161-21|||9790222307476|LAWSON|Peter Lawson|Chorales at Christmas Tuba|Orchestral Part|1.50|13 GMCO161-22|||9790222307483|LAWSON|Peter Lawson|Chorales at Christmas Timpani|Orchestral Part|1.50|13 GMCO161-23|||9790222307490|LAWSON|Peter Lawson|Chorales at Christmas Percussion|Orchestral Part|1.50|13 GMCO161-24|||9790222307506|LAWSON|Peter Lawson|Chorales at Christmas Harp|Orchestral Part|2.00|25 GMCO162|'Peter Lawson
THE LADY''S SLIPPER ORCHID
for narrator and orchestra
Goodmusic Concert Originals No.162'|'Orchestration: 2 Flutes (2nd db Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (1 player: Glockenspiel, Tubular Bells), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Narrator [optional]

The Lady''s Slipper Orchid, Cypripedium calceolus, is recognisable by its large, yellow lip, resembling a slipper. It attracts small bees, who fall into it. The walls are slippery but have hairs which act as footholds to guide the insect up a passage where it rubs against a mass of pollen. It leaves and tends to land on a nearby flower. The process is repeated and this time the sticky pollen from the first flower pollinates the second flower.
The orchid''s exotic beauty caused it to be picked, dug up and eventually declared extinct in Britain in 1917. However, in the 1930s a solitary plant was found in Yorkshire, which was kept secret but had a warden on 24-hour guard with a trip-wire around it to stop orchid collectors from digging it up. In the 1990s scientists at Kew Gardens started a programme of producing seedlings from it by cross-pollinating with a plant taken from the wild. After a worrying start, where only four out of a hundred such plants actually flowered, nowadays there are many successfully flowering plants in Cumbria, Lancashire, Yorkshire, Derbyshire and County Durham.
The Lady''s Slipper Orchid is in four continuous movements.
The first movement, A little Pollination Subterfuge, refers to the trick the orchid plays on the poor insect as described above.
The second movement, Legend of the Lady''s Slipper Orchid, describes the goddess Venus walking through a wood one day, when she heard thunder. Running for shelter, she found she had lost one of her golden slippers. The next day, a shepherdess espied the slipper and ran to it, but in front of her very eyes, it turned into a flower, now known as Lady''s Slipper Orchid.
The third movement, A Drastic Decline in Population, describes the orchid''s demise and the fourth movement, The Programme of Reintroduction, describes the scientists'' endeavours in a fugue, which takes unexpected twists as the programme temporarily went wrong, only to end triumphantly. Peter Lawson
Duration 7? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2 and a Narrator part.'|9790222307575|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Pack'|Orchestra|40.00|638 GMCO162-00|||9790222307582|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Score'|Orchestral Score|10.00|115 GMCO162-01|||9790222307599|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Violin 1'|Orchestral Part|1.50|13 GMCO162-02|||9790222307605|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Violin 2'|Orchestral Part|1.50|13 GMCO162-03|||9790222307612|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Viola'|Orchestral Part|1.50|13 GMCO162-04|||9790222307629|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Cello'|Orchestral Part|1.50|13 GMCO162-05|||9790222307636|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Bass'|Orchestral Part|1.50|13 GMCO162-06|||9790222307643|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Flute 1'|Orchestral Part|1.50|13 GMCO162-07|||9790222307650|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Flute 2'|Orchestral Part|1.50|13 GMCO162-08|||9790222307667|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Oboe 1'|Orchestral Part|1.50|13 GMCO162-09|||9790222307674|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Oboe 2'|Orchestral Part|1.50|13 GMCO162-10|||9790222307681|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Clarinet 1'|Orchestral Part|1.50|13 GMCO162-11|||9790222307698|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Clarinet 2'|Orchestral Part|1.50|13 GMCO162-12|||9790222307704|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Bassoon 1'|Orchestral Part|1.50|13 GMCO162-13|||9790222307711|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Bassoon 2'|Orchestral Part|1.50|13 GMCO162-14|||9790222307728|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Horn 1'|Orchestral Part|1.50|13 GMCO162-15|||9790222307735|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Horn 2'|Orchestral Part|1.50|13 GMCO162-16|||9790222307742|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Horn 3'|Orchestral Part|1.50|13 GMCO162-17|||9790222307759|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Horn 4'|Orchestral Part|1.50|13 GMCO162-18|||9790222307766|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Trumpet 1'|Orchestral Part|1.50|13 GMCO162-19|||9790222307773|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Trumpet 2'|Orchestral Part|1.50|13 GMCO162-20|||9790222307780|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Trombone 1'|Orchestral Part|1.50|13 GMCO162-21|||9790222307797|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Trombone 2'|Orchestral Part|1.50|13 GMCO162-22|||9790222307803|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Trombone 3'|Orchestral Part|1.50|13 GMCO162-23|||9790222307810|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Tuba'|Orchestral Part|1.50|13 GMCO162-24|||9790222307827|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Timpani'|Orchestral Part|1.50|13 GMCO162-25|||9790222307834|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Percussion'|Orchestral Part|1.50|13 GMCO162-26|||9790222307841|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Harp'|Orchestral Part|1.50|13 GMCO162-27|||9790222307858|LAWSON|Peter Lawson|'Lady''s Slipper Orchid Narrator'|Orchestral Part|2.50|38 GMCO163|Clive Jenkins
ROYAL PARADE for orchestra
Goodmusic Concert Originals GMCO163|'ORCHESTRATION: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 2 Trombones, Tuba
Percussion (2 players: Timpani, Snare Drum, Bass Drum), Piano or Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Royal Parade is Plymouth''s main street, laid out after World War 2 when most of the city centre had been reduced to rubble. The music reflects its history.
The introduction suggests demolition and the gradual growth of the road. The main theme and the episodes depict the opening of the road by King George VI and Queen Elizabeth, trees in blossom, a military parade, buskers in the underpass, fountains in the breeze and big royal events like the opening of the Theatre Royal by Princess Margaret and visits by Queen Elizabeth II.
The piece was composed for the City of Plymouth Light Orchestra in 1982.

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 3? minutes'|9790222307872|JENKINS C|Clive Jenkins|Royal Parade Pack|Orchestra|35.00|550 GMCO163-00|||9790222307889|JENKINS C|Clive Jenkins|Royal Parade Score|Orchestral Score|6.00|63 GMCO163-01|||9790222307896|JENKINS C|Clive Jenkins|Royal Parade Violin 1|Orchestral Part|1.50|13 GMCO163-02|||9790222307902|JENKINS C|Clive Jenkins|Royal Parade Violin 2|Orchestral Part|1.50|13 GMCO163-03|||9790222307919|JENKINS C|Clive Jenkins|Royal Parade Viola|Orchestral Part|1.50|13 GMCO163-04|||9790222307926|JENKINS C|Clive Jenkins|Royal Parade Cello|Orchestral Part|1.50|13 GMCO163-05|||9790222307933|JENKINS C|Clive Jenkins|Royal Parade Bass|Orchestral Part|1.50|13 GMCO163-06|||9790222307940|JENKINS C|Clive Jenkins|Royal Parade Flute 1 & 2|Orchestral Part|1.50|13 GMCO163-07|||9790222307957|JENKINS C|Clive Jenkins|Royal Parade Oboe 1 & 2|Orchestral Part|1.50|13 GMCO163-08|||9790222307964|JENKINS C|Clive Jenkins|Royal Parade Clarinet 1 & 2|Orchestral Part|1.50|13 GMCO163-09|||9790222307971|JENKINS C|Clive Jenkins|Royal Parade Bassoon 1 & 2|Orchestral Part|1.50|13 GMCO163-10|||9790222307988|JENKINS C|Clive Jenkins|Royal Parade Horn 1 & 2|Orchestral Part|1.50|13 GMCO163-11|||9790222307995|JENKINS C|Clive Jenkins|Royal Parade Horn 3 & 4|Orchestral Part|1.50|13 GMCO163-12|||9790222308008|JENKINS C|Clive Jenkins|Royal Parade Trumpet 1 & 2|Orchestral Part|1.50|13 GMCO163-13|||9790222308015|JENKINS C|Clive Jenkins|Royal Parade Trombone 1 & 2|Orchestral Part|1.50|13 GMCO163-14|||9790222308022|JENKINS C|Clive Jenkins|Royal Parade Tuba|Orchestral Part|1.50|13 GMCO163-15|||9790222308039|JENKINS C|Clive Jenkins|Royal Parade Percussion|Orchestral Part|1.50|13 GMCO163-16|||9790222308046|JENKINS C|Clive Jenkins|Royal Parade Piano or Harp|Orchestral Part|1.50|13 GMCO164|Peter Lawson
FLUTE CONCERTO
for Flute and Orchestra
Goodmusic Concert Originals GMCO164|Subtitled A Portrait of the Greater Butterfly Orchid, this concerto is the forty-seventh to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland for various instrumental and orchestral combinations. There is a version with an identical solo part with piano accompaniment, published separately as Flute Sonata (GM242).
The Greater Butterfly Orchid, Platanthera chlorantha, is a robust plant, up to half a metre tall. It has two large, oval leaves on opposite sides of the stem, slightly staggered in height. Higher up, its leaves are more like sheathing bracts. The lateral petals spread out, like the wings of a butterfly, with the lower lip vaguely resembling the abdomen. It is pollinated in the evening by moths brushing the anthers on to both sides of their backs and in the process pollinating the next flower visited.
The Flute Sonata has three movements, the first, The Song of the Greater Butterfly Orchid, is in modified Sonata form, with new material, in the form of a Reverie, replacing the first part of the development section. This leads to a recapitulation of the second subject (march-like) before, rather than after, the first subject. A cadenza leads to a brief coda. The second movement, Woodland Glades, in ternary form, is rhapsodic in nature, with moments of birdsong filtering through the trees into the music. The third movement, Toccata of the Butterfly Seeds, is something of a light-hearted perpetuum mobile, with fugal elements representing the dust-like seeds being dispersed by the wind, some falling on stony ground and in odd places, where the harmonic language briefly becomes more unpredictable. Just before the end, there is an interval of respite and repose, in a brief Andantino grazioso section, before the hustle and bustle resumes and leads to a rousing finish. Peter Lawson

A PACK includes a full score and complete set of parts including strings 4/4/3/4/2 and also a solo part
Duration 16? minutes|9790222308220|LAWSON|Peter Lawson|Flute Concerto Pack|Orchestra|70.00|1200 GMCO164-00|||9790222308237|LAWSON|Peter Lawson|Flute Concerto Score|Orchestral Score|14.00|202 GMCO164-01|||9790222308244|LAWSON|Peter Lawson|Flute Concerto Violin 1|Orchestral Part|2.50|38 GMCO164-02|||9790222308251|LAWSON|Peter Lawson|Flute Concerto Violin 2|Orchestral Part|2.00|25 GMCO164-03|||9790222308268|LAWSON|Peter Lawson|Flute Concerto Viola|Orchestral Part|2.00|25 GMCO164-04|||9790222308275|LAWSON|Peter Lawson|Flute Concerto Cello|Orchestral Part|2.00|25 GMCO164-05|||9790222308282|LAWSON|Peter Lawson|Flute Concerto Bass|Orchestral Part|2.00|25 GMCO164-06|||9790222308299|LAWSON|Peter Lawson|Flute Concerto Flute db Piccolo|Orchestral Part|2.00|25 GMCO164-07|||9790222308305|LAWSON|Peter Lawson|Flute Concerto Oboe 1|Orchestral Part|2.00|25 GMCO164-08|||9790222308312|LAWSON|Peter Lawson|Flute Concerto Oboe 2|Orchestral Part|2.00|25 GMCO164-09|||9790222308329|LAWSON|Peter Lawson|Flute Concerto Clarinet 1|Orchestral Part|2.00|25 GMCO164-10|||9790222308336|LAWSON|Peter Lawson|Flute Concerto Clarinet 2|Orchestral Part|2.00|25 GMCO164-11|||9790222308343|LAWSON|Peter Lawson|Flute Concerto Bassoon 1|Orchestral Part|2.00|25 GMCO164-12|||9790222308350|LAWSON|Peter Lawson|Flute Concerto Bassoon 2|Orchestral Part|2.00|25 GMCO164-13|||9790222308367|LAWSON|Peter Lawson|Flute Concerto Horn 1|Orchestral Part|2.00|25 GMCO164-14|||9790222308374|LAWSON|Peter Lawson|Flute Concerto Horn 2|Orchestral Part|2.00|25 GMCO164-15|||9790222308381|LAWSON|Peter Lawson|Flute Concerto Horn 3|Orchestral Part|2.00|25 GMCO164-16|||9790222308398|LAWSON|Peter Lawson|Flute Concerto Horn 4|Orchestral Part|2.00|25 GMCO164-17|||9790222308404|LAWSON|Peter Lawson|Flute Concerto Trumpet 1|Orchestral Part|1.50|13 GMCO164-18|||9790222308411|LAWSON|Peter Lawson|Flute Concerto Trumpet 2|Orchestral Part|1.50|13 GMCO164-19|||9790222308428|LAWSON|Peter Lawson|Flute Concerto Trombone 1|Orchestral Part|1.50|13 GMCO164-20|||9790222308435|LAWSON|Peter Lawson|Flute Concerto Trombone 2|Orchestral Part|1.50|13 GMCO164-21|||9790222308442|LAWSON|Peter Lawson|Flute Concerto Trombone 3|Orchestral Part|1.50|13 GMCO164-22|||9790222308459|LAWSON|Peter Lawson|Flute Concerto Tuba|Orchestral Part|1.50|13 GMCO164-23|||9790222308466|LAWSON|Peter Lawson|Flute Concerto Timpani|Orchestral Part|1.50|13 GMCO164-24|||9790222308473|LAWSON|Peter Lawson|Flute Concerto Percussion|Orchestral Part|2.00|25 GMCO164-25|||9790222308480|LAWSON|Peter Lawson|Flute Concerto Harp|Orchestral Part|2.50|38 GMCO164-26|||9790222308497|LAWSON|Peter Lawson|Flute Concerto Solo Flute|Orchestral Part|3.00|50 GMCO165|Paul Lewis
FLOURISH FOR A FESTIVAL for orchestra
Goodmusic Concert Originals No.165|'Orchestration: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (5 players (5th optional): Snare Drum, Cymbals (clashed), Tambourine, Glockenspiel, Tam-tam, Bass Drum, Tubular Bells), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Flourish for a Festival is a short but rousing piece commissioned by Founder-Director Polo Piatti to open the fourth International Composers Festival (ICF). It was premiered by the ICF Symphony Orchestra under John Andrews at the Opus Theatre, Hastings, England, on September 21st 2018.
"We''ll play it at every ICF while you''re alive" Polo told the composer, "because we don''t allow dead composers in the festival!"
The celebratory nature of this orchestral fanfare makes it a suitable opener for any festival, concert or upbeat occasion! Paul Lewis.

Duration 2 minutes
A PACK includes a score and complete set of orchestral parts including strings 4/4/3/4/2.'|9790222309241|LEWIS P|Paul Lewis|Flourish for a Festival Pack|Orchestra|30.00|413 GMCO165-00|||9790222309258|LEWIS P|Paul Lewis|Flourish for a Festival Score|Orchestral Score|5.00|38 GMCO165-01|||9790222309265|LEWIS P|Paul Lewis|Flourish for a Festival Violin 1|Orchestral Part|1.50|7 GMCO165-02|||9790222309272|LEWIS P|Paul Lewis|Flourish for a Festival Violin 2|Orchestral Part|1.50|7 GMCO165-03|||9790222309289|LEWIS P|Paul Lewis|Flourish for a Festival Viola|Orchestral Part|1.50|7 GMCO165-04|||9790222309296|LEWIS P|Paul Lewis|Flourish for a Festival Cello|Orchestral Part|1.50|7 GMCO165-05|||9790222309302|LEWIS P|Paul Lewis|Flourish for a Festival Bass|Orchestral Part|1.50|7 GMCO165-06|||9790222309319|LEWIS P|Paul Lewis|Flourish for a Festival Piccolo|Orchestral Part|1.50|7 GMCO165-07|||9790222309326|LEWIS P|Paul Lewis|Flourish for a Festival Flute 1|Orchestral Part|1.50|7 GMCO165-08|||9790222309333|LEWIS P|Paul Lewis|Flourish for a Festival Flute 2|Orchestral Part|1.50|7 GMCO165-09|||9790222309340|LEWIS P|Paul Lewis|Flourish for a Festival Oboe 1|Orchestral Part|1.50|7 GMCO165-10|||9790222309357|LEWIS P|Paul Lewis|Flourish for a Festival Oboe 2|Orchestral Part|1.50|7 GMCO165-11|||9790222309364|LEWIS P|Paul Lewis|Flourish for a Festival Clarinet 1|Orchestral Part|1.50|7 GMCO165-12|||9790222309371|LEWIS P|Paul Lewis|Flourish for a Festival Clarinet 2|Orchestral Part|1.50|7 GMCO165-13|||9790222309388|LEWIS P|Paul Lewis|Flourish for a Festival Bassoon 1|Orchestral Part|1.50|7 GMCO165-14|||9790222309395|LEWIS P|Paul Lewis|Flourish for a Festival Bassoon 2|Orchestral Part|1.50|7 GMCO165-15|||9790222309401|LEWIS P|Paul Lewis|Flourish for a Festival Horn 1|Orchestral Part|1.50|7 GMCO165-16|||9790222309418|LEWIS P|Paul Lewis|Flourish for a Festival Horn 2|Orchestral Part|1.50|7 GMCO165-17|||9790222309425|LEWIS P|Paul Lewis|Flourish for a Festival Horn 3|Orchestral Part|1.50|7 GMCO165-18|||9790222309432|LEWIS P|Paul Lewis|Flourish for a Festival Horn 4|Orchestral Part|1.50|7 GMCO165-19|||9790222309449|LEWIS P|Paul Lewis|Flourish for a Festival Trumpet 1|Orchestral Part|1.50|7 GMCO165-20|||9790222309456|LEWIS P|Paul Lewis|Flourish for a Festival Trumpet 2|Orchestral Part|1.50|7 GMCO165-21|||9790222309463|LEWIS P|Paul Lewis|Flourish for a Festival Trumpet 3|Orchestral Part|1.50|7 GMCO165-22|||9790222309470|LEWIS P|Paul Lewis|Flourish for a Festival Trombone 1|Orchestral Part|1.50|7 GMCO165-23|||9790222309487|LEWIS P|Paul Lewis|Flourish for a Festival Trombone 2|Orchestral Part|1.50|7 GMCO165-24|||9790222309494|LEWIS P|Paul Lewis|Flourish for a Festival Trombone 3|Orchestral Part|1.50|7 GMCO165-25|||9790222309500|LEWIS P|Paul Lewis|Flourish for a Festival Tuba|Orchestral Part|1.50|7 GMCO165-26|||9790222309517|LEWIS P|Paul Lewis|Flourish for a Festival Timpani|Orchestral Part|1.50|7 GMCO165-27|||9790222309524|LEWIS P|Paul Lewis|Flourish for a Festival Percussion|Orchestral Part|2.00|25 GMCO165-28|||9790222309531|LEWIS P|Paul Lewis|Flourish for a Festival Harp|Orchestral Part|1.50|13 GMCO166|'Bryan Kelly
CALYPSO''S ISLE for orchestra
Goodmusic Concert Originals No.166'|'Orchestration: 2 Flutes, 2 Oboes (2nd optional), 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F (3rd & 4th optional),
2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (1 player: Bass Drum, Suspended Cymbal), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Calypso was a beautiful nymph in Greek mythology, who lived on the island of Ogygia. In Homer''s Odyssey, Calypso attempts to keep the fabled Greek hero Odysseus on her island to make him her immortal husband. She kept Odysseus prisoner at Ogygia for seven years, enchanting him with her singing as she moved to and fro, weaving on her loom with a golden shuttle. Odysseus soon comes to wish for circumstances to change. He can no longer bear being separated from his wife Penelope. His patron goddess Athena asks Zeus to order the release of Odysseus from the island, and Zeus orders the messenger Hermes to tell Calypso to set Odysseus free, for it was not his destiny to live with her forever. She angrily comments on how the gods hate goddesses having affairs with mortals, but eventually concedes, sending Odysseus on his way after providing him with wine, bread, and the materials for a raft.
Calypso''s Isle has a rather sinister feel about it; whilst Calypso and her island may appear beautiful and idyllic she hides her intent to imprison Odysseus. The name Calypso derives from the Greek kalypto meaning "to cover", "to conceal", "to hide", or "to deceive".
Calypso''s Isle was originally an orchestral interlude in Bryan Kelly''s 1999 choral work entitled Look, stranger, at this island published by Roberton/Goodmusic. The 2nd oboe only doubles the 1st in places and Horns 3 & 4 double Horns 1 & 2 on occasions and so these instruments may be omitted.

Duration 4? minutes
A PACK includes a score and complete set of orchestral parts including strings 4/4/3/4/2.'|9790222308510|KELLY|Bryan Kelly|'Calypso''s Isle Pack'|Orchestra|26.00|294 GMCO166-00|||9790222308527|KELLY|Bryan Kelly|'Calypso''s Isle Score'|Orchestral Score|5.00|38 GMCO166-01|||9790222308534|KELLY|Bryan Kelly|'Calypso''s Isle Violin 1'|Orchestral Part|1.50|13 GMCO166-02|||9790222308541|KELLY|Bryan Kelly|'Calypso''s Isle Violin 2'|Orchestral Part|1.50|13 GMCO166-03|||9790222308558|KELLY|Bryan Kelly|'Calypso''s Isle Viola'|Orchestral Part|1.50|13 GMCO166-04|||9790222308565|KELLY|Bryan Kelly|'Calypso''s Isle Cello'|Orchestral Part|1.50|13 GMCO166-05|||9790222308572|KELLY|Bryan Kelly|'Calypso''s Isle Bass'|Orchestral Part|1.50|13 GMCO166-06|||9790222308589|KELLY|Bryan Kelly|'Calypso''s Isle Flute 1'|Orchestral Part|1.50|13 GMCO166-07|||9790222308596|KELLY|Bryan Kelly|'Calypso''s Isle Flute 2'|Orchestral Part|1.50|13 GMCO166-08|||9790222308602|KELLY|Bryan Kelly|'Calypso''s Isle Oboe 1'|Orchestral Part|1.50|13 GMCO166-09|||9790222308619|KELLY|Bryan Kelly|'Calypso''s Isle Oboe 2'|Orchestral Part|1.50|13 GMCO166-10|||9790222308626|KELLY|Bryan Kelly|'Calypso''s Isle Clarinet 1'|Orchestral Part|1.50|13 GMCO166-11|||9790222308633|KELLY|Bryan Kelly|'Calypso''s Isle Clarinet 2'|Orchestral Part|1.50|13 GMCO166-12|||9790222308640|KELLY|Bryan Kelly|'Calypso''s Isle Bassoon 1'|Orchestral Part|1.50|13 GMCO166-13|||9790222308657|KELLY|Bryan Kelly|'Calypso''s Isle Bassoon 2'|Orchestral Part|1.50|13 GMCO166-14|||9790222308664|KELLY|Bryan Kelly|'Calypso''s Isle Horn 1'|Orchestral Part|1.50|13 GMCO166-15|||9790222308671|KELLY|Bryan Kelly|'Calypso''s Isle Horn 2'|Orchestral Part|1.50|13 GMCO166-16|||9790222308688|KELLY|Bryan Kelly|'Calypso''s Isle Horn 3'|Orchestral Part|1.50|13 GMCO166-17|||9790222308695|KELLY|Bryan Kelly|'Calypso''s Isle Horn 4'|Orchestral Part|1.50|13 GMCO166-18|||9790222308701|KELLY|Bryan Kelly|'Calypso''s Isle Trumpet 1'|Orchestral Part|1.50|13 GMCO166-19|||9790222308718|KELLY|Bryan Kelly|'Calypso''s Isle Trumpet 2'|Orchestral Part|1.50|13 GMCO166-20|||9790222308725|KELLY|Bryan Kelly|'Calypso''s Isle Trombone 1'|Orchestral Part|1.50|13 GMCO166-21|||9790222308732|KELLY|Bryan Kelly|'Calypso''s Isle Trombone 2'|Orchestral Part|1.50|13 GMCO166-22|||9790222308749|KELLY|Bryan Kelly|'Calypso''s Isle Trombone 3'|Orchestral Part|1.50|13 GMCO166-23|||9790222308756|KELLY|Bryan Kelly|'Calypso''s Isle Timpani'|Orchestral Part|1.50|13 GMCO166-24|||9790222308763|KELLY|Bryan Kelly|'Calypso''s Isle Percussion'|Orchestral Part|1.50|13 GMCO166-25|||9790222308770|KELLY|Bryan Kelly|'Calypso''s Isle Harp'|Orchestral Part|1.50|13 GMCO167|Peter Lawson
TONE POEM: THE MONKEY ORCHID for orchestra
Goodmusic Concert Originals No.167|'Orchestration
2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion [2 players: Bass Drum, Cymbals (clashed and suspended), swannee Whistle, Glockenspiel, Xylophone], Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Narrator (optional)

The Tone Poem: The Monkey Orchid, with optional narrator, is the final piece to be written in a cycle of musical portraits of the forty-eight wild orchids of Great Britain and Ireland for various instrumental and orchestral combinations. This work exists also as a Piano Sonata - A Portrait of the Monkey Orchid (GM251), from which the tone poem was orchestrated.
The Monkey Orchid, Orchis simia, has a raggle-taggle spike of pinkish-white flowers at the top of the stem, which is anything from ten centimetres to half a metre in height. On closer inspection, each individual flower bears a striking resemblance to a spider monkey, wearing long, dark-red gloves and socks on its slender arms and legs.
The music is in four continuous movements. The first of these is a Prelude in Sonata form called Song of the Monkey Orchid. At the end of the movement, the narrative begins, the second movement being entitled The Story of the Orchid''s Decline, chronicling the discovery of the orchid in the seventeenth-century in Oxfordshire and the much rarer appearances of the Orchid in Kent. In one secret Kent site, orchid enthusiasts'' joy in seeing the first Monkey Orchid for a century and a half, was short-lived, as the plant was subsequently eaten by a horse! If only the horse could have understood what it had done!
The third movement, Conservation and the Road Back, chronicles the hard work undertaken by naturalists in both counties with sites protected from the grazing of rabbits - and horses! The fourth movement, Celebrating with the Monkeys, is a short romp, incorporating a certain amount of ''monkeying about''! Peter Lawson
Duration 15 minutes'|9790222309562|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Pack|Orchestra|90.00|1456 GMCO167-00|||9790222309579|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Score|Orchestral Score|15.00|213 GMCO167-01|||9790222309586|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Vln 1|Orchestral Part|2.00|25 GMCO167-02|||9790222309593|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Vln 2|Orchestral Part|2.00|25 GMCO167-03|||9790222309609|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Viola|Orchestral Part|2.00|25 GMCO167-04|||9790222309616|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Cello|Orchestral Part|2.00|25 GMCO167-05|||9790222309623|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Bass|Orchestral Part|2.00|25 GMCO167-06|||9790222309630|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Flute1|Orchestral Part|2.50|38 GMCO167-07|||9790222309647|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Flute2|Orchestral Part|2.00|25 GMCO167-08|||9790222309654|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Oboe 1|Orchestral Part|2.00|25 GMCO167-09|||9790222309661|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Oboe 2|Orchestral Part|2.00|25 GMCO167-10|||9790222309678|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Clar 1|Orchestral Part|2.00|25 GMCO167-11|||9790222309685|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Clar 2|Orchestral Part|2.00|25 GMCO167-12|||9790222309692|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Bsn 1|Orchestral Part|2.00|25 GMCO167-13|||9790222309708|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Bsn 2|Orchestral Part|2.00|25 GMCO167-14|||9790222309715|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Horn 1|Orchestral Part|2.00|25 GMCO167-15|||9790222309722|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Horn 2|Orchestral Part|2.00|25 GMCO167-16|||9790222309739|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Horn 3|Orchestral Part|2.00|25 GMCO167-17|||9790222309746|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Horn 4|Orchestral Part|2.00|25 GMCO167-18|||9790222309753|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Trp 1|Orchestral Part|2.00|25 GMCO167-19|||9790222309760|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Trp 2|Orchestral Part|2.00|25 GMCO167-20|||9790222309777|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Trb 1|Orchestral Part|2.00|25 GMCO167-21|||9790222309784|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Trb 2|Orchestral Part|2.00|25 GMCO167-22|||9790222309791|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Trb 3|Orchestral Part|2.00|25 GMCO167-23|||9790222309807|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Tuba|Orchestral Part|2.00|25 GMCO167-24|||9790222309814|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Timp|Orchestral Part|2.00|25 GMCO167-25|||9790222309821|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Perc|Orchestral Part|2.00|25 GMCO167-26|||9790222309838|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Harp|Orchestral Part|2.50|38 GMCO167-27|||9790222309845|LAWSON|Peter Lawson|Tone Poem: The Monkey Orchid Narrtr|Orchestral Part|4.50|75 GMCO168|Paul Lewis
ENGINEERIUM for orchestra
Goodmusic Concert Originals No.168|'Orchestration: Piccolo, Flute db.Piccolo, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (5 players: Marimba, Xylophone, Glockenspiel, Tubular Bells, Side Drum, Bass Drum, Large Tam-tam, Cymbals, Scraper, Wood-blocks, Tambourine, Triangle, Vibraslap, Suspended Cymbal, Large Rainstick), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Engineerium is a musical celebration of the British Engineerium, a glamorously ornate Victorian pumping station in Hove, Sussex. It was designed in 1865 by Thomas Hawksley, a visionary architect whose passion was to make constant supplies of fresh water available to rich and poor alike, and his building with its magnificent beam engine is now a protected site of special architectural and industrial importance.
The commission from the Sussex Symphony Orchestra, generously funded by Southern Water, was for a water-themed piece, celebratory in nature for the orchestra''s 25th anniversary year. I noticed that the Engineerium, long closed to the public, was planning to hold an open day on which the machinery would be fired up and displayed in full working order. I duly visited the Engineerium and noted down some of the many clicking, grinding and thumping rhythms that emanated from different parts of the astounding complex of pumps and boilers.
My piece, which is something over five minutes long, begins with a depiction of the gradual awakening of the mighty beam engine, the percussion section reproducing the rhythms until the sound of subterranean water, increasing from a trickle to a rush, can be heard, represented by a large rainstick. After another climax, the music of the man-and-woman-in-the-street bursts forth with a jaunty melody in Victorian popular style. A wind band marches past and the popular music continues, interspersed with occasional reminders of the pumping station, until an apotheosis is reached in which the tune is transformed into a grand paean of praise for 19th century British engineering achievement and for the Sussex Symphony Orchestra itself. Paul Lewis

Duration 5? minutes
A PACK includes a score and complete set of orchestral parts including strings 4/4/3/4/2.'|9790222308800|LEWIS P|Paul Lewis|Engineerium Pack|Orchestra|55.00|863 GMCO168-00|||9790222308817|LEWIS P|Paul Lewis|Engineerium Score|Orchestral Score|10.00|113 GMCO168-01|||9790222308824|LEWIS P|Paul Lewis|Engineerium Violin 1|Orchestral Part|1.50|13 GMCO168-02|||9790222308831|LEWIS P|Paul Lewis|Engineerium Violin 2|Orchestral Part|1.50|13 GMCO168-03|||9790222308848|LEWIS P|Paul Lewis|Engineerium Viola|Orchestral Part|1.50|13 GMCO168-04|||9790222308855|LEWIS P|Paul Lewis|Engineerium Cello|Orchestral Part|1.50|13 GMCO168-05|||9790222308862|LEWIS P|Paul Lewis|Engineerium Bass|Orchestral Part|1.50|13 GMCO168-06|||9790222308879|LEWIS P|Paul Lewis|Engineerium Piccolo|Orchestral Part|1.50|13 GMCO168-07|||9790222308886|LEWIS P|Paul Lewis|Engineerium Flute db.Piccolo|Orchestral Part|1.50|13 GMCO168-08|||9790222308893|LEWIS P|Paul Lewis|Engineerium Oboe 1|Orchestral Part|1.50|13 GMCO168-09|||9790222308909|LEWIS P|Paul Lewis|Engineerium Oboe 2|Orchestral Part|1.50|13 GMCO168-10|||9790222308916|LEWIS P|Paul Lewis|Engineerium Clarinet 1|Orchestral Part|1.50|13 GMCO168-11|||9790222308923|LEWIS P|Paul Lewis|Engineerium Clarinet 2|Orchestral Part|1.50|13 GMCO168-12|||9790222308930|LEWIS P|Paul Lewis|Engineerium Bassoon 1|Orchestral Part|1.50|13 GMCO168-13|||9790222308947|LEWIS P|Paul Lewis|Engineerium Bassoon 2|Orchestral Part|1.50|13 GMCO168-14|||9790222308954|LEWIS P|Paul Lewis|Engineerium Horn 1|Orchestral Part|1.50|13 GMCO168-15|||9790222308961|LEWIS P|Paul Lewis|Engineerium Horn 2|Orchestral Part|1.50|13 GMCO168-16|||9790222308978|LEWIS P|Paul Lewis|Engineerium Horn 3|Orchestral Part|1.50|13 GMCO168-17|||9790222308985|LEWIS P|Paul Lewis|Engineerium Horn 4|Orchestral Part|1.50|13 GMCO168-18|||9790222308992|LEWIS P|Paul Lewis|Engineerium Trumpet 1|Orchestral Part|1.50|13 GMCO168-19|||9790222309005|LEWIS P|Paul Lewis|Engineerium Trumpet 2|Orchestral Part|1.50|13 GMCO168-20|||9790222309012|LEWIS P|Paul Lewis|Engineerium Trumpet 3|Orchestral Part|1.50|13 GMCO168-21|||9790222309029|LEWIS P|Paul Lewis|Engineerium Trombone 1|Orchestral Part|1.50|13 GMCO168-22|||9790222309036|LEWIS P|Paul Lewis|Engineerium Trombone 2|Orchestral Part|1.50|13 GMCO168-23|||9790222309043|LEWIS P|Paul Lewis|Engineerium Trombone 3|Orchestral Part|1.50|13 GMCO168-24|||9790222309050|LEWIS P|Paul Lewis|Engineerium Tuba|Orchestral Part|1.50|13 GMCO168-25|||9790222309067|LEWIS P|Paul Lewis|Engineerium Timpani|Orchestral Part|1.50|13 GMCO168-26|||9790222309074|LEWIS P|Paul Lewis|Engineerium Percussion|Orchestral Part|3.00|50 GMCO168-27|||9790222309081|LEWIS P|Paul Lewis|Engineerium Harp|Orchestral Part|1.50|13 GMCO169|Clive Jenkins
PIANO CONCERTINO for piano and string orchestra
Goodmusic Concert Originals No.169|'Orchestration: Solo Piano, Strings: Violin 1, Violin 2, Viola, Cello, Bass

Clive Jenkins was introduced to Margaret Fingerhut after a Kings Place concert where his Tarte au Citron and Thames Reflections were played (both published by Goodmusic). She wondered if he might compose something in similarly light style for her. This cheerful three-movement Piano Concertino is the result. Margaret Fingerhut premiered it in 2018 at a concert by the Chamber Ensemble of London in the Great Hall at Dartington marking Clive Jenkins''s 80th birthday.
Though premiered by a great professional, this piece can be tackled by any fairly competent pianist!

A PACK includes a full score, a piano solo part and strings 4/4/3/4/2.
Duration 12 minutes'|9790222310117|JENKINS C|Clive Jenkins|Piano Concertino Pack|String Orchestra|40.00|650 GMCO169-00|||9790222310124|JENKINS C|Clive Jenkins|Piano Concertino Score|Orchestral Score|12.00|138 GMCO169-01|||9790222310131|JENKINS C|Clive Jenkins|Piano Concertino Violin 1|Orchestral Part|2.00|25 GMCO169-02|||9790222310148|JENKINS C|Clive Jenkins|Piano Concertino Violin 2|Orchestral Part|2.00|25 GMCO169-03|||9790222310155|JENKINS C|Clive Jenkins|Piano Concertino Viola|Orchestral Part|2.00|25 GMCO169-04|||9790222310162|JENKINS C|Clive Jenkins|Piano Concertino Cello|Orchestral Part|2.00|25 GMCO169-05|||9790222310179|JENKINS C|Clive Jenkins|Piano Concertino Bass|Orchestral Part|2.00|25 GMCO169-06|||9790222310186|JENKINS C|Clive Jenkins|Piano Concertino Solo Piano|Orchestral Part|4.50|75 GMCO170|Peter Lawson
A BED OF HAY Seven Carols for choir and orchestra
Goodmusic Concert Originals No.170|'A BED OF HAY is a set of Seven Carols for Christmas for choir and orchestra or piano with words by Katherine Hayes.
They are: A Bed of Hay; Shepherds'' Carol; Domine, Adoro Te; Christ is here, Holy Year; This Happy Night; The Night Wind is Cold; Hodie! Christus Natus est
This sequence of carols can be performed as a whole or separately, either with orchestral accompaniment or with piano (or organ). It is available as a complete Vocal Score with Piano (or organ) accompaniment in four different versions: Mixed Voice Choir (SATB), Mixed Voice Choir (SA+Men) with one stave of male voices for choirs with a shortage of men, with the male voices in the baritone range, Upper Voice Choir (SSA) or Male Voice Choir (TTBB).
All seven carols are also available singly in each of the different voice versions.
The orchestral score and parts (covering all seven carols) is the same for all versions.
Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Triangle, Sleigh Bells, Claves, Tambourine, Snare Drum, Glockenspiel, Tubular Bells, Cymbals), Harp (or Keyboard),
Strings (Violin 1, Violin 2, Viola, Cello, Bass) & Choir (SATB or SA+Men or SSA or TTBB).

In the early 1980s, I was teaching at the Guildhall School of Music, a comprehensive school in South-West London and a junior school in Stepney, all in the same week. At the junior school Katherine Hayes was teaching Drama and Poetry. We collaborated on many productions of musicals and Kath also wrote a few carols for the children to perform, with the music hurriedly scribbled down by me in spare moments and elaborated upon at a later date. The carols were put into storage and half-remembered (with affection!) by me until 2019 when I decided to arrange them for different choir combinations. These seven "new" carols are all approachable and memorable. I don''t take the credit for that: Kath''s lyrics always had the habit of immediately suggesting a tune to me. Her love of people and animals comes out warmly, the animals sometimes anthropomorphised into song! Peter Lawson

Duration 18 minutes
A PACK includes a full score and complete set of orchestral parts including strings 4/4/3/4/2 but no choral copies.'|9790222310278|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Pack|Orchestra|60.00|1030 GMCO170-00|||9790222310285|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Score|Orchestral Score|14.00|175 GMCO170-01|||9790222310292|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Violin 1|Orchestral Part|2.00|25 GMCO170-02|||9790222310308|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Violin 2|Orchestral Part|2.00|25 GMCO170-03|||9790222310315|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Viola|Orchestral Part|2.00|25 GMCO170-04|||9790222310322|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Cello|Orchestral Part|2.00|25 GMCO170-05|||9790222310339|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Bass|Orchestral Part|2.00|25 GMCO170-06|||9790222310346|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Flute 1|Orchestral Part|2.00|25 GMCO170-07|||9790222310353|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Flute 2|Orchestral Part|2.00|25 GMCO170-08|||9790222310360|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Oboe 1|Orchestral Part|2.00|25 GMCO170-09|||9790222310377|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Oboe 2|Orchestral Part|2.00|25 GMCO170-10|||9790222310384|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Clar 1|Orchestral Part|2.00|25 GMCO170-11|||9790222310391|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Clar 2|Orchestral Part|2.00|25 GMCO170-12|||9790222310407|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Bassoon 1|Orchestral Part|2.00|25 GMCO170-13|||9790222310414|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Bassoon 2|Orchestral Part|2.00|25 GMCO170-14|||9790222310421|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Horn 1|Orchestral Part|2.00|25 GMCO170-15|||9790222310438|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Horn 2|Orchestral Part|2.00|25 GMCO170-16|||9790222310445|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Trumpet 1|Orchestral Part|1.50|13 GMCO170-17|||9790222310452|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Trumpet 2|Orchestral Part|1.50|13 GMCO170-18|||9790222310469|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Tromb 1|Orchestral Part|1.50|13 GMCO170-19|||9790222310476|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Tromb 2|Orchestral Part|1.50|13 GMCO170-20|||9790222310483|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Tromb 3|Orchestral Part|1.50|13 GMCO170-21|||9790222310490|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Tuba|Orchestral Part|1.50|13 GMCO170-22|||9790222310506|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Timpani|Orchestral Part|1.50|13 GMCO170-23|||9790222310513|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Perc|Orchestral Part|2.00|25 GMCO170-24|||9790222310520|LAWSON|Peter Lawson|A Bed of Hay Seven Carols Harp|Orchestral Part|2.00|25 GMCO171|Paul Carr
SAXOPHONE CONCERTO for sax and string orchestra
Goodmusic Concert Originals No.171|'Orchestration: Soprano Saxophone, Strings: (Violin 1, Violin 2, Viola, Cello, Bass)

In 2006 when I was living on the beautiful island of Mallorca I wrote an Oboe Concerto for Nicholas Daniel who gave the premiere in May 2008 at The English Music Festival. Nick also recorded the work on the Dutton label with Gavin Sutherland and the Royal Ballet Sinfonia. After a recent posting on YouTube in 2019 of the slow movement, The Unusual Quietness of Snow, Nick suggested that it would work very well on soprano saxophone, so I made this version of the Concerto for the young saxophonist, Robert Burton.

The first movement "Allegro energico" is a lively conversation where the saxophone takes the lead, pitted against the strings, in a blended mix of boisterous eruptions and loftier linear lines. The movement passes through various keys and while themes are not exactly developed they are spat out at each other, enjoying their playful correspondence.
In stark contrast the central elegy, "The unusual quietness of snow" is a slow and poignant expression of sadness and loss. At a difficult time in my life, a few days before my Mother''s death, it seemed strange that a heavy, early morning snowfall in the first days of March could have provided a sense of calmness and unity at a time of extreme emotion. It was a snowfall and a quietness I shall never forget, and I remember thinking how comforting and beautiful it was - the large heavy flakes falling slowly and silently, as if out of a mark of respect. Opening with quiet sustained chords in the strings the saxophone enters with an expressive theme that continually rises and falls, deepening in emotional intensity. Eventually the theme is taken up by the strings and joined by the saxophone as it reaches its highest point - leaving the movement to subside into calm, quiet, and eventual rest.
The final movement, "September music" is a spirited evocation of Summer''s end. Whilst the general feeling is still of warmth and lightness, there is a certain nostalgia in the central passages, hinting that Summer is on the way out and the season about to change. Paul Carr

Duration 16 minutes
A PACK includes a score and set of parts including strings 4/4/3/4/2 and the solo sax part.
A reduction for Saxophone and piano is also available - GM282.'|9790222310865|CARR P|Paul Carr|Saxophone Concerto Pack|String Orchestra|55.00|750 GMCO171-00|||9790222310872|CARR P|Paul Carr|Saxophone Concerto Score|Orchestral Score|10.00|125 GMCO171-01|||9790222310889|CARR P|Paul Carr|Saxophone Concerto Violin 1|Orchestral Part|2.50|38 GMCO171-02|||9790222310896|CARR P|Paul Carr|Saxophone Concerto Violin 2|Orchestral Part|2.50|38 GMCO171-03|||9790222310902|CARR P|Paul Carr|Saxophone Concerto Viola|Orchestral Part|2.00|25 GMCO171-04|||9790222310919|CARR P|Paul Carr|Saxophone Concerto Cello|Orchestral Part|2.50|38 GMCO171-05|||9790222310926|CARR P|Paul Carr|Saxophone Concerto Bass|Orchestral Part|2.00|25 GMCO171-06|||9790222310933|CARR P|Paul Carr|Saxophone Concerto Solo Saxophone|Orchestral Part|2.50|38 GMCO172|Paul Lewis
CONCERTO ROMANTICO for harp and strings
Goodmusic Concert Originals No.172|Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass), Solo Harp

Sometime in the mid 1990s it was suggested that I might score a film telling of love found and lost, only to be rediscovered years later. With the briefest of storylines in my head I went to the piano and composed an emotive song-like melody. The film was never made but the melody haunted me. Some years later I devised a romantic CD for harp and orchestra, expanding the theme into a series of rhapsodic improvisations. The CD was never recorded and still the melody haunted me.
Then, some twenty years later in 2018, harpist Rachel Talitman heard my string orchestra piece "Rosa Mundi" and said it was her dream that I would write her a romantic concerto in similar vein. Little did she know that not only was it my dream to write a harp concerto but that I had just the material to hand, waiting for such an opportunity. Thus the melody that started life as a theme for a never-to-be-made film and became sequences for a never-to-be-recorded CD was reshaped and fashioned into the Cantilena that frames the concerto, giving the work a cyclic form that reflects the story of the would-be film:
Cantilena Rapsodica - love at first sight, Bitter-Sweet Blues - love lost, Moto Perpetuo - life goes on, and finally Cantilena Ripresa - love rediscovered.
The scenario coincidentally echoes my relationship with the music itself, twice abandoned but never out of mind. Indeed every so often I would take it out of its folder and play it lovingly through as one might take out and gaze at photos of a lost love.
After a long gestation and many months of intensive but ecstatic work, the score of Concerto Romantico was completed in February 2020. Paul Lewis

A PACK includes a full score, solo harp part and string parts 4/4/3/4/2.
Duration about 26 minutes

A recording of the concerto is available with Rachel Talitman and the Israel String Ensemble on "Paul Lewis: Romantic Music for Harp" - CD505046.

The Cantilena is also available in a version for solo harp - Goodmusic GM388.|9790222311114|LEWIS P|Paul Lewis|Concerto Romantico Pack|String Orchestra|50.00|713 GMCO172-00|||9790222311121|LEWIS P|Paul Lewis|Concerto Romantico Score|Orchestral Score|12.00|138 GMCO172-01|||9790222311138|LEWIS P|Paul Lewis|Concerto Romantico Violin 1|Orchestral Part|2.50|38 GMCO172-02|||9790222311145|LEWIS P|Paul Lewis|Concerto Romantico Violin 2|Orchestral Part|2.00|25 GMCO172-03|||9790222311152|LEWIS P|Paul Lewis|Concerto Romantico Viola|Orchestral Part|2.00|25 GMCO172-04|||9790222311169|LEWIS P|Paul Lewis|Concerto Romantico Cello|Orchestral Part|2.00|25 GMCO172-05|||9790222311176|LEWIS P|Paul Lewis|Concerto Romantico Bass|Orchestral Part|2.00|25 GMCO172-06|||9790222311183|LEWIS P|Paul Lewis|Concerto Romantico Solo Harp|Orchestral Part|6.00|106 GMCO173|Philip Lane
SERENATA CONCERTANTE for string orchestra
Goodmusic Concert Originals No.173|Orchestration: 2 x Solo Violins, Solo Viola, Solo Cello
Strings: (Violin 1, Violin 2, Viola, Cello, Bass)

The Serenata Concertante pits a string quartet against the main body of strings in the manner of an 18th-century concerto grosso. There are three movements: Allegro; Adagio; Vivace.
A recording is available with Gavin Sutherland conducting the Royal Ballet Sinfonia on "British String Miniatures 2" - CDWHL2136.

Duration 10 minutes
A PACK includes a score and a complete set of parts including the solo parts and "ripieno" strings 4/4/3/4/2.|9790222311336|LANE P|Philip Lane|Serenata Concertante Pack|String Orchestra|35.00|550 GMCO173-00|||9790222311343|LANE P|Philip Lane|Serenata Concertante Score|Orchestral Score|8.00|88 GMCO173-01|||9790222311350|LANE P|Philip Lane|Serenata Concertante Violin 1|Orchestral Part|2.00|25 GMCO173-02|||9790222311367|LANE P|Philip Lane|Serenata Concertante Violin 2|Orchestral Part|2.00|25 GMCO173-03|||9790222311374|LANE P|Philip Lane|Serenata Concertante Viola|Orchestral Part|2.00|25 GMCO173-04|||9790222311381|LANE P|Philip Lane|Serenata Concertante Cello|Orchestral Part|2.00|25 GMCO173-05|||9790222311398|LANE P|Philip Lane|Serenata Concertante Bass|Orchestral Part|1.50|13 GMCO173-06|||9790222311404|LANE P|Philip Lane|Serenata Concertante Solo Violin 1|Orchestral Part|1.50|13 GMCO173-07|||9790222311411|LANE P|Philip Lane|Serenata Concertante Solo Violin 2|Orchestral Part|1.50|13 GMCO173-08|||9790222311428|LANE P|Philip Lane|Serenata Concertante Solo Viola|Orchestral Part|1.50|13 GMCO173-09|||9790222311435|LANE P|Philip Lane|Serenata Concertante Solo Cello|Orchestral Part|1.50|13 GMCO174|Philip Lane
BARDSONG for high voice, harp and strings
Goodmusic Concert Originals No.174|'BARDSONG - Nine Shakespeare Lyrics for high voice, harp & string orchestra
Orchestration
High voice
Harp
Strings: (Violin 1, Violin 2, Viola, Cello, Bass)

1. Where the bee sucks (Range D-G)
2. Tell me where is fancy bred (C-F)
3. Under the greenwood tree (E-A)
4. Sigh no more (B-A)
5. Fear no more the heat of the sun (F#-B)
6. Full fathom five (C-G)
7. Blow, blow, thou winter wind (B-E)
8. Come away death (Eb-Ab)
9. It was a lover and his lass (B-G)

Each song lasts around 1? to 2 minutes
Total duration about 18 minutes

A PACK includes a full score, strings 4/4/3/4/2 plus a harp part.
The vocal score (voice and piano) is available separately - GM219

These songs have been adapted from Philip Lane''s Four Shakespeare Lyrics & Five Shakespeare Lyrics originally composed for choir and piano.
'|9790222311442|LANE P|Philip Lane|Bardsong Pack|String Orchestra|50.00|825 GMCO174-00|||9790222311459|LANE P|Philip Lane|Bardsong Score|Orchestral Score|12.00|150 GMCO174-01|||9790222311466|LANE P|Philip Lane|Bardsong Violin 1|Orchestral Part|2.50|38 GMCO174-02|||9790222311473|LANE P|Philip Lane|Bardsong Violin 2|Orchestral Part|2.50|38 GMCO174-03|||9790222311480|LANE P|Philip Lane|Bardsong Viola|Orchestral Part|2.50|38 GMCO174-04|||9790222311497|LANE P|Philip Lane|Bardsong Cello|Orchestral Part|2.50|38 GMCO174-05|||9790222311503|LANE P|Philip Lane|Bardsong Bass|Orchestral Part|2.00|25 GMCO174-06|||9790222311510|LANE P|Philip Lane|Bardsong Harp|Orchestral Part|2.50|38 GMCO175|'Julian Davies
LUCIA''S DANCE for orchestra
Goodmusic Concert Originals No.175'|'Orchestration: 2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (2 players: Suspended Cymbal, Bongos, Snare Drum, Castanets, Claves, Tambourine, Triangle, Wood Block, Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Lucia''s Dance began life as a commission from Howard Rogerson and his Promenade Concert Orchestra, an ensemble based in Morecambe, Lancashire specialising in the performance of light music. The piece was composed during the winter of 2016/17, the season being of some significance since the music was suggested by the ''dance'' of stray lights viewed from my window during the long dark evenings - thus the Lucia of the title. Her name, hinting at southern warmth, here finds expression through the evocative rhythms of the tango. Julian Davies

Duration 4? minutes
A PACK includes a score and a complete set of parts including strings 4/4/3/4/2.'|9790222311527|DAVIES J|Julian Davies|'Lucia''s Dance Pack'|Orchestra|35.00|538 GMCO175-00|||9790222311534|DAVIES J|Julian Davies|'Lucia''s Dance Score'|Orchestral Score|8.00|100 GMCO175-01|||9790222311541|DAVIES J|Julian Davies|'Lucia''s Dance Violin 1'|Orchestral Part|1.50|13 GMCO175-02|||9790222311558|DAVIES J|Julian Davies|'Lucia''s Dance Violin 2'|Orchestral Part|1.50|13 GMCO175-03|||9790222311565|DAVIES J|Julian Davies|'Lucia''s Dance Viola'|Orchestral Part|1.50|13 GMCO175-04|||9790222311572|DAVIES J|Julian Davies|'Lucia''s Dance Cello'|Orchestral Part|1.50|13 GMCO175-05|||9790222311589|DAVIES J|Julian Davies|'Lucia''s Dance Bass'|Orchestral Part|1.50|13 GMCO175-06|||9790222311596|DAVIES J|Julian Davies|'Lucia''s Dance Flute 1'|Orchestral Part|1.50|13 GMCO175-07|||9790222311602|DAVIES J|Julian Davies|'Lucia''s Dance Flute 2'|Orchestral Part|1.50|13 GMCO175-08|||9790222311619|DAVIES J|Julian Davies|'Lucia''s Dance Oboe'|Orchestral Part|1.50|13 GMCO175-09|||9790222311626|DAVIES J|Julian Davies|'Lucia''s Dance Clarinet 1'|Orchestral Part|1.50|13 GMCO175-10|||9790222311633|DAVIES J|Julian Davies|'Lucia''s Dance Clarinet 2'|Orchestral Part|1.50|13 GMCO175-11|||9790222311640|DAVIES J|Julian Davies|'Lucia''s Dance Bassoon'|Orchestral Part|1.50|13 GMCO175-12|||9790222311657|DAVIES J|Julian Davies|'Lucia''s Dance Horn 1'|Orchestral Part|1.50|13 GMCO175-13|||9790222311664|DAVIES J|Julian Davies|'Lucia''s Dance Horn 2'|Orchestral Part|1.50|13 GMCO175-14|||9790222311671|DAVIES J|Julian Davies|'Lucia''s Dance Trumpet 1'|Orchestral Part|1.50|13 GMCO175-15|||9790222311688|DAVIES J|Julian Davies|'Lucia''s Dance Trumpet 2'|Orchestral Part|1.50|13 GMCO175-16|||9790222311695|DAVIES J|Julian Davies|'Lucia''s Dance Trombone 1'|Orchestral Part|1.50|13 GMCO175-17|||9790222311701|DAVIES J|Julian Davies|'Lucia''s Dance Trombone 2'|Orchestral Part|1.50|13 GMCO175-18|||9790222311718|DAVIES J|Julian Davies|'Lucia''s Dance Trombone 3'|Orchestral Part|1.50|13 GMCO175-19|||9790222311725|DAVIES J|Julian Davies|'Lucia''s Dance Timpani'|Orchestral Part|1.50|13 GMCO175-20|||9790222311732|DAVIES J|Julian Davies|'Lucia''s Dance Percussion'|Orchestral Part|1.50|13 GMCO176|Polo Piatti
DUTY SUBLIME for orchestra
Goodmusic Concert Originals No.176|'Orchestration: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, Bass Clarinet in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Bass Drum, Cymbals)
Organ (or Piano) [optional]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Duty Sublime was privately commissioned to celebrate HM Queen Elizabeth''s 90th Birthday in 2016. The piece endeavoured to capture Queen Elizabeth''s personality, dignity and above anything else, her admirable sense of duty.

Duration 5 minutes
A PACK includes a score and a complete set of parts including strings 4/4/3/4/2.

A recording is available on iTunes/Spotify/etc.'|9790222313101|PIATTI|Polo Piatti|Duty Sublime Pack|Orchestra|45.00|581 GMCO176-00|||9790222313118|PIATTI|Polo Piatti|Duty Sublime Score|Orchestral Score|5.00|50 GMCO176-01|||9790222313125|PIATTI|Polo Piatti|Duty Sublime Violin 1|Orchestral Part|1.50|13 GMCO176-02|||9790222313132|PIATTI|Polo Piatti|Duty Sublime Violin 2|Orchestral Part|1.50|13 GMCO176-03|||9790222313149|PIATTI|Polo Piatti|Duty Sublime Viola|Orchestral Part|1.50|13 GMCO176-04|||9790222313156|PIATTI|Polo Piatti|Duty Sublime Cello|Orchestral Part|1.50|13 GMCO176-05|||9790222313163|PIATTI|Polo Piatti|Duty Sublime Bass|Orchestral Part|1.50|13 GMCO176-06|||9790222313170|PIATTI|Polo Piatti|Duty Sublime Piccolo|Orchestral Part|1.50|13 GMCO176-07|||9790222313187|PIATTI|Polo Piatti|Duty Sublime Flute 1|Orchestral Part|1.50|13 GMCO176-08|||9790222313194|PIATTI|Polo Piatti|Duty Sublime Flute 2|Orchestral Part|1.50|13 GMCO176-09|||9790222313200|PIATTI|Polo Piatti|Duty Sublime Oboe 1|Orchestral Part|1.50|13 GMCO176-10|||9790222313217|PIATTI|Polo Piatti|Duty Sublime Oboe 2|Orchestral Part|1.50|13 GMCO176-11|||9790222313224|PIATTI|Polo Piatti|Duty Sublime Clarinet 1|Orchestral Part|1.50|13 GMCO176-12|||9790222313231|PIATTI|Polo Piatti|Duty Sublime Clarinet 2|Orchestral Part|1.50|13 GMCO176-13|||9790222313248|PIATTI|Polo Piatti|Duty Sublime Bass Clarinet|Orchestral Part|1.50|13 GMCO176-14|||9790222313255|PIATTI|Polo Piatti|Duty Sublime Bassoon 1|Orchestral Part|1.50|13 GMCO176-15|||9790222313262|PIATTI|Polo Piatti|Duty Sublime Bassoon 2|Orchestral Part|1.50|13 GMCO176-16|||9790222313279|PIATTI|Polo Piatti|Duty Sublime Horn 1|Orchestral Part|1.50|13 GMCO176-17|||9790222313286|PIATTI|Polo Piatti|Duty Sublime Horn 2|Orchestral Part|1.50|13 GMCO176-18|||9790222313293|PIATTI|Polo Piatti|Duty Sublime Horn 3|Orchestral Part|1.50|13 GMCO176-19|||9790222313309|PIATTI|Polo Piatti|Duty Sublime Horn 4|Orchestral Part|1.50|13 GMCO176-20|||9790222313316|PIATTI|Polo Piatti|Duty Sublime Trumpet 1|Orchestral Part|1.50|13 GMCO176-21|||9790222313323|PIATTI|Polo Piatti|Duty Sublime Trumpet 2|Orchestral Part|1.50|13 GMCO176-22|||9790222313330|PIATTI|Polo Piatti|Duty Sublime Trombone 1|Orchestral Part|1.50|13 GMCO176-23|||9790222313347|PIATTI|Polo Piatti|Duty Sublime Trombone 2|Orchestral Part|1.50|13 GMCO176-24|||9790222313354|PIATTI|Polo Piatti|Duty Sublime Trombone 3|Orchestral Part|1.50|13 GMCO176-25|||9790222313361|PIATTI|Polo Piatti|Duty Sublime Tuba|Orchestral Part|1.50|13 GMCO176-26|||9790222313378|PIATTI|Polo Piatti|Duty Sublime Timpani|Orchestral Part|1.50|7 GMCO176-27|||9790222313385|PIATTI|Polo Piatti|Duty Sublime Percussion|Orchestral Part|1.50|13 GMCO176-28|||9790222313392|PIATTI|Polo Piatti|Duty Sublime Organ/Piano|Orchestral Part|1.50|13 GMCO177|Polo Piatti
THE IMPOSSIBLE PIECES for soloists and orchestra
Goodmusic Concert Originals No.177|Orchestration: 2 Flutes, Oboe, Cor Anglais, 2 Clarinets in A, 2 Bassoons, 4 Horns in F, 2 Trumpets in C, 3 Trombones, Tuba, Timpani, Percussion (3 players: Triangle, Bass Drum, Cymbals), Harp (or Piano)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Solo Trumpet in C (No.1 & 4)
Solo Clarinet in A (No.2 & 4)
Solo Violin (No.3 & 4)

The Impossible Pieces were conceived as four short individual pieces written for three world class soloists (clarinet, trumpet and violin), each leading the orchestra with a different melody while the orchestral accompaniment remains exactly the same. What makes the work unique is the surprise at the end, when all three soloists come together in a glorious finale with all three melodies slotting together seamlessly in the fourth piece. Constructed with a very elaborate counterpoint throughout, universally appealing, uplifting and with the flair and panache of a concerto but much shorter in length, The Impossible Pieces may be difficult to play (though not impossible!) making them true showcase works for virtuoso soloists.
The Impossible Piece No.1 for Trumpet in C & Orchestra
The Impossible Piece No.2 for Clarinet in A & Orchestra
The Impossible Piece No.3 for Violin & Orchestra
The Impossible Piece No.4 for Trumpet in C, Clarinet in Bb, Violin & Orchestra
The orchestra plays the same accompaniment for each piece. All four pieces can be played one after the other with the three soloists coming together for No.4. Alternatively, Nos.1, 2 or 3 would make ideal solo encore pieces if played alone. It would also be possible to perform No.4 with only two of the three soloists.

Duration 3? minutes each piece - 14 minutes for all four one after the other

A PACK includes an A4 full score plus a complete set of parts including strings 4/4/3/4/2 and one of each of the solo parts.
An A3 sized large score is also available separately.

The Audio is a computer-generated performance of all four pieces; trumpet solo first, then clarinet solo, then violin solo followed by No.4 when all three soloists fit together. Amazing!!

A piano reduction of the orchestral accompaniment is also on sale (GM335).|9790222314122|PIATTI|Polo Piatti|The Impossible Pieces Pack|Orchestra|45.00|631 GMCO177-00|||9790222314139|PIATTI|Polo Piatti|The Impossible Pieces Score (A4)|Orchestral Score|6.00|75 GMCO177-01|||9790222314146|PIATTI|Polo Piatti|The Impossible Pieces Violin 1|Orchestral Part|1.50|13 GMCO177-02|||9790222314153|PIATTI|Polo Piatti|The Impossible Pieces Violin 2|Orchestral Part|1.50|13 GMCO177-03|||9790222314160|PIATTI|Polo Piatti|The Impossible Pieces Viola|Orchestral Part|1.50|13 GMCO177-04|||9790222314177|PIATTI|Polo Piatti|The Impossible Pieces Cello|Orchestral Part|1.50|13 GMCO177-05|||9790222314184|PIATTI|Polo Piatti|The Impossible Pieces Bass|Orchestral Part|1.50|13 GMCO177-06|||9790222314191|PIATTI|Polo Piatti|The Impossible Pieces Flute 1+2|Orchestral Part|1.50|13 GMCO177-07|||9790222314207|PIATTI|Polo Piatti|The Impossible Pieces Oboe|Orchestral Part|1.50|13 GMCO177-08|||9790222314214|PIATTI|Polo Piatti|The Impossible Pieces Cor Anglais|Orchestral Part|1.50|13 GMCO177-09|||9790222314221|PIATTI|Polo Piatti|The Impossible Pieces Clarinet 1+2|Orchestral Part|1.50|13 GMCO177-10|||9790222314238|PIATTI|Polo Piatti|The Impossible Pieces Bassoon 1+2|Orchestral Part|1.50|13 GMCO177-11|||9790222314245|PIATTI|Polo Piatti|The Impossible Pieces Horn 1+3|Orchestral Part|1.50|13 GMCO177-12|||9790222314252|PIATTI|Polo Piatti|The Impossible Pieces Horn 2+4|Orchestral Part|1.50|13 GMCO177-13|||9790222314269|PIATTI|Polo Piatti|The Impossible Pieces Trumpet 1+2|Orchestral Part|1.50|13 GMCO177-14|||9790222314276|PIATTI|Polo Piatti|The Impossible Pieces Trombone 1|Orchestral Part|1.50|13 GMCO177-15|||9790222314283|PIATTI|Polo Piatti|The Impossible Pieces Trombone 2|Orchestral Part|1.50|13 GMCO177-16|||9790222314290|PIATTI|Polo Piatti|The Impossible Pieces Trombone 3|Orchestral Part|1.50|13 GMCO177-17|||9790222314306|PIATTI|Polo Piatti|The Impossible Pieces Tuba|Orchestral Part|1.50|13 GMCO177-18|||9790222314313|PIATTI|Polo Piatti|The Impossible Pieces Timpani|Orchestral Part|1.50|7 GMCO177-19|||9790222314320|PIATTI|Polo Piatti|The Impossible Pieces Percussion|Orchestral Part|1.50|13 GMCO177-20|||9790222314337|PIATTI|Polo Piatti|The Impossible Pieces Harp (Piano)|Orchestral Part|2.00|25 GMCO177-21|||9790222314344|PIATTI|Polo Piatti|The Impossible Pieces Solo Trumpet|Orchestral Part|1.50|13 GMCO177-22|||9790222314351|PIATTI|Polo Piatti|The Impossible Pieces Solo Clarinet|Orchestral Part|1.50|13 GMCO177-23|||9790222314368|PIATTI|Polo Piatti|The Impossible Pieces Solo Violin|Orchestral Part|1.50|13 GMCO177-50|||9790222314375|PIATTI|Polo Piatti|The Impossible Pieces Score (A3)|Orchestral Score|20.00|181 GMCO178|Clive Jenkins
THE FAIR MAID & THE KNIGHT
for string orchestra
Goodmusic Concert Originals No.178|'Orchestration: Strings (Violin 1, Violin 2, Viola, Cello, Bass)

I composed this two-movement work in 2014 to thank Malcolm Latchem, violinist-director of the Pressenda Ensemble, for many highly professional performances of my compositions for string orchestra. Its premiere on 1st March 2015 in Dartington Great Hall was at Malcolm''s retirement concert after well over 60 years as a professional violinist. Before moving to Devon to join the Dartington String Quartet, Malcolm had had a long career in London orchestras including 43 years in the Academy of St Martin-in-the-Fields of which he was a founder member. I wanted this piece to reflect two contrasting aspects of Malcolm''s wide-ranging musical personality - the gentle soul and the tough guy. Clive Jenkins

Duration 8? minutes
A PACK includes a full score plus string parts 4/4/3/4/2.'|9790222314719|JENKINS C|Clive Jenkins|Fair Maid & the Knight Pack|String Orchestra|30.00|425 GMCO178-00|||9790222314726|JENKINS C|Clive Jenkins|Fair Maid & the Knight Score|Orchestral Score|8.00|88 GMCO178-01|||9790222314733|JENKINS C|Clive Jenkins|Fair Maid & the Knight Violin 1|Orchestral Part|2.00|25 GMCO178-02|||9790222314740|JENKINS C|Clive Jenkins|Fair Maid & the Knight Violin 2|Orchestral Part|2.00|25 GMCO178-03|||9790222314757|JENKINS C|Clive Jenkins|Fair Maid & the Knight Viola|Orchestral Part|1.50|13 GMCO178-04|||9790222314764|JENKINS C|Clive Jenkins|Fair Maid & the Knight Cello|Orchestral Part|1.50|13 GMCO178-05|||9790222314771|JENKINS C|Clive Jenkins|Fair Maid & the Knight Bass|Orchestral Part|1.50|13 GMCO179|Clive Jenkins
THREE PIECES FOR OBOE
Goodmusic Concert Originals No.179|Orchestration: Solo Oboe, Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Oboist Michael Stowe, prize-winner, first class graduate (Guildhall 2019), entered the music profession when the 2020 covid pandemic shut down all avenues of employment - with one exception. Peter Fisher, director of the Chamber Ensemble of London, had three recording sessions booked at the Henry Wood Hall and offered to squeeze Michael in as a soloist if there was any time spare. Re-using themes from an old oboe concerto, I hastily wrote three very short oboe solos on the understanding that not all might be recorded. Fortunately, all three were! Clive Jenkins

A PACK includes a full score, strings 4/4/3/4/2 plus a solo oboe part.
An Oboe and Piano reduction is also available (GM355).
Duration 8? minutes|9790222315358|JENKINS C|Clive Jenkins|Three Pieces for Oboe Pack|String Orchestra|30.00|500 GMCO179-00|||9790222315365|JENKINS C|Clive Jenkins|Three Pieces for Oboe Score|Orchestral Score|6.00|77 GMCO179-01|||9790222315372|JENKINS C|Clive Jenkins|Three Pieces for Oboe Violin 1|Orchestral Part|2.00|25 GMCO179-02|||9790222315389|JENKINS C|Clive Jenkins|Three Pieces for Oboe Violin 2|Orchestral Part|1.50|13 GMCO179-03|||9790222315396|JENKINS C|Clive Jenkins|Three Pieces for Oboe Viola|Orchestral Part|1.50|13 GMCO179-04|||9790222315402|JENKINS C|Clive Jenkins|Three Pieces for Oboe Cello|Orchestral Part|1.50|13 GMCO179-05|||9790222315419|JENKINS C|Clive Jenkins|Three Pieces for Oboe Bass|Orchestral Part|1.50|13 GMCO179-06|||9790222315426|JENKINS C|Clive Jenkins|Three Pieces for Oboe Solo Oboe|Orchestral Part|2.00|25 GMCO180|Paul Carr
DOUBLE CONCERTO for two saxophones
Goodmusic Concert Originals No.180|'J.S.Bach''s Double Violin Concerto has been "reimagined" by Paul Carr (definitely reimagined rather than arranged!) for two saxophones and orchestra. Written for the brilliant young saxophonists Rob Burton and Vicent Bas Ibanez - first performances are scheduled for 2021, circumstances permitting.
Orchestration: Solo Soprano Saxophone, Solo Alto Saxophone, Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trumpet in Bb, Bass Trombone, Percussion (2 players: Vibraphone, Glockenspiel, Triangle, Snare Drum, Tenor Drum, Bass Drum, Castanets, Bongos, Cymbals), Harp and Strings: (Violin 1, Violin 2, Viola, Cello, Bass)
Also available as a saxes and piano reduction (GM357).

A PACK includes solo parts, all wind, brass and percussion plus strings 4/4/3/4/2
Duration 20 minutes'|9790222318397|CARR P|Paul Carr|Double Concerto (Saxes) Pack|Orchestra|80.00|1038 GMCO180-00|||9790222318403|CARR P|Paul Carr|Double Concerto (Saxes) Score|Orchestral Score|20.00|300 GMCO180-01|||9790222318410|CARR P|Paul Carr|Double Concerto (Saxes) Violin 1|Orchestral Part|2.00|25 GMCO180-02|||9790222318427|CARR P|Paul Carr|Double Concerto (Saxes) Violin 2|Orchestral Part|2.00|25 GMCO180-03|||9790222318434|CARR P|Paul Carr|Double Concerto (Saxes) Viola|Orchestral Part|2.00|25 GMCO180-04|||9790222318441|CARR P|Paul Carr|Double Concerto (Saxes) Cello|Orchestral Part|2.00|25 GMCO180-05|||9790222318458|CARR P|Paul Carr|Double Concerto (Saxes) Bass|Orchestral Part|2.00|25 GMCO180-06|||9790222318465|CARR P|Paul Carr|Double Concerto (Saxes) Flute|Orchestral Part|2.00|25 GMCO180-07|||9790222318472|CARR P|Paul Carr|Double Concerto (Saxes) Oboe|Orchestral Part|2.00|25 GMCO180-08|||9790222318489|CARR P|Paul Carr|Double Concerto (Saxes) Clarinet|Orchestral Part|2.00|25 GMCO180-09|||9790222318496|CARR P|Paul Carr|Double Concerto (Saxes) Bassoon|Orchestral Part|2.00|25 GMCO180-10|||9790222318502|CARR P|Paul Carr|Double Concerto (Saxes) Horn|Orchestral Part|1.50|13 GMCO180-11|||9790222318519|CARR P|Paul Carr|Double Concerto (Saxes) Trumpet|Orchestral Part|1.50|13 GMCO180-12|||9790222318526|CARR P|Paul Carr|Double Concerto (Saxes) Trombone|Orchestral Part|1.50|13 GMCO180-13|||9790222318533|CARR P|Paul Carr|Double Concerto (Saxes) Percussion|Orchestral Part|2.50|38 GMCO180-14|||9790222318540|CARR P|Paul Carr|Double Concerto (Saxes) Harp|Orchestral Part|2.00|25 GMCO180-15|||9790222318557|CARR P|Paul Carr|Double Concerto (Saxes) Sop Sax|Orchestral Part|2.00|25 GMCO180-16|||9790222318564|CARR P|Paul Carr|Double Concerto (Saxes) Alto Sax|Orchestral Part|2.00|25 GMCO181|Polo Piatti
ARGENTINE DANCES - No.1 for orchestra
Goodmusic Concert Originals GMCO181|ARGENTINE DANCE No.1 Gato & Huayno
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Tenor Drum, Triangle, Bass Drum, Cymbals), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the first of a total of fourteen symphonic dances. It was inspired by two traditional Argentine dances, the Gato and the Huayno. The Gato is originally from the Cuyo region in the West and North-West of Argentina. Some musicologists suggest that the Gato originated in Peru, but opinions among experts are divided. The Huayno, a traditional dance with strong pentatonic roots, originated in the Andes region.
Duration 4? minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here|9790222315440|PIATTI|Polo Piatti|Argentine Dance No.1 Pack|Orchestra|45.00|613 GMCO181-00|||9790222315457|PIATTI|Polo Piatti|Argentine Dance No.1 Score|Orchestral Score|6.00|63 GMCO181-01|||9790222315464|PIATTI|Polo Piatti|Argentine Dance No.1 Violin 1|Orchestral Part|1.50|13 GMCO181-02|||9790222315471|PIATTI|Polo Piatti|Argentine Dance No.1 Violin 2|Orchestral Part|1.50|13 GMCO181-03|||9790222315488|PIATTI|Polo Piatti|Argentine Dance No.1 Viola|Orchestral Part|1.50|13 GMCO181-04|||9790222315495|PIATTI|Polo Piatti|Argentine Dance No.1 Cello|Orchestral Part|1.50|13 GMCO181-05|||9790222315501|PIATTI|Polo Piatti|Argentine Dance No.1 Bass|Orchestral Part|1.50|13 GMCO181-06|||9790222315518|PIATTI|Polo Piatti|Argentine Dance No.1 Piccolo|Orchestral Part|1.50|13 GMCO181-07|||9790222315525|PIATTI|Polo Piatti|Argentine Dance No.1 Flute 1|Orchestral Part|1.50|13 GMCO181-08|||9790222315532|PIATTI|Polo Piatti|Argentine Dance No.1 Flute 2|Orchestral Part|1.50|13 GMCO181-09|||9790222315549|PIATTI|Polo Piatti|Argentine Dance No.1 Oboe 1|Orchestral Part|1.50|13 GMCO181-10|||9790222315556|PIATTI|Polo Piatti|Argentine Dance No.1 Oboe 2|Orchestral Part|1.50|13 GMCO181-11|||9790222315563|PIATTI|Polo Piatti|Argentine Dance No.1 Clarinet 1|Orchestral Part|1.50|13 GMCO181-12|||9790222315570|PIATTI|Polo Piatti|Argentine Dance No.1 Clarinet 2|Orchestral Part|1.50|13 GMCO181-13|||9790222315587|PIATTI|Polo Piatti|Argentine Dance No.1 Bassoon 1|Orchestral Part|1.50|13 GMCO181-14|||9790222315594|PIATTI|Polo Piatti|Argentine Dance No.1 Bassoon 2|Orchestral Part|1.50|13 GMCO181-15|||9790222315600|PIATTI|Polo Piatti|Argentine Dance No.1 Horn 1|Orchestral Part|1.50|13 GMCO181-16|||9790222315617|PIATTI|Polo Piatti|Argentine Dance No.1 Horn 2|Orchestral Part|1.50|13 GMCO181-17|||9790222315624|PIATTI|Polo Piatti|Argentine Dance No.1 Horn 3|Orchestral Part|1.50|13 GMCO181-18|||9790222315631|PIATTI|Polo Piatti|Argentine Dance No.1 Horn 4|Orchestral Part|1.50|13 GMCO181-19|||9790222315648|PIATTI|Polo Piatti|Argentine Dance No.1 Trumpet 1|Orchestral Part|1.50|13 GMCO181-20|||9790222315655|PIATTI|Polo Piatti|Argentine Dance No.1 Trumpet 2|Orchestral Part|1.50|13 GMCO181-21|||9790222315662|PIATTI|Polo Piatti|Argentine Dance No.1 Trombone 1|Orchestral Part|1.50|13 GMCO181-22|||9790222315679|PIATTI|Polo Piatti|Argentine Dance No.1 Trombone 2|Orchestral Part|1.50|13 GMCO181-23|||9790222315686|PIATTI|Polo Piatti|Argentine Dance No.1 Trombone 3|Orchestral Part|1.50|13 GMCO181-24|||9790222315693|PIATTI|Polo Piatti|Argentine Dance No.1 Tuba|Orchestral Part|1.50|13 GMCO181-25|||9790222315709|PIATTI|Polo Piatti|Argentine Dance No.1 Timpani|Orchestral Part|1.50|13 GMCO181-26|||9790222315716|PIATTI|Polo Piatti|Argentine Dance No.1 Percussion|Orchestral Part|1.50|13 GMCO181-27|||9790222315723|PIATTI|Polo Piatti|Argentine Dance No.1 Harp|Orchestral Part|1.50|13 GMCO181X50|||9790222319752|PIATTI|Polo Piatti|Argentine Dances Nos.1-14 A4 Score|Study score|40.00|700 GMCO181X99|||9790222319776|PIATTI|Polo Piatti|Argentine Dances Nos.1-14 A3 Score|Orchestral Score|100.00|1400 GMCO182|Polo Piatti
ARGENTINE DANCE No.2 for orchestra
Goodmusic Concert Originals GMCO182|'ARGENTINE DANCE No.2 Carnavalito & Chamame
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Tenor Drum, Triangle, Bass Drum, Cymbals), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the second of a total of fourteen symphonic dances. It was inspired by two traditional Argentine dances, the Carnavalito and the Chamame. The Carnavalito originated in the Altiplano region of the Andes, which includes the provinces of Jujuy and Salta. The Carnavalito''s popularity extends to other provinces in the North of Argentina. The Chamame is originally from the North-East and the Mesopotamia region of the country.
Duration 3? minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here'|9790222315730|PIATTI|Polo Piatti|Argentine Dance No.2 Pack|Orchestra|45.00|544 GMCO182-00|||9790222315747|PIATTI|Polo Piatti|Argentine Dance No.2 Score|Orchestral Score|5.00|50 GMCO182-01|||9790222315754|PIATTI|Polo Piatti|Argentine Dance No.2 Violin 1|Orchestral Part|1.50|13 GMCO182-02|||9790222315761|PIATTI|Polo Piatti|Argentine Dance No.2 Violin 2|Orchestral Part|1.50|13 GMCO182-03|||9790222315778|PIATTI|Polo Piatti|Argentine Dance No.2 Viola|Orchestral Part|1.50|13 GMCO182-04|||9790222315785|PIATTI|Polo Piatti|Argentine Dance No.2 Cello|Orchestral Part|1.50|13 GMCO182-05|||9790222315792|PIATTI|Polo Piatti|Argentine Dance No.2 Bass|Orchestral Part|1.50|13 GMCO182-06|||9790222315808|PIATTI|Polo Piatti|Argentine Dance No.2 Piccolo|Orchestral Part|1.50|13 GMCO182-07|||9790222315815|PIATTI|Polo Piatti|Argentine Dance No.2 Flute 1|Orchestral Part|1.50|13 GMCO182-08|||9790222315822|PIATTI|Polo Piatti|Argentine Dance No.2 Flute 2|Orchestral Part|1.50|13 GMCO182-09|||9790222315839|PIATTI|Polo Piatti|Argentine Dance No.2 Oboe 1|Orchestral Part|1.50|13 GMCO182-10|||9790222315846|PIATTI|Polo Piatti|Argentine Dance No.2 Oboe 2|Orchestral Part|1.50|13 GMCO182-11|||9790222315853|PIATTI|Polo Piatti|Argentine Dance No.2 Clarinet 1|Orchestral Part|1.50|13 GMCO182-12|||9790222315860|PIATTI|Polo Piatti|Argentine Dance No.2 Clarinet 2|Orchestral Part|1.50|13 GMCO182-13|||9790222315877|PIATTI|Polo Piatti|Argentine Dance No.2 Bassoon 1|Orchestral Part|1.50|13 GMCO182-14|||9790222315884|PIATTI|Polo Piatti|Argentine Dance No.2 Bassoon 2|Orchestral Part|1.50|13 GMCO182-15|||9790222315891|PIATTI|Polo Piatti|Argentine Dance No.2 Horn 1|Orchestral Part|1.50|7 GMCO182-16|||9790222315907|PIATTI|Polo Piatti|Argentine Dance No.2 Horn 2|Orchestral Part|1.50|7 GMCO182-17|||9790222315914|PIATTI|Polo Piatti|Argentine Dance No.2 Horn 3|Orchestral Part|1.50|7 GMCO182-18|||9790222315921|PIATTI|Polo Piatti|Argentine Dance No.2 Horn 4|Orchestral Part|1.50|7 GMCO182-19|||9790222315938|PIATTI|Polo Piatti|Argentine Dance No.2 Trumpet 1|Orchestral Part|1.50|7 GMCO182-20|||9790222315945|PIATTI|Polo Piatti|Argentine Dance No.2 Trumpet 2|Orchestral Part|1.50|7 GMCO182-21|||9790222315952|PIATTI|Polo Piatti|Argentine Dance No.2 Trombone 1|Orchestral Part|1.50|13 GMCO182-22|||9790222315969|PIATTI|Polo Piatti|Argentine Dance No.2 Trombone 2|Orchestral Part|1.50|13 GMCO182-23|||9790222315976|PIATTI|Polo Piatti|Argentine Dance No.2 Trombone 3|Orchestral Part|1.50|7 GMCO182-24|||9790222315983|PIATTI|Polo Piatti|Argentine Dance No.2 Tuba|Orchestral Part|1.50|7 GMCO182-25|||9790222315990|PIATTI|Polo Piatti|Argentine Dance No.2 Timpani|Orchestral Part|1.50|7 GMCO182-26|||9790222316003|PIATTI|Polo Piatti|Argentine Dance No.2 Percussion|Orchestral Part|1.50|13 GMCO182-27|||9790222316010|PIATTI|Polo Piatti|Argentine Dance No.2 Harp|Orchestral Part|1.50|13 GMCO183|Polo Piatti
ARGENTINE DANCE No.3 for orchestra
Goodmusic Concert Originals GMCO183|ARGENTINE DANCE No.3 Tango
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (3 players: Tenor Drum, Bass Drum, Cymbals), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the third of a total of fourteen symphonic dances. It was inspired by the widely popular Tango, which originated during the 1880s in the impoverished port area of the La Boca district in Buenos Aires, where the composer grew up. Both a partner as well as a social dance, the Tango is the combination of three historically preceding dances, the Candombe, the Milonga, and the Spanish-Cuban Habanera. The Tango was frequently practised in the bars and brothels of the local port of the Argentine capital and spread from there to the rest of the world, making it one of the most popular dances in history.
Duration 4 minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here|9790222316034|PIATTI|Polo Piatti|Argentine Dance No.3 Pack|Orchestra|45.00|556 GMCO183-00|||9790222316041|PIATTI|Polo Piatti|Argentine Dance No.3 Score|Orchestral Score|5.00|50 GMCO183-01|||9790222316058|PIATTI|Polo Piatti|Argentine Dance No.3 Violin 1|Orchestral Part|1.50|13 GMCO183-02|||9790222316065|PIATTI|Polo Piatti|Argentine Dance No.3 Violin 2|Orchestral Part|1.50|13 GMCO183-03|||9790222316072|PIATTI|Polo Piatti|Argentine Dance No.3 Viola|Orchestral Part|1.50|13 GMCO183-04|||9790222316089|PIATTI|Polo Piatti|Argentine Dance No.3 Cello|Orchestral Part|1.50|13 GMCO183-05|||9790222316096|PIATTI|Polo Piatti|Argentine Dance No.3 Bass|Orchestral Part|1.50|13 GMCO183-06|||9790222316102|PIATTI|Polo Piatti|Argentine Dance No.3 Piccolo|Orchestral Part|1.50|7 GMCO183-07|||9790222316119|PIATTI|Polo Piatti|Argentine Dance No.3 Flute 1|Orchestral Part|1.50|13 GMCO183-08|||9790222316126|PIATTI|Polo Piatti|Argentine Dance No.3 Flute 2|Orchestral Part|1.50|13 GMCO183-09|||9790222316133|PIATTI|Polo Piatti|Argentine Dance No.3 Oboe 1|Orchestral Part|1.50|13 GMCO183-10|||9790222316140|PIATTI|Polo Piatti|Argentine Dance No.3 Oboe 2|Orchestral Part|1.50|13 GMCO183-11|||9790222316157|PIATTI|Polo Piatti|Argentine Dance No.3 Clarinet 1|Orchestral Part|1.50|13 GMCO183-12|||9790222316164|PIATTI|Polo Piatti|Argentine Dance No.3 Clarinet 2|Orchestral Part|1.50|13 GMCO183-13|||9790222316171|PIATTI|Polo Piatti|Argentine Dance No.3 Bassoon 1|Orchestral Part|1.50|13 GMCO183-14|||9790222316188|PIATTI|Polo Piatti|Argentine Dance No.3 Bassoon 2|Orchestral Part|1.50|13 GMCO183-15|||9790222316195|PIATTI|Polo Piatti|Argentine Dance No.3 Horn 1|Orchestral Part|1.50|13 GMCO183-16|||9790222316201|PIATTI|Polo Piatti|Argentine Dance No.3 Horn 2|Orchestral Part|1.50|13 GMCO183-17|||9790222316218|PIATTI|Polo Piatti|Argentine Dance No.3 Horn 3|Orchestral Part|1.50|13 GMCO183-18|||9790222316225|PIATTI|Polo Piatti|Argentine Dance No.3 Horn 4|Orchestral Part|1.50|13 GMCO183-19|||9790222316232|PIATTI|Polo Piatti|Argentine Dance No.3 Trumpet 1|Orchestral Part|1.50|7 GMCO183-20|||9790222316249|PIATTI|Polo Piatti|Argentine Dance No.3 Trumpet 2|Orchestral Part|1.50|7 GMCO183-21|||9790222316256|PIATTI|Polo Piatti|Argentine Dance No.3 Trombone 1|Orchestral Part|1.50|7 GMCO183-22|||9790222316263|PIATTI|Polo Piatti|Argentine Dance No.3 Trombone 2|Orchestral Part|1.50|7 GMCO183-23|||9790222316270|PIATTI|Polo Piatti|Argentine Dance No.3 Trombone 3|Orchestral Part|1.50|13 GMCO183-24|||9790222316287|PIATTI|Polo Piatti|Argentine Dance No.3 Tuba|Orchestral Part|1.50|13 GMCO183-25|||9790222316294|PIATTI|Polo Piatti|Argentine Dance No.3 Timpani|Orchestral Part|1.50|13 GMCO183-26|||9790222316300|PIATTI|Polo Piatti|Argentine Dance No.3 Percussion|Orchestral Part|1.50|13 GMCO183-27|||9790222316317|PIATTI|Polo Piatti|Argentine Dance No.3 Harp|Orchestral Part|1.50|13 GMCO184|Polo Piatti
ARGENTINE DANCE No.4 for orchestra
Goodmusic Concert Originals GMCO184|ARGENTINE DANCE No.4 Cumbia Argentina & Chamarrita
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Tenor Drum, Triangle, Bass drum, Cymbals), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the fourth of a total of fourteen symphonic dances. It was inspired by two traditional dances, the Cumbia Argentina and the Chamarrita. The Cumbia, sometimes called Cumbia Villera, has its origins in the slums of Buenos Aires and has Colombian roots. The Cumbia Villera is intrinsically related to the well-known Murga, a celebratory and very popular form of a street dance containing Cumbia-related rhythms, usually performed during the carnival season as well as during some national festivities in Argentina. The Chamarrita is a musical form originally from the Rio de la Plata region.
Duration 3 minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here|9790222316348|PIATTI|Polo Piatti|Argentine Dance No.4 Pack|Orchestra|45.00|550 GMCO184-00|||9790222316355|PIATTI|Polo Piatti|Argentine Dance No.4 Score|Orchestral Score|5.00|50 GMCO184-01|||9790222316362|PIATTI|Polo Piatti|Argentine Dance No.4 Violin 1|Orchestral Part|1.50|13 GMCO184-02|||9790222316379|PIATTI|Polo Piatti|Argentine Dance No.4 Violin 2|Orchestral Part|1.50|13 GMCO184-03|||9790222316386|PIATTI|Polo Piatti|Argentine Dance No.4 Viola|Orchestral Part|1.50|13 GMCO184-04|||9790222316393|PIATTI|Polo Piatti|Argentine Dance No.4 Cello|Orchestral Part|1.50|13 GMCO184-05|||9790222316409|PIATTI|Polo Piatti|Argentine Dance No.4 Bass|Orchestral Part|1.50|13 GMCO184-06|||9790222316416|PIATTI|Polo Piatti|Argentine Dance No.4 Piccolo|Orchestral Part|1.50|13 GMCO184-07|||9790222316423|PIATTI|Polo Piatti|Argentine Dance No.4 Flute 1|Orchestral Part|1.50|13 GMCO184-08|||9790222316430|PIATTI|Polo Piatti|Argentine Dance No.4 Flute 2|Orchestral Part|1.50|13 GMCO184-09|||9790222316447|PIATTI|Polo Piatti|Argentine Dance No.4 Oboe 1|Orchestral Part|1.50|13 GMCO184-10|||9790222316454|PIATTI|Polo Piatti|Argentine Dance No.4 Oboe 2|Orchestral Part|1.50|13 GMCO184-11|||9790222316461|PIATTI|Polo Piatti|Argentine Dance No.4 Clarinet 1|Orchestral Part|1.50|13 GMCO184-12|||9790222316478|PIATTI|Polo Piatti|Argentine Dance No.4 Clarinet 2|Orchestral Part|1.50|13 GMCO184-13|||9790222316485|PIATTI|Polo Piatti|Argentine Dance No.4 Bassoon 1|Orchestral Part|1.50|13 GMCO184-14|||9790222316492|PIATTI|Polo Piatti|Argentine Dance No.4 Bassoon 2|Orchestral Part|1.50|13 GMCO184-15|||9790222316508|PIATTI|Polo Piatti|Argentine Dance No.4 Horn 1|Orchestral Part|1.50|7 GMCO184-16|||9790222316515|PIATTI|Polo Piatti|Argentine Dance No.4 Horn 2|Orchestral Part|1.50|7 GMCO184-17|||9790222316522|PIATTI|Polo Piatti|Argentine Dance No.4 Horn 3|Orchestral Part|1.50|7 GMCO184-18|||9790222316539|PIATTI|Polo Piatti|Argentine Dance No.4 Horn 4|Orchestral Part|1.50|7 GMCO184-19|||9790222316546|PIATTI|Polo Piatti|Argentine Dance No.4 Trumpet 1|Orchestral Part|1.50|7 GMCO184-20|||9790222316553|PIATTI|Polo Piatti|Argentine Dance No.4 Trumpet 2|Orchestral Part|1.50|7 GMCO184-21|||9790222316560|PIATTI|Polo Piatti|Argentine Dance No.4 Trombone 1|Orchestral Part|1.50|7 GMCO184-22|||9790222316577|PIATTI|Polo Piatti|Argentine Dance No.4 Trombone 2|Orchestral Part|1.50|7 GMCO184-23|||9790222316584|PIATTI|Polo Piatti|Argentine Dance No.4 Trombone 3|Orchestral Part|1.50|13 GMCO184-24|||9790222316591|PIATTI|Polo Piatti|Argentine Dance No.4 Tuba|Orchestral Part|1.50|13 GMCO184-25|||9790222316607|PIATTI|Polo Piatti|Argentine Dance No.4 Timpani|Orchestral Part|1.50|13 GMCO184-26|||9790222316614|PIATTI|Polo Piatti|Argentine Dance No.4 Percussion|Orchestral Part|1.50|13 GMCO184-27|||9790222316621|PIATTI|Polo Piatti|Argentine Dance No.4 Harp|Orchestral Part|1.50|13 GMCO185|Polo Piatti
ARGENTINE DANCE No.5 for orchestra
Goodmusic Concert Originals GMCO185|ARGENTINE DANCE No.5 Malambo & Cueca Saltena
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Tenor Drum, Bass Drum, Claves, Triangle, Cymbals), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the fifth of a total of fourteen symphonic dances. It was inspired by two traditional Argentine dances, the Malambo and the Cueca Saltena. The Malambo has its roots in the La Pampa and southern regions of Argentina, while the Cueca Saltena, as denoted by its name, is originally from Salta, a beautiful and picturesque province in the North of Argentina.
Duration 4 minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here|9790222316638|PIATTI|Polo Piatti|Argentine Dance No.5 Pack|Orchestra|45.00|613 GMCO185-00|||9790222316645|PIATTI|Polo Piatti|Argentine Dance No.5 Score|Orchestral Score|6.00|63 GMCO185-01|||9790222316652|PIATTI|Polo Piatti|Argentine Dance No.5 Violin 1|Orchestral Part|1.50|13 GMCO185-02|||9790222316669|PIATTI|Polo Piatti|Argentine Dance No.5 Violin 2|Orchestral Part|1.50|13 GMCO185-03|||9790222316676|PIATTI|Polo Piatti|Argentine Dance No.5 Viola|Orchestral Part|1.50|13 GMCO185-04|||9790222316683|PIATTI|Polo Piatti|Argentine Dance No.5 Cello|Orchestral Part|1.50|13 GMCO185-05|||9790222316690|PIATTI|Polo Piatti|Argentine Dance No.5 Bass|Orchestral Part|1.50|13 GMCO185-06|||9790222316706|PIATTI|Polo Piatti|Argentine Dance No.5 Piccolo|Orchestral Part|1.50|13 GMCO185-07|||9790222316713|PIATTI|Polo Piatti|Argentine Dance No.5 Flute 1|Orchestral Part|1.50|13 GMCO185-08|||9790222316720|PIATTI|Polo Piatti|Argentine Dance No.5 Flute 2|Orchestral Part|1.50|13 GMCO185-09|||9790222316737|PIATTI|Polo Piatti|Argentine Dance No.5 Oboe 1|Orchestral Part|1.50|13 GMCO185-10|||9790222316744|PIATTI|Polo Piatti|Argentine Dance No.5 Oboe 2|Orchestral Part|1.50|13 GMCO185-11|||9790222316751|PIATTI|Polo Piatti|Argentine Dance No.5 Clarinet 1|Orchestral Part|1.50|13 GMCO185-12|||9790222316768|PIATTI|Polo Piatti|Argentine Dance No.5 Clarinet 2|Orchestral Part|1.50|13 GMCO185-13|||9790222316775|PIATTI|Polo Piatti|Argentine Dance No.5 Bassoon 1|Orchestral Part|1.50|13 GMCO185-14|||9790222316782|PIATTI|Polo Piatti|Argentine Dance No.5 Bassoon 2|Orchestral Part|1.50|13 GMCO185-15|||9790222316799|PIATTI|Polo Piatti|Argentine Dance No.5 Horn 1|Orchestral Part|1.50|13 GMCO185-16|||9790222316805|PIATTI|Polo Piatti|Argentine Dance No.5 Horn 2|Orchestral Part|1.50|13 GMCO185-17|||9790222316812|PIATTI|Polo Piatti|Argentine Dance No.5 Horn 3|Orchestral Part|1.50|13 GMCO185-18|||9790222316829|PIATTI|Polo Piatti|Argentine Dance No.5 Horn 4|Orchestral Part|1.50|13 GMCO185-19|||9790222316836|PIATTI|Polo Piatti|Argentine Dance No.5 Trumpet 1|Orchestral Part|1.50|13 GMCO185-20|||9790222316843|PIATTI|Polo Piatti|Argentine Dance No.5 Trumpet 2|Orchestral Part|1.50|13 GMCO185-21|||9790222316850|PIATTI|Polo Piatti|Argentine Dance No.5 Trombone 1|Orchestral Part|1.50|13 GMCO185-22|||9790222316867|PIATTI|Polo Piatti|Argentine Dance No.5 Trombone 2|Orchestral Part|1.50|13 GMCO185-23|||9790222316874|PIATTI|Polo Piatti|Argentine Dance No.5 Trombone 3|Orchestral Part|1.50|13 GMCO185-24|||9790222316881|PIATTI|Polo Piatti|Argentine Dance No.5 Tuba|Orchestral Part|1.50|13 GMCO185-25|||9790222316898|PIATTI|Polo Piatti|Argentine Dance No.5 Timpani|Orchestral Part|1.50|13 GMCO185-26|||9790222316904|PIATTI|Polo Piatti|Argentine Dance No.5 Percussion|Orchestral Part|1.50|13 GMCO185-27|||9790222316911|PIATTI|Polo Piatti|Argentine Dance No.5 Harp|Orchestral Part|1.50|13 GMCO186|Polo Piatti
ARGENTINE DANCE No.6 for orchestra
Goodmusic Concert Originals GMCO186|ARGENTINE DANCE No.6 Payada & Canto
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Tenor Drum, Bass Drum), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the sixth of a total of fourteen symphonic dances. It was inspired by the Argentine Payada, which is originally from the La Pampa and southern regions. The Payada is an improvised recitation in rhyme, performed by two gauchos, competing against each other in a vocal, public duel. While singing, the singers accompany themselves by playing their respective guitars.
Duration 4 minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here|9790222316928|PIATTI|Polo Piatti|Argentine Dance No.6 Pack|Orchestra|45.00|588 GMCO186-00|||9790222316935|PIATTI|Polo Piatti|Argentine Dance No.6 Score|Orchestral Score|6.00|63 GMCO186-01|||9790222316942|PIATTI|Polo Piatti|Argentine Dance No.6 Violin 1|Orchestral Part|1.50|13 GMCO186-02|||9790222316959|PIATTI|Polo Piatti|Argentine Dance No.6 Violin 2|Orchestral Part|1.50|13 GMCO186-03|||9790222316966|PIATTI|Polo Piatti|Argentine Dance No.6 Viola|Orchestral Part|1.50|13 GMCO186-04|||9790222316973|PIATTI|Polo Piatti|Argentine Dance No.6 Cello|Orchestral Part|1.50|13 GMCO186-05|||9790222316980|PIATTI|Polo Piatti|Argentine Dance No.6 Bass|Orchestral Part|1.50|13 GMCO186-06|||9790222316997|PIATTI|Polo Piatti|Argentine Dance No.6 Piccolo|Orchestral Part|1.50|13 GMCO186-07|||9790222317000|PIATTI|Polo Piatti|Argentine Dance No.6 Flute 1|Orchestral Part|1.50|13 GMCO186-08|||9790222317017|PIATTI|Polo Piatti|Argentine Dance No.6 Flute 2|Orchestral Part|1.50|13 GMCO186-09|||9790222317024|PIATTI|Polo Piatti|Argentine Dance No.6 Oboe 1|Orchestral Part|1.50|13 GMCO186-10|||9790222317031|PIATTI|Polo Piatti|Argentine Dance No.6 Oboe 2|Orchestral Part|1.50|13 GMCO186-11|||9790222317048|PIATTI|Polo Piatti|Argentine Dance No.6 Clarinet 1|Orchestral Part|1.50|13 GMCO186-12|||9790222317055|PIATTI|Polo Piatti|Argentine Dance No.6 Clarinet 2|Orchestral Part|1.50|13 GMCO186-13|||9790222317062|PIATTI|Polo Piatti|Argentine Dance No.6 Bassoon 1|Orchestral Part|1.50|13 GMCO186-14|||9790222317079|PIATTI|Polo Piatti|Argentine Dance No.6 Bassoon 2|Orchestral Part|1.50|13 GMCO186-15|||9790222317086|PIATTI|Polo Piatti|Argentine Dance No.6 Horn 1|Orchestral Part|1.50|7 GMCO186-16|||9790222317093|PIATTI|Polo Piatti|Argentine Dance No.6 Horn 2|Orchestral Part|1.50|7 GMCO186-17|||9790222317109|PIATTI|Polo Piatti|Argentine Dance No.6 Horn 3|Orchestral Part|1.50|7 GMCO186-18|||9790222317116|PIATTI|Polo Piatti|Argentine Dance No.6 Horn 4|Orchestral Part|1.50|7 GMCO186-19|||9790222317123|PIATTI|Polo Piatti|Argentine Dance No.6 Trumpet 1|Orchestral Part|1.50|13 GMCO186-20|||9790222317130|PIATTI|Polo Piatti|Argentine Dance No.6 Trumpet 2|Orchestral Part|1.50|13 GMCO186-21|||9790222317147|PIATTI|Polo Piatti|Argentine Dance No.6 Trombone 1|Orchestral Part|1.50|13 GMCO186-22|||9790222317154|PIATTI|Polo Piatti|Argentine Dance No.6 Trombone 2|Orchestral Part|1.50|13 GMCO186-23|||9790222317161|PIATTI|Polo Piatti|Argentine Dance No.6 Trombone 3|Orchestral Part|1.50|13 GMCO186-24|||9790222317178|PIATTI|Polo Piatti|Argentine Dance No.6 Tuba|Orchestral Part|1.50|13 GMCO186-25|||9790222317185|PIATTI|Polo Piatti|Argentine Dance No.6 Timpani|Orchestral Part|1.50|13 GMCO186-26|||9790222317192|PIATTI|Polo Piatti|Argentine Dance No.6 Percussion|Orchestral Part|1.50|13 GMCO186-27|||9790222317208|PIATTI|Polo Piatti|Argentine Dance No.6 Harp|Orchestral Part|1.50|13 GMCO187|Polo Piatti
ARGENTINE DANCE No.7 for orchestra
Goodmusic Concert Originals GMCO187|ARGENTINE DANCE No.No.7 Chotis Litoraleno & Chaya Riojana
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Tenor Drum, Triangle, Bass Drum, Cymbals), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the seventh of a total of fourteen symphonic dances. It was inspired by two traditional Argentine dances, the Chotis Litoraleno and the Chaya Riojana. The Chotis Litoraleno is originally from the Mesopotamia region of Argentina, while the Chaya Riojana, as indicated by its name, is originally from the semi-arid mountain ranges and agricultural valleys of the province of La Rioja.
Duration 3? minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here|9790222317215|PIATTI|Polo Piatti|Argentine Dance No.7 Pack|Orchestra|45.00|625 GMCO187-00|||9790222317222|PIATTI|Polo Piatti|Argentine Dance No.7 Score|Orchestral Score|5.00|50 GMCO187-01|||9790222317239|PIATTI|Polo Piatti|Argentine Dance No.7 Violin 1|Orchestral Part|1.50|13 GMCO187-02|||9790222317246|PIATTI|Polo Piatti|Argentine Dance No.7 Violin 2|Orchestral Part|1.50|13 GMCO187-03|||9790222317253|PIATTI|Polo Piatti|Argentine Dance No.7 Viola|Orchestral Part|1.50|13 GMCO187-04|||9790222317260|PIATTI|Polo Piatti|Argentine Dance No.7 Cello|Orchestral Part|1.50|13 GMCO187-05|||9790222317277|PIATTI|Polo Piatti|Argentine Dance No.7 Bass|Orchestral Part|1.50|13 GMCO187-06|||9790222317284|PIATTI|Polo Piatti|Argentine Dance No.7 Piccolo|Orchestral Part|1.50|13 GMCO187-07|||9790222317291|PIATTI|Polo Piatti|Argentine Dance No.7 Flute 1|Orchestral Part|1.50|13 GMCO187-08|||9790222317307|PIATTI|Polo Piatti|Argentine Dance No.7 Flute 2|Orchestral Part|1.50|13 GMCO187-09|||9790222317314|PIATTI|Polo Piatti|Argentine Dance No.7 Oboe 1|Orchestral Part|1.50|13 GMCO187-10|||9790222317321|PIATTI|Polo Piatti|Argentine Dance No.7 Oboe 2|Orchestral Part|1.50|13 GMCO187-11|||9790222317338|PIATTI|Polo Piatti|Argentine Dance No.7 Clarinet 1|Orchestral Part|1.50|13 GMCO187-12|||9790222317345|PIATTI|Polo Piatti|Argentine Dance No.7 Clarinet 2|Orchestral Part|1.50|13 GMCO187-13|||9790222317352|PIATTI|Polo Piatti|Argentine Dance No.7 Bassoon 1|Orchestral Part|1.50|13 GMCO187-14|||9790222317369|PIATTI|Polo Piatti|Argentine Dance No.7 Bassoon 2|Orchestral Part|1.50|13 GMCO187-15|||9790222317376|PIATTI|Polo Piatti|Argentine Dance No.7 Horn 1|Orchestral Part|1.50|7 GMCO187-16|||9790222317383|PIATTI|Polo Piatti|Argentine Dance No.7 Horn 2|Orchestral Part|1.50|7 GMCO187-17|||9790222317390|PIATTI|Polo Piatti|Argentine Dance No.7 Horn 3|Orchestral Part|1.50|7 GMCO187-18|||9790222317406|PIATTI|Polo Piatti|Argentine Dance No.7 Horn 4|Orchestral Part|1.50|7 GMCO187-19|||9790222317413|PIATTI|Polo Piatti|Argentine Dance No.7 Trumpet 1|Orchestral Part|1.50|13 GMCO187-20|||9790222317420|PIATTI|Polo Piatti|Argentine Dance No.7 Trumpet 2|Orchestral Part|1.50|13 GMCO187-21|||9790222317437|PIATTI|Polo Piatti|Argentine Dance No.7 Trombone 1|Orchestral Part|1.50|13 GMCO187-22|||9790222317444|PIATTI|Polo Piatti|Argentine Dance No.7 Trombone 2|Orchestral Part|1.50|13 GMCO187-23|||9790222317451|PIATTI|Polo Piatti|Argentine Dance No.7 Trombone 3|Orchestral Part|1.50|13 GMCO187-24|||9790222317468|PIATTI|Polo Piatti|Argentine Dance No.7 Tuba|Orchestral Part|1.50|13 GMCO187-25|||9790222317475|PIATTI|Polo Piatti|Argentine Dance No.7 Timpani|Orchestral Part|1.50|13 GMCO187-26|||9790222317482|PIATTI|Polo Piatti|Argentine Dance No.7 Percussion|Orchestral Part|2.00|25 GMCO187-27|||9790222317499|PIATTI|Polo Piatti|Argentine Dance No.7 Harp|Orchestral Part|1.50|13 GMCO188|Polo Piatti
ARGENTINE DANCE No.8 for orchestra
Goodmusic Concert Originals GMCO188|ARGENTINE DANCE No.8 Huella & Takirari
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Tenor Drum, Triangle, Bass Drum, Cymbals), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the eighth of a total of fourteen symphonic dances. It was inspired by two traditional Argentine dances, the Huella and the Takirari. The Huella, originally from the southern region of Argentina, is a local interpretation of the European 18th-century Minuet and Gavotte. The Takirari on the other hand originated in the provinces of Jujuy and Chaco in the North of Argentina and is popular in some parts of Bolivia, too.
Duration 3? minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here|9790222317512|PIATTI|Polo Piatti|Argentine Dance No.8 Pack|Orchestra|45.00|419 GMCO188-00|||9790222317529|PIATTI|Polo Piatti|Argentine Dance No.8 Score|Orchestral Score|5.00|50 GMCO188-01|||9790222317536|PIATTI|Polo Piatti|Argentine Dance No.8 Violin 1|Orchestral Part|1.50|7 GMCO188-02|||9790222317543|PIATTI|Polo Piatti|Argentine Dance No.8 Violin 2|Orchestral Part|1.50|7 GMCO188-03|||9790222317550|PIATTI|Polo Piatti|Argentine Dance No.8 Viola|Orchestral Part|1.50|7 GMCO188-04|||9790222317567|PIATTI|Polo Piatti|Argentine Dance No.8 Cello|Orchestral Part|1.50|7 GMCO188-05|||9790222317574|PIATTI|Polo Piatti|Argentine Dance No.8 Bass|Orchestral Part|1.50|7 GMCO188-06|||9790222317581|PIATTI|Polo Piatti|Argentine Dance No.8 Piccolo|Orchestral Part|1.50|7 GMCO188-07|||9790222317598|PIATTI|Polo Piatti|Argentine Dance No.8 Flute 1|Orchestral Part|1.50|13 GMCO188-08|||9790222317604|PIATTI|Polo Piatti|Argentine Dance No.8 Flute 2|Orchestral Part|1.50|13 GMCO188-09|||9790222317611|PIATTI|Polo Piatti|Argentine Dance No.8 Oboe 1|Orchestral Part|1.50|13 GMCO188-10|||9790222317628|PIATTI|Polo Piatti|Argentine Dance No.8 Oboe 2|Orchestral Part|1.50|13 GMCO188-11|||9790222317635|PIATTI|Polo Piatti|Argentine Dance No.8 Clarinet 1|Orchestral Part|1.50|13 GMCO188-12|||9790222317642|PIATTI|Polo Piatti|Argentine Dance No.8 Clarinet 2|Orchestral Part|1.50|13 GMCO188-13|||9790222317659|PIATTI|Polo Piatti|Argentine Dance No.8 Bassoon 1|Orchestral Part|1.50|13 GMCO188-14|||9790222317666|PIATTI|Polo Piatti|Argentine Dance No.8 Bassoon 2|Orchestral Part|1.50|13 GMCO188-15|||9790222317673|PIATTI|Polo Piatti|Argentine Dance No.8 Horn 1|Orchestral Part|1.50|7 GMCO188-16|||9790222317680|PIATTI|Polo Piatti|Argentine Dance No.8 Horn 2|Orchestral Part|1.50|7 GMCO188-17|||9790222317697|PIATTI|Polo Piatti|Argentine Dance No.8 Horn 3|Orchestral Part|1.50|7 GMCO188-18|||9790222317703|PIATTI|Polo Piatti|Argentine Dance No.8 Horn 4|Orchestral Part|1.50|7 GMCO188-19|||9790222317710|PIATTI|Polo Piatti|Argentine Dance No.8 Trumpet 1|Orchestral Part|1.50|7 GMCO188-20|||9790222317727|PIATTI|Polo Piatti|Argentine Dance No.8 Trumpet 2|Orchestral Part|1.50|7 GMCO188-21|||9790222317734|PIATTI|Polo Piatti|Argentine Dance No.8 Trombone 1|Orchestral Part|1.50|7 GMCO188-22|||9790222317741|PIATTI|Polo Piatti|Argentine Dance No.8 Trombone 2|Orchestral Part|1.50|7 GMCO188-23|||9790222317758|PIATTI|Polo Piatti|Argentine Dance No.8 Trombone 3|Orchestral Part|1.50|7 GMCO188-24|||9790222317765|PIATTI|Polo Piatti|Argentine Dance No.8 Tuba|Orchestral Part|1.50|7 GMCO188-25|||9790222317772|PIATTI|Polo Piatti|Argentine Dance No.8 Timpani|Orchestral Part|1.50|7 GMCO188-26|||9790222317789|PIATTI|Polo Piatti|Argentine Dance No.8 Percussion|Orchestral Part|1.50|13 GMCO188-27|||9790222317796|PIATTI|Polo Piatti|Argentine Dance No.8 Harp|Orchestral Part|1.50|13 GMCO189|Polo Piatti
ARGENTINE DANCE No.9 for orchestra
Goodmusic Concert Originals GMCO189|ARGENTINE DANCE No.9 Baguala & Vidala
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Tenor Drum, Bass Drum), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the ninth of a total of fourteen symphonic dances. It was inspired by two traditional musical Argentine forms, the Baguala and the Vidala. Both are popular airs, originally from the North-West of the country.
Duration 3? minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here|9790222317802|PIATTI|Polo Piatti|Argentine Dance No.9 Pack|Orchestra|45.00|331 GMCO189-00|||9790222317819|PIATTI|Polo Piatti|Argentine Dance No.9 Score|Orchestral Score|5.00|50 GMCO189-01|||9790222317826|PIATTI|Polo Piatti|Argentine Dance No.9 Violin 1|Orchestral Part|1.50|7 GMCO189-02|||9790222317833|PIATTI|Polo Piatti|Argentine Dance No.9 Violin 2|Orchestral Part|1.50|7 GMCO189-03|||9790222317840|PIATTI|Polo Piatti|Argentine Dance No.9 Viola|Orchestral Part|1.50|7 GMCO189-04|||9790222317857|PIATTI|Polo Piatti|Argentine Dance No.9 Cello|Orchestral Part|1.50|7 GMCO189-05|||9790222317864|PIATTI|Polo Piatti|Argentine Dance No.9 Bass|Orchestral Part|1.50|7 GMCO189-06|||9790222317871|PIATTI|Polo Piatti|Argentine Dance No.9 Piccolo|Orchestral Part|1.50|7 GMCO189-07|||9790222317888|PIATTI|Polo Piatti|Argentine Dance No.9 Flute 1|Orchestral Part|1.50|7 GMCO189-08|||9790222317895|PIATTI|Polo Piatti|Argentine Dance No.9 Flute 2|Orchestral Part|1.50|7 GMCO189-09|||9790222317901|PIATTI|Polo Piatti|Argentine Dance No.9 Oboe 1|Orchestral Part|1.50|7 GMCO189-10|||9790222317918|PIATTI|Polo Piatti|Argentine Dance No.9 Oboe 2|Orchestral Part|1.50|7 GMCO189-11|||9790222317925|PIATTI|Polo Piatti|Argentine Dance No.9 Clarinet 1|Orchestral Part|1.50|7 GMCO189-12|||9790222317932|PIATTI|Polo Piatti|Argentine Dance No.9 Clarinet 2|Orchestral Part|1.50|7 GMCO189-13|||9790222317949|PIATTI|Polo Piatti|Argentine Dance No.9 Bassoon 1|Orchestral Part|1.50|7 GMCO189-14|||9790222317956|PIATTI|Polo Piatti|Argentine Dance No.9 Bassoon 2|Orchestral Part|1.50|7 GMCO189-15|||9790222317963|PIATTI|Polo Piatti|Argentine Dance No.9 Horn 1|Orchestral Part|1.50|7 GMCO189-16|||9790222317970|PIATTI|Polo Piatti|Argentine Dance No.9 Horn 2|Orchestral Part|1.50|7 GMCO189-17|||9790222317987|PIATTI|Polo Piatti|Argentine Dance No.9 Horn 3|Orchestral Part|1.50|7 GMCO189-18|||9790222317994|PIATTI|Polo Piatti|Argentine Dance No.9 Horn 4|Orchestral Part|1.50|7 GMCO189-19|||9790222318007|PIATTI|Polo Piatti|Argentine Dance No.9 Trumpet 1|Orchestral Part|1.50|7 GMCO189-20|||9790222318014|PIATTI|Polo Piatti|Argentine Dance No.9 Trumpet 2|Orchestral Part|1.50|7 GMCO189-21|||9790222318021|PIATTI|Polo Piatti|Argentine Dance No.9 Trombone 1|Orchestral Part|1.50|7 GMCO189-22|||9790222318038|PIATTI|Polo Piatti|Argentine Dance No.9 Trombone 2|Orchestral Part|1.50|7 GMCO189-23|||9790222318045|PIATTI|Polo Piatti|Argentine Dance No.9 Trombone 3|Orchestral Part|1.50|7 GMCO189-24|||9790222318052|PIATTI|Polo Piatti|Argentine Dance No.9 Tuba|Orchestral Part|1.50|7 GMCO189-25|||9790222318069|PIATTI|Polo Piatti|Argentine Dance No.9 Timpani|Orchestral Part|1.50|7 GMCO189-26|||9790222318076|PIATTI|Polo Piatti|Argentine Dance No.9 Percussion|Orchestral Part|1.50|13 GMCO189-27|||9790222318083|PIATTI|Polo Piatti|Argentine Dance No.9 Harp|Orchestral Part|1.50|13 GMCO190|Polo Piatti
ARGENTINE DANCE No.10 for orchestra
Goodmusic Concert Originals GMCO190|ARGENTINE DANCE No.10 Milonga & Candombe
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Triangle, Cymbals, Claves,Tenor Drum, Bass Drum), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the tenth of a total of fourteen symphonic dances. It was inspired by two traditional Argentine dances, the Milonga and the Candombe. The Milonga is originally from the La Pampa and southern regions of Argentina, and the Candombe had its beginnings in the capital Buenos Aires, specifically in the district of San Telmo, La Boca, and Montserrat. The Candombe is also very popular in Uruguay.
Duration 3? minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here|9790222318090|PIATTI|Polo Piatti|Argentine Dance No.10 Pack|Orchestra|45.00|600 GMCO190-00|||9790222318106|PIATTI|Polo Piatti|Argentine Dance No.10 Score|Orchestral Score|6.00|75 GMCO190-01|||9790222318113|PIATTI|Polo Piatti|Argentine Dance No.10 Violin 1|Orchestral Part|1.50|13 GMCO190-02|||9790222318120|PIATTI|Polo Piatti|Argentine Dance No.10 Violin 2|Orchestral Part|1.50|13 GMCO190-03|||9790222318137|PIATTI|Polo Piatti|Argentine Dance No.10 Viola|Orchestral Part|1.50|13 GMCO190-04|||9790222318144|PIATTI|Polo Piatti|Argentine Dance No.10 Cello|Orchestral Part|1.50|13 GMCO190-05|||9790222318151|PIATTI|Polo Piatti|Argentine Dance No.10 Bass|Orchestral Part|1.50|13 GMCO190-06|||9790222318168|PIATTI|Polo Piatti|Argentine Dance No.10 Piccolo|Orchestral Part|1.50|13 GMCO190-07|||9790222318175|PIATTI|Polo Piatti|Argentine Dance No.10 Flute 1|Orchestral Part|1.50|13 GMCO190-08|||9790222318182|PIATTI|Polo Piatti|Argentine Dance No.10 Flute 2|Orchestral Part|1.50|13 GMCO190-09|||9790222318199|PIATTI|Polo Piatti|Argentine Dance No.10 Oboe 1|Orchestral Part|1.50|13 GMCO190-10|||9790222318205|PIATTI|Polo Piatti|Argentine Dance No.10 Oboe 2|Orchestral Part|1.50|13 GMCO190-11|||9790222318212|PIATTI|Polo Piatti|Argentine Dance No.10 Clarinet 1|Orchestral Part|1.50|13 GMCO190-12|||9790222318229|PIATTI|Polo Piatti|Argentine Dance No.10 Clarinet 2|Orchestral Part|1.50|13 GMCO190-13|||9790222318236|PIATTI|Polo Piatti|Argentine Dance No.10 Bassoon 1|Orchestral Part|1.50|13 GMCO190-14|||9790222318243|PIATTI|Polo Piatti|Argentine Dance No.10 Bassoon 2|Orchestral Part|1.50|13 GMCO190-15|||9790222318250|PIATTI|Polo Piatti|Argentine Dance No.10 Horn 1|Orchestral Part|1.50|7 GMCO190-16|||9790222318267|PIATTI|Polo Piatti|Argentine Dance No.10 Horn 2|Orchestral Part|1.50|7 GMCO190-17|||9790222318274|PIATTI|Polo Piatti|Argentine Dance No.10 Horn 3|Orchestral Part|1.50|7 GMCO190-18|||9790222318281|PIATTI|Polo Piatti|Argentine Dance No.10 Horn 4|Orchestral Part|1.50|7 GMCO190-19|||9790222318298|PIATTI|Polo Piatti|Argentine Dance No.10 Trumpet 1|Orchestral Part|1.50|13 GMCO190-20|||9790222318304|PIATTI|Polo Piatti|Argentine Dance No.10 Trumpet 2|Orchestral Part|1.50|13 GMCO190-21|||9790222318311|PIATTI|Polo Piatti|Argentine Dance No.10 Trombone 1|Orchestral Part|1.50|13 GMCO190-22|||9790222318328|PIATTI|Polo Piatti|Argentine Dance No.10 Trombone 2|Orchestral Part|1.50|13 GMCO190-23|||9790222318335|PIATTI|Polo Piatti|Argentine Dance No.10 Trombone 3|Orchestral Part|1.50|13 GMCO190-24|||9790222318342|PIATTI|Polo Piatti|Argentine Dance No.10 Tuba|Orchestral Part|1.50|13 GMCO190-25|||9790222318359|PIATTI|Polo Piatti|Argentine Dance No.10 Timpani|Orchestral Part|1.50|13 GMCO190-26|||9790222318366|PIATTI|Polo Piatti|Argentine Dance No.10 Percussion|Orchestral Part|1.50|13 GMCO190-27|||9790222318373|PIATTI|Polo Piatti|Argentine Dance No.10 Harp|Orchestral Part|1.50|13 GMCO191|Polo Piatti
ARGENTINE DANCE No.11 for orchestra
Goodmusic Concert Originals GMCO191|ARGENTINE DANCE No.11 Chacarera & Triunfo
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Tenor Drum, Triangle, Bass Drum, Cymbals), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the eleventh of a total of fourteen symphonic dances. It was inspired by two Argentine dances, the Chacarera and the Triunfo. The Chacarera originated in the province of Santiago del Estero in the North, while the Triunfo has its roots in the La Pampa and southern regions of the country.
Duration 3? minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here|9790222318571|PIATTI|Polo Piatti|Argentine Dance No.11 Pack|Orchestra|45.00|625 GMCO191-00|||9790222318588|PIATTI|Polo Piatti|Argentine Dance No.11 Score|Orchestral Score|6.00|75 GMCO191-01|||9790222318595|PIATTI|Polo Piatti|Argentine Dance No.11 Violin 1|Orchestral Part|1.50|13 GMCO191-02|||9790222318601|PIATTI|Polo Piatti|Argentine Dance No.11 Violin 2|Orchestral Part|1.50|13 GMCO191-03|||9790222318618|PIATTI|Polo Piatti|Argentine Dance No.11 Viola|Orchestral Part|1.50|13 GMCO191-04|||9790222318625|PIATTI|Polo Piatti|Argentine Dance No.11 Cello|Orchestral Part|1.50|13 GMCO191-05|||9790222318632|PIATTI|Polo Piatti|Argentine Dance No.11 Bass|Orchestral Part|1.50|13 GMCO191-06|||9790222318649|PIATTI|Polo Piatti|Argentine Dance No.11 Piccolo|Orchestral Part|1.50|13 GMCO191-07|||9790222318656|PIATTI|Polo Piatti|Argentine Dance No.11 Flute 1|Orchestral Part|1.50|13 GMCO191-08|||9790222318663|PIATTI|Polo Piatti|Argentine Dance No.11 Flute 2|Orchestral Part|1.50|13 GMCO191-09|||9790222318670|PIATTI|Polo Piatti|Argentine Dance No.11 Oboe 1|Orchestral Part|1.50|13 GMCO191-10|||9790222318687|PIATTI|Polo Piatti|Argentine Dance No.11 Oboe 2|Orchestral Part|1.50|13 GMCO191-11|||9790222318694|PIATTI|Polo Piatti|Argentine Dance No.11 Clarinet 1|Orchestral Part|1.50|13 GMCO191-12|||9790222318700|PIATTI|Polo Piatti|Argentine Dance No.11 Clarinet 2|Orchestral Part|1.50|13 GMCO191-13|||9790222318717|PIATTI|Polo Piatti|Argentine Dance No.11 Bassoon 1|Orchestral Part|1.50|13 GMCO191-14|||9790222318724|PIATTI|Polo Piatti|Argentine Dance No.11 Bassoon 2|Orchestral Part|1.50|13 GMCO191-15|||9790222318731|PIATTI|Polo Piatti|Argentine Dance No.11 Horn 1|Orchestral Part|1.50|13 GMCO191-16|||9790222318748|PIATTI|Polo Piatti|Argentine Dance No.11 Horn 2|Orchestral Part|1.50|13 GMCO191-17|||9790222318755|PIATTI|Polo Piatti|Argentine Dance No.11 Horn 3|Orchestral Part|1.50|13 GMCO191-18|||9790222318762|PIATTI|Polo Piatti|Argentine Dance No.11 Horn 4|Orchestral Part|1.50|13 GMCO191-19|||9790222318779|PIATTI|Polo Piatti|Argentine Dance No.11 Trumpet 1|Orchestral Part|1.50|13 GMCO191-20|||9790222318786|PIATTI|Polo Piatti|Argentine Dance No.11 Trumpet 2|Orchestral Part|1.50|13 GMCO191-21|||9790222318793|PIATTI|Polo Piatti|Argentine Dance No.11 Trombone 1|Orchestral Part|1.50|13 GMCO191-22|||9790222318809|PIATTI|Polo Piatti|Argentine Dance No.11 Trombone 2|Orchestral Part|1.50|13 GMCO191-23|||9790222318816|PIATTI|Polo Piatti|Argentine Dance No.11 Trombone 3|Orchestral Part|1.50|13 GMCO191-24|||9790222318823|PIATTI|Polo Piatti|Argentine Dance No.11 Tuba|Orchestral Part|1.50|13 GMCO191-25|||9790222318830|PIATTI|Polo Piatti|Argentine Dance No.11 Timpani|Orchestral Part|1.50|13 GMCO191-26|||9790222318847|PIATTI|Polo Piatti|Argentine Dance No.11 Percussion|Orchestral Part|1.50|13 GMCO191-27|||9790222318854|PIATTI|Polo Piatti|Argentine Dance No.11 Harp|Orchestral Part|1.50|13 GMCO192|Polo Piatti
ARGENTINE DANCE No.12 for orchestra
Goodmusic Concert Originals GMCO192|ARGENTINE DANCE No.12 Cielito, Pericon & Copla Argentina
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Triangle, Susp.Cymbal, Tenor Drum, Bass Drum), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the twelfth of a total of fourteen symphonic dances. It was inspired by three different traditional Argentine dances, the Cielito, the Pericon, and the Copla Argentina. The Cielito is originally from the La Pampa and Buenos Aires region, as is the Pericon, and the Copla Argentina has its roots in the North West of the country.
Duration 4? minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here|9790222318861|PIATTI|Polo Piatti|Argentine Dance No.12 Pack|Orchestra|45.00|538 GMCO192-00|||9790222318878|PIATTI|Polo Piatti|Argentine Dance No.12 Score|Orchestral Score|5.00|50 GMCO192-01|||9790222318885|PIATTI|Polo Piatti|Argentine Dance No.12 Violin 1|Orchestral Part|1.50|13 GMCO192-02|||9790222318892|PIATTI|Polo Piatti|Argentine Dance No.12 Violin 2|Orchestral Part|1.50|13 GMCO192-03|||9790222318908|PIATTI|Polo Piatti|Argentine Dance No.12 Viola|Orchestral Part|1.50|13 GMCO192-04|||9790222318915|PIATTI|Polo Piatti|Argentine Dance No.12 Cello|Orchestral Part|1.50|13 GMCO192-05|||9790222318922|PIATTI|Polo Piatti|Argentine Dance No.12 Bass|Orchestral Part|1.50|13 GMCO192-06|||9790222318939|PIATTI|Polo Piatti|Argentine Dance No.12 Piccolo|Orchestral Part|1.50|13 GMCO192-07|||9790222318946|PIATTI|Polo Piatti|Argentine Dance No.12 Flute 1|Orchestral Part|1.50|13 GMCO192-08|||9790222318953|PIATTI|Polo Piatti|Argentine Dance No.12 Flute 2|Orchestral Part|1.50|13 GMCO192-09|||9790222318960|PIATTI|Polo Piatti|Argentine Dance No.12 Oboe 1|Orchestral Part|1.50|13 GMCO192-10|||9790222318977|PIATTI|Polo Piatti|Argentine Dance No.12 Oboe 2|Orchestral Part|1.50|13 GMCO192-11|||9790222318984|PIATTI|Polo Piatti|Argentine Dance No.12 Clarinet 1|Orchestral Part|1.50|13 GMCO192-12|||9790222318991|PIATTI|Polo Piatti|Argentine Dance No.12 Clarinet 2|Orchestral Part|1.50|13 GMCO192-13|||9790222319004|PIATTI|Polo Piatti|Argentine Dance No.12 Bassoon 1|Orchestral Part|1.50|13 GMCO192-14|||9790222319011|PIATTI|Polo Piatti|Argentine Dance No.12 Bassoon 2|Orchestral Part|1.50|13 GMCO192-15|||9790222319028|PIATTI|Polo Piatti|Argentine Dance No.12 Horn 1|Orchestral Part|1.50|7 GMCO192-16|||9790222319035|PIATTI|Polo Piatti|Argentine Dance No.12 Horn 2|Orchestral Part|1.50|7 GMCO192-17|||9790222319042|PIATTI|Polo Piatti|Argentine Dance No.12 Horn 3|Orchestral Part|1.50|7 GMCO192-18|||9790222319059|PIATTI|Polo Piatti|Argentine Dance No.12 Horn 4|Orchestral Part|1.50|7 GMCO192-19|||9790222319066|PIATTI|Polo Piatti|Argentine Dance No.12 Trumpet 1|Orchestral Part|1.50|7 GMCO192-20|||9790222319073|PIATTI|Polo Piatti|Argentine Dance No.12 Trumpet 2|Orchestral Part|1.50|7 GMCO192-21|||9790222319080|PIATTI|Polo Piatti|Argentine Dance No.12 Trombone 1|Orchestral Part|1.50|7 GMCO192-22|||9790222319097|PIATTI|Polo Piatti|Argentine Dance No.12 Trombone 2|Orchestral Part|1.50|7 GMCO192-23|||9790222319103|PIATTI|Polo Piatti|Argentine Dance No.12 Trombone 3|Orchestral Part|1.50|7 GMCO192-24|||9790222319110|PIATTI|Polo Piatti|Argentine Dance No.12 Tuba|Orchestral Part|1.50|7 GMCO192-25|||9790222319127|PIATTI|Polo Piatti|Argentine Dance No.12 Timpani|Orchestral Part|1.50|13 GMCO192-26|||9790222319134|PIATTI|Polo Piatti|Argentine Dance No.12 Percussion|Orchestral Part|1.50|13 GMCO192-27|||9790222319141|PIATTI|Polo Piatti|Argentine Dance No.12 Harp|Orchestral Part|1.50|13 GMCO193|Polo Piatti
ARGENTINE DANCE No.13 for orchestra
Goodmusic Concert Originals GMCO193|ARGENTINE DANCE No.13 Escondido & Bailecito
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (4 players: Tenor Drum, Triangle, Bass Drum, Cymbals), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the thirteenth of a total of fourteen symphonic dances. It was inspired by two traditional Argentine dances, the Escondido and the Bailecito. The Escondido is originally from the north of the country and its popularity extends as far as Bolivia, while the Bailecito originated in the northern regions of Argentina.
Duration 5? minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here|9790222319158|PIATTI|Polo Piatti|Argentine Dance No.13 Pack|Orchestra|45.00|613 GMCO193-00|||9790222319165|PIATTI|Polo Piatti|Argentine Dance No.13 Score|Orchestral Score|6.00|63 GMCO193-01|||9790222319172|PIATTI|Polo Piatti|Argentine Dance No.13 Violin 1|Orchestral Part|1.50|13 GMCO193-02|||9790222319189|PIATTI|Polo Piatti|Argentine Dance No.13 Violin 2|Orchestral Part|1.50|13 GMCO193-03|||9790222319196|PIATTI|Polo Piatti|Argentine Dance No.13 Viola|Orchestral Part|1.50|13 GMCO193-04|||9790222319202|PIATTI|Polo Piatti|Argentine Dance No.13 Cello|Orchestral Part|1.50|13 GMCO193-05|||9790222319219|PIATTI|Polo Piatti|Argentine Dance No.13 Bass|Orchestral Part|1.50|13 GMCO193-06|||9790222319226|PIATTI|Polo Piatti|Argentine Dance No.13 Piccolo|Orchestral Part|1.50|13 GMCO193-07|||9790222319233|PIATTI|Polo Piatti|Argentine Dance No.13 Flute 1|Orchestral Part|1.50|13 GMCO193-08|||9790222319240|PIATTI|Polo Piatti|Argentine Dance No.13 Flute 2|Orchestral Part|1.50|13 GMCO193-09|||9790222319257|PIATTI|Polo Piatti|Argentine Dance No.13 Oboe 1|Orchestral Part|1.50|13 GMCO193-10|||9790222319264|PIATTI|Polo Piatti|Argentine Dance No.13 Oboe 2|Orchestral Part|1.50|13 GMCO193-11|||9790222319271|PIATTI|Polo Piatti|Argentine Dance No.13 Clarinet 1|Orchestral Part|1.50|13 GMCO193-12|||9790222319288|PIATTI|Polo Piatti|Argentine Dance No.13 Clarinet 2|Orchestral Part|1.50|13 GMCO193-13|||9790222319295|PIATTI|Polo Piatti|Argentine Dance No.13 Bassoon 1|Orchestral Part|1.50|13 GMCO193-14|||9790222319301|PIATTI|Polo Piatti|Argentine Dance No.13 Bassoon 2|Orchestral Part|1.50|13 GMCO193-15|||9790222319318|PIATTI|Polo Piatti|Argentine Dance No.13 Horn 1|Orchestral Part|1.50|13 GMCO193-16|||9790222319325|PIATTI|Polo Piatti|Argentine Dance No.13 Horn 2|Orchestral Part|1.50|13 GMCO193-17|||9790222319332|PIATTI|Polo Piatti|Argentine Dance No.13 Horn 3|Orchestral Part|1.50|13 GMCO193-18|||9790222319349|PIATTI|Polo Piatti|Argentine Dance No.13 Horn 4|Orchestral Part|1.50|13 GMCO193-19|||9790222319356|PIATTI|Polo Piatti|Argentine Dance No.13 Trumpet 1|Orchestral Part|1.50|13 GMCO193-20|||9790222319363|PIATTI|Polo Piatti|Argentine Dance No.13 Trumpet 2|Orchestral Part|1.50|13 GMCO193-21|||9790222319370|PIATTI|Polo Piatti|Argentine Dance No.13 Trombone 1|Orchestral Part|1.50|13 GMCO193-22|||9790222319387|PIATTI|Polo Piatti|Argentine Dance No.13 Trombone 2|Orchestral Part|1.50|13 GMCO193-23|||9790222319394|PIATTI|Polo Piatti|Argentine Dance No.13 Trombone 3|Orchestral Part|1.50|13 GMCO193-24|||9790222319400|PIATTI|Polo Piatti|Argentine Dance No.13 Tuba|Orchestral Part|1.50|13 GMCO193-25|||9790222319417|PIATTI|Polo Piatti|Argentine Dance No.13 Timpani|Orchestral Part|1.50|13 GMCO193-26|||9790222319424|PIATTI|Polo Piatti|Argentine Dance No.13 Percussion|Orchestral Part|1.50|13 GMCO193-27|||9790222319431|PIATTI|Polo Piatti|Argentine Dance No.13 Harp|Orchestral Part|1.50|13 GMCO194|Polo Piatti
ARGENTINE DANCE No.14 for orchestra
Goodmusic Concert Originals GMCO194|ARGENTINE DANCE No.14 Zamba & Vidalita
ORCHESTRATION: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (5 players: Triangle, Cymbals, Tenor Drum, Bass Drum, Claves), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This is the last of a total of fourteen symphonic dances. It was inspired by two traditional and contrasting Argentine dances, the Zamba and the Vidalita, both originally from the North of the country.
Duration 5? minutes

A PACK includes an A4 sized score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
A large A3 sized complete full score of all of the 14 Dances is available (GMCO181X99) and also a complete A4 sized study score (GMCO181X50). Large A3 sized scores for the individual Dances are available on request.

For details of all 14 Argentine Dances Click here|9790222319462|PIATTI|Polo Piatti|Argentine Dance No.14 Pack|Orchestra|45.00|619 GMCO194-00|||9790222319479|PIATTI|Polo Piatti|Argentine Dance No.14 Score|Orchestral Score|5.00|50 GMCO194-01|||9790222319486|PIATTI|Polo Piatti|Argentine Dance No.14 Violin 1|Orchestral Part|1.50|13 GMCO194-02|||9790222319493|PIATTI|Polo Piatti|Argentine Dance No.14 Violin 2|Orchestral Part|1.50|13 GMCO194-03|||9790222319509|PIATTI|Polo Piatti|Argentine Dance No.14 Viola|Orchestral Part|1.50|13 GMCO194-04|||9790222319516|PIATTI|Polo Piatti|Argentine Dance No.14 Cello|Orchestral Part|1.50|13 GMCO194-05|||9790222319523|PIATTI|Polo Piatti|Argentine Dance No.14 Bass|Orchestral Part|1.50|13 GMCO194-06|||9790222319530|PIATTI|Polo Piatti|Argentine Dance No.14 Piccolo|Orchestral Part|1.50|7 GMCO194-07|||9790222319547|PIATTI|Polo Piatti|Argentine Dance No.14 Flute 1|Orchestral Part|1.50|13 GMCO194-08|||9790222319554|PIATTI|Polo Piatti|Argentine Dance No.14 Flute 2|Orchestral Part|1.50|13 GMCO194-09|||9790222319561|PIATTI|Polo Piatti|Argentine Dance No.14 Oboe 1|Orchestral Part|1.50|13 GMCO194-10|||9790222319578|PIATTI|Polo Piatti|Argentine Dance No.14 Oboe 2|Orchestral Part|1.50|13 GMCO194-11|||9790222319585|PIATTI|Polo Piatti|Argentine Dance No.14 Clarinet 1|Orchestral Part|1.50|13 GMCO194-12|||9790222319592|PIATTI|Polo Piatti|Argentine Dance No.14 Clarinet 2|Orchestral Part|1.50|13 GMCO194-13|||9790222319608|PIATTI|Polo Piatti|Argentine Dance No.14 Bassoon 1|Orchestral Part|1.50|13 GMCO194-14|||9790222319615|PIATTI|Polo Piatti|Argentine Dance No.14 Bassoon 2|Orchestral Part|1.50|13 GMCO194-15|||9790222319622|PIATTI|Polo Piatti|Argentine Dance No.14 Horn 1|Orchestral Part|1.50|7 GMCO194-16|||9790222319639|PIATTI|Polo Piatti|Argentine Dance No.14 Horn 2|Orchestral Part|1.50|7 GMCO194-17|||9790222319646|PIATTI|Polo Piatti|Argentine Dance No.14 Horn 3|Orchestral Part|1.50|7 GMCO194-18|||9790222319653|PIATTI|Polo Piatti|Argentine Dance No.14 Horn 4|Orchestral Part|1.50|7 GMCO194-19|||9790222319660|PIATTI|Polo Piatti|Argentine Dance No.14 Trumpet 1|Orchestral Part|1.50|7 GMCO194-20|||9790222319677|PIATTI|Polo Piatti|Argentine Dance No.14 Trumpet 2|Orchestral Part|1.50|7 GMCO194-21|||9790222319684|PIATTI|Polo Piatti|Argentine Dance No.14 Trombone 1|Orchestral Part|1.50|7 GMCO194-22|||9790222319691|PIATTI|Polo Piatti|Argentine Dance No.14 Trombone 2|Orchestral Part|1.50|7 GMCO194-23|||9790222319707|PIATTI|Polo Piatti|Argentine Dance No.14 Trombone 3|Orchestral Part|1.50|7 GMCO194-24|||9790222319714|PIATTI|Polo Piatti|Argentine Dance No.14 Tuba|Orchestral Part|1.50|7 GMCO194-25|||9790222319721|PIATTI|Polo Piatti|Argentine Dance No.14 Timpani|Orchestral Part|1.50|13 GMCO194-26|||9790222319738|PIATTI|Polo Piatti|Argentine Dance No.14 Percussion|Orchestral Part|2.00|25 GMCO194-27|||9790222319745|PIATTI|Polo Piatti|Argentine Dance No.14 Harp|Orchestral Part|2.00|25 GMCO195|Peter Lawson
OVERTURE: THIS SCEPTRED ISLE for orchestra
Goodmusic Concert Originals GMCO195|'Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F (3 & 4 optional), 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (3 players: Triangle, Snare Drum, Cymbals, Bass Drum, Glockenspiel), Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A new and exciting overture which begins with a stunning fanfare and incorporates, amongst other things, pastoral folk-song-like and regal Elgarian-style tunes to evoke a portrait of our ''green and pleasant land''. British through and through!

"This Sceptred Isle" owes its title to the opening of Sir John of Gaunt''s soliloquy in Shakespeare''s Richard II. It is a concert overture celebrating the spirit of Britain in music. It begins with a dramatic fanfare, which leads to a group of two themes, the first with a punchy, Elgarian motif and the second more lyrical in nature. A second group of two themes follows, representing the beauty of the British landscape: a pastoral melody in triple time, then a long, noble melody over a march rhythm.
A short development section ensues, featuring a march-like version of the pastoral theme. This leads back to a shortened recapitulation of the two groups in the home key. This time the noble march tune has floral decorations from the woodwind, representing the results of the endeavours of those dedicated to conservation and the protection of nature. This builds to a triumphant conclusion - there''s still much about Britain to celebrate and of which we can be proud! Peter Lawson

Duration 8 minutes
A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.'|9790222319783|LAWSON|Peter Lawson|Overture: This Sceptred Isle Pack|Orchestra|70.00|1016 GMCO195-00|||9790222319790|LAWSON|Peter Lawson|Overture: This Sceptred Isle Score|Orchestral Score|12.00|150 GMCO195-01|||9790222319806|LAWSON|Peter Lawson|Overture: This Sceptred Isle Vln 1|Orchestral Part|2.00|25 GMCO195-02|||9790222319813|LAWSON|Peter Lawson|Overture: This Sceptred Isle Vln 2|Orchestral Part|2.00|25 GMCO195-03|||9790222319820|LAWSON|Peter Lawson|Overture: This Sceptred Isle Viola|Orchestral Part|2.00|25 GMCO195-04|||9790222319837|LAWSON|Peter Lawson|Overture: This Sceptred Isle Cello|Orchestral Part|2.00|25 GMCO195-05|||9790222319844|LAWSON|Peter Lawson|Overture: This Sceptred Isle Bass|Orchestral Part|2.00|25 GMCO195-06|||9790222319851|LAWSON|Peter Lawson|Overture: This Sceptred Isle Flute1|Orchestral Part|2.00|25 GMCO195-07|||9790222319868|LAWSON|Peter Lawson|Overture: This Sceptred Isle Flute2|Orchestral Part|1.50|13 GMCO195-08|||9790222319875|LAWSON|Peter Lawson|Overture: This Sceptred Isle Oboe 1|Orchestral Part|1.50|13 GMCO195-09|||9790222319882|LAWSON|Peter Lawson|Overture: This Sceptred Isle Oboe 2|Orchestral Part|1.50|13 GMCO195-10|||9790222319899|LAWSON|Peter Lawson|Overture: This Sceptred Isle Clar 1|Orchestral Part|2.00|25 GMCO195-11|||9790222319905|LAWSON|Peter Lawson|Overture: This Sceptred Isle Clar 2|Orchestral Part|2.00|25 GMCO195-12|||9790222319912|LAWSON|Peter Lawson|Overture: This Sceptred Isle Bsn 1|Orchestral Part|2.00|25 GMCO195-13|||9790222319929|LAWSON|Peter Lawson|Overture: This Sceptred Isle Bsn 2|Orchestral Part|2.00|25 GMCO195-14|||9790222319936|LAWSON|Peter Lawson|Overture: This Sceptred Isle Horn 1|Orchestral Part|2.00|25 GMCO195-15|||9790222319943|LAWSON|Peter Lawson|Overture: This Sceptred Isle Horn 2|Orchestral Part|2.00|25 GMCO195-16|||9790222319950|LAWSON|Peter Lawson|Overture: This Sceptred Isle Horn 3|Orchestral Part|1.50|13 GMCO195-17|||9790222319967|LAWSON|Peter Lawson|Overture: This Sceptred Isle Horn 4|Orchestral Part|1.50|13 GMCO195-18|||9790222319974|LAWSON|Peter Lawson|Overture: This Sceptred Isle Trp 1|Orchestral Part|1.50|13 GMCO195-19|||9790222319981|LAWSON|Peter Lawson|Overture: This Sceptred Isle Trp 2|Orchestral Part|1.50|13 GMCO195-20|||9790222319998|LAWSON|Peter Lawson|Overture: This Sceptred Isle Trb 1|Orchestral Part|1.50|13 GMCO195-21|||9790222320000|LAWSON|Peter Lawson|Overture: This Sceptred Isle Trb 2|Orchestral Part|1.50|13 GMCO195-22|||9790222320017|LAWSON|Peter Lawson|Overture: This Sceptred Isle Trb 3|Orchestral Part|1.50|13 GMCO195-23|||9790222320024|LAWSON|Peter Lawson|Overture: This Sceptred Isle Tuba|Orchestral Part|1.50|13 GMCO195-24|||9790222320031|LAWSON|Peter Lawson|Overture: This Sceptred Isle Timp|Orchestral Part|1.50|13 GMCO195-25|||9790222320048|LAWSON|Peter Lawson|Overture: This Sceptred Isle Perc|Orchestral Part|2.00|25 GMCO195-26|||9790222320055|LAWSON|Peter Lawson|Overture: This Sceptred Isle Harp|Orchestral Part|2.00|25 GMCO196|Peter Hope
JAUNTING CAR for orchestra
Goodmusic Concert Originals No.196|'Orchestration: 2 Flutes, Oboe, 2 Clarinets in Bb (2nd db.Bass Clarinet), 2 Horns in F, Percussion (1 player: Glockenspiel, Wood Blocks), Harp, Celeste (optional)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Peter Hope''s most famous piece is undoubtedly the beguiling Ring of Kerry suite. This splendid example of the light music composer''s craft won the Ivor Novello award in the early 1960s. The three movements are scored for different orchestral forces so we have published them separately in this new Goodmusic edition.
A Jaunting Car, also called jaunty car, or sidecar, was a two-wheeled, open vehicle, popular in Ireland from the early 19th century. It was unusual in having lengthwise, back-to-back or face-to-face passenger seats. The light, horse-drawn cart carried four passengers (although the earliest versions carried more). It usually had a narrow, forward-facing driver''s seat.
Duration 2? minutes
A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.

The other two movements of the Ring of Kerry are also available:
2. Lough Leane - Goodmusic GMCO197
3. Killorglin Fair - Goodmusic GMCO198'|9790222320086|HOPE|Peter Hope|Jaunting Car Pack|Orchestra|35.00|369 GMCO196-00|||9790222320093|HOPE|Peter Hope|Jaunting Car Score|Orchestral Score|5.00|38 GMCO196-01|||9790222320109|HOPE|Peter Hope|Jaunting Car Violin 1|Orchestral Part|1.50|13 GMCO196-02|||9790222320116|HOPE|Peter Hope|Jaunting Car Violin 2|Orchestral Part|1.50|13 GMCO196-03|||9790222320123|HOPE|Peter Hope|Jaunting Car Viola|Orchestral Part|1.50|13 GMCO196-04|||9790222320130|HOPE|Peter Hope|Jaunting Car Cello|Orchestral Part|1.50|13 GMCO196-05|||9790222320147|HOPE|Peter Hope|Jaunting Car Bass|Orchestral Part|1.50|7 GMCO196-06|||9790222320154|HOPE|Peter Hope|Jaunting Car Flute 1|Orchestral Part|1.50|13 GMCO196-07|||9790222320161|HOPE|Peter Hope|Jaunting Car Flute 2|Orchestral Part|1.50|13 GMCO196-08|||9790222320178|HOPE|Peter Hope|Jaunting Car Oboe|Orchestral Part|1.50|13 GMCO196-09|||9790222320185|HOPE|Peter Hope|Jaunting Car Clarinet 1|Orchestral Part|1.50|13 GMCO196-10|||9790222320192|HOPE|Peter Hope|Jaunting Car Clarinet 2/Bass Clar|Orchestral Part|1.50|7 GMCO196-11|||9790222320208|HOPE|Peter Hope|Jaunting Car Horn 1|Orchestral Part|1.50|7 GMCO196-12|||9790222320215|HOPE|Peter Hope|Jaunting Car Horn 2|Orchestral Part|1.50|7 GMCO196-13|||9790222320222|HOPE|Peter Hope|Jaunting Car Percussion|Orchestral Part|1.50|13 GMCO196-14|||9790222320239|HOPE|Peter Hope|Jaunting Car Harp|Orchestral Part|1.50|13 GMCO196-15|||9790222320246|HOPE|Peter Hope|Jaunting Car Celeste|Orchestral Part|1.50|13 GMCO197|Peter Hope
LOUGH LEANE for orchestra
Goodmusic Concert Originals No.197|'Orchestration: 2 Flutes,Oboe, 2 Clarimets in Bb (2nd db.Bass Clarinet), Bassoon, 4 Horns in F, Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Peter Hope''s most famous piece is undoubtedly the beguiling Ring of Kerry suite. This splendid example of the light music composer''s craft won the Ivor Novello award in the early 1960s. The three movements are scored for different orchestral forces so we have published them separately in this new Goodmusic edition.

Lough Leane is the largest of the three lakes of Killarney.
The River Laune flows from the lake into the Dingle Bay to the northwest. The lake''s name means "lake of learning" probably in reference to the monastery on Innisfallen, an island in the lake which was a centre of scholarship in the early Middle Ages.
Duration 3? minutes
A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.

The other two movements of the Ring of Kerry are also available:
1. Jaunting Car - Goodmusic GMCO196
3. Killorglin Fair - Goodmusic GMCO198'|9790222320260|HOPE|Peter Hope|Lough Leane Pack|Orchestra|26.00|275 GMCO197-00|||9790222320277|HOPE|Peter Hope|Lough Leane Score|Orchestral Score|5.00|38 GMCO197-01|||9790222320284|HOPE|Peter Hope|Lough Leane Violin 1|Orchestral Part|1.50|7 GMCO197-02|||9790222320291|HOPE|Peter Hope|Lough Leane Violin 2|Orchestral Part|1.50|7 GMCO197-03|||9790222320307|HOPE|Peter Hope|Lough Leane Viola|Orchestral Part|1.50|7 GMCO197-04|||9790222320314|HOPE|Peter Hope|Lough Leane Cello|Orchestral Part|1.50|7 GMCO197-05|||9790222320321|HOPE|Peter Hope|Lough Leane Bass|Orchestral Part|1.50|7 GMCO197-06|||9790222320338|HOPE|Peter Hope|Lough Leane Flute 1|Orchestral Part|1.50|13 GMCO197-07|||9790222320345|HOPE|Peter Hope|Lough Leane Flute 2|Orchestral Part|1.50|13 GMCO197-08|||9790222320352|HOPE|Peter Hope|Lough Leane Oboe|Orchestral Part|1.50|13 GMCO197-09|||9790222320369|HOPE|Peter Hope|Lough Leane Clarinet 1|Orchestral Part|1.50|13 GMCO197-10|||9790222320376|HOPE|Peter Hope|Lough Leane Clarinet 2 db.Bass Clar|Orchestral Part|1.50|13 GMCO197-11|||9790222320383|HOPE|Peter Hope|Lough Leane Bassoon|Orchestral Part|1.50|7 GMCO197-12|||9790222320390|HOPE|Peter Hope|Lough Leane Horn 1|Orchestral Part|1.50|7 GMCO197-13|||9790222320406|HOPE|Peter Hope|Lough Leane Horn 2|Orchestral Part|1.50|7 GMCO197-14|||9790222320413|HOPE|Peter Hope|Lough Leane Horn 3|Orchestral Part|1.50|7 GMCO197-15|||9790222320420|HOPE|Peter Hope|Lough Leane Horn 4|Orchestral Part|1.50|7 GMCO197-16|||9790222320437|HOPE|Peter Hope|Lough Leane Harp|Orchestral Part|1.50|13 GMCO198|Peter Hope
KILLORGLIN FAIR for orchestra
Goodmusic Concert Originals No.198|'Orchestration: 2 Flutes (2nd db Piccolo), 2 Oboes, 2 Clarimets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Percussion [2 players: Snare Drum, Tambourine, Cymbals (Clash & Suspended), Glockenspiel, Timpani], Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Peter Hope''s most famous piece is undoubtedly the beguiling Ring of Kerry suite. This splendid example of the light music composer''s craft won the Ivor Novello award in the early 1960s. The three movements are scored for different orchestral forces so we have published them separately in this new Goodmusic edition.

The fair at Killorglin is known as the "Puck Fair" meaning "Fair of the He-Goat" and is one of Ireland''s oldest fairs. It takes place annually in August. Every year a group of people go up into the mountains and catch a wild goat. The goat is brought back to the town and the "Queen of Puck", traditionally a young school girl from one of the local primary schools, crowns the goat "King Puck". The goat is then put into a small cage on a high stand for three days, and on the 3rd day of the fair, he is brought down to be led back to the mountains. In the middle of the town square, he is crowned and this signifies that the festivities may begin. The pubs stay open until 3.00 a.m.!
Duration 3? minutes
A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.

The other two movements of the Ring of Kerry are also available:
1. Jaunting Car - Goodmusic GMCO196
2. Lough Leane - Goodmusic GMCO197'|9790222320444|HOPE|Peter Hope|Killorglin Fair Pack|Orchestra|50.00|575 GMCO198-00|||9790222320451|HOPE|Peter Hope|Killorglin Fair Score|Orchestral Score|8.00|88 GMCO198-01|||9790222320468|HOPE|Peter Hope|Killorglin Fair Violin 1|Orchestral Part|1.50|13 GMCO198-02|||9790222320475|HOPE|Peter Hope|Killorglin Fair Violin 2|Orchestral Part|1.50|13 GMCO198-03|||9790222320482|HOPE|Peter Hope|Killorglin Fair Viola|Orchestral Part|1.50|13 GMCO198-04|||9790222320499|HOPE|Peter Hope|Killorglin Fair Cello|Orchestral Part|1.50|13 GMCO198-05|||9790222320505|HOPE|Peter Hope|Killorglin Fair Bass|Orchestral Part|1.50|13 GMCO198-06|||9790222320512|HOPE|Peter Hope|Killorglin Fair Flute 1|Orchestral Part|1.50|13 GMCO198-07|||9790222320529|HOPE|Peter Hope|Killorglin Fair Flute 2 db Piccolo|Orchestral Part|1.50|13 GMCO198-08|||9790222320536|HOPE|Peter Hope|Killorglin Fair Oboe 1|Orchestral Part|1.50|13 GMCO198-09|||9790222320543|HOPE|Peter Hope|Killorglin Fair Oboe 2|Orchestral Part|1.50|13 GMCO198-10|||9790222320550|HOPE|Peter Hope|Killorglin Fair Clarinet 1|Orchestral Part|1.50|13 GMCO198-11|||9790222320567|HOPE|Peter Hope|Killorglin Fair Clarinet 2|Orchestral Part|1.50|13 GMCO198-12|||9790222320574|HOPE|Peter Hope|Killorglin Fair Bassoon 1|Orchestral Part|1.50|13 GMCO198-13|||9790222320581|HOPE|Peter Hope|Killorglin Fair Bassoon 2|Orchestral Part|1.50|13 GMCO198-14|||9790222320598|HOPE|Peter Hope|Killorglin Fair Horn 1|Orchestral Part|1.50|13 GMCO198-15|||9790222320604|HOPE|Peter Hope|Killorglin Fair Horn 2|Orchestral Part|1.50|13 GMCO198-16|||9790222320611|HOPE|Peter Hope|Killorglin Fair Horn 3|Orchestral Part|1.50|13 GMCO198-17|||9790222320628|HOPE|Peter Hope|Killorglin Fair Horn 4|Orchestral Part|1.50|13 GMCO198-18|||9790222320635|HOPE|Peter Hope|Killorglin Fair Trumpet 1|Orchestral Part|1.50|13 GMCO198-19|||9790222320642|HOPE|Peter Hope|Killorglin Fair Trumpet 2|Orchestral Part|1.50|13 GMCO198-20|||9790222320659|HOPE|Peter Hope|Killorglin Fair Trombone 1|Orchestral Part|1.50|13 GMCO198-21|||9790222320666|HOPE|Peter Hope|Killorglin Fair Trombone 2|Orchestral Part|1.50|13 GMCO198-22|||9790222320673|HOPE|Peter Hope|Killorglin Fair Trombone 3|Orchestral Part|1.50|13 GMCO198-23|||9790222320680|HOPE|Peter Hope|Killorglin Fair Percussion|Orchestral Part|1.50|13 GMCO198-24|||9790222320697|HOPE|Peter Hope|Killorglin Fair Harp|Orchestral Part|1.50|13 GMCO199|Paul Lewis
SHIPLEY CONCERTO for violin and string orchestra
Goodmusic Concert Originals No.199|'Orchestration; Solo Violin, Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Shipley Concerto was written to celebrate both the acquisition by violinist Andrew Bernardi and a consortium of friends of the violin now known as the Amici Bernardi Stradivarius and the 20th anniversary in 2020 of the Shipley Arts Festival in Sussex, of which Bernardi is founder and director.
The concerto makes use of a four-note motif representing the date of the violin''s manufacture - 1696. Taking D as the starting point to represent 1, the 2nd note (6) is the B a 6th above, the third note (9) the E a 9th above the first note, and the fourth note (6) is B again.
The three movements of the concerto follow three locations in the violin''s long life.

1. CREMONA 1696 A dance-like movement evocative of the Italian ''City of Violins'' where the world''s finest and most famous luthiers flourished from the 16th century onwards. It was here in 1696 that Antonio Stradivari fashioned the Amici Bernardi violin. The 1696 motif is heard at the very outset, plucked as if the soloist is checking the violin''s tuning since three of the phrase''s four notes are open strings.
2. SHIPLEY IDYLL Shipley is a dreamy village in West Sussex, whose ancient church provides a beautiful concert venue at the heart of the Shipley Arts Festival. The music is of a suitably pastoral and meandering nature and makes contemplative use of the 1696 motif.
3. CHINESE ADVENTURE A partnership between the Bernardi Music Group, Shipley Arts Festival and Yuyuan Arts has taken Andrew Bernardi and the Amici Bernardi Stradivarius to China, where further exciting adventures are planned for the future. An enthusiastic galop suggestive of Oriental energy hints at the eastern pentatonic scale, while the nonchalant melody of the middle section represents an Englishman abroad, the accompanying pizzicato repetitions of the 1696 motif reminding us that he has his violin with him at all times! A solo cadenza leads to a recap of the opening galop, this time with scurrying first violins egging the soloist on. Paul Lewis

Duration c.14 minutes

A PACK includes a full score, a solo violin part plus strings 4/4/3/4/2.'|9790222320765|LEWIS P|Paul Lewis|Shipley Concerto Pack|String Orchestra|50.00|625 GMCO199-00|||9790222320772|LEWIS P|Paul Lewis|Shipley Concerto Score|Orchestral Score|8.00|100 GMCO199-01|||9790222320789|LEWIS P|Paul Lewis|Shipley Concerto Violin 1|Orchestral Part|2.00|25 GMCO199-02|||9790222320796|LEWIS P|Paul Lewis|Shipley Concerto Violin 2|Orchestral Part|2.00|25 GMCO199-03|||9790222320802|LEWIS P|Paul Lewis|Shipley Concerto Viola|Orchestral Part|2.50|38 GMCO199-04|||9790222320819|LEWIS P|Paul Lewis|Shipley Concerto Cello|Orchestral Part|2.00|25 GMCO199-05|||9790222320826|LEWIS P|Paul Lewis|Shipley Concerto Bass|Orchestral Part|2.00|25 GMCO199-06|||9790222320833|LEWIS P|Paul Lewis|Shipley Concerto Solo Violin|Orchestral Part|2.50|38 GMCO200|Peter Lawson
STAR OF BETHLEHEM for choir and orchestra
Goodmusic Concert Originals No.200|'"Star of Bethlehem" is a set of three carols for Christmas and is a tribute to the memory of the late Kath Hayes with whom I collaborated on a number of projects, notably the recent "A Bed of Hay - Seven Carols for Christmas". In this I had set to music poems by Kath but although I wrote the words for the three Star of Bethlehem carols, they are partly in a similar style to that of Kath Hayes - in particular, recalling her love of animals and anthropomorphising their thoughts into human speech.
The carols, which can be performed individually or as a twelve-minute-long sequence, begin with Star of Bethlehem, in which the eponymous member of the lily family is discovered by a little lamb. The lily begs the lamb not to eat it and explains that it is named after the star which the shepherds saw and which the three wise men followed to find the baby Jesus. The lambs and sheep gather round and eagerly listen to the flower''s tale and are moved henceforth to respect it and let it grow in peace.
The second carol, A Wond''rous Night, recalls the chorus of angels singing and events that followed, as described by the flower in the first carol. The third carol, Come, Let''s Gather Mistletoe! juxtaposes secular verses describing the gathering of mistletoe to welcome Christmas guests, with the sacred reasons for the celebration. Peter Lawson

Orchestration:
2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (1 player: Triangle, Glockenspiel, Xylophone), Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir - SATB or SA+Men or SSA or TTBB
Choir copies are available separately:
SATB (GM371), SA+Men (GM372), SSA (GM373) or TTBB (GM374).
The orchestral parts are the same for whichever choir version is used.

A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
Duration 12 minutes'|9790222320864|LAWSON|Peter Lawson|Star of Bethlehem Pack|Orchestra|60.00|825 GMCO200-00|||9790222320871|LAWSON|Peter Lawson|Star of Bethlehem Score|Orchestral Score|8.00|100 GMCO200-01|||9790222320888|LAWSON|Peter Lawson|Star of Bethlehem Violin 1|Orchestral Part|2.00|25 GMCO200-02|||9790222320895|LAWSON|Peter Lawson|Star of Bethlehem Violin 2|Orchestral Part|2.00|25 GMCO200-03|||9790222320901|LAWSON|Peter Lawson|Star of Bethlehem Viola|Orchestral Part|2.00|25 GMCO200-04|||9790222320918|LAWSON|Peter Lawson|Star of Bethlehem Cello|Orchestral Part|2.00|25 GMCO200-05|||9790222320925|LAWSON|Peter Lawson|Star of Bethlehem Bass|Orchestral Part|2.00|25 GMCO200-06|||9790222320932|LAWSON|Peter Lawson|Star of Bethlehem Flute 1|Orchestral Part|1.50|13 GMCO200-07|||9790222320949|LAWSON|Peter Lawson|Star of Bethlehem Flute 2/Piccolo|Orchestral Part|1.50|13 GMCO200-08|||9790222320956|LAWSON|Peter Lawson|Star of Bethlehem Oboe 1|Orchestral Part|1.50|13 GMCO200-09|||9790222320963|LAWSON|Peter Lawson|Star of Bethlehem Oboe 2|Orchestral Part|1.50|13 GMCO200-10|||9790222320970|LAWSON|Peter Lawson|Star of Bethlehem Clarinet 1|Orchestral Part|1.50|13 GMCO200-11|||9790222320987|LAWSON|Peter Lawson|Star of Bethlehem Clarinet 2|Orchestral Part|1.50|13 GMCO200-12|||9790222320994|LAWSON|Peter Lawson|Star of Bethlehem Bassoon 1|Orchestral Part|2.00|25 GMCO200-13|||9790222321007|LAWSON|Peter Lawson|Star of Bethlehem Bassoon 2|Orchestral Part|2.00|25 GMCO200-14|||9790222321014|LAWSON|Peter Lawson|Star of Bethlehem Horn 1|Orchestral Part|1.50|13 GMCO200-15|||9790222321021|LAWSON|Peter Lawson|Star of Bethlehem Horn 2|Orchestral Part|1.50|13 GMCO200-16|||9790222321038|LAWSON|Peter Lawson|Star of Bethlehem Trumpet 1|Orchestral Part|1.50|13 GMCO200-17|||9790222321045|LAWSON|Peter Lawson|Star of Bethlehem Trumpet 2|Orchestral Part|1.50|13 GMCO200-18|||9790222321052|LAWSON|Peter Lawson|Star of Bethlehem Trombone 1|Orchestral Part|1.50|13 GMCO200-19|||9790222321069|LAWSON|Peter Lawson|Star of Bethlehem Trombone 2|Orchestral Part|1.50|13 GMCO200-20|||9790222321076|LAWSON|Peter Lawson|Star of Bethlehem Trombone 3|Orchestral Part|1.50|13 GMCO200-21|||9790222321083|LAWSON|Peter Lawson|Star of Bethlehem Tuba|Orchestral Part|1.50|13 GMCO200-22|||9790222321090|LAWSON|Peter Lawson|Star of Bethlehem Timpani|Orchestral Part|1.50|13 GMCO200-23|||9790222321106|LAWSON|Peter Lawson|Star of Bethlehem Percussion|Orchestral Part|1.50|13 GMCO200-24|||9790222321113|LAWSON|Peter Lawson|Star of Bethlehem Harp|Orchestral Part|2.00|25 GMCO201|'Peter Lawson
MARY''S PRAYER for choir and orchestra
Goodmusic Concert Originals No.201'|'"Mary''s Prayer" for choir and orchestra or piano is an unusual and beautifully simple, direct carol, recalling the Angel Gabriel''s message to the Virgin Mary that she was chosen to bear God''s son, who would be named Jesus. Her prayer forms the chorus - Mary asks that her little son be kept safe from those whom would shun his teachings.
Orchestration:
2 Flutes, 1 Oboe, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trombones, Percussion (1 player: Glockenspiel, Tubular Bell [Ab]), Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir - SATB or SA+Men or SSA or TTBB

Choir copies are available separately:
SATB (GM375), SA+Men (GM376), SSA (GM377) or TTBB (GM378).
The orchestral parts are the same for whichever choir version is used.

A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
Duration 5 minutes'|9790222321168|LAWSON|Peter Lawson|'Mary''s Prayer Pack'|Orchestra|30.00|425 GMCO201-00|||9790222321175|LAWSON|Peter Lawson|'Mary''s Prayer Score'|Orchestral Score|5.00|38 GMCO201-01|||9790222321182|LAWSON|Peter Lawson|'Mary''s Prayer Violin 1'|Orchestral Part|1.50|13 GMCO201-02|||9790222321199|LAWSON|Peter Lawson|'Mary''s Prayer Violin 2'|Orchestral Part|1.50|13 GMCO201-03|||9790222321205|LAWSON|Peter Lawson|'Mary''s Prayer Viola'|Orchestral Part|1.50|13 GMCO201-04|||9790222321212|LAWSON|Peter Lawson|'Mary''s Prayer Cello'|Orchestral Part|1.50|13 GMCO201-05|||9790222321229|LAWSON|Peter Lawson|'Mary''s Prayer Bass'|Orchestral Part|1.50|13 GMCO201-06|||9790222321236|LAWSON|Peter Lawson|'Mary''s Prayer Flute 1'|Orchestral Part|1.50|13 GMCO201-07|||9790222321243|LAWSON|Peter Lawson|'Mary''s Prayer Flute 2'|Orchestral Part|1.50|13 GMCO201-08|||9790222321250|LAWSON|Peter Lawson|'Mary''s Prayer Oboe'|Orchestral Part|1.50|7 GMCO201-09|||9790222321267|LAWSON|Peter Lawson|'Mary''s Prayer Clarinet 1'|Orchestral Part|1.50|13 GMCO201-10|||9790222321274|LAWSON|Peter Lawson|'Mary''s Prayer Clarinet 2'|Orchestral Part|1.50|13 GMCO201-11|||9790222321281|LAWSON|Peter Lawson|'Mary''s Prayer Bassoon 1'|Orchestral Part|1.50|13 GMCO201-12|||9790222321298|LAWSON|Peter Lawson|'Mary''s Prayer Bassoon 2'|Orchestral Part|1.50|7 GMCO201-13|||9790222321304|LAWSON|Peter Lawson|'Mary''s Prayer Horn 1'|Orchestral Part|1.50|13 GMCO201-14|||9790222321311|LAWSON|Peter Lawson|'Mary''s Prayer Horn 2'|Orchestral Part|1.50|13 GMCO201-15|||9790222321328|LAWSON|Peter Lawson|'Mary''s Prayer Trombone 1'|Orchestral Part|1.50|13 GMCO201-16|||9790222321335|LAWSON|Peter Lawson|'Mary''s Prayer Trombone 2'|Orchestral Part|1.50|13 GMCO201-17|||9790222321342|LAWSON|Peter Lawson|'Mary''s Prayer Percussion'|Orchestral Part|1.50|13 GMCO201-18|||9790222321359|LAWSON|Peter Lawson|'Mary''s Prayer Harp'|Orchestral Part|1.50|13 GMCO202|Peter Lawson
THIS BRIGHTEST OF DAYS! for choir and orchestra
Goodmusic Concert Originals No.202|"Christ is born, this brightest of days!"
A Carol for Christmas for choir and orchestra or piano.
Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (2 players: Cymbals, Bass Drum), Harp (or Keyboard) and Strings (Violin 1, Violin 2, Viola, Cello, Bass)
This Brightest of Days! is a rousing, uplifting carol, rich in dramatic contrast of music in joyous praise of the events surrounding the holy birth that Christmas morning, alternating with tender sections referring to the serenity of the stable in Bethlehem.
The carol can be performed with an orchestra accompaniment or with piano.
Four different choral versions are available:
SATB (GM379), SA+Men (GM380), SSA (GM381) or TTBB (GM382).
The orchestral parts are the same for whichever choir version is used.

A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
Duration 4 minutes|9790222321403|LAWSON|Peter Lawson|This Brightest of Days! Pack|Orchestra|35.00|519 GMCO202-00|||9790222321410|LAWSON|Peter Lawson|This Brightest of Days! Score|Orchestral Score|5.00|50 GMCO202-01|||9790222321427|LAWSON|Peter Lawson|This Brightest of Days! Violin 1|Orchestral Part|1.50|13 GMCO202-02|||9790222321434|LAWSON|Peter Lawson|This Brightest of Days! Violin 2|Orchestral Part|1.50|13 GMCO202-03|||9790222321441|LAWSON|Peter Lawson|This Brightest of Days! Viola|Orchestral Part|1.50|13 GMCO202-04|||9790222321458|LAWSON|Peter Lawson|This Brightest of Days! Cello|Orchestral Part|1.50|13 GMCO202-05|||9790222321465|LAWSON|Peter Lawson|This Brightest of Days! Bass|Orchestral Part|1.50|13 GMCO202-06|||9790222321472|LAWSON|Peter Lawson|This Brightest of Days! Flute 1|Orchestral Part|1.50|13 GMCO202-07|||9790222321489|LAWSON|Peter Lawson|This Brightest of Days! Flute 2|Orchestral Part|1.50|13 GMCO202-08|||9790222321496|LAWSON|Peter Lawson|This Brightest of Days! Oboe 1|Orchestral Part|1.50|13 GMCO202-09|||9790222321502|LAWSON|Peter Lawson|This Brightest of Days! Oboe 2|Orchestral Part|1.50|13 GMCO202-10|||9790222321519|LAWSON|Peter Lawson|This Brightest of Days! Clarinet 1|Orchestral Part|1.50|13 GMCO202-11|||9790222321526|LAWSON|Peter Lawson|This Brightest of Days! Clarinet 2|Orchestral Part|1.50|13 GMCO202-12|||9790222321533|LAWSON|Peter Lawson|This Brightest of Days! Bassoon 1|Orchestral Part|1.50|13 GMCO202-13|||9790222321540|LAWSON|Peter Lawson|This Brightest of Days! Bassoon 2|Orchestral Part|1.50|13 GMCO202-14|||9790222321557|LAWSON|Peter Lawson|This Brightest of Days! Horn 1|Orchestral Part|1.50|13 GMCO202-15|||9790222321564|LAWSON|Peter Lawson|This Brightest of Days! Horn 2|Orchestral Part|1.50|13 GMCO202-16|||9790222321571|LAWSON|Peter Lawson|This Brightest of Days! Trumpet 1|Orchestral Part|1.50|13 GMCO202-17|||9790222321588|LAWSON|Peter Lawson|This Brightest of Days! Trumpet 2|Orchestral Part|1.50|13 GMCO202-18|||9790222321595|LAWSON|Peter Lawson|This Brightest of Days! Trombone 1|Orchestral Part|1.50|13 GMCO202-19|||9790222321601|LAWSON|Peter Lawson|This Brightest of Days! Trombone 2|Orchestral Part|1.50|13 GMCO202-20|||9790222321618|LAWSON|Peter Lawson|This Brightest of Days! Trombone 3|Orchestral Part|1.50|13 GMCO202-21|||9790222321625|LAWSON|Peter Lawson|This Brightest of Days! Tuba|Orchestral Part|1.50|13 GMCO202-22|||9790222321632|LAWSON|Peter Lawson|This Brightest of Days! Timpani|Orchestral Part|1.50|7 GMCO202-23|||9790222321649|LAWSON|Peter Lawson|This Brightest of Days! Percussion|Orchestral Part|1.50|7 GMCO202-24|||9790222321656|LAWSON|Peter Lawson|This Brightest of Days! Harp|Orchestral Part|1.50|13 GMCO203|Paul Lewis
HASTINGS SUITE for orchestra
Goodmusic GMCO203|'Orchestration: Flute, Piccolo, 2 Oboes (2nd db. Cor Anglais), 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (3 players: 1. Tenor Drum, Snare Drum; 2. Tam-tam, Xylophone, Cymbals (clashed and Suspended), Glockenspiel; 3. Bass Drum), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Hastings, on the Sussex coast in England, has fascinated me since childhood. I moved to Hastings Old Town in 1967, and apart from an interlude when I moved away but was soon drawn back again, lived there until 1983. I have recently moved back into the area, now known as "1066 Country", and my enthusiasm for Hastings and its history remains. This suite is the result.

1. NORMAN INVADERS William the Conqueror landed at Pevensey in 1066 and marched his army to Hastings. The music borrows the theme from Castle Rising, a movement of my Norfolk Suite, written after research into Norman-French troubadour music of the period. Here it depicts Norman soldiers marching through Hastings and thence inland to defeat King Harold''s forces on Senlac Hill, where the town of Battle now stands.
2. ROCK-NORE-BY MOONLIGHT Rock-a-Nore is the area beneath the cliffs by the iconic fisherman''s harbour. Sketched in 1968, the music was inspired by a midnight walk and the view across the moonlit sea from the end of the promenade.
3. HASTINGS LIFEBOAT MARCH I was living in Hastings in the 1970s when Malcolm Arnold wrote his famous Padstow Lifeboat March. I determined then and there that Hastings Lifeboat should have its own march, and though I sketched it several times in the meantime it took a commission from the 2022 International Composers Festival to bring it to fruition. The march, which celebrates the bravado of the Hastings lifeboatmen, is dedicated to the RNLI, and was duly premiered by the festival orchestra under John Andrews at the De la Warr Pavilion in nearby Bexhill-on-Sea on May 22nd 2022 in the 2022 International Composers Festival.
Strangely, just when the March was being performed for the very first time the Hastings Lifeboat received a callout . . . . . Paul Lewis

A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
Duration 8 minutes'|9790222323636|LEWIS P|Paul Lewis|Hastings Suite Pack|Orchestra|60.00|900 GMCO203-00|||9790222323643|LEWIS P|Paul Lewis|Hastings Suite Score|Orchestral Score|12.00|138 GMCO203-01|||9790222323650|LEWIS P|Paul Lewis|Hastings Suite Violin 1|Orchestral Part|2.00|25 GMCO203-02|||9790222323667|LEWIS P|Paul Lewis|Hastings Suite Violin 2|Orchestral Part|2.00|25 GMCO203-03|||9790222323674|LEWIS P|Paul Lewis|Hastings Suite Viola|Orchestral Part|1.50|13 GMCO203-04|||9790222323681|LEWIS P|Paul Lewis|Hastings Suite Cello|Orchestral Part|1.50|13 GMCO203-05|||9790222323698|LEWIS P|Paul Lewis|Hastings Suite Bass|Orchestral Part|1.50|13 GMCO203-06|||9790222323704|LEWIS P|Paul Lewis|Hastings Suite Flute|Orchestral Part|1.50|13 GMCO203-07|||9790222323711|LEWIS P|Paul Lewis|Hastings Suite Piccolo|Orchestral Part|1.50|13 GMCO203-08|||9790222323728|LEWIS P|Paul Lewis|Hastings Suite Oboe 1|Orchestral Part|1.50|13 GMCO203-09|||9790222323735|LEWIS P|Paul Lewis|Hastings Suite Oboe 2/Cor Anglais|Orchestral Part|1.50|13 GMCO203-10|||9790222323742|LEWIS P|Paul Lewis|Hastings Suite Clarinet 1|Orchestral Part|1.50|13 GMCO203-11|||9790222323759|LEWIS P|Paul Lewis|Hastings Suite Clarinet 2|Orchestral Part|1.50|13 GMCO203-12|||9790222323766|LEWIS P|Paul Lewis|Hastings Suite Bassoon 1|Orchestral Part|1.50|13 GMCO203-13|||9790222323773|LEWIS P|Paul Lewis|Hastings Suite Bassoon 2|Orchestral Part|1.50|13 GMCO203-14|||9790222323780|LEWIS P|Paul Lewis|Hastings Suite Horn 1|Orchestral Part|1.50|13 GMCO203-15|||9790222323797|LEWIS P|Paul Lewis|Hastings Suite Horn 2|Orchestral Part|1.50|13 GMCO203-16|||9790222323803|LEWIS P|Paul Lewis|Hastings Suite Horn 3|Orchestral Part|1.50|13 GMCO203-17|||9790222323810|LEWIS P|Paul Lewis|Hastings Suite Horn 4|Orchestral Part|1.50|13 GMCO203-18|||9790222323827|LEWIS P|Paul Lewis|Hastings Suite Trumpet 1|Orchestral Part|1.50|13 GMCO203-19|||9790222323834|LEWIS P|Paul Lewis|Hastings Suite Trumpet 2|Orchestral Part|1.50|13 GMCO203-20|||9790222323841|LEWIS P|Paul Lewis|Hastings Suite Trumpet 3|Orchestral Part|1.50|13 GMCO203-21|||9790222323858|LEWIS P|Paul Lewis|Hastings Suite Trombone 1|Orchestral Part|1.50|13 GMCO203-22|||9790222323865|LEWIS P|Paul Lewis|Hastings Suite Trombone 2|Orchestral Part|1.50|13 GMCO203-23|||9790222323872|LEWIS P|Paul Lewis|Hastings Suite Trombone 3|Orchestral Part|1.50|13 GMCO203-24|||9790222323889|LEWIS P|Paul Lewis|Hastings Suite Tuba|Orchestral Part|1.50|13 GMCO203-25|||9790222323896|LEWIS P|Paul Lewis|Hastings Suite Timpani|Orchestral Part|1.50|13 GMCO203-26|||9790222323902|LEWIS P|Paul Lewis|Hastings Suite Percussion|Orchestral Part|2.50|38 GMCO203-27|||9790222323919|LEWIS P|Paul Lewis|Hastings Suite Harp/Keyboard|Orchestral Part|2.00|25 GMCO204|Paul Carr
STRING ELEGIES for string orchestra
Goodmusic Concert Originals GMCO204|Orchestration: Violin 1, Violin 2, Viola, Cello, Bass.
STRING ELEGIES is a collection of three pieces, originally composed for unaccompanied choir during lockdown in 2021, which I then arranged for string orchestra in January 2022, and dedicated separately to conductor Leslie Olive, my publisher David Good, and my brother Gavin Carr, all of whom have been instrumental in performances of my choral music over the years. Paul Carr

The three movements can be performed as a suite or as individual elegies.
String Elegy No.1: Music, When Soft Voices Die (Percy Bysshe Shelly)
String Elegy No.2: Be Still, My Soul (Katharina A. von Schlegel)
String Elegy No.3: Rain (Euan Tait)
Duration 15 minutes (each about 5 minutes)

A PACK includes a full score plus 4/4/3/4/2 string parts.|9790222323568|CARR P|Paul Carr|String Elegies Pack|String Orchestra|30.00|288 GMCO204-00|||9790222323575|CARR P|Paul Carr|String Elegies Score|Orchestral Score|5.00|50 GMCO204-01|||9790222323582|CARR P|Paul Carr|String Elegies Violin 1|Orchestral Part|2.00|25 GMCO204-02|||9790222323599|CARR P|Paul Carr|String Elegies Violin 2|Orchestral Part|2.00|25 GMCO204-03|||9790222323605|CARR P|Paul Carr|String Elegies Viola|Orchestral Part|1.50|13 GMCO204-04|||9790222323612|CARR P|Paul Carr|String Elegies Cello|Orchestral Part|1.50|13 GMCO204-05|||9790222323629|CARR P|Paul Carr|String Elegies Bass|Orchestral Part|1.50|13 GMCO205|Peter Lawson
CONCERTINO FOR CLARINET
Goodmusic Concert Originals GMCO205|'Orchestration; 2 Flutes (2nd db.Piccolo), 2 Oboes, 2nd Clarinet in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion [2 players: Glockenspiel, Vibraphone, Snare Drum, Tambourine, Suspended Cymbal (soft sticks)], Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Solo Clarinet in Bb

This is an orchestral version of the Song of the Northern Marsh Orchid, which is a Sonatina for Clarinet and Piano, written for Kei Ito and Reiko Isobe, for a concert in Japan in 2005. Kei Ito, once again the dedicatee in this 2022 concertino, has since been appointed to the post of Principal Clarinet of the NHK Symphony Orchestra, Tokyo - and is also a distinguished teacher and lecturer.
The Song of the Northern Marsh Orchid was the 26th in a series of musical portraits of the 48 wild orchids of Britain and Ireland, some for solo or chamber groups and others for orchestral forces. The Northern Marsh Orchid (Dactylorhiza purpurella) is compact, but lush and usually rich magenta in colour. Marsh orchids are rapidly evolving and not easy to pin down and categorise as stable species, but a characteristic of this particular plant is its flat top - as if someone had cut the top third or so off the many-flowered spike. Like all marsh orchids, it has upward-pointing bracts amongst the flower head, which can appear to give it a distinctively eastern appearance. Although this is reflected at times in the music, the distribution of the orchid is, in fact, north-westerly - the furthest east it has been recorded is western Norway and it extends westwards through northern Britain (particularly Scotland) and Ireland to the Faroe Islands.
The music, which particularly owes a debt of gratitude to Poulenc, is in three short inter-connected movements, which are loosely based on a colour-coding scheme of harmonies. Much of it is lightly scored, to allow the soloist to be heard clearly, but there are occasional brief moments of grandeur, which the full orchestra is allowed to underline. Near the end of the third movement, at the height of the orchid''s opulence, the plant is pollinated - at this point a cold wind blows across the music as the plant sets seed and dies down to shelter from the harsh winter. Peter Lawson
Duration 8 minutes
A PACK includes a score and full set of parts including 4/4/3/4/2 strings.
The Song of the Northern Marsh Orchid for clarinet and piano is also available.'|9790222323957|LAWSON|Peter Lawson|Concertino for Clarinet Pack|Orchestra|60.00|800 GMCO205-00|||9790222323964|LAWSON|Peter Lawson|Concertino for Clarinet Score|Orchestral Score|10.00|113 GMCO205-01|||9790222323971|LAWSON|Peter Lawson|Concertino for Clarinet Violin 1|Orchestral Part|1.50|13 GMCO205-02|||9790222323988|LAWSON|Peter Lawson|Concertino for Clarinet Violin 2|Orchestral Part|1.50|13 GMCO205-03|||9790222323995|LAWSON|Peter Lawson|Concertino for Clarinet Viola|Orchestral Part|1.50|13 GMCO205-04|||9790222324008|LAWSON|Peter Lawson|Concertino for Clarinet Cello|Orchestral Part|1.50|13 GMCO205-05|||9790222324015|LAWSON|Peter Lawson|Concertino for Clarinet Bass|Orchestral Part|1.50|13 GMCO205-06|||9790222324022|LAWSON|Peter Lawson|Concertino for Clarinet Flute 1|Orchestral Part|1.50|13 GMCO205-07|||9790222324039|LAWSON|Peter Lawson|Concertino for Clarinet Flute 2|Orchestral Part|1.50|13 GMCO205-08|||9790222324046|LAWSON|Peter Lawson|Concertino for Clarinet Oboe 1|Orchestral Part|1.50|13 GMCO205-09|||9790222324053|LAWSON|Peter Lawson|Concertino for Clarinet Oboe 2|Orchestral Part|1.50|13 GMCO205-10|||9790222324060|LAWSON|Peter Lawson|Concertino for Clarinet Clarinet 2|Orchestral Part|1.50|13 GMCO205-11|||9790222324077|LAWSON|Peter Lawson|Concertino for Clarinet Bassoon 1|Orchestral Part|1.50|13 GMCO205-12|||9790222324084|LAWSON|Peter Lawson|Concertino for Clarinet Bassoon 2|Orchestral Part|1.50|13 GMCO205-13|||9790222324091|LAWSON|Peter Lawson|Concertino for Clarinet Horn 1|Orchestral Part|1.50|13 GMCO205-14|||9790222324107|LAWSON|Peter Lawson|Concertino for Clarinet Horn 2|Orchestral Part|1.50|13 GMCO205-15|||9790222324114|LAWSON|Peter Lawson|Concertino for Clarinet Trumpet 1|Orchestral Part|1.50|13 GMCO205-16|||9790222324121|LAWSON|Peter Lawson|Concertino for Clarinet Trumpet 2|Orchestral Part|1.50|13 GMCO205-17|||9790222324138|LAWSON|Peter Lawson|Concertino for Clarinet Trombone 1|Orchestral Part|1.50|13 GMCO205-18|||9790222324145|LAWSON|Peter Lawson|Concertino for Clarinet Trombone 2|Orchestral Part|1.50|13 GMCO205-19|||9790222324152|LAWSON|Peter Lawson|Concertino for Clarinet Trombone 3|Orchestral Part|1.50|13 GMCO205-20|||9790222324169|LAWSON|Peter Lawson|Concertino for Clarinet Tuba|Orchestral Part|1.50|13 GMCO205-21|||9790222324176|LAWSON|Peter Lawson|Concertino for Clarinet Timpani|Orchestral Part|1.50|13 GMCO205-22|||9790222324183|LAWSON|Peter Lawson|Concertino for Clarinet Percussion|Orchestral Part|1.50|13 GMCO205-23|||9790222324190|LAWSON|Peter Lawson|Concertino for Clarinet Harp|Orchestral Part|2.00|25 GMCO205-24|||9790222324206|LAWSON|Peter Lawson|Concertino for Clarinet Solo Clar.|Orchestral Part|2.00|25 GMCO206|Clive Jenkins
FANTASY FOR HORN & STRINGS
Goodmusic Concert Originals GMCO206|With a different title and in another arrangement, Fantasy for Horn premiered in Plymouth Guildhall in March, 2002 played by the South West Sinfonietta under Derek Kitt. It had been commissioned by Plymouth Music Accord to promote a brilliant young horn player, Andrew Maher, now a long-standing member of the Halle Orchestra and the Metropolitan Brass Ensemble. This version with string orchestra accompaniment was made in 2022 for the Chamber Ensemble of London and the Turkish horn player Kerim Gurerk for a performance at St Martin-in-the-Fields in London.
Duration 6 minutes
A PACK includes a full score, strings 4/4/3/4/2 plus a solo horn part.
Also available for horn and piano - GM438.|9790222325586|JENKINS C|Clive Jenkins|Fantasy for Horn & Strings Pack|String Orchestra|30.00|288 GMCO206-00|||9790222325593|JENKINS C|Clive Jenkins|Fantasy for Horn & Strings Score|Orchestral Score|5.00|38 GMCO206-01|||9790222325609|JENKINS C|Clive Jenkins|Fantasy for Horn & Strings Violin 1|Orchestral Part|1.50|13 GMCO206-02|||9790222325616|JENKINS C|Clive Jenkins|Fantasy for Horn & Strings Violin 2|Orchestral Part|1.50|13 GMCO206-03|||9790222325623|JENKINS C|Clive Jenkins|Fantasy for Horn & Strings Viola|Orchestral Part|1.50|13 GMCO206-04|||9790222325630|JENKINS C|Clive Jenkins|Fantasy for Horn & Strings Cello|Orchestral Part|1.50|13 GMCO206-05|||9790222325647|JENKINS C|Clive Jenkins|Fantasy for Horn & Strings Bass|Orchestral Part|1.50|13 GMCO206-06|||9790222325654|JENKINS C|Clive Jenkins|Fantasy for Horn & Strings Horn|Orchestral Part|1.50|13 GMCO207|Zebedee Strudwick
WALKS WITH ELGAR for orchestra
Goodmusic Concert Originals GMCO207|'Orchestration: 2 Flutes, 2 Oboes, 2 Clarinets in Bb & A [A clarinet optional], 2 Bassoons,
2 Horns in F, 2 Trumpets in Bb, 2 Trombones, Timpani
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Walks with Elgar is a suite in five movements written during the period of lockdown due to the Covid-19 pandemic. The movements were inspired by different atmospheres I encountered while walking with my Airedale Terrier named "Elgar" - an activity that preserved my health, both physical and mental, during very difficult and highly solitary times. The five movements are titled:
1. A Spring Morning''s Walk
2. Dusk Walk
3. Desolate Reflection
4. On the Hilltop - Song of Thanks
5. Elgar the Airedale
The first movement is cheery and light-hearted, capturing the fresh, breezy atmosphere the title suggests. The second movement, in a jazzy trudge, encapsulates the wistful longing and deep orange sunset of a lonely evening - this segues into the third movement, "Desolate Reflection", which is ominously still and atmospheric, whilst contemplating the surreal emptiness of an abandoned world due to social distancing and isolation, both calmly beautiful, but interspersed with moments of horror.
The fourth movement is in two main sections - the first in D minor is fateful and contains some of the darkest and most brooding moments experienced in these difficult times, suffering great anxiety with the contemplation of mortality. This gives way to the second section in D-flat major, which is deeply reverential and titled "Song of Thanks" - in a gentle classical hymn-like style. This is one of the most spiritual moments, expressing a gratitude to be alive - to have survived such horrific moments of panic, and a deep tranquil sense of acceptance.
In the final movement, there is a return to jollity, reflecting on the carefree fun of my dog Elgar, whose life is far simpler as he trots and gallivants, leaps and bounds, making the most of living in the moment, without worrying about everything! The discerning listener will notice the quote from Elgar''s Cello Concerto - plagiarism isn''t usually my style, but the brief excerpt is fitting, both musically and in reference to the pooch''s namesake! Zebedee Strudwick

A PACK includes a full score plus a full set of wind, brass and timpani parts plus strings 4/4/3/4/2.
Duration c20 minutes'|9790222325678|STRUDWICK|Zebedee Strudwick|Walks with Elgar Pack|Orchestra|70.00|1013 GMCO207-00|||9790222325685|STRUDWICK|Zebedee Strudwick|Walks with Elgar Score|Orchestral Score|12.00|150 GMCO207-01|||9790222325692|STRUDWICK|Zebedee Strudwick|Walks with Elgar Violin 1|Orchestral Part|2.50|38 GMCO207-02|||9790222325708|STRUDWICK|Zebedee Strudwick|Walks with Elgar Violin 2|Orchestral Part|2.50|38 GMCO207-03|||9790222325715|STRUDWICK|Zebedee Strudwick|Walks with Elgar Viola|Orchestral Part|2.00|25 GMCO207-04|||9790222325722|STRUDWICK|Zebedee Strudwick|Walks with Elgar Cello|Orchestral Part|2.00|25 GMCO207-05|||9790222325739|STRUDWICK|Zebedee Strudwick|Walks with Elgar Bass|Orchestral Part|2.00|25 GMCO207-06|||9790222325746|STRUDWICK|Zebedee Strudwick|Walks with Elgar Flute 1|Orchestral Part|2.00|25 GMCO207-07|||9790222325753|STRUDWICK|Zebedee Strudwick|Walks with Elgar Flute 2|Orchestral Part|2.00|25 GMCO207-08|||9790222325760|STRUDWICK|Zebedee Strudwick|Walks with Elgar Oboe 1|Orchestral Part|2.00|25 GMCO207-09|||9790222325777|STRUDWICK|Zebedee Strudwick|Walks with Elgar Oboe 2|Orchestral Part|2.00|25 GMCO207-10|||9790222325784|STRUDWICK|Zebedee Strudwick|Walks with Elgar Clarinet 1|Orchestral Part|2.50|38 GMCO207-11|||9790222325791|STRUDWICK|Zebedee Strudwick|Walks with Elgar Clarinet 2|Orchestral Part|2.50|38 GMCO207-12|||9790222325807|STRUDWICK|Zebedee Strudwick|Walks with Elgar Bassoon 1|Orchestral Part|2.00|25 GMCO207-13|||9790222325814|STRUDWICK|Zebedee Strudwick|Walks with Elgar Bassoon 2|Orchestral Part|2.00|25 GMCO207-14|||9790222325821|STRUDWICK|Zebedee Strudwick|Walks with Elgar Horn 1|Orchestral Part|2.00|25 GMCO207-15|||9790222325838|STRUDWICK|Zebedee Strudwick|Walks with Elgar Horn 2|Orchestral Part|2.00|25 GMCO207-16|||9790222325845|STRUDWICK|Zebedee Strudwick|Walks with Elgar Trumpet 1|Orchestral Part|1.50|13 GMCO207-17|||9790222325852|STRUDWICK|Zebedee Strudwick|Walks with Elgar Trumpet 2|Orchestral Part|1.50|13 GMCO207-18|||9790222325869|STRUDWICK|Zebedee Strudwick|Walks with Elgar Trombone 1|Orchestral Part|1.50|13 GMCO207-19|||9790222325876|STRUDWICK|Zebedee Strudwick|Walks with Elgar Trombone 2|Orchestral Part|1.50|13 GMCO207-20|||9790222325883|STRUDWICK|Zebedee Strudwick|Walks with Elgar Timpani|Orchestral Part|1.50|13 GMCO208|Paul Lewis
CONCERTINO FOR OBOE
Goodmusic GMCO208|'Orchestration: Solo Oboe & Strings (Violin 1, Violin 2, Viola, Cello, Bass)
In 1966 I wrote a flute, oboe and harp score for a charming children''s TV series called I Am David. The eminent oboist Derek Wickens played on the recording sessions and I so enjoyed his beautiful playing and his amiable personality that I wrote this Concertino for him the following year. Having said he''d play it, (sight unseen,) he moved abroad before I could finish it, whereupon we lost touch. The work then sat for fifty-three years, unfinished but never forgotten, in what I call my "composer''s bottom drawer", until in 2020 I heard oboist Owen Dennis performing with the Corelli Ensemble and decided to present the Concertino to them. I''m happy to say they immediately programmed the premiere for October 23rd, 2022.
Concertino for Oboe and Strings has four movements:
1. Allegretto A good-natured and optimistic theme is contrasted with calm, reflective interludes.
2. Moderato Predominantly slow and romantic with a middle section over a "walking bass".
3. Scherzetto Energetic and rhythmic.
4. Interrupted Aria A slow, lyrical melody, somewhat operatic in nature, is twice interrupted by an urgent, syncopated motif.
Though not intended to be in any way programmatic, the concertino is indelibly associated in my mind with with my early years in Hastings Old Town, whereto I had recently moved when I wrote it, and walks with my dog over the East Hill to Ecclesbourne Glen. Paul Lewis

A PACK includes a full score plus a solo oboe part plus strings 4/4/3/4/2.
Duration 11 minutes'|9790222325920|LEWIS P|Paul Lewis|Concertino for Oboe Pack|String Orchestra|40.00|538 GMCO208-00|||9790222325937|LEWIS P|Paul Lewis|Concertino for Oboe Score|Orchestral Score|6.00|63 GMCO208-01|||9790222325944|LEWIS P|Paul Lewis|Concertino for Oboe Violin 1|Orchestral Part|2.00|25 GMCO208-02|||9790222325951|LEWIS P|Paul Lewis|Concertino for Oboe Violin 2|Orchestral Part|2.00|25 GMCO208-03|||9790222325968|LEWIS P|Paul Lewis|Concertino for Oboe Viola|Orchestral Part|2.00|25 GMCO208-04|||9790222325975|LEWIS P|Paul Lewis|Concertino for Oboe Cello|Orchestral Part|2.00|25 GMCO208-05|||9790222325982|LEWIS P|Paul Lewis|Concertino for Oboe Bass|Orchestral Part|2.00|25 GMCO208-06|||9790222325999|LEWIS P|Paul Lewis|Concertino for Oboe Solo Oboe|Orchestral Part|2.00|25 GMCO209|Judith Bailey
KESSENYANS KERTH ALS for orchestra
Goodmusic Concert Originals GMCO209|Orchestration: 2 Flutes, 2 Oboes, Clarinet in Bb, Bassoon, 2 Horns in F
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

This work was composed in 2007 for the Cornwall Chamber Orchestra who gave the first performance in January 2008. The Cornish title is Kessenyans kerth alls or "Cliff Walk Symphony" in English. It is in a single movement about eight minutes long and consists of closely related material. After a brief introduction, there is a jaunty theme which recurs in part during the central slow section and in fugal form at the end. There are several pauses which could relate to seeing a new view on turning a corner or reaching the brow of a hill.
A PACK includes a full score plus a full set of wind and brass parts plus strings 4/4/3/4/2.
Duration 8 minutes|9790222326026|BAILEY J|Judith Bailey|Kessenyans Kerth Als Pack|Orchestra|35.00|450 GMCO209-00|||9790222326033|BAILEY J|Judith Bailey|Kessenyans Kerth Als Score|Orchestral Score|10.00|113 GMCO209-01|||9790222326040|BAILEY J|Judith Bailey|Kessenyans Kerth Als Violin 1|Orchestral Part|1.50|13 GMCO209-02|||9790222326057|BAILEY J|Judith Bailey|Kessenyans Kerth Als Violin 2|Orchestral Part|1.50|13 GMCO209-03|||9790222326064|BAILEY J|Judith Bailey|Kessenyans Kerth Als Viola|Orchestral Part|1.50|13 GMCO209-04|||9790222326071|BAILEY J|Judith Bailey|Kessenyans Kerth Als Cello|Orchestral Part|1.50|13 GMCO209-05|||9790222326088|BAILEY J|Judith Bailey|Kessenyans Kerth Als Bass|Orchestral Part|1.50|13 GMCO209-06|||9790222326095|BAILEY J|Judith Bailey|Kessenyans Kerth Als Flute 1|Orchestral Part|1.50|13 GMCO209-07|||9790222326101|BAILEY J|Judith Bailey|Kessenyans Kerth Als Flute 2|Orchestral Part|1.50|13 GMCO209-08|||9790222326118|BAILEY J|Judith Bailey|Kessenyans Kerth Als Oboe 1|Orchestral Part|1.50|13 GMCO209-09|||9790222326125|BAILEY J|Judith Bailey|Kessenyans Kerth Als Oboe 2|Orchestral Part|1.50|13 GMCO209-10|||9790222326132|BAILEY J|Judith Bailey|Kessenyans Kerth Als Clarinet|Orchestral Part|1.50|13 GMCO209-11|||9790222326149|BAILEY J|Judith Bailey|Kessenyans Kerth Als Bassoon|Orchestral Part|1.50|13 GMCO209-12|||9790222326156|BAILEY J|Judith Bailey|Kessenyans Kerth Als Horn 1|Orchestral Part|1.50|13 GMCO209-13|||9790222326163|BAILEY J|Judith Bailey|Kessenyans Kerth Als Horn 2|Orchestral Part|1.50|13 GMCO210|Peter Lawson
THE GIANT ORCHID for string orchestra
Goodmusic Concert Originals GMCO210|Orchestration: Violin 1, Violin 2, Viola, Cello, Bass
There have been, in recent years, two newcomers to the wild orchids of Britain and Ireland, namely the Small and Greater Tongue Orchids. However, few botanists would ever have expected the formerly Mediterranean species, Giant Orchid, Himantoglossum robertianum, to grow in the English climate, let alone in March, when frost and even late snow are not uncommon. But this has actually happened, on a steep bank in Oxfordshire, on privately-owned land near Didcot, in 2022, when a colony of 19 plants were discovered, 9 of which were in flower.
On the basis that the Giant Orchid could well be here to stay, I have therefore extended my addenda of musical portraits of the orchids of Great Britain and Ireland to include the new arrival. Hence The Giant Orchid, a piece for string orchestra in three short movements. Peter Lawson
A PACK includes a full score plus strings 4/4/3/4/2
Duration 7? minutes|9790222326200|LAWSON|Peter Lawson|The Giant Orchid Pack|String Orchestra|30.00|275 GMCO210-00|||9790222326217|LAWSON|Peter Lawson|The Giant Orchid Score|Orchestral Score|5.00|38 GMCO210-01|||9790222326224|LAWSON|Peter Lawson|The Giant Orchid Violin 1|Orchestral Part|1.50|13 GMCO210-02|||9790222326231|LAWSON|Peter Lawson|The Giant Orchid Violin 2|Orchestral Part|1.50|13 GMCO210-03|||9790222326248|LAWSON|Peter Lawson|The Giant Orchid Viola|Orchestral Part|1.50|13 GMCO210-04|||9790222326255|LAWSON|Peter Lawson|The Giant Orchid Cello|Orchestral Part|1.50|13 GMCO210-05|||9790222326262|LAWSON|Peter Lawson|The Giant Orchid Bass|Orchestral Part|1.50|13 GMCO211|Paul Lewis
SEAFORD SKETCHES for harp & strings
Goodmusic Concert Originals GMCO211|'Orchestration: Violin 1, Violin 2, Viola, Cello, Bass, Harp
A suite of six movements depicting scenes around Seaford in Sussex.
THE CUCKMERE The river Cuckmere flows gracefully down the slopes of the Weald through the South Downs before meandering picturesquely through Cuckmere Haven to join the sea by the chalk cliffs of the Seven Sisters.
SEAFORD HEAD The headland between Cuckmere Haven and Seaford town was for a long time the scene of dastardly deeds as smugglers would hang lanterns there at night to lure ships onto the rocks below and plunder their cargoes. The music opens with thunder, lightning and driving rain before harp chords announce the sighting of a ship, whereupon urgent signals are passed between the smugglers until they set out, stealthily at first but increasingly brazenly, till the ship is wrecked and robbed. They march away from the beach with their booty and the movement ends with a final crash of thunder and lightning as the storm passes.
THE CRYPT The stone undercroft of a 13th century house. The movement is based on Sumer Is Icumen In, a 13th century round,
TIDE MILLS Now a lost village but once a lively community working the 18th century flour mills just outside Seaford.
BISHOPSTONE A sleepy, picturesque village on a road going nowhere on the outskirts of Seaford, famous for its eighth century Saxon church.
THE MARTELLO TOWER The tower was built in 1811 in anticipation of invasion by Napoleon. Martial music portrays French troops mustering across the Channel for the intended invasion. Snatches of the Marseillaise and Rule Britannia answer one another until the tower''s cannon is fired in an act of defiance. Rule Britannia then becomes a merry skater''s waltz and is followed by a chorus of Sussex by the Sea, the county''s unofficial anthem.
A PACK includes a full score plus strings 4/4/3/4/2 and harp.
Duration 21 minutes'|9790222326521|LEWIS P|Paul Lewis|Seaford Sketches Pack|String Orchestra|60.00|988 GMCO211-00|||9790222326538|LEWIS P|Paul Lewis|Seaford Sketches Score|Orchestral Score|10.00|125 GMCO211-01|||9790222326545|LEWIS P|Paul Lewis|Seaford Sketches Violin 1|Orchestral Part|2.50|38 GMCO211-02|||9790222326552|LEWIS P|Paul Lewis|Seaford Sketches Violin 2|Orchestral Part|2.50|38 GMCO211-03|||9790222326569|LEWIS P|Paul Lewis|Seaford Sketches Viola|Orchestral Part|2.50|38 GMCO211-04|||9790222326576|LEWIS P|Paul Lewis|Seaford Sketches Cello|Orchestral Part|2.50|38 GMCO211-05|||9790222326583|LEWIS P|Paul Lewis|Seaford Sketches Bass|Orchestral Part|2.50|38 GMCO211-06|||9790222326590|LEWIS P|Paul Lewis|Seaford Sketches Harp|Orchestral Part|3.00|50 GMCO212|Paul Carr
GENTLE FALLS THE RAIN for string orchestra
Goodmusic Concert Originals GMCO212|Orchestration: Violin 1, Violin 2, Viola, Violoncello, Double Bass.
GENTLE FALLS THE RAIN started life as an unaccompanied choral piece to words by Euan Tait, but sometimes I like to arrange my own music for other instruments, as is the case with this simple, but passionate song; this version is dedicated to Richard Robbins who often uses a small string ensemble to accompany various choral concerts of the many choirs he conducts. Having recently included my Air for Strings in a concert, Richard asked if I had anything else in a similar vein, so taking my original choral setting of Rain as a starting point, I have fashioned an extended version as an elegy for string orchestra.
A PACK includes a full score plust strings 4/4/3/4/2
Duration 6 minutes|9790222326644|CARR P|Paul Carr|Gentle Falls the Rain Pack|String Orchestra|26.00|266 GMCO212-00|||9790222326651|CARR P|Paul Carr|Gentle Falls the Rain Score|Orchestral Score|5.00|25 GMCO212-01|||9790222326668|CARR P|Paul Carr|Gentle Falls the Rain Violin 1|Orchestral Part|1.50|13 GMCO212-02|||9790222326675|CARR P|Paul Carr|Gentle Falls the Rain Violin 2|Orchestral Part|1.50|13 GMCO212-03|||9790222326682|CARR P|Paul Carr|Gentle Falls the Rain Viola|Orchestral Part|1.50|13 GMCO212-04|||9790222326699|CARR P|Paul Carr|Gentle Falls the Rain Cello|Orchestral Part|1.50|13 GMCO212-05|||9790222326705|CARR P|Paul Carr|Gentle Falls the Rain Bass|Orchestral Part|1.50|13 GMCO213|Clive Jenkins
ROYAL WINDSOR for string orchestra
Goodmusic Concert Originals GMCO213|'Orchestration: Violin 1, Violin 2, Viola, Cello, Bass.
"Royal Windsor" was composed as a celebratory piece for King Charles III''s coronation year in 2023. It was first performed by the Countess of Wessex''s String Orchestra at a concert in the Royal Military (Guards'') Chapel to whom it is dedicated. Clive Jenkins
A PACK includes a full score plus 4/4/3/4/2 strings.
Duration 4 minutes'|9790222326989|JENKINS C|Clive Jenkins|Royal Windsor Pack|String Orchestra|26.00|279 GMCO213-00|||9790222326996|JENKINS C|Clive Jenkins|Royal Windsor Score|Orchestral Score|5.00|38 GMCO213-01|||9790222327009|JENKINS C|Clive Jenkins|Royal Windsor Violin 1|Orchestral Part|1.50|13 GMCO213-02|||9790222327016|JENKINS C|Clive Jenkins|Royal Windsor Violin 2|Orchestral Part|1.50|13 GMCO213-03|||9790222327023|JENKINS C|Clive Jenkins|Royal Windsor Viola|Orchestral Part|1.50|13 GMCO213-04|||9790222327030|JENKINS C|Clive Jenkins|Royal Windsor Cello|Orchestral Part|1.50|13 GMCO213-05|||9790222327047|JENKINS C|Clive Jenkins|Royal Windsor Bass|Orchestral Part|1.50|13 GMCO214|Paul Lewis
A CELEBRATORY OVERTURE for orchestra
Goodmusic Concert Originals GMCO214|'Orchestration: Flute, Piccolo, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
4 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani
Percussion (2 players; Player 1: Snare Drum; Player 2: Cymbals, Tam-tam, Tambourine, Glockenspiel), Harp
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

In 2016 the BBC Concert Orchestra opened the annual English Music Festival at Dorchester-on-Thames in Oxfordshire with An Optimistic Overture, which I dedicated to the festival''s founder/director Em Marshall-Luck.
I was delighted therefore to be asked to provide another celebratory piece for the BBC Concert Orchestra to open the 2023 English Music Festival, especially as in addition to celebrating the orchestra and the English Music Festival it gave me the opportunity to celebrate the coronation of King Charles III and also my own eightieth birthday which took place shortly before the festival! Paul Lewis

A PACK includes a full score plus a full set of wind, brass and percussion parts plus strings 4/4/3/4/2.
Duration 4 minutes'|9790222328167|LEWIS P|Paul Lewis|Celebratory Overture Pack|Orchestra|40.00|584 GMCO214-00|||9790222328174|LEWIS P|Paul Lewis|Celebratory Overture Score|Orchestral Score|6.00|75 GMCO214-01|||9790222328181|LEWIS P|Paul Lewis|Celebratory Overture Violin 1|Orchestral Part|1.50|13 GMCO214-02|||9790222328198|LEWIS P|Paul Lewis|Celebratory Overture Violin 2|Orchestral Part|1.50|13 GMCO214-03|||9790222328204|LEWIS P|Paul Lewis|Celebratory Overture Viola|Orchestral Part|1.50|13 GMCO214-04|||9790222328211|LEWIS P|Paul Lewis|Celebratory Overture Cello|Orchestral Part|1.50|13 GMCO214-05|||9790222328228|LEWIS P|Paul Lewis|Celebratory Overture Bass|Orchestral Part|1.50|13 GMCO214-06|||9790222328235|LEWIS P|Paul Lewis|Celebratory Overture Piccolo|Orchestral Part|1.50|13 GMCO214-07|||9790222328242|LEWIS P|Paul Lewis|Celebratory Overture Flute|Orchestral Part|1.50|13 GMCO214-08|||9790222328259|LEWIS P|Paul Lewis|Celebratory Overture Oboe 1|Orchestral Part|1.50|13 GMCO214-09|||9790222328266|LEWIS P|Paul Lewis|Celebratory Overture Oboe 2|Orchestral Part|1.50|13 GMCO214-10|||9790222328273|LEWIS P|Paul Lewis|Celebratory Overture Clarinet 1|Orchestral Part|1.50|13 GMCO214-11|||9790222328280|LEWIS P|Paul Lewis|Celebratory Overture Clarinet 2|Orchestral Part|1.50|13 GMCO214-12|||9790222328297|LEWIS P|Paul Lewis|Celebratory Overture Bassoon 1|Orchestral Part|1.50|13 GMCO214-13|||9790222328303|LEWIS P|Paul Lewis|Celebratory Overture Bassoon 2|Orchestral Part|1.50|13 GMCO214-14|||9790222328310|LEWIS P|Paul Lewis|Celebratory Overture Horn 1|Orchestral Part|1.50|13 GMCO214-15|||9790222328327|LEWIS P|Paul Lewis|Celebratory Overture Horn 2|Orchestral Part|1.50|13 GMCO214-16|||9790222328334|LEWIS P|Paul Lewis|Celebratory Overture Horn 3|Orchestral Part|1.50|13 GMCO214-17|||9790222328341|LEWIS P|Paul Lewis|Celebratory Overture Horn 4|Orchestral Part|1.50|13 GMCO214-18|||9790222328358|LEWIS P|Paul Lewis|Celebratory Overture Trumpet 1|Orchestral Part|1.50|13 GMCO214-19|||9790222328365|LEWIS P|Paul Lewis|Celebratory Overture Trumpet 2|Orchestral Part|1.50|13 GMCO214-20|||9790222328372|LEWIS P|Paul Lewis|Celebratory Overture Trombone 1|Orchestral Part|1.50|13 GMCO214-21|||9790222328389|LEWIS P|Paul Lewis|Celebratory Overture Trombone 2|Orchestral Part|1.50|13 GMCO214-22|||9790222328396|LEWIS P|Paul Lewis|Celebratory Overture Trombone 3|Orchestral Part|1.50|13 GMCO214-23|||9790222328402|LEWIS P|Paul Lewis|Celebratory Overture Timpani|Orchestral Part|1.50|13 GMCO214-24|||9790222328419|LEWIS P|Paul Lewis|Celebratory Overture Percussion|Orchestral Part|1.50|13 GMCO214-25|||9790222328426|LEWIS P|Paul Lewis|Celebratory Overture Harp|Orchestral Part|1.50|13 GMCO215|Paul Lewis
KAIMAI SUNSET for harp and strings
Goodmusic Concert Originals GMCO215|Orchestration: Solo Harp, Violin 1, Violin 2, Viola, Cello, Bass
The harp plays a gently unwinding romantic melody, taking us on a quasi-improvisational journey of ever-increasing intensity while muted strings supply a supportive bed of sensuous harmonies.
Kaimai Sunset was composed in 2008 in Tauranga, New Zealand, and formed the slow movement of Tauranga Concerto for clarinet and strings. The melody was inspired by the intense and ever-changing colours of the sun as it set behind the Kaimai Hills, and is lovingly dedicated to my wife Sharon who watched the sunsets with me.
This arrangement for harp and strings was in turn inspired by the heartfelt playing of twelve year-old Polish harp prodigy Zarina Zaradna. Paul Lewis

A PACK includes a full score, solo harp parrt and 4/4/3/4/2 string parts.
Duration 6 minutes|9790222328082|LEWIS P|Paul Lewis|Kaimai Sunset Pack|String Orchestra|26.00|304 GMCO215-00|||9790222328099|LEWIS P|Paul Lewis|Kaimai Sunset Score|Orchestral Score|5.00|50 GMCO215-01|||9790222328105|LEWIS P|Paul Lewis|Kaimai Sunset Violin 1|Orchestral Part|1.50|13 GMCO215-02|||9790222328112|LEWIS P|Paul Lewis|Kaimai Sunset Violin 2|Orchestral Part|1.50|13 GMCO215-03|||9790222328129|LEWIS P|Paul Lewis|Kaimai Sunset Viola|Orchestral Part|1.50|13 GMCO215-04|||9790222328136|LEWIS P|Paul Lewis|Kaimai Sunset Cello|Orchestral Part|1.50|13 GMCO215-05|||9790222328143|LEWIS P|Paul Lewis|Kaimai Sunset Bass|Orchestral Part|1.50|13 GMCO215-06|||9790222328150|LEWIS P|Paul Lewis|Kaimai Sunset Solo Harp|Orchestral Part|1.50|13 GMCP001|THE PINK PANTHER (arr.Richard Ling)
Concert Pops Series GMCP001
Composed by Henry Mancini|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 1 Bassoon, Alto Saxophone in Eb
2 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Side drum, Bass drum, Triangle, Suspended cymbal)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The "Pink Panther" films which starred Peter Sellers as the inept French Police Inspector Clouseau are always popular; the theme possibly even more so, with its mysterious opening and brash brass in the centre section.
Duration: 4 minutes
Not for sale in USA or Canada
AA PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222224988|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Pack|Orchestra|70.00|572 GMCP001-00|||9790222224995|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Score|Orchestral Score|8.00|88 GMCP001-01|||9790222225008|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Violin 1|Orchestral Part|1.50|13 GMCP001-02|||9790222225015|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Violin 2|Orchestral Part|1.50|13 GMCP001-03|||9790222225022|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Viola|Orchestral Part|1.50|13 GMCP001-04|||9790222225039|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Cello|Orchestral Part|1.50|13 GMCP001-05|||9790222225046|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Bass|Orchestral Part|1.50|13 GMCP001-06|||9790222225053|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Flute 1+2|Orchestral Part|1.50|13 GMCP001-07|||9790222225060|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Oboe 1+2|Orchestral Part|1.50|13 GMCP001-08|||9790222225077|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Clarinet1+2|Orchestral Part|1.50|13 GMCP001-09|||9790222225084|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Alto Sax|Orchestral Part|1.50|13 GMCP001-10|||9790222225091|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Bassoon|Orchestral Part|1.50|13 GMCP001-11|||9790222225107|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Horn 1+2|Orchestral Part|1.50|13 GMCP001-12|||9790222225114|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Trp 1+2+3|Orchestral Part|1.50|13 GMCP001-13|||9790222225121|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Trb 1+2|Orchestral Part|1.50|13 GMCP001-14|||9790222225138|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Trb 3+Tuba|Orchestral Part|1.50|13 GMCP001-15|||9790222225145|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Perc 1|Orchestral Part|1.50|13 GMCP001-16|||9790222225152|MANCINI|Henry Mancini|Pink Panther (arr.Ling) Perc 2|Orchestral Part|1.50|13 GMCP002|SEND IN THE CLOWNS (arr.David Good)
Concert Pops Series GMCP002
Composed by Stephen Sondheim|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, Alto Saxophone in Eb (optional)
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Suspended cymbal, Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Stephen Sondheim is a composer of many musical shows. He first became known, however, as a lyricist writing the words for some of the songs in Leonard Bernstein''s "Candide" in 1956 and then for "West Side Story"the following year. He then took to writing words AND music and in 1973 this beautiful ballad, "Send in the Clowns" taken from his show "A Little Night Music", became an international hit.
Duration: 3? minutes
Not for sale in USA or Canada
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222224803|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Pack|Orchestra|30.00|330 GMCP002-00|||9790222224810|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Sc|Orchestral Score|5.00|50 GMCP002-01|||9790222224827|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Vln 1|Orchestral Part|1.50|7 GMCP002-02|||9790222224834|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Vln 2|Orchestral Part|1.50|7 GMCP002-03|||9790222224841|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Viola|Orchestral Part|1.50|7 GMCP002-04|||9790222224858|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Cello|Orchestral Part|1.50|7 GMCP002-05|||9790222224865|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Bass|Orchestral Part|1.50|7 GMCP002-06|||9790222224872|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Fl1+2|Orchestral Part|1.50|7 GMCP002-07|||9790222224889|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Ob1+2|Orchestral Part|1.50|7 GMCP002-08|||9790222224896|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Cl1+2|Orchestral Part|1.50|7 GMCP002-09|||9790222224902|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) A.sax|Orchestral Part|1.50|7 GMCP002-10|||9790222224919|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Bn1+2|Orchestral Part|1.50|7 GMCP002-11|||9790222224926|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Hn1+2|Orchestral Part|1.50|7 GMCP002-12|||9790222224933|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Tr1+2|Orchestral Part|1.50|7 GMCP002-13|||9790222224940|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good)Trb1+2|Orchestral Part|1.50|7 GMCP002-14|||9790222224957|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good)Trb3Ta|Orchestral Part|1.50|7 GMCP002-15|||9790222224964|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Timp|Orchestral Part|1.50|7 GMCP002-16|||9790222224971|SONDHEIM|Stephen Sondheim|Send in the Clowns (arr.Good) Perc|Orchestral Part|1.50|7 GMCP003|THUNDERBIRDS MARCH (arr.Richard Ling)
Concert Pops Series GMCP003
Composed by Barry Gray|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb or A, Alto Saxophone, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Side drum, Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

The exciting "Thunderbirds" tv series (filmed in "Supermarionation"!!) was one of the most popular children''s programmes in the 1960s. It has been brought back in recent years to the delight of a whole new generation. The theme music, specially written for the series, makes an excellent march.
Because of the interesting keys that this piece passes through the clarinet parts appear more straightforward in A, although the part provided is given in both Bb and A.
Duration: 3 minutes
Not for sale in USA, Canada or Japan
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222225367|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Pack|Orchestra|60.00|444 GMCP003-00|||9790222225374|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Sc|Orchestral Score|6.00|63 GMCP003-01|||9790222225381|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Vln 1|Orchestral Part|1.50|13 GMCP003-02|||9790222225398|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Vln 2|Orchestral Part|1.50|13 GMCP003-03|||9790222225404|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Viola|Orchestral Part|1.50|13 GMCP003-04|||9790222225411|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Cello|Orchestral Part|1.50|13 GMCP003-05|||9790222225428|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Bass|Orchestral Part|1.50|13 GMCP003-06|||9790222225435|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Fl1+2|Orchestral Part|1.50|7 GMCP003-07|||9790222225442|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Ob1+2|Orchestral Part|1.50|7 GMCP003-08|||9790222225459|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Cl1+2|Orchestral Part|1.50|13 GMCP003-09|||9790222225466|GRAY|Barry Gray|Thunderbirds March (arr.Ling) A.Sax|Orchestral Part|1.50|7 GMCP003-10|||9790222225473|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Bn1+2|Orchestral Part|1.50|7 GMCP003-11|||9790222225480|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Hn1+2|Orchestral Part|1.50|7 GMCP003-12|||9790222225497|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Tr1+2|Orchestral Part|1.50|7 GMCP003-13|||9790222225503|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Tb1+2|Orchestral Part|1.50|7 GMCP003-14|||9790222225510|GRAY|Barry Gray|Thunderbirds March (arr.Ling)Tb3Tba|Orchestral Part|1.50|7 GMCP003-15|||9790222225527|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Timp|Orchestral Part|1.50|7 GMCP003-16|||9790222225534|GRAY|Barry Gray|Thunderbirds March (arr.Ling) Perc|Orchestral Part|1.50|13 GMCP004|TRY TO REMEMBER (arr.David Good)
Concert Pops Series GMCP004
Composed by Harvey Schmidt & Tom Jones|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto Saxophone, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

"Try to Remember" appeared in 1960 as part of a show called "The Fantasticks", the music by Harvey Schmidt and the words by Tom Jones. The song has been performed in many different ways by many different artists, has been used in tv programmes and advertisements and is even one of the set pieces in the Associated Board singing examinations!
Duration: 3 minutes
Not for sale in USA or Canada
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222226029|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Pack|Orchestra|30.00|300 GMCP004-00|||9790222226036|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Score|Orchestral Score|5.00|50 GMCP004-01|||9790222226043|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Violin 1|Orchestral Part|1.50|7 GMCP004-02|||9790222226050|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Violin 2|Orchestral Part|1.50|7 GMCP004-03|||9790222226067|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Viola|Orchestral Part|1.50|7 GMCP004-04|||9790222226074|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Cello|Orchestral Part|1.50|7 GMCP004-05|||9790222226081|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Bass|Orchestral Part|1.50|7 GMCP004-06|||9790222226098|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Flute1+2|Orchestral Part|1.50|7 GMCP004-07|||9790222226104|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Oboe 1+2|Orchestral Part|1.50|7 GMCP004-08|||9790222226111|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Clar 1+2|Orchestral Part|1.50|7 GMCP004-09|||9790222226128|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) A.Sax|Orchestral Part|1.50|7 GMCP004-10|||9790222226135|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Bsn 1+2|Orchestral Part|1.50|7 GMCP004-11|||9790222226142|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Hn 1+2|Orchestral Part|1.50|7 GMCP004-12|||9790222226159|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Trp 1+2|Orchestral Part|1.50|7 GMCP004-13|||9790222226166|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Trb 1+2|Orchestral Part|1.50|7 GMCP004-14|||9790222226173|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Trb3+Tba|Orchestral Part|1.50|7 GMCP004-16|||9790222226180|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Timpani|Orchestral Part|1.50|7 GMCP004-17|||9790222226197|SCHMIDT|Harvey Schmidt|Try To Remember (arr.Good) Glock|Orchestral Part|1.50|7 GMCP005|THE BIG COUNTRY (arr.Richard Ling)
Concert Pops Series GMCP005
Composed by Jerome Moross|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto Saxophone (optional), 2 Bassoons
2 Horns in F, 3 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Side drum, Bass drum, Cymbal, Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The theme from the film "The Big Country" is surely the epitome of "Western" music: you can see the cowboys, the cattle, the arid landscape, the waggons spread out before you! Jerome Moross wrote a large amount of music but nothing that quite matched up to the brilliance of this piece.
Duration: 4 minutes
Not for sale in USA or Canada
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222225541|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Pack|Orchestra|75.00|542 GMCP005-00|||9790222225558|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Score|Orchestral Score|6.00|75 GMCP005-01|||9790222225565|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Vln 1|Orchestral Part|1.50|13 GMCP005-02|||9790222225572|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Vln 2|Orchestral Part|1.50|13 GMCP005-03|||9790222225589|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Viola|Orchestral Part|1.50|13 GMCP005-04|||9790222225596|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Cello|Orchestral Part|1.50|13 GMCP005-05|||9790222225602|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Bass|Orchestral Part|1.50|13 GMCP005-06|||9790222225619|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Fl1+2|Orchestral Part|1.50|13 GMCP005-07|||9790222225626|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Ob1+2|Orchestral Part|1.50|13 GMCP005-08|||9790222225633|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Cl1+2|Orchestral Part|1.50|13 GMCP005-09|||9790222225640|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) A.Sax|Orchestral Part|1.50|13 GMCP005-10|||9790222225657|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Bsn1+2|Orchestral Part|1.50|13 GMCP005-11|||9790222225664|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Hn1+2|Orchestral Part|1.50|13 GMCP005-12|||9790222225671|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Trp1-3|Orchestral Part|1.50|13 GMCP005-13|||9790222225688|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Trb1+2|Orchestral Part|1.50|7 GMCP005-14|||9790222225695|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Tb3Tba|Orchestral Part|1.50|7 GMCP005-15|||9790222225701|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Timp|Orchestral Part|1.50|7 GMCP005-16|||9790222225718|MOROSS|Jerome Moross|Big Country Theme (arr.Ling) Perc|Orchestral Part|1.50|13 GMCP006|ABBA MEDLEY (arr.Richard Ling)
Concert Pops Series GMCP006
Words and Music by Benny Andersson, Bjorn Ulvaeus and Stig Anderson|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto Saxophone, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion (Side drum, Bass drum, Tambourine [headless], Suspended Cymbal, Clash Cymbals, Maracas, Xylophone)
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

A medley of four songs by the internationally renowned Swedish pop group Abba who first came to notice when they won the Eurovision Song Contest with "Waterloo" over a quarter of a century ago! More recently, a West End musical featuring their songs, "Mamma Mia", has proved that their music remains exceedingly popular. The four songs included here are "Money, Money, Money", "Knowing me, knowing you", "One of us" and "Thank you for the Music".
Duration: 6 minutes
Only for sale in UK and Eire
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222226906|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Pack|Orchestra|75.00|658 GMCP006-00|||9790222226913|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Score|Orchestral Score|10.00|125 GMCP006-01|||9790222226920|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Violin 1|Orchestral Part|1.50|13 GMCP006-02|||9790222226937|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Violin 2|Orchestral Part|1.50|13 GMCP006-03|||9790222226944|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Viola|Orchestral Part|1.50|13 GMCP006-04|||9790222226951|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Cello|Orchestral Part|1.50|13 GMCP006-05|||9790222226968|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Bass|Orchestral Part|1.50|13 GMCP006-06|||9790222226975|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Flute 1+2|Orchestral Part|1.50|13 GMCP006-07|||9790222226982|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Oboe 1+2|Orchestral Part|1.50|13 GMCP006-08|||9790222226999|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Clarinet 1+2|Orchestral Part|1.50|13 GMCP006-09|||9790222227002|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Alto Sax|Orchestral Part|1.50|13 GMCP006-10|||9790222227019|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Bassoon 1+2|Orchestral Part|1.50|13 GMCP006-11|||9790222227026|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Horn 1+2|Orchestral Part|1.50|13 GMCP006-12|||9790222227033|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Trumpet 1+2|Orchestral Part|1.50|13 GMCP006-13|||9790222227040|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Trombone 1+2|Orchestral Part|1.50|13 GMCP006-14|||9790222227057|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Tromb.3/Tuba|Orchestral Part|1.50|13 GMCP006-15|||9790222227064|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Timpani|Orchestral Part|1.50|7 GMCP006-16|||9790222227071|ANDERSSON/UL|Andersson/Ulvaeus|Abba Medley (arr.Ling) Percussion|Orchestral Part|2.00|25 GMCP007|FOR YOUR EYES ONLY (arr.David Good)
Concert Pops Series GMCP007
Composed by Bill Conti and Michael Leeson|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto Saxophone, 2 Bassoons
2 Horns in F, 2 Trumpets, 3 Trombones, Tuba, Timpani, Percussion (Cymbals, Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The series of James Bond 007 films used a variety of songs, some of them really good and others completely unmemorable! This is one of the best, in our opinion. It was originally sung by Sheena Easton and was the title song of the film "For Your Eyes Only" which starred Roger Moore as James Bond.
Duration: 3 minutes
Not for sale in USA or Canada
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222227088|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Pack|Orchestra|30.00|308 GMCP007-00|||9790222227095|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Sc|Orchestral Score|5.00|50 GMCP007-01|||9790222227101|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Vln 1|Orchestral Part|1.50|7 GMCP007-02|||9790222227118|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Vln 2|Orchestral Part|1.50|7 GMCP007-03|||9790222227125|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Viola|Orchestral Part|1.50|7 GMCP007-04|||9790222227132|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Cello|Orchestral Part|1.50|7 GMCP007-05|||9790222227149|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Bass|Orchestral Part|1.50|7 GMCP007-06|||9790222227156|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Fl1+2|Orchestral Part|1.50|7 GMCP007-07|||9790222227163|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Ob1+2|Orchestral Part|1.50|7 GMCP007-08|||9790222227170|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Cl1+2|Orchestral Part|1.50|7 GMCP007-09|||9790222227187|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) A.Sax|Orchestral Part|1.50|7 GMCP007-10|||9790222227194|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Bn1+2|Orchestral Part|1.50|7 GMCP007-11|||9790222227200|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Hn1+2|Orchestral Part|1.50|7 GMCP007-12|||9790222227217|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Tr1+2|Orchestral Part|1.50|7 GMCP007-13|||9790222227224|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Tb1+2|Orchestral Part|1.50|7 GMCP007-14|||9790222227231|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good)Tb3Tba|Orchestral Part|1.50|7 GMCP007-15|||9790222227248|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Timp|Orchestral Part|1.50|7 GMCP007-16|||9790222227255|CONTI/LEESON|Conti/Leeson|For Your Eyes Only (arr.Good) Perc|Orchestral Part|1.50|7 GMCP008|'GABRIEL''S OBOE (arr.Richard Ling)
Concert Pops Series GMCP008
Composed by Ennio Morricone'|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion [1] (Bass drum, Suspended Cymbal), Harpsichord (optional)
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

Ennio Morricone has written many beautiful film scores amongst other works. The music he wrote for the film "The Mission" includes this haunting theme, "Gabriel''s Oboe", which has, perhaps, become better known than the film itself.
Duration: 3 minutes
Only for sale in the EEC and its territories
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222230170|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Pack'|Orchestra|45.00|302 GMCP008-00|||9790222230187|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Score'|Orchestral Score|5.00|50 GMCP008-01|||9790222230194|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Violin 1'|Orchestral Part|1.50|7 GMCP008-02|||9790222230200|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Violin 2'|Orchestral Part|1.50|7 GMCP008-03|||9790222230217|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Viola'|Orchestral Part|1.50|7 GMCP008-04|||9790222230224|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Cello'|Orchestral Part|1.50|7 GMCP008-05|||9790222230231|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Bass'|Orchestral Part|1.50|7 GMCP008-06|||9790222230248|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Flute 1+2'|Orchestral Part|1.50|7 GMCP008-07|||9790222230255|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Oboe 1+2'|Orchestral Part|1.50|7 GMCP008-08|||9790222230262|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Clar 1+2'|Orchestral Part|1.50|7 GMCP008-09|||9790222230279|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Bassoon 1+2'|Orchestral Part|1.50|7 GMCP008-10|||9790222230286|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Horn 1+2'|Orchestral Part|1.50|7 GMCP008-11|||9790222230293|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Trumpet 1+2'|Orchestral Part|1.50|7 GMCP008-12|||9790222230309|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Tromb 1+2'|Orchestral Part|1.50|7 GMCP008-13|||9790222230316|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Trb 3/Tuba'|Orchestral Part|1.50|7 GMCP008-14|||9790222230323|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Timpani'|Orchestral Part|1.50|7 GMCP008-15|||9790222230330|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Percussion'|Orchestral Part|1.50|7 GMCP008-16|||9790222230347|MORRICONE|Ennio Morricone|'Gabriel''s Oboe arr.Ling Harpsichord'|Orchestral Part|1.50|13 GMCP009|Y.M.C.A. (arr.David Good)
Concert Pops Series GMCP009
Composed by Jacques Morali, Henri Belolo & Victor Willis|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto Saxophone, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion [2] (Snare drum, Cymbals)
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

This brash hit tune from the 1970s made famous by "Village People" is still very popular today. Be prepared for your audience to be dancing in the aisles to this!
Duration: 4 minutes
Only for sale in the EEC and its territories
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222232242|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Pack|Orchestra|45.00|558 GMCP009-00|||9790222232259|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Score|Orchestral Score|8.00|88 GMCP009-01|||9790222232266|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Violin 1|Orchestral Part|1.50|13 GMCP009-02|||9790222232273|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Violin 2|Orchestral Part|1.50|13 GMCP009-03|||9790222232280|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Viola|Orchestral Part|1.50|13 GMCP009-04|||9790222232297|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Cello|Orchestral Part|1.50|13 GMCP009-05|||9790222232303|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Bass|Orchestral Part|1.50|13 GMCP009-06|||9790222232310|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Flutes 1+2|Orchestral Part|1.50|13 GMCP009-07|||9790222232327|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Oboes 1+2|Orchestral Part|1.50|13 GMCP009-08|||9790222232334|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Clarinets 1+2|Orchestral Part|1.50|13 GMCP009-09|||9790222232341|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Alto Saxophone|Orchestral Part|1.50|13 GMCP009-10|||9790222232358|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Bassoons 1+2|Orchestral Part|1.50|13 GMCP009-11|||9790222232365|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Horns 1+2|Orchestral Part|1.50|13 GMCP009-12|||9790222232372|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Trumpets 1+2|Orchestral Part|1.50|13 GMCP009-13|||9790222232389|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Trombones 1+2|Orchestral Part|1.50|13 GMCP009-14|||9790222232396|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Trombone 3+Tuba|Orchestral Part|1.50|13 GMCP009-15|||9790222232402|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Timpani|Orchestral Part|1.50|7 GMCP009-16|||9790222232419|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Snare Drum|Orchestral Part|1.50|13 GMCP009-17|||9790222232426|MORALI ETC.|Morali Jacques etc.|YMCA (arr.Good) Cymbals|Orchestral Part|1.50|7 GMCP010|THE NINETEEN TWENTIES (arr.Peter Lawson)
Concert Pops Series GMCP010|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion [3] (Bass drum, Triangle, Tambourine, Wood block, Cymbals, Glockenspiel, Xylophone)
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

A medley of four well-known songs that were written back in the 1920s:
You''re the cream in my coffee: Music by Ray Henderson, words by Lew Brown & Bud De Sylva
Makin'' whoopee: Music by Walter Donaldson, words by Gus Kahn
Tea for two: Music by Vincent Youmans, words by Irving Caesar
Sweet Georgia Brown: Words & music by Maceo Pinkard, Ken Casey & Ben Bernie

Duration: 5? minutes
Only for sale in the EEC and its territories
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222234932|LAWSON|Peter Lawson|Nineteen Twenties Pack|Orchestra|70.00|620 GMCP010-00|||9790222234949|LAWSON|Peter Lawson|Nineteen Twenties Score|Orchestral Score|12.00|138 GMCP010-01|||9790222234956|LAWSON|Peter Lawson|Nineteen Twenties Violin 1|Orchestral Part|1.50|13 GMCP010-02|||9790222234963|LAWSON|Peter Lawson|Nineteen Twenties Violin 2|Orchestral Part|1.50|13 GMCP010-03|||9790222234970|LAWSON|Peter Lawson|Nineteen Twenties Viola|Orchestral Part|1.50|13 GMCP010-04|||9790222234987|LAWSON|Peter Lawson|Nineteen Twenties Cello|Orchestral Part|1.50|13 GMCP010-05|||9790222234994|LAWSON|Peter Lawson|Nineteen Twenties Bass|Orchestral Part|1.50|13 GMCP010-06|||9790222235007|LAWSON|Peter Lawson|Nineteen Twenties Flute 1+2|Orchestral Part|1.50|13 GMCP010-07|||9790222235014|LAWSON|Peter Lawson|Nineteen Twenties Oboe 1+2|Orchestral Part|1.50|13 GMCP010-08|||9790222235021|LAWSON|Peter Lawson|Nineteen Twenties Clarinet 1+2|Orchestral Part|1.50|13 GMCP010-09|||9790222235038|LAWSON|Peter Lawson|Nineteen Twenties Bassoon 1+2|Orchestral Part|1.50|13 GMCP010-10|||9790222235045|LAWSON|Peter Lawson|Nineteen Twenties Horn 1+2|Orchestral Part|1.50|13 GMCP010-11|||9790222235052|LAWSON|Peter Lawson|Nineteen Twenties Trumpet 1+2|Orchestral Part|1.50|13 GMCP010-12|||9790222235069|LAWSON|Peter Lawson|Nineteen Twenties Trombone 1+2|Orchestral Part|1.50|13 GMCP010-13|||9790222235076|LAWSON|Peter Lawson|Nineteen Twenties Trombone 3+Tuba|Orchestral Part|1.50|13 GMCP010-14|||9790222235083|LAWSON|Peter Lawson|Nineteen Twenties Timpani|Orchestral Part|1.50|7 GMCP010-15|||9790222235090|LAWSON|Peter Lawson|Nineteen Twenties Percussion|Orchestral Part|1.50|13 GMCP011|PAUL SIMON MEDLEY (arr.Richard Ling)
Concert Pops Series GMCP011
Music by Paul Simon|'Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto Saxophone, Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Drum kit OR Timpani and Percussion [4] (Cabasa or Hi-hat, Snare drum, Suspended Cymbal, Tambourine, Bass drum)
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

A medley of four of the finest songs by Paul Simon - Bridge over troubled water, Mrs. Robinson, The 59th Street Bridge song (Feelin'' groovy) and The Sound of Silence. If a drum kit is not available, orchestral percussion may be used. Separate parts are included for drum kit, timpani and orchestral percussion but only the drum kit part is shown in the score.
Duration: 7 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222270237|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Pack|Orchestra|60.00|684 GMCP011-00|||9790222270244|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Score|Orchestral Score|10.00|125 GMCP011-01|||9790222270251|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Vln 1|Orchestral Part|1.50|13 GMCP011-02|||9790222270268|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Vln 2|Orchestral Part|1.50|13 GMCP011-03|||9790222270275|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Viola|Orchestral Part|1.50|13 GMCP011-04|||9790222270282|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Cello|Orchestral Part|1.50|13 GMCP011-05|||9790222270299|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Bass|Orchestral Part|1.50|13 GMCP011-06|||9790222270305|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Fl1+2|Orchestral Part|1.50|13 GMCP011-07|||9790222270312|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Ob1+2|Orchestral Part|1.50|13 GMCP011-08|||9790222270329|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Cl1+2|Orchestral Part|1.50|13 GMCP011-09|||9790222270336|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) A.Sax|Orchestral Part|1.50|13 GMCP011-10|||9790222270343|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Bsn|Orchestral Part|1.50|13 GMCP011-11|||9790222270350|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Hn1+2|Orchestral Part|1.50|13 GMCP011-12|||9790222270367|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Tr1+2|Orchestral Part|1.50|13 GMCP011-13|||9790222270374|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Trb1+2|Orchestral Part|1.50|13 GMCP011-14|||9790222270381|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Tb3Tba|Orchestral Part|1.50|13 GMCP011-15|||9790222270398|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) DrumKt|Orchestral Part|1.50|13 GMCP011-16|||9790222270404|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Timp|Orchestral Part|1.50|13 GMCP011-17|||9790222270411|SIMON|Paul Simon|Paul Simon Medley (arr.Ling) Perc|Orchestral Part|2.00|25 GMCP012|BURT BACHARACH MEDLEY (arr.Richard Ling)
Concert Pops Series GMCP012
Music by Burt Bacharach|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto Saxophone, Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Drum kit
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

Burt Bacharach, born May 12, 1928 in Kansas City, Missouri is an award-winning American pianist and composer. He is best known for his many pop hits from the 1960s and 1970s, most with lyrics written by Hal David, which were recorded by many different artists. As of 2006, Bacharach had written a total of 70 Top 40 hits in the USA and 52 Top 40 hits in the UK. This medley uses just four of them: Alfie, I say a little prayer, Walk on by and Close to you.
Duration: 7? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222271203|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Pack|Orchestra|55.00|576 GMCP012-00|||9790222271210|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Score|Orchestral Score|10.00|125 GMCP012-01|||9790222271227|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Vln 1|Orchestral Part|1.50|13 GMCP012-02|||9790222271234|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Vln 2|Orchestral Part|1.50|13 GMCP012-03|||9790222271241|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Viola|Orchestral Part|1.50|13 GMCP012-04|||9790222271258|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Cello|Orchestral Part|1.50|13 GMCP012-05|||9790222271265|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Bass|Orchestral Part|1.50|13 GMCP012-06|||9790222271272|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Fl 1|Orchestral Part|1.50|13 GMCP012-07|||9790222271289|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Fl 2|Orchestral Part|1.50|13 GMCP012-08|||9790222271296|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Ob 1|Orchestral Part|1.50|13 GMCP012-09|||9790222271302|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Ob 2|Orchestral Part|1.50|13 GMCP012-10|||9790222271319|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Cl 1|Orchestral Part|1.50|13 GMCP012-11|||9790222271326|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Cl 2|Orchestral Part|1.50|13 GMCP012-12|||9790222271333|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) A.Sax|Orchestral Part|1.50|13 GMCP012-13|||9790222271340|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Bsn|Orchestral Part|1.50|13 GMCP012-14|||9790222271357|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Hn 1|Orchestral Part|1.50|13 GMCP012-15|||9790222271364|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Hn 2|Orchestral Part|1.50|13 GMCP012-16|||9790222271371|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Trp 1|Orchestral Part|1.50|13 GMCP012-17|||9790222271388|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Trp 2|Orchestral Part|1.50|13 GMCP012-18|||9790222271395|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Trb 1|Orchestral Part|1.50|13 GMCP012-19|||9790222271401|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Trb 2|Orchestral Part|1.50|13 GMCP012-20|||9790222271418|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Trb 3|Orchestral Part|1.50|13 GMCP012-21|||9790222271425|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) Tuba|Orchestral Part|1.50|13 GMCP012-22|||9790222271432|BACHARACH|Burt Bacharach|Burt Bacharach Medley (Ling) DrumKt|Orchestral Part|1.50|13 GMCP013|WE ARE THE CHAMPIONS (arr.David Good)
Concert Pops Series GMCP013|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto sax, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion [2] (Cymbals (susp and clash), Glockenspiel)
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

This ballad was written by Freddie Mercury and recorded and performed by Queen for their 1977 album "News of the World". It has since become a popular anthem for football supporters and for other sporting victories.
In the last section of this arrangement the strings attempt to slip into a style more reminiscent of Antonio Vivaldi than Freddie Mercury - this however is entirely appropriate as it is, of course, a well-known fact that Vivaldi was an ardent football fan regularly attending SSC Venezia matches and, no doubt, picking up a Four Seasons takeaway pizza on the way home!
Useful for lighter concerts or as an unexpected encore after something more serious, perhaps!

Duration: 3 minutes
Only licensed for sale in Europe
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222275720|MERCURY|Freddie Mercury|We Are the Champions Pack|Orchestra|45.00|480 GMCP013-00|||9790222275737|MERCURY|Freddie Mercury|We Are the Champions Score|Orchestral Score|6.00|63 GMCP013-01|||9790222275744|MERCURY|Freddie Mercury|We Are the Champions Violin 1|Orchestral Part|1.50|13 GMCP013-02|||9790222275751|MERCURY|Freddie Mercury|We Are the Champions Violin 2|Orchestral Part|1.50|13 GMCP013-03|||9790222275768|MERCURY|Freddie Mercury|We Are the Champions Viola|Orchestral Part|1.50|13 GMCP013-04|||9790222275775|MERCURY|Freddie Mercury|We Are the Champions Cello|Orchestral Part|1.50|13 GMCP013-05|||9790222275782|MERCURY|Freddie Mercury|We Are the Champions Bass|Orchestral Part|1.50|13 GMCP013-06|||9790222275799|MERCURY|Freddie Mercury|We Are the Champions Flute 1|Orchestral Part|1.50|13 GMCP013-07|||9790222275805|MERCURY|Freddie Mercury|We Are the Champions Flute 2|Orchestral Part|1.50|13 GMCP013-08|||9790222275812|MERCURY|Freddie Mercury|We Are the Champions Oboe 1|Orchestral Part|1.50|13 GMCP013-09|||9790222275829|MERCURY|Freddie Mercury|We Are the Champions Oboe 2|Orchestral Part|1.50|13 GMCP013-10|||9790222275836|MERCURY|Freddie Mercury|We Are the Champions Clarinet 1|Orchestral Part|1.50|13 GMCP013-11|||9790222275843|MERCURY|Freddie Mercury|We Are the Champions Clarinet 2|Orchestral Part|1.50|13 GMCP013-12|||9790222275850|MERCURY|Freddie Mercury|We Are the Champions Alto Sax|Orchestral Part|1.50|7 GMCP013-13|||9790222275867|MERCURY|Freddie Mercury|We Are the Champions Bassoon 1|Orchestral Part|1.50|13 GMCP013-14|||9790222275874|MERCURY|Freddie Mercury|We Are the Champions Bassoon 2|Orchestral Part|1.50|13 GMCP013-15|||9790222275881|MERCURY|Freddie Mercury|We Are the Champions Horn 1|Orchestral Part|1.50|7 GMCP013-16|||9790222275898|MERCURY|Freddie Mercury|We Are the Champions Horn 2|Orchestral Part|1.50|7 GMCP013-17|||9790222275904|MERCURY|Freddie Mercury|We Are the Champions Trumpet 1|Orchestral Part|1.50|7 GMCP013-18|||9790222275911|MERCURY|Freddie Mercury|We Are the Champions Trumpet 2|Orchestral Part|1.50|7 GMCP013-19|||9790222275928|MERCURY|Freddie Mercury|We Are the Champions Trombone 1|Orchestral Part|1.50|7 GMCP013-20|||9790222275935|MERCURY|Freddie Mercury|We Are the Champions Trombone 2|Orchestral Part|1.50|7 GMCP013-21|||9790222275942|MERCURY|Freddie Mercury|We Are the Champions Trombone 3|Orchestral Part|1.50|7 GMCP013-22|||9790222275959|MERCURY|Freddie Mercury|We Are the Champions Tuba|Orchestral Part|1.50|7 GMCP013-23|||9790222275966|MERCURY|Freddie Mercury|We Are the Champions Timpani|Orchestral Part|1.50|7 GMCP013-24|||9790222275973|MERCURY|Freddie Mercury|We Are the Champions Percussion|Orchestral Part|1.50|13 GMCP014|GLENN MILLER MEDLEY 1 (arr.Peter Lawson)
Concert Pops Series GMCP014|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto sax (opt), 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion [4] (Cymbals (susp and clash), Side drum, Hi-hat, Tambourine, Glockenspiel, Tenor drum, Cowbell, Triangle (plus optional telephone), Wood block, Tubular bells)
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

Glenn Miller was one of the most popular band leaders of his time in the 1930s and 40s. Here is a medley of four songs that were amongst his most famous, in an arrangement for concert orchestra that evokes the true Glenn Miller sound. The songs are "In the mood", "Moonlight Serenade", "Pennsylvania 6-5000" and the "St.Louis Blues".
These songs are usually notated in 4/4 time but played in a "swing" fashion with dotted rhythms usually played lazily, more like a triplet. In an effort to synchronize the "swinging" of a whole concert orchestra (who may not be as used to playing swing as Glenn Miller and his orchestra) this arrangement has been written in 12/8 time to give more of a lazy feel, or, as the opening tempo instruction indicates, "in the groove".

A second selection of songs Glenn Miller Medley 2 is also available - GMCP015

Duration: 10? minutes
Only for sale in Europe
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222270695|VARIOUS|Various|Glenn Miller Medley 1 (Lawson) Pk|Orchestra|100.00|1425 GMCP014-00|||9790222270701|VARIOUS|Various|Glenn Miller Medley 1 (Lawson) Sc|Orchestral Score|20.00|253 GMCP014-01|||9790222270718|VARIOUS|Various|Glenn Miller Medley 1 Vln 1|Orchestral Part|2.00|25 GMCP014-02|||9790222270725|VARIOUS|Various|Glenn Miller Medley 1 Vln 2|Orchestral Part|2.00|25 GMCP014-03|||9790222270732|VARIOUS|Various|Glenn Miller Medley 1 Viola|Orchestral Part|2.00|25 GMCP014-04|||9790222270749|VARIOUS|Various|Glenn Miller Medley 1 Cello|Orchestral Part|2.00|25 GMCP014-05|||9790222270756|VARIOUS|Various|Glenn Miller Medley 1 Bass|Orchestral Part|2.00|25 GMCP014-06|||9790222270763|VARIOUS|Various|Glenn Miller Medley 1 Fl 1+2|Orchestral Part|2.00|25 GMCP014-07|||9790222270770|VARIOUS|Various|Glenn Miller Medley 1 Ob 1+2|Orchestral Part|2.00|25 GMCP014-08|||9790222270787|VARIOUS|Various|Glenn Miller Medley 1 Cl 1+2|Orchestral Part|2.00|25 GMCP014-09|||9790222270794|VARIOUS|Various|Glenn Miller Medley 1 A.Sax|Orchestral Part|2.00|25 GMCP014-10|||9790222270800|VARIOUS|Various|Glenn Miller Medley 1 Bsn1+2|Orchestral Part|2.00|25 GMCP014-11|||9790222270817|VARIOUS|Various|Glenn Miller Medley 1 Horn 1|Orchestral Part|2.00|25 GMCP014-12|||9790222270824|VARIOUS|Various|Glenn Miller Medley 1 Horn 2|Orchestral Part|2.00|25 GMCP014-13|||9790222270831|VARIOUS|Various|Glenn Miller Medley 1 Trp 1|Orchestral Part|2.00|25 GMCP014-14|||9790222270848|VARIOUS|Various|Glenn Miller Medley 1 Trp 2|Orchestral Part|2.00|25 GMCP014-15|||9790222270855|VARIOUS|Various|Glenn Miller Medley 1 Trb 1|Orchestral Part|2.00|25 GMCP014-16|||9790222270862|VARIOUS|Various|Glenn Miller Medley 1 Trb 2|Orchestral Part|2.00|25 GMCP014-17|||9790222270879|VARIOUS|Various|Glenn Miller Medley 1 Trb 3|Orchestral Part|2.00|25 GMCP014-18|||9790222270886|VARIOUS|Various|Glenn Miller Medley 1 Tuba|Orchestral Part|2.00|25 GMCP014-19|||9790222270893|VARIOUS|Various|Glenn Miller Medley 1 Timp|Orchestral Part|1.50|13 GMCP014-20|||9790222270909|VARIOUS|Various|Glenn Miller Medley 1 Perc|Orchestral Part|3.50|63 GMCP015|GLENN MILLER MEDLEY 2 (arr.Peter Lawson)
Concert Pops Series GMCP015|Orchestration
2 Flutes, 2 Oboes, 2 Clarinets in Bb, Alto sax, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, Percussion [5] (Bongos, Side drum, Hi-hat cymbal, Clash cymbals, Tambourine, Glockenspiel, Xylophone, Tenor drum, Triangle)
Strings (Violin 1, Violin 2, Viola, Cello, Double Bass)

Glenn Miller was one of the most popular band leaders of his time in the 1930s and 40s. Here is a second medley of four more songs that were amongst his most famous, in an arrangement for concert orchestra that evokes the true Glenn Miller sound. The songs are "Chattanooga Choo Choo", "At Last", "A String of Pearls" and "American Patrol".

The first selection of songs Glenn Miller Medley 1 is also available - GMCP014

Duration: 12 minutes
Only for sale in Europe
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.|9790222276420|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Pk|Orchestra|125.00|1910 GMCP015-00|||9790222276437|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Sc|Orchestral Score|20.00|285 GMCP015-01|||9790222276444|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Vln1|Orchestral Part|2.50|38 GMCP015-02|||9790222276451|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Vln2|Orchestral Part|2.50|38 GMCP015-03|||9790222276468|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Vla|Orchestral Part|2.50|38 GMCP015-04|||9790222276475|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Vc|Orchestral Part|2.50|38 GMCP015-05|||9790222276482|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Bass|Orchestral Part|2.00|25 GMCP015-06|||9790222276499|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Fl1|Orchestral Part|2.50|38 GMCP015-07|||9790222276505|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Fl2|Orchestral Part|2.00|25 GMCP015-08|||9790222276512|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Ob1|Orchestral Part|2.50|38 GMCP015-09|||9790222276529|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Ob2|Orchestral Part|2.50|38 GMCP015-10|||9790222276536|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Cl1|Orchestral Part|2.50|38 GMCP015-11|||9790222276543|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Cl2|Orchestral Part|2.50|38 GMCP015-12|||9790222276550|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Sax|Orchestral Part|2.50|38 GMCP015-13|||9790222276567|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Bsn1|Orchestral Part|2.50|38 GMCP015-14|||9790222276574|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Bsn2|Orchestral Part|2.50|38 GMCP015-15|||9790222276581|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Hn1|Orchestral Part|2.00|25 GMCP015-16|||9790222276598|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Hn2|Orchestral Part|2.00|25 GMCP015-17|||9790222276604|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Trp1|Orchestral Part|2.00|25 GMCP015-18|||9790222276611|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Trp2|Orchestral Part|2.00|25 GMCP015-19|||9790222276628|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Trb1|Orchestral Part|2.00|25 GMCP015-20|||9790222276635|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Trb2|Orchestral Part|2.00|25 GMCP015-21|||9790222276642|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Trb3|Orchestral Part|2.00|25 GMCP015-22|||9790222276659|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Tuba|Orchestral Part|2.00|25 GMCP015-23|||9790222276666|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Timp|Orchestral Part|1.50|13 GMCP015-24|||9790222276673|VARIOUS|Various|Glenn Miller Medley 2 (Lawson) Perc|Orchestral Part|5.00|88 GMCP016|Peter Lawson
MUSIC HALL MEDLEY
Goodmusic Concert Pops Series GMCP016|'Orchestration
2 Flutes (2nd opt.db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba,
Timpani, Percussion (4 players: Side drum, Cymbals, Tambourine, Triangle, Bass Drum, Tubular Bells, Glockenspiel, Xylophone), Harp or Keyboard
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Optional chorus (SATBor SA+Men or TTBB)
Optional audience participation

A splendid medley of songs made famous in the music halls comprising "Put on your tat-ta little girlie", "I''ll be your sweetheart", "Danny Boy", "After the ball", "She was one of the early birds", "Somebody stole my gal", "I do like to be beside the seaside", "Oh, Oh, Antonio", "Daisy Bell", "Daddy wouldn''t buy me a bow-wow", "Let''s all go down the Strand", "Lily of Laguna" and "It''s a long way to Tipperary" . . . . . . . Phew!
There are optional chorus parts for mixed voice choir (SATB or SA+Men), upper voice choir (SSA) or male voice choir (TTBB) or it can be played by orchestra alone. The chorus parts are sold separately (SATB version see under GM050, SA+Men version see under 62005, SSA version see under GM148, TTBB version see under GM051); copies are not included in the orchestral pack. This medley can also be performed without the orchestra by a choir with only piano accompaniment. However you perform it, your audience, should you be lucky enough to have one, can join in with all the choruses they know and love!
One copy of the words sheet for the audience is included in the orchestral pack. This sheet may be copied or reproduced without permission. Should you not wish to reprint it yourself, further copies can be purchased in packs of 25.

Duration 12 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222278738|LAWSON|Peter Lawson|Music Hall Medley Pack|Orchestra|80.00|1430 GMCP016-00|||9790222278745|LAWSON|Peter Lawson|Music Hall Medley Score|Orchestral Score|15.00|226 GMCP016-01|||9790222278752|LAWSON|Peter Lawson|Music Hall Medley Violin 1|Orchestral Part|2.50|38 GMCP016-02|||9790222278769|LAWSON|Peter Lawson|Music Hall Medley Violin 2|Orchestral Part|2.00|25 GMCP016-03|||9790222278776|LAWSON|Peter Lawson|Music Hall Medley Viola|Orchestral Part|2.50|38 GMCP016-04|||9790222278783|LAWSON|Peter Lawson|Music Hall Medley Cello|Orchestral Part|2.00|25 GMCP016-05|||9790222278790|LAWSON|Peter Lawson|Music Hall Medley Bass|Orchestral Part|2.00|25 GMCP016-06|||9790222278806|LAWSON|Peter Lawson|Music Hall Medley Flute 1|Orchestral Part|2.00|25 GMCP016-07|||9790222278813|LAWSON|Peter Lawson|Music Hall Medley Flute 2|Orchestral Part|2.00|25 GMCP016-08|||9790222278820|LAWSON|Peter Lawson|Music Hall Medley Oboe 1|Orchestral Part|2.00|25 GMCP016-09|||9790222278837|LAWSON|Peter Lawson|Music Hall Medley Oboe 2|Orchestral Part|2.00|25 GMCP016-10|||9790222278844|LAWSON|Peter Lawson|Music Hall Medley Clarinet 1|Orchestral Part|2.00|25 GMCP016-11|||9790222278851|LAWSON|Peter Lawson|Music Hall Medley Clarinet 2|Orchestral Part|2.00|25 GMCP016-12|||9790222278868|LAWSON|Peter Lawson|Music Hall Medley Bassoon 1|Orchestral Part|2.00|25 GMCP016-13|||9790222278875|LAWSON|Peter Lawson|Music Hall Medley Bassoon 2|Orchestral Part|2.00|25 GMCP016-14|||9790222278882|LAWSON|Peter Lawson|Music Hall Medley Horn 1|Orchestral Part|2.00|25 GMCP016-15|||9790222278899|LAWSON|Peter Lawson|Music Hall Medley Horn 2|Orchestral Part|2.00|25 GMCP016-16|||9790222278905|LAWSON|Peter Lawson|Music Hall Medley Trumpet 1|Orchestral Part|2.00|25 GMCP016-17|||9790222278912|LAWSON|Peter Lawson|Music Hall Medley Trumpet 2|Orchestral Part|2.00|25 GMCP016-18|||9790222278929|LAWSON|Peter Lawson|Music Hall Medley Trombone 1|Orchestral Part|2.00|25 GMCP016-19|||9790222278936|LAWSON|Peter Lawson|Music Hall Medley Trombone 2|Orchestral Part|2.00|25 GMCP016-20|||9790222278943|LAWSON|Peter Lawson|Music Hall Medley Trombone 3|Orchestral Part|2.00|25 GMCP016-21|||9790222278950|LAWSON|Peter Lawson|Music Hall Medley Tuba|Orchestral Part|2.00|25 GMCP016-22|||9790222278967|LAWSON|Peter Lawson|Music Hall Medley Timpani|Orchestral Part|1.50|13 GMCP016-23|||9790222278974|LAWSON|Peter Lawson|Music Hall Medley Percussion|Orchestral Part|3.00|50 GMCP016-24|||9790222278981|LAWSON|Peter Lawson|Music Hall Medley Harp/Keyboard|Orchestral Part|2.50|38 GMCP016-25|||9790222278998|LAWSON|Peter Lawson|Music Hall Medley Words-Pack of 25|Orchestral Part|5.00|175 GMCP017|Scott Jopin arr.Lawson
JOPLIN RAGTIME
Goodmusic Concert Pops Series GMCP017|'Orchestration
2 Flutes (2nd db.Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba,
Timpani, Percussion (4 players: Snare drum, Cymbals, Tambourine, Triangle, Bass Drum, Whip, Whistle, Guiro, Mark Tree (or Wind Chimes), Glockenspiel, Xylophone)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Scott Joplin (1867-1917) was an American composer and pianist. He achieved fame for his unique ragtime compositions, and was dubbed the "King of Ragtime." During his brief career, Joplin wrote 44 original ragtime pieces, one ragtime ballet, and two operas. One of his first pieces, the "Maple Leaf Rag", became ragtime''s first and most influential hit, and has been recognized as the archetypal rag.
Here then is the "Maple Leaf Rag" and his "Ragtime Dance" in a splendid orchestration by Peter Lawson. Although the original notation of "Maple Leaf Rag" shows it as a straight quaver feel in 2/4 time, Joplin himself played it in a swing style, so this orchestration is in 2/2 time with a triplet syncopated feel in an attempt to get it closer to the style he had in mind. The "Ragtime Dance", in contrast, is a straight "Stop Time Two Step".

Duration 7 minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222281929|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Pack|Orchestra|70.00|1160 GMCP017-00|||9790222281936|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Score|Orchestral Score|12.00|150 GMCP017-01|||9790222281943|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Violin 1|Orchestral Part|2.00|25 GMCP017-02|||9790222281950|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Violin 2|Orchestral Part|2.00|25 GMCP017-03|||9790222281967|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Viola|Orchestral Part|2.00|25 GMCP017-04|||9790222281974|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Cello|Orchestral Part|2.00|25 GMCP017-05|||9790222281981|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Bass|Orchestral Part|2.00|25 GMCP017-06|||9790222281998|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Flute 1|Orchestral Part|2.00|25 GMCP017-07|||9790222282001|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Flute 2|Orchestral Part|2.00|25 GMCP017-08|||9790222282018|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Oboe 1|Orchestral Part|2.00|25 GMCP017-09|||9790222282025|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Oboe 2|Orchestral Part|2.00|25 GMCP017-10|||9790222282032|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Clar.1|Orchestral Part|2.00|25 GMCP017-11|||9790222282049|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Clar.2|Orchestral Part|2.00|25 GMCP017-12|||9790222282056|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Bassoon 1|Orchestral Part|2.00|25 GMCP017-13|||9790222282063|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Bassoon 2|Orchestral Part|2.00|25 GMCP017-14|||9790222282070|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Horn 1|Orchestral Part|1.50|13 GMCP017-15|||9790222282087|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Horn 2|Orchestral Part|1.50|13 GMCP017-16|||9790222282094|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Trumpet 1|Orchestral Part|1.50|13 GMCP017-17|||9790222282100|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Trumpet 2|Orchestral Part|1.50|13 GMCP017-18|||9790222282117|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Tromb.1|Orchestral Part|1.50|13 GMCP017-19|||9790222282124|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Tromb.2|Orchestral Part|1.50|13 GMCP017-20|||9790222282131|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Tromb.3|Orchestral Part|1.50|13 GMCP017-21|||9790222282148|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Tuba|Orchestral Part|1.50|13 GMCP017-22|||9790222282155|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Timpani|Orchestral Part|1.50|7 GMCP017-23|||9790222282162|JOPLIN|Scott Joplin|Joplin Ragtime arr Lawson Perc.|Orchestral Part|3.50|63 GMCP018|Sydney Baynes
DESTINY WALTZ
Goodmusic Concert Pops Series GMCP018|'Orchestration
2 Flutes, Oboe, 2 Clarinets in A or Bb, Bassoon
2 Horns in F, 2 Trumpets in Bb, 3 Trombones
Timpani and Percussion (1 or 2 players: Timpani, Snare drum, Cymbals, Triangle, Bass Drum)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Sydney Baynes (1879 - 1938) was an English conductor, composer and leader of one of the United Kingdom''s most popular radio bands. Born in Sudbury, Suffolk, he gained his first employment as an organist in London and was later the piano accompanist for singers such as Edward Lloyd and Ben Davies. Through this work he became a respected conductor for London theatres including the Adelphi and Drury Lane. He worked for the BBC for many years and formed and conducted his own orchestra between 1928 and 1938 which broadcast and recorded regularly. He died in March 1938 in Willesden, London.
His original compositions are largely in the light music genre. The Destiny Waltz is his most famous piece of work and was one of a series of generic waltzes based on one-word adverbs, such as "Ecstasy", "Loyalty", "Mystery", "Victory" and "Witchery". It was published in 1912 and sold over a million copies. It has remained a light music favourite with many people knowing the tune without necessarily knowing what it is called.
This newly published edition has been reconstructed from the original published parts; a number of errors have been corrected and inconsistencies resolved. Clarinet parts (originally only in A) have also been provided in Bb; the Horns were originally scored in D and are here transposed into F; the original Cornets in A are now Trumpets in Bb.

Duration 6? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222284616|BAYNES|Sydney Baynes|Destiny Waltz Pack|Orchestra|40.00|512 GMCP018-00|||9790222284623|BAYNES|Sydney Baynes|Destiny Waltz Score|Orchestral Score|6.00|63 GMCP018-01|||9790222284630|BAYNES|Sydney Baynes|Destiny Waltz Violin 1|Orchestral Part|1.50|13 GMCP018-02|||9790222284647|BAYNES|Sydney Baynes|Destiny Waltz Violin 2|Orchestral Part|1.50|13 GMCP018-03|||9790222284654|BAYNES|Sydney Baynes|Destiny Waltz Viola|Orchestral Part|1.50|13 GMCP018-04|||9790222284661|BAYNES|Sydney Baynes|Destiny Waltz Cello|Orchestral Part|1.50|13 GMCP018-05|||9790222284678|BAYNES|Sydney Baynes|Destiny Waltz Bass|Orchestral Part|1.50|13 GMCP018-06|||9790222284685|BAYNES|Sydney Baynes|Destiny Waltz Flute 1|Orchestral Part|1.50|13 GMCP018-07|||9790222284692|BAYNES|Sydney Baynes|Destiny Waltz Flute 2|Orchestral Part|1.50|13 GMCP018-08|||9790222284708|BAYNES|Sydney Baynes|Destiny Waltz Oboe|Orchestral Part|1.50|13 GMCP018-09|||9790222284715|BAYNES|Sydney Baynes|Destiny Waltz Clarinet 1 in A|Orchestral Part|1.50|13 GMCP018-10|||9790222284722|BAYNES|Sydney Baynes|Destiny Waltz Clarinet 1 in Bb|Orchestral Part|1.50|13 GMCP018-11|||9790222284739|BAYNES|Sydney Baynes|Destiny Waltz Clarinet 2 in A|Orchestral Part|1.50|13 GMCP018-12|||9790222284746|BAYNES|Sydney Baynes|Destiny Waltz Clarinet 2 in Bb|Orchestral Part|1.50|13 GMCP018-13|||9790222284753|BAYNES|Sydney Baynes|Destiny Waltz Bassoon|Orchestral Part|1.50|13 GMCP018-14|||9790222284760|BAYNES|Sydney Baynes|Destiny Waltz Horn 1|Orchestral Part|1.50|13 GMCP018-15|||9790222284777|BAYNES|Sydney Baynes|Destiny Waltz Horn 2|Orchestral Part|1.50|13 GMCP018-16|||9790222284784|BAYNES|Sydney Baynes|Destiny Waltz Trumpet 1|Orchestral Part|1.50|13 GMCP018-17|||9790222284791|BAYNES|Sydney Baynes|Destiny Waltz Trumpet 2|Orchestral Part|1.50|13 GMCP018-18|||9790222284807|BAYNES|Sydney Baynes|Destiny Waltz Trombone 1|Orchestral Part|1.50|13 GMCP018-19|||9790222284814|BAYNES|Sydney Baynes|Destiny Waltz Trombone 2|Orchestral Part|1.50|13 GMCP018-20|||9790222284821|BAYNES|Sydney Baynes|Destiny Waltz Trombone 3|Orchestral Part|1.50|13 GMCP018-21|||9790222284838|BAYNES|Sydney Baynes|Destiny Waltz Timpani+Percussion|Orchestral Part|1.50|13 GMCP019|David Heneker
FLASH, BANG, WALLOP!
arranged for concert orchestra by Peter Lawson
Goodmusic Concert Pops Series GMCP019|'Orchestration
Piccolo, Flute, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani
Percussion - 5 players: Snare Drum, Cymbals (clash), Wood Blocks (4), Swanee Whistle, Temple Blocks (5), Tambourine, Xylophone, Glockenspiel, Tubular Bells (Db,Eb,F,G,Ab only - ossia Glock.)
Harp (or keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

"Flash, Bang, Wallop!" is probably the best known song from the musical comedy "Half a Sixpence" which was first staged in 1963 and starred Tommy Steele who plays Arthur Kipps, an orphan who unexpectedly inherits a fortune and climbs the social ladder before losing everything and realising that you just can''t buy happiness. This humorous song is from a wedding scene in the musical and the title refers to the action of taking a wedding photograph at the turn of the Twentieth Century, when the story is set.
This concert orchestra arrangement is designed to be instrumental only, though some of the lyrics are illustrated within the orchestration (such as a hint of Greensleeves at the mention of Henry VIII and a snatch of La Marseillaise heralding a mention of Napoleon) and the vocal line and lyrics are shown in the score just for reference purposes. As the lyrics of the chorus (at least) are well known, it might be worth getting your audience to join in the "clap your hands" and the "stamp your feet" bits!

Duration 3? minutes
A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.'|9790222284890|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Pack|Orchestra|80.00|736 GMCP019-00|||9790222284906|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Score|Orchestral Score|10.00|125 GMCP019-01|||9790222284913|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Vln 1|Orchestral Part|1.50|13 GMCP019-02|||9790222284920|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Vln 2|Orchestral Part|1.50|13 GMCP019-03|||9790222284937|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Viola|Orchestral Part|1.50|13 GMCP019-04|||9790222284944|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Cello|Orchestral Part|1.50|13 GMCP019-05|||9790222284951|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Bass|Orchestral Part|1.50|13 GMCP019-06|||9790222284968|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Picc|Orchestral Part|1.50|13 GMCP019-07|||9790222284975|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Flute|Orchestral Part|1.50|13 GMCP019-08|||9790222284982|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Oboe 1|Orchestral Part|1.50|13 GMCP019-09|||9790222284999|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Oboe 2|Orchestral Part|1.50|13 GMCP019-10|||9790222285002|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Clar 1|Orchestral Part|1.50|13 GMCP019-11|||9790222285019|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Clar 2|Orchestral Part|1.50|13 GMCP019-12|||9790222285026|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Bsn 1|Orchestral Part|1.50|13 GMCP019-13|||9790222285033|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Bsn 2|Orchestral Part|1.50|13 GMCP019-14|||9790222285040|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Horn 1|Orchestral Part|1.50|13 GMCP019-15|||9790222285057|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Horn 2|Orchestral Part|1.50|13 GMCP019-16|||9790222285064|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Trp 1|Orchestral Part|1.50|13 GMCP019-17|||9790222285071|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Trp 2|Orchestral Part|1.50|13 GMCP019-18|||9790222285088|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Trb 1|Orchestral Part|1.50|13 GMCP019-19|||9790222285095|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Trb 2|Orchestral Part|1.50|13 GMCP019-20|||9790222285101|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Trb 3|Orchestral Part|1.50|13 GMCP019-21|||9790222285118|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Tuba|Orchestral Part|1.50|13 GMCP019-22|||9790222285125|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Timp|Orchestral Part|1.50|13 GMCP019-23|||9790222285132|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Perc|Orchestral Part|2.00|25 GMCP019-24|||9790222285149|HENEKER|David Heneker|Flash Bang Wallop arr.Lawson Harp|Orchestral Part|1.50|13 GMCP020|Peter Lawson
TUNES FROM THE TRENCHES - Songs from World War One
Goodmusic Concert Pops GMCP020|'For choir and orchestra, or orchestra alone (can also be performed by choir accompanied only by piano).
A non-stop medley of tunes from World War One from recruiting through to the Last Post. This arrangement can be performed by orchestra alone as a concert piece or by various types of choir with either an orchestra or piano accompaniment. There are different choral versions available for Mixed Voice Choir - both SATB (GM131) and, for those with a shortage of male voices, SA+Men (GM134) - for Upper Voice Choir (SSA - GM132) and for Male Voice Choir (TTBB - GM133). The orchestra score and parts can be used either on its own or to accompany a choir.

ORCHESTRATION
2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons,
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba,
Timpani, Percussion (5 players: Triangle, Side Drum, Cymbals, Bass Drum, Temple Blocks, Whip, Tambourine, Tubular Bells, Sleigh Bells, Swanee Whistle, Glockenspiel, Xylophone, Vibraphone), Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass), Choir [optional]

The recruiting song "Your King and Country Want You" starts us off followed by "Goodbye, Dolly Gray" as the soldiers leave for war. "Belgium put the Kibosh on the Kaiser" is followed by some proper trench songs - various lyrics were improvised by the soldiers!! - "Three German Officers crossed the Rhine" and "They were only playing Leap-Frog". "The Bells of Hell go Ting-a-ling-a-ling" leads to strains of "Stille Nacht" recalling the Christmas truce. "When this Lousy War is Over" and "There''s no place like Home" are balanced by "Land of Hope and Glory" before the Americans arrive with "The Caissons go Rolling Along" and "Over There". "It''s a Long Way to Tipperary" brings us towards a rousing finish save for an optional "Last Post-lude" to end reflectively.
Duration 13? minutes
A PACK includes a full score (A4), all wind, brass and percussion parts and strings 4/4/3/4/2.
A larger A3 score and all of the choral scores are also available.
The audio sample is the version with orchestra and mixed voice choir (computer-generated from the score - so no words!!)
CLICK HERE to see the choral copies
There is also a version for concert band - GM150.'|9790222290143|LAWSON|Peter Lawson|Tunes from the Trenches Pack|Orchestra|80.00|1375 GMCP020-00|||9790222290150|LAWSON|Peter Lawson|Tunes from the Trenches Score A4|Orchestral Score|14.00|188 GMCP020-01|||9790222290167|LAWSON|Peter Lawson|Tunes from the Trenches Violin 1|Orchestral Part|2.00|25 GMCP020-02|||9790222290174|LAWSON|Peter Lawson|Tunes from the Trenches Violin 2|Orchestral Part|2.00|25 GMCP020-03|||9790222290181|LAWSON|Peter Lawson|Tunes from the Trenches Viola|Orchestral Part|2.00|25 GMCP020-04|||9790222290198|LAWSON|Peter Lawson|Tunes from the Trenches Cello|Orchestral Part|2.00|25 GMCP020-05|||9790222290204|LAWSON|Peter Lawson|Tunes from the Trenches Bass|Orchestral Part|2.00|25 GMCP020-06|||9790222290211|LAWSON|Peter Lawson|Tunes from the Trenches Flute 1|Orchestral Part|2.00|25 GMCP020-07|||9790222290228|LAWSON|Peter Lawson|Tunes from the Trenches Flute 2/Pic|Orchestral Part|2.00|25 GMCP020-08|||9790222290235|LAWSON|Peter Lawson|Tunes from the Trenches Oboe 1|Orchestral Part|2.00|25 GMCP020-09|||9790222290242|LAWSON|Peter Lawson|Tunes from the Trenches Oboe 2|Orchestral Part|2.00|25 GMCP020-10|||9790222290259|LAWSON|Peter Lawson|Tunes from the Trenches Clarinet 1|Orchestral Part|2.00|25 GMCP020-11|||9790222290266|LAWSON|Peter Lawson|Tunes from the Trenches Clarinet 2|Orchestral Part|2.00|25 GMCP020-12|||9790222290273|LAWSON|Peter Lawson|Tunes from the Trenches Bassoon 1|Orchestral Part|2.00|25 GMCP020-13|||9790222290280|LAWSON|Peter Lawson|Tunes from the Trenches Bassoon 2|Orchestral Part|2.00|25 GMCP020-14|||9790222290297|LAWSON|Peter Lawson|Tunes from the Trenches Horn 1|Orchestral Part|2.00|25 GMCP020-15|||9790222290303|LAWSON|Peter Lawson|Tunes from the Trenches Horn 2|Orchestral Part|2.00|25 GMCP020-16|||9790222290310|LAWSON|Peter Lawson|Tunes from the Trenches Trumpet 1|Orchestral Part|2.00|25 GMCP020-17|||9790222290327|LAWSON|Peter Lawson|Tunes from the Trenches Trumpet 2|Orchestral Part|2.00|25 GMCP020-18|||9790222290334|LAWSON|Peter Lawson|Tunes from the Trenches Trombone 1|Orchestral Part|2.00|25 GMCP020-19|||9790222290341|LAWSON|Peter Lawson|Tunes from the Trenches Trombone 2|Orchestral Part|2.00|25 GMCP020-20|||9790222290358|LAWSON|Peter Lawson|Tunes from the Trenches Trombone 3|Orchestral Part|2.00|25 GMCP020-21|||9790222290365|LAWSON|Peter Lawson|Tunes from the Trenches Tuba|Orchestral Part|2.00|25 GMCP020-22|||9790222290372|LAWSON|Peter Lawson|Tunes from the Trenches Timpani|Orchestral Part|1.50|13 GMCP020-23|||9790222290389|LAWSON|Peter Lawson|Tunes from the Trenches Percussion|Orchestral Part|3.50|63 GMCP020-24|||9790222290396|LAWSON|Peter Lawson|Tunes from the Trenches Harp|Orchestral Part|2.00|25 GMCP020-25|||9790222290402|LAWSON|Peter Lawson|Tunes from the Trenches Score A3|Orchestral Score|25.00|300 GMCP021|Mozart arr.Phlip Lane
OVERTURE: KIND HEARTS AND CORONETS
Goodmusic Concert Pops No.21|'Orchestration: 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

Kind Hearts & Coronets is a film released in 1949 which starred Alec Guinness and Dennis Price.
In prison awaiting execution the next morning, Louis, the 10th Duke of Chalfont (Dennis Price), puts down on paper the events that led him to his current situation. His mother has been banished from her family, the D''Ascoynes, after she married Louis'' father, who was considered far beneath her. After her death, the D''Ascoynes refused permission for her to be buried in the family crypt. Louis then plots his revenge, and kills all eight of those ahead of him in the succession (all eight played by Alec Guinness) until he becomes the Duke. Along the way, he becomes involved with the married Sibella (Joan Greenwood) who, when spurned, makes sure he ends up in prison. The day before his execution, Sibella recants her testimony, saving him not only from the gallows, but also sets him free. Once outside the prison however, he realises he''s left something rather incriminating in his cell......

The music is from Mozart''s Serenade K.203 and the aria "Il mio tesoro" from Don Giovanni.

A PACK includes a full score and a complete set of orchestral parts including strings 4/4/3/4/2.
Duration 3 minutes

A commercial recording by the Royal Ballet Sinfonia conducted by Kenneth Alwyn is available on Silva Screen Records FILMCD 177.'|9790222311862|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Pack|Orchestra|40.00|400 GMCP021-00|||9790222311879|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Sc|Orchestral Score|6.00|75 GMCP021-01|||9790222311886|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Vln 1|Orchestral Part|1.50|13 GMCP021-02|||9790222311893|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Vln 2|Orchestral Part|1.50|13 GMCP021-03|||9790222311909|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Viola|Orchestral Part|1.50|13 GMCP021-04|||9790222311916|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Cello|Orchestral Part|1.50|13 GMCP021-05|||9790222311923|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Bass|Orchestral Part|1.50|13 GMCP021-06|||9790222311930|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Oboe1|Orchestral Part|1.50|13 GMCP021-07|||9790222311947|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Oboe2|Orchestral Part|1.50|13 GMCP021-08|||9790222311954|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Clar1|Orchestral Part|1.50|13 GMCP021-09|||9790222311961|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Clar2|Orchestral Part|1.50|13 GMCP021-10|||9790222311978|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Bsn 1|Orchestral Part|1.50|13 GMCP021-11|||9790222311985|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Bsn 2|Orchestral Part|1.50|13 GMCP021-12|||9790222311992|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Horn1|Orchestral Part|1.50|13 GMCP021-13|||9790222312005|MOZART|Wolfgang Amadeus Mozart|Kind Hearts & Coronets (Lane) Horn2|Orchestral Part|1.50|13 GMCP022|Ivor Novello
KEEP THE HOME FIRES BURNING for choir & orchestra
Goodmusic Concert Pops GMCP022|Orchestration: 2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (3 players: Triangle, Snare Drum, Cymbals (clashed))
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir

Ivor Novello was born David Ivor Davies, and in 1910 had his first song published. After the outbreak of war in 1914, his mother, Clara, tried to persuade her son to write a patriotic song. He refused at first, but Clara had other ideas and composed a song herself, which was so crass that Ivor decided he would write a better one, which was the precise reaction Clara had intended all along! Ivor scribbled a few lines to go with the tune and a family friend, an American lady writer, Lena Guilbert Ford, completed the words. A few weeks later, it was first performed at the Alhambra Theatre, Leicester Square, by Miss Sybil Vane, accompanied by Ivor Novello, to huge success, with the audience joining in and thus launching Ivor to immediate stardom. Mrs Ford had no business sense and never received any royalties - and with sad irony, died when a bomb from a Zeppelin raid dropped on her Maida Vale house in 1918.
"Till the Boys Come Home" was the original title, but it gradually became known by the first rather than the last line of its refrain, namely, "Keep the Home Fires Burning". In this arrangement for choir, the Soprano (or Tenor) Solo begins and is gradually joined by the chorus, at first in commenting phrases during gaps and held notes, before taking over. There were some alternative versions published to a few of the lines, which gave the song a more general appeal, rather than referring specifically to England and the Great War and it is these alternatives which are used in this arrangement. The song also enjoyed great popularity through many well-known artists such as John McCormack recording it and it retained its popularity throughout World War Two and onwards.
Duration 4 minutes

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Choral scores are sold separately for SATB (GM390), SA+Men (GM391), SSA (GM392) or TTBB (GM393).|9790222321823|NOVELLO|Ivor Novello|Keep the Home Fires Burning Pack|Orchestra|40.00|525 GMCP022-00|||9790222321830|NOVELLO|Ivor Novello|Keep the Home Fires Burning Score|Orchestral Score|6.00|63 GMCP022-01|||9790222321847|NOVELLO|Ivor Novello|Keep the Home Fires Burning Vln 1|Orchestral Part|1.50|13 GMCP022-02|||9790222321854|NOVELLO|Ivor Novello|Keep the Home Fires Burning Vln 2|Orchestral Part|1.50|13 GMCP022-03|||9790222321861|NOVELLO|Ivor Novello|Keep the Home Fires Burning Viola|Orchestral Part|1.50|13 GMCP022-04|||9790222321878|NOVELLO|Ivor Novello|Keep the Home Fires Burning Cello|Orchestral Part|1.50|13 GMCP022-05|||9790222321885|NOVELLO|Ivor Novello|Keep the Home Fires Burning Bass|Orchestral Part|1.50|13 GMCP022-06|||9790222321892|NOVELLO|Ivor Novello|Keep the Home Fires Burning Flute 1|Orchestral Part|1.50|13 GMCP022-07|||9790222321908|NOVELLO|Ivor Novello|Keep the Home Fires Burning Flute 2|Orchestral Part|1.50|13 GMCP022-08|||9790222321915|NOVELLO|Ivor Novello|Keep the Home Fires Burning Oboe 1|Orchestral Part|1.50|13 GMCP022-09|||9790222321922|NOVELLO|Ivor Novello|Keep the Home Fires Burning Oboe 2|Orchestral Part|1.50|13 GMCP022-10|||9790222321939|NOVELLO|Ivor Novello|Keep the Home Fires Burning Clar 1|Orchestral Part|1.50|13 GMCP022-11|||9790222321946|NOVELLO|Ivor Novello|Keep the Home Fires Burning Clar 2|Orchestral Part|1.50|13 GMCP022-12|||9790222321953|NOVELLO|Ivor Novello|Keep the Home Fires Burning Bsn 1|Orchestral Part|1.50|13 GMCP022-13|||9790222321960|NOVELLO|Ivor Novello|Keep the Home Fires Burning Bsn 2|Orchestral Part|1.50|13 GMCP022-14|||9790222321977|NOVELLO|Ivor Novello|Keep the Home Fires Burning Horn 1|Orchestral Part|1.50|13 GMCP022-15|||9790222321984|NOVELLO|Ivor Novello|Keep the Home Fires Burning Horn 2|Orchestral Part|1.50|13 GMCP022-16|||9790222321991|NOVELLO|Ivor Novello|Keep the Home Fires Burning Trpt 1|Orchestral Part|1.50|13 GMCP022-17|||9790222322004|NOVELLO|Ivor Novello|Keep the Home Fires Burning Trpt 2|Orchestral Part|1.50|13 GMCP022-18|||9790222322011|NOVELLO|Ivor Novello|Keep the Home Fires Burning Trb 1|Orchestral Part|1.50|7 GMCP022-19|||9790222322028|NOVELLO|Ivor Novello|Keep the Home Fires Burning Trb 2|Orchestral Part|1.50|7 GMCP022-20|||9790222322035|NOVELLO|Ivor Novello|Keep the Home Fires Burning Trb 3|Orchestral Part|1.50|7 GMCP022-21|||9790222322042|NOVELLO|Ivor Novello|Keep the Home Fires Burning Tuba|Orchestral Part|1.50|13 GMCP022-22|||9790222322059|NOVELLO|Ivor Novello|Keep the Home Fires Burning Timpani|Orchestral Part|1.50|7 GMCP022-23|||9790222322066|NOVELLO|Ivor Novello|Keep the Home Fires Burning Perc|Orchestral Part|1.50|13 GMCP023|Ivor Novello
PERCHANCE TO DREAM SELECTION for choir & orchestra
Goodmusic Concert Pops GMCP023|'"We''ll Gather Lilacs", "Love is My Reason" and "Highwayman Love".
Orchestration: 2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (1 player: Glockenspiel, Cymbals (clashed)), Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir

Of all of Ivor Novello''s hugely-successful musicals, "Perchance to Dream" received the longest run of performances, 1020 in all, at the London Hippodrome, starting in April 1945. The smash hit was "We''ll Gather Lilacs", which resonated with the feeling that the war in Europe was nearly over and that many were soon to be reunited with their loved ones after long absences. The song was published separately just before the musical was launched and Ivor was well aware that he might be able to match the success that "Keep the Home Fires Burning" had had in the Great War.
In "We''ll Gather Lilacs" there are three alternatives given for performance, bearing in mind that the sheet music version has two verses, neither of which appear in the musical, but will be familiar to many. For this version, follow the instructions in the score. To keep with the cast recording from the musical, after the eight-bar introduction, omit the verses as instructed. However, a third alternative is to carry straight on throughout, omitting verse 2 - thus ''getting the best of both worlds''!
In the second arrangement, "Love is my Reason", both the sheet music and the musical''s score begin and end with the refrain, with a solitary verse in the middle, but the original cast recording abridges the first refrain, as does this arrangement.
The third in this selection is "Highwayman Love", sung, with suitable gusto, in Act 1 by Ernestine Flavelle (Olive Gilbert, augmented by a male chorus of Highwaymen). Love is compared to a Highwayman, holding hearts to ransom with his arrows and cries of "Stand and deliver!" Fanciful stuff!
Duration 12 minutes

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Choral scores are sold separately for SATB (GM394), SA+Men (GM395), SSA (GM396) or TTBB (GM397).

"We''ll Gather Lilacs" is also published separately - GMCP024.'|9790222322110|NOVELLO|Ivor Novello|Perchance to Dream Pack|Orchestra|70.00|1088 GMCP023-00|||9790222322127|NOVELLO|Ivor Novello|Perchance to Dream Score|Orchestral Score|12.00|138 GMCP023-01|||9790222322134|NOVELLO|Ivor Novello|Perchance to Dream Violin 1|Orchestral Part|2.00|25 GMCP023-02|||9790222322141|NOVELLO|Ivor Novello|Perchance to Dream Violin 2|Orchestral Part|2.00|25 GMCP023-03|||9790222322158|NOVELLO|Ivor Novello|Perchance to Dream Viola|Orchestral Part|2.00|25 GMCP023-04|||9790222322165|NOVELLO|Ivor Novello|Perchance to Dream Cello|Orchestral Part|2.00|25 GMCP023-05|||9790222322172|NOVELLO|Ivor Novello|Perchance to Dream Bass|Orchestral Part|2.00|25 GMCP023-06|||9790222322189|NOVELLO|Ivor Novello|Perchance to Dream Flute 1|Orchestral Part|2.00|25 GMCP023-07|||9790222322196|NOVELLO|Ivor Novello|Perchance to Dream Flute 2|Orchestral Part|2.00|25 GMCP023-08|||9790222322202|NOVELLO|Ivor Novello|Perchance to Dream Oboe 1|Orchestral Part|2.00|25 GMCP023-09|||9790222322219|NOVELLO|Ivor Novello|Perchance to Dream Oboe 2|Orchestral Part|2.00|25 GMCP023-10|||9790222322226|NOVELLO|Ivor Novello|Perchance to Dream Clarinet 1|Orchestral Part|2.00|25 GMCP023-11|||9790222322233|NOVELLO|Ivor Novello|Perchance to Dream Clarinet 2|Orchestral Part|2.00|25 GMCP023-12|||9790222322240|NOVELLO|Ivor Novello|Perchance to Dream Bassoon 1|Orchestral Part|2.00|25 GMCP023-13|||9790222322257|NOVELLO|Ivor Novello|Perchance to Dream Bassoon 2|Orchestral Part|2.00|25 GMCP023-14|||9790222322264|NOVELLO|Ivor Novello|Perchance to Dream Horn 1|Orchestral Part|2.00|25 GMCP023-15|||9790222322271|NOVELLO|Ivor Novello|Perchance to Dream Horn 2|Orchestral Part|2.00|25 GMCP023-16|||9790222322288|NOVELLO|Ivor Novello|Perchance to Dream Trumpet 1|Orchestral Part|2.00|25 GMCP023-17|||9790222322295|NOVELLO|Ivor Novello|Perchance to Dream Trumpet 2|Orchestral Part|2.00|25 GMCP023-18|||9790222322301|NOVELLO|Ivor Novello|Perchance to Dream Trombone 1|Orchestral Part|2.00|25 GMCP023-19|||9790222322318|NOVELLO|Ivor Novello|Perchance to Dream Trombone 2|Orchestral Part|2.00|25 GMCP023-20|||9790222322325|NOVELLO|Ivor Novello|Perchance to Dream Trombone 3|Orchestral Part|2.00|25 GMCP023-21|||9790222322332|NOVELLO|Ivor Novello|Perchance to Dream Tuba|Orchestral Part|2.00|25 GMCP023-22|||9790222322349|NOVELLO|Ivor Novello|Perchance to Dream Timpani|Orchestral Part|2.00|25 GMCP023-23|||9790222322356|NOVELLO|Ivor Novello|Perchance to Dream Percussion|Orchestral Part|2.00|25 GMCP023-24|||9790222322363|NOVELLO|Ivor Novello|Perchance to Dream Harp|Orchestral Part|3.00|50 GMCP024|'Ivor Novello
WE''LL GATHER LILACS for choir & orchestra
Goodmusic Concert Pops GMCP024'|'Orchestration: 2 Flutes (2nd db.piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion (1 player: Glockenspiel, Cymbals (clashed)), Harp (or Keyboard)
Strings (Violin 1, Violin 2, Viola, Cello, Bass)
Choir

Of all of Ivor Novello''s hugely-successful musicals, "Perchance to Dream" received the longest run of performances, 1020 in all, at the London Hippodrome, starting in April 1945. The smash hit was "We''ll Gather Lilacs", which resonated with the feeling that the war in Europe was nearly over and that many were soon to be reunited with their loved ones after long absences. The song was published separately just before the musical was launched and Ivor was well aware that he might be able to match the success that "Keep the Home Fires Burning" had had in the Great War.
The story centres around a country house called Huntersmoon and the events happening there from the Regency period, (Act 1), the Victorian period (Act 2) and Modern Times, which ends Act 2. Some actors, Ivor Novello included, thus played three characters. "We''ll Gather Lilacs" appears in the Victorian period as a duet between Veronica (Muriel Barron) and Mrs Bridport (Olive Gilbert).
In this choral arrangement there are three alternatives given for performance, bearing in mind that the sheet music version has two verses, neither of which appear in the musical, but will be familiar to many. For this version, follow the instructions in the score. To keep with the cast recording from the musical, after the eight-bar introduction, omit the verses as instructed. However, a third alternative is to carry straight on throughout, omitting verse 2 - thus getting the best of both worlds!
Such was the popularity of Ivor Novello, over ten thousand people, including Lady Churchill, lined the streets on the route from central London to the site of his funeral at Golders Green Cemetery, where Olive Gilbert sang "We''ll Gather Lilacs". The last two lines of the song were subsequently engraved on Ivor''s headstone.
Duration 6 minutes

A PACK comprises an A4 sized full score plus a complete set of parts including strings 4/4/3/4/2.
Choral scores are sold separately for SATB (GM398), SA+Men (GM399), SSA (GM400) or TTBB (GM401).'|9790222322424|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Pack'|Orchestra|40.00|550 GMCP024-00|||9790222322431|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Score'|Orchestral Score|6.00|63 GMCP024-01|||9790222322448|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Violin 1'|Orchestral Part|1.50|13 GMCP024-02|||9790222322455|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Violin 2'|Orchestral Part|1.50|13 GMCP024-03|||9790222322462|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Viola'|Orchestral Part|1.50|13 GMCP024-04|||9790222322479|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Cello'|Orchestral Part|1.50|13 GMCP024-05|||9790222322486|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Bass'|Orchestral Part|1.50|13 GMCP024-06|||9790222322493|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Flute 1'|Orchestral Part|1.50|13 GMCP024-07|||9790222322509|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Flute 2'|Orchestral Part|1.50|13 GMCP024-08|||9790222322516|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Oboe 1'|Orchestral Part|1.50|13 GMCP024-09|||9790222322523|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Oboe 2'|Orchestral Part|1.50|13 GMCP024-10|||9790222322530|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Clarinet 1'|Orchestral Part|1.50|13 GMCP024-11|||9790222322547|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Clarinet 2'|Orchestral Part|1.50|13 GMCP024-12|||9790222322554|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Bassoon 1'|Orchestral Part|1.50|13 GMCP024-13|||9790222322561|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Bassoon 2'|Orchestral Part|1.50|13 GMCP024-14|||9790222322578|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Horn 1'|Orchestral Part|1.50|13 GMCP024-15|||9790222322585|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Horn 2'|Orchestral Part|1.50|13 GMCP024-16|||9790222322592|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Trumpet 1'|Orchestral Part|1.50|13 GMCP024-17|||9790222322608|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Trumpet 2'|Orchestral Part|1.50|13 GMCP024-18|||9790222322615|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Trombone 1'|Orchestral Part|1.50|13 GMCP024-19|||9790222322622|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Trombone 2'|Orchestral Part|1.50|13 GMCP024-20|||9790222322639|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Trombone 3'|Orchestral Part|1.50|13 GMCP024-21|||9790222322646|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Tuba'|Orchestral Part|1.50|13 GMCP024-22|||9790222322653|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Timpani'|Orchestral Part|1.50|13 GMCP024-23|||9790222322660|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Percussion'|Orchestral Part|1.50|13 GMCP024-24|||9790222322677|NOVELLO|Ivor Novello|'We''ll Gather Lilacs Harp'|Orchestral Part|2.00|25 GMCP025|Scott Joplin arr.Peter Lawson
THE ENTERTAINER
Goodmusic GMCP025|'Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion [3 or 4 players: Suspended Cymbal, Snare Drum,Swanee Whistle, Tambourine, Temple Blocks (5), Triangle, Glockenspiel, Xylophone]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

The Entertainer was one of the most original of many piano rags written by the American composer-pianist Scott Joplin (1868-1917). It was published in 1902, and is subtitled A Rag Time Two Step,which was a popular dance at the time. There was something of a revival in Joplin''s music after the centenary of his birth and The Entertainer was used as the theme tune in the well-known film, The Sting(1973), which won no less than seven Oscars. As a result, the tune became familiar to many. Ever since, its easy-going, memorable themes have continued to endear themselves to the listening public and to pianists of all ages, amateur and professional.
In this edition, there is an option to hear the first theme again at the end, or to end where Joplin intended, after the last of three contrasting sections. Phrasing, extra dynamics, articulation marks and suggested extra tempi instructions (i.e. all except the initial ''Not fast'') have been added, as, in the original publication, there are just occasional indications. Peter Lawson

A PACK comprises a full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 5 minutes'|9790222325050|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Pack|Orchestra|50.00|638 GMCP025-00|||9790222325067|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Score|Orchestral Score|8.00|88 GMCP025-01|||9790222325074|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Violin 1|Orchestral Part|1.50|13 GMCP025-02|||9790222325081|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Violin 2|Orchestral Part|1.50|13 GMCP025-03|||9790222325098|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Viola|Orchestral Part|1.50|13 GMCP025-04|||9790222325104|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Cello|Orchestral Part|1.50|13 GMCP025-05|||9790222325111|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Bass|Orchestral Part|1.50|13 GMCP025-06|||9790222325128|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Flute 1|Orchestral Part|1.50|13 GMCP025-07|||9790222325135|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Flute 2|Orchestral Part|1.50|13 GMCP025-08|||9790222325142|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Oboe 1|Orchestral Part|1.50|13 GMCP025-09|||9790222325159|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Oboe 2|Orchestral Part|1.50|13 GMCP025-10|||9790222325166|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Clarinet 1|Orchestral Part|1.50|13 GMCP025-11|||9790222325173|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Clarinet 2|Orchestral Part|1.50|13 GMCP025-12|||9790222325180|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Bassoon 1|Orchestral Part|1.50|13 GMCP025-13|||9790222325197|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Bassoon 2|Orchestral Part|1.50|13 GMCP025-14|||9790222325203|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Horn 1|Orchestral Part|1.50|13 GMCP025-15|||9790222325210|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Horn 2|Orchestral Part|1.50|13 GMCP025-16|||9790222325227|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Trumpet 1|Orchestral Part|1.50|13 GMCP025-17|||9790222325234|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Trumpet 2|Orchestral Part|1.50|13 GMCP025-18|||9790222325241|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Trombone 1|Orchestral Part|1.50|13 GMCP025-19|||9790222325258|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Trombone 2|Orchestral Part|1.50|13 GMCP025-20|||9790222325265|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Trombone 3|Orchestral Part|1.50|13 GMCP025-21|||9790222325272|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Tuba|Orchestral Part|1.50|13 GMCP025-22|||9790222325289|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Timpani|Orchestral Part|1.50|13 GMCP025-23|||9790222325296|JOPLIN|Scott Joplin|Entertainer (arr.Lawson) Percussion|Orchestral Part|2.00|25 GMCP026|Peter Lawson
TIPTOE THROUGH THE TWENTIES for orchestra
Goodmusic Concert Pops GMCP026|'Orchestration: 2 Flutes (2nd db. Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons,
2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Tuba
Timpani, Percussion [4 players: Triangle, Swanee Whistle, Snare drum, Cymbals (Hi-Hat [optional], Suspended & Clashed), Temple Blocks, Tambourine, Bass Drum, Glockenspiel, Xylophone]
Strings (Violin 1, Violin 2, Viola, Cello, Bass)

A medley of songs from the 1920s that are still popular today, 100 years on! Tip-toe Thru'' the Tulips - Music by Joe Burke, Words by Al Dubin (1929), They Didn''t Believe Me - Music by Jerome Kern, Words by Herbert Reynolds (1914), My Blue Heaven - Music by Walter Donaldson, Words by George Whiting (1927) and Yes, Sir, That''s My Baby - Music by Walter Donaldson, Words by Gus Kahn (1925) all arranged for concert orchestra by Peter Lawson.

A PACK comprises a full score plus a complete set of parts including strings 4/4/3/4/2.
Duration 7 minutes'|9790222327832|LAWSON|Peter Lawson|Tiptoe Through the Twenties Pack|Orchestra|50.00|647 GMCP026-00|||9790222327849|LAWSON|Peter Lawson|Tiptoe Through the Twenties Score|Orchestral Score|8.00|88 GMCP026-01|||9790222327856|LAWSON|Peter Lawson|Tiptoe Through the Twenties Violin1|Orchestral Part|1.50|13 GMCP026-02|||9790222327863|LAWSON|Peter Lawson|Tiptoe Through the Twenties Violin2|Orchestral Part|1.50|13 GMCP026-03|||9790222327870|LAWSON|Peter Lawson|Tiptoe Through the Twenties Viola|Orchestral Part|1.50|13 GMCP026-04|||9790222327887|LAWSON|Peter Lawson|Tiptoe Through the Twenties Cello|Orchestral Part|1.50|13 GMCP026-05|||9790222327894|LAWSON|Peter Lawson|Tiptoe Through the Twenties Bass|Orchestral Part|1.50|13 GMCP026-06|||9790222327900|LAWSON|Peter Lawson|Tiptoe Through the Twenties Flute 1|Orchestral Part|1.50|13 GMCP026-07|||9790222327917|LAWSON|Peter Lawson|Tiptoe Through the Twenties Flute 2|Orchestral Part|1.50|13 GMCP026-08|||9790222327924|LAWSON|Peter Lawson|Tiptoe Through the Twenties Oboe 1|Orchestral Part|1.50|13 GMCP026-09|||9790222327931|LAWSON|Peter Lawson|Tiptoe Through the Twenties Oboe 2|Orchestral Part|1.50|13 GMCP026-10|||9790222327948|LAWSON|Peter Lawson|Tiptoe Through the Twenties Clar 1|Orchestral Part|1.50|13 GMCP026-11|||9790222327955|LAWSON|Peter Lawson|Tiptoe Through the Twenties Clar 2|Orchestral Part|1.50|13 GMCP026-12|||9790222327962|LAWSON|Peter Lawson|Tiptoe Through the Twenties Bsn 1|Orchestral Part|1.50|13 GMCP026-13|||9790222327979|LAWSON|Peter Lawson|Tiptoe Through the Twenties Bsn 2|Orchestral Part|1.50|13 GMCP026-14|||9790222327986|LAWSON|Peter Lawson|Tiptoe Through the Twenties Horn 1|Orchestral Part|1.50|13 GMCP026-15|||9790222327993|LAWSON|Peter Lawson|Tiptoe Through the Twenties Horn 2|Orchestral Part|1.50|13 GMCP026-16|||9790222328006|LAWSON|Peter Lawson|Tiptoe Through the Twenties Trpt 1|Orchestral Part|1.50|13 GMCP026-17|||9790222328013|LAWSON|Peter Lawson|Tiptoe Through the Twenties Trpt 2|Orchestral Part|1.50|13 GMCP026-18|||9790222328020|LAWSON|Peter Lawson|Tiptoe Through the Twenties Trb 1|Orchestral Part|1.50|13 GMCP026-19|||9790222328037|LAWSON|Peter Lawson|Tiptoe Through the Twenties Trb 2|Orchestral Part|1.50|13 GMCP026-20|||9790222328044|LAWSON|Peter Lawson|Tiptoe Through the Twenties Trb 3|Orchestral Part|1.50|13 GMCP026-21|||9790222328051|LAWSON|Peter Lawson|Tiptoe Through the Twenties Tuba|Orchestral Part|1.50|13 GMCP026-22|||9790222328068|LAWSON|Peter Lawson|Tiptoe Through the Twenties Timpani|Orchestral Part|1.50|13 GMCP026-23|||9790222328075|LAWSON|Peter Lawson|Tiptoe Through the Twenties Perc|Orchestral Part|2.00|25 L1016||||ANDERSON|William Henry Anderson|Load of Turnips|Choir - Unison voices|1.50|13 L102||||TELFER|Nancy Telfer|Double Talk (SA, TB, or SB)|Choir - 2 part upper voices|1.50|13 L103||||TELFER|Nancy Telfer|Sing Praises|Choir - Mixed voices (SATB)|4.00|63 L104||||TELFER|Nancy Telfer|Man Under the Bed|Choir - Mixed voices (SATB)|3.50|50 L105||||TELFER|Nancy Telfer|Missa Brevis|Choir - 3 part upper voices|3.50|50 L106||||TELFER|Nancy Telfer|From Quiet Winter Skies|Choir - Mixed voices (SATB)|6.25|100 L107||||HATCH|Winnagene Hatch|Choral Communion|Choir - Mixed voices (SATB)|2.75|28 L1079||||ROWLEY|Alec Rowley|Twenty Maids|Choir - Unison voices|1.50|13 L108||||HATCH|Winnagene Hatch|Behold A Simple Tender Babe|Choir - Mixed voices (SATB)|1.50|13 L1080||||ROWLEY|Alec Rowley|In Twinkledown Valley|Choir - Unison voices|1.50|13 L1085||||KURTH|Burton Kurth|Rock the Cradle|Choir - Unison voices|1.50|10 L1096||||DAVENPORT|Gladys Davenport|On Christmas Day|Choir - Unison voices|1.50|10 L110||||OTTO|Donna Otto|Glory Allelu|Choir - 2 part upper voices|2.00|25 L1101||||DUNHILL|Thomas Dunhill|'April''s A Lovely Lady'|Choir - Unison voices|1.50|13 L112||||TELFER|Nancy Telfer|Double Talk 2 (SA, TB, or SB)|Choir - 2 part upper voices|1.50|13 L1135||||BELYEA|Warren Herbert Belyea|Monkeys / Ducks (from the Zoo)|Choir - Unison voices|1.50|13 L114||||TELFER|Nancy Telfer|Owl and the Pussycat|Choir - Unison voices|2.00|25 L1140||||TELFER|Nancy Telfer|Day Before Christmas|Choir - Unison voices|1.50|13 L1141||||TELFER|Nancy Telfer|Searching for a Gift|Choir - Unison voices|1.50|10 L1144||||CRAWLEY|Clifford Crawley|Songs of the Settlers|Choir - Unison voices|2.75|38 L1146||||TELFER|Nancy Telfer|Lullaby|Choir - Unison voices|1.50|13 L1147||||TELFER|Nancy Telfer|Noise|Choir - Unison voices|1.50|13 L115||||TELFER|Nancy Telfer|Magnificat|Choir - 3 part upper voices|2.75|38 L1160||||COOK|Melville Cook|Character of A Happy Life|Choir - Unison voices|2.00|25 L1162||||ANDERSON|William Henry Anderson|Now the Cold Winter Days|Choir - Unison voices|1.50|13 L1164||||TELFER|Nancy Telfer|Fais Dodo|Choir - Unison voices|2.00|25 L1165||||TELFER|Nancy Telfer|Lion Et Le Rat|Choir - Unison voices|2.00|25 L1166||||TELFER|Nancy Telfer|Maison Que Jacques Batie|Choir - Unison voices|2.00|25 L1173||||SHAW ML|Marshall L. Shaw|Swamp Critters|Choir - Unison voices|2.00|25 L1179||||BELYEA|Warren Herbert Belyea|Winter-time|Choir - Unison voices|1.50|13 L118||||COAKLEY|Donald Coakley|'Winter''s Gone and Past'|Choir - Mixed voices (SATB)|2.00|25 L1180||||GOULD|Raymond Gould|Merry Christmas, Mother Earth|Choir - 2 part upper voices|2.00|25 L1181||||TELFER|Nancy Telfer|'Mon Adresse (Voyages d''un Esprit)'|Choir - Unison voices|1.50|13 L1182||||TELFER|Nancy Telfer|'Chez Moi (Voyages d''un Esprit)'|Choir - Unison voices|1.50|13 L1184||||FLEMING|Gordon M. Fleming|Sing Spring|Choir - Unison voices|1.50|13 L1185||||SHAW ML|Marshall L. Shaw|Fantasy Songs|Choir - Unison voices|2.00|25 L1187||||SHAW ML|Marshall L. Shaw|Mystical Garden|Choir - 2 part upper voices|1.50|13 L1189||||SIMITUK|John Simituk|Catch A Little Sunbeam|Choir - Unison voices|1.50|13 L119||||COAKLEY|Donald Coakley|Rattle On the Stovepipe|Choir - Mixed voices (SATB)|4.00|63 L1190||||TELFER|Nancy Telfer|Dream (la Reve)|Choir - Unison voices|2.00|25 L1191||||TURNBULL|Brian L. Turnbull|Lullaby for Jesus|Choir - Unison voices|1.50|13 L1192||||CHAPPEL|Paul Chappel|Dinosaurs Dance in My Dreams|Choir - Unison voices|1.50|13 L1193||||CRAWLEY|Clifford Crawley|Trolls|Choir - Unison voices|1.50|13 L1194||||GRAHAM R|Richard Graham|Animal Cracker Animals|Choir - Unison voices|2.00|25 L1195||||SIMITUK|John Simituk|Just Like A Tree|Choir - Unison voices|1.50|13 L1196||||COGHLAN M|Michael Coghlan|Scat Cat|Choir - Unison voices|2.00|25 L1197||||READ|Ronald Read|Love in A Magical Way|Choir - Unison voices|2.00|25 L1199||||TREMAIN|Ronald Tremain|Five Traditional Nursery Rhymes 1|Choir - Unison voices|2.00|25 L120||||TELFER|Nancy Telfer|Body Talk|Choir - 2 part upper voices|1.50|13 L1200||||TREMAIN|Ronald Tremain|Five Traditional Nursery Rhymes 2|Choir - Unison voices|2.00|25 L1201||||HENDERSON RW|Ruth Watson Henderson|Lullaby for the Christ Child|Choir - Unison voices|2.00|25 L1202||||HENDERSON RW|Ruth Watson Henderson|Four is Wonderful+My Dreams|Choir - Unison voices|2.00|19 L1203||||HENDERSON RW|Ruth Watson Henderson|'La Chasse and L''ete'|Choir - Unison voices|2.00|25 L1204||||HENDERSON RW|Ruth Watson Henderson|Robin (with flute+cello)|Choir - Unison voices|2.75|38 L1208||||HENDERSON RW|Ruth Watson Henderson|Storm (+opt xylophones)|Choir - Unison voices|2.75|28 L122||||FRITZ|Sherilyn Fritz|Moses Supposes|Choir - 3 part upper voices|2.00|25 L2020||||HANDEL GF|George Frideric Handel|Come Ever Smiling Liberty|Choir - 2 part upper voices|1.50|13 L2023||||JENKINS|Cyril Jenkins|Hot Cross Buns|Choir - 2 part upper voices|1.50|13 L2026||||SCHUBERT|Franz Schubert|Who Is Sylvia|Choir - 2 part upper voices|1.50|13 L2060||||ANDERSON|William Henry Anderson|Baby Jesus|Choir - 2 part upper voices|1.50|13 L2061||||TELFER|Nancy Telfer|Sing Me A Song|Choir - Unison voices|2.00|25 L2062||||CRAWLEY|Clifford Crawley|Green and Blue|Choir - 2 part upper voices|2.00|25 L2063||||GOULD|Raymond Gould|Ode To Planet Earth|Choir - 2 part upper voices|2.00|25 L2064||||GOULD|Raymond Gould|Together We Are Strong|Choir - 2 part upper voices|2.00|25 L2065||||CHAPPEL|Paul Chappel|Can You Hear the Whippoorwill?|Choir - 2 part upper voices|2.00|25 L2070||||TELFER|Nancy Telfer|Unicorn (Two Mythical Creatures 1)|Choir - Unison voices|2.00|25 L2071||||TELFER|Nancy Telfer|Dragon (Two Mythical Creatures 2)|Choir - Unison voices|2.00|25 L2072||||CASSILS C|Craig Cassils|May I Learn To Be Silent|Choir - 2 part upper voices|2.00|25 L2073||||FLETCHER L|Linda Fletcher|Song of Sharing|Choir - Unison voices|1.50|13 L2074||||COGHLAN M|Michael Coghlan|Cool Santa|Choir - 2 part upper voices|1.50|13 L2075||||GOULD|Raymond Gould|We Wish You A Very Happy Holiday|Choir - 2 part upper voices|2.00|25 L2076||||CASSILS C|Craig Cassils|Firefly|Choir - 2 part upper voices|2.00|25 L2077||||GOULD|Raymond Gould|'Raggedy Ann ''n'' Andy'|Choir - 2 part upper voices|2.00|25 L2078||||BELL|D. Geoffrey Bell|Jazzy Rhythm of Life|Choir - 2 part upper voices|2.00|25 L2079||||GOULD|Raymond Gould|Springtime Is Calling You|Choir - 2 part upper voices|2.00|25 L2080||||TELFER|Nancy Telfer|Luriana Luralee|Choir - Unison voices|2.00|25 L2081||||BELL|D. Geoffrey Bell|My Balloon|Choir - 2 part upper voices|2.00|25 L2082||||COGHLAN M|Michael Coghlan|Seasons|Choir - Unison voices|2.00|25 L2083||||CASSILS C|Craig Cassils|'Life''s Too Short To Be Silent'|Choir - Unison voices|2.00|25 L2084||||TELFER|Nancy Telfer|There Is A Tall Fir Tree|Choir - Unison voices|2.00|25 L2085||||COGHLAN M|Michael Coghlan|Children of the Future|Choir - 2 part upper voices|2.00|25 L2086||||GOVEDAS J|John E. Govedas|Snow|Choir - 2 part upper voices|2.00|25 L2087||||CASSILS C|Craig Cassils|Will You Stand By Me?|Choir - 2 part upper voices|3.50|50 L2088||||GOULD|Raymond Gould|More Homework|Choir - 2 part upper voices|2.00|25 L2089||||COGHLAN M|Michael Coghlan|Dream A New Dream|Choir - 2 part upper voices|2.75|38 L2090||||CRAWLEY|Clifford Crawley|Late At Night|Choir - 2 part upper voices|2.00|25 L2091||||FRASER A|Anne Fraser|Love This World My Children|Choir - Unison voices|3.50|50 L2092||||TELFER|Nancy Telfer|Dream of the Sea|Choir - 2 part upper voices|2.00|25 L2093||||CRAWLEY|Clifford Crawley|Participate! (Speaker,SA,Perc,KB)|Choir - 2 part upper voices|2.00|25 L2095||||BUTLER|John and Judith Butler|Spirit of the Sun|Choir - 2 part upper voices|2.00|25 L2096||||BUTLER|John and Judith Butler|'C''est l''Au Revoir'|Choir - 2 part upper voices|2.00|25 L2097||||BELL|D. Geoffrey Bell|Have You Seen A Shooting Star?|Choir - 2 part upper voices|2.00|25 L2098||||HATCH|Winnagene Hatch|Waiting for the Sun To Come To Town|Choir - 2 part upper voices|2.00|25 L2099||||GOVEDAS J|John E. Govedas|Where Go the Boats?|Choir - 2 part upper voices|1.50|13 L2100||||GILLESPIE|Darrell Gillespie|New Hearts for A New World|Choir - 2 part upper voices|2.00|25 L2101||||BELL|D. Geoffrey Bell|Snow and Ice|Choir - 2 part upper voices|2.00|25 L2102||||BELL|D. Geoffrey Bell|Mist and Rain|Choir - 2 part upper voices|2.00|25 L2104||||FLETCHER L|Linda Fletcher|Softly Now|Choir - 2 part upper voices|1.50|13 L2111||||GOVEDAS J|John E. Govedas|Evening - A Cowboy Lullaby|Choir - 2 part upper voices|2.00|25 L2113||||HESS|Juliet Hess|Up-hill|Choir - 2 part upper voices|2.00|25 L2114||||HESS|Juliet Hess|Who Has Seen the Wind?|Choir - 2 part upper voices|2.00|25 L3003||||ANDERSON|William Henry Anderson|All Through the Night|Choir - 3 part upper voices|1.50|13 L3051||||TELFER|Nancy Telfer|St.George Missa Brevis|Choir - 3 part upper voices|2.75|38 L3052||||CRAWLEY|Clifford Crawley|Peace|Choir - 3 part upper voices|2.00|25 L3053||||BUTLER|John and Judith Butler|Sweet Spring|Choir - 2 part upper voices|2.75|38 L3055||||TELFER|Nancy Telfer|Chasing the Northern Lights|Choir - 3 part upper voices|2.00|25 L3061||||GOVEDAS J|John E. Govedas|When Icicles Hang|Choir - 3 part upper voices|2.00|25 L4030||||WILLAN|Healey Willan|Apostrophe To the Heavenly Hosts|Choir - Mixed voices (2xSATB)|9.00|150 L4077||||BORTNIANSKY|Dmitry Bortniansky|Cherubic Hymn|Choir - Mixed voices (SATB)|1.50|13 L4123||||ANDERSON|William Henry Anderson|Holy Spirit Truth Divine|Choir - Mixed voices (SATB)|2.00|25 L4124||||LEONARD|James Leonard|Gloria (with Trumpet Solo)|Choir - Mixed voices (SATB)|1.50|13 L4125||||WILLAN|Healey Willan|I Looked and Behold A White Cloud|Choir - Mixed voices (SATB)|2.00|25 L4126||||CHAPPEL|Paul Chappel|Why Do You Seek the Living....|Choir - Mixed voices (SATB)|2.00|25 L4127||||CHAPPEL|Paul Chappel|Greatest of These Is Love|Choir - Mixed voices (SATB)|2.75|38 L4128||||EGAN|Fergus P. Egan|Up To Those Bright & Gladsome Hills|Choir - Mixed voices (SATB)|2.00|25 L4129||||HATCH|Winnagene Hatch|Glory Gloria!|Choir - Mixed voices (SATB)|1.50|13 L4130||||TURNBULL|Brian L. Turnbull|Holy Baptism|Choir - Mixed voices (SATB)|1.50|13 L4131||||TURNBULL|Brian L. Turnbull|Calypso of the Shepherds|Choir - Mixed voices (SATB)|1.50|13 L4132||||HATCH|Winnagene Hatch|Song the Virgin Sang|Choir - Mixed voices (SATB)|2.00|25 L4133||||VANDERHOEK B|Bert Vanderhoek|'Watts''s Cradle Song'|Choir - Mixed voices (SATB)|2.75|38 L4134||||WILLAN|Healey Willan|Reponsaries for...Tenebrae|Choir - Mixed voices (SATB)|4.00|63 L4136||||FLETCHER L|Linda Fletcher|Olde Irish Blessing|Choir - Mixed voices (SATB)|1.50|13 L4137||||HOEK|Bert Van de Hoek|Jesus the Very Thought of Thee|Choir - Mixed voices (SATB)|2.00|25 L4138||||HODD|Jack Lorne Hodd|Christmas Eve|Choir - Mixed voices (SATB)|2.00|25 L4139||||BALES|Gerald Bales|'God''s House'|Choir - Mixed voices (SATB)|2.75|38 L4141||||BALES|Gerald Bales|Here O My Lord|Choir - Mixed voices (SATB)|1.50|13 L4142||||HOEK|Bert Van de Hoek|Boy Was Born in Bethlehem|Choir - Mixed voices (SAMen)|1.50|13 L4144||||BALES|Gerald Bales|Prayer of Penitence|Choir - Mixed voices (SATB)|1.50|13 L4145||||MCKAY|Paul K. McKay|Come To Us Lord Jesus|Choir - Mixed voices (SATB)|2.00|25 L4146||||MCKAY|Paul K. McKay|Pray One Hour|Choir - Mixed voices (SATB)|1.50|13 L4147||||WRIGHT|James Wright|Pie Jesu|Choir - Mixed voices (SATB)|2.00|25 L4152||||WILLAN|Healey Willan|Fair in Face|Choir - Mixed voices (SATB)|1.50|13 L4157||||WRIGHT|James Wright|Sing Unto the Lord|Choir - Mixed voices (SATB)|2.75|38 L4160||||WILLAN|Healey Willan|How They So Softly Rest|Choir - Mixed voices (SATB)|2.00|25 L4169|Healey Willan
O LORD OUR GOVERNOUR
Leslie Music L4169|For SATB choir and organ. Composed for the coronation of Queen Elizabeth II in 1953.||WILLAN|Healey Willan|O Lord Our Governour|Choir - Mixed voices (SATB)|2.00|25 L4170||||WILLAN|Healey Willan|Missa Brevis XI (Sancti Johannis..)|Choir - Mixed voices (SATB)|3.50|50 L5024||||TILLEY|Alexander Tilley|Vagabond Song|Choir - Unison voices|2.00|25 L5025||||TILLEY|Alexander Tilley|Song for Canada|Choir - 2 part upper voices|2.00|25 L5026||||TILLEY|Alexander Tilley|Magic Store (The)|Choir - 2 part upper voices|2.00|25 L5027||||TILLEY|Alexander Tilley|When Christ Was Born|Choir - 2 part upper voices|2.00|25 L5028||||TILLEY|Alexander Tilley|In Flanders Fields|Choir - 2 part upper voices|2.00|25 L5031||||TELFER|Nancy Telfer|Songs of Time|Choir - Mixed voices (SATB)|2.75|38 L5032||||TELFER|Nancy Telfer|Cultural Mosaic|Choir - Mixed voices (SATB)|2.00|25 L5033||||TELFER|Nancy Telfer|Reaching To the Future|Choir - Mixed voices (SATB)|2.75|38 L5035||||TELFER|Nancy Telfer|New Day To Come (unison/ssa/satb)|Choir - Mixed voices (SATB)|2.00|25 L5037||||WILLAN|Healey Willan|Jesous Ahatonhia|Choir - Mixed voices (SATB)|2.00|25 L5042||||WARRACK|David Warrack|Christmas Eve arr Patterson|Choir - Mixed voices (SATB)|2.00|25 L5043||||MURRAY S|Stephen Murray|Margery Make the Tea|Choir - Mixed voices (SATB)|2.75|38 L6007||||BELYEA|Warren Herbert Belyea|Moonlight|Choir - Male voices|1.50|13 L6008||||BRUHN|David M. Bruhn|Holy Peace|Choir - Male voices|1.50|13 L6011||||TILLEY|Alexander Tilley|In Flanders Fields|Choir - Mixed voices (SATB)|2.00|25 L7066||||HODD|Jack Lorne Hodd|Gentle Jesus Meek and Mild|Voice solo (with accompaniment)|3.50|13 L7069||||DUNCAN|Chester Duncan|Longing|Voice solo (with accompaniment)|3.50|13 L7071||||DUNCAN|Chester Duncan|Funeral Blues|Voice solo (with accompaniment)|3.50|25 L7072||||GOULD|Raymond Gould|One Tiny Babe|Voice solo (with accompaniment)|3.50|25 L7073||||LACHEUR|Rex le Lacheur|In This Glad Hour (High & Low Keys)|Voice solo (with accompaniment)|4.00|38 ORC01|Richard Ling
ORCHANICS 1
Goodmusic ORC01|Eight varied pieces for orchestra from beginner to grade 3 standard.
Orchestration
Descant recorder, Treble recorder, Flute 1, Flute 2 or Oboe, Clarinet 1, Clarinet 2, Alto Sax, Bassoon, Horn in F, Horn in Eb, Trumpet 1, Trumpet 2, Trombone (Bass clef), Trombone (Treble clef), Timpani, Drum Kit, Percussion 1, Percuission 2, Percussion 3.
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass)
Optional Piano.

This collection of books has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles. Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone, flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!
The scoring allows these pieces to be played by various combinations of instruments. Ideally, your orchestra should have some instruments from each section, but if not (for example, no brass), then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.
As well as the normal percussion parts, some of the pieces make use of a drum kit.
A PACK includes a full score and 31 parts - 2 each Violins 1, 2 and 3, Cello, Flute 1, Flute 2/Oboe and 1 of each other part except the optional Piano. All items can also be purchased separately.
Buy all three packs together and save money - order catalogue number ORC01/02/03

Orchanics 1 contains:-
Playing Tag (Richard Ling); Eastern March (Richard Ling); Autumn from Four Seasons (Vivaldi); Entertainer (Joplin); St.Anthony Chorale (Brahms/Haydn); Jazz Train (Richard Ling); Caribbean Carnival (Richard Ling); Hark the herald angels sing.|9790222276680|LING R|Richard Ling|Orchanics 1 Pack|Orchestra|60.00|928 ORC01-00|||9790222276697|LING R|Richard Ling|Orchanics 1 Full Score|Orchestral Score|12.00|140 ORC01-01|||9790222276703|LING R|Richard Ling|Orchanics 1 Violin 1|Orchestral Part|2.00|25 ORC01-02|||9790222276710|LING R|Richard Ling|Orchanics 1 Violin 2|Orchestral Part|2.00|25 ORC01-03|||9790222276727|LING R|Richard Ling|Orchanics 1 Violin 3|Orchestral Part|2.00|25 ORC01-04|||9790222276734|LING R|Richard Ling|Orchanics 1 Viola|Orchestral Part|2.00|25 ORC01-05|||9790222276741|LING R|Richard Ling|Orchanics 1 Cello|Orchestral Part|2.00|25 ORC01-06|||9790222276758|LING R|Richard Ling|Orchanics 1 Bass|Orchestral Part|2.00|25 ORC01-07|||9790222276765|LING R|Richard Ling|Orchanics 1 Descant Recorder|Orchestral Part|2.00|25 ORC01-08|||9790222276772|LING R|Richard Ling|Orchanics 1 Treble Recorder|Orchestral Part|2.00|25 ORC01-09|||9790222276789|LING R|Richard Ling|Orchanics 1 Flute 1|Orchestral Part|2.00|25 ORC01-10|||9790222276796|LING R|Richard Ling|Orchanics 1 Flute 2 or Oboe|Orchestral Part|2.00|25 ORC01-11|||9790222276802|LING R|Richard Ling|Orchanics 1 Clarinet 1|Orchestral Part|2.00|25 ORC01-12|||9790222276819|LING R|Richard Ling|Orchanics 1 Clarinet 2|Orchestral Part|2.00|25 ORC01-13|||9790222276826|LING R|Richard Ling|Orchanics 1 Alto Sax|Orchestral Part|2.00|25 ORC01-14|||9790222276833|LING R|Richard Ling|Orchanics 1 Bassoon|Orchestral Part|2.00|25 ORC01-15|||9790222276840|LING R|Richard Ling|Orchanics 1 Horn in F|Orchestral Part|2.00|25 ORC01-16|||9790222276857|LING R|Richard Ling|Orchanics 1 Horn in Eb|Orchestral Part|2.00|25 ORC01-17|||9790222276864|LING R|Richard Ling|Orchanics 1 Trumpet 1|Orchestral Part|2.00|25 ORC01-18|||9790222276871|LING R|Richard Ling|Orchanics 1 Trumpet 2|Orchestral Part|2.00|25 ORC01-19|||9790222276888|LING R|Richard Ling|Orchanics 1 Trombone Bass Clef|Orchestral Part|2.00|25 ORC01-20|||9790222276895|LING R|Richard Ling|Orchanics 1 Trombone Treble Clef|Orchestral Part|2.00|25 ORC01-21|||9790222276901|LING R|Richard Ling|Orchanics 1 Timpani|Orchestral Part|2.00|25 ORC01-22|||9790222276918|LING R|Richard Ling|Orchanics 1 Drum Kit|Orchestral Part|2.00|25 ORC01-23|||9790222276925|LING R|Richard Ling|Orchanics 1 Percussion 1|Orchestral Part|2.00|25 ORC01-24|||9790222276932|LING R|Richard Ling|Orchanics 1 Percussion 2|Orchestral Part|2.00|25 ORC01-25|||9790222276949|LING R|Richard Ling|Orchanics 1 Percussion 3|Orchestral Part|2.00|25 ORC01-26|||9790222276956|LING R|Richard Ling|Orchanics 1 Piano|Orchestral Part|5.00|48 ORC01/02/03|Richard Ling
ORCHANICS 1 + 2 + 3 Special Price
Goodmusic ORC01/02/03|Each pack contains eight varied pieces for orchestra from beginner to grade 3 standard.
Orchestration
Descant recorder, Treble recorder, Flute 1, Flute 2 or Oboe, Clarinet 1, Clarinet 2, Alto Sax, Bassoon, Horn in F, Horn in Eb, Trumpet 1, Trumpet 2, Trombone (Bass clef), Trombone (Treble clef), Timpani, Drum Kit, Percussion 1, Percuission 2, Percussion 3.
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass)
Optional Piano.

This collection of books has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles. Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone, flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!
The scoring allows these pieces to be played by various combinations of instruments. Ideally, your orchestra should have some instruments from each section, but if not (for example, no brass), then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.
As well as the normal percussion parts, some of the pieces make use of a drum kit.
A PACK includes a full score and 31 parts - 2 each Violins 1, 2 and 3, Cello, Flute 1, Flute 2/Oboe and 1 of each other part except the optional Piano. All items can also be purchased separately.
Buy all three packs together and save twenty pounds - catalogue number ORC01/02/03||LING R|Richard Ling|Orchanics 1+2+3 Packs SPECIAL PRICE|Orchestra|160.00|2784 ORC02|Richard Ling
ORCHANICS 2
Goodmusic ORC02|Eight varied pieces for orchestra from beginner to grade 3 standard.
Orchestration
Descant recorder, Treble recorder, Flute 1, Flute 2 or Oboe, Clarinet 1, Clarinet 2, Alto Sax, Bassoon, Horn in F, Horn in Eb, Trumpet 1, Trumpet 2, Trombone (Bass clef), Trombone (Treble clef), Timpani, Drum Kit, Percussion 1, Percuission 2, Percussion 3.
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass)
Optional Piano.

This collection of books has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles. Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone, flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!
The scoring allows these pieces to be played by various combinations of instruments. Ideally, your orchestra should have some instruments from each section, but if not (for example, no brass), then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.
As well as the normal percussion parts, some of the pieces make use of a drum kit.
A PACK includes a full score and 31 parts - 2 each Violins 1, 2 and 3, Cello, Flute 1, Flute 2/Oboe and 1 of each other part except the optional Piano. All items can also be purchased separately.
Buy all three packs together and save money - order catalogue number ORC01/02/03

Orchanics 2 contains:-
Marching through Mud (Richard Ling); When I was a lad (from HMS Pinafore); Ghost Ride (Richard Ling); Largo (Dvorak); Battle Zone (Richard Ling); Persian March (J Strauss II); Lazy Horse (Richard Ling); Good King Wenceslas.|9790222277090|LING R|Richard Ling|Orchanics 2 Pack|Orchestra|60.00|928 ORC02-00|||9790222277106|LING R|Richard Ling|Orchanics 2 Full Score|Orchestral Score|12.00|140 ORC02-01|||9790222277113|LING R|Richard Ling|Orchanics 2 Violin 1|Orchestral Part|2.00|25 ORC02-02|||9790222277120|LING R|Richard Ling|Orchanics 2 Violin 2|Orchestral Part|2.00|25 ORC02-03|||9790222277137|LING R|Richard Ling|Orchanics 2 Violin 3|Orchestral Part|2.00|25 ORC02-04|||9790222277144|LING R|Richard Ling|Orchanics 2 Viola|Orchestral Part|2.00|25 ORC02-05|||9790222277151|LING R|Richard Ling|Orchanics 2 Cello|Orchestral Part|2.00|25 ORC02-06|||9790222277168|LING R|Richard Ling|Orchanics 2 Bass|Orchestral Part|2.00|25 ORC02-07|||9790222277175|LING R|Richard Ling|Orchanics 2 Descant Recorder|Orchestral Part|2.00|25 ORC02-08|||9790222277182|LING R|Richard Ling|Orchanics 2 Treble Recorder|Orchestral Part|2.00|25 ORC02-09|||9790222277199|LING R|Richard Ling|Orchanics 2 Flute 1|Orchestral Part|2.00|25 ORC02-10|||9790222277205|LING R|Richard Ling|Orchanics 2 Flute 2 or Oboe|Orchestral Part|2.00|25 ORC02-11|||9790222277212|LING R|Richard Ling|Orchanics 2 Clarinet 1|Orchestral Part|2.00|25 ORC02-12|||9790222277229|LING R|Richard Ling|Orchanics 2 Clarinet 2|Orchestral Part|2.00|25 ORC02-13|||9790222277236|LING R|Richard Ling|Orchanics 2 Alto Sax|Orchestral Part|2.00|25 ORC02-14|||9790222277243|LING R|Richard Ling|Orchanics 2 Bassoon|Orchestral Part|2.00|25 ORC02-15|||9790222277250|LING R|Richard Ling|Orchanics 2 Horn in F|Orchestral Part|2.00|25 ORC02-16|||9790222277267|LING R|Richard Ling|Orchanics 2 Horn in Eb|Orchestral Part|2.00|25 ORC02-17|||9790222277274|LING R|Richard Ling|Orchanics 2 Trumpet 1|Orchestral Part|2.00|25 ORC02-18|||9790222277281|LING R|Richard Ling|Orchanics 2 Trumpet 2|Orchestral Part|2.00|25 ORC02-19|||9790222277298|LING R|Richard Ling|Orchanics 2 Trombone Bass Clef|Orchestral Part|2.00|25 ORC02-20|||9790222277304|LING R|Richard Ling|Orchanics 2 Trombone Treble Clef|Orchestral Part|2.00|25 ORC02-21|||9790222277311|LING R|Richard Ling|Orchanics 2 Timpani|Orchestral Part|2.00|25 ORC02-22|||9790222277328|LING R|Richard Ling|Orchanics 2 Drum Kit|Orchestral Part|2.00|25 ORC02-23|||9790222277335|LING R|Richard Ling|Orchanics 2 Percussion 1|Orchestral Part|2.00|25 ORC02-24|||9790222277342|LING R|Richard Ling|Orchanics 2 Percussion 2|Orchestral Part|2.00|25 ORC02-25|||9790222277359|LING R|Richard Ling|Orchanics 2 Percussion 3|Orchestral Part|2.00|25 ORC02-26|||9790222277366|LING R|Richard Ling|Orchanics 2 Piano|Orchestral Part|5.00|48 ORC03|Richard Ling
ORCHANICS 3
Goodmusic ORC03|'Eight varied pieces for orchestra from beginner to grade 3 standard.
Orchestration
Descant recorder, Treble recorder, Flute 1, Flute 2 or Oboe, Clarinet 1, Clarinet 2, Alto Sax, Bassoon, Horn in F, Horn in Eb, Trumpet 1, Trumpet 2, Trombone (Bass clef), Trombone (Treble clef), Timpani, Drum Kit, Percussion 1, Percuission 2, Percussion 3.
Strings (Violin 1, Violin 2, Violin 3, Viola, Cello, Bass)
Optional Piano.

This collection of books has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles. Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone, flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!
The scoring allows these pieces to be played by various combinations of instruments. Ideally, your orchestra should have some instruments from each section, but if not (for example, no brass), then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.
As well as the normal percussion parts, some of the pieces make use of a drum kit.
A PACK includes a full score and 31 parts - 2 each Violins 1, 2 and 3, Cello, Flute 1, Flute 2/Oboe and 1 of each other part except the optional Piano. All items can also be purchased separately.
Buy all three packs together and save money - order catalogue number ORC01/02/03

Orchanics 3 contains:-
Hallelujah + Ode to joy (Handel/Beethoven); Mairi''s Wedding (Roberton); Ragtime Roundup (Richard Ling); Samborina (Richard Ling); Spring from Four Seasons (Vivaldi); Danserie (Susato); Yellow Bird (arr Ling); Silent Night.'|9790222277373|LING R|Richard Ling|Orchanics 3 Pack|Orchestra|60.00|928 ORC03-00|||9790222277380|LING R|Richard Ling|Orchanics 3 Full Score|Orchestral Score|12.00|140 ORC03-01|||9790222277397|LING R|Richard Ling|Orchanics 3 Violin 1|Orchestral Part|2.00|25 ORC03-02|||9790222277403|LING R|Richard Ling|Orchanics 3 Violin 2|Orchestral Part|2.00|25 ORC03-03|||9790222277410|LING R|Richard Ling|Orchanics 3 Violin 3|Orchestral Part|2.00|25 ORC03-04|||9790222277427|LING R|Richard Ling|Orchanics 3 Viola|Orchestral Part|2.00|25 ORC03-05|||9790222277434|LING R|Richard Ling|Orchanics 3 Cello|Orchestral Part|2.00|25 ORC03-06|||9790222277441|LING R|Richard Ling|Orchanics 3 Bass|Orchestral Part|2.00|25 ORC03-07|||9790222277458|LING R|Richard Ling|Orchanics 3 Descant Recorder|Orchestral Part|2.00|25 ORC03-08|||9790222277465|LING R|Richard Ling|Orchanics 3 Treble Recorder|Orchestral Part|2.00|25 ORC03-09|||9790222277472|LING R|Richard Ling|Orchanics 3 Flute 1|Orchestral Part|2.00|25 ORC03-10|||9790222277489|LING R|Richard Ling|Orchanics 3 Flute 2 or Oboe|Orchestral Part|2.00|25 ORC03-11|||9790222277496|LING R|Richard Ling|Orchanics 3 Clarinet 1|Orchestral Part|2.00|25 ORC03-12|||9790222277502|LING R|Richard Ling|Orchanics 3 Clarinet 2|Orchestral Part|2.00|25 ORC03-13|||9790222277519|LING R|Richard Ling|Orchanics 3 Alto Sax|Orchestral Part|2.00|25 ORC03-14|||9790222277526|LING R|Richard Ling|Orchanics 3 Bassoon|Orchestral Part|2.00|25 ORC03-15|||9790222277533|LING R|Richard Ling|Orchanics 3 Horn in F|Orchestral Part|2.00|25 ORC03-16|||9790222277540|LING R|Richard Ling|Orchanics 3 Horn in Eb|Orchestral Part|2.00|25 ORC03-17|||9790222277557|LING R|Richard Ling|Orchanics 3 Trumpet 1|Orchestral Part|2.00|25 ORC03-18|||9790222277564|LING R|Richard Ling|Orchanics 3 Trumpet 2|Orchestral Part|2.00|25 ORC03-19|||9790222277571|LING R|Richard Ling|Orchanics 3 Trombone Bass Clef|Orchestral Part|2.00|25 ORC03-20|||9790222277588|LING R|Richard Ling|Orchanics 3 Trombone Treble Clef|Orchestral Part|2.00|25 ORC03-21|||9790222277595|LING R|Richard Ling|Orchanics 3 Timpani|Orchestral Part|2.00|25 ORC03-22|||9790222277601|LING R|Richard Ling|Orchanics 3 Drum Kit|Orchestral Part|2.00|25 ORC03-23|||9790222277618|LING R|Richard Ling|Orchanics 3 Percussion 1|Orchestral Part|2.00|25 ORC03-24|||9790222277625|LING R|Richard Ling|Orchanics 3 Percussion 2|Orchestral Part|2.00|25 ORC03-25|||9790222277632|LING R|Richard Ling|Orchanics 3 Percussion 3|Orchestral Part|2.00|25 ORC03-26|||9790222277649|LING R|Richard Ling|Orchanics 3 Piano|Orchestral Part|5.00|48